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1->''"I think this movie's biggest achievement is the authenticity it creates. Unlike scripted dialog, all conversations in this film felt completely real to me. 'Nice hotel, um I mean cafe'. That's stuff that happens in real life all the time, especially when you've had a few beers. But it never happens in the movies. If it were to happen, they'd shoot another take."''
2-->-- '''Reviewer''' on ''Film/Victoria2015''
3
4Improv, short for Improvisation, is the act of going off-roading from the set script and making up entire chunks of dialogue or characterisation. This is similar to an ad-lib (a short -- usually one or two lines -- deviation), but here the connotations are that it happens frequently, if not actually the entire acting method. This varies wildly from individual lines to half of the script.
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6Many examples of ThrowItIn are because of this, with the actor just goofing around with the script in between takes. It can also be used to produce EnforcedMethodActing, if one actor is turned loose to improvise in order to get a realistic reaction from another actor. "Theatresports" is a related concept, that's organised improvisational theatre, where teams of players perform brief 'games' for points.
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8Note that this trope is not always [[Administrivia/TropesAreTools a good thing.]] If done poorly and without moderation, improvisation may lead to meandering and repetitive performances and conversations that could [[{{Padding}} drag out scenes]] for far longer than they should. It may also often result in [[LargeHam bombastic performances]] that may not be appropriate for the scene as it was conceived.
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10One way to see where a show or movie tends to use this is when there are HilariousOuttakes and a certain line changes depending on the take that was used.
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12Compare HarpoDoesSomethingFunny where the script has a gap left with only the instruction "[actor] does something funny here."
13----
14!!Examples
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18[[folder:Anime and Manga]]
19* This turns out to be [[TheDitz Tomoko]]'s secret talent in ''Manga/GreatTeacherOnizuka'', which she discovers to great success at a beauty pageant.
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22[[folder:Audio Play]]
23* As ''Series/DoctorWho'' actor Creator/TomBaker was notorious for frequently going off-script during his tenure as the Fourth Doctor, Creator/BigFinish decided to roll with it when they got to him reprise his iconic role in ''AudioPlay/BigFinishDoctorWho'', and has intentionally left a blank space the scripts every once in a while, to allow Tom to improvise.
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26[[folder:Fan Works]]
27* A big part of the performance style of the titular uncle in [[http://www.fimfiction.net/story/124263/1/songs-uncle-sings/sineva Songs Uncle Sings.]]
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30[[folder:Film]]
31* Most Creator/JuddApatow productions rely heavily on it. In fact at least ''Film/{{Undeclared}}'' hired its cast based entirely on their skills in it. Apatow even said that he nicknamed the camera technique the "Segel Cam" after how long Creator/JasonSegel could go on improvising.
32* Director Creator/JohnCassavetes's films were almost fully improvised, which was a revolutionary form of film making at the time. In fact, when his second version of his 1957 debut ''Film/{{Shadows}}'' was released two years later, over half the footage is similar scenes that have completely different dialog. Cassavetes would continue to work in this heavily improvisational framework throughout his career as a director.
33* ''Film/PiratesOfTheCaribbeanTheCurseOfTheBlackPearl'':
34** A lot of Jack Sparrow's mannerisms were not actually written into the script, but improvised by Creator/JohnnyDepp. Sparrow's epic ending line "Now, bring me that horizon" was also an improv. In fact, Depp's whole demeanor differs greatly from the creators' original vision of the character; he was intended as a far more conventional dashing rogue. When Depp interpreted the character differently, Michael Eisner even went so far as to say he was ruining the film. Depp's response was essentially "Trust me or fire me." Depp said himself that he chose to add the 'campness' as he thought that the other actors applying for the role were better than him. He chose to just go crazy and have fun. He also claims that his portrayal of the character has liberal doses of Music/KeithRichards mixed in. (And then Keith Richards was cast as Jack's father. Win?)
35** Apparently the reference to Will being a eunuch was also an improvised line that was kept in the script, and expanded upon as a RunningGag.
36* Creator/CharlieChaplin was renowned - and hated by his crew - for this. He would often begin the shoot with no script, instead making up and trying stuff on the fly until something worked... Which some days, wouldn't happen. He also had a bad temper which showed when he got frustrated not being able to find just the right gag. Of course, Charlie Chaplin is still Charlie Chaplin. There's a set-piece gag in ''Film/TheGreatDictator'' where Chaplin's barber shaves a customer in time with the (frighteningly fast) Hungarian dance on the radio. The intention was to do the shave repeatedly and then patch it together with the music in editing. Chaplin had the music playing on-set, though. Result: The shave was filmed perfect in one take. The first one.
37* Creator/BusterKeaton generally worked from an outline instead of a complete script, and was famous for playing baseball with his crew while waiting for inspiration to strike.
38** In ''Film/TheThreeAges'', Buster attempts to jump from one rooftop to another using an improvised springboard and doesn't quite make it. Instead of reshooting they kept the fall and created a sequence involving multiple awnings, a drainpipe and a firefighters' pole to get the character to ground level in one piece.
39* Creator/NickFrost ad-libs during the scene in ''Film/ShaunOfTheDead'', where Ed describes the pub regulars in an effort to cheer Shaun up. There are several different takes of the scene where he describes the old woman as an ex-pornstar, all apparently unscripted. Creator/SimonPegg's laughter is genuine as a result of this.
40* Certain short, one-or-two-minute scenes in the ''Film/AustinPowers'' movies were edited together from literally hours of footage of the actors improvising off each other. One scene of note was the initial scene at the Evils' table in ''Film/AustinPowersInGoldmember'', where Creator/SethGreen and Creator/MikeMyers [[OverlyLongGag just kept on playing]] until the cameras ''ran out of film''.
41* In ''Film/GiveMyRegardsToBroadStreet,'' many of Music/RingoStarr's lines are ad-libs. Possibly the majority.
42-->'''Ringo''': Is it cold in here, or are we just practicing to be Canadians?
43* Creator/PeterSellers often improvised on set, though he was more careful than most to do so in character.
44** Creator/StanleyKubrick used three cameras to shoot his ''Film/DrStrangelove'' scenes so the best material could be edited together; most famously, much of the hotline telephone monologue is said to be improvised, as is the behavior of his EvilHand in the second-to-last scene.
45** When Sellers is doing the aforementioned evil hand scene, you can see the guy who plays the Russian ambassador trying his hardest not to burst into fits of laughter, complete with shaking and much biting of the lip.
46** In the final scene, Dr. Strangelove suddenly stands up and screams "I can walk!" delightedly. Supposedly, Sellers forgot that Strangelove was supposed to be a cripple, and shouted out the line to cover his mistake.
47** The most spectacular Sellers example might be ''Film/TheParty'', which was mostly improvised from an outline provided to him and the other actors with the director's help.
48** In ''Film/BeingThere'', his response to the television producer's declaration of how many people will be watching him and the producer's reaction are also ad libs.
49* Most of Creator/RLeeErmey's dialogue in ''Film/FullMetalJacket'' was improvised, thus making him one of the very, very few actors allowed to go off-script in a Kubrick film. [[UrbanLegend Allegedly]], after the first take featuring the line "I'll bet you're the kind of guy that would fuck a person in the ass and not even have the goddamn common courtesy to give him a reach-around!" Kubrick approached Ermey and asked what the term meant. Ermey explained. Kubrick's reply was something to the effect of "Oh. Do some more of that."
50* Most of the dialogue in ''Film/IronMan1'' was ad-libbed with encouragement from Creator/JonFavreau who approved of the "naturalistic feel." The film was subjected to so many numerous re-writes that the script changed daily. In the end, scenes were shot with a skeletal script outlining important plot points and action with the actors creating the lines as they went. Creator/RobertDowneyJr, who joked about balling up the script and throwing it against the wall on numerous television appearances, was credited for improvising many of the movie's notable moments, including Tony Stark's speech for the "Jericho" demonstration and getting the reporters to sit on the floor at the press conference.
51** Creator/JeffBridges had ''no idea'' what to make of this approach, as he was used to meticulous learning of lines and parts, and struggled horribly with Robert and Jon's improv skill...until he retrained himself to think of it as "making a $200 millon student film".
52* In ''Film/TheUsualSuspects'', Fenster's bizarre mumbling accent was entirely improvised by Creator/BenicioDelToro, who felt the character as written was boring and one-dimensional. With the change, it ended up being del Toro's first breakout role.
53* Pretty much all of Creator/BillMurray's dialogue in ''Film/{{Tootsie}}'' is supposedly improvised.
54** Ditto for ''Film/{{Kingpin}}''.
55** Ditto for most of Murray's roles. He's notorious for it.
56* ''Film/Ghostbusters1984'' is famous for blurring the line between ad libs and scripted dialogue, with nearly half the dialogue cited as ad libs by the cast. Examples include the famous "Twinkie" scene, Peter's response of "so do I" when Egon says he blames himself for not testing their proton packs, and Egon's response of "that would have worked if you hadn't stopped me" when Peter refers to a NoodleIncident involving Egon trying to drill a hole in his head. Creator/SigourneyWeaver's ad libs include comparing Peter to "a game show host" (the original line was "a used-car salesman", but she observed that he actually bounces around like a game show host), and much of Creator/RickMoranis's dialogue as Louis welcomes people to his party is improvised.
57* ''Film/Ghostbusters2016'' is majority ad-libbed, with whole scenes being nothing but half an hour takes of the cast just talking to each other that has been trimmed down and put on screen.
58* According to the commentary track on ''Film/{{Spaceballs}}'', Creator/RickMoranis ad-libbed the entire "Dark Helmet playing with his action figures" scene.
59* Apparently, Rick Moranis also ad-libbed a few of Wayne's scenes with Adam in ''Film/HoneyIBlewUpTheKid'' whenever the child playing Adam refused to co-operate, including Wayne pretending to be a waiter when the kid starting insisting he wanted to go to a restaurant.
60* One of the most famous comedy line improvs appeared in the movie ''Film/WaynesWorld''. During a scene where the main characters Wayne and Garth are sitting atop their car watching airplanes take off, when suddenly Garth asks a strange question:
61-->'''Garth''': Did... Did you ever find it attractive when WesternAnimation/BugsBunny dressed up like a girl bunny?\
62'''Wayne''': No.\
63'''Garth''': Neither did I, I was just asking...
64** As it turns out, the entire exchange was improvised. Creator/DanaCarvey visibly snickers right before asking the initial question and Creator/MikeMyers bursts out laughing after responding. The director decided it was too funny to cut and so left it in the final version.
65* The famous "you talking to me?" monologue in ''Film/TaxiDriver'' was completely improvised by Creator/RobertDeNiro. The original script just said "Travis looks in the mirror".
66* Most of the dialogue between Music/BingCrosby and Creator/BobHope in the ''Film/RoadTo'' movies was completely ad libbed, to the point that Dorothy Lamour often found herself unable to get in her lines. In ''Film/RoadToMorocco'' Hope and Crosby share a scene with a live camel which decided [[SuperSpit to spit]] in Hope's face. The "attack" and Crosby's resulting ad-lib went into the film.
67* While not a great film, ''Film/TheScore'' did have its moments. Several of them were the back and forth between Creator/RobertDeNiro and Creator/MarlonBrando, who were purposely given only key points to hit in dialogue and then simply left in front of a camera.
68* In the film of ''Film/BuffyTheVampireSlayer'' (as opposed to the TV series) this also comes up in what is probably the film's single genuinely funny scene. Buffy stakes the BigBad's second in command. The scene as written simply required Creator/PaulReubens to say "You're gonna wish you died" and then slide out of shot. Which he did. And then, two seconds later, stood up again with stake still in his chest, putting on a bunch of fake but hilarious "ah, ooh, eee, ah, ooh!" noises and even looking directly at Swanson for one second before going off at it again. The fact the shot was ad-libbed is clearly visible in Creator/KristySwanson and Creator/RutgerHauer's faces: Swanson ''turns'' to someone offscreen as if querying what's going on -- and the shot ''cuts'' to Hauer, on whom another camera was already rolling, and who has a vaguely amused look on his face and who ''shrugs'' as if to say "Just roll with it." Which they did, and the shot stayed in. A part of the performance even got into a postcredits sequence.
69* In ''Film/{{Gremlins}}'' the script had very little written for the Gremlins, so the voice actors made up a bunch of stuff they thought was funny for them to say; Creator/FrankWelker (voice of Stripe and others) said that he just made a bunch of random noises into the microphone. The recording staff thought it was so good they [[ThrowItIn decided to leave it in]] and had the others follow on his example.
70* In ''Film/MarsAttacks'' no dialogue was written for the Martians so Frank Welker made up his own language for them.
71* ''Film/TheBlairWitchProject'': The actors were given no more than a 35-page outline of the mythology behind the plot before shooting began. All lines were improvised and nearly all the events in the film were unknown to the three actors beforehand, and were often on-camera surprises to them all.
72* In ''Film/SavingPrivateRyan'', the whole anecdote about the girl and the barn was ad libbed by Creator/MattDamon.
73* In ''Film/RomyAndMichelesHighSchoolReunion'', Creator/LisaKudrow made up the entire glue formula on the spot.
74-->Um, well, ordinarily when you make glue first you need to thermoset your resin and then after it cools you have to mix in an epoxide, which is really just a fancy-schmancy name for any simple oxygenated adhesive, right? And then I thought maybe, just maybe, you could raise the viscosity by adding a complex glucose derivative during the emulsification process and it turns out I was right.
75* Another famous example of improv is the {{Mockumentary}} ''Film/ThisIsSpinalTap''. The movie had no script; the actors simply got into character and improv'ed for hours. Creator/RobReiner shot several hours of footage which was distilled down into the movie itself; hours of outtakes have been included on the various DVD sets.
76** Creator/ChristopherGuest, Creator/MichaelMcKean, and Creator/HarryShearer found they enjoyed this formula so much that they went on to make a number of other improv-ed mockumentaries, including ''Film/WaitingForGuffman'', ''Film/BestInShow'', ''Film/AMightyWind'', and ''Film/ForYourConsideration''. Most of the ensemble cast in these movies started out in improv comedy groups such as the famous [[Creator/TheSecondCity Second City]].
77* Creator/TommyLeeJones reportedly didn't have much respect for the scripts of ''Film/MenInBlack'' and the sequel, and made up most of his lines as the camera rolled.
78* Jones may have had more respect for the script of the ''Film/TheFugitive'', but he did the same thing while filming it--ad-libbing what became his character's defining line (and the film's most famous)--"I don't care!". And the fugitive himself, Creator/HarrisonFord, deliberately did not learn the lines for the scene where he's interrogated by the police, wanting his responses and reactions as their questions and attitude change from helpful to hostile to be as realistic as possible.
79* Ford did the same thing in the original ''Franchise/StarWars'', not learning his dialogue for the scene where he tries to respond to a call to the detention cell.
80* Creator/JohnRhysDavies in ''Film/TheLordOfTheRings''. Many of his lines were this, including the one during the drinking game in ''[[Film/TheLordOfTheRingsTheTwoTowers The Two Towers]]'' when he says that "It's the Dwarves that go swimming with little hairy women".
81** Doubles as a ShoutOut, since he was basing it on a line from ''Film/{{Jaws}}''.
82* Most of the script of ''Film/SecretsAndLies'' was improvised. Writer/director Creator/MikeLeigh told each of the actors what his/her part in the story was and they each developed their own characters. As filming progressed the actors were hearing the secrets for the very first time.
83* Several scenes in ''Film/{{Shame}}'' were partially or largely ad-libbed, including Brandon and Marianne's date, leading to an endearingly awkward and realistic conversation.
84* ''Film/{{Monsters|2010}}'' was shot opportunistically, with little to no outline of scenes and their direction. The two actors were given a general outline of scenes and simply interacted with one another and the other cast members, all whom are not actors. All the scenes and shots were improvised as well.
85* ''Film/DontThinkTwice'', being a film about an improv comedy troupe, naturally focuses on improv. The bonus features mention the difficulty of keeping the scenes that are improv in-universe fresh, while still being consistent enough for the camera.
86* In ''Film/Transylvania65000'', much of the scene between John Byner and Creator/CarolKane preparing the lunch was improvised. The script's only direction was 'cut fruit and serve'.
87* ''WesternAnimation/WreckItRalph'': Unlike most animated films, the principal actors regularly recorded audio sessions together in the same room, a situation which led to a lot of improvising.
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90[[folder:Literature]]
91* Creator/IsaacAsimov and Creator/JanetAsimov's ''Literature/NorbyAndTheCourtJester'': While Ing's [[Literature/NorbyFindsAVillain previous appearance]] indicated some amount of InUniverse improvisation talent, this story forces him to think on his feet several times, and he's forced to rely on Jeff and Norby joining in on the improvisations as well. He's quick enough to put together {{Limerick}} when they suddenly appear from [[SubspaceOrHyperspace hyperspace]] while Ing is performing live on stage.
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94[[folder:Live-Action TV]]
95* Part of the reason Eric Matthews on ''Series/BoyMeetsWorld'' went through heavy flanderization was to utilize Will Friedle's improv skills by having Eric do crazier and crazier things. In "Seven the Hard Way", Will asked the prop department for a lollipop on a string which led to one of the series funniest moment of Eric pulling a lollipop out of his beard and licking it.
96* There was a short lived partially improvised Sitcom called ''On The Spot'' hosted by Chip Esten and Starring Jeff Davis.
97* ''WesternAnimation/FetchWithRuffRuffman'': Most of the dialogue between Ruff and the kids was done on the fly.
98** In "How to Break the Ice and Also Waddle on it", Brian, Bethany, and Liza are sent to learn about the art of improvisation.
99* The scripts of ''Series/TheMightyBoosh'' are only loosely written, usually only specifying a few things the actors need to say to further the plot, with much of the rest being improvised. The performers often change their lines between takes to keep their delivery fresh. This is even more the case with the original radio show which was less rehearsed than the TV show.
100* ''Series/{{Outnumbered}}'', a British sitcom about life with three kids, uses a fair amount of improvisation. It produces remarkably realistic acting from the child actors, as they're allowed and encouraged to say things in their own words.
101* ''Series/WhoseLineIsItAnyway'' easily popularized the knowledge of improv games to general audiences.
102** Evidently, the same can be said of ''Series/TheDrewCareyShow'', quite a few cast members appeared on both shows. Creator/RyanStiles appeared on the British version of ''Whose Line'', before appearing on the US version, and ''The Drew Carey Show''. The "Drew Live" episodes were at least partially improvised.
103** As well as its spiritual successors ''Drew Carey's Green Screen Show'', ''Improv-A-Ganza'', and ''Trust Us With Your Life''.
104* ''Series/MockTheWeek'', created by the same people as ''Whose Line'', mixes this with a satirical PanelShow.
105* Along the same lines, the Australian series ''Series/ThankGodYoureHere'' (which also aired versions in the USA, UK, and several other countries) tossed a celebrity into a scene that started with the title line, and provided only the set design and costume to give them any clue what their character was and what they were doing. The show was mostly improvised, with certain scripted touchpoints for the cast to hit to try to steer the scene in a particular direction.
106* The night-time soap opera ''Series/KnotsLanding'' had an entire episode that was improvised by all the actors. The "script" for the episode merely gave the actors guidelines as to what should have happened by the time the episode was over, but in no way limited the actors on how they were supposed to accomplish their character's agenda.
107* In ''Series/TheOfficeUS'', all the actors are given complete scripts, but are allowed to improvise as they go along. The greatest adlib in the series is the kiss between Michael and Oscar, in Michael's failed attempt to show how tolerant he is of Oscar's [[StraightGay homosexuality]].
108--> '''Jenna Fischer''': "Those looks of shock/giddiness/confusion on our faces are real. We were all on the edge of our seats wondering what would happen next. I can't believe we held it together for as long as we did. I'm not sure we've ever laughed so hard on set."
109* When auditioning for ''Series/{{Cheers}}'', Creator/JohnRatzenberger originally read for the role of Norm. After badly botching his audition, he asked the producers if the show included a bar know-it-all, and proceeded to wander around the room ad-libbing lines that might be appropriate for such a character. A week later, he was called back and offered the newly-written role of [[KnowNothingKnowItAll Cliff]].
110* Finishing recording the first ever episode of Creator/PeterCook and Creator/DudleyMoore's ''Series/NotOnlyButAlso'', the producer decided that since Dud was a pianist, they should record a play-out to go over the end credits. He had the credit roller set up, a grand piano placed in the middle of the set, and instructed Pete and Dud to say goodbye to the audience and then play until the credits ran out. Dud sat at the piano, Pete stood behind him, Dud struck a chord, sang a demi-falsetto "Now is the time to say goodbye..." and proceeded to compose their hit signature tune "Goodbyeeee!" on the spot.
111* The Janitor on ''Series/{{Scrubs}}'' was not originally supposed to be a recurring character, so many of his scenes were improvised by Creator/NeilFlynn, which added to the {{Cloudcuckoolander}} behavior of the character. In many other instances the other actors would also improvise reaction lines and other moments.
112** At the end of most of the later episodes, you see earlier versions of some of the scenes where the dialogue gets progressively weirder/more inappropriate/just plain stupider until one of the actors breaks character and goes 'Oh, God, we can't use that!'
113%%* ''Series/GreenWing''
114* ''Series/TheThickOfIt'' was composed from several takes: in the first, the script was followed exactly, and later the actors would improvise around the original script. The final scene is pieced together from the funniest elements of both (which is why the camerawork sometimes looks jumpier than the usual JitterCam).
115* In the German show ''{{Series/Schillerstrasse}}'', ''everything'' is improv'ed. Really: the actors knows only the beginning of the episode, and they receive instructions via headphones. It was so popular that [[FollowTheLeader it spawned similar shows in other countries.]]
116* When Creator/NeilPatrickHarris hosted the 2009 Tony Awards, he closed the ceremony by singing a song (to the tune of [[Theatre/WestSideStory "Tonight"]] and [[Theatre/GuysAndDolls "Luck Be a Lady"]]), the lyrics of which were just one variation based on the winners that had just been revealed that night. The lyricists (Mark Shaiman and Scott Wittman) had come up with lyrics for several possible winning scenarios, although they weren't prepared for certain scenarios like ''Theatre/BillyElliot'' winning Best Musical, but Elton John losing Best Original Score, and thus were tweaking the lyrics right up until the song went on. Neil Patrick Harris, being the awesome dude he is, pulled it off with aplomb, even throwing in an odd little bit of PaintingTheMedium halfway through ("Credits? That's not gonna stop me!").
117* Unlike many of today's tightly-scripted and -edited cooking programs, the original nationally-recognized cooking program, ''The French Chef with Julia Child'' (later known as ''Julia Child and Friends''), was largely an improvised program, with the recipe and some of the ''mise en place'' just about the only already cemented elements of the program. If Julia made an error in the program, it stayed, and if she was having a problem with, say, butchering a piece of meat, that stayed too. Granted, this was pretty much the nature of many television programs at the time, but it added to Child's overall charm and likeability with the audience, because it gave the home cook the ability to see that everything didn't need to go perfectly. This arguably led to Julia Child's becoming the first celebrity chef and the progenitor of all the cooking shows on television today.
118* The regular troupe of ''Series/TheCarolBurnettShow'' would regularly go OffTheRails, and the resulting ThrowItIn featured the comedians failing to keep a straight face.
119* Charlie's rants in ''Series/ItsAlwaysSunnyInPhiladelphia'' were improvised on the spot. In later seasons he was paired more often with Dee because she was more able to roll with it without breaking on camera.
120* ''Series/ParksAndRecreation'' is shot on digital video rather than film to let the actors improvise at length without the high cost of film stock.
121* {{Saturday Morning Kids Show}}s are often only semi-scripted, because they're live and the kids are going to throw everything off anyway. ''[=SMTVLive=]'' interspersed scripted sketches (with lots of ThrowItIn and LampshadeHanging of forgotten lines) with unscripted chat, while ''Series/DickAndDomInDaBungalow'' was pretty much entirely {{Improv}}- WordOfGod is the hosts just had a running order, no script. A couple of actors played lots of recurring characters who would come in each week, and would have a few prepared jokes when they first entered, but they would then have to improvise as they interacted with the hosts and the children.
122* ''Series/{{Community}}'' [[https://www.youtube.com/watch?v=HvxL5G9keLg is]] [[https://www.youtube.com/watch?v=yU36E2J4z48 fond]] [[https://www.youtube.com/watch?v=k4Egdb3Vj4g&feature=related of]] [[https://www.youtube.com/watch?v=D4R03kYx9QY this.]]
123* Many guests on the ''Series/ColgateComedyHour'' preferred this over following the script.
124* Though more scripted than most, at least in its final form, ''Series/TheColbertReport'' is grounded firmly in improv, with much of the show being done 'on the fly'; host Creator/StephenColbert trained at the famous [[Creator/TheSecondCity Second City]] and carried that training with him throughout his career, and Second City's "say yes to everything" motto permeates the ''Report'' as well.
125* Creator/JimmySmits supposedly left ''Series/NYPDBlue'' because David Milch insisted on the actors often improvising scenes without a script at all.
126* ''Series/{{Murderville}}'', the American version of ''Series/MurderInSuccessville'', has improv as part of its premise. Every episode stars a different celebrity guest, who must improvise their way through a crime scene and murder investigation before deducing who the killer is.
127* ''Series/WellingtonParanormal'': Much of O'Leary and Minogue's in-car conversation while driving between plot points is ad libbed.
128[[/folder]]
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130[[folder:Music (in general)]]
131* This is common practice throughout music where you don't have multiple musicians playing in unison. The only forms where you will NEVER see it are in things like highly-composed works (like most classical pieces), show music (where cues must be timed precisely with live action) and choral pieces (where singers often rely on instrumental cues for their parts).
132* Improvisations in the world of jazz music are varied, depending on the subgenre. Swing musicians usually just "riffed" on the melody, while the bebop musicians played extended solos on the chord changes. Miles Davis edited hours of recordings of his musicians loose improvisations to create "Bitches Brew". Ornette Coleman pioneered free jazz, improvisation using no chord changes at all. And the genre continues...
133** Jazz musicians spend HOURS working on improvisation. John Coltrane and Music/CharlieParker were well-known for extremely long practice sessions, sometimes lasting up to 14 hours.
134** One of the landmarks in jazz improvisation came from saxophonist Coleman Hawkins's recording of Johnny Green's "Body and Soul" in 1939. Instead of playing the melody and then soloing, Hawkins stated the melody for about 4 bars and went on a long, intricate exploration of the chord changes for the rest of the verse and another one. Disliked by the general public at the time, Hawkins' solo is considered an evolutionary leap and a defining factor in modern jazz improvisation.
135* Free improvisation is ''entirely'' improvised music, typically played by smaller ensembles and soloists. Bigger ensembles are capable of free improvisation, but the form relies very much on the quality of every musician's attention to what's going on, and after a certain point it becomes difficult-to-impossible to sift out what's happening, so large ensembles typically use a set of rules to determine who should play what and when (e.g. 'If there is another musician playing the same instrument as you, don't play when they're playing', or conversely, 'only one section at a time should play', etc.) The challenge is usually to avoid every improvisation having the same form: starting very quiet, working up to a big climax and then being quieter again. It requires players to be able to turn on a dime, hear what others are doing and respond appropriately, have an endless number of ideas and the greatest possible technical command of the instrument, and above all the willingness to not play anything at all if that's what's needed. Some rock bands have done it successfully, notably the Music/GratefulDead, Music/HenryCow and Music/KingCrimson; rock bands who do this unsuccessfully generally end up merely jamming, which isn't the same thing.
136** The distinction between free improvisation and jamming is that, in free improvisation, all the musicians are improvising all the time, so nobody knows (in theory, anyway) what anyone is going to play next; but in jamming, some of the musicians are usually providing a stable backdrop (such as a groove, or a chord progression, or both), against which other musicians solo. Jamming is fine if that's what you intended to do; Music/FrankZappa's bands, for example, were great at it, and Music/{{Phish}} are the most well known of the "jam bands" out there, and certainly deserve their fame and their loyal fanbase. But in the hands of unimaginative musicians, it can get very predictable.[[note]]Ian Hunter of Music/MottTheHoople wrote in his early 70s memoir about the tedium of every mediocre jam turning into an inevitable 12-bar-blues in G.[[/note]]
137* In baroque and classical concertos there is a section called a cadenza, where the soloist goes on an unaccompanied flight of fancy, before leading the orchestra in to finish the cadenza. It used to be customary to improvise these, but in modern times, cadenzas are almost always written out beforehand, and in romantic concertos, the composer often writes the cadenza as well.
138* In baroque music, basslines (basso continuo) were almost always improvised on the harpsichord or, in the case of religious works, on the organ, with the conductor both playing the instrument and conducting from it. Music/JohannSebastianBach is largely responsible for the [[AscendedExtra ascension of the keyboard instrument]] from lowly accompaniment to the star of solo works or concertos, thus contributing to the demise of basso continuo (and the prevalence of its opposite, obbligato, in the basslines of most classical music after the baroque era and the use of precomposed "continuo" melodies in most performances of baroque music).
139** Classical organists are expected to be able to improvise, in part so that the organist can play basso continuo parts; improvisation is a component of high-level exams in most conservatories.
140* Blues, rock and to a lesser degree HeavyMetal are some other genres that tend to feature a lot of instrumental improvisation. Like in jazz, improvisation in these genres is often based on the pentatonic blues scale. Other scales and modes are sometimes used.
141* In HipHop, freestyling is often believed to be entirely improvised, but this is a simplification. Music/KoolMoeDee, a master of freestyling, identified two kinds - ''old-style freestyling'', where the rhymes are pre-written but don't follow a conventional song structure and focus on the rapper's lyrical abilities, and ''off-the-dome'' or ''off-the-top'', which is made up on the spot (and, until the mid-80s, was not treated with any esteem).
142** BattleRapping is freestyled, and is generally based on short pre-written lines that the rapper has stockpiled in advance, but combined improvisationally. Rappers are also expected to mix in off-the-dome lines, to respond to the opponent's insults or make specific personals about things that the rapper hadn't prepared a line for.
143** A few notable rappers write songs by freestyling them off-the-dome, with Music/LilWayne and Music/JayZ being the two most prominent great lyrical rappers who do this. (Note that this doesn't mean that what we hear on their records is their ''first take in real time'' - these rappers record a few bars, then pause, then record more, then learn the song and perform it properly.) Music/{{Eminem}}, the other superstar lyrical rapper of the 2000s, ''attempted'' this technique on his album ''Music/{{Encore}}'', [[ContestedSequel but not everyone liked the results]]. (He did, and still does, write lots of his songs by improvisationally combining pre-written lines, notably "Rap God".)
144[[/folder]]
145
146[[folder:Music (specific songs and artists)]]
147* It is rumored, but not true, that Music/JohannSebastianBach improvised most of his fugal works. Bach was a genius improviser, able to improvise three-part fugues, and once did so on command for Frederick the Great, but while a few of his fugues might be written-out improvisations, most of them were through-composed.
148* Music/GeorgeGershwin found out about his being booked to write and perform a new piece for an upcoming concert only three weeks before the concert was supposed to go on. The score he turned in for "Rhapsody in Blue," which he'd composed in those three weeks, had blank spaces where his piano solos were supposed to go, with the notation "Wait For Nod" to tell the conductor when to bring the rest of the orchestra back in.
149* The Frogs' songs are often improvisation heavy, and sometimes this will include clearly flubbing a lyric, then quickly trying to find a way to make it still work, often while in character. One particularly obvious case of this is the following passage of "I'm Hungry": "You can't eat food with a bent throat! ''YOU'' try fooding eat - You eat... Yeah, ''you'' eat all right! I ''watch'' you eat! I never get no food...."
150* In the music video for Music/NewFoundGlory's cover of "Kiss Me", one of the band members hands a kid with a cape his guitar during the solo. The kid, who was one of the many extras that were recruited to simply run around the set in a crazed manner, just happened to be right in front of the band at that instant and froze in confusion, so he was given the guitar in an improvised moment.
151* Music/EllaFitzgerald was performing "Mack the Knife" for her live Berlin album, but forgot all the words after the first verse. She quickly improvised new lines and a scat solo, keeping up perfectly with the rhythm section. The final cut was so good that she got a Grammy for it. This is, incidentally, why most performances of "Mack the Knife" are now largely incomprehensible: the song's origins as a murder ballad from Creator/BertoltBrecht and Music/KurtWeill's ''Die Dreigroschenoper'' are now forgotten by singers who sing it as an opportunity to mention everyone else who's ever sung it.
152* The acoustic guitar solo at the start of "And You and I" by Music/{{Yes}} was an unplanned improv. They were gearing up to start recording the track, and Steve Howe was doodling and checking the tuning on his guitar. Jon Anderson thought it sounded "beautiful" and signalled to Eddie Offord to start recording. The whole thing [[ThrowItIn made it into the album mix]], including Eddie responding "OK" to Jon's signal after he starts the tape.
153* The vocal on Music/PinkFloyd's "The Great Gig in the Sky". It was originally planned and recorded as an instrumental track, but producer Alan Parsons thought it could do with something more, and suggested they get vocalist Clare Torry in for a vocals session. Music/RogerWaters recalls the musical direction they gave her amounting to: "There's no lyrics. It's about dying — have a bit of a sing on that, girl." Clare had a listen through, and then overdubbed her vocals in one take. The entire vocal part was her own invention, improvised on the spot.
154** This actually caused quite a lot of fuss. As Torry was merely hired as a session singer she received the Union rate of a mere £30 in return for one of the most iconic moments on one of the best selling albums of all time. In 2004 and she sued, claiming that as she improvised the whole take with no help from the band, she effectively wrote her own part and deserved both a co-writing credit and a share of the royalties. The case was settled out of court a year later, and she was awarded an undisclosed sum and all subsequent releases of the track have given her a writing co-credit.
155* Music/{{Genesis|Band}} had, by 1983 especially, recorded their albums "clean slate" (i.e.: no pre-written material) simply by jamming and improvising in their private studio, often using minimal sketched ideas or riffs by one of the band members (guitarist/bassist Mike Rutherford [[WordOfGod once claimed in a TV documentary]] he sometimes isn't even told what key to play in), collecting the best ideas from the jams to make songs from. This even extended to writing lyrics [[WordSaladLyrics out of the words and phonetics]] Phil made up on the spot while singing melodies over the jams. [[JustifiedTrope Apparently this was done as]] the bandmembers felt most of the magic from previous albums came from group-written jams, and they wanted to maintain a group dynamic and collective spirit.
156* As mentioned above, Music/KingCrimson have, since its inception, placed great importance in improvisation. Their style is unusual in that it is a collective effort, as opposed to individual musicians taking turns at soloing. One notable example is the infamous second part of "Moonchild", from ''In the Court of the Crimson King'', in which the band dabbles for nearly ten minutes. "Trio" and "Asbury Park", on the other hand, are fan favourites. Their improvisations are well documented in the live albums from 1973 to 1974.
157* {{Music/Can}}'s albums were built almost entirely from improvisation, and edited together into somewhat coherent songs after the fact. When Damo Suzuki was the lead vocalist, he often just made up his lyrics on the spot.
158* Music/RayCharles found himself with time to fill at the end of a 1958 performance and told his band and the Raelettes "Listen, I'm going to fool around and y'all just follow me." The result was "What'd I Say," which became Ray's first gold record after he took it into the studio in 1959.
159* In TheSixties and TheSeventies, bands such as the Music/VelvetUnderground, Music/TheGratefulDead, and Music/TheAllmanBrothersBand incorporated improv extensively into their live shows and became known for never performing a song the same way twice. The latter two are now generally considered {{Ur Example}}s, {{Trope Maker}}s, and/or {{Trope Codifier}}s of the "jam band" genre, which includes bands such as Music/{{Phish}} and the Music/DaveMatthewsBand.
160* October Faction, an offshoot of Music/BlackFlag and other musicians associated with the SST label, released an entirely improvised live performance as their self-titled first album. The second album, ''Second Factionalization'' was studio material, but, according to ex-member Tom Troccoli, it was still improvised in an odd way: each band member improvised alone in the studio without hearing what the other musicians played until recording started.
161* {{Music/James}}' propensity for the "let the band jam while Tim Booth sings nonsense until something clicks" method - during the ''Laid'' sessions in particular - struck legendarily precise and focused producer Music/BrianEno so much that he had them record ''everything'' with a view to making two albums at once, feeling the experimentations deserved to be heard as well. The resultant ''Wah Wah'' almost earned Eno co-credit.
162* Music/DeepPurple were on a tour bus on the way to a gig in Portsmouth in 1971, when a journalist who was travelling with them asked about how they wrote songs. Ritchie Blackmore demonstrated by picking up a guitar and improvising a riff in G, while Ian Gillan chimed in with some random lyrics inspired by their on-the-road setting. Inspired, they arranged it at the gig's soundcheck and performed their new song that night - that song, the legendary "Highway Star", has opened their concerts ever since.
163* Music/{{Paramore}} had a [[https://www.tiktok.com/t/ZTLYHfsvg/ live performance]] in 2023 in Melbourne, Australia. Throughout the show, the band had been experiencing several pyrotechnic misfires. During the performance of "Hard Times" the pyrotechnics once again misfired and Hayley responded by adlibbing a verse about firing the person responsible, complete with [[ClusterFBomb cussing the person out]], instead of singing the chorus while the band still played.
164[[/folder]]
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166[[folder:Podcasts]]
167* Podcast/DiceFunk: Podcasts and Dungeons & Dragons are both improvisational media, so it's no surprise that a D&D podcast is made up on the fly.
168* Podcast/TheTritoneGambit: RPG games in general tend to be improvisational in nature, so this actual play podcast is certainly made up as the players go along.
169* Each episode of ''Podcast/HelloFromTheMagicTavern'' is improvised.
170** So is ''Podcast/MissionToZyxx'', which was directly inspire by ''Hello From the Magic Tavern''.
171** And ''Podcast/VoyageToTheStars''.
172* Podcast/HeroClub is a D and D podcast created by and starring actors with improv experience. Sound effects are added and parts are cut out, but the hosts Nick and George specifically mention how nothing is pre-written or planned out ahead of time with the players in the intro they put in each episode. They mention how D and D is like long-form improv in that intro as well.
173* ''Podcast/TheMagnusArchives'' has two examples:
174** The statements in episode 100 are unscripted, with the parts played by improv actors the team knew.
175** The script for the scene of [[spoiler:Helen]] begging for their life in episode 187 was intentionally left blank to encourage the actor to ad-lib it.
176[[/folder]]
177
178[[folder:Radio]]
179* BBC radio show ''Radio/TheMastersonInheritance'' is improvised from a set of plot elements given by the audience. (It shares a few cast members with ''Whose Line...'')
180* Central to the legend -- if not always the actual performance -- of comedy team Radio/BobAndRay. Their act began literally as two guys batting it around on-air, and never stopped sounding like it, regardless of an increasing reliance on scripts as their performance workload got heavier.
181* By necessity in the whodunnit PanelGame ''Radio/FoulPlay''; the actors know the plot and characterisation, but have no idea what the panellists are going to ask their characters.
182[[/folder]]
183
184[[folder:Theatre]]
185* A key aspect of [[CommediaDellArte Commedia dell'Arte]]: The outline of the plot is sketched, but all of the action and dialog is improvised by the actors.
186* Formalised in Theatresports, [=ComedySportz=], and other dedicated improv troupes in most major cities.
187* ''The Complete Works of Creator/WilliamShakespeare '' by the Creator/ReducedShakespeareCompany basically writes this into the script with places that essentially say "you improvise here", as well as numerous audience participation moments. Every performance ''has'' to invoke this trope.
188* Music/EvelynEvelyn: The "Ask Evelyn Evelyn" bit of the stage show. The sisters give their answers one word at a time, trying to form a full sentence by following up on each other's words... which mostly involves Amanda and Jason trying to think of words that the other could not possibly follow up on.
189* Many comedic theatre troupes are known for developing sketches from improvisation. Some of the prominent ones are:
190** Creator/TheSecondCity - Chicago, Toronto, other locations of varying permanence
191** The Groundlings - Los Angeles
192** UCB (Upright Citizens Brigade) Theatre - New York and LA, with roots in Chicago
193** Boom Chicago - [[NonIndicativeName Amsterdam]], but mostly made up of Americans
194** Bad Dog Theatre Company - Toronto
195** Improv Asylum - Boston
196** The Comedy Store Players- London. Many of the early cast of the British version of ''Series/WhoseLineIsItAnyway'' started off there, and the BBC radio show ''The Masterson Inheritance'' is basically one long Players sketch per episode.
197** Creator/ShootFromTheHip - London.
198* Australian comedy team Creator/TheUmbilicalBrothers. A few of their routines are improvised, including suggestions from the audience.
199* One word: {{Pantomime}}s. Main Actor needs a glass of water? He gets one then procedes to be silly about it. Actress playing the Fairy Godmother's wand breaks? She gets another one and then claims that she always carries a spare. They ''live'' off this trope.
200* Swedish comedy duo Hasse Alfredson and Tage Danielsson always included an improv routine in their stage shows, where Tage would read a random headline from the newspaper and introduce Hasse as [first name] Lindeman, an expert in that particular field.
201[[/folder]]
202
203[[folder:Web Original]]
204* ''WebVideo/WebTherapy'': Almost all of it.
205* Happens often on the [=AdamTheAlien=] [[https://www.youtube.com/user/AdamTheAlien YouTube channel]], both with random Website/{{YouTube}}rs, and with the Tokens Improv group. Often involving improvised a capella music.
206* ''Podcast/RocherHotel'' is a podcast consisting entirely of Improv games and Murder Mystery-type games.
207* ''WebVideo/PopQuizHotshot''. The only things pre-written are the questions. Creator/BradJones as the host was far snarkier at this, while Creator/DougWalker is more bouncy.
208* ''WebVideo/AskThatGuyWithTheGlasses''. Doug admitted he turned his morals off to answer the questions, but still refused to go anywhere that would spread hate instead of mock it.
209* ''WebVideo/TheGamersLive'' is improvised with AudienceParticipation.
210* All of ''WebVideo/RealTimeFandub'' is done... well, in real-time. The only times the cast pauses is if they're laughing too hard to continue, like after the infamous "[[https://www.youtube.com/watch?v=IMC0uZY2iH0&feature=youtu.be&t=779 pissing on the moon]]"-rant from their dub of ''Videogame/SonicAdventure2''.
211* ''WebVideo/SMPLive'' entirely runs on this. As said by Schlatt:
212--> '''Schlatt:''' Every week it becomes more and more mind-boggling that nothing on this server has ever been scripted.
213* All of ''WebVideo/Sorry2023'' is this. The five person only follow a specific premise for their videos and nothing else. They make so many jokes and bits while filming that they have a separate channel dedicated to outtakes alone.
214[[/folder]]
215
216[[folder:Western Animation]]
217* Most of the Constructicon's dialogue during their first appearance in ''WesternAnimation/TransformersAnimated'' was ad libbed by their voice-actors, as was a lot of other things, including Blitzwing's German accent the entirety of TheStinger in the season two finale.
218** According to the Wiki, the ''entire final scene'' of "A Bridge Too Close" was improvised!
219* In ''WesternAnimation/AvatarTheLastAirbender'', Sokka was supposed to be a more serious warrior character. However, the improvisation of his ''Series/AllThat'' cast-member voice-actor lead to him becoming the PluckyComicRelief.
220* On ''WesternAnimation/FamilyGuy'' when Chris (Seth Green) works at the Quahog mini-mart, the conversations about movies with his boss, Carl (Jon Benjamin) were improvised.
221** Note that all of Creator/HJonBenjamin's own series' involve large amounts of improv, ''Dr. Katz'', ''WesternAnimation/HomeMovies'', and more recently Archer.
222** And then there's the episode where Peter, Quagmire and Joe try to set up an improv group. It doesn't go well.
223--->'''James Lipton''': IMPROV!
224* Parodied in ''WesternAnimation/TheSimpsons'', where an improv team is given "A Starbucks in Serbia" as their setting. "I'll have a coffee" "That'll cost $8. This is Starbucks!" (audience mildly amused) "... In Serbia!" (rocking laughter).
225** In "[[Recap/TheSimpsonsS8E2YouOnlyMoveTwice You Only Move Twice]]", much of Hank Scorpio's dialogue was improvised by Creator/AlbertBrooks. This is particularly clear in the "hammock district" conversation, where Creator/DanCastellaneta is obviously just trying to keep up with Brooks.
226* All the dialog from ''WesternAnimation/HomeMovies'' was done this way to make it sound like three kids talking in real life. Even the scripts only had small notes on them and jokes to fall back on if the voice actors couldn't think of anything to say.
227* Paul Rugg's audition to provide the voice of WesternAnimation/{{Freakazoid}} went way, ''way'' off-script. Nearly all of it was then animated as part of the first episode, "Dance of Doom."
228** Some episodes were written with a Paul Harvey-type narrator. Paul Rugg, warming up his Paul Harvey impression, would say things like "smack me with a handle" or "I think there's a thuuuuuuumbtack under my fanny!" and, as before, was surprised to see it had been animated as part of the episode.
229* In ''WesternAnimation/TheEmperorsNewGroove'', Patrick Warburton improvised when Kronk hummed his own theme song when he was carrying Kuzco in the bag to the waterfall. Disney legal department had Patrick to sign all rights to the humming composition over to them.
230** Similarly, John [=DiMaggio=] "composed" the "songs" that Bender whistles in ''{{WesternAnimation/Futurama}}''.
231* {{Defied|Trope}} by Danny Antonucci, creator of ''WesternAnimation/EdEddNEddy''. Everything, even [[CloudCuckooLander Ed's]] {{Non Sequitur}}s, were scripted, and none of the actors were given any room to ad-lib anything. This once lead to a recording session that lasted '''56''' takes before Antonucci decided the delivery was finally good enough to use.
232* In a ''WesternAnimation/RobotChicken'' commentary after the ''Franchise/StarWars'' parodies, Seth Green explains that they just let Breckin Meyer ramble for hours before they picked out the best bits for the Boba Fett segments.
233* Episode 8 of ''WesternAnimation/RickAndMorty'', "Rixty Minutes", includes several long scenes where the actors improvise interdimensional television shows.
234-->'''Morty''': Huh, seems like TV from other dimensions has a somewhat looser feel to it!
235-->'''Rick''': Yeah, [[LampshadeHanging it's got an almost improvisational tone]].
236[[/folder]]
237
238[[folder:Other]]
239* Creator/ImprovEverywhere. One of the more famous demonstrations of improv, it's a (now ''huge'') [[http://improveverywhere.com/ organization of people]] who get together and "cause scenes" (that are all perfectly legal), with interactions of shocked bystanders being completely improvised.
240* Literally every major city (at least, in America) usually has an improv comedy show. Creator/TheSecondCity has very much popularized the art -- the troupe was the first of its kind in North America -- and has heavily impacted the art of improv worldwide. Second City's methods received much wider exposure with ''Whose Line'' and ''Saturday Night Live'', both of which draw heavily from SC alums.
241* Most {{Tabletop RPG}}s inevitably have an abundance of this. While the game's rules and the setting are usually constant, the characters are player-generated and the story ([[RandomEventsPlot if there is one]]) usually happens because of the players choosing to follow certain plot threads while ignoring others. The [[TabletopGame/DungeonsAndDragons 4th edition Dungeon Master's Guide]] even advises the DM to treat it as a giant game of "Yes and...", which is an established theatre game.
242[[/folder]]
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