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1The core of the Retool: Anything Can Be Changed!
2
3When a work gets started out the creative group are often experimenting with the particular tone they are going for. As they find a voice and better learn the talent that is involved alterations may happen to better suit the collaborative process. Among many things that can end up changing includes altering the premise and DrivingQuestion, changing the cast, the setting moves some place more interesting, the tone skews darker or lighter, story structure finds its' formula or a general emphasis based on what elements are working best. Anything is on the table to be "tweaked" in order to improve it, ranging from [[DroppedAfterThePilot dropping superfluous characters early on]] to outright recasting them. This is generally the source of EarlyInstallmentWeirdness. If it becomes a LongRunner similar things can be attempted later in the lifespan of the work in an attempt to feel fresh and stand apart, which may result in LaterInstallmentWeirdness.
4
5Most of the more well-known retools have external causes ranging from poor UsefulNotes/{{ratings}} to [[RealLifeWritesThePlot someone leaving the show]] to [[ExecutiveMeddling network fiat]]. But the reasons can also be purely creative: there might have been very little room for [[CharacterDevelopment characters to grow]], or the previously established rules hindered story opportunities, they accidentally discovered two actors with great chemistry for a WillTheyOrWontThey plot, or just plain thought "X works better than Y." Not everything changes in the process but they are usually marked by a particular installment setting up the new status quo; some retools are subtle, some not so much. After all, drastic retooling runs the risk of alienating the current viewership ("[[TheyChangedItNowItSucks change is bad!]]")... but if it results in a new, much larger viewership, then then it is generally seen as a worthwhile trade-off.
6
7Many examples of retooling come between a show's pilot and the episodes made after the series is picked up. Others happen when a show isn't really getting off the ground or is [[SeasonalRot in decline]] and the creators want to shake things up (which can lead to JumpingTheShark if done poorly and viewers realize they are running out of ideas). When done out of nowhere in the middle of the show, then you've got yourself a WhamEpisode. A retool may also be the result of a PostScriptSeason; the series ends up going in a strange new direction because all the prior conflicts were already resolved, and new ones need to be invented.
8
9In some cases, when the retool is so ''drastically'' different, you are asked to accept what came before in BroadStrokes. Quite frequently, a retool will include one (or more) {{Tone Shift}}s.
10
11The most extreme form of retool is the ContinuityReboot; one step below that is the SoftReboot.
12
13See also: {{Retcon}}, {{Revision}}, {{Rewrite}}.
14----
15!!Examples:
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17[[index]]
18* Retool/LiveActionTV
19** ''Retool/DoctorWho''
20[[/index]]
21
22[[foldercontrol]]
23
24[[folder:Anime & Manga]]
25* ''Manga/BlackButler'' trolled the audience with the threat of a retool. The first season had a very conclusive ending: [[spoiler:Ciel dies and Sebastian, as per their contract, devours his soul]]. The first episode of season two introduces us to the Earl Trancie, a rich brat with a [[SuspiciouslySimilarSubstitute very similar backstory]] to Ciel, and his HypercompetentSidekick of a butler, Claude. The deception goes far enough to include a new opening sequence focused on them just for this episode. Then just as viewers are starting to think that this isn't the same series they liked so much, a mysterious stranger with an oddly familiar voice shows up at Trancie's front door.
26* ''Manga/DragonBall'' repeatedly changed the story's basic focus at different points of its history:
27** The first storyline was a comedic adventure with episodic stories and more of an ensemble cast. After the first summoning of Shenlong, the story switches gears, becoming a more straightforward action story with the focus being almost entirely on Goku, a format the series stuck with until the very end. Looking back it's almost hard to believe Bulma, Oolong and Yamcha were major characters.
28** Several years later, the King Piccolo saga made story become far darker in tone, more focus being placed on defeating the main villain than gathering the Dragon Balls, and TheHero requiring a power-up to defeat said villain.
29** The following Piccolo Junior Saga is considered a sort of transitory stage. Though the TimeSkip it started with wasn't longer than one before, it was the first that gave everyone has a growth spurt or new look. The main characters make prominent use of KiManipulation during the World Martial Arts Tournament, while before only they were mostly last resort trump cards.
30** The series past then, around the five years mark, shifts even more dramatically with a longer TimeSkip to when Goku has a four-year-old son. The series became much more focused on fighting 24/7, several of the past characters had their roles reduced or were outright dropped, the series gave bigger spotlights to some of the current supporting characters while often shifting Goku to the background at times, and added a much more sci-fi feeling by revealing that Goku and Piccolo Jr. are both aliens. It's not surprising that these changes in the manga were what led to the anime being renamed ''Anime/DragonBallZ''.
31* ''Manga/DrStone'' had one early in its run. Initially the protagonist was [[TheBigGuy Taiju]], and a lot of the drama was just based on the fact that he CannotSpitItOut to his LoveInterest, [[PluckyGirl Yuzuriha]]. Eventually the creator seemed to realize that their friend [[ScienceHero Senku]] was more interesting, and that a post-apocalyptic shonen story probably needed a different focus, so Taiju and Yuzuriha were temporarily PutOnABus while Senku discovered Ishigami Village and converted it into the Kingdom of Science.
32* ''Anime/PrettyCure'':
33** ''Anime/GoPrincessPrettyCure'' is essentially a massive retooling of the ''Pretty Cure'' franchise after ''Anime/HappinessChargePrettyCure'' and ''Anime/DokiDokiPrecure''. While it was still a team of girls fighting the forces of evil with magic powers, they pared back the setting to a simple school setting, made the villains credible threats without relying on DeusExMachina or DiabolusExMachina-related ploys and effectively scuttled quite a number of tropes along the way.
34** It happened much earlier with ''Anime/YesPrettyCure5'', after the financial disappointment of ''Anime/FutariWaPrettyCureSplashStar''; instead of having WonderTwinPowers, it was a five-girl (six in the sequel season ''[=GoGo!=]'') team in the vein of a ''Franchise/SuperSentai'' series.
35** ''Anime/SuitePrettyCure'' was hit with this early on. Part of the initial conflict was between Hibiki and Kanade's lingering animosity caused by an incident prior to the series' start. As well, the series had a more darker tone, keeping with how ''Anime/HeartcatchPrettyCure'' was. However, when the Sendai earthquake hit early in the run, the darker aspects were dropped and the two girls dropped their problems. This LighterAndSofter approach also bled into ''Anime/SmilePrecure'', which was simple and comedic in nature.
36* ''Franchise/{{Gundam}}'': After the lesser success of ''Anime/MobileSuitVictoryGundam'', Sunrise decided it was time for a change. Leaving behind the Universal Century, ''Anime/MobileFighterGGundam'' would begin the big round robin of alternate universes, thus no longer leaving viewers with major ContinuityLockout.
37* The original ''Anime/{{IGPX|ImmortalGrandPrix}}'' miniseries was a mecha combat tournament. The actual series is a racing anime.
38* ''Manga/JoJosBizarreAdventure'':
39** The manga underwent several, with ''[[Manga/JoJosBizarreAdventureBattleTendency Battle Tendency]]'' switching the series from a melodramatic action-horror manga to a self-aware action-based dramedy. The FranchiseCodifier would be set with ''[[Manga/JoJosBizarreAdventureStardustCrusaders Stardust Crusaders]]'' changing the format from arc-based journeys to a VillainOfTheWeek manga with overarching plots each arc, as well as better balancing out the comedic and dramatic portions.
40** Of course, ''[[Manga/JoJosBizarreAdventureStardustCrusaders Stardust Crusaders]]''' biggest change was the introduction of [[FightingSpirit Stands]], psychic entities/superpowers. Prior to this, the manga was about fighting vampires or, in Part 2, [[OurVampiresAreDifferent the super-powered race that mixed with humans to create vampires in the first place]]. From Part 3 and onwards, it's all about fighting Stand-Users, and though the BigBad ''is'' a vampire, much more focus is put on his Stand, [[MemeticMutation THE WORLD!]] Notably, in Parts 1-2 the heroes' main weapon was '[[ThePowerOfTheSun Hamon]]', a breathing technique that can harm vampires; it's used once in Part 3 and never mentioned again, nor are vampires after DIO is defeated.
41* Creator/TonkoHouse is currently planning on getting the new Netflix series "Komaneko" green-light which is a different continuity to the original Japanese stop-motion series from 2009.
42* ''Anime/PokemonTheSeries'':
43** Major retooling for the anime began after the Johto saga, when Ash would leave most of the Pokémon he carried with him at Professor Oak's and travel to the new region with just Pikachu. This is meant to create room on his team for Pokémon from the latest generation of games. [[Anime/PokemonTheSeriesRubyAndSapphire The Hoenn saga]] would also introduce a secondary plot where Ash's female companion who's also a player character in the games would compete in competitions that are different from Ash's usual badge quest.
44** Another massive retool occured for ''[[Anime/PokemonTheSeriesBlackAndWhite Best Wishes]]'', which in this case was nothing short of a SoftReboot of the entire show. ''Best Wishes'' played heavily into RevisitingTheRoots by resetting Ash's competence to that of a rookie, and once again focused on Ash needing to learn the basics of training, as well as having Ash catch more than six Pokémon at a time and putting them into rotation.
45*** In addition, this series made Team Rocket far more threatening than in previous sagas where they were everyone's {{Butt Monkey}}s. This particular element, however, didn't really stick for later sagas and they ultimately returned to being comic relief characters. Similar to Ash, their Pokémon apart from Meowth (and Wobbuffet from ''XY'' onwards) are also deposited at the Team Rocket headquarters to free up space for new Pokémon.
46** ''[[Anime/PokemonTheSeriesSunAndMoon Sun and Moon]]'' has had another one of the most drastic changes to the anime. Due to gyms not existing in ''VideoGame/PokemonSunAndMoon'', instead of traveling from town to town challenging gyms with 2 or 3 companions following his journey, Ash attends a Pokémon School with several classmates and he is also competing in the Island Challenges that's unique to ''Sun and Moon''.
47** ''Anime/PokemonJourneysTheSeries'' features the biggest overhaul so far, as it isn't a purely a ''VideoGame/PokemonSwordAndShield'' adaptation. While content from the latest games is featured, the plot has Ash travel all over the world as an assistant to a professor, with a new companion whose goal is to catch all the known Pokémon so far.
48* When ''Manga/RankingOfKings'' eventually got actual compiled manga volumes 2 years after its online debut, Sousuke made a special chapter to be retroactively included in the first volume, entitled Chapter 13.5; there it's shown Bosse quickly grew to feel torn about selling the life force of his own firstborn to grow stronger to win the war after he sees little baby Bojji, while in the series' original online run the reader didn't have any idea Bosse would eventually be revealed to be a very layered character much later in the story. Back then, it seemed Bosse selfishly made a DealwithTheDevil without thinking, so said new chapter prepares new followers right away for what is to come.
49* The original anime adaptation of ''Manga/RanmaOneHalf'' originally lasted for eighteen episodes and aired on Fuji TV, but was canceled due to low ratings. The show's crew regrouped, gave the show a retool (most notably, the boys in Ranma's school now are completely oblivious to his transformation into a girl, whereas in the manga, they were fully aware) and relaunched it one month later as ''Ranma 1/2: Netto-hen", which proceeded to last for 143 episodes, two movies and a number of [=OVA=]s.
50* ''Anime/YokaiWatch'' got a retool as well, with the fourth film ''Anime/YokaiWatchShadowsideTheReturnOfTheOniKing'' as the starting point of the Shadowside Project, and ''Anime/YokaiWatchShadowside'' serving as a sequel series. The tone this time is noticeably [[DarkerAndEdgier more serious]] than the first anime, while mantaining some of its signature humor -albeit gags are less frecquent-, and instead focuses more on battles in addition to being plot-driven, complete with antagonists who appear in most episodes as opposed to the two-time Kin and Gin in the original series. Fittingly, the anime series now has a single-episode format instead of being broken in segments. As for the main cast, some of the human characters (Natsume and Keisuke) are Nate's children and three of the main characters are older than Nate (as at least two of them, Natsume and Touma, are junior high schoolers). The Yo-kai themselves also got a redesign on two forms both looking less cartoonish: The now default Lightside form and the combat-oriented (and much fiercer looking) Shadowside form, most notably with Jibanyan, Komasan, and Whisper. ''Yo-kai Watch 4'' for the Switch featured ''Shadowside'' characters, and a line of toys -the Yo-kai Watch Elder and Yo-kai Arks- joined the Yo-kai Watch Ogre, Fudou Raimeiken and Enma Agito which were released at the time of the fourth movie.
51* The third season of ''Anime/YuGiOhGX'' drops the HighSchool esque ''Duel Academy'' setting in favor of a [[DarkerAndEdgier much darker]] TrappedInAnotherWorld story where a lot of characters ended up dying. [[spoiler: [[BackFromTheDead Or at least were believed to be dead]], most got better]]. The darker tone also carried over to the fourth season which also laid more focus on the characters ComingOfAgeStory.
52[[/folder]]
53
54[[folder:Comic Books]]
55* ''Creator/ArchieComics'':
56** ''ComicBook/JosieAndThePussycats'' began as a comic called ''She's Josie''' (shortly afterward it was called simply 'Josie'). It was basically a DistaffCounterpart of ''ComicBook/{{Archie|Comics}}''. When Hanna-Barbera asked the Archie company for another group to mimic the success of ''WesternAnimation/{{The Archie|Show}}s'' (and, more importantly, the success of the hit song from said cartoon "[[http://en.wikipedia.org/wiki/Sugar,_Sugar Sugar, Sugar]]), Josie suddenly shifted into being defined by her existence in a band. Best friend Pepper was dropped, the TokenBlackFriend Valerie was added, and the focus of the feature became "traveling band" instead of a regular teens in high school. All for make the upcoming [[WesternAnimation/JosieAndThePussyCats cartoon]] more "accessible".
57*** The cartoon itself was retooled for its second season - they went [[InSpace into outer space]].
58** Several over the ''ComicBook/SabrinaTheTeenageWitch'' series' comic book run:
59*** A new "Sabrina" comic series was introduced shortly after the debut of the [[Series/SabrinaTheTeenageWitch 1996 live-action sitcom]]. This series ran for 32 issues, between 1997 and December 1999. The new series incorporated elements from the live-action sitcom, including modernized fashions and appearances for the aunts, and Salem's personality and backstory.
60*** Starting in January 2000, Archie rebooted the series from #1, this time based upon the [[WesternAnimation/SabrinaTheAnimatedSeries 2000 animated series]] (the final issue of the 1997-1999 series had acted as a transition between the two adaptations). This new title was simply titled ''Sabrina'' and lasted for 37 issues; issue #38 acted as a transition issue, as the series was retitled ''Sabrina The Teenage Witch'' and resumed the conventional high school setting. However, elements of the live-action sitcom (Salem's backstory, the modernized appearances of Hilda and Zelda) were retained, along with the name of Sabrina's hometown (Greendale) from the animated series being incorporated into the comics.
61*** Again in 2004, with issue #58, the comics were taken over by Tania del Rio with her manga-inspired art and design style. Concurrent with this, the comic ceased to be connected to either the live-action or animated series. The comics were then released featuring new characters and a slightly more serious, continuity-heavy plot. The manga Sabrina story wrapped up at issue #100 in 2009, albeit with a few unresolved subplots.
62** ''ComicBook/KatyKeene'' had two revivals, each retooling the story their own ways.
63** Thanks to a heaping dose of ScrewedByTheLawyers, ''ComicBook/SonicTheHedgehogArchieComics'' underwent a major retooling, returning the series to its game roots and jettisoning 20 years of KudzuPlot, RomanticPlotTumor and many other problems.
64* The ''ComicBook/{{Asterix}}'' album ''Astérix and the Falling Sky'' completely shifted the focus, theme and and tone of the series, transforming a historical comedy into a science fiction pop culture reference smorgasbord.
65* The "Batgirl of Burnside" revamp for the ComicBook/New52 ''ComicBook/{{Batgirl|2011}}'' series. Long story short, a new creative team took over the book and instantly gave it a LighterAndSofter tone, with Barbara moving to a trendy new neighborhood and becoming a hipster. She was also redesigned to have a more practical costume, which went over big with female readers. The book's success inspired a lot of [[FollowTheLeader imitators]], with various other heroes suddenly getting similar makeovers and plot elements RippedFromTheHeadlines.
66* ''ComicBook/{{Batwing}}'' started off as a series about the exploits of the Batman of Africa. After 18 issues, it suddenly got retooled into a series about the adventures of the son of longtime Batman ally Lucius Fox.
67* ''ComicBook/TheDefenders'' went through this several times:
68** It started off as a book with a fluid, non-committal roster usually anchored by the [[ComicBook/TheIncredibleHulk Hulk]], ComicBook/DoctorStrange, [[ComicBook/SubMariner Namor]], and the ComicBook/SilverSurfer. At issue #125, the title was renamed ''The New Defenders'' and the roster was changed to a more official, government-sanctioned team consisting of Beast, Angel, Iceman, Gargoyle, Valkyrie, and Moondragon. Writer J.M. [=DeMatteis=] quickly left the title after realizing he'd sacrificed the book's more quirky, offbeat tone in favor of making it into another run of the mill ''[[ComicBook/TheAvengers Avengers]]'' clone.
69** The title was revived in the 90's as ''The Secret Defenders'', which featured a revolving door HeroesUnlimited cast.
70** In 2013 it was relaunched as ''ComicBook/FearlessDefenders'', an [[AmazonBrigade all-female]] team anchored by Valkyrie and Misty Knight.
71* Following the death of Johnny Storm, the ComicBook/FantasticFour had undergone a temporary change with them becoming the Future Foundation. This had involved them donning black and white uniforms, adding ComicBook/SpiderMan to the team to replace Johnny, who had specifically named his old pal Spidey for the position in his will, bringing Doctor Doom and Mister Fantastic's time traveling father along for the ride and becoming a sort of superhero think tank. This new series ended up being well received.
72** In the late-1980s, Steve Engelhart tried to spruce things up with the 'NEW' Fantastic Four, with Reed and Sue PutOnABus and replaced with Crystal and the second ComicBook/MsMarvel.
73* The Dutch comic series ''ComicBook/GillesDeGeus'' originally began as a gag comic, with stories that spanned only 1 - 3 pages, in which Gilles was a HeroAntagonist (he was a highwayman), and StatusQuoIsGod was in full effect. Starting from the story "Storm over Dubbeldam", the comic underwent a complete overhaul; it shifted to full length stories, broke the status quo by having Gilles leave his old home and join a travelling band of Geuzen, and Gilles himself became a genuine hero.
74* ComicBook/GreenArrow started off as a campy ComicBook/{{Batman}} [[{{Expy}} wannabe]]. But during the 1970's, he was reimagined as a more liberal, street-level hero with a social justice slant. He began crusading against societal injustices and became an advocate for victims of oppression, often with a decreased focus on the bigger, more bombastic threats he used to face in the pages of ''ComicBook/JusticeLeagueOfAmerica''.
75** The ComicBook/{{New 52}} ''Green Arrow'' volume underwent one as well. The first year or so of the title brought the character back to his Batman-ish roots and had an increased emphasis on the CrimeFightingWithCash aspect. After this move was widely panned, Jeff Lemire took over the title at issue #17 and removed all of the corporate and high-tech trappings in favor of a DarkerAndEdgier street level feel.
76* The Detroit-era ''ComicBook/JusticeLeagueOfAmerica''. Basically, ''Justice League'' wasn't as popular as it'd been in its heyday, so Gerry Conway got rid of most of the heavy hitters like ComicBook/{{Batman}}, ComicBook/{{Superman}} and ComicBook/WonderWoman in order to focus on a younger, more diverse team of new characters like ComicBook/{{Vixen}}, Gypsy and Vibe. He was hoping to ape the success of the ''New ComicBook/TeenTitans'' and the ''ComicBook/XMen'', but [[AudienceAlienatingEra it went over about as well as you'd expect]]. Thankfully, its failure led to a more successful ReTool: ''ComicBook/JusticeLeagueInternational''. The series was an action-comedy starring a new League with a more international purview, and consisted mostly of B and C-list characters like Black Canary, [[ComicBook/GreenLantern Guy Gardner]], ComicBook/BlueBeetle and ComicBook/BoosterGold, with Batman and Martian Manhunter as the sole holdovers from the original team.
77* By 1968, the ComicBook/MetalMen were among the DenserAndWackier of Creator/DCComics' output. That all changed in Metal Men #33, which began a StoryArc where the team could not control their increased powers and find themselves hunted by humans, who turned against them. It came to a head in #37, where the Metal Men were finally apprehended and left for dead in a junkyard. Mister Conan salvaged them and [[TheyLookLikeUsNow gave them human identities]] so they could continue to help the world in secret.
78* ''ComicBook/MortadeloYFilemon'': Mortadelo and Filemón originally had a private detective agency and were a parody of Literature/SherlockHolmes and Watson (the comic's original title was "Mortadelo y Filemón - Agencia de Información"), not the ''Film/JamesBond'' parody they eventually became. [[TheArtifact As a relic of that time]], Mortadelo still calls Filemón "Boss", despite they don't seem to have much different responsabilities in the T.I.A.
79* DC's ''ComicBook/New52'' relaunch has one foot in the ContinuityReboot camp and another in the retool camp. Some characters got retold origins and backstories (Superman had his early days retold, with him now being the first superhero in the DCU) while others simply got a change to the status quo (Bruce Wayne was the only ComicBook/{{Batman}} again, with Dick Grayson going back to ComicBook/{{Nightwing}} and Damian remaining as Robin).
80** The ComicBook/DCRebirth relaunch is primarily a retool with some retconning, moving away from the New 52's DarkerAndEdgier approach and aiming to give the DCU some direction and history again.
81* The ''ComicBook/NewAvengers'':
82** Volumes 1 and 2 featured a new roster of heroes assembled to replace the recently [[ComicBook/AvengersDisassembled disbanded]] [[ComicBook/TheAvengers Avengers]]. It was a fairly straightforward superhero series.
83** Volume 3 from the ComicBook/MarvelNOW relaunch was a completely unrelated title starring ComicBook/BlackPanther and ComicBook/TheIlluminati as they attempted to protect the planet from {{Multivers|e}}al incursions. The series was part of ComicBook/TheAvengersJonathanHickman and involved heavy amounts of GreyAndGrayMorality.
84** Volume 4 from the ComicBook/AllNewAllDifferentMarvel relaunch features yet another completely different cast, with the premise now being about a group of {{Corporate Sponsored Superhero}}es led by ComicBook/{{Sunspot}}.
85* ''Franchise/MarvelUniverse'' heroine ComicBook/PatsyWalker has gone through numerous [=retools=]. Started out as an Archie-style teen comedy, moved over into more straight romance, became a superheroine named Hellcat, became DarkerAndEdgier... Note that all of that stuff is still technically in-continuity.
86* ComicBook/ThePunisher spent the better part of the late eighties and the first half of the nineties killing every kind of criminal on the planet. After he was brainwashed and supposedly killed Nick Fury in the ''Over the Edge'' event, he was sent to the electric chair at the start of his new series, only to be revealed that his death was faked by [[NeighborhoodFriendlyGangsters the Geraci family]], who made Castle their new [[TheDon don]]. He still continued fighting criminals, but now at his "family's" interest.
87** This was followed by [[ComicBook/ThePunisherPurgatory another retool]], where Castle became an EmpoweredBadassNormal with weapons from Heaven, to coincide with the launch of the Creator/MarvelKnights imprint.
88*** Then got retooled when Ennis took over and handwaved the Heaven Arc and made Frank Castle a badass normal again, followed by a back to basics approach.
89* ''ComicBook/RatQueens'' was hit by heavy fan backlash during its darker third arc. The creator put the book on hold for a year. He then came back with a retool that ignored the controversial material, with the arc's conflict cleanly resolved offscreen and everyone back in Palisade.
90* Creator/GailSimone got her hands on ComicBook/RedSonja under Dynamite's control and promptly jettisoned most of the character's backstory. This scrapped the most problematic sexual elements of Sonja's past and set her free to wander the earth as an errant swordfighter.
91* ''ComicBook/SpiderMan'':
92** ''ComicBook/WebOfSpiderMan'' was originally just another Spider-Man book. Writer David Michelinie and artist Marc Silvestri eventually came onto the book and gave it a new premise starting with issue #16, in which Peter Parker travels around the world with Joy Mercado on assignment from NOW Magazine. This premise didn't last long, because a two-issue storyline involving [[UsefulNotes/TheTroubles the Provisional Irish Republican Army]] resulted in a bomb threat in the building Marvel's offices were located in at the time. The second part was hastily edited to replace the IRA with generic terrorists wearing black hoods, and the creative team subsequently disbanded by issue #22.
93* ''ComicBook/{{Superman}}'':
94** Superman and his mythos have been retooled many times throughout his decades-long history, based on what DC perceived the market was interested in.
95** In the 1950's, Superman became nicer and less snarky and smug. He became more powerful, which in turn led to the creation of new colors of Kryptonite and new weaknesses like red sunlight to offset his universal-level powers. His adventures became more sci-fi-focused, and new Kryptonian survivors like ComicBook/{{Supergirl}}, Krypto, the {{Phantom Zoner}}s or the whole city of Kandor became permanent additions to the cast.
96** In 1971, Creator/JuliusSchwartz becomes the editor of the ''Superman'' titles and starts pushing changes right away. In ''ComicBook/KryptoniteNevermore'', an experimental "Kryptonite-Engine" made to provide cheap electrical power malfunctions, causing all the Kryptonite on the planet to become ordinary iron. Meanwhile, Clark Kent became a TV news reporter while an EvilTwin of Superman made of sand drained him of some of his powers. [[http://superman.nu/tales4/sand/1/?page=-1 You can read the full saga here.]] Schwartz was forced to quickly backtrack due to fan backlash against the new direction, but some changes stuck: Clark worked as a newscaster for WGBS-TV until the 1986 reboot, Supergirl was depowered for a while in which she used a Kandorian exoskeleton to be a hero, the Legion of Super-Pets disappeared, and gimmicks like non-green Kryptonite, time travel, crazy science and super-criminals were written out or severely downplayed.
97** In 1986, Superman undergoes a full reboot. His alien side was greatly downplayed, his powers were severely {{nerf}}ed, Supergirl and the other Kryptonian characters were retconned out of existence and banned from continuity.
98** In the early 00's, DC restored a lot of elements wiped out by the 1986 reboot. Superman's alien side was reemphasized again, Kara Zor-El was reintroduced as a troubled teenager, and Zod was reinvented as a well-intentioned extremist.
99* The Creator/MarvelComics series ''ComicBook/{{Thunderbolts}}'' has always fundamentally had the same premise (a super hero team (that term used loosely) comprised of villains). However, the exact nature of the team has been changed several times, amazingly with the series lasting over 150+ issues only once being canceled and relaunched once.
100** Originally, ''ComicBook/{{Thunderbolts}}'' centered around a team of heroes that were actually Baron Zemo's Masters of Evil in disguise working to gain the public's trust so they could easily overtake them.
101** Eventually, the team (those that decided to reform and be actual heroes) came under the leadership of ComicBook/{{Hawkeye}} up until a short period where all the previous story lines were abandoned and the book was made into a super hero fight club. Shortly after that it was cancelled.
102** It was brought back soon after around the time of ComicBook/NewAvengers' release with a cast featuring some new characters as well as old ones until the Marvel crossover event ''ComicBook/CivilWar2006''.
103** During and after ''Civil War'' the team consisted of more popular villains like [[ComicBook/NormanOsborn Green Goblin]], ComicBook/{{Venom}}, and [[ComicBook/{{Daredevil}} Bullseye]] working as "hero hunters" for the pro-registration side to capture anti-registration superheroes.
104** During ''ComicBook/DarkReign'' most of the hero hunter team became the ComicBook/DarkAvengers and the Thunderbolts became Norman Osborn's personal hit squad.
105** After ''Dark Reign'' and at the onset of Marvel's ''ComicBook/{{Heroic Age|2010}}'' the Thunderbolts became super villain prison The Raft's rehabilitation program for super criminals (this time including ComicBook/ManThing, Juggernaut, and Ghost among others), under the supervision of ComicBook/LukeCage. Basically Marvel's answer to the ComicBook/SuicideSquad.
106** With #175, the title got [[MarketBasedTitle renamed]] to ComicBook/DarkAvengers with characters from the second incarnation of the Dark Avengers joining the cast, still under the leadership of Luke Cage.
107** ''ComicBook/MarvelNOW'': the Raft program got shut down, ComicBook/RedHulk took the Thunderbolts name for his black ops squad of antiheroes (a ShoutOut to his own secret identity), and the Dark Avengers found themselves independent once again.
108** ''ComicBook/AllNewAllDifferentMarvel'': After the events of ''ComicBook/AvengersStandoff'', most of the original Thunderbolts reunite with the [[ComicBook/BuckyBarnes Winter Soldier]] as their new leader.
109* ''Titans'' was originally a superhero book about the now-adult former members of the [[ComicBook/TeenTitans New Teen Titans]]. During ''ComicBook/BrightestDay'', the concept was completely revamped, and the book ended up becoming about a team of AntiHero mercenaries lead by ComicBook/{{Deathstroke}}. When it was relaunched for ''ComicBook/DCRebirth'', it went back to its original concept.
110** The Rebirth version itself underwent a retool. It started as a pretty obvious attempt to copy the popular [[WesternAnimation/TeenTitans animated]] [[WesternAnimation/TeenTitansGo adaptations]], featuring Starfire, Beast Boy and Raven; Damian stood in as Robin with the "[=NuWally=]" Kid Flash rounding out the group. This fell into an AudienceAlienatingEra pretty quickly, though, so everyone but Damian and Wally was jettisoned in issue #20 and replaced by new characters who formed a more {{Anti Hero}}ic team.
111** The original ''ComicBook/TeenTitans'' comic had a retool when the character of Lilith and Loren Jupiter were introduced. The Titans, minus Robin, abandoned their hero costumes and focused on teenage social issues. It didn't last.
112* ''ComicBook/TheSteelClaw'' started out as a villain, before a HeelFaceTurn turned him into the ReformedButRejected TragicHero which remained throughout the comic. Another retool turned him into a secret agent, which became the status quo of the comic for some time until that was abandoned, and he became a private detective.
113* ''ComicBook/{{Tomahawk}}'' had two retools towards the end of its run. First, the comic was changed from "hey kids isn't Davy Crockett cool?" to "the Howling Commandos in the Revolutionary War", with Tomahawk gaining a [[RagtagBunchOfMisfits colorful supporting cast]] and a direct affiliation with the Continental Army. After about five years of that, the book (retaining the same title and numbering) jumped forward some 40 years and focused on Tomahawk's son Hawk, with the still-living Tomahawk being Hawk's mentor/sidekick. "Hawk, son of Tomahawk" didn't last too long, as the book was canceled within a year of Hawk's introduction.
114* ''ComicBook/XFactor'' started off as a reunion book featuring the original five [[UsefulNotes/TheSilverAgeOfComicBooks Silver Age]] ComicBook/XMen, initially masquerading as mutant hunters for hire (they were secretly helping and training the mutants they apprehended), but eventually dropping the act to become just an offshoot of the X-Men. In the 90's following ''The Muir Island Saga'', the five originals rejoined the X-Men proper, and the ''X-Factor'' series was retooled into a government-sanctioned team of mutant superheroes led by Havok. Peter David later relaunched the title again in 2005 as a [[FilmNoir Noir]] detective title consisting of a bunch of former ComicBook/XForce and ComicBook/GenerationX members and led by Multiple Man, a veteran of the government team. It was Retooled ''again'' in 2014 as part of the ComicBook/MarvelNOW event, with the book now focusing on a team of {{Corporate Sponsored Superhero}}es.
115* By 1970, ''ComicBook/XMen'' was an unpopular series that was reduced to reprinting old material. 5 years later, after getting a [[Creator/LenWein new writer]], putting most of the old team [[PutOnABus on a bus]] (temporarily) in favor of a new international team of mutants, and dedicating as much time to CharacterDevelopment as fights, the series picked up a great many new fans.
116[[/folder]]
117
118[[folder:Comic Strips]]
119* ''ComicStrip/BeetleBailey'' started out as a strip about a ne'er-do-well college student. Then, very early in the series' run, the main character joined the army, where he has been ever since.
120* ''ComicStrip/Blondie1930'' was originally about a flapper and her rich boyfriends. When she married one of them, Dagwood Bumstead, he was disinherited, had to get a job, and lived a life more of the audience could identify with. On top of that, said husband essentially [[BreakoutCharacter became the main character]]. As for Blondie, she's been a wife and mom with her own catering business for so long, it's almost impossible to imagine her as a flighty socialite.
121** At least she kept top billing. Fritzi Ritz had a similar flapper theme, but was pushed to the side by her niece and the strip renamed ''ComicStrip/{{Nancy}}''.
122* When Garry Trudeau returned from his 18-month sabbatical, the main characters of ''ComicStrip/{{Doonesbury}}'' left college (and the town the college was in) behind, got careers & families, and started aging in real-time. This caused a noticeable shift in the perspective of the strip (although its political nature never changed).
123** Although at the very beginning, the cartoon wasn't really oriented towards covering politics at all, being about the college life of its main cast and making this a double example.
124* ''ComicStrip/FunkyWinkerbean'': Originally a lighthearted high school strip, with the death of creator Tom Batuik's wife, the strip became darker, focusing on the hopelessness of modern life and baser sides of humanity.
125* ''Funnyman'' started in October 1948 as the continuation of a short-lived [[ComicBook/Funnyman1948 comic book series]]. It focused on Larry Davis, a [[NoCelebritiesWereHarmed Danny Kaye-style comedian]] who dons an oversized nose to fight crime as the titular superhero. By early 1949, Larry got less and less focus...and in July 1949, he was dropped altogether in favor of a new character named Reggie Van Twerp, a rich idiot whose butler continually had to save him from trouble. The retool didn't do any better than the original, and Funnyman was gone by the end of 1949.
126* ''ComicStrip/RickOShay'' started out as a humor comic set in the present day; after about ten years, the setting was shifted back a century, and there started being more drama and continuing storylines.
127* There was once an 80s strip called ''[[ComicStrip/RobotmanAndMonty Robotman]]''. The title character was an alien robot living with a typical middle-class family. Eventually it was retooled into ''Robotman and Monty''; the little robot now lived with a dorky bachelor, Monty Montahue. Then Robotman himself [[PutOnABus left]]. Since then, the strip has been ''Monty'', and revolves around the geek and his weird friends.
128* Barney Google moved to a place full of hillbillies, then was [[ChuckCunninghamSyndrome written out]] in favor of BreakoutCharacter ComicStrip/SnuffySmith.
129[[/folder]]
130
131[[folder:Fan Works]]
132* InUniverse in ''Fanfic/TheCalvinHobbesAndPaineShow'': the titular ShowWithinAShow starts out identical to [[ComicStrip/CalvinAndHobbes the original strip]], but after Watterson leaves gets turned into a VarietyShow and adopts [[CousinOliver Paine]]. Calvin (the actor, that is) [[JumpedTheShark isn't very fond of the changes.]]
133[[/folder]]
134
135[[folder:Films -- Live-Action]]
136* ''Franchise/{{Batman}}'':
137** After ''Film/BatmanReturns'' came under fire from parents, watchdog groups, and merchandise-tie-in companies such as [=Mc=]'s for being considerably darker, more violent, sexual and disturbing than its 1989 predecessor (as well as not even getting remotely close to equaling its box office intake), director Creator/TimBurton as well as star Creator/MichaelKeaton and composer Creator/DannyElfman left the series. In their place for the LighterAndSofter (as well as brighter) third movie, ''Film/BatmanForever'' came Creator/JoelSchumacher, Creator/ValKilmer and Elliot Goldenthal respectively.
138** And after this direction proved disastrous in the follow-up film, ''Film/BatmanAndRobin'', the series lay dormant for eight years until a ContinuityReboot retooled the series again, putting as much distance as possible between the Batman franchise and the embarrassment that ExecutiveMeddling had turned it into, resulting in ''Creator/ChristopherNolan'''s darker, more realistic, and more grounded ''Film/BatmanBegins'', which became the first of a trilogy, ''Film/TheDarkKnightTrilogy'', that was praised as a return to form for the series.
139* The Franchise/DCExtendedUniverse has been trying to do this since the disappointment of ''Film/BatmanVSupermanDawnOfJustice,'' as both it and ''Film/ManOfSteel'' were criticized for being "too dark" and "deconstructive". In particular, its sequel ''Film/{{Justice League|2017}}'' has a lot of soft {{Ret Con}}s (particularly regarding Superman's personality and how the world views him), and the movies coming after it are specifically aiming for a LighterAndSofter tone. The early movies were also criticized for trying to build its SharedUniverse too quickly; later installments [[ContinuityNod nod]] at other entries in the franchise but are designed to stand more on their own. Ironically though, the "unretool" ''Film/ZackSnydersJusticeLeague'' was much better received than the 2017 theatrical version.
140** Special mention goes to ''Film/TheSuicideSquad,'' following up from ''Film/SuicideSquad2016.'' Almost all of the characters from the first movie have been replaced (with a SuspiciouslySimilarSubstitute in the case of Deadshot==>Bloodsport) and the plots are unrelated. Creator/JoelKinnaman, who plays [[TokenGoodTeammate Rick Flag]] in both films, specifically said that the character was treated as a "blank slate" in the new one. So the two movies are presumably in the same continuity, but it's a {{Soft Reboot}} with some {{Role Reprise}}s.
141* After ''Film/GIJoeTheRiseOfCobra'' scored at the box office but received harsh reviews from fans and critics, the studio wanted to do a full-on ContinuityReboot. They settled for a sequel, ''Film/GIJoeRetaliation'', which had a DarkerAndEdgier tone and a mostly-new cast of characters. Most of the original cast had [[DroppedABridgeOnHim A Bridge Dropped On Them]] off-screen, Baroness was {{Chuck Cunningham Syndrome}}'d, and Duke [[spoiler:[[SuddenSequelDeathSyndrome was killed off]] so that focus could shift to Roadblock (played by Wrestling/DwayneJohnson)]].
142* ''Franchise/PlanetOfTheApes'': Starting with the third movie ''Film/EscapeFromThePlanetOfTheApes'', the franchise switched from following human characters in the far future to ape characters in the present or immediate future. Burton's remake attempted to return to the astronaut protagonist, but after its poor reception, the series went back to ape protagonists with the ''Film/RiseOfThePlanetOfTheApes'' ContinuityReboot.
143* The ''Franchise/{{Rocky}}'' series was retooled in [[Film/RockyIII the third movie]] to be more action-oriented and contain less drama. [[Film/RockyV The fifth film]] went back to its roots. [[Film/RockyBalboa The sixth film]] made over a decade later went for drama of a more realistic sort.
144* The ''Franchise/StarTrek'' franchise features several notable film examples:
145** ''Film/StarTrekIITheWrathOfKhan'' retooled the franchise after the mediocre results of the [[Film/StarTrekTheMotionPicture first movie]], by switching from "high concept" sci-fi to "action" sci-fi, bringing back a classic villain, and retooling Starfleet as more militaristic and [[SpaceIsAnOcean naval-oriented]] than it was [[MildlyMilitary portrayed]] in the original series. The retool was wildly successful and paved the way for future ''Star Trek'' films and TV series.
146** ''Film/StarTrekFirstContact'' radically redesigned the Borg in many ways. The most obvious one is cosmetic, they looked like they were being rotted out from the inside whereas their prior makeup was pale guys in armored suits. They then established the idea of the [[HiveQueen Borg Queen]], because without a leader they are really just slightly more difficult zombies. Then it showed that they assimilate ''people'' en masse as well as technology, whereas in the TNG "Best Of Both Worlds" it was suggested that Picard was a one-time deal. And lastly, partially because of the existence of the Queen, they are shown to have a much greater sense of tactics and strategy that allow them to attempt the TimeTravel plot, before becoming overconfident in their malevolence. But there is a reason ''First Contact'' is considered the best ''TNG'' movie.
147** ''Film/StarTrek2009'' was more of a full ContinuityReboot than a retool, after the dismal box office results of ''Film/StarTrekNemesis''. The focus was changed to a [[AlternateContinuity different timeline]] following the (now changed because of [[spoiler:Romulan influence]]) adventures of the crew from the original series.
148[[/folder]]
149
150[[folder:Literature]]
151* The ''Literature/DiaryOfAWimpyKid'' series went through a major tone shift starting with its ninth installment, ''The Long Haul''. In contrast to the satirical, relatively grounded style of the previous books, the later books take on much DenserAndWackier plots than before, in addition to having more condensed plots that cover much shorter timeframes.
152[[/folder]]
153
154[[folder:Magazines]]
155* After nearly four decades as a knockoff of ''Magazine/{{Mad}}'', ''Magazine/{{Cracked}}'' morphed into a "lad mag" akin to ''FHM'' or ''Maxim''. This retool was short-lived and the magazine died soon afterward, only to be revived online as [[Website/{{Cracked}} the list-heavy humor site]] it is now.
156* The British magazine ''heat'' launched as an entertainment-focused, hipper alternative to the ''Magazine/RadioTimes''. Although this was well-received, it didn't do well commercially. A series of quick makeovers saw it repositioned as a more downmarket, gossip and soap/reality-celebrity focused publication aimed mainly at women, and it's now one of the UK's biggest-selling magazines.
157[[/folder]]
158
159[[folder:Music]]
160* Music/{{Pink}}'s first album, 2000's ''Can't Take Me Home'', had an R&B sound, and while it sold well--double-platinum in the US--it was considered SoOkayItsAverage by music critics. For her second album, 2001's ''Missundaztood'', she exerted more creative control and took her sound in a pop-rock direction with a heavy punk influence. This change proved successful, as ''Missundaztood'' became her biggest-selling album and she has kept the pop-rock style ever since.
161[[/folder]]
162
163[[folder:Multiple Media]]
164* ''Toys/{{Bionicle}}'':
165** Franchise/{{LEGO}} attempted this in '09, with the Bara Magna saga. The story was moved to a new planet with completely new characters belonging to entirely new races. The line lost many of its signature traces, such as [[MaskOfPower Kanohi Masks]] and elemental-powers (although the ElementalNation-setting stayed), the new characters were mostly organic as opposed to mostly robotic, and due to LEGO's newer violence policies, the fights became actually gory. Yet, the retool failed: not only did all these new ideas come too suddenly, the story got tied back to the original within half a year, with the introduction of Mata Nui (the former BigGood) as the new [[TheHero protagonist]]. Now, the basic idea ''was'' to have him back as the focus of the rest of the new story, until the GrandFinale which would bring both the old and new stories to a close some years later. But Mata Nui brought with him way too much continuity way too early, which alienated new fans. Meanwhile, all the {{Retcon}}s and [[DoingInTheWizard needless explanations]] brought about upset some old fans. The line was canceled in 2010 with a very haphazard ending, although LEGO was reluctant to let it last beyond 2009.
166** The original Kanohi Masks were designed to be the collectible aspects of the toys, and in the story they could be merged to form a "Golden Kanohi" which held the powers of all the ones collected before. After the Mata Nui Saga ended, the collectable aspect faded away from Kanohi into whatever was the current macguffin of the story, eventually doing away with the "collectable" part entirely, replacing them with ammunition packs for the weapons the toys carried.
167** Each generation of Toys usually had a built-in "action" feature, beginning with the Toa Mata/Nuva's arm-swinging gimmick. These usually required a simple gear system set up and all sets in some form had a "action" feature built into them. After the Visorak saga, these were instead dropped in exchange for more posability in the sets, in turn resulting in many of the future sets following a certain "formula" (coined the "Inika" due to the Toa Inikas first using it) for builds, with whatever function being relegated into their weapons instead. While some sets got a bit creative (most notably the Barraki sets), the repetitiveness eventually caused fatique in buyers, as at that point the only interesting things about a new set was maybe one or two armor pieces and the mask/helmet.
168* ''Toys/HeroFactory'' went through a retool in its final wave, when the Heroes were made into standard LEGO Minifigures that rode giant mechs and fought with huge monsters, which were actually standard-sized toys.
169* Beginning with the ''Toys/HeroFactory'' 2.0 line, LEGO retooled their "Constraction" building style drastically, dubbing it CCBS (standing for Character and Creature Building System). Most of the newer figures are built around a highly articulated base-skeleton with armor panels and many accessories attaching via ball-joints, pegs or clips (instead of the usual pins and rods). ''Toys/{{Bionicle 2015}}'' also utilized this system, though with a retool of its own: introducing a new type of mask connection and bringing back Technic-based builds and functions, but keeping the articulation and customizability of CCBS. The line's story is rebooted, however.
170[[/folder]]
171
172[[folder:Professional Wrestling]]
173* The infamous "World Entertainment Wrestling" era of Wrestling/{{FMW}}, which saw the company best known for their crazy violent {{garbage wrestler}}s take on a more "sports entertainment" approach, which still looked like a bunch of crazy violent garbage wrestlers to non fans but to the [[FanCommunityNickname FMW Faithful]], was both watered down in violence and in variety, as FMW boasted multiple weight classes and {{tag team}} divisions, including a strong enough women's division to go head to head with both LLPW and JPW, prior to "WEW", which favored talking and audacious angles. WEW ultimately put FMW into dormancy for thirteen years, during which time members of the roster experimented with which style was better before folding into the Apache army until it was time for FMW's proper {{revival}}, which attempted to go back to the roots.
174* After Wrestling/{{AAA}} broke away from EMLL and put Lucha Libre Internacional out of business, EMLL changed its name to Wrestling/{{CMLL}} (basically from Mexican Enterprises to World Counsel), crowned its own world champions (independent of the Wrestling/{{N|ationalWrestlingAlliance}}WA, whose belts it still borrowed despite no longer being an official member) and sought more international partnerships.
175* Wrestling/AllJapanProWrestling's equally infamous "Puroresu Love" era(2002-12), in which the "real sport" presentation of promotion it was best known for the Japanese majors was abandoned as it was suddenly losing ground on that front to Wrestling/ProWrestlingNOAH. AJPW took on a more "sports entertainment" approach to its shows in an attempt to win advertisement spots, sponsors and [[MerchandiseDriven push merchandise]]. Unlike WEW, which took FMW from its highest to its lowest, "Puroresu Love" actually saved All Japan, despite being as equally derided by the promotion's fans. Nobuo Shiraishi's acquisition of AJPW from Wrestling/TheGreatMuta would see yet another downturn that necessitated Jun Akiyama's hostile takeover and ''another'' retool in 2014, also shooting to return AJPW to its Giant Baba roots.
176* Jaguar Yokota left Yoshimoto Women's Pro Wrestling Jd' after coming to the conclusion the promotion wasn't going to grow any further and it was time to become a free lancer. As the promotion more or less existed for the sake of reviving Yokota's career, Hidenobu Ichimaru decided it was time for a change. That being starting the "athress" program in 2001 and turning the whole operation into JD Star in 2003, with the goal of getting pro wrestlers noticed by film or television companies who would make them actresses and eventually crossover pop stars.
177* In 2012, the show for Wrestling/BookerT's PWA school was relaunched as ''Reality Of Wrestling''. In 2014, ROW got a new television deal and started doing internet pay per view.
178* Pro Wrestling Respect, which existed mainly to showcase the Wrestling/RingOfHonor and Wrestling/{{SHIMMER}} trainees, was retooled into what was basically an extension of Wrestling/{{Chikara}} in 2013, "Respect" becoming part of a "Wrestling Is" family with "Art", "Awesome", "Fun", "Cool", "Heart", and "Intense", and played a small role in the Titor Conglomerate storyline.
179* In 2016 when the Wrestling/{{WWE}} rebranded the Divas Division into the Women's Division, it began to phase out the swimsuit models as well as {{Fanservice}} matches such as Bra and Panties matches and pillow fights in favor of hiring indie wrestlers with unique gimmicks as well as Money in the Bank ladder matches, Hell in a Cell matches and the Royal Rumble match. In addition, women's matches on RAW, Smackdown, NXT and the [=PPVs=] began to increase during that period while women's storylines become more violent and are focused on pure hatred toward each other and not fighting over a male wrestler or a heel making fun of her babyface's rival's looks.
180[[/folder]]
181
182%%[[folder:Roleplay]]
183%%[[/folder]]
184
185[[folder:Toys]]
186* ''Franchise/{{Bratz}}'':
187** In the 2010s, the ''Franchise/{{Bratz}}'' line tried to rebrand itself. It was originally themed around "cool" fashionable teenage dolls and was a HotterAndSexier alternative to ''Franchise/{{Barbie}}''. After years of being criticized for that, it was decided to tone that down and focus less on fashion and more on creativity. To quote:
188-->''The Bratz are back and more creative than ever before! The Bratz believe in thinking for themselves, creating the things they dream of, and making every day an absolute adventure.''
189** After the failure of ''Toys/{{Bratzillaz}}'', the franchise was put on hiatus in 2014. It was brought back in 2018 with the characters being designed more like their traditional designs.
190* ''Marvel Legends'' was launched by [=ToyBiz=] with a wide variety of Creator/MarvelComics heroes and villains, often mixing in characters from various franchises like the ''ComicBook/XMen'', ''ComicBook/TheAvengers'' and the ''ComicBook/FantasticFour'' in each wave. The line was almost exclusively based on the comics, with only a select few movies (''Film/{{Daredevil}}'', ''Film/BladeII'' and ''Film/ThePunisher2004'') getting figures. Once Creator/{{Hasbro}} took over ''Marvel Legends'', they added characters from ''Film/XMenTheLastStand'' and the ''Film/SpiderManTrilogy'', but otherwise stuck with the original premise established by [=ToyBiz=]. When the line faltered and went on hiatus for several years, Hasbro decided to shake things up by capitalizing on the success of the Franchise/MarvelCinematicUniverse. Starting with ''Film/IronMan3'', ''Marvel Legends'' began doing themed waves based around each successive MCU film (and ''Film/TheAmazingSpiderMan2''), as well as individual comic-based waves for the specific franchises (''Spider-Man Legends'', ''X-Men Legends'', ect.) that used to be mixed together under [=ToyBiz=]. The movie waves are also used as a Trojan horse to include tangentially-related comic figures, such as ComicBook/IronFist and [[ComicBook/{{Runaways}} Nico Minoru]] appearing in the ''Film/DoctorStrange2016'' wave, or [[ComicBook/SubMariner Namor]] and [[ComicBook/TheInhumans Black Bolt]] appearing in the ''Film/{{Black Panther|2018}}'' wave.
191[[/folder]]
192
193[[folder:Video Games]]
194* ''VideoGame/GodOfWarPS4'' is a distant sequel to the original ''VideoGame/GodOfWar'' series, taking place several centuries in the future and in an Norse Mythology setting. While Kratos is still the protagonist, he is markedly different than he was in the previous games; he has not only grown a thick beard but possesses a more controlled demeanor in contrast to the vicious vengeance-obsessed brute that he used to be as well as raising a young son named Atreus. While the game is still an action game, the combat is massively overhauled, taking more inspiration from ''VideoGame/DarkSouls'' and less from ''VideoGame/DevilMayCry'' as well as putting a bigger emphasis on exploration and loot-gathering.
195* The ''VideoGame/JakAndDaxter'' series immediately saw this with its second entry; ''VideoGame/JakIIRenegade.'' The first game was closer to a [[PlatformGame 3D Platforming Collectathon]] like ''VideoGame/SuperMario64'' and its spiritual predecessor ''VideoGame/CrashBandicoot'' complete with a HeroicMime main character. The sequel decided to follow the WideOpenSandbox trend kickstarted by ''VideoGame/GrandTheftAutoIII''. ''Jak II'' saw the character become SuddenlySpeaking and an edgy badass, the setting was changed to a DarkerAndEdgier Future Dystopia, and while the gameplay still had elements of platforming, it became more of an action game.
196* ''VideoGame/MetalGearSolid'' was this for the ''VideoGame/MetalGear'' franchise. The first two games do dabble in advanced elements for the time, with thriller plots, postmodern elements and very inventive gameplay, but had Snake as an ActionGenreHeroGuy, and a goofy, 'video gamey' tone. For ''Solid'', established character designs and lore that was mainly AllThereInTheManual were discarded and replaced with the work of Yoji Shinkawa, who has a very distinctive and unusual style that caused a dramatic shift in the feel of many characters. The tone of the series maintained its signature goofy humour but got much more cinematic and emotional, and plot elements like Snake being a clone and wrestling with the morality of what he was doing became prominent. The VideoGame3DLeap divorced it further from its predecessor, technical innovation made voice acting possible for the first time, and most of what happened in the previous two games was pushed into BroadStrokes.
197* The ''Franchise/{{Persona}}'' series received a retool with ''VideoGame/Persona3'', which departed stylistically from the original ''Franchise/ShinMegamiTensei'' series and incorporated more social simulation elements into the series. The games before ''Persona 3'' have had only token relevance outside a couple of PSP remakes since then.
198* ''VideoGame/DonkeyKong'' was an arcade game starring the eponymous ape and a [[Franchise/SuperMarioBros mustachioed carpenter named Mario]] set on a construction site. Mario would later have his occupation changed to a plumber, and would instead spend his time in the Mushroom Kingdom fighting a turtle-like monster named Bowser, rather than fighting an ape in the real world (which was later retconned into being New Donk City as of ''VideoGame/SuperMarioOdyssey''). Meanwhile, Donkey Kong was replaced [[VideoGame/DonkeyKongCountry by his grandson of the same name]], but this Donkey Kong wore a tie, lived in the jungle, and instead fought a giant crocodile named [[PunnyName King K. Rool]], with the original Donkey Kong now known as Cranky Kong.
199* The ''Franchise/SonicTheHedgehog'' franchise has undergone two notable retools in its lifespan; the series took a hiatus after the release of the 3rd game with no real major releases outside of spin offs and ports, skipping the VideoGame3DLeap that occured in the 5th generation of gaming. It wouldn't be until 1998 that Sonic would make it's proper 3D debut with ''VideoGame/SonicAdventure'', in which the characters were [[ArtEvolution redesigned]], [[SuddenlyVoiced given voices]], [[DarkerAndEdgier and the plot took a turn for the dramatic]]. This would hold true for the next couple of years of the series until declining reception would cause the series to undergo a second retool after the infamous ''VideoGame/SonicTheHedgehog2006''. There was no major redesign this time, but the series would gradually phase out staples that were established with the aforementioned ''Sonic Adventure'', namely the wide open and explorative gameplay, additional playable characters with their own unique playstyles were DemotedToExtra aside from Sonic himself, and the plots became more [[LighterAndSofter whimsical and lighthearted in nature]] focusing more on comedy than drama.
200[[/folder]]
201
202[[folder:Web Original]]
203* Chris Bores of ''WebVideo/TheIrateGamer'' fame:
204** His review show called ''The Breakfast Rant'' was eventually retooled into ''I Rate the 80's'' in order to broaden its scope.
205** In 2018, his channel was retooled to dedicate it to his new show ''Chris NEO''. It's still about video games, but with less emphasis on comedy -- the ''Irate Gamer'' characters, skits and special effects have been retired -- and more focus on the games themselves.
206* ''WebVideo/{{Jimquisition}}'':
207** For years, Jim Sterling had the central gimmick of a SmallNameBigEgo would-be fascist barking out their decrees about video games from behind their podium covered in toys. When for various reasons ([[http://www.thejimquisition.com/blog/the-jimquisition-reposition/ link here]]) they didn't think that was inherently funny anymore, they shifted it to a "carnival showman presenting the games industry freak show" style.
208** In 2017, Jim announced that they would [[http://www.thejimquisition.com/blog/changing-criticism-or-fuck-game-reviews/ no longer write reviews for video games]], having grown jaded of professional reviews essentially working on a FourPointScale (along with a few instances of [[FanDumb overly rabid fans DDOS'ing their website when their reviews were not favorable enough for them]]). Instead, their "Jimpressions" videos would feature more in-depth analysis and critiques for games.
209* Creator/BradJones' podcast ''The Random Button'' featured himself and (usually) someone else viewing and then reviewing a random obscure film off of Creator/{{Netflix}}. After a few episodes this element was dropped and the podcast was retitled ''Snobcast'', and became just a general discussion show.
210* After being {{Uncancelled}}, WebVideo/TheNostalgiaCritic changed up the format of the series: First and foremost, his movie reviews now cover any film as long as it is not in theaters. Reviews are now bi-weekly, with every other week devoted to short editorials. Also, two of Creator/DougWalker's cast members from his series ''WebVideo/DemoReel'', Rachel Tietz and Malcolm Ray, joined the cast as regular members (although Rachel has since left to pursue other career opportunites and was replaced by her old roommate, Tamara Chambers).
211* WebVideo/{{Phelous}} had started out doing primarily horror film reviews (though he also did video game movies here and there), but after [[spoiler:seemingly being KilledOffForReal in]] the ''Film/JacobsLadder'' review he shifted towards animation for the most part along with the ups and downs of franchises like ''Franchise/{{Ghostbusters}}'' and ''Franchise/TeenageMutantNinjaTurtles'', with horror reviews only occasionally showing up.
212* Creator/AllisonPregler, who hosted the ''Obscurus Lupa Presents'' for several years, retooled the show into ''Movie Nights''. Rather than the more typical format for review videos, ''Movie Nights'' is unscripted and more discussion-based and has an actual set rather than it being in her bedroom. She has also retired the 'Obscurus Lupa' name for her videos, going just by Allison.
213* Briefly with ''WebVideo/{{Projector}}''. Starting with ''Film/TheImitationGame'' and ''Film/SeventyOne'', Mathew Buck switched from covering one film per episode to a pair, sometimes with a similar theme, with single reviews are being used for special episodes instead. However around February 2016 he switched back to doing single reviews only.
214* ''DBX'', a SpinOff of ''WebAnimation/DeathBattle'', underwent a retool for Season 4. A new host, the Ringmaster, was introduced as well as a new setting, the Exhibition Ring. Instead of two characters duking it out, PopularityPower was installed, with fans voting for the winner of the next match.
215* In its earliest incarnation, gaming channel ''NODE'' was actually a variety channel, with various shows hosted by several different personalities. Most of those shows gained little traction save for ''LetsPlay/LANParty'', so soon after launch the "variety" part was phased out entirely and ''LAN Party'' was made the focus of the channel, which itself ultimately dropped the show name and simply became ''NODE''.
216* ''WebVideo/{{Retsupurae}}'' is centrally a channel of LetsPlay/{{Slowbeef}}, LetsPlay/{{Diabetus}}, and occasionally their fellow goons [[{{MST}} riffing off preexisting media]], but the content has changed several times in its lifespan. It was originally born out of making fun of bad [[LetsPlay Let's Plays]] (hence the channel name, a corruption of the term), but quickly drifted into new sub-shows covering other content, such as video games in their entirety through pre-recorded longplays (in a subseries titled "Wrongpurae"), bad [[WebGames online Flash games]] ("Retsufrash"), bad {{creepypasta}}s ("Crappypasta"), bad crowdfunding campaigns ("Kickstarter Nonstarter and "[=IndieNoGo=])", and others. A lot of this had to do with the two main hosts' increasing discomfort with exclusively targeting Let's Players, partly because it started to come off as bullying, partly because some of the subjects they riffed attempted retaliation via false copyright claims, and partly because due to ''Retsupurae'''s increasing popularity, some were intentionally making {{troll}} videos to get featured on their channel.
217* Back in the mid-2000s, a [=YouTube=] channel named Fat Man Judgeth began making overly-mad reviews of UsefulNotes/SegaGenesis games in the style of WebVideo/TheAngryVideoGameNerd, but that eventually petered out. Then around 2010 the channel was relaunched as a review channel covering a broader range of games and with writing more towards self-deprecating humor and snark. But in 2016 he released a video called "The Haters Guide to the 2016 NFL Playoffs", which exploded in popularity and heralded a change in focus to sports on his channel to what we now know as WebVideo/UrinatingTree. The previous video game review background can still often be seen in his current sports-related videos with the incorporation of music themes and sound bites from older video games.
218[[/folder]]
219
220[[folder:Western Animation]]
221* ''WesternAnimation/ActionMan2000'': In season 1 the series began with story arcs that spanned multiple episodes, a notable supporting cast, and a serious storyline. The longer arcs were dropped in the second half of season 1, with episodes becoming standalone stories (aside from the occasional two-parter). As of season 2, the MerchandiseDriven trope kicked into full gear. A great number of side-characters were [[ChuckCunninghamSyndrome ditched without an explanation]], the stories became even more generic, tied to toy-related concepts and every episode had at least 30 seconds of shilling the fancy tech he used. Episodes became more formulaic and a "Today on Action Man..." intro often spoiled the whole episode's plot.
222* Season 5 of ''WesternAnimation/{{Archer}}'' starts with [[spoiler:ISIS being shut down by the FBI and the characters deciding to start a drug cartel.]] The season has even received the official nickname of "[[spoiler:[[Series/MiamiVice Archer Vice]]]]."
223* ''WesternAnimation/AtomicBetty'''s third and final season was titled ''Mission: Earth'' to reflect the series formula getting retooled to move all the action from outer space to Betty's hometown. In addition to the status quo changes brought about by the Galactic Guardians and villains moving their respective headquarters and priorities to Earth, the show also got a new intro and credits, added two new main characters (Betty's crush/Penelope's brother Chaz and a TokenBlackFriend for Betty named Regeena), added scene transitions, and became DenserAndWackier with a stronger focus on comedy (exemplified by the addition of a silly skit at the end of every episode).
224* About halfway into its second season, ''WesternAnimation/TheAvengersEarthsMightiestHeroes'' got retooled to try and raise the sagging ratings by making it more like [[Film/TheAvengers2012 the movie]]. Iron Man, Captain America, the Hulk, and Thor (the four Avengers with solo movies in the [[Franchise/MarvelCinematicUniverse MCU]]) were given increased prominence, leading to the other Avengers falling OutOfFocus. The new creators also tried to minimize potential ContinuityLockOut moments by making most of the episodes into done-in-ones, in contrast to the serialized nature of the first season.
225* ''WesternAnimation/BatmanTheAnimatedSeries'' underwent this for the final season, with the title changed to ''The New Batman Adventures''. Aside from new character designs and a new art style, the show [[AscendedExtra added Batgirl to the main cast]], had Dick Grayson [[SidekickGraduationsStick become Nightwing]], and introduced a [[LegacyCharacter new]] Robin as his successor. [[TheOtherDarrin New voices]] were also used for a number of characters.
226* ''WesternAnimation/TheBatman'' went through a lot of trouble, [[ToughActToFollow living in the shadow]] of the above-mentioned show. The first two seasons focused on Batman's tensions with the police, and had Ellen Yin, a cop based on minor comic character Ellen Yindel, as the {{Deuteragonist}}. She proved a BaseBreakingCharacter, so she [[ChuckCunninghamSyndrome vanished]] after that, save one mention. Seasons 3-4 had Commissioner Gordon take over the police and added Batgirl and then Robin to the cast. Then a second retool came at the end of season four, introducing other superheroes to the setting, so that season five often had Batman teaming up with another superhero to fight a member of that hero's RoguesGallery. (WordOfGod calls that their "Justice League season.")
227* ''WesternAnimation/BigHero6TheSeries'': Season 3 has the show switching from 22-minute episodes to 11-minute ones while putting a greater emphasis on comedy. This is according to executive producer Bob Schooley.
228* After ''WesternAnimation/BubbleGuppies'' was UnCancelled in 2019, its fifth season recieved a ''major'' retool that completely does away with its traditional sketch comedy formula. It has shifted to a new fantasy format, which features the stories told during the "Outside" segment and extending them so that they take up the majority of the episode; the dance songs, field trips and playtime segments were removed; there is no prologue that shows the characters going to school; and the "Shop" and "Lunch" segments were incorporated into the story itself. Molly and Gil's in-between sketches were also removed, and Mr. Grouper now waves goodbye to the viewers after the story ends, and it cuts straight to the ending theme.
229* Thanks to [[ScrewedByTheLawyers legal disputes]] between DIC and Nelvana, ''WesternAnimation/CareBears1980s'' had to drop every character that wasn't the Franchise/CareBears themselves when the latter took over for its second season. In later seasons, the show also moved away from the ''"Care Bears help some kids with their problems"'' formula common in the first, in favor of focusing on a small core cast of the title characters and their lives.
230* ''WesternAnimation/ChalkZone'' received a minor retool while it was on ''WesternAnimation/OhYeahCartoons'', occurring between the first two shorts in 1998 and the remainder of them in 1999, and eventually into the show itself. Starting with the second season of ''Oh Yeah! Cartoons'' in 1999, Rudy was aged up from eight to ten (WordOfGod says this was due to Nickelodeon wanting to give the short a TV show, but requested that Rudy had to be aged up) and Penny was added as a third protagonist. Besides that, the only other difference was that [[ArtEvolution the art style improved]] (compare Snap in the first two shorts to the rest of the shorts and the show).
231* Beginning in 2016, the purpose of the ''Franchise/DisneyPrincess'' franchise was changed. Instead of being about helping girls live out their own princess fantasies by buying TheMerch, it was given a slogan, "Dream Big, Princess", which means that the girls the franchise is aimed at will be inspired by the choices the princesses make to achieve their dreams in their respective films. This slogan now appears at the end of several commercials for merchandise, and a video explaining the retooled franchise is shown before airings of ''WesternAnimation/ElenaOfAvalor'' on Disney Junior and ''WesternAnimation/TangledTheSeries'' on Disney Channel.
232* When ''WesternAnimation/{{Doug}}'' [[ChannelHop moved from]] Creator/{{Nickelodeon}} to Creator/{{ABC}}, many characters and locations were redesigned, and the show was renamed ''Disney's Brand Spanking New Doug''. [[NothingIsTheSameAnymore There were in-show reasons given for most of the changes.]]
233** This was also played with in-show, with the Film/JamesBond [[CaptainErsatz Ersatz]] "Smash Adams", who was retooled into a fat and bumbling secret agent.
234* In the second season of ''WesternAnimation/{{Gargoyles}}'', the show changed its stationary New York City setting for a [[ArcFatigue loooong arc]] following Goliath, [[AffirmativeActionGirl his long-lost daughter Angela]], Eliza and Bronx on a magical tour around the globe, most of whose episodes were a PoorlyDisguisedPilot for some animated spin-off that were never picked.
235* Production of the 2nd season of ''WesternAnimation/GIJoeExtreme'' was moved from Creator/SunbowEntertainment to Graz Entertainment and many changes were done to the show: the live-action cold openings were replaced by PreviouslyOn recaps, the theme song was changed to be much shorter and less "extreme", continuity between episodes was stronger, the musical insert sequences were removed, the MechaMooks were dropped, Ballistic was renamed "Eagle Eye" (the result of a new law banning firearm-themed names on children's shows) and slightly redesigned and the existing SKAR henchmen were sidelined (Inferno [[ChuckCunninghamSyndrome didn't appear at all]], Wreckage was only in one episode, and Rampage was PutOnABus for most of the season).
236* ''Toys/HeroFactory'''s ''Invasion from Below'' episode showed shades of this. It ignored the previously set up {{Cliffhanger}}(s), [[TheOtherDarrin gave all the characters new voices]], [[ArtEvolution new designs]], disregarded some of their earlier character traits, and had a new intro and closing sequence. This coincided with the toy line experiencing a retool of its own, though it was canceled after that line, along with the animated specials.
237* The second season of ''WesternAnimation/TheIncredibleHulk1996'' added Grey Hulk to Bruce's alternate personalities, promoted She-Hulk to co-lead, and dropped the plot point of the US military and SHIELD pursuing Bruce.
238* For its fourth season, ''WesternAnimation/JakeAndTheNeverLandPirates'' was retooled as ''Captain Jake and the Neverland Pirates''. It features a revamped title sequence and look for Jake. Many of the show's signature songs have been changed or done away with entirely. There's less focus on conflicts with Hook and the gold dubloons are only even mentioned at the end of each of story, with a new Team Treasure Chest sequence. The songs in the closing credits have been dropped in favor of an entirely instrumental outro.
239* ''WesternAnimation/JimmyTwoShoes'' underwent one for its second season, which is most evident in how the intro and credits sequence were completely changed, as well as [[ArtEvolution a shift in animation]] due to a production change from UsefulNotes/ToonBoom to UsefulNotes/AdobeFlash. The series' tone and writing became even DenserAndWackier than before, with less of the slapstick-style BlackComedy and more of the random humor, and the setting became less {{Hell}}-like, with {{Funny Animal}}s and {{Animate Inanimate Object}}s being used for more than just one-off jokes. The main characters also underwent {{Flanderization}}, some secondary characters largely disappeared (like Saffi) or were given more screentime (like Dr. Scientist) while a few new ones were introduced (like Peep), and on a more minor note, about half of the background demons used in Season 1 were replaced with new monsters. Ultimately, fan reception to all this was mixed, with some feeling the show remained enjoyable and others believing the results were a textbook case of SeasonalRot.
240* ''WesternAnimation/JohnnyBravo'' experienced a minor one in its second season. After being initially cancelled at the end of Season 1, Creator/CartoonNetwork resurrected the show for another 2 seasons, which lacked most of the first season's production crew (including creator Van Partible). The show received new intro and credits sequences, the humour became more slapstick-y, Johnny TookALevelInDumbass, new characters like Carl and Pops were introduced, and Little Suzy got a redesign to fit the shifts in art style. Season 4, which marked Partible's return to the series, saw some of the changes (like Johnny's intelligence) reversed.
241* ''WesternAnimation/KaBlam'' got slightly re-tooled in its second season, giving new personalities to Henry and June, changing the overall look of the characters, and ArtEvolution and new theme tunes for some of the shorts. Also, the jokes were less "random" than the first season.
242** The show was also briefly retooled in the fourth season. The comic book-setting was pretty much abandoned (with the exception of "turning the page", though they really couldn't get rid of that, as well as the opening and ending themes), the show's TV studio setting was more apparent, the jokes in the Henry and June segments became less random and more "mature", and most of the "classic" shorts skipped a few episodes.
243* Spoofed by an ad campaign which aired between seasons of ''WesternAnimation/KingOfTheHill''. The second season ended on a cliffhanger with the local Mega-lo Mart (a Wal-Mart {{expy}}) being destroyed by a propane explosion. Four characters, including protagonist Hank, were inside at the time, and [[TonightSomeoneDies FOX told viewers that one of them would die.]] Ads that aired throughout the summer showed viewers a "behind the scenes" disagreement between Hank and FOX, which threatened to kill him off unless he agreed to allow the show to be re-tooled by moving it to Los Angeles and retitling it "King of the Hollywood Hills." Hank refused, and eventually got his way thanks to Bobby accidentally getting a hold of some compromising photos of a FOX executive. Of course, in reality, there was no such dispute and the writers had always known from the start who they were going to kill off [[spoiler:(Luanne's boyfriend, Buckley)]].
244* Starting in season 3, ''WesternAnimation/MilesFromTomorrowland'' changes its name to Mission Force One, and the plot is changed from Miles and Loretta connecting the universe with their family to Miles and Loretta forming Mission Force One with Mirandos, Blodger, and Haruna, and protecting the universe.
245* The third season of ''WesternAnimation/NinaNeedsToGo'' had its' focus changed from potty-training to how to behave in certain situations after complaints from parents over the original format of the show teaching a bad lesson to kids.
246* Disney's Creator/OneSaturdayMorning was retooled twice. In September 2000, the original hosting segments from 1997-2000 which took place inside the One Saturday Morning building with live action hosts on the virtual set were axed, along with all the shorts which aired in-between programs (Excluding ''WesternAnimation/SchoolhouseRock'' which ran until 2001). The new on-air bumpers would feature live-action kids playing in a park (Along with the "1" logo, and in the opening, the cast of ''WesternAnimation/{{Recess}}'', ''WesternAnimation/TheWeekenders'' (2000-2002), ''WesternAnimation/TeachersPet'', ''WesternAnimation/LloydInSpace'' (Beginning in 2001), and ''WesternAnimation/TeamoSupremo'' (2002; replacing ''The Weekenders''), which was also used for the new version of the theme song along with said characters. The new theme song was the same as the old one, but sung by a young girl and was shortened. In 2002, shortly before the switch to ABC Kids, repeats of Creator/DisneyChannel shows began airing.
247** The block was then retooled and rebranded into ABC Kids in September 2002, the same day Disney's purchase of the Creator/FoxKids assets following their buyout of Fox Family (into Creator/ABCFamily) which was included with the sale. The new motif was that the on-air bumpers had each show's characters interacting in a stadium setting. Due to the retool, every show on One Saturday Morning that ''weren't'' repeats of Disney Channel shows were quickly cancelled, with the remaining episodes of ''Teacher's Pet'', ''The Weekenders'', ''Lloyd in Space'', and ''Teamo Supremo'' would be dumped off on Creator/ToonDisney. The only show to survive the block switch was ''Recess'' (Which was in reruns), due to high demand (It was the highest-rated ABC animated show, highest-rated Saturday morning cartoon, and third highest rated animated series in the late 1990s) and ABC wanting to renew the show for another season to add to the [[SixtyFiveEpisodeCartoon initial sixty-five episodes]]...which unfortunately never happened. The only new shows to premiere on the block were ''WesternAnimation/{{Fillmore}}'' and various ''Franchise/PowerRangers'' series following the purchase of the franchise. Everything else on the block were repeats of Disney Channel shows, and by the time the block came to an end in 2011, the entire lineup was made up of nothing but Disney Channel reruns.
248* ''WesternAnimation/PinkyAndTheBrain'' was retooled into ''WesternAnimation/PinkyElmyraAndTheBrain'' after ExecutiveMeddling forced [[CreatorsPet/WesternAnimation the annoying Elmyra]] into the main cast.
249** An in-universe example happens when the show's ratings go down a tiny bit and the executives decide to add a few new changes to the show. Instead of a lab, they now live in a house in the suburbs with their [[CousinOliver adopted kids]] (one of them being an [[Series/FamilyMatters Urkel]] {{Expy}}) and a [[RobotBuddy sassy robot]]. [[WhoWritesThisCrap Naturally, Brain immediately quits.]] It's been suggested that this was written as a response to what the writers knew was coming. The network didn't get the message and the retooled series lasted five or so episodes.
250* ''WesternAnimation/TheReplacements'' saw a number of changes in its second season. The art style was significantly overhauled to have a warmer color palette, and characters would receive various design changes such as thinner linework, new body proportions, five-fingered hands, and overall more angular designs. Meanwhile, the story format shifted from TwoShorts to half-hour episodes, and the premise of main characters Todd and Riley having the power to replace anyone they wish with another person is used much less frequently, being downplayed in favor of more character-driven stories surrounding the main and supporting cast.
251* After ''WesternAnimation/RescueHeroes'' was UnCanceled by Creator/KidsWB, the series underwent a major overhaul. The characters were redesigned look less cartoonish (and in the case of Jake Justice and Rocky Canyon, [[GagLips less]] [[UnfortunateImplications stereotypical]]), the show's budget was markedly improved, the theme song was rearranged and opening titles changed, and episodes began venturing into [[DarkerAndEdgier more dangerous situations]], such as flooding, space disasters such as satellite impacts, tornadoes hitting ''crowded playgrounds'' and other kinds of peril. These episodes are often referred to as the ''Global Response Team'' era.
252* ''WesternAnimation/{{Rugrats}}'' was retooled three times over the course of its nine seasons.
253** The first time was the fourth season, where the tone became {{lighter|AndSofter}}, due to brighter animation, the use of less intense background music, [[ParentalBonus hidden adult humor]] being greatly reduced, and Angelica going from {{Jerkass}} to JerkWithAHeartOfGold. The episode title cards also changed from red to black.
254** ''Rugrats'' would be retooled again in the sixth season, mainly due to the birth of Dil. Many of the episode's plots started to revolve around Tommy's relationship with Dil.
255** The show would be retooled the third (and final) time in the seventh season, where Chaz is now married to Kira, introducing her, her daughter Kimi and their dog Fifi. Much like Tommy and Dil before, many of the episode's plots would revolve around Chuckie's relationship with Kimi. Grandpa Lou also moves out of the Pickles' house. The show's opening sequence was also changed for the first (and only) time since the beginning.
256*** The show would be [[WesternAnimation/Rugrats2021 rebooted]] in 2021. The tone of this series is most inline with the first retool of the original show.
257* {{Parodied|Trope}} on ''WesternAnimation/TheSimpsons'' in the episode "[[Recap/TheSimpsonsS10E13HomerToTheMax Homer to the Max]]". Watching the first episode of ''Police Cops'', Homer is thrilled to discover he shares his name with its Don Johnson-like lead character (catchphrase: "And that's the end of that chapter!"); the next week Homer is horrified to see his character retooled as a blundering doofus (catchphrase: "Uh-oh, Spaghetti-Os!"). He seeks out the show's producers and writers.
258-->'''Homer:''' Uh ... so, I just wanna know how come you made your Homer Simpson character so ...\
259'''Producer:''' Stupid? ''[laughs]'' Well, I can assure you, it happened organically.\
260'''Homer:''' It ''better'' have!
261** Another episode featured a Franchise/RoboCop {{Expy}}. Homer wanted to watch it before it got retooled. A couple of seconds later the robot (who was also a father) quit the force and got a job at a fashion agency.
262** Yet another episode showed that the Krusty the Klown Show used to be a [[https://www.youtube.com/watch?v=bd8vNJoVwf8 serious socio-political talk show]] during TheSixties.
263** ''WesternAnimation/TheSimpsons'' themselves went from having Bart as de facto main character early on to Homer, who became [[{{Flanderization}} more and more stupid]] with each season.
264* For most of its run, ''WesternAnimation/SouthPark'' ran on standalone episodes with NegativeContinuity. Season 18 shifted to season-long story arcs and continuity. Season 20's story bit off more than it could chew, however, so after that it underwent a softer retool where it still has continuity but with less focus on arcs.
265** InUniverse in the episode "[[Recap/SouthParkS8E11QuestForRatings Quest For Ratings]]". The boys host the school's news program, but Craig's show ''[[ExactlyWhatItSaysOnTheTin Funny Animals Filmed With a Wide Angle Lens]]'' beats them in the ratings. They retool the show into the more sensational ''Sexy Action News'', only for Craig to again best them by changing his show into ''Funny Animals Filmed With a Wide Angle Lens [[MundaneMadeAwesome Wearing Hats]]''.
266** Another In-Universe example in "[[Recap/SouthParkS13E11WhaleWhores Whale Whores]]"; Stan takes over the ''Series/WhaleWars'' reality show and begins taking radical actions to save whales and dolphins, but everybody sees it as just a retool of the show.
267* ''WesternAnimation/StarVsTheForcesOfEvil'' originally focused on Star trying to fit in on Earth, the comedy was fast paced with a large amount of comedic action sequences, and most episodes were episodic with small teases towards the show's MythArc. The final two seasons switched settings to Mewni, the comedy slowed down and became mostly dialogue-driven, and episodes became more concerned with progressing various story arcs than giving audiences one-off episodic adventures.
268* {{Parodied|Trope}} in a number of ''WesternAnimation/TeenTitansGo'' episodes, where the characters retool themselves in response to critcism. Of note is one Control Freak episode where he specifically threatens to reboot the Titans and reveals he did once before to ''WesternAnimation/TeenTitans2003''. [[SelfDeprecation He admits that was a mistake]].
269* ''WesternAnimation/{{Superfriends}}'' had this multiple times, but the first was the most dramatic: whereas the first version had an hour long story format with rather plodding plots and usually nigh-useless KidSidekick trio, the second version (''The All-New Super Friends Hour'') had each episode divided into four stories, ThreeShorts and a half hour long one featuring the entire team, which prompted faster paced plotting and the Wonder Twins who were more useful with actual superpowers.
270* ''Franchise/TeenageMutantNinjaTurtles'':
271** The '80s-'90s cartoon version of ''WesternAnimation/{{Teenage Mutant Ninja Turtles|1987}}'' was retooled for its eighth season, going through significant changes in audiovisual style and tone. The episodes after the retool are commonly known in the fandom as the "Red Sky Episodes", since this was the hue the backgrounds almost invariably took. The story itself became darker, with the Shredder going from AffablyEvil to total BigBad and more threatening than ever, and the Turtles becoming wanted by the NYPD for [[spoiler:failing to stop Shredder from blowing up the Channel 6 skyscraper]].
272*** In the ninth season, the series received more changes. Shredder and Krang were PutOnABus and replaced by Lord Dregg, who would became the main villain for the rest of the series. The Turtles also got a new sidekick named Carter, and there was also a new subplot involving the mutagen, that turned them the way they are at the very beginning, going wrong, turning them into large mutant monsters.
273** Like its predecessor, the second ''WesternAnimation/{{Teenage Mutant Ninja Turtles|2003}}'' animated series was eventually retooled. During its sixth season, its setting was changed from the present day to the year 2105 via accidental time travel. "Fast Forward", as the season was subtitled, featured a shift in art style (simpler) and in tone (lighter), and the abandoning of most of the show's supporting cast in favor of completely new characters. A second, milder retool occurred with the seventh season, which featured the turtles' return to present day, yet another ArtShift, and a new subtitle -- "Back to the Sewer".
274** The third animated series of ''WesternAnimation/{{Teenage Mutant Ninja Turtles|2012}}'' was also eventually retooled, which happened after the fourth season, where the show was retitled ''Tales of The Teenage Mutant Ninja Turtles''. Splinter and Shredder were now dead, as were Kraang Prime and Sub-Prime. The theme song was also changed. Unlike the past seasons, every episode was now part of a mini-arc. The show lasted only one more season after the retool.
275* ''WesternAnimation/ThomasAndFriends'' had a minor retool in Series 5 when it stopped adapting the Railway Series stories it had previously been based on. A further retool was in Series 8 when a new theme song and story format was bought in, and many characters such as Duck were [[ChuckCunninghamSyndrome dropped with no explanation]].
276** In 2009, the series dropped models and created new episodes exclusively in CGI.
277** In 2018, the series has underwent a major retool along with a new title: ''Big World! Big Adventures!''. The narration is dropped completely in favor of Thomas talking of the events, Henry and Edward are replaced with female newcomers Nia and Rebecca, the episodes are more fast-paced and feature an ImagineSpot at least OncePerEpisode, and some episodes feature Thomas traveling the world, hence the new name. The episodes are also bookended with a sketch of Thomas presenting them as a flashback to a past event, and telling the viewer the lesson learned during that adventure.
278* ''WesternAnimation/TheTomAndJerryShow2014'' was replaced in 2021 by ''Tom and Jerry in New York'', a series with the same crew that moves their antics from the suburban landscape of the classic theatrical shorts to New York City (as seen in the simultaneously released [[Film/TomAndJerry2021 feature film]]).
279* Creator/CartoonNetwork's acclaimed Creator/{{Toonami}} block received this in 1999, ditching preexisting Creator/HannaBarbera character [[WesternAnimation/SpaceGhost Moltar]] in favor of an original character, a robot named TOM voice by Creator/SteveBlum, as host. TOM and his various incarnations would come to be so linked with the identity of the block that [[EarlyInstallmentWeirdness very few people are aware that Toonami predated the character]].
280* The third season of ''WesternAnimation/TheTransformers'' picks up where the [[WesternAnimation/TheTransformersTheMovie movie]] left off, meaning a good chunk of the original cast is now dead with new characters having taken their places. The series also became much more space-focused, with very few episodes taking place on Earth and an noticeably [[OffModel lower budget]] in the animation department.
281* ''WesternAnimation/UltimateSpiderMan2012'' caught a lot of flak for its DenserAndWackier tone and giving Peter a set of [[{{Jerkass}} unlikable]] teammates. Season two managed to [[RescuedFromTheScrappyHeap redeem some of them]], but season three went in a different direction by having them DemotedToExtra, instead having Peter travel alone through the multiverse and team up with [[WesternAnimation/MarvelUniverseDisneyXD other Marvel heroes]]. Season four continued the trend into more serious storylines and also having Nick Fury and Nova, the two [[TheScrappy least popular characters]], outright PutOnABus until the end.
282* The second season of ''WesternAnimation/WanderOverYonder'' completely shifts the show from SliceOfLife to a more story-heavy format, giving it a more serious tone and major plot points that carry from one episode to the next.
283* ''WesternAnimation/SpaceGhostCoastToCoast'' underwent some minor retooling throughout its run.
284** Season 3 introduced an all new original opening sequence rendered in CGI, with comets and planets functioning and moving about, as well as the camera crashing through Ghost Planet Industries and navigating through the hallways.
285** Season 4 introduced a "Begin Transition" screen that replaced the static "Start Feed" and "Interrupt Feed" screens and an alternate closing credits theme.
286** In Season 5, the intro was changed to a black screen with "Waiting" in white lettering and music/sound effects that varied from episode to episode.
287** Seasons 6 and 7 had various intros. The eight season brought back the original opening theme with occasional alterations in some episodes.
288** From Season 7 onwards, the adult humor was increased and the characters would swear in some cases.
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291[[folder:Real Life]]
292* This happened en masse in the firearms industry in the 1990s thanks to the idiosyncrasies of UsefulNotes/AmericanGunPolitics. Because the (now-lapsed) federal "Assault Weapon" ban and several existing state laws derived from it regulate weapons based on external features and accessories, manufacturers redesigned all the affected designs into otherwise-identical versions without those features.
293[[/folder]]

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