| 1 | %% |
| 2 | %% Please do not add examples relating to Coronavirus/Covid-19 without a discussion first. |
| 3 | %% |
| 4 | ->''"It is the same thing with ''VideoGame/CrashBandicoot'' -- those original games made by Creator/NaughtyDog were the reason that I wanted a Platform/PlayStation in the 1990s."'' |
| 5 | -->-- '''Company Man''', "[[https://youtu.be/kc8q2PH_YXI?si=mNtAcNNfI9gV1X3P Activision - Why They're Hated]]" |
| 6 | |
| 7 | Short for "killer application", a killer app is a piece of software so good that it's considered a must-own if you have the system it's released for, and is in fact a reason in and of itself to buy said system. |
| 8 | |
| 9 | When you buy {{literature}}, you get a single self-contained experience: the book contains all there is to this particular adventure. When you buy a ticket for a {{film}} or a [[{{Theatre}} stage show]], you get two hours of drama, and that's all there is to see (until the inevitable sequel, that is). But electronic hardware isn't like that. Music players, movie players, computers, video game consoles, tablet computers... They all require ''software'' to run, and each piece of software delivers a different experience: a photo-editing suite can't be used to balance your checkbook, for instance, or vice versa. As such, hardware and software are separate yet interlinked categories, and one is used to judge the other: the same piece of software might run much more efficiently on one computer than another, and you'd factor that in when deciding what hardware ''or'' software to buy. And, just to add to the confusion, a fair amount of software is ''exclusive to one piece of hardware'', or family of hardware: for instance, Microsoft for the longest time resisted releasing its "Office" suite of productivity software (Word, Excel, [=PowerPoint=], etc) for [=iPad=], to keep their competing "Surface" tablets relevant. |
| 10 | |
| 11 | And that's where we get to this trope. A "killer app" is a piece of software that validates the hardware. It provides such an excellent user experience that it justifies buying the hardware. |
| 12 | |
| 13 | The term is primarily used within the world of video gaming, but originated outside it: it was used, especially during the '90s Internet boom, to describe the mythical invention that everyone in America needed and which would make its developers -- and their investors -- rich beyond their wildest dreams. |
| 14 | |
| 15 | The term can also be used on a more serious context, used to refer to a very useful application which immediately becomes a "must-have", which is, in fact, the original meaning of the term. It was first applied in 1979, when the first spreadsheet application, [=VisiCalc=], was released for Platform/AppleII, and became a must-have virtually immediately, spawning hordes of clones and imitations on numerous platforms. |
| 16 | |
| 17 | And, indeed, when the term is applied in this manner, only a very few applications apply, including word processors, spreadsheets, database management programs, email clients, and web browsers. The only thing everyone agrees on is that any new hardware attempting to launch itself should have a Killer App at hand, especially if the hardware itself is a video game console--that business is more software-driven than any other, and backward compatibility being less present, a new system has to rely even more on dedicated software. |
| 18 | |
| 19 | While most products that attain killer app status are extremely successful and popular, it should be noted here that "creating a true killer app" is akin to "writing the UsefulNotes/GreatAmericanNovel": everybody ''wants'' to, but nobody has yet created (or is likely to create) the definitive killer app. |
| 20 | |
| 21 | Note that a killer app is more than just a good game. A game can be good, great, critically acclaimed, even an all-time classic... and still not be this (conversely, not all killer apps are great by modern standards; some of them seem quite dated today). A killer app is insanely popular in its own time, enough so as to single-handedly drive sales for its system (hence the alternate term "System Seller"). The examples that follow, then, are not just the games that tropers loved, but rather the games that ''everyone'' loved; the ones that made their respective systems. |
| 22 | |
| 23 | Arguing over which killer app provides the most bang for its buck is a large part of the MediaNotes/ConsoleWars. If an anticipated game shares the same genre as an existing Killer App, it may be called a [Insert Game Here] Killer, however this often puts [[ToughActToFollow unrealistic expectations]] on the upcoming title. |
| 24 | |
| 25 | Compare StarMakingRole (equivalent for actors) and BreakthroughHit (equivalent for creators). |
| 26 | |
| 27 | [[JustForFun/IThoughtItMeant Not to be confused with]] the [=GameBoy Advance=] game ''VideoGame/TronTwoPointOh: Killer App'', nor the ''VideoGame/TronTwoPointOh'' Xbox port of the same name. |
| 28 | |
| 29 | %% |
| 30 | %% And don't list killer apps that "might be". Wait until the results, even if they get listed as "failed to be one". |
| 31 | %% |
| 32 | ---- |
| 33 | !Examples: |
| 34 | [[foldercontrol]] |
| 35 | |
| 36 | [[folder:Atari]] |
| 37 | * ''VideoGame/SpaceInvaders'' was a major system mover for the Platform/{{Atari 2600}}, quadrupling its sales. This is the first widely agreed example of a Killer App, thus making it the TropeCodifier. |
| 38 | * Atari was counting on both ''VideoGame/PacMan'' and ''Film/ETTheExtraTerrestrial'' to be killer apps for the 2600, and had each produced in wildly optimistic numbers; in fact, more ''Pac-Man'' cartridges were produced than there were Atari consoles, on the assumption that the game would be so popular people would buy consoles just to play it. As it turned out, they were only half-right, as they did help to kill the Atari 2600, [[MediaNotes/TheGreatVideoGameCrashOf1983 and very nearly the entire industry]]. Despite this, both the games did still sell millions. Ironically, the Atari 2600 had a fantastically faithful version of ''VideoGame/MsPacMan'', but by the time it was released, the 2600 was on its way out. |
| 39 | * ''Super VideoGame/{{Breakout}}'' for the Platform/Atari5200; ''VideoGame/{{Galaga}}'' for the Platform/Atari7800. |
| 40 | * ''VideoGame/StarRaiders'' was a bona fide killer app for the Platform/Atari8BitComputers; many people bought the computer just to play the game. |
| 41 | * ''Blue Lightning'' and ''VideoGame/{{Klax}}'' for the Platform/AtariLynx. |
| 42 | * ''VideoGame/AlienVsPredator'' and ''VideoGame/{{Tempest}} 2000'' were this for the otherwise ill-fated [[Platform/AtariJaguar Jaguar]]. |
| 43 | * On the computer side of Atari, the presence of MIDI ports was what made the Platform/AtariST the go-to machine for electronic musicians. |
| 44 | [[/folder]] |
| 45 | |
| 46 | [[folder:Colecovision]] |
| 47 | * Coleco's competitive acquisition of the console license for Creator/{{Nintendo}}'s ''VideoGame/DonkeyKong'' is the main reason the Platform/ColecoVision console was a contender in the second generation Platform/ConsoleWars. It is rumored that the company released an intentional PortingDisaster for the Atari 2600, just to make their own system look even better by comparison. |
| 48 | [[/folder]] |
| 49 | |
| 50 | [[folder:Intellivision]] |
| 51 | * ''B-17 Bomber'', as it was the reason people bought the console's voice module. |
| 52 | [[/folder]] |
| 53 | |
| 54 | [[folder:Nintendo]] |
| 55 | In general, Nintendo has about a dozen {{Cash Cow Franchise}}s that can reliably be counted on to move systems when new entries come out, the most notable being ''Franchise/SuperMarioBros'', ''Franchise/{{Pokemon}}'', ''VideoGame/MarioKart'', ''Franchise/TheLegendOfZelda'', and ''VideoGame/SuperSmashBros''. The first two franchises also happen to be the best-selling video game series in the world. A similarly common scenario is the funding of more niche games whose fanbases are so niche they drive sales of consoles despite their limited total sales compared to the above. |
| 56 | * Platform/NintendoEntertainmentSystem: |
| 57 | ** The home port of ''VideoGame/{{Xevious}}'' is considered to be the first such game for the Famicom, boosting sales of the system to almost 2 million. Aside from that, ''VideoGame/{{Galaxian}}'', ''VideoGame/PacMan'', ''VideoGame/{{Mappy}}'', and ''VideoGame/TheTowerOfDruaga'''s [[ArcadePerfectPort arcade-perfect ports]] on the Famicom/NES also spurred sales of the console, making Namco one of the console's biggest supporters. |
| 58 | ** The Creator/HudsonSoft home port of ''VideoGame/LodeRunner'' sold two million copies in Japan alone. Along with the aforementioned ''Xevious'', it cemented the Famicom has the ultimate destination for third-party game development. |
| 59 | ** The biggest and most famous NES game bar none is ''VideoGame/SuperMarioBros1'', which is often credited with saving the North American video game industry following the MediaNotes/TheGreatVideoGameCrashOf1983. ''VideoGame/SuperMarioBros2'' and ''VideoGame/SuperMarioBros3'' followed suit a few years later, and this trilogy entered the Top 4 list of best-selling games for the system. For the Famicom Disk System, the best-selling software was ''VideoGame/SuperMarioBrosTheLostLevels''. |
| 60 | ** ''VideoGame/DuckHunt'', a common pack-in game on a two-fer with ''VideoGame/SuperMarioBros1'', became the second-best selling NES game, and also became a bestseller for the NES Zapper peripheral. Other first-party hits for the console include ''VideoGame/TheLegendOfZeldaI'', ''VideoGame/Metroid1'', ''VideoGame/{{Excitebike}}'', ''VideoGame/DrMario'', and ''VideoGame/PunchOut''. |
| 61 | ** In Japan, the first three games in the ''Franchise/DragonQuest'' series served as this, with sales of all three games combined averaging to around 10 million copies sold. |
| 62 | ** The NES also featured many third-party exclusives outside of the aforementioned ''Dragon Quest'', such as Creator/{{Capcom}}'s ''VideoGame/MegaManClassic'', ''VideoGame/GhostsNGoblins'', and ''VideoGame/DuckTales'', Creator/{{Konami}}'s ''VideoGame/TeenageMutantNinjaTurtles1989'', ''VideoGame/{{Contra}}'', and ''VideoGame/{{Castlevania}}'', [[Creator/KoeiTecmo Tecmo's]] ''VideoGame/NinjaGaiden'' trilogy and ''VideoGame/TecmoBowl'', and Creator/{{Squaresoft}}'s first three ''Franchise/FinalFantasy'' games. |
| 63 | ** When the NES first launched it came with R.O.B., your VideoGame/RoboticOperatingBuddy. R.O.B. could play only two games, both of them considered mediocre at best, and the R.O.B. itself only seemed to function half the time.[[note]]And when R.O.B. did function, it moved so slowly that you were better off doing R.O.B.'s controller inputs yourself.[[/note]] However, it was key in making the system seem less like a "videogame console" (which was a dirty word at the time following the video game crash). Essentially, it was a ''fake'' Killer App: something that seemed like the must-own technology of the future that handily snuck the far more important hardware into homes. |
| 64 | * Platform/GameBoy: |
| 65 | ** The explosive success of the Game Boy is widely attributed to ''VideoGame/{{Tetris}}'' being released as a pack-in game for the system. ''Tetris'' was already incredibly popular before the debut of the Game Boy version, appealed to an extremely broad audience outside of traditional gamers, and its gameplay was the perfect fit for a portable system. It would go on to be the most popular PuzzleGame of all-time. |
| 66 | ** ''VideoGame/SuperMarioLand'' became the first ''Mario'' platformer on a handheld system, further popularizing the Game Boy with 18 million units sold. ''VideoGame/SuperMarioLand2SixGoldenCoins'' followed suit three years later, selling 11 million units. |
| 67 | ** ''VideoGame/TheFinalFantasyLegend'' was an early hit for the Game Boy, and is notable for being the first million-seller game by [[Creator/SquareEnix Squaresoft]], and was one of the first [[EasternRolePlayingGame JRPGs]] released on the platform. It earned lots of acclaim from Japanese critics and audiences, spawned the ''[[VideoGame/SaGaRPG SaGa]]'' series, and was acknowledged as an inspiration for the wildly successful ''Franchise/{{Pokemon}}'' games that would come later in the Game Boy's lifespan. |
| 68 | ** ''VideoGame/TheLegendOfZeldaLinksAwakening'', ''VideoGame/KirbysDreamLand'', and ''VideoGame/WarioLandSuperMarioLand3'' managed to carry the Game Boy while the SNES was making headway in the home console space, with ''Franchise/{{Kirby}}'' becoming one of Nintendo's mainstay franchises and ''Wario Land'' being successful enough to give Wario [[VideoGame/{{Wario}} his own spinoff series]]. |
| 69 | ** ''VideoGame/PokemonRedAndBlue'' debuted late in the system's lifespan, single-handedly revitalizing sales of the handheld. The game's fast rise to success in North America also helped sales of the Game Boy Color, which would be released a few months after ''Red and Blue'' hit shelves there in time for Christmas 1998. |
| 70 | * Platform/SuperNintendoEntertainmentSystem: |
| 71 | ** ''VideoGame/SuperMarioWorld'', was packaged with most SNES units. It would later become the most [[GameMod modded]] game of all time as that community began to grow. ''VideoGame/SuperMarioAllStars'' was released three years later, being a updated compilation of the NES Mario games[[note]](including the first international release of ''VideoGame/SuperMarioBrosTheLostLevels'', the Japanese ''Super Mario Bros. 2'')[[/note]] that proved the viability of the UpdatedRerelease concept, and would also become popular with modders, though not to the extent of ''World''. |
| 72 | ** ''VideoGame/SimCity'''s SNES port is almost unanimously considered to be [[PolishedPort superior]] to the original PC game, featuring better graphics, an advisor (Dr. Wright, who is based off of ''VideoGame/SimSeries'' creator Creator/WillWright), background music, reward buildings, and even featuring appearances from Nintendo characters like Mario and Bowser. The game was also present in many SNES advertisements and commercials from early in its lifecycle, and sold around two million units overall. |
| 73 | ** The SNES also floated high on ''VideoGame/TheLegendOfZeldaALinkToThePast'' and ''VideoGame/StarFox1'', both of which sold over 4 million units each and becoming instant hits with fans. ''A Link to the Past'' is widely credited with codifying the modern formula for ''Franchise/TheLegendOfZelda'', with every other games in the series following the conventions it first laid down. Meanwhile, ''Star Fox'' launched an [[Franchise/StarFox entire franchise]] and was widely acclaimed for being one of the very first console games to achieve 3D polygonal graphics, thanks to Creator/ArgonautSoftware' Super FX technology. |
| 74 | ** ''VideoGame/FZero1990'' was a launch title for the SNES that showcase Mode 7 graphics in their entirety for the very first time, and ended up selling nearly 3 million units across its lifetime, and it was then followed up on by the monster success of ''VideoGame/SuperMarioKart'', another showcase of Mode 7 marked the beginning of the most popular ''Mario'' spinoff series with ''VideoGame/MarioKart''. |
| 75 | ** Creator/{{Capcom}} remained a firm supporter of Nintendo going into the MediaNotes/ConsoleWars with the port of ''VideoGame/StreetFighterII'', which was packaged with the console in some countries. Combining the sales of each version of ''Street Fighter II'' released on the SNES averages out to around 12 million copies, making it the bestselling third-party game for the system and the bestselling game for the platform behind ''Super Mario World''. Other Capcom classics for the SNES include the ''VideoGame/FinalFight'' trilogy (which directly took on Creator/{{Sega}}'s own ''VideoGame/StreetsOfRage'' games), ''VideoGame/MegaManX'', and ''[[VideoGame/GhostsNGoblins Super Ghouls 'n Ghosts]]''. |
| 76 | ** The ''VideoGame/DonkeyKongCountry'' series was massively successful, and allowed the SNES to retain popularity and relevance into the 32-bit era, while Creator/{{Sega}} stumbled with the Platform/SegaCD, [[Platform/Sega32X 32X]] and Platform/SegaSaturn confusion. After years of Sega's aggressive marketing against the SNES, ''Donkey Kong Country'' shocked everyone by achieving pre-rendered 3D models on a 16-bit console, and received much acclaim for its gameplay, music, and visuals, leading it to sell a whopping 9.3 million units on the SNES and revitalizing ''Donkey Kong'' after the series was overshadowed by ''Mario'' for nearly a decade. |
| 77 | ** Creator/{{Rare}}'s ''VideoGame/KillerInstinct'', created in response to the accusations that Nintendo was too "kid friendly" in comparison to Creator/{{Sega}} (namely because of Nintendo censoring the SNES release of ''VideoGame/MortalKombat1992'') and boasting graphics on par with ''Donkey Kong Country'', sold '''very''' well and was critically acclaimed, being praised for its [[PolishedPort faithfulness]] to the arcade release and lauded for its complexity. Decades later, and the despite the change in [[Creator/XboxGameStudios ownership]], the franchise still has a very dedicated following and is unanimously considered to be one of the greats in the MediaNotes/FightingGameCommunity. |
| 78 | ** Creator/{{Squaresoft}}'s exclusive support for the SNES was another boon for the console, producing classics like ''VideoGame/FinalFantasyIV'', ''[[VideoGame/FinalFantasyV V]]'', and ''[[VideoGame/FinalFantasyVI VI]]'', ''VideoGame/SecretOfMana'', ''VideoGame/ChronoTrigger'', and ''VideoGame/SuperMarioRPG''. Couple that with Enix's ''Dragon Quest'' series also being exclusive to the SNES, and you have one of the main reasons why the SNES reigned supreme in Japan over the Sega Genesis. |
| 79 | * The Platform/VirtualBoy didn't really have much going for it, but those who have played ''VideoGame/VirtualBoyWarioLand'' agree that it was the one game truly worth playing on the console. |
| 80 | * Platform/{{Nintendo 64}}: |
| 81 | ** ''VideoGame/SuperMario64'' was one of only two launch titles for the system and stands as one of the first 3D games to avoid the kind of poorly-done VideoGame3DLeap that other 2D franchises struggled with at the time. The game remains as one of the most influential in its genre and is the most popular game played in the {{speedrun}}ning community. |
| 82 | ** The [[VideoGame/SuperSmashBros64 first entry]] in the ''VideoGame/SuperSmashBros'' series was both this and a SleeperHit, with the title's success surprising many executives within the company. |
| 83 | ** ''VideoGame/StarWarsEpisodeIRacer'' was able to [[SugarWiki/NoProblemWithLicensedGames avoid the stigma]] of [[TheProblemWithLicensedGames licensed games]] to such an extent that a bundle of the N64 with a copy of ''Racer'' included started to circulate not long after release. |
| 84 | ** ''VideoGame/{{Turok}}'' was one of the few third-party exclusives the console did have, and it was also one of the most violent games on the system in general. It sold 1.5 million units and was credited with pushing sales of the console. |
| 85 | ** ''VideoGame/WWFNoMercy'' is by far and large considered to be one of the greatest wrestling games out there, if not the greatest. It sold extremely well on the Nintendo 64, and is another third-party exclusive that system had in a time when Nintendo had little third-party exclusives to boast of. |
| 86 | ** As time went on, between the output of Nintendo's internal development teams and Creator/{{Rare}}, the system gained other landmark titles such as ''VideoGame/MarioKart64'', ''VideoGame/StarFox64'', ''VideoGame/GoldenEye1997''[[note]](often credited alongside ''VideoGame/HaloCombatEvolved'' as the game to popularize the FirstPersonShooter on consoles)[[/note]], ''VideoGame/BanjoKazooie'', ''VideoGame/TheLegendOfZeldaOcarinaOfTime'', ''VideoGame/PokemonSnap'', ''VideoGame/DonkeyKong64'', and ''VideoGame/PerfectDark''. |
| 87 | * Platform/GameBoyAdvance: |
| 88 | ** Multiple ''Franchise/{{Pokemon}}'' games catalyzed the GBA sales at a very high rate. The best-selling titles on the Game Boy Advance were ''VideoGame/PokemonRubyAndSapphire'', which sold over 15 million units, ''[=FireRed/LeafGreen=]'', which sold over 10 million units, and ''Emerald'', with over 6 million units. Even ''VideoGame/PokemonMysteryDungeonRescueTeam'', a spinoff by a 3rd party, was one of the system's top 20 selling titles, beating out high-profile releases like ''VideoGame/KingdomHeartsChainOfMemories'', ''VideoGame/GoldenSun'', ''VideoGame/MetroidFusion'', and ''VideoGame/TheLegendOfZeldaTheMinishCap''. |
| 89 | ** {{Updated Rerelease}}s of NES and SNES games, such as the ''[[VideoGame/SuperMarioBros2 Super]] [[VideoGame/SuperMarioWorld Mario]] [[VideoGame/SuperMarioWorld2YoshisIsland Advance]]'' [[VideoGame/SuperMarioBros3 titles]] and ''The Legend of Zelda: A Link to the Past'' appealed both to those who never played the originals and those that liked the idea of playing these games on-the-go. |
| 90 | * Platform/NintendoGameCube: |
| 91 | ** ''VideoGame/SuperSmashBrosMelee'' is '''the''' [=GameCube=] killer app, being one of the most anticipated games for the system when initially announced. Considered by some to still be the best installment of the franchise, it's still being played [[TournamentPlay competitively]] more than 15 years after its release: a shockingly long life for a FightingGame that is surpassed only by ''VideoGame/MarvelVsCapcom2'', which was released just one year earlier, and ''VideoGame/StreetFighterIII Third Strike'' a year before that. Among non-fighting multiplayer games, the hottest seller for the GCN was ''VideoGame/MarioKartDoubleDash'', with 7 million units sold. |
| 92 | ** ''VideoGame/MetroidPrime'', a FirstPersonShooter take on a then-dormant ActionAdventure/[[PlatformGame Platformer]] franchise surprised many ''Franchise/{{Metroid}}'' fans with its high quality[[note]]Creator/RetroStudios was an unknown American developer that at the time had only a string of cancelled projects to its name[[/note]] and mature feel[[note]]Nintendo had developed a "kiddy" stigma in light of the teen/young adult-focus seen in Creator/{{Sony|InteractiveEntertainment}}'s Platform/PlayStation2 and newcomer [[Creator/XboxGameStudios Microsoft's]] Platform/{{Xbox}}[[/note]]. The game went on to sell 2.8 million copies, making it the 7th best-selling game on the system and the best-selling entry in the franchise until VideoGame/MetroidDread; it was also the most critically acclaimed video game in the sixth generation of game systems. The "[[https://www.youtube.com/watch?v=xYIPS_LMxh4 Top 10 GameCube Games]]" video from Website/ScrewAttack sums it up well: |
| 93 | -->''When this game was first announced, [[TaintedByThePreview we thought it was going to]] '''suck'''. [[AndYouThoughtItWouldFail How wrong we were. How wrong we were.]]'' |
| 94 | ** ''VideoGame/ResidentEvil4'' was intended to be this, as it was released as part of the "Creator/{{Capcom}} 5": a deal to bring five new, exclusive games to the [=GameCube=] to support the platform. Unfortunately, one of them (''Dead Phoenix'') was [[{{Vaporware}} never released]], three of them (''Resident Evil 4'', ''VideoGame/ViewtifulJoe'', ''VideoGame/{{Killer7}}'') were eventually ported to the Platform/PlayStation2, and the only game to remain a [=GameCube=] exclusive (''VideoGame/PN03'') didn't sell many copies and was critically panned. ''Resident Evil 4'' ''was'' a big seller on the [=GameCube=], but didn't do much on its own to help its market share. |
| 95 | ** ''Franchise/StarWars: VideoGame/RogueSquadron 2'' was considered the system's Killer App at launch and even held this title after ''Super Smash Bros. Melee'' was released a couple months later. When the console was released in Europe, ''Rogue Squadron 2'' was its top selling game, beating out Nintendo's own first party titles. |
| 96 | ** While not a system seller like the other games listed, ''VideoGame/SoulCaliburII'' was one of the few MultiPlatform games to sell better on the [=GameCube=] than on any other platform, because its version's GuestFighter was [[Franchise/TheLegendOfZelda Link]], which single-handedly became ''the'' [[JustHereForGodzilla selling point]] for that version of the game. |
| 97 | ** ''VideoGame/SonicAdventure2: Battle'' was the first ''Sonic'' title to be released on a Nintendo platform, and was responsible for causing a NewbieBoom of Nintendo-loyalists that were curious to see what the hype about the hedgehog was all about. It also helps that ''Battle'' is more or less considered to be the definitive version of the game, coming with extra content not available on the original Dreamcast version. |
| 98 | ** ''VideoGame/TalesOfSymphonia'' was one of the few [=JRPGs=] of its generation to not prioritize the [=PS2=], rather instead being released with the [=GameCube=] in mind[[note]]The [=PS2=] version was a Japan exclusive and released after the [=GameCube=] version[[/note]]. It sold around one million copies on the [=GameCube=] as a result, and is considered to be where the series first broke through in the west to become one of the more popular JRPG franchises on the market. |
| 99 | * Platform/NintendoDS: |
| 100 | ** The system's surprise success was pushed by more casual games such as ''VideoGame/{{Nintendogs}}'' and ''VideoGame/BrainAge'' just as much as it was by new entries in established Killer App franchises (''VideoGame/NewSuperMarioBros1'', ''VideoGame/MarioKartDS'', and [[VideoGame/PokemonDiamondAndPearl two]] [[VideoGame/PokemonBlackAndWhite generations]] of ''Pokémon''). ''Pokémon Black and White'' became the fastest-selling games for the platform as well, despite coming out towards the end of the system's life. |
| 101 | ** ''VideoGame/AnimalCrossingWildWorld'' was an even more popular sequel to the [=GameCube=] installment, retaining the crown as the best-selling game in the series for thirteen years. |
| 102 | ** The remake of ''VideoGame/FinalFantasyIII'' wasn't a system killer app, but denoted the start of major third-party support for a gaming system the rest of the industry was skeptical of. Similarly, ''VideoGame/KingdomHearts358DaysOver2'' was another third-party exclusive from a major franchise that gave the DS more focus from core gaming audiences. |
| 103 | ** Platform/DSiWare had ''VideoGame/PhotoDojo'', a fighting game where you could take pictures/sound recordings to create fighters, including yourself. Also, you could make your own stages this way. |
| 104 | ** Much like with its predecessors on the NES, ''VideoGame/DragonQuestIX'' served as this in Japan once again, being released exclusively for the DS and selling over four million copies in the country, with an additional one million being shipped overseas. Aside from that, ''VideoGame/{{Scribblenauts}}'', ''VideoGame/CookingMama'', ''VideoGame/ProfessorLayton'', and ''Franchise/AceAttorney'' were other third party series credited with pushing sales of the console. |
| 105 | * Platform/{{Wii}}: |
| 106 | ** Similar to the Nintendo DS, much of the Wii's success is the result of more causal games. The "Wii" franchise of games (started by the pack-in launch title ''VideoGame/WiiSports'') is the 5th best-selling video game franchise of all-time at 201.8 million copies sold between the various ''[[VideoGame/WiiSportsResort Sports]]'', ''[[VideoGame/WiiPlay Play]]'', ''[[VideoGame/WiiFit Fit]]'' titles. |
| 107 | ** ''VideoGame/TheLegendOfZeldaTwilightPrincess''. Despite being released on both the [=GameCube=] and Wii, it was reported that three out of four Wii purchases sold alongside the game during its first week, received acclaim from audiences and critics, and went on to becoming the bestselling ''Zelda'' game (as well as one of the bestselling action-adventure games) until ''Breath of the Wild'' surpassed it more than a decade later. |
| 108 | ** The biggest third-party games for the Wii were ''VideoGame/JustDance'' and ''VideoGame/LegoStarWars: The Complete Saga'', with the first two ''Just Dance'' games being outright exclusives for the Wii and ''3'' being the bestselling third-party Wii games of all time, while a third of ''Lego Star Wars: The Complete Saga'' [='=]s overall sales from the Wii, averaging out to around 5.5 million units on that platform alone out of the 15 million units sold across all platforms. ''Just Dance'' was so popular on the Wii, that it was regularly released for the platform until 2019, well after the seventh generation had concluded. |
| 109 | ** ''VideoGame/SuperMarioGalaxy'' was for several years the best-selling 3D PlatformGame of all-time, being eventually surpassed by ''VideoGame/SuperMarioOdyssey'' on the Switch. ''VideoGame/NewSuperMarioBrosWii'' became the third best-selling platformer ever, beaten only by other entries in the ''Super Mario'' series, and is seen by some as the start of the genre's resurgence on consoles. Similarly, ''VideoGame/MarioKartWii'' was for the longest time the best selling game in the history of the racing genre until ''VideoGame/MarioKart8 Deluxe'' took over. |
| 110 | ** ''VideoGame/SuperSmashBrosBrawl'', released on the Wii in 2008, was the top seller for its series and most impressively the fighting genre, until ''VideoGame/SuperSmashBrosUltimate'' on the Switch surpassed it. |
| 111 | ** As time passed, the Wii also gained more traditional games that also proved to be bestsellers, such as ''VideoGame/MetroidPrime3Corruption'', ''VideoGame/MonsterHunter3Tri'', ''VideoGame/PunchOut'', ''VideoGame/DonkeyKongCountryReturns'', ''VideoGame/KirbysEpicYarn'', ''VideoGame/SonicColors'', and ''[[VideoGame/XenobladeChronicles1 Xenoblade Chronicles]]''. |
| 112 | * Platform/Nintendo3DS: |
| 113 | ** ''VideoGame/TheLegendOfZeldaOcarinaOfTime 3D'' served as this for the system, which was struggling to gain traction. Within two weeks of its Japanese release, [[http://www.andriasang.com/e/blog/2011/06/23/media_create_sales it had sold over 600,000 copies]], or over 20% of the install base. It raised 3DS sales by over 50% the week it came out as well, despite not being released in the West until the following week. |
| 114 | ** Notably for a Nintendo console, the system was announced during its reveal at E3 2010 to be receiving exclusive games from major third party franchises. These included ''VideoGame/KingdomHearts3DDreamDropDistance'', ''VideoGame/ResidentEvilRevelations'', and ''[[VideoGame/MetalGearSolid3SnakeEater Metal Gear Solid: Snake Eater 3D]]'', denoting strong third party support for Nintendo's handheld, which was a boon in distinguishing it from their other consoles. |
| 115 | ** The ''VideoGame/MonsterHunter'' franchise serves as this, though mostly for Japan, with each entry selling at well over 2.5 million in its home country alone. ''VideoGame/MonsterHunterGenerations'' is the best-selling installment on the system, at over 4 million units. |
| 116 | ** ''VideoGame/SuperMario3DLand'' sold over five million copies in just two months worldwide, outselling games like ''VideoGame/GearsOfWar 3'' and ''[[VideoGame/TheElderScrollsVSkyrim Skyrim]]'' on the Platform/Xbox360. ''VideoGame/MarioKart7'' sold 4.3 million in 5 weeks. Put together, the two Mario games represent a third of 3DS software sold in 2011. Combine those Mario games with ''Ocarina of Time'' and ''VideoGame/{{Nintendogs}} + cats'', you have over one half of all 3DS software sold through 2011. |
| 117 | ** ''VideoGame/AnimalCrossingNewLeaf'' sold two million copies in Japan alone in less than six weeks, and eventually went on to sell more than ''City Folk'' on the Nintendo DS. This success and the game's nature as a [[SimulationGame life sim]] also did much to push Nintendo's attempts at publishing major titles digitally through the [=eShop=]. |
| 118 | ** ''VideoGame/PokemonXAndY'' ended up selling four million copies in its first two days of sales and became the fastest-selling 3DS game of all time...until ''VideoGame/PokemonSunAndMoon'' released a few years later and completely broke those records[[note]]in part thanks to ''VideoGame/PokemonGo'' returning the franchise to levels of popularity unseen since the late 1990s[[/note]] to quickly become the third best-selling game on the system, less than half a million copies behind ''X and Y'' and a million behind ''Mario Kart 7''. Meanwhile, ''[[VideoGame/PokemonRubyAndSapphire Pokémon Omega Ruby and Alpha Sapphire]]'' sold 3 million copies in its first three days. |
| 119 | ** ''Super Smash Bros. for 3DS'' sold a million copies in its opening weekend in Japan alone. |
| 120 | ** ''VideoGame/FireEmblemAwakening'', despite selling much less than the previously-mentioned games, was the best-selling game of the franchise (by a wide margin) until [[VideoGame/FireEmblemFates its sequel]] was released three years later. It's also notable in that was not only successful enough to increase the franchise's popularity in the West, but also prevent the series' cancellation, as declining sales meant ''Awakening'' was intended as the final game. |
| 121 | ** ''VideoGame/KidIcarusUprising'', while selling much less than the others like ''Awakening'', was one of the most popular games of the early 3DS library and was credited by Nintendo as one of the reasons for their increased profits alongside ''Awakening'', successfully revitalizing interest in the ''Kid Icarus'' franchise alongside Pit's appearance in ''VideoGame/SuperSmashBrosBrawl''. |
| 122 | ** ''Super VideoGame/StreetFighterIV: 3D Edition'' was a minor one for the 3DS very early in its lifespan, being a launch title for the system, and also the first game on the 3DS to pass a million units sold. |
| 123 | * Platform/WiiU |
| 124 | ** ''VideoGame/NewSuperMarioBrosU'' launched with the Wii U and is the second best-selling game on the system, but the release of ''VideoGame/NewSuperMarioBros2'' just months earlier is considered to have diminished its impact. In that respect, the following year's ''VideoGame/SuperMario3DWorld'' is considered the first real system-seller. |
| 125 | ** Nintendo pushed ''VideoGame/MarioKart8'' as this, to an almost aggressive extent. In addition to releasing a premium Wii U bundle in many regions [[note]]The North American bundle included the game, a complete Wii U Deluxe system, a Mario-themed Wii Remote Plus and Wii Wheel; Europe got a similar bundle plus two special Mario and Luigi-themed bundles that included some additional goodies such as a strategy guide[[/note]], they also had a program where ''every'' copy that had been purchased in the two months after the game's release --including those that came in the bundle-- could be registered on Club Nintendo[[note]](their consumer loyalty program prior to My Nintendo)[[/note]] and redeemed for one ''free Wii U game of your choice''. North America had 4 options to choose from[[note]]''VideoGame/NewSuperMarioBrosU'', ''Wii Party U'', ''VideoGame/TheLegendOfZeldaTheWindWaker HD'', and ''VideoGame/Pikmin3''[[/note]], while Europe and Australia got 10[[note]]The four aforementioned games plus ''VideoGame/TheWonderful101'', ''[[VideoGame/MonsterHunter3Tri Monster Hunter 3 Ultimate]]'', ''VideoGame/SonicLostWorld'', ''VideoGame/GameAndWario'', ''VideoGame/NintendoLand'', and ''[[VideoGame/MarioAndSonicAtTheOlympicGames Mario and Sonic at the Sochi 2014 Olympic Winter Games]]''[[/note]]. As a result, ''Mario Kart 8'' sold 1.2 million copies in its first weekend alone and boosted the console's sales in every region. Wii U sales in Europe, for example, rose by ''666 percent''. The game would go on to be the best-selling game on the system, with '''a 3:5 attach rate'''. |
| 126 | ** ''[[VideoGame/SuperSmashBrosForNintendo3DSAndWiiU Super Smash Bros. for Wii U]]'' managed to sell 490,000 physical and digital copies sold during its first three days of availability alone, despite the availability and success of a 3DS version which was released two months prior. |
| 127 | ** There's also ''VideoGame/EarthBound1994'' being released for the Wii U's Platform/VirtualConsole, which became one of the top downloaded titles for the service. Not bad for a game that was an AcclaimedFlop when it first came out. ''VideoGame/EarthBoundBeginnings'' was also received with similar praise, and quickly raised to the top of the downloads charts. Not bad for a game that [[NoExportForYou wasn't released outside Japan]] before then. |
| 128 | ** ''VideoGame/{{Splatoon|1}}'' became a SleeperHit, selling over one million copies worldwide in less than a month and eventually becoming the best-selling Wii U game in Japan despite the shooter genre [[AmericansHateTingle not being all that popular in the region]]. |
| 129 | ** ''VideoGame/SuperMarioMaker'' sold 1 million copies in its first two weeks of availability, thanks to months of hype and promotion. |
| 130 | ** Two Creator/{{Ubisoft}} games, ''VideoGame/ZombiU'' and ''VideoGame/RaymanLegends'', were positioned as killer apps for the system by Nintendo (who even specifically requested Ubisoft to make the former for them), with ''[=ZombiU=]'' being available on launch day, and ''Rayman Legends'' coming out during the launch window. However, the financial failure of ''[=ZombiU=]'' prompted Ubisoft to make ''Rayman Legends'' a MultiPlatform game, and the release date ended up getting delayed so that they could port the game to other systems. |
| 131 | ** ''VideoGame/Bayonetta2'' was another third party title that Nintendo tried to make into a killer app (even funding the development of the game, thus earning [[NoPortForYou exclusivity rights]] for it), and while it didn't become a giant system seller, it nonetheless increased interest in the failing console and was acclaimed by critics and audiences, and Nintendo was satisfied enough with the game's sales that they ported it and [[VideoGame/{{Bayonetta}} the first game]] to the Platform/NintendoSwitch, as well as funding a [[VideoGame/Bayonetta3 second sequel]] exclusively for that console. It also helps that the game received a ColbertBump thanks to Bayonetta being added as DLC to ''Smash'' on the same console. |
| 132 | %%* The worldwide supply problems with Toys/{{amiibo}} due to demand being much higher than expected would make that figurine line Nintendo's Killer App for its merchandise and peripherals front. |
| 133 | * Platform/NintendoSwitch: |
| 134 | ** ''VideoGame/TheLegendOfZeldaBreathOfTheWild'', despite also seeing release on the Wii U. Nintendo reported at the end of the launch month that they'd sold more copies of ''Zelda'' for Switch than they did ''actual Switches'' -- there were significant amount of people who had bought ''Breath of the Wild'' for a Switch they ''didn't yet own''. After a year, the combined sales of the Switch and Wii U versions have made ''Breath of the Wild'' the best-selling game in the franchise, surpassing ''Ocarina of Time'' and ''Twilight Princess'' by a wide margin. As of June 2023, the Switch version sold over 30 million copies. |
| 135 | ** ''Mario Kart 8 Deluxe'' continues to be a killer app even beyond the Wii U, as it's the bestselling Switch game to date, being listed at over 55 million copies sold as of December 2022, meaning that combined sales of both versions of the game is nearly 64 million copies being sold in total. It was successful enough that it got a DLC pass that effectively doubled the amount of content in the game, released thoughout 2022 and 2023. |
| 136 | ** ''VideoGame/Splatoon2'' sold 671,000 physical units during its Japanese release weekend alone, outselling literally every other game on the Switch in the process. Even two years after release, the game was a mainstay on the Top 10 in Japanese sales charts (occasionally regaining the #1 spot), remaining the best-selling Switch game in the region until ''Super Smash Bros. Ultimate'' surpassed it five months after its release. ''VideoGame/Splatoon3'' could also be considered this as of its release in 2022, selling nearly 8 million units in its launch month alone, and 10 million by the end of 2022. |
| 137 | ** ''VideoGame/SuperMarioOdyssey'' received universal acclaim from both critics, casual audiences, and longtime ''Mario'' fans, and managed to sell ''two million'' copies within its first three days. Almost immediately, it ended up reaching more than a quarter of the install base for the Switch. Within two months it became the best-selling game on the console, reaching heights of ''nine million''. It held the title of the bestselling game on the Switch until little more than a year later, when it was surpassed by ''Super Smash Bros. Ultimate'' (more on that below). It since has been become the best selling 3D ''Mario'' installment with over 26 million copies sold by the end of June 2023. |
| 138 | ** ''VideoGame/XenobladeChronicles2'' sold less than other titles, similar to ''Kid Icarus: Uprising'' on the 3DS, but it managed to surpass one million units in just one month, and was released within the first year of the Switch's life, allowing for it to fill a void for JRPG games that had yet to be filled by other titles at the time. It ended up becoming the bestselling game made by Creator/MonolithSoft, elevating the ''Xeno'' series from being [[AcclaimedFlop acclaimed flops]] to being one of Nintendo's and Monolith's most valued franchises, achieving 2.7 million sales by the end of June 2023. Notably, the ''Torna'' DLC received a physical release, a rare occurrence for a Nintendo game, and a [[VideoGameRemake remake]] of the [[VideoGame/XenobladeChronicles1 first game]] was announced in 2019 for a release the following year, with ''VideoGame/XenobladeChronicles3'' following up on the successes of ''2'' and ''Definitive Edition'' in 2022 by surpassing the amount of units sold in either game's launch month. |
| 139 | ** ''VideoGame/OctopathTraveler'' managed to surpass two million units sold on the Switch, and was generally one of the more talked-about exclusives for the Nintendo Switch in 2018 despite the fact that said exclusivity was only temporary. Like with ''Xenoblade Chronicles 2'', it was mainly helped by the lack of [=JRPGs=] available on the Switch during that period of time, but also appealed to many [[TurnBasedCombat turn-based RPG]] fans that had been otherwise underwhelmed by Creator/SquareEnix's other output in the recent years drifting more towards the ActionRPG end of things. |
| 140 | ** ''VideoGame/SuperSmashBrosUltimate'' is not only the most successful installment in the ''Super Smash Bros.'' series, but also the fastest-selling Nintendo game yet for its time, moving over 12 million units in its first month (''Pokemon Sword and Shield'' dethroned it). For comparison, the ''lifetime'' sales of the previous best-selling ''Smash'' title (Brawl) is 13.29 million. By its first year in the market, it eventually became the best-selling fighting game in history, and dethroned ''Melee'' as the ''Smash'' game for tournament play in the MediaNotes/FightingGameCommunity. By June 2023, it has sold 31.77 million copies. |
| 141 | ** ''VideoGame/Tetris99'', a BattleRoyaleGame-themed variation of the ''Tetris'' formula, follows in the footsteps of the original game for the Platform/GameBoy by being one for the Platform/NintendoSwitch Online service as a result of ''Tetris 99'' being given away for free to its subscribers. [[https://www.nintendolife.com/news/2019/04/9_8_million_switch_owners_have_signed_up_to_the_online_service_and_2_8_million_have_played_tetris_99 Nintendo credited it as boosting user engagement]] with the Platform/NintendoSwitch Online service, with over a quarter of NSO subscribers signed up to the service playing it. |
| 142 | ** ''VideoGame/FireEmblemThreeHouses'' marked another breakthrough for the ''Fire Emblem'' franchise, receiving lots of attention and advertising from Nintendo, leading to it becoming the bestselling game in the series at 2.29 million copies sold in its first three months alone, introducing a [[NewbieBoom very sizable amount of new players]] to the series, and winning the Player's Voice Award at the Game Awards 2019, the only award that is 100% decided upon by the fans. Bear in mind that it went up against ''VideoGame/StarWarsJediFallenOrder'', ''Super Smash Bros. Ultimate'', and ''VideoGame/DeathStranding'' in order to win that award, and that was only in the final round. It has since then reached 4.12 million copies sold be the end of December 2022, making it the top selling installment in the franchise. |
| 143 | ** ''VideoGame/PokemonSwordAndShield'' broke a new sales record for the Switch, with 6 million copies sold worldwide on its opening weekend. Unsurprising as Pokémon is always a system seller for Nintendo, though this is the first time it did so with a home console (or at least a portable that can function as one). The Switch saw a significant sales jump upon ''Sword and Shield'''s release too, suggesting that many people bought a Switch just for it. It quickly dethroned ''Super Smash Bros. Ultimate'' as the fastest-selling Nintendo game ever. As of June 2023, it has become the second-best selling game in the series at 25.92 million copies. |
| 144 | ** ''VideoGame/LuigisMansion3'' sold more than five million units in just two months. In comparison, ''VideoGame/LuigisMansionDarkMoon'' on the 3DS was reported to have sold five million copies four years after its initial release, which says a lot about the game's success. The game itself is also considered to be an EvenBetterSequel to the two games that preceded it, and has elevated the ''Luigi's Mansion'' games from being a CultClassic to a mainstream success, hitting 12 million copies at the end of December 2022. |
| 145 | ** ''VideoGame/AstralChain''. While not selling as much as other games, it has still managed to sell over a million copies, which is a great number by Creator/PlatinumGames' [[AcclaimedFlop usual standards]], especially since their largest successes have been [[VideoGame/MetalGearRisingRevengeance licensed]] [[VideoGame/NierAutomata IPs]], so seeing an original title like ''Astral Chain'' succeeding bodes well for them. Its status as a Nintendo-funded and published exclusive has otherwise managed to influence a non-insignificant number of people to buy a Switch, namely fans of ''Nier: Automata'' and ''Metal Gear Rising'' who otherwise had no interest in getting the console. In short, it's not a "killer app" in the sense that it's a blockbuster, but one in the sense that it attracted a good portion of non-Nintendo gamers and usually finds itself on a list of "must haves" for the console. |
| 146 | ** ''VideoGame/RingFitAdventure'' ended up being a surprise SleeperHit for the Nintendo Switch, only being announced one month prior to release and still being an [[{{Exergaming}} exercise game]] after the casual game craze of the Wii had died out - yet it managed to sell over 15 million units across its lifespan and ended up appealed to both dedicated gaming audiences for its RolePlayingGame mechanics and to the same casual audience that was responsible for the massive success of ''VideoGame/WiiFit'' a decade prior. |
| 147 | ** ''VideoGame/AnimalCrossingNewHorizons'' was the long-awaited followup to the series after 2012/2013's ''New Leaf'' for the 3DS. It lead to the Switch's best sales outside of the holiday season, with sales in the US during March 2020 being the best for any console for the month of March. As of June 2023, it was the second best selling game on the Switch at 42.79 million copies, second only to ''Mario Kart 8 Deluxe''. |
| 148 | ** ''VideoGame/MonsterHunterRise'' followed in the footsteps of the 3DS installments by selling a whopping four million copies in the ''first three days'' of sales, thus making it the undisputed bestselling third-party game on the Switch, surpassing titles like ''VideoGame/AmongUs'', ''VideoGame/OctopathTraveler'', and ''VideoGame/MarioPlusRabbidsKingdomBattle'', and managed to reach seven million units in only two months. |
| 149 | ** As the Platform/PlayStation5 and Platform/XboxSeriesXAndS made their way into the market from 2020 onwards, the Nintendo Switch was still able to maintain relevancy despite being dwarfed in power thanks to high-profile releases like ''VideoGame/MetroidDread'', ''VideoGame/PokemonLegendsArceus'', ''VideoGame/KirbyAndTheForgottenLand'', the aforementioned ''Xenoblade Chronicles 3'' and ''Splatoon 3'', ''VideoGame/Bayonetta3'', ''VideoGame/PokemonScarletAndViolet'', ''VideoGame/FireEmblemEngage'', ''VideoGame/Pikmin4'', and ''VideoGame/SuperMarioBrosWonder'', some of which became the bestselling games of the series, and '''especially''' ''VideoGame/TheLegendOfZeldaTearsOfTheKingdom'', which sold 10 million units within three days, and over 18 million by the end of June 2023. |
| 150 | [[/folder]] |
| 151 | |
| 152 | [[folder:Sega]] |
| 153 | * Platform/SegaGenesis |
| 154 | ** The ''Franchise/SonicTheHedgehog'' series on the Mega Drive[=/=]Platform/SegaGenesis was an instant smash hit, with kids flocking to the ultimate MascotWithAttitude (who provides the page image), while wowing gamers with its speed-and-momentum-based platforming, dazzling graphics and frame rate, and incredible music. It was the first true massive Nintendo-rattling hit for the system to the point it's often mistaken as a launch game (the system had been out for two years when the first ''Sonic'' game was released). |
| 155 | ** Creator/ElectronicArts was an early heavy supporter of the system, which coincided with their pioneering of the sports-simulation genre, snapping up licenses to professional sports leagues and players and incorporating more realistic gameplay that wasn't possible on previous technology (leading to their famous EA Sports slogan, "If it's in the game, it's in the game"). As a result, series like ''VideoGame/MaddenNFL'' and ''VideoGame/NHLHockey'' became system grabbers for adult males whose sports fandom was tapped directly into by those games, and became dorm-room and multiplayer staples during the generation. |
| 156 | ** The Genesis port of ''VideoGame/MortalKombat1992'' didn't look as good as the SNES port and was missing a lot of the sound. What it ''did'' have was all the famous blood, gore, and bone-crunching intensity that hooked players in the arcade and was missing from the sanitized SNES port.[[note]]The full violence in the Genesis game did require a button combination at the menu screen -- ABACABB -- but it was quickly discovered, shared, and relatively a non-issue[[/note]] The Genesis port outsold the SNES version over three-to-one, and coupled with the continued popularity of ''Sonic'' and the system's sports games, gave Sega a lead in the market share by 1993. Nintendo was so taken aback by the success disparity of the ''Mortal Kombat'' ports that they allowed Acclaim to go against their censorship policies and release ''VideoGame/MortalKombatII'' fully uncensored, requiring only a content warning label on the box (as it pre-dated the ESRB by a couple of months). |
| 157 | ** The Genesis port of ''VideoGame/StriderArcade'' was also one of the system's earlier killer apps. In addition, the game holds the distinction of being the first game to be released on an 8-megabit cartridge. |
| 158 | ** ''VideoGame/MichaelJacksonsMoonwalker'' gave the Genesis a big push, thanks to the novelty of being able to play as [[Music/MichaelJackson the King of Pop, himself]]. |
| 159 | ** [[VideoGame/AladdinVirginGames The Genesis version]] of ''WesternAnimation/{{Aladdin}}'', made by Virgin Games in partnership with actual Disney animators, was the 3rd best selling game for the system, and this version did not come to the SNES, due to Creator/{{Capcom}} still holding the rights to make Disney games on Nintendo systems at the time. |
| 160 | ** When ''VideoGame/LunarTheSilverStar'' was released in Japan, it sold almost as many copies as the [[Platform/SegaGenesis Sega CD]]. That and ''VideoGame/SonicTheHedgehogCD'' were, if not killer apps, the nearest thing the Sega CD/Mega CD had. |
| 161 | * Platform/SegaSaturn: |
| 162 | ** The ''VideoGame/VirtuaFighter'' games sold many Sega Saturn systems in Japan, and were acclaimed for pioneering 3D-fighters long before ''VideoGame/{{Tekken}}'' or ''VideoGame/DeadOrAlive'' came along. They were popular enough to the point where Sony advertised ''Battle Arena Toshinden'' as being a "''Virtua Fighter'' and Sega Saturn killer" - though ''Tekken'' later took that role for them. |
| 163 | ** The ''VideoGame/PanzerDragoon'' series are killer apps for the Saturn, despite the fact that the first was the only one that sold well. ''VideoGame/PanzerDragoonSaga'' in particular was created as an answer to Squaresoft's killer app for the Platform/PlayStation, ''VideoGame/FinalFantasyVII''. |
| 164 | ** ''VideoGame/NightsIntoDreams'' served as a primary reason to buy a Sega Saturn. Other games for the system with massive popularity include ''VideoGame/VirtuaFighter'' and ''[[VideoGame/{{Bomberman}} Saturn Bomberman]]'' (often referred to by reviewers as the best game in its series). |
| 165 | ** ''VideoGame/SakuraWars'' was the other Saturn killer app in Japan. The first and second games recorded the biggest sales as a Saturn original title, and was ranked #13 place in the Famitsu's 100 all-time favorite games list, leading the series to become one of Sega's most successful franchises. |
| 166 | ** ''Die Hard Arcade'', initially known as ''VideoGame/DynamiteCop'', was acclaimed for being a [[ArcadePerfectPort near-perfect port]] of the original arcade version on the Saturn, and it helped that the western version of the game made use of the ''Franchise/DieHard'' license to [[DolledUpInstallment make it more marketable]] to audiences. |
| 167 | ** The [[PolishedPort high quality ports]] of Capcom's fighting games, such as ''VideoGame/{{Darkstalkers}}'', ''VideoGame/StreetFighterAlpha'', and ''VideoGame/XMenVsStreetFighter'' helped distinguish the Saturn from the Platform/PlayStation, being closer to the original arcade versions than the [=PS1=] ports. |
| 168 | ** ''VideoGame/{{Grandia}}'' was another, coming out directly as the JRPG craze of the fifth generation had begun, and became one of the most acclaimed games on the Saturn, as well as one of the most imported from overseas thanks to word of mouth. |
| 169 | * Platform/SegaDreamcast: |
| 170 | ** ''VideoGame/SonicAdventure'' was a big seller, being the first fully 3D Sonic game. Tragically, [[VideoGame/SonicAdventure2 its sequel]] was released too late into the console's short run, but was nonetheless considered an excellent SwanSong for the Dreamcast. Its rerelease, ''Sonic Adventure 2: Battle'' could be considered this for the [=GameCube=], being the first ''Sonic'' title to release on a Nintendo platform. |
| 171 | ** The beyond-the-arcade port of ''VideoGame/SoulCalibur'' was the best-reviewed game of the year -- and remains one of the best-reviewed games of all-time -- and was able to break from a pack of other fighters on the system at launch, helping cement the Dreamcast as a system with excellent games out of the gate as opposed to the Saturn and assisting the Dreamcast to Sega's most successful launch sales ever. |
| 172 | ** The biggest seller at launch, though, wasn't ''Sonic'' or ''Soul'', but ''[=NFL 2K=]'', whose eye-popping graphics, impressive sound (including several hours worth of AnnouncerChatter), and natural-looking branching animation was several quantum leaps over what sports games could even remotely offer up to that point, coupled by strong first-year gameplay that justified the bells and whistles. It was an important title to also fill the void left by EA, who refused to publish games for Dreamcast when Sega rejected EA's proposal of ''Madden'' being the only football sim on the system. The following year, ''[=NFL 2K1=]'' was this for the launch of Dreamcast's online service, [=SegaNet=], allowing an even more polished football game to be taken online well before ''Madden'' would enter the realm on later consoles. |
| 173 | ** ''VideoGame/{{Shenmue}}'' had generated considerable hype for the console, and is widely considered the best game on it, but its huge budget eventually led to it becoming a financial failure despite solid sales. |
| 174 | ** ''VideoGame/ResidentEvilCodeVeronica'', at the time considered the first "next generation" RE game[[note]]This was before ''VideoGame/ResidentEvil4'' redefined the meaning of "next generation", mind[[/note]] to follow on from the original Playstation trilogy, was a ''big'' draw to gamers, as ''Resident Evil'' was the biggest survival horror franchise in gaming and ''Code: Veronica'' was (at the time at least) a Dreamcast exclusive. |
| 175 | ** The Dreamcast continued the Saturn's legacy of being a home for {{Arcade Perfect Port}}S of fighting games, such as the aforementioned ''Soulcalibur'', ''VideoGame/PowerStone'', ''VideoGame/DeadOrAlive 2'', and especially ''VideoGame/MarvelVsCapcom2'', to the point where it's even been this after both the Dreamcast and the game have gone out of circulation, due to the Dreamcast version being the standard for tournament play. Beyond fighting games, ''VideoGame/CrazyTaxi'' was another well-done port, and popular enough that one of its sequels was console-only. |
| 176 | ** ''VideoGame/PhantasyStarOnline'' was successful enough that the Dreamcast version's servers were kept up for years and years after the Dreamcast was discontinued, whereas it was originally meant to last for two or three months. Years later, it would even receive a sequel in the form of ''VideoGame/PhantasyStarOnline2'', albeit multiplatform, since this was years after Sega left the hardware business. |
| 177 | ** The Dreamcast also holds the distinction of being home to the [[PolishedPort best version]] ''VideoGame/QuakeIIIArena'', utilizing online play in an FPS setting long before ''VideoGame/HaloCombatEvolved'' made it mainstream, and even featured crossplay with PC players. It's popular enough that servers for the Dreamcast version of ''Quake III'' are still up to this day. |
| 178 | [[/folder]] |
| 179 | |
| 180 | [[folder:NEC]] |
| 181 | * When the Platform/TurboGrafx16's CD add-on came out, NEC's marketing division, TTI, was quick to promote the two CD ShootEmUp titles available for it, ''Gate of Thunder'' and ''Lords of Thunder'', as being its flagship titles, even ahead of console mascot Bonk. ''VideoGame/{{Ys}} Books [[VideoGame/YsIAncientYsVanishedOmen 1]] & [[VideoGame/YsIIAncientYsVanishedTheFinalChapter 2]]'' was also highly lauded. In Japan, the first big game produced for the CD-ROM unit was ''VideoGame/TengaiMakyou: Ziria'', but neither it nor its more popular sequel was ever exported. |
| 182 | * Similarly locked to Japan was the [=SuperGrafx=], which boasted arcade-perfect ports of ''[[VideoGame/GhostsNGoblins Ghouls 'n Ghosts]]'' and ''VideoGame/{{Strider}}''. |
| 183 | [[/folder]] |
| 184 | |
| 185 | [[folder:[=PlayStation=]]] |
| 186 | * Platform/PlayStation: |
| 187 | ** ''VideoGame/RidgeRacer'''s console port was available on day one of the system, and was enough of a success to begin a generation-long partnership between Sony and Namco. It proved to be so popular that it was specifically used in 2006 to highlight the [=PSOne=] Classics line of games for the [=PSP=] and [=PS3=] (or as more infamously remembered, the part in Sony E3 2006 press conference when Kaz Hirai said [[MemeticMutation "Riiiiiidge Racer!"]]). Speaking of Namco titles, the console port of ''VideoGame/AirCombat'' was a launch title for the [=PlayStation=] in the west and was released early in its lifespan in Japan, eventually shipping 2.23 million units overall. |
| 188 | ** Within Japan, ''VideoGame/ArcTheLad'' was one of the first games released to sell over one million units, with its sequel also becoming a million unit seller. However, the ''Arc the Lad'' trilogy was never localized outside of Japan despite demand from western audiences for SCEA to bring the series overseas, up until the ''Collection'' rerelease that came out for the [=PS1=] two years after the [=PS2=] was released, thus minimizing the impact ''Arc the Lad'' made on western audiences compared to other [=JRPGs=]. |
| 189 | ** ''VideoGame/BattleArenaToshinden'' was hyped as the first killer app for the system, a "''VideoGame/VirtuaFighter'' Killer". It took at first, but the quality of later games overtook it and now it's currently forgotten and considered to not have aged well at all. The first big killer app ended up being {{Creator/Capcom}}'s ''VideoGame/ResidentEvil1'', with the ''VideoGame/{{Tekken}}'' series, ''VideoGame/CrashBandicoot'', ''Franchise/TombRaider'', ''VideoGame/FinalFantasyVII'', ''VideoGame/{{Oddworld}}: Abe's Oddysee'', ''Franchise/SpyroTheDragon'', ''VideoGame/MetalGearSolid'', ''VideoGame/SilentHill1'' and ''VideoGame/TonyHawksProSkater'' following up to make the [=PlayStation=] a viable contender against Sega and Nintendo. The system's sheer number of killer apps is the main reason it was able to take the video game throne from Sega and Nintendo in the mid '90s. |
| 190 | ** The buzziest game for the system was ''VideoGame/FinalFantasyVII'', with Creator/SquareSoft's decision to develop it for the [=PlayStation=] over the N64 playing a huge role in Sony's victory over Nintendo during the 32/64-bit era. Upon release, it became the best-selling [=PlayStation=] game (until it was surpassed by ''Gran Turismo'') and increased the [=PlayStation=]'s install base substantially, helping it beat the N64 worldwide as well as the Platform/SegaSaturn in Japan (where the Saturn was leading up until then). |
| 191 | ** The best-selling game on the system was ''VideoGame/GranTurismo'', whose astonishing attention to detail and realism pushed forward what could be done on current systems, while still remaining accessible and fun for even non-gearheads, and spearheaded the sim-racer genre. Its sequel wound up as the third-best-selling game on the system, with the ''Turismos'' sandwiching ''Final Fantasy VII''. |
| 192 | ** In the United Kingdom, ''VideoGame/{{Wipeout}}'' was far and away the most popular title from the [=PlayStation's=] 1995 launch lineup. The game's fast pace, mutli-player gameplay and hip techno soundtrack made it massively popular with the young adult and twenty-something demographic that Sony wanted to attract to their system. It was the best selling game in Europe for the [=PlayStation=] in 1995, and nearly sold on a 1-to-1 basis with systems in the UK through its first Christmas season and well into 1996. |
| 193 | ** ''VideoGame/ApeEscape'' was one for the [=DualShock=] controller, being the first game to explicitly require it due to utilizing both analogue sticks. Because of that, it was acclaimed as being one of the most revolutionary games on the platform, and to this day is still considered to be one of the best games on the [=PlayStation=]. |
| 194 | ** To a lesser extent, the ''VideoGame/TwistedMetal'', ''VideoGame/ParappaTheRapper'', ''VideoGame/LegacyOfKain'', ''VideoGame/HotShotsGolf'', ''VideoGame/{{Tenchu}}'', ''VideoGame/SyphonFilter'', and ''VideoGame/MedalOfHonor'' series. |
| 195 | * Platform/PlayStation2: Thanks to its long lifespan and large library, much of which is highly acclaimed, the console had a number of titles that resulted in huge sales spikes: |
| 196 | ** The [=PS2=] launched with six well-received best-sellers out of the gate: ''Madden NFL 2001'' (whose audiovisual jump instantly made other versions of ''Madden'' obsolete), ''Ridge Racer V'', EA's ''VideoGame/{{SSX}}'' (which was a sleeper hit that launched a very successful franchise for the system), ''VideoGame/MidnightClub: Street Racing'' (which launched ''another'' successful franchise and marked the beginning of Sony and Rockstar's partnership for most of the [=PS2=]'s lifespan), ''VideoGame/TimeSplitters'', and ''Franchise/{{Tekken}} Tag Tournament''. |
| 197 | ** The ability to play [=DVDs=]. At a time when dedicated players were nearly as much as a [=PS2=] itself, the idea of being able to get a DVD player that was also the hot new [=PlayStation=] console made it an easy sales pitch. In fact, maybe ''too'' easy; for the first few months, Sony actually had some internal panic over consoles sales dwarving software sales, indicating people were buying it ''only'' for the DVD playback capability. However, the cavalry would soon arrive for the system as seen below. |
| 198 | ** After a relatively dry post-launch spell, the system received ''many'' killer apps later in 2001, including but not limited to: ''VideoGame/{{Onimusha}}'' (the first game to reach one million units on the system), ''VideoGame/DarkCloud'', ''[[VideoGame/GranTurismo Gran Turismo 3: A-Spec]]'', ''VideoGame/TwistedMetal Black'', ''VideoGame/RedFaction'', ''VideoGame/FinalFantasyX'', ''[[VideoGame/HotShotsGolf Everybody's Golf 3]]'', ''VideoGame/DevilMayCry1'', ''VideoGame/DynastyWarriors 3'', ''VideoGame/SilentHill2'', ''VideoGame/TonyHawksProSkater 3'', ''VideoGame/GrandTheftAutoIII'', ''VideoGame/LegacyOfKainSoulReaver2'', ''VideoGame/MetalGearSolid2SonsOfLiberty'', ''VideoGame/AceCombat04ShatteredSkies'', ''VideoGame/BaldursGateDarkAlliance'' and ''VideoGame/JakAndDaxterThePrecursorLegacy''. Coincidentally -- or perhaps not -- this coincided with release of two of its competitors' consoles, the [=GameCube=] and Xbox. And due to the anticipation generated by its pre-release hype, ''Metal Gear Solid 2'' is credited for the [=PlayStation=] 2's victory over the Dreamcast before the game was even released. The game then went on to being one of the top 10 best-sellers, with over 7 million copies sold. |
| 199 | ** The ''VideoGame/GrandTheftAuto'' series of games had been killer apps for the [=PlayStation=] from ''Grand Theft Auto III'' onwards (especially ''[[VideoGame/GrandTheftAutoSanAndreas San Andreas]]'', which was lauded for its huge scale of territory and gameplay variety, as in you get much more to do than in previous games)[[note]]Rockstar did release Xbox and PC versions, but they came later[[/note]] until Microsoft pulled a major coup and convinced Rockstar to make ''VideoGame/GrandTheftAutoIV'' a multi-platform release on day one. |
| 200 | ** The ''Franchise/KingdomHearts'' series was already bound to be a massive success, being a crossover of ''Franchise/FinalFantasy'' and Franchise/DisneyAnimatedCanon that featured fun and flashy ActionRPG gameplay. The first game is the tenth-bestselling [=PS2=] game, which more than the likes of ''Franchise/RatchetAndClank'', ''VideoGame/GodOfWar'', and ''VideoGame/JakAndDaxter''. |
| 201 | ** ''VideoGame/MetalGearSolid3SnakeEater'' is widely considered one of the [=PS2=]'s best games (if not the best), and also one of the system's top 10 to top 15 best-sellers. |
| 202 | ** Also of note is the ''Franchise/RatchetAndClank'' series, which was so successful, Ratchet ended up becoming the new face of Sony after Crash and Spyro went third-party. |
| 203 | ** The [=PS2=] had so many killer apps lined up that ''VideoGame/GodOfWarI'' doesn't make this list simply because it just flat-out wasn't needed. |
| 204 | ** ''VideoGame/ShadowOfTheColossus'' is another game that can fit the category, with its ability to push the capabilities of the [=PS2=] far enough for the sake of SceneryPorn. |
| 205 | ** ''Singstar'' was one of the [=PS2=]'s killer apps in Europe and Australia, credited to the same mainstream appeal that the Wii would later capture. |
| 206 | ** Website/TheOtherWiki lists ''VideoGame/SoulCaliburIII'' and ''VideoGame/Tekken5'' as being this for the [=PS2=] on its own page about this phenomenon. While the former is a debatable example, since its sales numbers were never reported on, the ''VideoGame/{{Tekken}}'' series has been this for [=PlayStation=] consoles in general, even after it went MultiPlatform with ''6''. |
| 207 | ** ''VideoGame/SOCOMUsNavySeals'' and ''VideoGame/FinalFantasyXI'' were online-heavy games that allowed for the [=PlayStation=] 2 to keep up with the Xbox in terms of online play, with Sony even publishing ''Final Fantasy XI'', and ''SOCOM'' being Sony's initial premiere online shooter, before the likes of ''VideoGame/{{Killzone}}'' and ''VideoGame/{{Resistance}}'' came along, with ''SOCOM'' even releasing alongside a custom headset for the [=PS2=] that players could use to communicate with each other. |
| 208 | * Platform/PlayStationPortable: |
| 209 | ** ''VideoGame/GrandTheftAutoLibertyCityStories'' and ''[[VideoGame/GrandTheftAutoViceCityStories Vice City Stories]]'' were the two biggest sellers on the system, and were exclusives for a while, until they got ported to the [=PS2=] |
| 210 | ** ''VideoGame/MonsterHunter'' is widely credited with keeping the PSP afloat in Japan, particularly ''[[VideoGame/MonsterHunterFreedom2 Freedom Unite]]'' and ''[[VideoGame/MonsterHunterPortable3rd Portable 3rd]]''. |
| 211 | ** The PSP also rode on ''VideoGame/CrisisCore'', the ''VideoGame/DissidiaFinalFantasy'' games and ''VideoGame/KingdomHeartsBirthBySleep'', all of which are considered to be some of the best games on the system. |
| 212 | ** In terms of first-party releases, ''VideoGame/GodOfWarChainsOfOlympus'' sold more than 3.2 million units and was the most well-received critically. |
| 213 | ** ''VideoGame/{{Patapon}}'' was undoubtedly a pillar of the system for about as long as the PSP's lifespan. |
| 214 | * Platform/PlayStation3: |
| 215 | ** ''VideoGame/ResistanceFallOfMan'' was available on day one and eventually sold around 2.5 million units, though it wasn't a '''major''' killer app, rather only keeping the [=PS3=] from being dead on arrival after the backlash surrounding its reveal and release. ''VideoGame/{{Motorstorm}}'' was another title released early on in the system's lifespan that helped it remain relevant in wake of the Wii and Xbox 360. |
| 216 | ** ''VideoGame/MetalGearSolid4GunsOfThePatriots'' was the biggest killer app for the system, and what ended most of the hate for the system. What's most notable is that Snake's [[GuestFighter appearance]] in ''VideoGame/SuperSmashBrosBrawl'', specifically his own stage, has a massive amount of {{Foreshadowing}} for this game. ''[[{{Irony}} Foreshadowing on the killer app of a direct competitor]]''. |
| 217 | ** ''VideoGame/GodOfWarIII'', though not hurt by being released at the time the price cut was taking effect. |
| 218 | ** The ''VideoGame/{{Uncharted}}'' series has been this, but it has never been more apparent than with ''VideoGame/Uncharted3DrakesDeception'', which sold [[http://ps3.ign.com/articles/121/1212156p1.html 3.8 million copies during the first day of release]], something rarely heard of for console exclusive games. |
| 219 | ** ''VideoGame/{{Killzone}} 2'', which is essentially the ''Halo 3'' for the [=PS3=]. |
| 220 | ** ''VideoGame/FinalFantasyXIII'' and ''Final Fantasy Versus XIII'' were clearly meant to be this, as they were revealed at Sony's E3 2006 press conference, plus ''VII'' and ''X'' were killer apps for the first two home [=PlayStation=] consoles respectively. However, an Xbox 360 port of ''XIII'' ended up being announced before release, and the game itself saw mixed reviews from fans and critics. As for ''Versus XIII''? That didn't even come out until the next generation of consoles, and instead became ''VideoGame/FinalFantasyXV''. |
| 221 | ** ''VideoGame/TheLastOfUs'' [[http://blog.eu.playstation.com/2014/03/14/last-us-passes-6-million-sales/ has sold 6 million]] in less than a year, making it the 2nd best-selling exclusive behind ''Gran Turismo 5'', and 3rd best-selling [=PS3=] game overall. It is almost unanimously seen as ''the'' defining game of the [=PS3=], if not the entire seventh generation. Its UpdatedReRelease on [=PS4=] is this too, for those who didn't play it on [=PS3=] but bought a [=PS4=]. |
| 222 | ** ''VideoGame/LittleBigPlanet'''s LevelEditor helped set it apart from other side-scrolling platformers, and acted as a major reason to get a [=PS3=]. After the PSN blackout of 2011, it was offered to PSN subscribers as a free game as part of Sony's "Welcome Back" program to compensate users. |
| 223 | * Platform/PlayStationVita: |
| 224 | ** ''VideoGame/GravityRush'' became this for the Vita as it was offered for free for Playstation Plus members for the better part of two years since its launch release. |
| 225 | ** ''VideoGame/{{Tearaway}}'' is this too (despite not being released on the PS Plus line-up). It also uses [[TechDemoGame most, if not all the console's features]] in many, creative ways. |
| 226 | ** ''VideoGame/{{Persona 4}}: [[UpdatedRerelease The Golden]]'' is this for the Vita in Japan, which was lagging behind. It sold 137 thousand copies along with 34 thousand units. This later proved true for the Western market as well. |
| 227 | ** IGN once posed the question of whether or not ''VideoGame/SoulSacrifice'' was the Vita's killer app despite Sony never claiming it to be. |
| 228 | ** The Vita ports of the ''Franchise/DanganRonpa'' series in the West, due to the PSP versions being a case of NoExportForYou. |
| 229 | * Platform/PlayStation4: |
| 230 | ** ''VideoGame/{{Bloodborne}}''. After 16 months since the console released, this is the first non-Nintendo game from the Eighth Generation to be acclaimed by both critics and players. ''VideoGame/{{Driveclub}}'' is this to a lesser degree in the UK, becoming the best-selling exclusive of 2014. However, the game was bundled on a relatively cheap Black Friday bundle. |
| 231 | ** ''VideoGame/Uncharted4AThiefsEnd'' was this as the next big title. It reviewed even better than ''Bloodborne'' and became the console's best-selling exclusive title, with over 8.7 million copies by the end of its release and over 16 million copies by 2019. |
| 232 | ** ''VideoGame/HorizonZeroDawn'' was critically acclaimed and sold over 2.5 million copies within two weeks of its launch, subsequently becoming Sony's biggest launch of a new IP during the console's lifetime. It maintained this record until 2020, when it was beaten by ''VideoGame/GhostOfTsushima''. By 2019, it sold over 10 million copies. |
| 233 | ** 2018 saw not one but two major Killer Apps for the [=PS4=]. |
| 234 | *** ''VideoGame/GodOfWarPS4'' was this not long after its release, becoming the highest-rated [=PS4=] exclusive in the proccess. In the month of April 2018, the [=PS4=] outsold both the Xbox One X and the Nintendo Switch. |
| 235 | *** ''VideoGame/SpiderManPS4'' picked up the slack later in the year, driving console sales and even managing to outsell ''God of War''. This only got better when Sony released a $200 Black Friday Bundle that included a [=PS4=] and a copy of the game, boosting sales of both and helping push the console to over 90 million total sales during the 2018 holiday season. |
| 236 | ** ''VideoGame/Persona5'' was this to a lesser extent, as was its UpdatedRerelease and ''VideoGame/FinalFantasyVIIRemake''; the latter two releasing during the console's final year as Sony's main platform. |
| 237 | ** ''VideoGame/AstroBotRescueMission'' and ''VideoGame/BloodAndTruth'' are this to Sony's [=VR=] headset. Releasing in 2018 and 2019 respectively, the former is Sony's highest-rated VR title as of 2020, and the latter was heavily praised for its blockbuster-like quality. ''VideoGame/IronManVR'' is this to a lesser extent. |
| 238 | * Platform/PlayStation5: |
| 239 | ** ''VideoGame/AstrosPlayroom'' is this for the console's controller, the [=DualSense=]. It has been nearly universally praised for selling the concept of the controller's gimmicks and innovations. |
| 240 | ** ''VideoGame/SpiderManMilesMorales'' and Creator/BluepointGames' remake of ''VideoGame/DemonsSouls'' were billed by Sony as as the marquee titles for the platform's launch, the former being a spinoff of Insomniac's highly popular ''VideoGame/SpiderManPS4'', while the latter was a complete remake of a game locked to the [=PS3=]. Though ''Miles Morales'' was also released on the [=PS4=], it was marketed for its [=PS5=]-specific features. Both titles were very well-received. |
| 241 | ** ''VideoGame/{{Returnal}}'' was a bright spot in what was otherwise considered to be a slow first year for the Platform/PlayStation5, winning many accolades and becoming a SleeperHit that many people point to as being the first game to properly show what the [=PS5=] is capable of. It also doesn't hurt that it's not on [=PS4=], thus making it a more appealing purchase than multiplatform games. |
| 242 | ** ''VideoGame/RatchetAndClankRiftApart'', being the latest installment in a long-running and beloved franchise that returns to the series' main continuity after the divisive [[VideoGame/RatchetAndClank2016 2016]] [[WesternAnimation/RatchetAndClank2016 re-imagining]], and unlike ''Miles Morales'', it was exclusive to the [=PS5=]. It ended up being a critical and commercial success, further justifying the [=PS5=] after only having ''Returnal'' and ''Demon's Souls''. |
| 243 | ** ''VideoGame/{{Deathloop}}'' and ''VideoGame/GhostwireTokyo'' were clearly meant to [[InvokedTrope invoke this]], due to Sony nabbing both of them as timed exclusives for the [=PS5=]. However, it was only a few months after that announcement in which Microsoft announced their acquisition of Creator/{{Bethesda}}, leading many to choose to wait for their Xbox ports instead, and when both of them did release, they weren't as acclaimed as ''Returnal'' or ''Rift Apart''. |
| 244 | ** ''VideoGame/HorizonForbiddenWest'' ended being a milder example. While it was favorably received by audiences and critics, and sold a fairly decent amount of units, it ended up being overshadowed by the much-anticipated ''VideoGame/EldenRing'', which released a week after ''Forbidden West'' came out and ended up selling extremely well, while reviewing even better with critics and audiences. |
| 245 | ** ''VideoGame/GodOfWarRagnarok'' saw a release on both Platform/PlayStation4 and Platform/PlayStation5, but it became a much more straight example than ''Forbidden West'' was - it sold 5.1 million units during its launch weekend and received universal acclaim from critics and audiences, as well as many awards from industry shows (rivaling ''Elden Ring'' in that regard), and easily became Sony's biggest game for 2022, thanks to ''Forbidden West'' being overshadowed by ''Elden Ring'' and ''VideoGame/GranTurismo 7'' being controversial for its microtransactions. |
| 246 | ** ''VideoGame/FinalFantasyXVI'' ended up becoming the straightest example of this for the [=PlayStation 5=] as of its release in June of 2023. While it was a timed exclusive, it only launched on the [=PS5=] as opposed to ''Deathloop'' launching on [=PC=] or ''God of War: Ragnarok'' launching on [=PS4=], and unlike ''Ratchet & Clank: Rift Apart'' or ''Returnal'', it's part of a [[Franchise/FinalFantasy brand]] that is incredibly recognizable to audiences outside of the [=PS5=] ecosystem. For these reasons and more, ''Final Fantasy XVI'' ended up becoming the bestselling [=PS5=] exclusive up until that point, and spurred many who hadn't bought a [=PS5=] up until that point to do so. |
| 247 | ** ''VideoGame/MarvelsSpiderMan2'' was the follow-up to both ''Spider-Man'' and ''Miles Morales'', and was the first Sony-published game to be a full exclusive for the [=PS5=] since ''Ratchet & Clank: Rift Apart'' two years prior. It quickly became the bestselling first-party exclusive for the system, selling five million units in its first eleven days of release and receiving a limited edition [=PS5=] console themed after it, notably being the first such game with this distinction for the [=PS5=] after three years on the market. |
| 248 | [[/folder]] |
| 249 | |
| 250 | [[folder:Xbox]] |
| 251 | * Platform/{{Xbox}} |
| 252 | ** The ''Franchise/{{Halo}}'' franchise cemented the Xbox as "the {{FPS}} console", leading to the FPS "arms race" between Microsoft and Sony that lasted through TheNoughties. ''VideoGame/HaloCombatEvolved'', a launch title for the Xbox, single-handedly saved Microsoft from being a mere footnote in the Console Wars. Later on, ''VideoGame/{{Halo 2}}'' went on to become a killer app for the Platform/XboxLive multiplayer service in 2004. |
| 253 | ** The games that proved the Xbox could do something ''other'' than FPS were ''Videogame/KnightsOfTheOldRepublic'', which spurred sales off the console close to ''Halo'' levels, ''VideoGame/FableI'', Microsoft's own exclusive RPG series headed by Creator/PeterMolyneux, and ''[[VideoGame/TheElderScrollsIIIMorrowind Morrowind]]'', which was one of the first [[WesternRolePlayingGame WRPGs]] on the system, and whose success on the Xbox is widely credited as being the BreakthroughHit of Creator/{{Bethesda}}, as well as the game that made ''The Elder Scrolls'' a household name. |
| 254 | ** ''VideoGame/SplinterCell1'' was a notable exclusive from Creator/{{Ubisoft}}, and proved to be a massive seller for the Xbox, positioning itself as the Xbox's answer to the [=PlayStation=]-exclusive ''VideoGame/MetalGear'' series, and its second sequel, ''[[VideoGame/SplinterCellChaosTheory Chaos Theory]]'', is widely considered to be one of the best [[StealthBasedGame stealth-action games]]. While the series did find its way on the [=PS2 and GameCube=], those versions [[PortingDisaster were substantially lacking compared to what the Xbox had]], cementing it as the place to be for ''Splinter Cell''. |
| 255 | ** [[Creator/KoeiTecmo Tecmo's]] Team Ninja was Microsoft's most notable Japanese supporter during the Xbox and 360 eras, with ''VideoGame/DeadOrAlive 3'' being a launch title for the Xbox (and naturally positioning itself as a rival to the [=PlayStation=]-exclusive ''Tekken'' franchise), and ''VideoGame/NinjaGaiden'' + its UpdatedRerelease ''Black'' being an acclaimed revival of the classic NES series, instead becoming a StylishAction HackAndSlash series, serving as Xbox's answer to the [[RunningGag PlayStation-exclusive]] ''VideoGame/DevilMayCry'' and ''VideoGame/GodOfWar'' games. |
| 256 | ** The ''VideoGame/{{Forza}}'' games, (consisting of ''Forza Motorsport'' and ''Forza Horizon''), are Microsoft's racing killer app, designed to target the [=PlayStation=]'s ''VideoGame/GranTurismo'' series. ''Forza'' has sold millions, and the wide variety of cars, [[DesignItYourselfEquipment customization]], [[{{Itasha}} painting]], and (in ''Horizon''[='=]s case) the amazing [[WideOpenSandbox open worlds]] and [[AwesomeMusic/{{Forza}} music]] makes it '''the''' go-to racing simulator for the Xbox. |
| 257 | * Platform/Xbox360: |
| 258 | ** Upon the Xbox 360's release, the most purchased title was ''Videogame/CallOfDuty2'' (with a port from the PC version, in contrast to the watered-down ones the previous generation got), with ''VideoGame/PerfectDarkZero'' and ''VideoGame/CondemnedCriminalOrigins'' also being launch exclusives that sold significantly well. Then in the next two years there was ''VideoGame/GearsOfWar'' and ''VideoGame/{{BioShock|1}}'' (the latter, like ''Call of Duty'', also available on PC upon release). Creator/CliffBleszinski revealed that he and Creator/EpicGames convinced Microsoft to incur a ''billion dollar loss'' to upgrade the 360's capability so it could run ''Gears''. And to top it all off, ''VideoGame/{{Halo 3}}'' was '''the''' most anticipated game for the Xbox 360 at the time, becoming the bestselling game of the year and the bestselling game in its series, rounding off the trilogy that began on the original Xbox. |
| 259 | ** ''VideoGame/DeadRising'' was an exclusive from Creator/{{Capcom}}, and proved to be widely popular by being a DenserAndWackier take on the SurvivalHorror genre with a hint of ''[[VideoGame/DynastyWarriors musou]]''-styled crowd combat gameplay, having the player go up against hordes of zombies. It was so popular, that protagonist Frank West was eventually introduced to the ''VideoGame/CapcomVs'' series to duke it out with other Capcom legends. Similarly, the console ports of Creator/{{Valve}}'s ''VideoGame/Left4Dead'' duology were exclusive to the Xbox 360. |
| 260 | ** ''The Elder Scrolls'' continued to be a bestseller on Xbox platforms with ''[[VideoGame/TheElderScrollsIVOblivion Oblivion]]'', which was a timed exclusive for the Xbox 360, and ''[[VideoGame/TheElderScrollsVSkyrim Skyrim]]'', which sold 13 million units on the Xbox 360, the most ever out of all the consoles its been released on. ''Skyrim'' was even sold with Xbox 360 consoles and ''Forza Motorsport'' in a holiday bundle, despite being a third-party release. |
| 261 | ** ''VideoGame/{{Crackdown}}'' was this, though that was mainly because it was the game that people needed to buy in order to access the ''Halo 3'' demo, then the most anticipated game on the console - though it did help that ''Crackdown'' was considered a damn good game on its own anyways, and was successful enough to spawn two sequels, though neither are as well-liked or enjoyed as the original was. |
| 262 | ** ''VideoGame/MassEffect1'', published by Microsoft and developed by Creator/BioWare, was released as an exclusive for the Xbox 360, and received near-universal adoration for its scale, both in terms of exploration and storytelling, and is regarded as a landmark in the WRPG genre, completing [=BioWare=]'s rise to superstardom that began with ''Knights of the Old Republic'', and the game remained exclusive for years even after [=BioWare=] was acquired by Creator/ElectronicArts. |
| 263 | ** ''VideoGame/FableII'' completed the trifecta of system-selling WesternRPG games for the Xbox 360 that was started by the aforementioned ''Oblivion'' and continued with ''Mass Effect''. Considered to be a great improvement over the original Xbox game, ''Fable II'' was the bestselling game on the console during the week of its release, and is still considered to be one of the standout role-playing games on the system overall. |
| 264 | ** In a non-gaming example, Creator/{{Netflix}} streaming was this to the Xbox 360 for a time. Hard as it may be to believe nowadays given Netflix's ubiquity on numerous platforms, but the Xbox 360 was the first, and thanks to an exclusivity agreement[[note]]This was why the Netflix apps on Platform/PlayStation3 and Platform/{{Wii}} were distributed on discs at first, since [[LoopholeAbuse the agreement seemingly only applied to built-in apps]][[/note]] between Netflix and Microsoft, only non-PC device that could stream Netflix. |
| 265 | ** Team Ninja continued their support for the Xbox brand into the 360 era with ''Dead or Alive 4'' (which even featured a female Spartan from the ''Halo'' series as a GuestFighter), and ''Ninja Gaiden II'', the BloodierAndGorier sequel that Microsoft handled publishing duties for instead of Tecmo. That being said, those were also the last exclusives Team Ninja released for Microsoft's consoles, due to Tomonobu Itagaki leaving in 2008. |
| 266 | ** Like the Platform/GameBoyAdvance, Platform/XboxLiveArcade has sold mainly on a stream of solid indies, the most notable of which were ''VideoGame/GeometryWars'', ''VideoGame/SplosionMan'', ''VideoGame/{{Limbo}}'', ''VideoGame/{{Braid}}'', and ''VideoGame/SuperMeatBoy''. And in Japan, the Killer App is ''VideoGame/TheIdolmaster'', even if it isn't for the 360 itself. On the release of the Xbox 360 version, Microsoft sold over four times as many Microsoft points as they had in the past. THE iDOLM@STER singlehandedly resparked the sales for the Xbox 360 in Japan. The success was so great that in some stores they had to close the doors ''early in the morning'' because they were sold out. |
| 267 | ** ''VideoGame/GrandTheftAutoIV'' was the first MultiPlatform title in the series, with Microsoft paying a hefty fee for Rockstar to bring it to the Xbox 360 on day one. The gamble paid off significantly, as not only did ''IV'' sell better on the Xbox 360 than it did on the [=PS3=], but Microsoft also received timed exclusivity on the game's two DLC campaigns, ''[[VideoGame/GrandTheftAutoIVTheLostAndDamned The Lost and Damned]]'' and ''[[VideoGame/GrandTheftAutoIVTheBalladOfGayTony The Ballad of Gay Tony]]''. ''IV'''s success as a multiplatform title also changed Rockstar's strategy going forward, with mega-blockbuster titles like the ''[[VideoGame/RedDeadRedemption Red]]'' ''[[VideoGame/RedDeadRedemption2 Dead]]'' series and ''VideoGame/GrandTheftAutoV'' all having multiplatform launches from that point going forward. |
| 268 | ** This trope is mostly inverted when it comes to Japan, as they have not taken to either system much like its competition. So far, the closest the 360 has to a killer app there is a hit game that boosts sales for a week or so then they fall back to just selling a few thousand a week until the next hit game. These "boost" games include ''VideoGame/BlueDragon'' (Creator/AkiraToriyama's involvement helped, too), ''VideoGame/AceCombat6FiresOfLiberation'', ''VideoGame/TalesOfVesperia'' (which is the best-selling 360 game in Japan and was even sold with [=360s=] for a while, so it was a {{Fanboy}} issue when it was later ported to the [=PS3=]) and ''VideoGame/StarOceanTheLastHope''. |
| 269 | * Platform/XboxOne: |
| 270 | ** ''VideoGame/{{Titanfall}}'' was the game that kept the Platform/XboxOne from dying on the vine in its first year, being a desired "exclusive" for the console[[note]]in the sense that it didn't come out for [=PS4=], at least[[/note]] 'til ''VideoGame/Halo5Guardians'' was released. Oddly, it ''wasn't'' a blockbuster, just a game that kept interest alive in the then-controversial system. Respawn Interactive[[note]][[MisBlamed not Electronic Arts as many would like to point out]][[/note]] however, treated it like it ''was'' a killer app and foolishly had ''VideoGame/Titanfall2'' compete with ''VideoGame/{{Call of Duty|InfiniteWarfare}}'' and ''VideoGame/{{Battlefield|1}}'', resulting in poor sales, despite being available for the Platform/PlayStation4 as well as the Xbox One and PC. |
| 271 | ** ''VideoGame/OriAndTheBlindForest'' and ''VideoGame/OriAndTheWillOfTheWisps'' by Moon Studios were widely-acclaimed, being Metroidvanias with a beautiful animated style reminiscent of Ghilbi films, and are generally well-received for being exclusives published by Microsoft that aren't just another ''Halo'', ''Gears'', or ''Forza'', something which helps it stand out on the console. The original was popular enough to warrant a port to the Platform/NintendoSwitch years later, and the second game saw its Switch port in the same year as its original release. |
| 272 | ** ''Rare Replay'', a collection of various Creator/{{Rare}} games from all across their history, was very well-received, with many comparing it favorably to ''The Orange Box'' by Valve. |
| 273 | ** [[VideoGame/KillerInstinct2013 The 2013 reboot]] of ''VideoGame/KillerInstinct'' is probably the Xbox One's best-remembered launch title, still boasting a fairly active competitive scene years later, and receiving three seasons of post-launch support. |
| 274 | ** ''VideoGame/RiseOfTheTombRaider'' tried to be this, by being an entry in the iconic series exclusive to Xbox and even had Microsoft handling publishing duties for it. However, the announcement of it being a timed exclusive drew a large amount of backlash, due to Lara Croft's multiplatform history (and generally associated more with Sony than with Microsoft). Nevertheless, the game did sell at least one million units on the Xbox One, but it's clear that this wasn't the juggernaut either Microsoft or Square Enix expected it to be. |
| 275 | ** ''VideoGame/{{Cuphead}}'' became a critical and commercial darling upon release, being praised for its NintendoHard difficulty that brought to mind old school [[ShootEmUp shoot 'em ups]] like ''VideoGame/{{Contra}}'' and ''VideoGame/MetalSlug'', and coupled with an aesthetic inspired by the golden age of animation, made it one of the most unique indie titles to be released in recent years, as well as one of the most unique Xbox One games. |
| 276 | ** ''Forza Horizon 4'', in part due to its presence on Game Pass (see below), has become a major hit and led to it being seen almost as an AuthorsSavingThrow for the Xbox One in general, with a number of outlets describing it as the best racing game ''ever made'' and one of the few exclusives worth buying an Xbox One to play. |
| 277 | ** ''VideoGame/GearsOfWar 5'': After years of struggling with the perception that the Xbox One platform lacked any noteworthy exclusive, Gears 5 released in 2019 to a very positive reception and lots of media hype. In addition to serving as a killer app for the Xbox One hardware, it also served as one for Microsoft's Game Pass subscription, being a high-quality AAA game to be available from day one on the service. |
| 278 | * Xbox Game Pass (and to an extent Xbox Game Pass Ultimate) has become so popular that smaller games get a ColbertBump just from being on it. Creator/TheCoalition and Splash Damage stated ''VideoGame/GearsTactics'' would have never been made without it. Other games such as ''VideoGame/SeaOfThieves'' remain viable do to having a stable player base because of it. With all first party games arriving day one on Game Pass, Microsoft has revealed the service makes more money for the company than hardware, so much so that they instituted Smart Delivery; games which have the designation means Xbox One games are automatically free and upgraded for Xbox Series X. Not only that, but the All Access programme allows customers to buy an Xbox One/One X console and Game Pass in instalments with no down payment, [[WinBackTheCrowd giving many an impetus to join the ecosystem of a console that had started off its life with much controversy]][[note]]The controversies over mandatory usage of Kinect and always-online gameplay, as well as a perceived lack of quality exclusives, had led to many previous Xbox owners moving to the [=PS4=] early in the console's lifecycle[[/note]] and had been lagging behind the [=PS4=] up until that point. |
| 279 | * The [=xCloud=] streaming service allows Ultimate users to turn the Xbox One and 9th gen consoles into Nintendo Switch-like systems -- the Razor Kishi controller even turns cellphones ''into'' a Switch-like screen controller. |
| 280 | * Platform/XboxSeriesXAndS: |
| 281 | ** Originally, ''VideoGame/HaloInfinite'' was meant to be the system's marquee launch title, but its delay after the TaintedByThePreview reaction it got from audiences in response to the first footage of gameplay shown otherwise dampened excitement in the system, though not entirely. Instead, ''VideoGame/YakuzaLikeADragon'', which had console exclusivity in the west for the Series X|S, ended up making up for some of the traction lost. |
| 282 | ** As for [=GamePass=], the announcement that EA Play would be offered for [=GamePass=] subscribers at no additional cost became a big boon in the Series X|S' favor, effectively widening the library of games available for owners of the system. |
| 283 | ** ''VideoGame/MicrosoftFlightSimulator 2020'' was initially announced be released on both the Xbox Series X|S and the Xbox One in terms of consoles, but it was later announced to be headed to the Series X|S as a console exclusive, even though it was already available on PC beforehand. |
| 284 | ** Announced unexpectedly at E3 2021 and released in November the same year, ''Forza Horizon 5'' is widely viewed as one of the first true Killer Apps of both the Xbox Series X|S and Game Pass, gaining over 6 million players in a matter of days and outclassing its similarly-acclaimed predecessors. |
| 285 | ** ''VideoGame/HiFiRush'': After a long drought of new games throughout 2022, ''Hi-Fi RUSH'' became a SleeperHit (after its surprise reveal and simultaneous release, no less) for Microsoft as a desirable exclusive for not only Xbox Game Pass, but is also a console exclusive to the Platform/XboxSeriesXAndS - finally giving the platform a game that isn't on also on the Platform/XboxOne, thus averting a major complaint about the MediaNotes/TheNinthGenerationOfConsoleVideoGames in general. The fact that it's also a Japanese-developed exclusive also did much to endear it to players, as Japanese developers in the years prior had gravitated towards the Platform/NintendoSwitch and the [[Platform/PlayStation4 PlayStation line]] [[Platform/PlayStation5 of consoles]], whereas ''Hi-Fi RUSH'' is guaranteed to remain exclusive to Xbox platforms by virtue of Microsoft owning it. |
| 286 | ** ''VideoGame/{{Starfield}}'' was the one game that everyone had their eyes on after Microsoft's acquisition of Creator/BethesdaSoftworks went through, something Microsoft capitalized on almost immediately; starting from E3 2021, ''Starfield'' was featured in every big showcase from Microsoft up until its release on September 6, 2023. Even after the divisiveness of ''VideoGame/HaloInfinite'' and the disastrous launch of ''VideoGame/{{Redfall}}'', ''Starfield'' still kept enough people interested to prevent them from completely writing off the Xbox Series X/S, and it paid off big-time come release; it resulted in a 1056% increase in sales of the console on Amazon ahead of the game's launch, easily becoming its biggest exclusive up until that point, and finally providing Microsoft with a game that could stand toe-to-toe with games like ''VideoGame/TheLegendOfZeldaTearsOfTheKingdom'' or ''VideoGame/GodOfWarRagnarok'' in terms of sales numbers. |
| 287 | [[/folder]] |
| 288 | |
| 289 | [[folder:PC (Windows/Mac/Linux)]] |
| 290 | * The original classic Macintosh's killer app was its four channel sampled audio, a feature very nearly nixed by Steve Jobs. The feature went on to become the Mac's selling point in the US, as the feature meant that the Mac could have "talkie" games that were technically unheard of in the era. The demonstration of [=MacinTalk=] during its launch was one of the major selling points. This, combined with the fact that early '90s Macs were the also the first computers to ship with CD-ROM drives as standard equipment, cemented its status as an edutainment machine in schools and as the all-rounded family multimedia machine in homes in the '90s. Of course, it helped that ''VideoGame/{{Myst}}'' was one of the killer apps for the platform, appearing for the Mac first before being ported to Windows [[note]]Myst was originally written in [=HyperCard=], a Mac-specific programming language[[/note]]. Macs also had another technical edge in the '80s and early '90s: greater screen resolution than [=PCs=]. The original Mac, even though it had only a black-and-white screen, had a resolution of 512 x 342 at a time when PC games ran at 300 x 200. This made text and black-and-white graphics look crisp. This advantage later eroded when Windows became popular in the '90s. |
| 291 | * '''''Videogame/{{Doom}}'''''. The biggest Killer App in all of PC gaming history, with over 4 million copies sold. Before ''Doom'', PC games were a niche hobby, a small subset that was to console[[note]]or, to put it in more periodic terms, "Atari/Nintendo/Sega"[[/note]] players what video games were to the general populace. ''Doom'' made PC gaming mainstream, and let the world know that those computers they were using for their essays and spread sheets could do something that not just matched, but even ''surpassed'' what those boxes next to their [=TVs=] could do. To call it the ''Franchise/SuperMarioBros'' of PC gaming is an understatement; it singlehandedly ''made the PC the new Nintendo'', and only after its success can you watch a movie or TV show and see anybody playing video games on their computers as opposed to sitting by the television playing on a console. Even to ''this very day'', it's the first (and often only) title that comes to non-gamers' minds when they think of PC games, with ''VideoGame/CallOfDuty'' only recently supplanting this honor. |
| 292 | ** ''Doom'' was indirectly the TropeMaker for Windows as a serious gaming platform. Prior to Windows 95, you were limited to ''Solitaire'' and ''Minesweeper'' and the occasional more advanced title like ''Myst''. And then Bill Gates read the result of a study that found that ''Doom'' was installed on more computers in the world than Windows was. Intent on remedying this, Bill made damn sure that Windows 95 would have its own natively compatible version of ''Doom''. |
| 293 | * The final straw that made Windows into a viable gaming platform, and the only place to play games on PC, was [=DirectX=]. Prior to [=DirectX=], developers often had to roll their own graphics code, and if they wanted to take advantage of graphics and sound cards, they usually had to make a different version of their game for each brand of card. [=DirectX=] remedied this by giving developers an MediaNotes/ApplicationProgrammingInterface of pre-built graphics functions that could run on any supported third-party graphics hardware (which was most if not all of them). Given that it was exclusive to Windows, it also had the side effect of largely killing off the gaming scenes on other computer platforms, which were already quite small by this time thanks to the Platform/{{IBM Personal Computer}}'s overwhelming market share. |
| 294 | * Windows 3.0 as a whole for mice in the PC market. Before Windows 3.0, most PC users only had a keyboard, and mice were deemed to be "for DTP pros". Coincidentally, point-and-click adventure games from Creator/{{Sierra}} and Creator/LucasArts also started appearing around that time, which bolstered mice sales even more. |
| 295 | * The most important game on PC in terms of actually ''selling hardware'' was ''Links 386 Pro'', a golf game of all things. This game actually forced owners to upgrade to 386 processors '''''just to play it'''''. |
| 296 | * ''VideoGame/{{Quake|I}}'' spurred many a gamer to update to Pentiums. The game performed so much better on Intel's Pentium processors to the point that prospective PC gamers upgrading from the old 386 and 486 would steer away from AMD and Cyrix alternatives to the point that it's commonly speculated that Cyrix's relatively poor FPU performance at the time, and thus Quake performance, [[CreatorKiller put Cyrix out of business.]] Not even the Nintendo 64 could hold 60 FPS at just [=240p=] with its Quake port; the [=PlayStation=] and Sega Saturn stood no chance, further cementing the sheer advantage PC gaming had over console gaming. |
| 297 | ** When ''[=GLQuake=]'' was released, 3dfx Voodoo Graphics accelerators started flying off the shelves, now that people could suddenly play it at 640x480 resolution (at a time when people were content with 320x200 on the software-rendered version because higher resolutions were too demanding) and still maintain liquid-smooth frame rates![[note]]Note that ''[=VQuake=]'' for Rendition Verite cards predates ''[=GLQuake=]'', but did not result in massive success for Rendition like it did for 3dfx.[[/note]] ''[=GLQuake=]'' was allegedly developed to run on id Software's workstations with no intentions of running on consumer [=PCs=], but by coincidence, the 3dfx Voodoo Graphics card handled it very well, and so they made it available to consumers anyway. The rest is history. |
| 298 | * Try thinking of a PC game before ''VideoGame/KingsQuest''. Outside of the ''VideoGame/{{Zork}}'' series of {{Text Adventure}}s, it's not a very easy task. The colorful, imaginative adventures that Creator/{{Sierra}} brought to life gave gamers something appealing that console games, with their straightforward running and jumping and shooting, just couldn't offer: an interactive, immersive world you could get lost in as it unfolded in vivid graphics, text details and cutscenes. It also popularized the Tandy 1000/PC Jr. graphics mode, which allowed [=PCs=] to display all 16 colors of the CGA standard at once instead of just palettes of 4, which finally made the PC into a viable gaming platform. Even if they aren't exactly vivid by today's (or even the latter half of the decade's) standards, it was enough to convince a lot of people why you would want to play video games on the "homework machine". |
| 299 | * Creator/{{Bungie}} seems to make killer apps wherever they go. [[Platform/AppleMacintosh Mac's]] killer app? The ''VideoGame/{{Marathon}}'' Trilogy. The Xbox's? ''{{Franchise/Halo}}''. |
| 300 | * The ''VideoGame/{{Ultima}}'' franchise was the crown RPG of early [=PCs=]. So much so, it had a profound effect on NES [=RPGs=] for a long, long while. Like other series, it forced some users to upgrade their hardware to play ''Videogame/UltimaVII''. |
| 301 | * In the same vein as ''Doom'', ''VideoGame/HalfLife'' and its sequels pushed the success of PC games even further, with their slick design and fantastic presentation bridging the gap between "casual" gamers raised on mascot platformers and Japanese [=RPGs=] and "hardcore" gaming formats. It was, after all, the computer equivalent to ''VideoGame/GoldenEye1997'' in shifting the FPS scene from "Doom clones" to [[GenreTurningPoint an actual genre]]. |
| 302 | ** ''VideoGame/CounterStrike'' was, ironically, both the killer app for the early 2000's golden age of 'real world' LAN Gaming cafes/centres, as well as the reason they crashed in popularity from 2004 onwards, when the Source remake became the killer app for Platform/{{Steam}} and home-based online multiplayer. |
| 303 | ** Valve did it again with ''VideoGame/TeamFortress2'' in 2007, which is, to this very day, their most successful game ''of all time'', and was tied with ''VideoGame/{{DOTA 2}}'' (also by Valve) as the most popular game on Steam until it was finally overtaken by ''VideoGame/PlayerunknownsBattlegrounds'' a '''decade''' later. |
| 304 | * ''Franchise/StarWars: VideoGame/RebelAssault'' was THE killer app for CD-ROM, although some say that the time of CD-ROM had dawned and ''Rebel Assault'' was just the first major game. |
| 305 | * There are two candidates for the cross-platform killer app for both CD-ROM drives and sound cards: ''VideoGame/TheSeventhGuest'' and ''VideoGame/{{Myst}}'', both often bundled with "multimedia upgrade kits"[[note]]A kit consisting of a CD-ROM drive, sound card, and software, typically with those two games, on CD[[/note]] PC people bought in order to play them, and these games were also often sold bundled with a Macintosh. |
| 306 | * Attempts had been made for ages to sell 3D accelerators, and while 3dfx's Voodoo made a good argument, it was a combination of ''[=GL=]VideoGame/{{Quake|I}}'' and ''VideoGame/{{Unreal|I}}'' that caused people to pour hundreds of dollars into enough system upgrades to see them rendered through Glide.\ |
| 307 | Note that ''[=GLQuake=]'' is not the first 3D-accelerated version of ''Quake''; that honor goes to ''[=VQuake=]'' for the Rendition Verite cards. Incidentally, its proprietary [=RRedline=] API (remember that [=Direct3D=] and [=OpenGL=] were not mainstream at the time) caused John Carmack to swear off vendor-specific [=APIs=] afterward, and it was just by coincidence that 3dfx had a card that could run the subset of [=OpenGL=] that ''[=GLQuake=]'' required at a fraction of the cost of a professional 3D graphics workstation, such as the ones by Silicon Graphics. |
| 308 | * ''VideoGame/{{Crysis}}'' was a boon for graphics card manufacturers, as even ''years'' after its release, hardcore computer gamers have been working hard to build systems that can render its incredible graphics at full detail without dropping frames. It was also important because at the time, other developers who weren't abandoning the PC altogether were [[PortingDisaster making ports that were vastly inferior]] to their own contemporary Platform/Xbox360 or Platform/PlayStation3 versions for no good reason -- not taking advantage of the more powerful hardware available to [=PCs=], sometimes not even acknowledging that [=PCs=] could ''have'' different hardware by letting you change the graphical settings), making little effort to properly port the controls from a controller to keyboard and mouse, ignoring existing bugs and often introducing new ones that would also go ignored, et cetera. Some say that this game single-handedly saved the platform and jump-started its renaissance. |
| 309 | * Since [[Platform/AppleMacintosh Macs]] have historically had few compatible games, every gamer who owns one is essentially required to get certain games. Some examples are ''VideoGame/{{Myst}}'' (which was originally developed using [=QuickTime=] and [=HyperCard=], both Mac OS-exclusive technologies), the ''VideoGame/{{Marathon}}'' Trilogy and anything else released by Creator/{{Bungie}}, and anything made by Creator/BlizzardEntertainment, Creator/AmbrosiaSoftware or Creator/PangeaSoftware, the last of whom often had their games bundled with new Macs. |
| 310 | ** Preemptively, Valve releasing Steam and the Source-based games on Mac (''VideoGame/{{Portal 2}}'' and ''VideoGame/Left4Dead2'' in particular) have caused a huge jump of interest in Mac gaming. The same thing has happened to Platform/{{Linux}} since the announcement that Valve would be porting Steam to Ubuntu. |
| 311 | * ''VideoGame/TheSims'' can be credited with kicking off the resurgence of casual gaming of the 2000s (along with internet games). |
| 312 | * Linux has several applications that could count as killer apps for the platform: |
| 313 | ** The LAMP server (Linux, Apache, [=MySQL=], and PHP) let people build servers using off-the-shelf PC hardware, giving Linux a huge boost in its early days. Along with powering much of the Internet, it quickly became the standard for individually-owned game servers. |
| 314 | ** Samba enables Linux servers to share files and printers with Windows machines, as well as serve as Active Directory domain controllers. Samba and Apache increased acceptance of Linux in the enterprise, to the point where Linux servers have displaced many legacy Unix and Windows NT servers due to Linux's nonexistent licensing fees. |
| 315 | ** Linux also became popular in scientific computing due to the historical use of Platform/{{UNIX}} in academia and the ability to build clusters to do complicated calculations on inexpensive PC-class hardware. Now ''all'' the major supercomputers run Linux. |
| 316 | * Windows XP only really started to die off in favour of Windows 7 when ''VideoGame/{{Battlefield 3}}'' was announced to be Windows 7/Vista exclusive. ''VideoGame/CallOfDutyBlackOpsII'' making the same announcement a year later likely helped as well. |
| 317 | * 64-bit versions of Windows were slowly gaining speed by the start of TheNewTens, and multiple games coming out from a few years into the decade have been requiring 64-bit [=OSes=] to even run, but it's most likely the PC port of ''VideoGame/GrandTheftAutoV'' that's been the biggest cause for people to upgrade. |
| 318 | * Creator/TelltaleGames singlehandedly resurrected the AdventureGame genre. |
| 319 | * While ''VideoGame/NetHack'' is a multi-platform game, just about any serious Unix or Linux user has a copy installed, as it's one of the few decent games available. |
| 320 | * Looking for decent games on the Windows 8 store? Look no further than Creator/{{Gameloft}}'s games (except the ''{{VideoGame/My Little Pony|Gameloft}}'' game--[[PortingDisaster that's a different story]]), which even have their own collection easily visible on the front page of the store. |
| 321 | * Because Chromebooks are available on dirt-cheap hardware, are centrally managed and there's no real software to manage, they've become popular in schools. |
| 322 | * Due to the decline in the popularity of flight/space simulators, alongside ''VideoGame/{{Freelancer}}''[='s=] controversial decision to support keyboard and mouse at the total expense of joysticks, the joystick largely fell out of favor amongst PC gamers -- until the duo of ''VideoGame/EliteDangerous'' and ''VideoGame/StarCitizen'' releasing at roughly the same time not only [[GenreRelaunch reignited the space simulator genre]] and PC gaming in general, but surged a newfound demand for HOTAS setups generally reserved for only the most hardcore ''Falcon BMS'' and ''Digital Combat Simulator'' players. To top that off, ''Star Citizen'' runs on the same engine as the aforementioned ''VideoGame/{{Crysis}}'', but highly upgraded!\ |
| 323 | This even escalated to a new market for dual-stick setups with a left stick in place of the throttle as a strafing control (remember that both games support six degrees of freedom), and in ''Elite''[='s=] case, VirtualReality support. Indeed, ''Elite: Dangerous'' is one of the earliest killer apps for the Platform/OculusRift, even before the Touch controllers were released! |
| 324 | * The [=CentOS=] Linux distribution, a free, community-developed version of Red Hat Enterprise Linux [[SerialNumbersFiledOff with the Red Hat branding removed]], is popular with particle physicists because it offers a standard base for experiments. It's the distribution of choice for most supercomputers and clusters. So much so that CERN sponsored the development of a version specifically for physics called Scientific Linux for a while before moving back toward vanilla [=CentOS=]. |
| 325 | * [=WordPerfect=] was the leading word processor in the 1980s before being overtaken by Microsoft Word in the 1990s, but remains popular in the legal profession because it was the first to implement numbered paragraphs, which is important in legal documents. |
| 326 | [[/folder]] |
| 327 | |
| 328 | [[folder:SNK]] |
| 329 | * The original ''VideoGame/SamuraiShodown'' on the Platform/NeoGeo home console. |
| 330 | * ''VideoGame/MetalSlug'', especially ''3''. |
| 331 | [[/folder]] |
| 332 | |
| 333 | [[folder:Other Systems]] |
| 334 | * [=NewTek=]'s ''Video Toaster'' was the one selling point of the Platform/CommodoreAmiga that made said machine popular at video production houses and film studios. The ability to genlock (or synchronize video timing signals) made it easy to overlay text on video, thus making the Amiga the go-to machine for {{Fan Sub}}s. |
| 335 | ** ''Deluxe Paint'' was another program that sold Amigas, as it showed off the Hold-And-Modify (HAM) graphics mode that could let the Amiga display all 4096 colors the [=OCS/ECS=] chipset permitted on screen at once, usually with an image of King Tut. ''[=DPaint=]'' was easily the Amiga's answer to the Macintosh's ''Photoshop'', predating the program by over half a decade. |
| 336 | ** In terms of games, Creator/{{Cinemaware}} was responsible for a lot of Amiga killer apps, such as ''VideoGame/DefenderOfTheCrown'', ''VideoGame/ItCameFromTheDesert1989'', ''VideoGame/{{Wings}}'' and the ''TV Sports'' games, with Creator/{{Psygnosis}} also providing its fair share such as ''VideoGame/ShadowOfTheBeast'' and ''VideoGame/{{Lemmings}}''.\ |
| 337 | At a time when your typical Platform/IBMPersonalComputer had CGA or maybe EGA or Platform/{{Tandy|1000}} graphics with a laughably one-note square wave PC speaker or Tandy 3-voice sound and the Platform/AppleMacintosh was ''monochrome only'', a lowly Amiga 500 would handily kick both their asses as a gaming computer for less than half of the price, before Commodore lost their lead going into TheNineties, when the PC and Mac overtook the Amiga's multimedia capabilities. |
| 338 | ** ''Earl Weaver Baseball'', with its physics-based gameplay and voice-synthesizer, was the premiere sports game for a short while, even though it wasn't an exclusive.[[note]]The Apple version was far inferior in comparison.[[/note]] |
| 339 | * ''VideoGame/TowerFall'' was the closest thing the Kickstarted ''Ouya'' console had to a killer app before ''[[UpdatedRerelease Towerfall: Ascension]]'' came to [=PS4=] and PC. A similar game, ''VideoGame/DuckGame'', also followed ''[=TowerFall=]'' to other platforms. |
| 340 | * The Platform/BBCMicro was guaranteed good sales in the education and office market thanks to being [[BackedByThePentagon Backed By The Government]].[[note]]when Creator/TheBBC's educational programming department first got serious about computer science, every manufacturer had their own fork of BASIC that was almost but not ''quite'' compatible with everyone else's, so eventually they realised the only way to have a set of programming exercises that'd work for everyone was to commission a computer designed to their own specifications. Acorn Computers won the contract, and the rest is history.[[/note]]\ |
| 341 | But without sales of ''VideoGame/{{Elite}}'', it's unlikely they'd have made much if any headway in the home computer market, much less become as iconic in British geek culture as they are. |
| 342 | * The first five ''Franchise/TouhouProject'' games spurred Western interest in the Platform/PC98. |
| 343 | * The built-in modem of the TRS-80 Model 100, one of the first affordable portable computers, made it popular with journalists filing stories from the road. |
| 344 | [[/folder]] |
| 345 | |
| 346 | [[folder:Genre]] |
| 347 | * Creator/PopcapGames was the king of the casual genre before the era of mobile game. Most casual games are tweaked knockoffs of Popcap's efforts, which in turn are just variations of match-3, spot-the-difference, time-management and various simple luck/skill-based physics minigames. Doesn't matter. Popcap owns the entire genre. There are still entire blocks of people who would never call themselves 'gamers' who are obsessed with ''VideoGame/{{Bejeweled}}''. Popcap then cemented its hold with ''VideoGame/{{Peggle}}'' -- then gave it a strangehold for good measure with ''VideoGame/PlantsVsZombies''. |
| 348 | * Its position has been significantly eroded by King, maker of ''VideoGame/CandyCrushSaga'' among others (which, in the minds of many, has displaced ''Bejeweled'' as the name most synonymous with the Match 3 genre). It became a CashCowFranchise due to its AllegedlyFreeGame business model, and one of the main killer apps for Facebook and casual gaming on smartphones. |
| 349 | * [=d3=], on the other hand, looked at ''Bejeweled'' and decided it would be a good RPG combat mechanic with ''VideoGame/PuzzleQuest'', which led to innumerable copycat game apps on [=iOS=] and Android. |
| 350 | * ''VideoGame/ClubPenguin'' was the face of children's casual {{Massively Multiplayer Online Game}}s until its closure, in which that its rival, ''VideoGame/AnimalJam'' took over. |
| 351 | * ''VideoGame/TeamFortressClassic'' was, for the longest time, THE online shooter. After that ''VideoGame/CounterStrike'' took over the market. Both the old school and ''Global Offensive'' games still hold a large amount of players today. |
| 352 | * ''VideoGame/GuitarHero'' turned {{Rhythm Game}}s from [[{{Creator/Konami}} weird J-Pop things]] (in the eyes of many) to a major western phenomenon. |
| 353 | * Though it had less casual-appeal than the above, ''VideoGame/DanceDanceRevolution'' kept the arcade scene afloat single-handedly, and no doubt was an inspiration for the physicality of gaming aspects that would become part of the Wii's appeal. Years later, ''Just Dance'' would turn dancing games into a genre in its own right, and incidentally helped Ubisoft become the Wii's biggest supporter outside of Nintendo. |
| 354 | * Do you like RealTimeStrategy games? Then you ''must'' have tried two of Creator/BlizzardEntertainment's best games: ''VideoGame/{{Starcraft}}'' and ''VideoGame/WarCraft III''. Or the ''VideoGame/CommandAndConquer'' series. In the following years, the ''VideoGame/DawnOfWar'' series or ''VideoGame/CompanyOfHeroes'' also count. |
| 355 | ** Also the ''VideoGame/AgeOfEmpires'' series. ''VideoGame/AgeOfEmpiresII'' in particular, was one of the most successful and well crafted PC RTS games of its time, and still maintains a large player and modding community despite being over two decades old. |
| 356 | * Similarly, do you like [[TurnBasedStrategy turn-based]] FourX? If so, then at least one of the ''VideoGame/{{Civilization}}'' games is probably in your library. That's assuming you even know there are other 4X games. |
| 357 | * For {{MMORPG}}s, ''VideoGame/WorldOfWarcraft''. It's the one everyone's heard of, and at its peak it had slightly more players than the previous two biggest (''VideoGame/GuildWars'' and ''Knight Online'') ''put together''. And for browser [=MMORPGs=], it's ''VideoGame/{{Runescape}}''. |
| 358 | ** With subscription-based [=MMORPGs=] becoming a dying breed, the only two viable games left were ''[=WoW=]'' and ''VideoGame/FinalFantasyXIV'', which took its spot over time. |
| 359 | * Do you like Japanese [=RPGs=]? You probably have a ''Franchise/{{Pokemon}}'', ''Franchise/FinalFantasy'', or ''VideoGame/DragonQuest'' game. In fact, ''VideoGame/DragonQuest'' is such a killer app in Japan that even [[SalaryMan Salarymen]] will take a day off and students from the most prodigious schools will cut class just to buy a copy on the day it becomes available for sale. To prevent things like this, Square-Enix has even made a promise to the Japanese government to release new games in the series exclusively on weekends. |
| 360 | * While still relatively obscure overseas (except for the ''[[CashCowFranchise Persona]]'' series,) ''Franchise/ShinMegamiTensei'' is right up there with Japanese role-playing games in Japan. |
| 361 | * Do you like Western [=RPGs=]? You've probably played ''Franchise/TheElderScrolls'', series or ''VideoGame/BaldursGate''. Alternately, if you like Western [=RPGs=] but high fantasy's not your thing, you've probably got at least one ''VideoGame/{{Fallout}}'' or ''Franchise/MassEffect'' game in your library. |
| 362 | * ProfessionalWrestling has really only had one game that could be considered a killer app -- ''VideoGame/WWFNoMercy'' for the N64. ''No Mercy'' had a big roster, an in-depth storyline mode, a very detailed for the time create-a-wrestler function, many different types of matches, and good multiplayer. Even people who don't like professional wrestling often like ''No Mercy'', and the game still has an active modding community today. The next closest example would probably have to be ''WWE Smackdown: Here Comes The Pain''. |
| 363 | * Fancy yourself a fan of fighting games? Then you must have played a ''Franchise/StreetFighter'' game. In fact, ''VideoGame/StreetFighterII'' introduced many fighting game mechanics that persist to this day. Among 3D fighters, ''VideoGame/{{Tekken}}'' still reigns supreme. |
| 364 | * Fans of the [[CollectAThonPlatformer collect-a-thon]] and [[PlatformGame platformer genres]] will have likely played at least one ''Franchise/SuperMarioBros'' game. Other series of note are ''Franchise/SonicTheHedgehog'', ''VideoGame/CrashBandicoot'', ''VideoGame/BanjoKazooie'', ''VideoGame/{{Rayman}}'', ''Franchise/MegaMan'', and ''Franchise/SpyroTheDragon''. |
| 365 | * ''VideoGame/MetalGear'' was this for the StealthBasedGame genre, and remains top dog to this day, even after competitors like ''VideoGame/SplinterCell'', ''VideoGame/SyphonFilter'', ''VideoGame/{{Tenchu}}'', and ''Franchise/AssassinsCreed'' came along. |
| 366 | * How about StylishAction games? Most fans of that genre are likely fans of its codifier, ''VideoGame/DevilMayCry'', or are fans of Creator/PlatinumGames, who specialize in that particular genre through games like ''VideoGame/{{Bayonetta}}'' and ''VideoGame/AstralChain''. |
| 367 | * Not only is ''Franchise/ResidentEvil'' is the progenitor of the SurvivalHorror genre, but ''VideoGame/ResidentEvil4'' also helped popularize the ThirdPersonShooter genre alongside ''VideoGame/GearsOfWar'' from the following year. |
| 368 | * ''VideoGame/{{Fortnite}}'' is the biggest battle royale game, period. Its immense popularity with younger kids gave it a foothold on the market that no other BR game was able to top. For the older audience, though, it's ''VideoGame/PlayerUnknownsBattlegrounds'' in China, and ''VideoGame/ApexLegends'' for everywhere else. |
| 369 | * ''VideoGame/GenshinImpact'' is this for the entire {{gacha game|s}} genre. Before ''Genshin'', the majority of gacha games were derogatorily mocked as a bunch of jpeg images on a slot machine that barely counted as a game; most of them only had a presence in the East with very few even garnering a blip on the global radar. Not ''Genshin'' however. The combination of it not only being free to play, but having an open-world system with triple-A levels of graphical fidelity, combat mechanics and music quickly made ''Genshin'' the ''biggest'' gacha game in terms of content, fanbase and revenue in history. Moreover, its (relatively) tame levels of fanservice and being accessible on multiple platforms further increased ''Genshin''[='=]s demographic accessibility, allowing it to quickly achieve global status that other gacha games couldn't even come close to. Just to give some context on how ''massive Genshin'' is, it cost miHoYo USD $100 million to develop the game in a few years. It generated a billion dollars within ''six months''. And, in 2022, it is estimated that the game has over 63 million active monthly users. The Genshin formula, or at the very least its aesthetic, has proven to be so popular, that [[FollowTheLeader several gacha games afterwards have copied it in some way]], with other rivals like ''VideoGame/TowerOfFantasy'' trying to replicate its success but coming nowhere close. To say that this game is often compared to ''VideoGame/WorldOfWarcraft'' in terms of its impact on its entire genre is ''not'' an exaggeration. |
| 370 | [[/folder]] |
| 371 | |
| 372 | [[folder:Formats]] |
| 373 | * ''VideoGame/{{Myst}}'' was '''the''' killer app that transformed the CD-ROM drive from a mildly interesting computer curiosity into an absolute must-have feature. |
| 374 | ** ''Myst'' '''was''' a killer app for the Mac, as was originally written for the Mac and appeared around the time CD-ROM drives first started becoming standard equipment on Macs. |
| 375 | ** When the game was eventually ported to the PC, it also made sound cards a must in every PC. One '''must''' have a sound card to fully enjoy the game, and after the title, any PC that doesn't have a sound card is considered a poor man's PC. Prior to that, sound cards were largely considered a luxury peripheral that was unnecessary for mainstream gaming. It also helps that all sound cards made back then had a built-in proprietary CD-ROM port, which is needed if you're going to add a CD-ROM drive to the PC because all CD drives manufactured at that time only either supported the SCSI interface (mainly because Macs, Platform/{{Amiga}}s and Platform/{{Atari ST}}s back then used SCSI for the hard disk and CD-ROM drive, and thus SCSI came as standard on them) or a non-IDE proprietary interface. |
| 376 | ** A major non-gaming killer app among techies for CD-ROM was Linux distributions, where floppy-based installs were already becoming unwieldy by the mid-90s (proprietary [=OSes=] moved to CD-ROM around the same time for the same reason). Most people also had slow dialup internet connections. There was a cottage industry of people selling Linux distributions on CD-ROM for little more than the cost of the media. This made installing Linux much easier than trying to download it over a phone line and having to go through several boxes of floppies. Linux also proved to be a major reason to get a CD burner when they became affordable. |
| 377 | * Common for home video formats: |
| 378 | ** ''[[Film/ANewHope Star Wars]]'' is widely acknowledged to be the killer app for VHS. |
| 379 | ** ''Film/TheMatrix'' is widely acknowledged to be the killer app for DVD. Nearly every store had the hallway assault and the rooftop bullet time sequence playing on their display demo loops showcasing the superior picture and sound quality DVD had over VHS, and many people bought their first DVD player with a copy of ''The Matrix'' that the movie might as well have been bundled with the player. It was the first DVD million-seller. |
| 380 | ** [[BetterOnDVD The ability to blow through entire seasons of TV shows]] in a weekend was also a major selling point for [=DVDs=]. ''WesternAnimation/TheSimpsons'', ''WesternAnimation/FamilyGuy'', and ''Series/{{Firefly}}'' proved that DVD series box sets were both financially lucrative and did not ruin reruns of regular TV; ''Family Guy'' in particular became the household name it now is almost entirely based on the DVD sales. VHS box sets of TV seasons had existed before this, but they were unwieldy and extremely expensive, and that meant they didn't appeal to anyone outside of the biggest fans of a show. DVD didn't have those issues. |
| 381 | ** DVD itself proved to be the Killer App for home theaters that [=LaserDisc=] had hoped to be. In addition to noticeable picture improvements over VHS, DVD also brought high quality surround sound that encouraged the sales of multichannel speaker systems. |
| 382 | ** The original DVD-by-mail incarnation of Creator/{{Netflix}} was also an early killer app for the format. Many people found the idea of virtually unlimited movie rentals without the need to drive back to the store, pay late fees, or deal with the potential lack of selection at a video rental store irresistible. |
| 383 | ** The Platform/BluRay format had a similar Killer App: ''Film/{{Avatar}}'' sold 1.5 million copies on its ''first day'', 6.2 million after three weeks. It's also not surprising that the [=PlayStation=] 3 was the most popular Blu-ray player. |
| 384 | ** ''Series/PlanetEarth'', one of the first nature documentaries entirely shot in HD and one of the first television series to take advantage of the new format. Unsurprisingly with all the SceneryPorn it contained it quickly became a chart-topper back in the early days of the format, and some stores even bundled a copy of the ''Planet Earth'' box set in with new Blu-Ray players. |
| 385 | ** Animated family movies in general seem to be this on every home media format. The reason? Kids ''love'' watching the exact same movies over and over again, and the formats make that possible, even without internet access. Add on the fact that physical media is rather fragile and can start working improperly from repeated use or damage from rambunctious youngsters, and that means a lot of replacement copies are sold. Creator/{{Disney}} releases in particular are huge sellers in the market[[note]]Though the implementation of their infamous "vault" strategy may play a small part in that.[[/note]], with the five best selling movies across every format all being films of theirs.[[note]]These include ''WesternAnimation/TheLionKing1994'', ''WesternAnimation/FindingNemo'', ''WesternAnimation/SnowWhiteAndTheSevenDwarfs'', ''WesternAnimation/{{Aladdin}}'', and ''WesternAnimation/BeautyAndTheBeast'' respectively.[[/note]] |
| 386 | * [[TheRuleOfFirstAdopters Pornography has been a killer app for EVERY new form of communication]], from the printing press to the camera to the Platform/{{VCR}} to {{the internet|IsForPorn}}. An oft-repeated [[http://knowledgenuts.com/2014/03/05/betamax-didnt-lose-to-vhs-because-of-adult-films/ (and fairly shaky)]] urban legend claims that Creator/{{Sony}}'s refusal to license porn films on their proprietary Betamax format was the deciding factor in Betamax losing to VHS in the videocassette format wars of the '80s; it was actually VHS' longer recording time and substantially lower price that helped it beat Betamax despite inferior video and sound quality, and the porn studios likely went with VHS because that's what all their customers were using. Still, the legend was persistent enough that Sony decided not to make the same mistake again with Blu-Ray. |
| 387 | * ''VideoGame/HalfLife2'' and ''[[VideoGame/CounterStrike Counter-Strike: Source]]'' were responsible for Platform/{{Steam}}'s success today, and the popularity of digital distribution as a whole, though that might have something to do with the games ''[[UsefulNotes/DigitalRightsManagement requiring]]'' Steam to play. |
| 388 | * For the Platform/GOGDotCom storefront, if it is not ''VideoGame/TheWitcher3WildHunt'', then it is ''VideoGame/HeroesOfMightAndMagic III'' that serves as the main reason to use the store. This is thanks to the store having the original complete collection whereas Steam has the more recent HD re-release which is often seen as inferior to the GOG version. |
| 389 | * The Platform/CompactDisc format had three albums that helped boost it to the forefront as the premier physical format for music over the course of the '80s: |
| 390 | ** The earliest release to seriously entice people towards [=CDs=] was ''Music/TheNightfly'' by [[Music/SteelyDan Donald Fagen]]. Recorded and mixed digitally and based in [[JazzFusion a genre that leaned heavily into audiophilia]], the album's rich, clear sound made it a popular demonstration title and a must-buy among audiophiles. So much so, in fact, that Creator/WarnerBrosRecords had trouble keeping up with the demand and initially sourced CD copies from safety tapes, to the consternation of buyers and even engineer Roger Nichols. After Nichols published a scathing essay against this practice, Warner started using the digital master for CD reissues of ''The Nightfly'' in 1984, which, again, quickly became popular among audiophiles. |
| 391 | ** Music/PinkFloyd's ''Music/TheDarkSideOfTheMoon'' was also a killer app for [=CDs=], as the album's high sound quality had long been used to demonstrate audio equipment, being part of [[ProgressiveRock another genre that leaned toward audiophilia]]. At one point in TheEighties, EMI had an entire CD plant dedicated to churning out copies of ''Dark Side of the Moon'', and this was when there were only ''two'' CD pressing plants in the entire world! ''Dark Side'' was also a killer app for the high-definition Super Audio CD format when it was released on it in 2003, ultimately selling 800,000 SACD copies by June 2004. Pink Floyd's back catalog overall proved very popular on CD. |
| 392 | ** What ''Film/TheMatrix'' was to [=DVDs=], Music/DireStraits' album ''Music/{{Brothers in Arms|Album}}'' was to [=CDs=], as it was the first album to sell over a million copies in the format and the first to outsell the LP version. The album's insanely high sound quality -- which, like ''The Nightfly'', is credited to a mix of its digital recording & mixing and frontman Mark Knopfler's audiophilia -- showed off what those shiny little discs could do. |
| 393 | ** The ability of early CD-ROM-based gaming consoles and CD-ROM-equipped [=PCs=] and Macs of the era to play audio [=CDs=] was also a killer app, as despite the expense they were seen as a better value than standalone units. After all, you could game on both of these devices, plus do spreadsheets, write reports, or surf the web on a multimedia computer. This process would repeat itself for later optical formats as well. |
| 394 | * Back in the early [[TheNewTens 2010's]], ''VideoGame/AngryBirds'' become one of the most popular games for many formats, but ''especially'' for [=iOS=] devices. |
| 395 | * Creator/{{Netflix}} is the killer app for a lot of streaming set-top boxes, including Apple TV and Roku, as well as many game consoles with those capabilities. For many people, the only reason to get a Netflix account was to see their original programming. One show of theirs in particular has become a true killer app: ''Series/OrangeIsTheNewBlack.'' A couple of years later, ''Series/{{Daredevil 2015}}'' came in to fill the action niche and a year later, ''Series/StrangerThings'' has done this for science fiction. |
| 396 | * The resurgence of vinyl's mainstream popularity was spearheaded by Music/{{Beck|Musician}}'s ''Guero'' (2005) and Music/RedHotChiliPeppers' ''Stadium Arcadium'' (2006), both of which were intentionally mastered much better on vinyl than they were on digital formats. Many bought turntables just to play them. Another killer app of the vinyl revival is, you guessed it, [[OverlyLongGag a reissue]] of Music/PinkFloyd's ''Music/TheDarkSideOfTheMoon''. |
| 397 | * Although cassette tapes had been selling steadily since their introduction in the '60s, with playback improvements helping them overtake 8-track sales in the late '70s, it was with the introduction of the Sony Walkman in 1979 that the cassette format really took off. The Walkman let people take their own music with them, [[TrendKiller hastening the demise of the 8-track]] and making the cassette and the Walkman iconic of '80s pop culture. Prerecorded cassettes finally overtook [=LPs=] in sales in the middle of the '80s before the CD boom around the turn of the decade. |
| 398 | * Anime was a killer app for Platform/LaserDisc on both sides of the Pacific. In Japan, [=LaserDisc=] became the main video format, and many [[OriginalVideoAnimation OVAs]] were released on the format. In the U.S., anime titles were often only released on [=LaserDisc=], and fans also appreciated the higher video and audio quality as well as the ability for clean freeze frames that low-end [=VCRs=] of the era didn't have. Even after the demise of [=LaserDisc=] in favor of DVD, American anime fans still like to collect [=LaserDiscs=] due to [[KeepCirculatingTheTapes the large number of titles that were never released on DVD]] or [[NoExportForYou never released in the U.S. at all]]. The lack of UsefulNotes/RegionCoding combined with the compatibility of U.S. and Japanese TV systems means that American fans can watch Japanese discs on American players, which can be found cheaply second-hand, as long as they don't mind not having an English track or subtitles on them. This is one reason that anime also became the killer app for Westerners learning the Japanese language. |
| 399 | [[/folder]] |
| 400 | |
| 401 | [[folder:TV and Streaming]] |
| 402 | * For Creator/CartoonNetwork, ''What A Cartoon!/World Premiere Toons'' and later ''Creator/CartoonCartoonFridays'' both proved to be this, as it was a launching pad for the network's original series. And within the network itself, Creator/{{Toonami}} is credited with ushering in the mainstream Japanophilia boom of the early-to-mid 2000s, primarily for introducing the anime phenomenon to the West with shows like ''Manga/SailorMoon'' and ''Anime/DragonBallZ''. |
| 403 | ** ''WesternAnimation/CodeLyoko'' and ''WesternAnimation/TotallySpies'' were this for their Creator/{{Miguzi}} block in the mid-2000s. |
| 404 | ** ''WesternAnimation/AdventureTime'', ''WesternAnimation/RegularShow'' and ''WesternAnimation/TheAmazingWorldOfGumball'' are often credited for taking Cartoon Network out of their AudienceAlienatingEra and making the network worth watching again. |
| 405 | ** ''Anime/DragonBallSuper'' was this for the anime streaming service Crunchyroll, which eventually managed to provide the show, with subtitles, just a few hours after episodes aired in Japan. By the time of the Universal Survival arc, Super managed to crash their servers with practically every episode's release. |
| 406 | * If one goes even earlier, you can credit ''Anime/{{Voltron}}'' for anime's expansion in the USA. Its most notable and innovative (at the time of course) feature was the Stereophonic Soundtrack that ''Anime/GoLion'', its original version, lacked. This feature made it THE show to air to showcase the Stereo capabilities of most affiliate stations and systems. |
| 407 | * In America, ''Series/ILoveLucy'', ''Texaco Star Theater'', the Army-[[RedScare McCarthy]] hearings, and the 1960 Presidential debates were television's Killer Apps. In Britain, the coronation of Queen UsefulNotes/ElizabethII was this. |
| 408 | ** The moon landings were this in, of all places, UsefulNotes/SouthAfrica. When the people of South Africa realized that they were the only people in the Western world who couldn't watch Neil Armstrong take his one small, historic step on the surface of the moon, they pressured their government to end its ban on television programming (which it viewed as [[NewMediaAreEvil a morally corrupting influence]]). They finally lifted the ban in 1975. |
| 409 | ** Ironically, for Japan, which was still only barely out of the post-war devastation and overwhelmingly poor (it was worse there than in North Korea, actually) it was ''also'' the Elizabeth II coronation. People were taking out five-year loans with ridiculously rip-off rates just to be able to watch it. |
| 410 | * In Britain, the killer app for colour TV was snooker. The 1969 BBC show ''Pot Black'', which showed a single frame of snooker each week, was made to increase the sales of colour [=TV=] sets. Although it was really more of a [[TechDemoGame Demo App]] showing what could be done with colour TV that wasn't possible with black and white. People didn't rush out to buy colour TV sets just to watch the snooker -- it took until 1977 for the number of households with colour TV to exceed those with black and white. The series also produced the all-time infamous quote from commentator Ted Lowe: "And for those of you who are watching in black and white, the pink is by the cushion next to the green". |
| 411 | ** In America, ''Series/StarTrekTheOriginalSeries'' was the killer app for color TV. This was an interesting sort of chicken-or-the-egg case where one helped the other and vice versa, with color TV more or less being the reason why the original ''Star Trek'' stayed on the air as long as it did. While NBC had wanted to cancel it, their parent company RCA wanted to keep it for two reasons: they owned the patent for color TV, and ''Star Trek'' was the primary reason Americans bought them. RCA made more money selling color [=TVs=] to ''Star Trek'' fans than NBC lost by not giving its time slot to something else. |
| 412 | ** In Brazil, it was UsefulNotes/TheWorldCup in 1974 that led many to purchase color [=TVs=]. |
| 413 | * The 1991 Gulf War was [[GallowsHumor proverbially]] the killer app for 24-hour cable news, specifically CNN. Where national networks had to eventually return to their regularly scheduled programming after Iraqi phone lines were cut off, CNN had previously had a permanent line installed and continued broadcasting round-the-clock. Four years earlier, the "[[https://en.wikipedia.org/wiki/Jessica_McClure Baby Jessica In The Well]]" story was another killer app for CNN, and possibly the TropeMaker for the whole "24-hour breaking news" concept. |
| 414 | * For the Platform/YouTube Red premium service, it was ''Series/CobraKai''. The idea of a SequelSeries to ''Film/TheKarateKid'' (with original actors reprising and all) of all things sounded like instant poison for a service that already had a difficult premise to sell (most people weren't eager to pay to view videos on a site whose main selling point is letting you watch videos for ''free''), but instead its nearly-impeccable care to be a love letter to the original film translated to many good reviews and an order for a second season ''before the first week was over'', as well as many people deciding to jump on the band wagon. Unfortunately for [=YouTube=], the series [[ChannelHop jumped]] to Creator/{{Netflix}} for the third season. |
| 415 | * Creator/{{MTV}} was the killer app for cable TV. For sports fans, the killer app was Creator/{{ESPN}}. MTV was also the killer app for the music video format in general, taking it from a quirky British thing to one of the promotional standards of the entire music industry. So successful was it that often the success or failure of a music video mattered more to the song's chart success than anything the song did. Among its animated shows, ''WesternAnimation/BeavisAndButtHead'', ''WesternAnimation/AeonFlux'', and ''WesternAnimation/CelebrityDeathMatch''. |
| 416 | * Creator/ComedyCentral: |
| 417 | ** ''WesternAnimation/SouthPark'' was this for a long time. When it was picked up, channel viewership was mediocre among cable networks, and there were still cable providers who didn't provide it in their basic package. It created a boom of overall channel viewership and a demand for Comedy Central. ''Series/TheDailyShow'' and ''Series/TheColbertReport'' are also credited with building and keeping audience, but not quite in the same numbers or rate as ''South Park''. |
| 418 | ** ''Series/ChappellesShow''; considered one of Comedy Central's best programs and popular enough to still be aired years after it ended ([[ShortLivedBigImpact and despite its short run]]). Much like South Park, it also has its fair share of [[FollowTheLeader imitators]]. |
| 419 | ** During the early-to-mid [[UsefulNotes/TheNewTens 2010s]], ''Series/KeyAndPeele'' was one of the network's most popular and acclaimed original programs, often airing new episodes alongside South Park. Like Chappelle's Show, it still gets reruns after it ended. |
| 420 | ** ''Series/DrunkHistory''; while not quite to the same extent as some of the other shows, it's still very popular and gets regular airtime, unlike some of the network's other current original programming. Some of its segments have gone memetic too. |
| 421 | * Creator/{{Fox}}: |
| 422 | ** ''Series/MarriedWithChildren'' and ''WesternAnimation/TheSimpsons'' were the killer apps that let the Fox TV network break into the Big-Three-Plus-PBS channel roster that had dominated American broadcast television for decades, paving the way for Creator/TheCW and the countless specialty-networks that would proliferate with the rise of cable. ''Series/{{COPS}}'' and ''Series/AmericasMostWanted'' also significantly increased the fledgling network's profile during the tail end of the 1980s into the early 1990s, and effectively served as the killer apps that respectively drove reality television and true crime programming into popularity in subsequent years. |
| 423 | ** Getting the UsefulNotes/NationalFootballLeague's NFC coverage from Creator/{{CBS}} (as well stealing some of their staff) turned Fox from a group of stations that aired ''The Simpsons'' and ''Married... with Children'' into something that its ancestor Creator/DuMont couldn't: the Fourth Network of American Television. |
| 424 | * Creator/{{PBS}} had several in its early days that established it as an alternative to American commercial networks: |
| 425 | ** PBS' own killer app was ''Civilisation: A Personal View by Kenneth Clark'', the first true event program for the then-fledgling network, chronicling the rise of Western civilisation from the Dark Ages to the modern day. It was popular enough to be rebroadcast in full the very next season, and its original run's time slot went on to be taken over by ''Masterpiece Theatre'', which remains a popular mainstay on PBS to this day. |
| 426 | ** Another early Killer App for PBS was coverage of the Watergate hearings, which created enough demand for in-depth news programming that PBS created ''The Robert [=MacNeil=] Report'', which then evolved into ''The [=MacNeil=]/Lehrer Report'' and ''PBS [=NewsHour=]''. |
| 427 | ** For entertainment programming, member stations were the first in America to air ''Series/MontyPythonsFlyingCircus'' in the mid-70s, after it had finished its run in Britain. The show attracted a younger, countercultural audience to PBS. The success of the series also established British series as staples of PBS programming. |
| 428 | * The ''Manga/AttackOnTitan'' anime was one for Crunchyroll. |
| 429 | * Unquestionably, Creator/{{HBO}}'s flagship TV series of the 2010s is ''Series/GameOfThrones.'' Many people subscribe to HBO just to see it. ''Series/TheSopranos'' and ''Series/SexAndTheCity'' preceded this for the 1990s and 2000s. |
| 430 | ** For Creator/HBOMax, the ''Game of Thrones'' spinoff/prequel ''Series/HouseOfTheDragon'' carries the torch in this regard for ''Game of Thrones''. Outside of that, ''Series/{{The Last of Us|2023}}'' also ended up being a killer app for the service when it premiered in January 2023, following in the footsteps of the original game being a KillerApp for the Platform/PlayStation3 and Platform/PlayStation4. |
| 431 | * Most people know Creator/{{AMC}} as the channel with ''Series/TheWalkingDead'' and ''Series/BreakingBad.'' And maybe ''Series/MadMen''. When people watch AMC, it is to see one of those two or three shows. |
| 432 | * ''WesternAnimation/RickAndMorty'' has become this for Creator/AdultSwim, having reached a level of mainstream success and notoriety in three seasons that most of their other shows haven't. The majority of programming on the block is aimed towards a more niche audience. |
| 433 | ** ''WesternAnimation/RobotChicken'' is another one. It's a LongRunner that's been around for at least a decade with no end in sight, and also a CashCowFranchise for the network and it's creators. The show's long-lasting appeal may stem partly from its clever satirizing of every topic under the sun, including properties with large fan bases themselves, (like Franchise/StarWars, Creator/DCComics, Series/TheWalkingDead, etc.), as well as it's gorgeous stop-motion animation. |
| 434 | ** ''WesternAnimation/TheBoondocks'' was another one, though it was more controversial than the other examples. |
| 435 | ** ''WesternAnimation/AquaTeenHungerForce'': A flagship series, and a successful LongRunner. When people talk about the general weirdness of the programming block, this show's usually the first thing they think of, and it's more or less the quintessential Adult Swim show. |
| 436 | ** ''WesternAnimation/SpaceGhostCoastToCoast'', ''WesternAnimation/HomeMovies'', and ''[[WesternAnimation/HarveyBirdmanAttorneyAtLaw Harvey Birdman]]'' during the block's early days. |
| 437 | ** Syndicated reruns of FOX cartoons like ''WesternAnimation/FamilyGuy'' and (when they still had the rights to it), ''WesternAnimation/{{Futurama}}'', which tend to get high ratings. |
| 438 | ** ''Anime/CowboyBebop'', ''Manga/{{Inuyasha}}'', and both versions of ''Manga/FullmetalAlchemist'' were this for the anime block. |
| 439 | ** ''Anime/DragonBallSuper'' and ''Manga/MyHeroAcademia'' were this for the Creator/{{Toonami}} block with the former regularly beating ''WesternAnimation/FamilyGuy'' in the 18-49 demographic and the latter frequently coming close to ''Super''. |
| 440 | * Upon the release of Creator/DisneyPlus, many people were certainly drawn for the exclusive ''Franchise/StarWars'' show ''Series/TheMandalorian''. And less than a year later, the live recording of ''Theatre/{{Hamilton}}'' led to a huge increase - on the weekend it came out, over 250,000 people downloaded the Disney+ app. Once ''Film/Mulan2020'' was relegated to an exclusive of the streaming service, it also led to a weekly spike (the fact watching the movie required a $30 premium pass also [[https://ca.news.yahoo.com/mulan-disney-plus-downloads-68-percent-weekend-194701349.html skyrocketed the in-app purchases]]). ''Series/WandaVision'' joined the line-up in early 2021, and every new live-action show based on ''Franchise/StarWars'' or Creator/MarvelComics is expected to lead to a big boost in attention. For pre-existing content, the big draws are the Franchise/DisneyAnimatedCanon, Creator/{{Pixar}}, Creator/DisneyChannel, ''Franchise/StarWars'', the Franchise/MarvelCinematicUniverse, and ''WesternAnimation/TheSimpsons''. Later on, ''WesternAnimation/{{Bluey}}'' became a massive success for them. |
| 441 | * For Disney Channel, the absolutely monster double whammy successes of ''Film/HighSchoolMusical'' and ''Series/HannahMontana'' that made the mouse-branded television station into the behemoth it is now. |
| 442 | * Creator/HBOMax got a boost from the simultaneous release of ''Film/WonderWoman1984'' for those who couldn't or wouldn't go to theaters amidst the Usefulnotes/Covid19Pandemic, tripling the overall views on its premiere day compared to the previous month, though many subs the service got from it didn't last long. |
| 443 | * The first Mexican TV show to be broadcasted in other countries was ''Series/ElChapulinColorado''. Its resounding success allowed for all kinds of Mexican shows to get screen time in foreign channels. |
| 444 | * ''Series/TedLasso'', and to a lesser extent ''[[Film/CODA2021 CODA]]'', are considered this for Creator/AppleTVPlus. |
| 445 | * ''Series/TheLordOfTheRingsTheRingsOfPower'' broke any record for most viewers and brought more ''Creator/PrimeVideo'' sign-ups than any other previous work for the stream service, being one of the main reasons for the platform overtaking Netflix in the US in December 2022. |
| 446 | [[/folder]] |
| 447 | |
| 448 | [[folder:Other]] |
| 449 | * For the Platform/AppleII, the killer app wasn't a game at all (though there were an awful lot of those): it was the first electronic spreadsheet, [=VisiCalc=]. And for the IBM PC, it was the spreadsheet program Lotus 1-2-3. Because 1-2-3 was written in assembler and used specific hardware tricks to run faster, it was a de facto test of clone compatibility. |
| 450 | ** Spreadsheets seem to get a lot of this: Excel, for example, is Microsoft Office's Killer App. It also helped two [=WIMP=][[labelnote:*]]Windows/Icon/Menu/Pointing Device[[/labelnote]] platforms get off the ground: first, it was one of the killer apps for Macintosh, and a couple of years later (1987) Excel became the main reason to use the fledgling Microsoft Windows. Spreadsheet programs attract the killer app label because the complex financial and statistical functions they enable are exponentially more difficult--sometimes functionally impossible--without the visual/computational assistance of the spreadsheet. Think about how headache- and eyestrain-inducing a complex spreadsheet is (unless you're into that sort of thing). Then imagine ALL the same information presented in a hard-copy ledger. Killer. App. |
| 451 | ** [=VisiCalc=] alone was selling ''more'' Apple ][ than all of its games combined, actually, and its need for a screen real estate and RAM was a real driver for the Language Card (which added more memory) and 80-column Card ([[ExactlyWhatItSaysOnTheTin self-evident]]), and a real reason why both these upgrades were later officially incorporated into the motherboard design. IBM took notice, and they made sure that there was a port for the Platform/IBMPersonalComputer when it launched two years after [=VisiCalc=] in 1981. Apple would eventually have its own killer app for the //e (and its [=ProDOS=] operating system) with [=AppleWorks=], one of the first integrated software packages (combining a spreadsheet, word processor, and database). Apple didn't even advertise it heavily at first, because they didn't want to step on the toes of their third-party vendors (nor overshadow their own [=AppleWriter=]), but it still sold so well that it even outsold Lotus 1-2-3 for a while. Its later-generation versions, however (sold by Apple-spinoff Claris, spun off to dodge accusations of antitrust violation under the product name [=ClarisWorks=], on both Mac '''and''' PC, were eclipsed by Microsoft Office and by Corel's iconic word-processing product [=WordPerfect=]. |
| 452 | * Almost all of the killer apps for Platform/MacOS are made by Apple. Half of them come with the system. |
| 453 | ** Apple originally made a number of killer apps directly on the original Macintosh's launch -- [=MacPaint=], [=MacDraw=], and [=MacWrite=] -- that have been the gold standard ever since for WIMP GUI image editors, drawing programs and word processors. But it was the first WYSIWYG page layout program, [=PageMaker=], that made desktop publishing possible and guaranteed the Mac's most lucrative niche. [=PageMaker=] was also a killer app for Platform/MicrosoftWindows when it was ported over, before Windows became really popular. |
| 454 | ** Apple's OS is the killer app of the Platform/{{Macintosh}}, and recently, [[http://en.wikipedia.org/wiki/Parallels_Desktop_for_Mac Parallels]] is a very good killer app for Intel Macs since it makes the "you can't play as many games on a Mac" argument obsolete. |
| 455 | ** The other reason the Mac has a virtual monopoly in graphic design is the [=ColorSync=] utility, which makes sure that the colors of designs remain consistent when translated from the screen to print. This is especially important as screens and printers make color in different ways. |
| 456 | * The addition of GPS has been a huge mover for handheld computers. Presumably the medium as a whole is based around the want for calendar and contact programs. |
| 457 | * Taxi work seems to be the Killer App for hybrid cars. No fuel is consumed idling in dense city traffic or waiting for fares, the battery packs are barely affected by massive mileage and indeed seem to thrive on constantly being in use compared to being parked 22-plus hours a day like most personal cars, and both the financial and environmental cost/benefit ratios increase compared to private use. |
| 458 | ** The same thing served that purpose for diesel cars from the 50s to the early 80s. While private customers were turned away by their bad performance and work culture, those things did not matter too much in taxi work, while the high mileage that cabs get made the benefits of diesels' better reliability and lower fuel consumption more sizeable. |
| 459 | ** The fuel efficiency of Japanese cars is what caused them to take off in the U.S. during the oil crisis of the 1970s. It's no accident that the Toyota Prius became popular during the high gas prices of the '00s as well. |
| 460 | * The Internet had been around in a form similar to what we use today since at least the early 1980s, but it was NCSA Mosaic, the first easy to use web browser available for [=PCs=] and Macs, that made the network a must-have for computers, to the point where the TCP/IP protocol suite would eventually supersede other networking technologies in local area networks and intranets. |
| 461 | * Bittorrent is the killer app for consumer internet download speed, download caps, and hard drive capacity. Platform/YouTube was also a killer app for broadband. |
| 462 | * {{Platform/UNIX}}'s killer app, as with Platform/MacOS, was originally the platform itself, with the ability to redirect input and output at the shell. Another killer app was UsefulNotes/{{Usenet}}, a precursor to modern social media. The real killer app for Unix was the C programming language. While C itself is portable, a lot of C developers tended to assume a Unix environment. Even on non-Unix systems, compiler makers try to emulate as much of a Unix environment as possible, inluding tools like make. Fortunately, it was relatively easy to port Unix to new hardware. Software development is the biggest non-server use for Unix and Linux systems. |
| 463 | * [[Platform/TwitterX Twitter]], Platform/{{Facebook}} and other social media services are the killer apps for smartphones and tablets. |
| 464 | ** Blackberry messenger was a killer app for Blackberry phones, unfortunately for them that changed once cross platform messaging apps appeared in Android and iOS. |
| 465 | * OlderThanSteam: Literature/TheBible was the killer app for the printing press, and with it mass literacy, compulsory education in the Western world, and UsefulNotes/{{the Protestant Reformation}}. |
| 466 | * Guns were part of the reason for the development of interchangeable parts and mass producing. |
| 467 | * Travel. There are some places every tourist will go when traveling to specific cities or countries. Examples include the Eiffel Tower for France and the Statue of Liberty in New York. |
| 468 | ** In the past, pilgrimages provided a killer app to make the risks and expense of travel worthwhile -- plus saving your immortal soul! Pious people would make pilgrimages to holy springs, sites of martyrdom, even all the way to the Holy Land -- so in a way, Literature/TheBible inspired a Killer App for travel in medieval Europe. |
| 469 | ** And, of course, Muslims took pilgrimages to Mecca (and Medina and Jerusalem) before it was cool. |
| 470 | * Some people have suggested invoking killer apps when it comes to buying new electronics, namely by testing the hardware by using something that would prove its quality. Specifically, in one article about buying a new television, the reporter suggested taking a DVD of ''Film/MoulinRouge'' to the electronics store with you, saying that if a TV could stand up to its fast pace and bright color palette, it can handle almost anything. |
| 471 | * Film making and television has had a few productions that changed how the entire system can be approached. |
| 472 | ** ''Film/BonnieAndClyde'' deliberately filmed far away from Hollywood to avoid ExecutiveMeddling, and its success utilizing such violence is what broke MediaNotes/TheHaysCode forever. |
| 473 | ** ''Film/EasyRider'' was made on a shoestring budget, later sold for distribution and became a huge success and the definitive counter culture movie. |
| 474 | ** Before ''Film/SexLiesAndVideotape'' film festivals were more about showing classic movies and local talent, afterwards Sundance and Cannes became ''the'' prestigious festivals to showcase your ambitious independent movie. |
| 475 | ** ''Series/{{House of Cards|US}}'' revolutionized Creator/{{Netflix}} as producing original programming with A-list actors like Creator/KevinSpacey and Creator/RobinWright, and dropping an entire season's worth of material at once, letting its audience decide when to watch. It made headlines to realize that in terms of numbers it was technically the most watched series in the world. It paved the way for shows on regular TV to go to Netflix and other online streaming sites, including ''Series/ArrestedDevelopment'', ''WesternAnimation/TheCloneWars'' and ''Series/{{Community}}''. And then came a ''second'' killer app in ''Series/OrangeIsTheNewBlack.'' |
| 476 | * The original ComicBook/{{Superman}} stories were this to comic books in general, turning the medium from 5 cent newspaper strip compilations into an independent and profitable storytelling format. |
| 477 | * ComicBook/FantasticFour and ComicBook/SpiderMan were '''the''' reasons that kids and teens in the sixties bought Marvel Comics, taking the company from perpetual number two to a legitimate rival for DC Comics. |
| 478 | ** For most of the eighties and nineties, ComicBook/XMen was ''the'' book to buy. It was popular to such an extent that a good chunk of the Marvel Universe was comprised mostly of X-Men books for a time. |
| 479 | ** ''ComicBook/UltimateSpiderMan'' and ''ComicBook/TheUltimates'' for the ''ComicBook/UltimateMarvel'' line. For ''The Ultimates'', Volumes 1 and 2 in particular. |
| 480 | * [[Website/{{Google}} Gmail and Google Maps]] were showcases for AJAX. No one had seen a web page that could be dynamically updated without reloading before. They showed it was possible to build web apps that worked as well as desktop apps did, heralding Web 2.0. |
| 481 | * The Sound Blaster card, introduced in 1989, was not only compatible with the existing Ad Lib card, which already had support for a number of MS-DOS games, it also supported digital sound. The real clincher was the inclusion of a joystick port, and the necessary proprietary CD-ROM interface connector for hooking a CD-ROM drive up to, back when CD-ROM drives required a proprietary connector[[note]]and the only other option was an extremely pricey SCSI card with SCSI CD-ROM drive combo, since IDE CD-ROM drives didn't exist at that time[[/note]]. This meant that only one card was needed to turn the boring, business-focused Platform/IBMPersonalComputer into a game machine. Combined with the then-new VGA graphics standard, it was also an Platform/{{Amiga}} killer, at least in the U.S. Despite widespread support from developers, the card needed a killer app on its own. PC buyers weren't exactly keen on playing games on a joystick outside of flight sims and the price wasn't really tempting. It wasn't until Myst was ported to the PC that the card, along with a CD-ROM drive, became a standard feature in [=PCs=]. The Sound Blaster itself was soon made obsolete thanks to clones, IDE (later SATA) CD-ROM drives, [=DirectX=] and generic sound chips from a myriad of semiconductor manufacturers, but that's another story. |
| 482 | * In the 50s and 60s highways/motorways proved to be examples of this trope for 6-(Europe) or 8-cylinder (America) sedans. Before them, the roads were either speed-limited or too bad for getting the cars to top speed, so customers who weren't buying their cars for racing stuck with 4-(Europe) or 6-cylinder (America) cars. But motorways/highways were places where drivers were able to legally get their cars to their top speed, so that the benefit of having a bigger engine became noticeable. |
| 483 | * ZFS a super-fast, super-reliable file system developed by Sun Microsystems before it was gobbled by Oracle, is one for [[Platform/{{UNIX}} FreeBSD]] and specifically a derivative for file servers called [=FreeNAS=]. Licensing issues [[ScrewedByTheLawyers prevent ZFS from being used with Linux]] but the [=BSDs=] are a lot more permissive about open source licensing that ZFS can be integrated just fine. |
| 484 | * Turbocharging and direct injection served that function for diesel engines in the 90s. Previously, those engines were fuel-efficient, but severely underpowered and because of that, not really fit for passenger cars. The aforementioned technical advancements made diesels more powerful, while keeping the fuel economy better than in petrol engines and making diesel engines viable alrernatives to gas-powered ones. |
| 485 | * Creator/AntennaTV, a digital subchannel showcasing in classic TV from TheSixties to TheNineties, wasn't really well-known until it purchased the rerun rights to Johnny Carson's old ''Series/TheTonightShow'' episodes; they were then rewarded with 26 new affiliates and now share with Creator/MeTV the distinction of being ''the'' classic TV digital subchannel. Digital subchannels like Antenna TV have sparked a resurgence of interest in over-the-air TV programs, particularly among "cord-cutters" trying to avoid paying through the nose for satellite and cable TV programming. In large markets, the number of digital subchannels can make the number of available over-the-air channels comparable to basic cable offerings. |
| 486 | * ''VideoGame/PokemonGo'' is cited as the cause of a sudden spike in smartphone sales in several countries. Additionally, it is also often cited as the main reason "power banks" (external battery packs) are now selling like hotcakes. |
| 487 | * FM radio really only took off in the U.S. in the 1960s when FCC regulations forbade AM radio stations from simulcasting on FM. At the time, most FM radio programming consisted of classical music, Muzak-style background music and "educational" stations that later evolved into Creator/{{NPR}}. Scrambling for content to fill airtime, they turned to PsychedelicRock, where fans of the music appreciated the sound quality and the ability to hear music that wasn't played on the Top 40 stations of the era. By the '90s, almost all music stations had migrated over to the FM dial. |
| 488 | * [=NetBSD=]'s support for a dizzying array of hardware platforms and more liberal licensing terms of the BSD license compared to the GPL that allows developers to keep any modifications proprietary has made it popular for embedded systems development. There's a good chance your Wi-Fi router is running it right now. |
| 489 | * The [=iPhone=] spurred the growth of [=HTML5=] because of something that it ''didn't'' run: Adobe Flash. Web developers rapidly moved to [=HTML5=] and hastened the death of Flash. |
| 490 | * Fitness was the killer app for wearable devices. Hyped up as a game-changer in the early '10s that would be the Next Big Thing in tech after the smartphone, it ultimately turned out that most people weren't willing to spend hundreds of dollars on devices that not only looked fairly dorky (the Google Glass was a notable bust), but didn't do much that their smartphones couldn't do, and in fact needed their smartphones to do much of anything beyond tell time. Until somebody realized that you could easily use a smartwatch to measure one's heart rate, in a way that you couldn't do with a smartphone by itself. These days, most owners and users of smartwatches use them for fitness and medical purposes, to keep track of how many calories they're burning as they work out, and most smartwatches are designed with this in mind to the point where many are explicitly marketed as "fitness devices". |
| 491 | * ''Manga/OnePiece'', being the wildly popular LongRunner that it is, is this for [[Magazine/ShonenJump Weekly Shonen Jump]]. |
| 492 | ** Franchise/{{Dragonball}} as well, during it's original run. So much so that sales actually went ''down'' for a while after it ended. |
| 493 | ** One of the first major killer apps for the magazine was ''Manga/FistOfTheNorthStar''. |
| 494 | ** For the American monthly Shonen Jump magazine that ran throughout the 2000s, ''Manga/{{Naruto}}'' was the big seller. Before ''Naruto's'' grow in popularity, it was ''Manga/YuGiOh'' that sold copies, especially issues that came with promo cards. |
| 495 | ** For most of the 2000s, there was "The Big Three": ''Manga/OnePiece'', ''Manga/{{Naruto}}'', and ''Manga/{{Bleach}}''. Though it's worth pointing out that in Japan, ''Bleach'', while popular, was successful but not to the point of "Big Three" status like it was [[GermansLoveDavidHasselhoff in the States]], with it's slot usually being filled by Dragonball (even though it had ended years ago, because it's fame and success is just that long-lasting) and for a while ''Manga/{{Toriko}}''. |
| 496 | ** ''Manga/MyHeroAcademia'' is this for the Weekly Shonen Jump app on Viz's site. |
| 497 | * OlderThanCableTV: the newfound popularity of Music/PyotrIlyichTchaikovsky's ''Theatre/TheNutcracker'' after UsefulNotes/WorldWarII has been credited with helping to popularize ballet in the UsefulNotes/UnitedStates, to the point that many American ballet companies still get most of their yearly revenue from annual performances of the play around Christmas. |
| 498 | * ''Series/AmericanIdol'': |
| 499 | ** In the United States, it was this for [[https://blog.textmarks.com/how-american-idol-influenced-the-world-of-text-messaging/ SMS text messaging.]] Starting in the second season, the cell phone service provider AT&T partnered with the producers of ''Idol'' to allow viewers to text their votes in, hoping to promote texting among young people. It worked, as millions of fans learned how to text in order to do so, driving not only the show's popularity but also the explosion of texting as a mainstream communication tool in the 2000s. |
| 500 | ** In his ''WebVideo/{{Defunctland}}'' [[https://www.youtube.com/watch?v=TA2dziZ40g0 episode]] on the show's Ride/WaltDisneyWorld attraction, Kevin Perjurer also credited the show with fueling the popularity of iTunes. With digital distribution making it possible to release the contestants' covers of the various songs they performed on the show just hours after the episode aired, fans flocked to iTunes to purchase them. By extension, it also marked the end of the "album era" and heralded the return of the single as the driving force in pop music. |
| 501 | * The digital art app ''Procreate'', available only on iPads, has led to several artists, beginner and professional, buying iPads just for the app, some of them even abandoning other ways to make digital art, such as computers. [[https://youtube.com/watch?v=c7GzHZ88v4c Some commentators]] also believe the app is at least partially responsible for the popularization of digital art in the mid-to-late 2010s. |
| 502 | [[/folder]] |
| 503 | |
| 504 | [[folder: In-universe]] |
| 505 | * ''{{Literature/Animorphs}}'': At the end of the war, it's mentioned that Andalite technology becomes this to humanity (in exchange for humans opening restaurants on the Andalite homeworld). |
| 506 | * ''Literature/PlayerTwoStart'' naturally has this, being about an alternate timeline where Creator/{{Nintendo}} and Creator/{{Sony}} didn't part ways. Notable examples include ''Super Mario Dimensions'', ''VideoGame/FinalFantasyVII'', and ''[[VideoGame/PerfectDark Velvet Dark]]'' for the Ultra Nintendo, ''Sonic the Hedgehog 4'', ''VideoGame/ResidentEvil1'', ''VideoGame/{{Turok}}: Dinosaur Hunter'', and ''VideoGame/BloodOmenLegacyOfKain'' for the Platform/SegaSaturn, the ''VideoGame/GrandTheftAuto'', ''[[Franchise/{{Halo}} The Covenant]]'', and ''Cyberwar'' franchises for the Xbox and Xbox Two, and ''WesternAnimation/MiraculousLadybug'' ([[NotMakingThisUpDisclaimer No, seriously]]. It's that kind of a timeline) for the Google Nexus. |
| 507 | [[/folder]] |
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