Line #137 Main/ParodyRetcon


1	[[quoteright:300:[[Webcomic/SaturdayMorningBreakfastCereal https://static.tvtropes.org/pmwiki/pub/images/parodyretcon350_1424.png]]]]
2	[[caption-width-right:300:Lesson learned: Don't sleep with your Literature professor.]]
3
4	->''"I contend that making a film that's only part satire is hedging your bet, in a sense saying 'if you like it and think it's good, then it's a good movie. If you think it stinks, then I meant it to be funny.' It's the coward's way to make a movie."''
5	-->-- '''[[Series/MysteryScienceTheater3000 Mike]] [[Podcast/RiffTrax Nelson]]'s Movie Megacheese''' in reference to ''Film/WildThings''
6
7	A parody retcon is when a creator, in response to negative critical reaction to his or her work, {{handwave}}s the work's failings [[IMeantToDoThat by claiming that it was supposed to be a parody all along]], and that in fact the critic is wrong for [[TookTheBadFilmSeriously taking it seriously]]. It's a subtrope of the DeliberateFlawRetcon.
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9	In general, people won't believe a creator who says this. However, with PoesLaw being what it is, sometimes this will happen even if the creator really ''did'' intend the work to be a parody but [[StealthParody was too subtle with it]] or [[IndecisiveParody didn't go far enough with it]]. Bottom line -- if you have to explain to people that they shouldn't take it seriously, you'd better have solid evidence that this is the case.
10
11	See also IMeantToDoThat, JustJokingJustification, ExternalRetcon, and AuthorsSavingThrow. The [[OppositeTropes direct opposite]] of a DeniedParody, which is when people think it's a parody when the creator intended it to be taken seriously. Not to be confused with [[ParodiedTrope parodying retcons]].
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13	----
14	!!Examples:
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16	[[foldercontrol]]
17
18	[[folder:Comic Books]]
19	* Creator/FrankMiller claimed that his notorious ''ComicBook/AllStarBatmanAndRobinTheBoyWonder'' was intended to be a parody. It's complicated by the fact that he said this to [[MisaimedFandom people who liked it]]. No one's certain if he's telling the truth.
20	* Joe Madureira has claimed that Red Monika's [[MostCommonSuperpower ridiculous proportions]] in ''ComicBook/BattleChasers'' were a parody of sexy women in other comics. And has always done so -- even in the original run of the short-lived comic, during which there was little to no controversy regarding said character's proportions. That means he's probably telling the truth, but whether or not it was ''effective'' parody [[MisaimedFandom is another story]].
21	* Joe Simon and Creator/JackKirby's ''Fighting American'' (an {{Expy}} of their more popular creation ComicBook/CaptainAmerica) started off as a dead serious book about Commie-smashing. When the anti-Communist {{Witch Hunt}}s of [[UsefulNotes/JosephMcCarthy Joe McCarthy]] began to fall out of favor with Americans, Simon and Kirby quickly tried to {{retool}} the series into a tongue-in-cheek parody of RedScare stories. It didn't work, and the title was cancelled after just seven issues.
22	%%* When ''ComicBook/SuperiorSpiderMan'' came out, author Dan Slott defended all of Spidey-Ock's evil deeds, claiming they were in some way heroic, up to and including him erasing Peter's lingering consciousness from his mind. In general fans threw complaints that Otto was a CreatorsPet and VillainSue at the book, with Dan shrugging them off and calling him a hero. When the book began to finish the Otto-As-Peter arc, he backtracked and claimed Otto was always intended to be the bad guy.
23	%%** This occasionally happens in comics, especially when someone switches sides/identities, making it hard to determine what's a parody retcon and what's just a writer not wanting to admit [[StatusQuoIsGod that everything is going to get reset later.]]
24	* Creator/NeilGaiman mentions in ''ComicBook/{{The Sandman\|1989}} Companion'' how he initially envisioned the character Thessaly as a satire of the [[NewAgeRetroHippie "new-age pagans"]] who popped up in feminist circles in the 1980s and '90s, marketing themselves as a LighterAndSofter version of traditional witchcraft: Thessaly, despite looking like a new-age witch, is more of a [[GoodIsNotNice jerk]] and practices a very brutal version of witchcraft. As of the 2010's, however, Thessaly, and her premiere story "A Game of You", has been criticized for transphobic and gender-essentialist overtones. Gaiman has since claimed that Thessaly was specifically based on an actual trans-exclusionary radical feminist he'd encountered, and that readers weren't supposed to agree with her dismissive attitudes towards the transgender character; others argue that this is undermined by Thessaly otherwise being the most competent character in the arc.
25	[[/folder]]
26
27	[[folder:Film]]
28	* ''Film/TheRoom2003'' is probably the most famous example. Creator/TommyWiseau (director, writer, and star) intended the film to be a dramatic melodrama, only for it to be SoBadItsGood and critically panned on its release. The film's "fans" asked him if he meant the film to be funny, and in a fit of AscendedFanon, he started calling it a BlackComedy (it even says so on the DVD case). Everyone else involved with the production claims that Wiseau treated the project with the utmost seriousness during filming, and they further suspect that the whole affair plot was based on [[WriteWhatYouKnow a real past relationship of Wiseau's]]. Most fans of the movie are inclined not to believe Wiseau, if for no other reason that he only started calling it a "black comedy" when the idea was suggested to him, and he still describes the film's contents [[TookTheBadFilmSeriously in melodramatic, passionate terms]].
29	* ''Film/MommieDearest'' is perhaps the TropeCodifier. After its poor initial reception, Creator/{{Paramount}} started advertising it as a parody a few weeks after its release, changing its movie posters to proclaim, "Meet the biggest MOTHER of them all!"
30	* ''Film/{{Deafula}}'' was said to be a parody, and was even renamed ''Young Deafula'' in some places. The director's reason for the conspicuous lack of jokes? Only deaf people would get it.
31	* Creator/RolandEmmerich claimed that ''Film/IndependenceDay'' was supposed to be a comedy all along. Opinion is split on whether to believe him, because it's a rare example of a film that was very successful when appreciated straight, and because it has enough humor and {{Shout Out}}s (''e.g.'' flying saucers, {{Area 51}}, Creator/BrentSpiner playing a scientist) to be an edge case.
32	* Creator/MNightShyamalan claimed that ''Film/TheHappening'' was a parody of {{B movie}}s in an attempt to downplay its critical curb-stomping. No one believed him.
33	* ''The Concorde... Film/{{Airport}} '79'' was marketed as a comedy after critics pointed out all of its unintentionally hilarious scenes. It still didn't help at the box office. In fact, this was so indicative of the [[CondemnedByHistory impending death]] of the air disaster movie genre that it paved the way for ''Film/{{Airplane}}'' to do a full-on parody and [[GenreKiller finish the job]].
34	* ''Film/MonsterAGoGo'' was claimed to be a parody of some sort by Gordon Lewis, although ''what'' exactly it's supposed to parody is unclear.
35	* ''Film/RatPfinkABooBoo'' starts out serious, but apparently halfway through, the director (Ray Dennis Steckler, the same guy who directed ''[[Film/TheIncrediblyStrangeCreatures The Incredibly Strange Creatures Who Stopped Living and Became Mixed-Up Zombies]]'') got bored and decided to film the rest of it as a comedy/parody.
36	* The lead actress of ''Film/SpaceMutiny'' claimed that the whole thing was in fact a spoof of the sci-fi genre (possibly trying to save face after its appearance on ''Series/MysteryScienceTheater3000''). This might explain the cheesy sets and costumes, as well as the bizarre "ancient dentistry" scene. It doesn't explain why, of the three directors that worked on the film, one wanted his name removed, another has his buried deep in the credits, and the third isn't listed at all.
37	* Creator/StephenKing claimed that his SoBadItsGood film ''Film/MaximumOverdrive'' (which he wrote and directed) was a deliberate homage to bad movies such as ''Film/Plan9FromOuterSpace'' after it received bad reviews. Apparently, he was hoping that [[ViewersAreGoldfish audiences had forgotten the trailers]] which clearly presented it as a horror film, with King himself promising the audience, "I will scare the hell out of you." However, he later acknowledged on more than one occasion that the film sucked, calling it a "moron movie".
38	* Claudio Fragasso tried pulling this off with ''Film/{{Troll 2}}'' after the release of the documentary about it, ''Best Worst Movie''. The people who worked with him on the film say otherwise; he apparently thought he was a genius. There ''are'' moments in the film that are meant to be amusing in their own right, such as [[spoiler:Elliot abruptly appealing to diplomacy in a showdown with the Goblins]] or the reveal of [[spoiler:the secret weapon as being a double-decker baloney sandwich]], but they were clearly written as a counterpoint to a genuine attempt at horror.
39	* ''Film/TheresNothingOutThere'' is quite clearly a parody, but the DVD commentary [[LampshadeHanging hangs a lampshade]] on the phenomenon, as the filmmakers jocularly insist that everything that didn't work was a parody but that everything that did was serious.
40	* ''Film/WildThings'' is generally seen as a GuiltyPleasure if nothing else, but the sheer volume of [[SoBadItsGood unintentional hilarity]] has lead some to hypothesize that it may have been a StealthParody of erotic thrillers all along. It was directed by an indie filmmaker with a history of making clever movies, and it gives a juicy (and funny) supporting role to a well-known comedian in Creator/BillMurray, so the hypothesis isn't unreasonable.
41	* ''Film/TheWickerMan2006'' remake by [[Creator/NeilLaBute Neil LaBute]] was widely panned. Its star Creator/NicolasCage insists that it shouldn't be taken seriously, noting that he stopped doing so himself when he [[https://www.youtube.com/watch?v=YyigAW-14w0 punched out a woman while wearing a bear suit]].
42	-->"You don’t karate chop Leelee Sobieski in the throat and not know how absurd that is, but it’s just not something I would like to talk about. I would rather let them discover it on their own, but I think I learned a lot of that kind of off the wall kind of stuff watching Creator/StanleyKubrick, because his movies were incredibly funny, but you never really knew how much was planned or accident, you know?"
43	* ''Film/{{Secretariat}}'' was largely well received, but one reviewer, Andrew O'Hehir of Salon.com, gave it an extremely bizarre negative review. Among other things, he accused the movie of being racist (and pro-Tea Party) simply because the Hispanic "villain" was "terrorist-flavored" and his horse's name, Sham, implies evil. (This despite the film being BasedOnATrueStory, so those elements all happened in RealLife.) He also used the director's Christianity to [[GodwinsLaw compare the movie to the works of Leni Reifenstahl]]. When Creator/RogerEbert, himself a liberal, took issue with the review, O'Hehir tried to claim he was just being hyperbolic, and that it was "supposed to be funny, and also to provoke a response." Few believed him; if nothing else, PoesLaw would have been working against him.
44	* It's now claimed that ''Film/{{ROTOR}}'' was a parody all along, despite the poster, video box, description, and advertising not saying a word about it.
45	* Creator/GeorgeClooney made the mistake of [[TookTheBadFilmSeriously playing it straight]] in ''Film/BatmanAndRobin'', unlike [[HamAndCheese virtually all of his co-stars]], although ironically this ''does'' fit the tradition of Batman's character being depicted as TheComicallySerious. Clooney, however, has subsequently claimed that he played the character as gay.
46	* ''Film/ManosTheHandsOfFate'' was originally billed as a horror movie but became famously SoBadItsGood, enough to pick up a cult following. The director responded that it worked better as a parody and suggested that it might be even funnier if it got a GagDub -- and did so even before the ''Series/MysteryScienceTheater3000'' episode proved him right and made the movie more famous.
47	* ''Film/UnitedPassions'' is a film about the formative years of world soccer governing body FIFA, which was widely panned for being melodramatic and glossing over the organization's history of corruption -- especially given that [[HarsherInHindsight FIFA was in the midst of a serious corruption scandal at the time of the film's release]]. The stars later tried to claim that they knew people wouldn't take kindly to the film and tried to make the characters look as cartoonish and ridiculous as possible -- especially Creator/TimRoth, who played FIFA chief Sepp Blatter, who in real life was forced to resign as part of the scandal.
48	* ''Film/{{Showgirls}}'' was savaged by critics and audiences when it came out, but has since attracted a fairly large cult following, in part from the contention that it's meant to be a satire. Opinions differ on whether it was supposed to be garden-variety SoBadItsGood, a {{deconstruction}} of the traditional RagsToRiches story (like ''A Star Is Born'' or ''Film/AllAboutEve''), a satire of the Vegas entertainment scene, or even an indictment of fame and pop culture in general. But it's definitely not meant to be taken seriously.
49	* Inverted with ''Film/TheIncredibleMeltingMan''. The director has gone on record to say that he intended it from the start to be a parody of monster flicks (which considering its ridiculous premise and being made about 20 years after the heyday of such movies in the 1950s, isn't hard to believe), but that the final product ''isn't'' one. It ended up being a hot mess thanks to ExecutiveMeddling, when the studio insisted that he play it all straight against his wishes.
50	* ''Film/BackToTheFuture1'', per film legend, was nearly called ''Spaceman From Pluto'' at the insistence of a [[ExecutiveMeddling meddling executive]]. He went as far as to send Creator/StevenSpielberg a note asking for this change, along with a few suggestions for how to [[TitleDrop work the title into the movie]] (because it had nothing to do with the movie otherwise). Spielberg responded by thanking the exec for the joke note and telling him how everyone found it really funny -- and the executive was too proud to admit he was serious and [[SureLetsGoWithThat went along with it]].
51	* Discussed in ''Film/JohnMulaneyAndTheSackLunchBunch'', when John, questioned by the kids [[SubvertedKidsShow if the special is supposed to be sincere or ironic]], muses that it's entirely up to critical reception in the end, and decides that that's the first lesson of the day: pretending to know what you're doing will make you successful.
52	-->"Um, well, first off, I ''like'' doing the show. I mean, The Sack Lunch Bunch is fun. But honestly, like, if this doesn't turn out great, I think we should all be like, 'oh, it was ironic'. And then people will be like, 'oh, that's hilarious'. But if it turns out very good, be like, 'oh, thank you, we worked really hard', and act fake-humble, and then you win either way."
53	[[/folder]]
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55	[[folder:Literature]]
56	* Creator/IsaacAsimov's "Literature/FirstLaw": When this story was republished in ''Literature/TheRestOfTheRobots'', Dr Asimov prefaced the story by pointing out that this was [[UnreliableExpositor a Donovan story]], not an Asimov story. When it was republished in ''Literature/TheCompleteRobot'', he warns the audience that this story is not to be taken seriously. This is because the robot in this story breaks the [[ThreeLawsCompliant First Law]] due to a motherly instinct, which [[AIIsACrapshoot robots aren't programmed with]].
57	* Creator/LRonHubbard's publishers claimed that ''Literature/BattlefieldEarth'' was meant to be satirical in response to criticism. Which makes no sense, because Hubbard himself intended the book to describe a historical event critical to the beliefs of the religion he founded.
58	* Literature/MaradoniaSaga: Following the release of a book trailer that could charitably be called "amateurish", Gloria Tesch's publicist responded to criticism by classifying the trailer as "obviously comic satire". Much like her books, nobody bought it.
59	* Valerie Solanas wrote ''The SCUM Manifesto'', which among other things calls for "[[{{Gendercide}} the eradication of men]]". People didn't notice until ten years later, when she became famous for trying to kill Creator/AndyWarhol, and she claimed it was satirical (in the vein of ''Literature/AModestProposal''). No word on whether the assassination attempt was "satirical", however.
60	* ConversationalTroping in ''Literature/TheNewAmericanDictionary'', which defines "satire" as a statement that is later judged to be offensive, and cross-references it to "hypocricy".
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62
63	[[folder:Live-Action TV]]
64	* ''[[Series/KDOCFirstNight First Night 2013]]'' was a live New Year's Eve countdown special on local television in Los Angeles that quickly went viral because it [[TheShowMustGoWrong was a trainwreck on practically every level]] (technical glitches, uncensored profanity, has-been musical guests, missing the actual countdown, ''etc.''). Host Jaime Kennedy quickly (and unsurprisingly) invoked this trope.
65	* Creator/RickyGervais did this after criticism of ''Series/{{Derek}}''. Before it aired, he spoke often about how he had "dropped the veil of irony" and committed to making a sincere comedy-drama. People panned it for being {{Narm}}y, particularly its sad music montages, which Gervais would claim were there to give the verisimilitude of a cloying documentary -- while at the same time retweeting comments earnestly praising the sequences for their emotional power.
66	%%* Creator/DouglasAdams inverted this trope. In the early 1980's academic work ''Doctor Who - The Unfolding Text'', he defended his work as script editor on the series and said he had meant to look more, not less seriously, at the tropes of ''Series/DoctorWho''. Adams had envisioned a serial in which the Doctor (temporarily) decides to give up saving planets, but the producer Graham Williams had vetoed the idea. [[note]]Adams would go on to use a lot of his discarded Dr. Who ideas in the [[Literature/TheHitchhikersGuideToTheGalaxy Hitchhiker's Guide]] sequel Literature/LifeTheUniverseAndEverything, part of which included Ford being told he has to save the world and Ford refusing. [[/note]]
67	* An in-universe example happens in ''Series/{{Victorious}}'' episode "Jade Dumps Beck". Robbie is forced to review Trina's one woman show before opening night. Predictably, the show is terrible, but Trina harasses and threatens Robbie until he gives her show a good review. After telling André the play was "So bad, it was laughable", André suggests that Robbie review it like a comedy, which he does. Trina is furious at first, but after getting a standing ovation on show night, she goes along with it.
68	* A bizarre variant happened with the Toymaker in ''Series/DoctorWho''. In his [[Recap/DoctorWhoS3E7TheCelestialToymaker original appearance]], the Toymaker was a blatantly racist caricature of a Chinese Mandarin played by a white actor. When he was [[Recap/DoctorWho60thASTheGiggle brought back nearly 60 years later]], he had switched to an atrocious (and [[OohMeAccentsSlipping in-universe fake]]) German accent instead, retroactively the original portrayal as one of many ''in-universe'' racist parodies by the Toymaker himself.
69	* Invoked in-universe in the ''Series/{{Blackadder}} the Third'' episode "Ink and Incapability". When Blackadder has reason to convince the Prince Regent that he ''does'' want to be the patron of Dr Johnson's dictionary after all, he simply congratulates the Prince for making that decision. When George says he thought he told Johnson to get lost, Blackadder says "But surely that was a joke, sire. And a brilliant one." The bemused Prince says "It was rather brilliant, wasn't it?"
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72	[[folder:Music]]
73	* Music/BeastieBoys like to pretend that their first album, ''Music/LicensedToIll'', was a parody of rap and frat boy attitudes -- despite the fact that the album seems to be a straight example of these attitudes as opposed to a send-up or even a subtle parody. The video album makes their intentions painfully clear, as does the fact they originally wanted to call it ''Don't Be a Faggot''.
74	* Music/AlanisMorissette: IsntItIronic, don't ya think, that when she wrote a song about {{irony}}, and everyone pointed out that all her examples of irony were not technically irony, she suddenly decided that ''that'' was, in fact, the irony all along.
75	* Music/BobDylan's 1970 album ''Self Portrait'', mainly made up of sloppily-performed cover versions, received the first mostly negative reviews of his career (and pretty vicious ones at that). In the first few years after its release he defended the album, but since then he's claimed that it was [[WriterRevolt a deliberate attempt to alienate his more obsessed fans]]. Dylan also made the same claim about his previous album, ''Nashville Skyline'', a country-flavored album where Dylan trades in his nasal sneer for a singing voice that borders on crooning. It helps, though, that Dylan was always a renowned {{troll}}. Ultimately, both albums were Top Ten [=LPs=], and ''Nashville Skyline'' even kept Music/TheWho's ''Music/{{Tommy}}'' out of the #1 spot in the [=UK=]. ''Nashville Skyline'' at least has since been VindicatedByHistory.
76	* Music/BrokenCYDE, a {{Crunkcore}} group, consistently pulls a ParodyRetcon when they're doing poorly, but [[IndecisiveParody switches back]] whenever they're doing well commercially.
77	* This was said about Canibus' disastrous third album, ''C: Tru Hollywood Stories'', after its terrible reception.
78	* Music/PeterGabriel is fond of using this to explain his early lyrics, especially the ones from the Music/{{Genesis\|Band}} days.
79	* Depending on which day of the week you asked Music/LouReed, his album ''Music/MetalMachineMusic'' (a double album of [[BrownNote nothing but multitracked feedback noise]]) is either a TakeThat to his record company, a parody of Serious Music (former [[Music/VelvetUnderground bandmate]] Music/JohnCale in particular), a drug-fuelled mistake, or actual Serious Music.
80	* Music critics have lately been saying this about Music/SergeiProkofiev, as a way of getting around the fact that he wrote cantatas lavishing praises upon UsefulNotes/JosephStalin, by claiming that they were really mocking Stalin all along. It's a total change of tactic, as in earlier decades, his political works presented problems for his popularity in the West, where critics were keen to dismiss him as a Soviet propagandist.
81	* The Music/LemonDemon song [[https://www.youtube.com/watch?v=O_rfgcuDSCM "The Satirist's Love Song"]] is about someone using this trope to explain a failed relationship:
82	-->''I've been satirizing ever since''\
83	''The first day we met''\
84	''Our love is a great work of satire''\
85	''That you just didn't get''
86	* Averted by Music/SelenaGomez, who said that the name of her band The Scene was a pisstake before they released a note of music.
87	* Ryan Pann, the guy responsible for the infamous "Christian Side Hug", has claimed that the song was meant to be a satire.
88	* Music/RobinThicke has tried to pass "Blurred Lines" off as a parody in the wake of its lyrics being denounced as misogynistic. He even went so far as to claim the ''Film/{{Anchorman\|TheLegendOfRonBurgundy}}'' character Ron Burgundy as inspiration.
89	[[/folder]]
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91	[[folder:Politics]]
92	* South Carolina State Senator Jake Knotts wasn't being a racist when he called Nikki Haley, a Republican candidate for his state's governor and an ethnic Punjabi who converted to Methodist Christianity from Sikhism, a "raghead" (and UsefulNotes/BarackObama a secret Muslim in the same breath). He was being ''satirical''. And just quoting a ''Series/SaturdayNightLive'' skit that exists only in his head.
93	* During the 2010 UK general election, the makers of Marmite threatened legal action after the super far-right [[UsefulNotes/BritishPoliticalSystem British National Party]] included a jar of the product in one of their videos. The BNP originally claimed their video had been a parody, and only later admitted that it was a [[http://news.bbc.co.uk/1/hi/uk_politics/election_2010/8647630.stm mistake.]]
94	* During the 2011 US national budget meetings, former Senate Minority Whip Jon Kyl spoke in favor of defunding Planned Parenthood by claiming that "over 90%" of the organization's services were abortions. After it was revealed that only 3% of their services (and 11% of visits) were abortions, Senator Kyl claimed that he was exaggerating and that his claim was "not intended to be a factual statement".
95	* Ray Comfort now claims that his infamous "Banana: The Atheist's Worst Nightmare" argument was satire. The video argues for intelligent design by showing how the banana is apparently perfect for human consumption -- ignoring the fact that this is because of centuries of selection and cross-breeding by humans, and that wild bananas are much less human-friendly (with thicker skins, sour flesh, and large inedible seeds). No one on any side of the debate could figure out what it was even supposed to satirize; it was very clearly just an unresearched argument that blew up in his face.
96	* Georgia Congressman Hank Johnson claims he was only joking when he was voicing his concern for Guam capsizing.
97	* In late 2013, ''Slate'''s Aisha Harris made a case for more inclusiveness when it came to who portrayed SantaClaus, prompting then-Fox News commentator Megyn Kelly to offer her take on the issue, which led to her saying that "Santa just is white." Several pundits, including Creator/JonStewart, took her to task for it, leading her to clarify her remarks and say they were "tongue-in-cheek." Stewart found that rather difficult to believe.
98	* [[https://en.wikipedia.org/wiki/Thomas_Friedman Thomas Friedman]] got some attention for his Golden Arches Theory of Conflict Prevention: "No two countries that both had UsefulNotes/McDonalds had fought a war against each other since each got its [=McDonald's=]", a folksy attempt to express the logical (but not foolproof) opinion that economically stable countries have few incentives to go to war. First published in a 1996 ''New York Times'' column, he also featured it in his 1999 book ''The Lexus and the Olive Tree'', and apparently meant it in utter seriousness. Weeks after the book was published, forces of the [=McDonald's=]-happy NATO countries [[UsefulNotes/TheYugoslavWars bombed Yugoslavia]], with a few [=McDonald's=] locations sustaining damage. Critics also found earlier cases of conflict between two countries with [=McDonald's=]. In response, Friedman claimed that his theory was done "with tongue slightly in cheek".
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100
101	[[folder:Video Games]]
102	* After the pornographic Platform/Atari2600 game ''Custer's Revenge'' received heavy criticism, the president of the company that created it said, "our object is not to arouse, our object is to entertain". This despite the fact that its cartridge calls it "erotica".
103	* ''VideoGame/FarCry3'' lead writer Jeffrey Yohalem responded to criticism of the game's use of MightyWhitey by announcing that the plot was actually a satire. No one believed him.
104	* When the next-gen version of ''VideoGame/CallOfDutyGhosts'' was revealed, one of the promoted features was "fish that moved out of the way you got near them". Gamers were quick to point out this was not a new thing, specifically pointing to ''VideoGame/SuperMario64'' (which came out ''17 years earlier''). They since then said it was a joke, despite not sounding like one.
105	* ''Franchise/FinalFantasy'':
106	** A lot of ''VideoGame/FinalFantasyV'''s fans argue against criticism of the game's LighterAndSofter nature, daft ClicheStorm elements, and LargeHam GenericDoomsdayVillain BigBad by insisting it's a parody of ''Final Fantasy'' games as a whole. There are a few sequences that qualify as parody of how these games tend to go down (Bartz waking up from a meaningful dream about his destiny to discover his party staring at him freaking out, the whole SolveTheSoupCans sequence with the Ronkan door switch), but for the most part it's a normal ''Final Fantasy'' with jokes in. This trope was, however, invoked for the Game Boy Advance remake, which re-translated the game in a sarcastic, tongue-in-cheek fashion, with such gems as Bartz declaring a GiantEnemyCrab has "been served" and a librarian's advice to "[[Series/ReadingRainbow take a look, it's in this book]]."
107	* In 2011, PETA created ''VideoGame/SuperTanookiSkin2D'', a game about a {{tanuki}} trying to reclaim its skinned fur from [[Franchise/SuperMarioBros Mario]], and said that the Mario games were sending the message that it was okay to wear fur. After the expected backlash and an official statement from Creator/{{Nintendo}}, PETA claimed it was all "tongue-in-cheek". PETA did the same with ''Franchise/{{Pokemon}}'' in ''VideoGame/PokemonBlackAndBlue''.
108	* ''VideoGame/WatchDogs'' received overwhelming criticism mostly aimed at its protagonist, Aiden Pearce, for being a NeverMyFault DirtyCoward FailureHero and {{Hypocrite}} who ruins his family's life with his RoaringRampageOfRevenge. Alongside this was the games extreme GameplayAndStorySegregation where the character espouses a NeverHurtAnInnocent VigilanteMan but spends most of the sidequests killing people for money while working with sociopaths and serial killers. This is so drastic that some have interpreted Aiden and the game itself as being a {{Deconstruction}} of typical video game protagonists. When asked about this, [[WordOfGod writer Kevin Shortt said it was entirely intentional.]] However, this has been taken to be this trope in trying to save face, as these comments only came years later and in response to blog posts, and ignores the various merchandising of [[IconicOutfit selling "Aiden's iconic hat and jacket" on the Ubisoft store]] and that in universe Aiden's characterisation isn't the only issue with the game. As a result, many people believe this was Shortt just [[SureLetsGoWithThat taking an opportunity to save face]].
109	[[/folder]]
110
111	[[folder:Webcomics]]
112	* In ''Webcomic/OzyAndMillie'', Millie tries to do this with ''[[http://ozyandmillie.org/2001/04/29/ozy-and-millie-670/ one of her school assignments]]''.
113	* ''Webcomic/SaturdayMorningBreakfastCereal'' parodies this with the page image (original comic [[http://www.smbc-comics.com/index.php?db=comics&id=1656#comic here]]).
114	* ''Webcomic/{{Sonichu}}'' creator Christine Weston Chandler insists that the webcomic is a parody, but it's not clear what she's even trying to satirize. It turns out that she was worried about avoiding copyright infringement and had heard that parodies qualify as MediaNotes/FairUse (this didn't stop her from absolutely flying off the handle when she saw ''actual'' parodies of her work, such as ''WebComic/{{Asperchu}}'').
115	* Used InUniverse in ''Webcomic/TheOrderOfTheStick'' due to it having NoFourthWall, though it's done to get out of legal trouble rather than deflect criticism. Zz'dtri the drow wizard is initially defeated after Vaarsuvius points out that [[OverusedCopycatCharacter he's a ripoff]] of [[Literature/TheLegendOfDrizzt a copyrighted character]], causing [[OurLawyersAdvisedThisTrope the Lawyers]] to appear and drag him away. [[TheBusCameBack He returned years later]], stating that he got off by declaring himself a parody. Out-of-universe, [[https://www.giantitp.com/comics/oots0044.html the satire was never really open to question]].
116	* In-universe example in ''Webcomic/DarthsAndDroids'': Jim's [[Film/{{Airplane}} unseen campaign]] was intended to be [[http://www.darthsanddroids.net/episodes/0917.html "the GREATEST DRAMATIC STORY EVER!"]] When the others tell him it was hilarious, he replies [[http://www.darthsanddroids.net/episodes/0915.html "I completely intended it to be hilarious."]]
117	* InUniverse example in the ''VideoGame/{{Bravoman}}'' webcomic. Brave Man is very obviously a CaptainErsatz of Bravoman, which the titular hero is angry about because Brave Man is stealing his popularity. The end of his first appearance has him getting beaten up by a pair of angry lawyers, which Bravoman happily takes as karmic payback. When Brave Man appears again, Bravoman asks if he should be in copyright infringement jail, to which Brave Man responds that he got out of that situation by declaring himself a parody.
118	* In ''WebComic/MrBoop'', this is one potential interpretation of [[MindScrew whatever the heck is happening in-universe]] over Book IV. [[AuthorAvatar Alec]] tells new LoveInterest Liz that he drew the ''Mr. Boop'' comic as a joke to make his friends laugh and kept running with it when it became popular, but the rest of the storyline makes it very clear that he really ''is'' obsessively in love with WesternAnimation/BettyBoop and drawn to the SelfInsertFic fantasy the comic depicted, as his "JournalComic" ''Mr. Mr. Boop'' increasingly becomes indistinguishable from ''Mr. Boop'', with [[ReplacementGoldfish Liz slowly transmuting into Betty]]. [[note]]Out-of-universe, of course, the whole thing was obviously a joke from day 1. [[PoesLaw Probably]].[[/note]]
119	[[/folder]]
120
121	[[folder:Web Original]]
122	* WebVideo/TheIrateGamer commonly does this, either in response to accusations of plagiarism of other {{Caustic Critic}}s like WebVideo/TheAngryVideoGameNerd and Creator/Armake21, or in response to pointing out mistakes in his videos (when he doesn't re-edit the video, delete the comments, and pretend the mistake was never there).
123	* Discussed in the ''WebVideo/FoldingIdeas'' episode, "Asian Girlz": Dan thinks this is not really that good of an excuse because satire can done badly. The example he uses is the eponymous song "Asian Girlz" -- it was accused of [[RaceFetish fetishizing Asian women]], so the band claimed it was satire, but the song doesn't offer any criticism of said fetishization and thus fails at satirizing it.
124	* The creators of ''WebVideo/CinemaSins'' have usually responded to critique of their videos by claiming that they're intended to be satirical, and that the narrator of the series is more of a "character" who represents anal-retentive {{Caustic Critic}}s on the Internet. They also claim that a certain percentage of the sins written for each video are intentionally wrong "as a joke". Since none of them are actually ''presented'' in such a way, how do you know which are which? Well, if you can prove the point wrong, then that was obviously one of the "intentionally wrong" sins and you just missed the joke! Never mind if it's the same as a criticism Jeremy and Chris have expressed in their non-parody reviews.
125	* [[LetsPlay Let's Players]] who are known for complaining about video games being hard when they're really not very good at them (like WebVideo/GameGrumps) occasionally deflect criticism by claiming that they're playing poorly on purpose and portraying a character who sucks entertainingly and [[NeverMyFault blames everything but himself]]. While the "Let's Play Curse" is a known phenomenon in the genre, the problem with these Let's Players is that they generally ''don't'' suck entertainingly, often forcing the viewer to watch them try the same thing several times and fail in baffling ways (like getting stuck or ignoring game mechanics), and their complaints sound too genuine to be acting.
126	* The "social experiment" variant of the trope is a [[MemeticMutation popular Internet meme]], referring to a person who would make an inflammatory post, get a negative response, and respond that he wasn't serious and that it was all a "social experiment" to [[{{troll}} get a rise out of people]]. It's actually fairly common for people to do this for real, but they're not fooling anyone. The more enterprising posters will even [[https://i.imgur.com/AsH1Gk0.png mock people for "falling for it"]].
127	[[/folder]]
128
129	[[folder:Western Animation]]
130	* Used InUniverse in ''WesternAnimation/TheClevelandShow'': A playground kid mocks Rallo's "stupid rap," and Rallo replies that it's a joke band, "like [[Film/ThisIsSpinalTap Spinal Tap]], or [[TakeThat Aerosmith]]".
131	* Used InUniverse in ''WesternAnimation/TheFairlyOddParents'' when Timmy releases an action movie at a film festival, he wins an award because everyone thinks it's a comedy, [[SureLetsGoWithThat and accepts it]].
132	* Used InUniverse in the ''WesternAnimation/MyLittlePonyFriendshipIsMagic'' episode "[[Recap/MyLittlePonyFriendshipIsMagicS1E18TheShowStoppers The Show Stoppers]]", in which the Cutie Mark Crusaders' musical performance at a talent show is given a comedy award, which the CMC gracefully accept.
133	* ''WesternAnimation/TheSimpsons'': "The Principal and the Pauper" remains notorious for its {{retcon}}ning of Skinner's backstory, claiming that he took over the "real" Skinner's identity after he disappeared in UsefulNotes/TheVietnamWar. Ken Keeler defended it by saying that it was supposed to be a joke on people who proclaim that TheyChangedItNowItSucks. The problem with that is that people didn't just criticize it for the retcon; they also didn't like that barring the conclusion, the situation and Skinner's angst are more or less completely PlayedForDrama, with very few jokes made on the whole topic and some incredibly maudlin music and dialogue. Then again, Keeler has also suggested that the message may have been garbled somewhere in development.
134	[[/folder]]
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Context Main / ParodyRetcon