Line #86 Main/Grindcore


1	[floatboxright:
2	Primary Stylistic Influences:
3	+ HardcorePunk, D-Beat/Crust Punk, Anarcho-Punk, Powerviolence, NoiseRock, Crossover Thrash, ThrashMetal, DeathMetal
4	]
5
6	[floatboxright:
7	Secondary Stylistic Influences:
8	+ PostPunk, {{Industrial}}, No Wave, HarshNoise, Free {{Jazz}}, Power Electronics, Modern ClassicalMusic, PostHardcore
9	]
10
11	-> ''"If you arrive ten minutes late at a {{doom metal}} show, you haven't even missed the first song. If you arrive ten minutes late at a Grindcore show, you missed the first four bands."''
12	-->-- Popular metalhead joke
13
14
15	Grindcore, often shortened to "grind", is what you get when you take hardcore, thrashcore, and crust punk and mix them with the spirit of noise and power electronics -- short, brutal, and apparently a joke to begin with.
16
17	While there are some examples of bands playing an early form of the genre in [[The80s the early eighties]], grind really started in the late eighties in the UK, Japan, and the US, when the crust punk band Music/NapalmDeath decided to take their already pretty extreme music to a new level. Combining their music with extreme metal, they created a new subgenre of both punk and metal. The term "grindcore" reportedly came from Napalm Death's drummer Mick Harris describing a Music/{{Swans}} album to a friend.
18
19	The genre is characterized by incredibly short songs (songs lasting under a minute aren't unusual, and the barely-over-one-second song is a staple of the genre, first pioneered by Napalm Death with their song "You Suffer"[[note]]recognized by the Guinness World Records as the shortest recorded song ever at 1.316 seconds[[/note]]), growled vocals akin to DeathMetal mixed with thrashcore shouts and shrieks, a chaotic, stripped-down but still very heavy sound, fast drumming, and an overall simplicity in everything: time signatures, three-chords-by-song, no chorus, or so. Later bands, particularly in the 2000s (like the Swedish band Nasum), added a whole new level of musicianship to the genre. The lyrical content of grindcore is faithful to its punk roots and is usually about [[ProtestSong political and social content]], although being as a genre highly prone to mutation and fusion, it can be about virtually anything.
20
21	The principal characteristic of grind music is its intense density: everything is pushed to the extreme, so much that on first listening it can be difficult to discern what is happening, and it sounds just like a wall of speedy noise and shrieking vocals[[note]]Some bands actually do this, in fact; it's called "noisegrind"[[/note]]. Grind in general is often mistaken for brutal death metal, which is a subgenre of death metal that strips away melodic elements to focus on a dense pounding sound. However, brutal death metal is much slower and more technical, and relies more on heaviness, non-stop beating and linearity than the monster speed and aggression of grindcore. Musically speaking, grind tends to use more power chords, simple tremolo pickings and fast beats while brutal death tends more to use intricate tremolo picking, a lot of palm muting and intricate riffs, and much more technical and heavy drumming. While in pure speed, both genres are on par, grind feels "faster" than brutal death, which feels more "overwhelming". Just compare the second [[https://www.youtube.com/watch?v=D87ExoPR2SE Napalm Death]] album to anything by, say, [[https://www.youtube.com/watch?v=ln5jRhlySA0 Hate Eternal]]. Yeah, it's confusing, especially when you have bands that merge the two.
22
23	Grind has witnessed a huge evolution during years and has several subgenres. Apart from straightforward grindcore, you'll find:
24	* Deathgrind: grindcore that's less compressed, making it easier to understand what's going on with all the instruments. Some bands combine grind with the aforementioned brutal death metal. Think of the later [[https://www.youtube.com/watch?v=TvBo4KV7MoA Napalm Death]]. Alternatively, some bands such as [[https://www.youtube.com/watch?v=V0OYZujVu_k Cephalic Carnage]] play more with the musical complexity common to death metal but do it at the intense speeds of grindcore; this can often sound like death metal with far too many notes, or grindcore that's far too long and complex. There is also some overlap with deathcore, as numerous early bands in the latter genre took heavy influence from deathgrind. Full of Hell, Brutal Truth, Terrorizer, Gorerotted, Assück, and Rotten Sound are some of the best examples of the genre.
25	* Goregrind: basically the gory death metal version of grindcore, relying much more on death metal aesthetics than grindcore, but less on death metal sounds than deathgrind. The lyrics are almost entirely focused on [[{{Gorn}} extreme gore]] with some exceptions (primarily sociopolitical critiques using gore as a metaphor), the sound is usually fatter and more organic in a death metal fashion, melodic guitar solos are fairly common, and vocals are usually modified by a pitch-shifter. Early Carcass, early Exhumed, and Haemorrhage are the best examples of the genre.
26	* Pornogrind: a derivative of goregrind that [[LighterAndSofter relies more on groove and fun than pure aggression and gore]] ([[DownplayedTrope though considering how goregrind is already quite abrasive, that's not saying a whole lot]]). Of course, the lyrics are often sexually explicit. Bears a lot of resemblance to goregrind, may be a little slower though. It's not unusual to have high pitched falsetto vocals (in a tongue-in-cheek way) along the usual pitch-shifted gurgling vocals. Gut, Rompeprop, Gutalax, Cemetary Rapist, Cock and Ball Torture, and Meat Shits are the most famous examples.
27	** Extending from pornogrind is hentaigrind, which is basically like the aforementioned genre, but with {{Hentai}} (and to a lesser extent, {{Ecchi}}) replacing "regular" pornography. FanDisservice is arguably more a rule than an exception. Notable bands include Jig-Al, Gokkun, Go-Zen and Anal Kudasai.
28	*** In essence, both hentaigrind and pornogrind can be considered as DarkerAndEdgier SpiritualSuccessor to HairMetal.
29	* Cybergrind: the electronic side of grind. Basically a mixture of HardcoreTechno and grind. Think of Carcass playing in a rave party, you'll pretty much understand cybergrind. Usually revolves around grindcore (or goregrind) played over techno beats with added samples and electronic sounds; noise and breakcore are also common influences, and remix [=EPs=] and compilations are a staple of the genre. Almost always uses a drum machine (with the one notable exception of The Berzerker). It also has its own microgenre in “cybergore”, which is basically a mixture of cybergrind and pornogore. Agoraphobic Nosebleed, Genghis Tron, Gigantic Brain, The Locust, and The Berzerker are probably the most well-known bands in the genre. One notable artist is the late Chu Ishikawa, who composed the score for the ''[[Film/TetsuoTheIronMan Tetsuo]]'' trilogy.
30	* Noisegrind: the aforementioned mess of noise and screams, often with strong doses of HarshNoise influence for good measure. It's an offensive subgenre that relies on shock value, whether in its "music" (some bands just improvise ''all'' the songs) or its lyrical content. Anal Cunt, Holy Grinder, Meat Shits, Sete Star Sept, Sore Throat, Fear of God, Arsedestroyer, and Gore Beyond Necropsy are the best examples. The genre is very similar to noisecore.
31	* Powerviolence: Though stylistically closer to hardcore punk, powerviolence is sometimes seen as a grindcore subgenre due to how similar it sounds to the latter. Sonically, it takes inspiration from grindcore, HarshNoise and thrashcore with a more dissonant riffage and HardcorePunk-style shouts (as opposed to grindcore's DeathMetal growls and shrieks), while also adding fluctuating tempos akin to SludgeMetal and crust punk along with samples from action films, TV shows, and video games as postmodern meta-commentary. California’s flourishing skateboarding, HipHop, and graffiti culture during the mid-90s also left an imprint on the powerviolence scene. Key artists from the original powerviolence scene include Siege, Spazz, No Comment, Infest, Gasp, Despise You, Man Is the Bastard, and Crossed Out, while notable contemporary acts include Zulu, Witch Cult, [=ACxDC=], Bucket Full of Teeth, Weekend Nachos, Magrudergrind, and Hatred Surge. Non-American PV bands include Conga Fury (Japan) and Yacøpsæ (Germany).
32	* Crustgrind: grindcore that kept more of its crust roots rather than its extreme metal roots. To sum it up, it's d-beat crust with blast beats; but it's definitely more than that. Examples would be Extreme Noise Terror, Electro Hippies, and Disrupt.
33	* Gorenoise: a {{harsh noise}} variation of goregrind that features no dynamic range and is practically a subgenre of noise music itself. Vocals are usually pitch shifted and are given effects that sound like gurgling, or running water. The style is extremely underground, as it is generally very harsh to listen to. Popular bands of the style would be Phyllomedusa, Last Days of Humanity, and much of Robert Maggard's projects, most notably Dissolved and Urinary Tract Infection from Severe Pus Clots.
34	* Pornogore: an extreme lo-fi style of grindcore and goregrind that often lacks musical quality and production. Bands of this style do so in an "edgy" humorous sense, where the lyrical themes are always about gore, fetishism, misogyny, among other dark and perverted topics. As an anti-music style of grindcore, influences and musicianship also incorporate gorenoise, pornogrind, and sometimes noisegrind, making minimalistic groovy mid-paced music that has a very amateurish quality. Despite the name, pornogore and pornogrind are unrelated genres, where bands of this style are often vaguely lumped together as low quality styles of grindcore. The genre does not have a very defined history and is often disregarded by most grindcore fans, as bands of this style deliberately make their songs as harsh and unmusical as possible. Most individuals who make this style do so as a joke, which makes the lyrical themes an extension of it. It also has its own subgenre in cybergore, which is essentially a fusion of pornogore and cybergrind. Some of the more popular bands that play these two styles are Spermswamp, Libido Airbag, Mulk, and S.M.E.S..
35	* Mincecore: rarely used, but exists nonetheless. Coined by Belgium's Agathocles, it refers to punkish grindcore that resembles the early days of the genre, with a more aggressive and sharp sound and a tendency to release a lot of split records (as of January 2014, Agathocles have released 304 records, with only 12 albums). Musically, it's often really close to the sound of Agathocles themselves, or closer to the first Napalm Death album, Scum. Think of mincecore as the polar opposite of newer, cleaner bands like Nasum and Rotten Sound. Notable bands of the genre are Rot (from Brazil) and Archagathus (Canada). The gory side of mincecore also exists and is sometimes referred as minceGORE (although even more rarely used), rising in late 2012. It's basically the mincecore version of goregrind, with the same differences as traditional grindcore. Some bands that have been coined as mincegore are Hyperemesis (Canada) and Couple Skate (US).
36	* Grind 'n' Roll: The name says it all. It's a rock 'n' roll-like style of grindcore, similar to death 'n' roll. Imagine mixing hard rock with grindcore; that is how the style sounds. It came into fruition after the rise of death 'n' roll with bands such as Blood Duster and Mucupurulent in the late 1990s/early 2000s. It even has its own smaller styles: gore 'n' roll and grindabilly. As the name suggests, gore 'n' roll is a more goregrind driven style of the sound. Grindabilly is unique, combining more {{rockabilly}} influences with grindcore from acts such as Noise A Go Go's and Beelzebeat.
37	* Entombedcore: While technically rooted in {{metalcore}}, there's so much overlap with grindcore both sonically and in terms of the fanbase that it gets an honorary mention. The name itself is just a colloquialism that started seeing use on various blogs (there is no actual proper name for the genre); musically, it's old-school metallic hardcore that is always mixed with hefty amounts of Swedish death metal (not MelodicDeathMetal, this is important) and usually also grindcore, crust punk, and powerviolence; depending on the band, sludge metal, beatdown hardcore, noise, or black metal may also be involved. Famous examples that skew particularly close to grindcore are Nails, Early Graves, and Call of the Void.
38	* Whitebelt, Mathgrind, Emogrind, Falsegrind (these are all variations that mean very similar things): Don't let the name scare you away; the label is due to its association with the early 2000s melodic metalcore and {{deathcore}} scenes. Whitebelt is a combination of Mathcore/Skramz/Emoviolence with grindcore. Needless to say, it's frantic, noisy, extremely discordant, and requires no small amount of technical ability. The genre term and the bands within it are rather obscure, but it's still a thing. Examples include early Daughters, The Locust, Bucket Full of Teeth and [=SeeYouSpaceCowboy=].
39	* Blackened grindcore: ExactlyWhatItSaysOnTheTin - BlackMetal meets grindcore. Expect blatant Satanic imagery, corpse paint and SeriousBusiness here. Oh, and intentionally lo-fi production as well. Notable bands in this subgenre include Knoll, Sunlight's Bane, and Knelt Rote.
40
41	And of course, all of these subgenres can be merged. Messy?
42
43	The style is, naturally, underground (and is known for having a particularly strong DIY component; house shows are a genre staple, and it's not uncommon to see multiple living rooms and basements on a list of tour dates), though some bands have gained some mainstream recognition.
44
45	----
46	!!Examples of grindcore bands include:
47	[[index]]
48	* Music/AbaddonIncarnate (started off as blackened death metal before switching to grindcore after their first album and never looking back)
49	* Music/AbortedHitlerCock
50	* Music/{{Agathocles}} (notorious for their numerous releases)
51	* Music/AgoraphobicNosebleed
52	* Music/AnaalNathrakh (Started off as raw BlackMetal, later mixed black metal with grindcore and IndustrialMetal.)
53	* Anal Blast (famous as the band that most early members of Slipknot played in during the latter's early days; Joey Jordison, Paul Gray, and Donnie Steele all helped found it along with Don Decker, while Shawn Crahan was a live fill-in)
54	* Music/AnalCunt (essentially a StealthParody of the genre as a whole)
55	* Music/{{Antigama}} (along with AvantGardeMetal)
56	* [[Music/{{Assuck}} Assück]]
57	* Music/BadAcidTrip (also AvantGardeMetal)
58	* Music/BeatenToDeath (an unusually GenreBusting example, but their music is rooted in grindcore - it's just an unusually warped vision of it with influence from AvantGardeMetal, ProgressiveMetal, HardcorePunk, and even {{Shoegaze}} and pop (no really) - along with whatever else they feel like playing at a given moment)
59	* Bent Sea (solo project of Dirk Verbeuren, featuring Sven of Aborted)
60	* Music/TheBerzerker (along with IndustrialMetal)
61	* Music/BeyondTerrorBeyondGrace (everything up to ''[[NewSoundAlbum Nadir]]'', which was a drastic shift to blackened death metal)
62	* Blame God
63	* Music/BodiesInTheGearsOfTheApparatus (also an UrExample of deathcore)
64	* Music/BoltThrower (on their first album ''In Battle There Is No Law'', changed sound to DeathMetal on next album ''Realms of Chaos'')
65	* Music/BrutalTruth
66	* Music/BubblegumOctopus ([[GenreBusting too weird to really classify as anything]], but cybergrind is a major component of the sound Matthew Morden goes for, thereby making him associated with the grindcore scene)
67	* Captain Cleanoff
68	* Music/{{Carcass}} (early works were the UrExample[=/=]TropeMaker of Goregrind; later switched to straight DeathMetal with ''Necroticism-Descanting the Insalubrious'' and then went on to become the UrExample of MelodicDeathMetal with ''Heartwork'')
69	* Music/CattleDecapitation (early material; they went death metal on ''To Serve Man'' and progressive death on ''Karma.Bloody.Karma''.)
70	* Music/CephalicCarnage (essentially [[DeathMetal Deathgrind]] and TechnicalDeathMetal, with the occasional ProgressiveMetal song thrown in here and there)
71	* Chepang
72	* Music/CircleOfDeadChildren
73	* Music/CircleTakesTheSquare (mixed with [[GenreBusting around a dozen other genres]]; they also have elements of {{Screamo\|Music}}, PostHardcore, PostRock, ProgressiveRock, ProgressiveMetal, MathRock, even FolkMusic)
74	* Music/{{Cliteater}}
75	* Music/CloudRat
76	* Music/ClownCore (a strange mixture of grindcore, experimental rock, DrumAndBass and {{Jazz}})
77	* Music/CockAndBallTorture (''Egoleech'' introduces more standard DeathMetal elements)
78	* Cognizant
79	* Columns
80	* Music/{{Cretin}}
81	* Music/{{Daughters}} (Only on their first album. Their later material is NoiseRock and no wave)
82	* Music/DiscordanceAxis
83	* Dissolved
84	* Music/{{Dorso}}
85	* Duma
86	* Music/DyingFetus (also brutal death metal)
87	* Eaten
88	* Electro Hippies (also crust punk and thrashcore)
89	* Music/EnemySoil
90	* Music/{{Epidemic}} (also ThrashMetal, as well as DeathMetal starting with ''Decameron'')
91	* Escuela Grind
92	* Music/ExcrementoryGrindfuckers, who make cover versions of pop songs.
93	* Music/{{Exhumed}} (changed sound to DeathMetal with ''Anatomy Is Destiny''; as of ''Horror'', they are back to playing grindcore)
94	* Music/ExtremeNoiseTerror
95	* Music/FlagitiousIdiosyncrasyInTheDilapidation (all-female grind band from Japan)
96	* Fear of God
97	* Music/FirstDaysOfHumanity (Last Days of Humanity tribute group)
98	* Fuck... I'm Dead
99	* Music/FuckTheFacts (known for their major GenreBusting tendencies, which probably aren't surprising if you know they're named after a [[Music/JohnZorn Naked City]] song)
100	* Music/FullOfHell (mixed with [[DoomMetal sludge metal]] and HarshNoise; they became deathgrind circa the Nails split and ''Trumpeting Ecstasy'')
101	* Music/GeneralSurgery
102	* Music/GenghisTron
103	* .gif from god (also mathcore)
104	* Go-Zen (TropeCodifier for hentaigrind, one of surprisingly few Japanese examples)
105	* God Mother (some mathcore elements)
106	* Gore Beyond Necropsy (also noise)
107	* Music/{{Gridlink}}[[note]]Also see Music/DiscordanceAxis, Mortalized, No One Knows What the Dead Think, and Takafumi Matsubara[[/note]]
108	* Ground (also some powerviolence elements)
109	* Music/{{GUT}} (TropeMaker for pornogrind; ''The Cumback 2006'' has ElectronicMusic and HipHop influences, while ''Disciples of Smut'' discards those in favor of BlackMetal)
110	* Haemorrhage
111	* Music/{{Hewhocorrupts}}
112	* Music/{{Hivesmasher}} (also deathcore)
113	* Houkago Grind Time
114	* Music/HumanRemains (TropeMaker for mathgrind, also TechnicalDeathMetal)
115	* Music/ImpendingDoom (their first EP; later they moved to [[DeathMetal Brutal Death Metal]] / {{Deathcore}} with [[ChristianRock Christian]] lyrics)
116	* Implosive Disgorgence (also deathcore)
117	* Music/InsectWarfare
118	* Insufferable
119	* Jarhead Fertilize
120	* Jig-Al (TropeMaker for hentaigrind)
121	* Music/JonBenetRamsey
122	* Kalibas (also deathcore)
123	* Music/KillTheClient
124	* King Parrot
125	* Music/KneltRote (formerly [[{{Industrial}} power electronics]]/noisegrind on their first two releases, later grindcore fused with BlackMetal)
126	* Knoll (also black metal, though they have moved in more of a blackened death metal direction on ''As Spoken'')
127	* Music/LastDaysOfHumanity
128	* Leng Tch'e
129	* Liberteer
130	* Music/LivingVoid
131	* Music/LockUp
132	* Music/TheLocust
133	* Looking for an Answer
134	* LØVVE
135	* Music/{{Macabre}} (a GenreBusting example, but this is one of the easier labels to stick them with)
136	* Music/{{Magrudergrind}}
137	* Music/{{ManIsTheBastard}} (powerviolence)
138	* Music/{{Maruosa}}
139	* Music/{{Maruta}} (overlaps with the more dissonant styles of TechnicalDeathMetal to some extent - think Music/{{Gorguts}} playing grindcore)
140	* Takafumi Matsubara (guitarist for Mortalized and Gridlink, among other acts; he has since started a solo career recording under his own name)
141	* Music/{{MeatShits}}
142	* Music/MeltBanana (A ''female-fronted'' and highly experimental case; they include elements of JapanesePopMusic and NuMetal, among many others.)
143	* Meth Leppard
144	* Music/MiseryIndex
145	* Mortalized
146	* Music/{{Mortification}} (experimented with it on their first three albums and, with a few exceptions, would typically have one or two songs in the genre per album afterwards)
147	* Mother Brain
148	* Music/NakedCity (they also lean towards GenreBusting, as they also incorporate elements of avant-garde, free jazz, noise, classical, surf, country, punk rock, and other genres into their sound)
149	** ''Music/{{Radio}}'' (1993)
150	* Music/NapalmDeath (TropeMaker, with their song "You Suffer (But Why?)" being the TropeCodifier for the MinisculeRocking grind is infamous for)
151	* Music/{{Nasum}}
152	* Nausea
153	* The Network
154	* Noisear
155	* Music/{{Noisem}} (also ThrashMetal)
156	* Noism (not to be confused with Noisem)
157	* No/Mas
158	* No One Knows What the Dead Think (another spiritual successor to Discordance Axis and Gridlink featuring Jon Chang and Rob Marton)
159	* Music/{{Orchid}} (mixed first wave Screamo with Powerviolence and Grind, creating a sound that has occasionally been referred to as "emoviolence")
160	* Organ Dealer
161	* Parlamentarisk Sodomi
162	* The Partisan Turbine (also deathcore)
163	* Music/PenisForceCommando
164	* Phobia
165	* Music/PigDestroyer
166	* Pink Mass
167	* Pizzahifive
168	* P.L.F. (sometimes also known as Pretty Little Flower)
169	* Portrayal of Guilt (also screamo)
170	* Premonitions of War (also deathcore)
171	* Music/{{Psudoku}} (same guy as Parlamentarisk Sodomi; also has elements of TechnicalDeathMetal, AvantGardeMusic, and - we shit you not - ProgressiveRock)
172	* Music/PungentStench
173	* Music/RaisedByOwls (with elements of DeathMetal while being PlayedForLaughs)
174	* Rectal Smegma
175	* Music/TheRedChord (also TechnicalDeathMetal and TropeMaker for {{Deathcore}})
176	* Music/{{Regurgitate}}
177	* Music/{{Repulsion}} (UrExample)
178	* Music/RottenSound
179	* [=SeeYouSpaceCowboy=] (also mathcore, or the self-granted label of "sasscore")
180	* Music/TheSenseless
181	* Sete Star Sept
182	* Music/{{Siege}} (UrExample of both grindcore and powerviolence along with Repulsion; essentially played very noisy HardcorePunk with slight jazz flourishes)
183	* Slugcrust (also crust punk, see Wvrm below)
184	* [[Music/{{SOB}} S.O.B.]] (UrExample, though they were probably closer to thrashcore when ''Don't Be Swindle'' was released)
185	* Music/SoreThroat (dabbled in IndustrialMetal on ''Inde$troy'')
186	* Music/SuccessWillWriteApocalypseAcrossTheSky (also deathcore)
187	* [[Music/SunlightsBane Sunlight's Bane]] (also BlackMetal)
188	* Swarrrrm
189	* Music/{{Terrorizer}}
190	* Theories
191	* [[Music/{{TOOH}} !T.O.O.H.!]] (stands for The Obliteration of Humanity; also has elements of TechnicalDeathMetal, AvantGardeMusic, ProgressiveMetal, and other styles)
192	* Music/{{Torsofuck}} (also brutal death metal)
193	* Music/TotalFuckingDestruction
194	* Music/{{Transient}}
195	* Unidad Trauma (originally went by Thanatology)
196	* Uphill Battle (mixed with metalcore)
197	* Music/VerminWomb (Mixed with sludge metal)
198	* Music/{{Watchmaker}}
199	* Music/{{Wormrot}}
200	* Wristmeetrazor (also mathcore and emoviolence)
201	* Wvrm (some black metal elements, may or may not have turned into Slugcrust, depending on who you ask, with a sound closer to crust punk)
202	* Music/{{Yautja}} (also mathcore and SludgeMetal)
203	* Music/JohnZorn: Highly eclectic and impossible to pigeonhole artist, mostly active in jazz, though his gigantic catalogue has tried out various genres and styles throughout the years.
204	** ''Music/{{Spillane}}'' (1987)
205	** ''Music/{{Radio}}'' (1993)
206
207	Entombedcore:
208	* Music/AllPigsMustDie (side project of Ben Koller of Music/{{Converge}})
209	* Baptists
210	* Black Breath (also death metal)
211	* Call of the Void
212	* Coagula
213	* Music/CodeOrange (originally known as Code Orange Kids; has a significant overlap with beatdown hardcore on ''I Am King'' before dropping this altogether on ''Forever'' for [[GenreBusting who the fuck knows]])
214	* Music/CultLeader (SpiritualSuccessor to Gaza, they started out with this sound before largely abandoning it by ''A Patient Man'')
215	* Music/{{Cursed}} (UrExample and TropeCodifier for Entombedcore along with Trap Them; unlike Trap Them, they didn't stick around long enough to enjoy the fruits of their labors)
216	* Music/EarlyGraves
217	* Music/{{Enabler}}
218	* END (supergroup featuring [[Music/FitForAnAutopsy Will Putney]], Gregory Thomas (Shai Hulud), Brendan Murphy (Counterparts), Jay Pepito (Reign Supreme), and Andrew [=McEnaney=] (Trade Wind, Structures)
219	* Erosion (also death metal)
220	* Music/FullOfHell (mixed with powerviolence and noise; they dropped the Entombedcore for deathgrind circa the Nails split and ''Trumpeting Ecstasy'')
221	* Fuming Mouth
222	* [[Music/HarmsWay Harm's Way]] (heavy overlap with beatdown hardcore, especially on ''Rust'' which also marked the start of IndustrialMetal influences infiltrating their sound)
223	* Homewrecker
224	* I Am (also beatdown)
225	* Jesus Piece (also beatdown)
226	* Mammoth Grinder (''Cosmic Crypt'', early material was crust and mid-era material was death metal with hardcore and crust elements)
227	* Music/{{Nails}}
228	* Music/{{Oathbreaker}} (''Eros\|Anteros'', changed to a mixture of [[GenreMashup hardcore, crust punk, post-hardcore, shoegaze, and black metal]] on ''[[NewSoundAlbum Rheia]]'')
229	* Of Feather and Bone (pre-''Bestial Hymns of Perversion'')
230	* Poison Headache (best known for being a side project of [[Music/AsILayDying Phil Sgrosso]])
231	* The Secret
232	* Sect (a side project of [[Music/FallOutBoy Andy Hurley]])
233	* Music/TrapThem (overlaps with crust punk and grindcore, arguably the UrExample of "Entombedcore" along with Cursed and most certainly a TropeCodifier)
234	* Music/WeekendNachos (as of ''Still'', mixed with powerviolence)
235	* Wolf King
236	* Wormwood (with particularly prominent doom metal and noise influences, best known for having [[Music/TheRedChord Greg Weeks]] on bass)
237	* Wreath of Tongues
238	* Music/{{Xibalba}} (also death metal as of ''Tierra y libertad'')
239	* Music/YoungAndInTheWay (also BlackMetal)
240
241	[[/index]]
242
243	----
244	!!Grindcore exhibits the following tropes:
245	* CarefulWithThatAxe: Extremely common within the genre whenever the vocalists aren't utilizing throat-shredding death growls
246	* DoingItForTheArt: Even by punk standards. Unless you're Napalm Death, you ''cannot'' make a living playing grindcore and will almost definitely lose a lot of money by doing it. This is part of the reason why there is such a strong DIY culture in grindcore: it's a hell of a lot cheaper to play in someone's basement, living room, or rented art space while on tour, and it usually also means a warm place to sleep and potentially even an actual bed (instead of just a couch or a sleeping bag on someone's living room floor).
247	* FadingIntoTheNextSong: Sometimes songs will just lead into one another with no real indication that there's a track division. The more avant-garde and technical acts in the genre like this a lot.
248	* {{Gorn}}: Goregrind lyrics, though some bands (namely Carcass and Exhumed) use them as metaphors for sociopolitical and metaphysical themes. This also applies to many album covers within the genre.
249	* IndecipherableLyrics: Grind lyrics are usually screamed or growled over very chaotic instrumentation, so yeah...good luck. Not to mention many bands with no actual lyrics, although given that song titles include "Experimental Insemination of Carnivorous Arachnids Into Human Females" and "Decomposing Sex Object", this may be for the better.
250	* IntentionallyAwkwardTitle: Anal Cunt, Agoraphobic Nosebleed, Fuck the Facts, Carcass, Cock and Ball Torture, Cattle Decapitation, Circle of Dead Children, and a ''lot'' more. The name {{Music/Pig Destroyer}} could also count as one, if you remember that "pig" is slang for "cop". The king of bad names probably goes to Ab[[HeavyMetalUmlaut ö]]rted Hitler C[[HeavyMetalUmlaut ö]]ck.
251	* IntercourseWithYou: A staple lyrical theme in the pornogrind sound, naturally, with a very healthy dose of FanDisservice and InterplayOfSexAndViolence.
252	* LoudnessWar: Not a problem with older releases in the genre (unless they've been "remastered"), but this plagues modern releases. It's almost impossible to find a modern grindcore release that isn't clipped. May be a case of StylisticSuck.
253	* MadDoctor: A common feature in goregrind, and certain acts (namely Exhumed, Haemorrhage, and Unidad Trauma) make it a part of their stage act.
254	* MaskedLuchador: A popular feature in pornogrind, inexplicably.
255	* MetalScream: All three main types are used in equal measure; examples include [[Music/NapalmDeath Barney Greenway]] for Type 1, [[Music/{{Carcass}} Bill Steer]] for Type 2, and [[Music/AnalCunt Seth Putnam]] and [[Music/DiscordanceAxis Jon Chang]] for Type 3.
256	* MinisculeRocking: Very, very common, to the point that it's more or less a defining characteristic of the genre. 3 minute songs are EpicRocking by grindcore standards. The grindcore fandom has coined a recurring joke - written at the top of the page - which lampshades this trope.
257	** Sometimes averted by some of the more technical acts in the genre - Cephalic Carnage, !T.O.O.H.!, and Psudoku all have at least one song in excess of 10 minutes.
258	* MisogynySong: A distressingly common lyrical theme in pornogrind, though it's almost always done for pure shock value. It also shows up frequently in goregrind.
259	* NobodyLovesTheBassist: Quite a few bands don't have bassists, and guitarists running through both a guitar and a bass rig in lieu of a bassist is a fairly common setup in the genre. At the same time, bass is surprisingly important to a lot of bands; the "grindcore tone" (usually accomplished via scooped lows, distortion and fuzz pedals, and an extremely aggressive pick attack on heavily downtuned strings) is a genre hallmark, and most people who are even passingly familiar with the genre will be able to pick it out right away.
260	* PornWithPlot: Hentaigrind bands took a step further and found a way to adapt {{Hentai}} in their music beyond IntercourseWithYou, building on top of what the pornogrind bands already did, essentially creating a variation of the trope - Porn With Music.
261	* ProtestSong: The lyrics, most of the time when they're not about random sex and violence, as grindcore is based upon punk music.
262	* PurpleProse: Not very often, but some grindcore bands have a reputation for very poetic, complex lyrics, most notably Pig Destroyer, Discordance Axis [[note]]By extension, Gridlink and No One Knows What the Dead Think, too[[/note]], and Cloud Rat.
263	* RefugeInAudacity: Most non-political songs are about horrific injuries, disgusting sexual acts, or [[BreadEggsBreadedEggs horrific injuries caused by disgusting sexual acts]].
264	* ScaryMusicianHarmlessMusic: Most bands in the genre tend to invert this trope; they look like perfectly ordinary people, but their music is extremely harsh and chaotic.
265	* ShoutOut: There are a whole lot of goregrind bands that are just shout-outs to horror movies. Just look at Mortician and Impetigo, who just use samples of the movies they love in almost every song. Impetigo even did it ''on stage''.
266	* ThreeChordsAndTheTruth: Generally a hallmark of the genre as a whole; while this isn't always the case with the more death metal-influenced acts, the hardcore and powerviolence-leaning ones always take a very simplistic approach. The more technical and avant-garde acts in the genre avert this, however.
267	* TropeMaker: Napalm Death are generally considered this, though they were not the first to play the genre. Repulsion, Siege, S.O.B., and Asocial played similar music before them, but were they just considered extreme death metal (for Repulsion) or extreme hardcore punk (the rest). Napalm Death named the genre and were the first band to achieve success, though.
268	* UncommonTime: Grindcore bands have been known to throw in strange meter signatures to make their music stranger and more disorienting. Rotten Sound and Discordance Axis both use this trope pretty frequently, for example.

Context Main / Grindcore