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1-> ''"The number one quote critics give me is: 'Thom, your work is irrelevant'. Now, that's a fascinating, fascinating comment. Yes, irrelevant to the little subculture, this ''microculture'', of modern art. But here’s the point: my art is relevant because it’s relevant to 10 million people. That makes me the most relevant artist in this culture, not the least. Because I’m relevant to ''real'' people."''
2-->-- '''Thomas Kinkade'''
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4This is the belief that popularity directly correlates to quality.
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6It's rare that you get to watch a TV show or film without hearing popular opinion on it beforehand. This often sets up expectations for the soon-to-be-viewed work; the more uniform and enthusiastic praise garnered by people of it, the more likely you're going to anticipate a knock-your-socks-off feature and wait with bated breath for your turn to extol it. After all, forty reviewers can't all be wrong! This is frequently used in RealLife advertising, with slogans like: "Because X (number of) people can't be wrong!".
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8But quality is subjective, and even then some people look for quality in different aspects. In entertainment, some people value the story in every work, other people value the story in some works but the action in other works. Some people might overlook flaws due to a work having sufficient amounts of relatability, WishFulfillment, or {{Fanservice}} (sexual or otherwise), whereas for others, those same aspects (usually and mostly the latter two) may exacerbate or even BE the flaws. And since individuals will differ in tastes, even hugely popular works won't be liked by everyone.
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10Sometimes the popular vote turns out to be right. Other times, the work might not live up to the hype. Still, the disparity between pre-judgment bias and individual opinion can be jarring and leave an even [[HypeBacklash deeper sense of disappointment]] than with no hype to set your expectations so high in the first place.
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12The Latin name for this is ''argumentum ad populum'', or the ''ad populum'' fallacy, ''but'' the opposite is also a fallacy. A work isn't lesser quality just because it's popular, or lesser quality because it's unpopular, or vice versa for either of those. See AppealToPopularity for more info.
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14Some studios take this to mean LowestCommonDenominator instead of universal (if not unanimous) appeal.
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16Compare CriticalDissonance. Contrast ItsPopularNowItSucks and OpinionMyopia.

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