| 1 | [[quoteright:350:[[Wrestling/{{WWE}} https://static.tvtropes.org/pmwiki/pub/images/sevenyearrule_3516.jpg]]]] |
| 2 | [[caption-width-right:350:Wrestling/{{Kane}} buries Wrestling/TheUndertaker in 2003 (left), Kane buries The Undertaker in 2010 (right). Note the different headstones in each photo.]] |
| 3 | |
| 4 | ->''Our audience is constantly renewing itself, The political times and the climate is changing. We're always aware that whoever our audience is now, it doesn't matter what matters we've told in the past—it's going to be fresh for them.'' |
| 5 | -->-- ''Series/DegrassiNextClass'' co-creator '''[[https://www.vice.com/en_us/article/jpmykk/inside-the-excellent-teen-abortion-episode-of-degrassi-next-class Linda Schuyler]]''' |
| 6 | |
| 7 | ''A gimmick or storyline may be reused freely and safely after a few years of dormancy.'' |
| 8 | |
| 9 | The general principle applies to any work that is enough of a [[LongRunners Long-Runner]] and/or has enough of a FleetingDemographic to outlast most of its initial fanbase. |
| 10 | |
| 11 | For example, during UsefulNotes/{{the Silver Age of comic|books}}s, the writers assumed that their demographic was young boys ages 9-11 -- which would make a three-year turnover safe -- and that their demographic rarely read comics frequently enough to notice the repetition. They also believed that even if they did read them often, they wouldn't notice. This has been turned away from in recent times because comics are now written (and often read) by people who ''[[ContinuityPorn love]]'' {{continuity}}; if they make events repeat, then they'll eventually come up with a metaplot to explain it. Also, the rise of the Internet has made it trivial to compare works that are years or decades apart, making it practically impossible for writers to pull this off unnoticed. |
| 12 | |
| 13 | This is also to be avoided if your franchise is subject to a PopularityPolynomial, as all the 'old' fans haven't actually left but are just waiting quietly for it to become cool again. As a result, they'll spot something overly-familiar. |
| 14 | |
| 15 | Not the same as OlderThanTheyThink, this influence extends to tropes, plots, lines, and gimmicks of more recent vintage, that the viewer can be reasonably expected to have seen since it was The Big Cool New Thing just a couple of years ago -- and a couple of years before that, and a couple of years before that, and... |
| 16 | |
| 17 | {{Lampshad|eHanging}}ing of this practice falls under DidntWeUseThisJokeAlready. |
| 18 | |
| 19 | Compare RecycledScript. Contrast SpiritualSuccessor where the writers don't have to pretend this isn't a rehash - because it isn't ''truly'' a rehash. May be implemented as a result of complaints about ContinuityLockOut. |
| 20 | |
| 21 | ---- |
| 22 | |
| 23 | !!Examples: |
| 24 | |
| 25 | [[foldercontrol]] |
| 26 | |
| 27 | [[folder:Anime and Manga]] |
| 28 | * ''Anime/PokemonTheSeries'': Due to being aimed at children around the ages of 5-10, the show's audience would grow up and be replaced by a new set of children about every four or five years during Ash's long journey. Easily done because much of the show is focused on SliceOfLife episodes with occasional focus on Ash's many tournament arcs to become Pokémon Master. |
| 29 | ** Probably the most obvious is that every time Ash goes to a new region, he meets new people who will soon be [[GuestStarPartyMember his new traveling companions]], and Pikachu will give them a shocking encounter (until ''Sun & Moon''). This mirrors the beginning of the first season, when Ash stole Misty's bicycle and ended up destroying it. |
| 30 | ** Starting with ''[[Anime/PokemonTheSeriesRubyAndSapphire Advanced Generation]]'', the writers also employ the BagOfSpilling by having Ash drop off all of his Pokemon save Pikachu to train new {{Mons}}. Expect Pikachu's battle prowess to be nerfed or [[AdaptationalBadass his opponents to be made far tougher than in the games]] just to keep the tension flowing. |
| 31 | ** A more minor note is Ash often having to relearn certain facets like type (dis)advantages and catching mechanics, just for the benefit of demonstrating it for the audience despite having already gotten his head around them in his original adventure. Several series however, like ''Anime/PokemonTheSeriesRubyAndSapphire'', are notable aversions, where this is logically passed on to characters like May and Bonnie, who are just as inexperienced as Ash was when he first started, meaning Ash has the opportunity to teach them himself. This is also seen in ''Anime/PokemonHorizonsTheSeries'', where Nidothing is now the one teaching inexperienced trainers these topics in her streams. |
| 32 | ** One of the most blatant (and non-filler) examples: In [[Anime/PokemonTheSeriesRubyAndSapphire Hoenn]], Ash enters a [=PokéRinger=] event in which flying Pokemon compete to collect rings and place them on goal posts. Ash uses his Taillow, a bird Pokémon, which evolves during the competition and surprises its opponent by hitting the ring onto the goal with its wing, rather than carrying it in its beak. An episode that aired about five years later [[RecycledScript repeated this plot exactly]]; just replace Hoenn with [[Anime/PokemonTheSeriesDiamondAndPearl Sinnoh]], Taillow with Staravia, and Swellow with Staraptor.[[note]]And [[TerribleTrio James]] with [[TheRival Paul]], though James also competes in the repeat (he would borrow one of Jessie's Pokémon, using Dustox in the original and Yanmega in the repeat).[[/note]] Both episodes even use the ''exact same background music'' during their respective climaxes. Kalos also had a similar event in the Sky Relay. |
| 33 | ** This is thought to be why the Mewtwo in ''Anime/PokemonGenesectAndTheLegendAwakened'' is a new character, instead of the one from ''Anime/PokemonTheFirstMovie'' and ''Anime/PokemonMewtwoReturns'', both of which originally released/aired more than a decade before... which ended up being something of a misfire, since TV channels ended up airing those films as part of the hype for the movie coming out, meaning that new child audiences ''would'' be familiar with the original Mewtwo! |
| 34 | ** Until ''Anime/PokemonTheSeriesXY'', every new generation of companions (Misty & Brock/Tracey, May & Max, Dawn, Iris & Cilan) has featured an episode where most of the cast and/or their Pokémon ends up getting afflicted by Stun Spore, leaving them paralyzed. It would come down to the remaining cast to seek out a type of plant that grows at the bottom of a lake in order to cure them. This would always involve a water-type Pokémon either joining the cast or overcoming one of its own problems... Or both, in the case of ''Anime/PokemonTheSeriesBlackAndWhite''. |
| 35 | ** If Ash gets a Fire-type starter Pokémon, expect it to be abused or abandoned in some way or other and had belonged to a previous trainer; in Quilava's case, however, it is wild, and is ''about'' to be caught by an abusive trainer. This pattern is broken with Litten, who is simply a wild Pokémon looking after an elderly Stoutland [[spoiler:until it dies from old age]]. ''Anime/PokemonJourneysTheSeries'' also has Ash capture an abandoned Pokémon, but rather than be a Fire-type starter, it's instead a [[spoiler:Gengar, which is Ghost/Poison]]. |
| 36 | ** With the exception of "[[Anime/PokemonTheSeriesRubyAndSapphire Advanced Generation]]", there will be another walking Pokémon belonging to one of the companions-of-the-season: Misty's Togepi, Dawn's Piplup, Iris' Axew, Clemont's Dedenne, and Snowy (Lillie's Vulpix). None of them after Togepi would evolve onscreen; Piplup and Snowy have [[GrowingUpSucks expressed a refusal to evolve]], Dedenne can't evolve, and Axew departed before he could evolve [[spoiler:and reappeared as a Haxorus in ''Journeys'']]. Goh's Scorbunny broke this pattern by evolving into Raboot within 15 episodes of his debut, only to be replaced by Sobble and then Grookey. |
| 37 | ** In some more specific examples, ''Anime/PokemonTheSeriesDiamondAndPearl'' reuses individual plots. "Pika and Goliath" retreads "Electric Shock Showdown" (though it at least also has flashbacks to said episode) and establishes for the new audience why Pikachu hasn't evolved while showing off a battle with a Jerkass trainer's Raichu. "Crossing Paths", "Cottonee in Love", "Butterfree and Me", "To Catch a Pokémon Smuggler", and "Under Color of Darkness" are "Bye Bye Butterfree" but starring Jessie's Dustox, a wild Cottonee, ''another'' Butterfree, a wild Vivillon, and Goh's White Floette, respectively. |
| 38 | *** The ''Anime/PokemonTheSeriesSunAndMoon'' episode "No Stone Unturned" retreads both "Electric Shock Showdown" and "Pika and Goliath" in having an unevolved Pokémon (Rowlet) lose to its evolution (Dartrix), affirm its refusal to evolve, and then rechallenge the evolution and win. It also retreads "Stopped in the Name of Love" with Rowlet being given an Everstone. |
| 39 | ** When Misty and Brock, Ash's two original companions and without a doubt the most recognizable of the human cast except for him, reappear in ''Anime/PokemonTheSeriesSunAndMoon'', the anime has to reintroduce them. This is because neither had appeared in almost ten years and (assuming they don't watch reruns or didn't play either ''[[VideoGame/PokemonGoldAndSilver HGSS]]'' or ''[[VideoGame/PokemonBlack2AndWhite2 BW2]]'') the contemporary demographic didn't remember who they are. |
| 40 | ** "Not Caving Under Pressure" retreads "Stopped in the Name of Love", but with Lillie's Vulpix, Snowy, in the place of Dawn's Piplup. Their reasons for refusing to evolve are similar: Piplup doesn't want to evolve out of fear of becoming disobedient like Mamoswine[[note]]in the dub, he refuses to evolve because he wants to preserve his memories of his first encounter with Dawn[[/note]], while Snowy becomes fearful of change after seeing an Alolan Sandshrew evolve. |
| 41 | ** The 2018 HalloweenSpecial "A Haunted House for Everyone" is a remake of the 2007 ''Diamond and Pearl'' episode "Malice in Wonderland", since both feature a Mismagius trapping everyone in an illusion. It also has several elements of the 2004 ''Advance Generation'' episode "Take This House and Shuppet" and the early 2014 ''XY'' episode "Seeking Shelter from the Storm". |
| 42 | ** One of the more egregious examples is "Drawn with the Wind", which is a rehash of "They Might Not Be Giants", but with Eevee, Shaymin, and Meltan in place of the Alolan starters. The episodes, both {{Easter Special}}s, are 101[[note]]100 in English because [=SM064=] was banned for blackface[[/note]] episodes apart, and in the same series to boot! It can be assumed the writers believed none of the kids from 2017 would be watching the anime by 2019. |
| 43 | *** This happened again with "Pikachu's Exciting Adventure!", a BizarroEpisode that aired [[ExaggeratedTrope less than two months]] after "Drawn with the Wind" and reuses the same plot for the third time, this time with Pikachu, Rowlet, Lycanroc, and Meltan. |
| 44 | ** Ash has undergone a DisneyDeath and his Pokémon sobbing over him has been reused in at least three different films. At least once it's reversed, with Pikachu being the one to "die". |
| 45 | ** One ''Diamond and Pearl'' episode has James pretending to be Jessie and entering a contest because Jessie is too sick to do so. Years later, an ''XY'' episode has Serena pretending to be Ash and battling with a trainer because Ash is too sick to do so. |
| 46 | ** Episode 1068 is about Ash encountering Celebi and getting taken back in time and meeting Professor Kukui when he was younger. This may sound familiar to anyone who's seen ''Anime/Pokemon4Ever'', though that was with Professor Oak. Both of them are even titled "A Timeless Adventure" in Japanese. |
| 47 | ** Exaggerated with "Absol Absolved!", the 64th episode of ''Journeys'', which had the exact same plot as the 53rd episode "Healing the Healer!", which aired three ''months'' earlier. The episode also retreaded "Absol-ute Disaster", a 2004 ''Advance Generation'' episode that also featured an Absol. |
| 48 | * The ''Anime/PrettyCure'' franchise will often reuse similar team formations and item after a few years have passed. |
| 49 | ** ''Anime/YesPrettyCure5'', ''Anime/SmilePrecure'', and ''Anime/KiraKiraPrecureALaMode'' are all 4-5 years apart, feature a team of 5 members, and, if you count GO!GO!, all have an important pact-based item (the latter two features these as the TransformationTrinket). |
| 50 | ** ''Anime/MahoGirlsPrecure'' notably has a 2-girl team joined by a third member halfway through the series, which hasn't happened since the original Pretty Cure series. ''Anime/SuitePrettyCure'' is this for a quarter of its run until a fourth member is added. |
| 51 | ** Both ''Anime/FutariWaPrettyCure'' and ''Anime/FutariWaPrettyCureSplashStar'' have an image song on one of the vocal albums with the introduction phrases, InTheNameOfTheMoon speech and attack incantations making up a majority of the lyrics ("Introducing Pretty Cure ~VOCAL RAINBOW STORM~" for the former and "Yes! Pretty Cure Smile ~Towards The Dream~" for the latter). |
| 52 | * ExecutiveMeddling led to this happening during the fourth season of ''Anime/SailorMoon'', since the execs were convinced that the girls who had been watching the show since the beginning were now growing out of it. In addition to simplifying the plot, the {{ReTool}} jettisoned the Outer Guardians and tried to put the spotlight back on the core cast and Chibiusa ([[KidAppealCharacter who the execs thought would appeal to younger girls]]). The plan backfired, and the series suffered a ratings slump as a result. |
| 53 | * ''Anime/WaitingInTheSummer'' is a SpiritualSuccessor of ''Anime/PleaseTeacher'', featuring new characters but setting up the same kind of alien MagicalGirlfriend scenario in what's implied to be the same setting. As evidence of this trope being in play, ''far'' more viewers were comparing it to the then-more-recent ''Anime/AnoHanaTheFlowerWeSawThatDay''; while ''Waiting in the Summer'' and ''Ano Hana'' involve the same director and have superficial similarities like focusing on a group of friends in high school experiencing a LoveDodecahedron and ComingOfAgeStory, with the female lead being of a supernatural nature, the new generation of anime viewers hadn't seen the older show that actually inspired ''Waiting in the Summer''. |
| 54 | * Generally speaking, ''Manga/GeGeGeNoKitaro'' is remade every decade.[[note]]This doesn't include the "Hakaba Kitaro" anime, which is a more direct adaptation of the original manga (which is also called Hakaba Kitaro).[[/note]] The first series debuted in 1968, the 2nd in 1971, the third in 1985, the fourth in 1996, the fifth in 2007, and the sixth in 2018. |
| 55 | * Back in 2010-2011 aired ''SD Gundam Sangokuden: Brave Battle Warriors'', an Anime Adaptation of the ''Toys/BBSenshiSangokuden'' model series that was part of the ''SD Gundam BB Senshi'' toyline, with ''Sangokuden'' being based off of ''Literature/RomanceOfTheThreeKingdoms''. Then eight years later in 2019, ''Franchise/SDGundam'' decided to use the ''Romance of the Three Kingdoms'' theme again with ''Anime/SDGundamWorldSangokuSoketsuden'', changing up which mechs portray which characters (For example, Liu Bei is [[Anime/MobileSuitGundam RX-78-2 Gundam]] in ''Sangokuden'' and [[Anime/MobileSuitGundamUnicorn Unicorn Gundam]] in ''Sangoku Soketsuden'') as well as telling a new story. |
| 56 | [[/folder]] |
| 57 | |
| 58 | [[folder:Comic Books]] |
| 59 | |
| 60 | * In ''ComicBook/TheBeano'', ''ComicBook/TheDandy'' and other BritishComics, the fleeting demographic rule can sometimes apply to reprints, in that they wait a few years after a strip ends until they begin to reprint the strip. This is because the usual reader only reads the comic for 4 or 5 years and so there is a lot of reader turnover. |
| 61 | |
| 62 | |
| 63 | |
| 64 | * ''ComicBook/ArchieComics'': Archie Comics -- being a series marketed to a family audience and thus one with a much higher turnover rate -- has never had problems reusing story lines, the only difference between them being the art and the characters' fashions. With the advent of their [[RuleOfDrama drama-focused]] ''[[ComicBook/LifeWithArchieTheMarriedLife Life with Archie]]'' series and the popularity of gay character Kevin Keller, it's been interesting to see the company find success by taking new creative risks. |
| 65 | * ''ComicBook/TheAvengers'' |
| 66 | ** [[ComicBook/AntMan Hank Pym]] and the Avengers face ComicBook/{{Ultron}}. Ultron is seemingly destroyed, only to return in a new form. |
| 67 | ** ComicBook/TheVision is dismantled or destroyed. Alternatively, Vision and ComicBook/ScarletWitch have relationship troubles or pine for one another despite dating other people. Vision losing and then regaining his capacity to experience emotions has also happened several times now. |
| 68 | ** ''The Avengers'' have had no less than ''three'' separate stories with the basic premise of "The team is criticized for [[MonochromeCasting its complete lack of diversity]]. An inexperienced/unqualified black superhero is added to the roster, creating friction with the white Avengers. Drama ensues." First time it was ComicBook/TheFalcon, second time it was Rage, and third time it was Triathlon. |
| 69 | ** Creator/WaltSimonson's lead-up to ''ComicBook/Inferno1988'', Creator/BrianBendis' ''ComicBook/AvengersDisassembled'' (2004), and Creator/MarkWaid, Creator/AlEwing and Jim Zub's ''ComicBook/AvengersNoSurrender'' (2018) all revolve around the current line-up of Avengers being decimated, with a few members of the team even dying or getting badly injured, in order to set up a more high-profile roster under a new creative team. |
| 70 | * ''ComicBook/{{Batman}}'': |
| 71 | ** Batman gets overwhelmed by his mission, becomes more of a loner, alienates his "family", and learns to play with others again. |
| 72 | ** ComicBook/{{Nightwing}} chafes in Bruce's shadow or control, goes out on his own, and learns he just as good a hero in his own right. |
| 73 | * ''ComicBook/BoosterGold'': Averted in ''ComicBook/FiftyTwo''. Booster Gold's storyline was originally going to be finding evidence that the timeline was broken, falling apart at the seams, and he would need to fix it to restore order. As the four writers of the book got to work though, they realized each of them had been through this before and none of them really wanted to do it again ("Unless there was a prize for being the hundredth people to write one"). Thus before they got too far into the story, they reworked Booster's storyline so that he spent it butting heads with a new hero called Supernova [[spoiler:who turns out to ''be'' Booster (isn't time travel fun?)]], which led into a conspiracy about a time-traveling superhero. |
| 74 | * ''ComicBook/CaptainAmerica'': Steve Rogers' career is changed. Maybe he's a werewolf, an aged man who has to wear a suit, or an agent of HYDRA. Or, he's gone underground, uses a different superhero identity, and has been replaced by someone else who takes up the mantle of Captain America. |
| 75 | ** During ''ComicBook/{{AXIS}}'', Steve Rogers ends up using his old exoskeleton as a ShoutOut to the last time he was turned into an old man, in a 1995 story line. |
| 76 | |
| 77 | |
| 78 | * ''Franchise/TheDCU'': |
| 79 | ** A new event brings new characters that will bring a lasting change to everything since they'll interact with the characters you already know and love and will sort of fade away over time in ''Bloodlines'', ''Worlds Collide'', or how about Creator/{{Wildstorm}} again. |
| 80 | ** ''ComicBook/CrisisOnInfiniteEarths'', ''ComicBook/ZeroHourCrisisInTime'', ''ComicBook/InfiniteCrisis'', ''ComicBook/FinalCrisis'', and ''ComicBook/DCRebirth'' are all [[CrisisCrossover major events]] that were advertised as "changing the status quo forever." Most of these events follow a huge battle like ''ComicBook/OurWorldsAtWar'', ''ComicBook/BlackestNight'', or ''ComicBook/{{Convergence}}''. The multiverse is radically changed in ''ComicBook/FiftyTwo'', ''ComicBook/New52'', ''ComicBook/TheMultiversity'', etc. |
| 81 | ** A 1994 DCU limited-series, ''Legends of the World's Finest'', had the writer Walter Simonson recycling the plot from [[ComicBook/Inferno1988 a 1989 Marvel storyline]] that was co-written by his wife Louise. |
| 82 | |
| 83 | * ''ComicBook/DisneyMouseAndDuckComics'': In the comics made in Italy, it seems that every 5-6 years or so they have to write a story where some character becomes a pro golfer, with the only purpose being to explain every single golf-related term to the readers via footnotes. |
| 84 | * ''Franchise/DoctorWho'': During the final years of the ''TV Comics Doctor Who'' licensed comic strip, complete stories from the Third (and in one case '''Second''') Doctor eras of the strip were reprinted with Creator/TomBaker's face crudely drawn over the original Doctor's. |
| 85 | * ''ComicBook/FantasticFour'': |
| 86 | ** In the comics, everything is changed when -- a team member dies, there is a huge change to the team roster, a relative of a team member shows up from another dimension, or Doctor Doom does something different this time and never brings it up again. |
| 87 | ** The ComicBook/HumanTorch has been subject to countless stories where he finally decides to start acting like an adult and vows to stop being an immature jokester. [[StatusQuoIsGod It never lasts]]. |
| 88 | ** ComicBook/TheThing temporarily being turned back into a human or angsting over being a freak are storylines that writers love to rehash. |
| 89 | * ''ComicBook/TheIncredibleHulk'': The relationship between Bruce Banner and The Hulk is permanently changed. Maybe Hulk is the one in charge now. Maybe it's Banner. Maybe they're separate. Maybe one side is DarkerAndEdgier, and one side is completely gone. |
| 90 | * ''ComicBook/JusticeLeagueOfAmerica'': It's a near-universal constant that every flagship ''Justice League'' run will gradually phase out the bigger name characters (ComicBook/{{Batman}}, ComicBook/{{Superman}}, ComicBook/WonderWoman, ComicBook/GreenLantern, ComicBook/TheFlash, and ComicBook/{{Aquaman}}) in favor of a lineup primarily consisting of lesser known heroes, only for the A-listers to retake center stage after the series is cancelled and relaunched. |
| 91 | * ''Franchise/MarvelUniverse'': |
| 92 | ** Every once and a while a new story line will reboot continuity, and the newer, hipper continuity will take the place of the old one. Say goodbye to the status quo in ''ComicBook/HeroesReborn'', ''ComicBook/UltimateMarvel'', ''ComicBook/AllNewAllDifferentMarvel'' -- Just kidding, long-term fans still get to appreciate the older continuity. |
| 93 | ** ''ComicBook/{{Secret Invasion|2008}}'' and ''ComicBook/CivilWar2006'', are awfully similar to past Franchise/MarvelUniverse storylines (ComicBook/RomSpaceKnight and many, many old [[SuperRegistrationAct mutant registration acts]]), and no hero involved notices. |
| 94 | ** ''ComicBook/HouseOfM''. ''How'' many times have the heroes woken up one morning to see [[RealityWarper reality has been changed drastically]] and they need to fix it? Enough that Cap and Hawkeye's reaction back in "The Morgan Conquest" was along the lines of "[[HereWeGoAgain Not again!]]" |
| 95 | ** The ''ComicBook/TimeRunsOut'' crossover between ''ComicBook/{{The Avengers|JonathanHickman}}'' and ''ComicBook/NewAvengers'', which was capped off with a ''ComicBook/SecretWars2015'' revival, has a number of similarities to ''Civil War''. The only major conceptual shakeup is that this time, it's Iron Man and ''his'' team of heroes who are considered fugitives, rather than Captain America's. |
| 96 | ** Marvel gives birth to one storyline about [[ComicBook/Inferno1988 clones, a disintegrated marriage, and demons]], and in their brilliance over the following years, Marvel begats [[ComicBook/TheCloneSaga another]], and then [[ComicBook/OneMoreDay still another]]. |
| 97 | * ''ComicBook/RoyOfTheRovers'': The original run of long-running (1954-93) weekly UK football comic was hit hard with this; the summer strips generally involved the Melchester Rovers team touring some South American country and getting kidnapped to keep the story exciting. Since Fleetway didn't think anyone would keep reading longer than three years, Roy was kidnapped five times in 10 years. This sort of thing was parodied in the ''ComicBook/{{Viz}}'' strip "Billy the Fish". |
| 98 | * ''ComicBook/{{Shazam}}'': The comics in the 1970s was notable in that even the regular issues were usually split between new stories and reprints from the Fawcett era. Since Fawcett had stopped publishing Captain Marvel stories in ''1953'', it was a fairly safe bet that they were new to the vast majority of readers. |
| 99 | * ''ComicBook/SpiderMan'': |
| 100 | ** Someone in Peter Parker's civilian life dies, becomes a villain, or becomes an anti-hero with a villain's power. |
| 101 | ** The status quo is irrevocably changed, either in ''ComicBook/TheCloneSaga'', ''ComicBook/SpiderManChapterOne'', or ''ComicBook/BrandNewDay''. Maybe Aunt May learns Peter's identity, or gets KilledOffForReal. Or, someone in the RoguesGallery gets KilledOffForReal, replaced by someone else taking up that villain's identity. The original villain will never return -- until making an unexpected return. |
| 102 | ** ''ComicBook/TheCloneSaga'', the remake of a 1970's story arc which debuted the Jackal (himself [[MeetTheNewBoss a low-rent replacement]] for the Green Goblin), hit the Spider-books in the early 90's with a similar goal in mind. By the end, was widely considered a huge failure, and concluded in the exact same manner as the original. Marvel ended up backtracking on many of its "big changes." |
| 103 | ** Used as justification by the [[ExecutiveMeddling editors]] for the ''ComicBook/OneMoreDay'' continuity reboot, under the theory that if they stuck to their guns through reader complaints for five years, no one would have enough of an attention span to remember it ever happened. An idea that might have been valid had it been Pre-Internet[[note]]For instance, the fact that the marriage it retconned was also an editorial event was forgotten and unknown to all but the few paltry comics fans who read the titles in TheEighties when the original audience had grown up and moved on, and only returned when they got word that their favorite pair was becoming canon through newspapers[[/note]], but although the post-OMD titles are ancient history by now and many successful stories were written after that, including an alternate continuity ''ComicBook/TheAmazingSpiderManRenewYourVows'', the fact is that the comic remains fresh in infamy over a decade later as one of the all-time worst Spider-Man stories. |
| 104 | * ''ComicBook/{{Superman}}'': |
| 105 | ** In old-school [[UsefulNotes/TheSilverAgeOfComicBooks Silver Age]] ''Superman'' and ''ComicBook/{{Superboy}}'' comics, plots were reused frequently, and not just in a "this bears a passing resemblance to that other story" way. More like, Jimmy becomes a werewolf under circumstances that are similar to but completely unrelated to the time it happened three years ago. (Real years, not comic years.) Superboy also became the leader of a wolf pack twice. And ComicBook/LoisLane and ComicBook/LanaLang got super-powers on enough occasions you may as well consider them reserve superheroes. |
| 106 | ** A recurring plot during the early years of Silver Age ComicBook/{{Supergirl}} was Linda Lee getting adopted by one couple and then returned to the Midvale Orphanage because her new adoptive "parents" turned out to be exploitative crooks. Linda getting adopted for real in ''ComicBook/TheUnknownSupergirl'' put an end to those plotlines. |
| 107 | ** Craig "Mr. Silver Age" Shutt, in his book ''Baby Boomer Comics'', cataloged 53 "duplicated" Superman stories. Typically, the rewrites would be printed 5-15 years after the original stories, but one ComicBook/LoisLane story was reused only one year after its first telling. |
| 108 | ** [[ComicBook/{{Valor}} Mon-El]]'s first appearance in 1961 was also an example of this, as it was a rehash of a 1953 story called "Superman's Big Brother," which had introduced a similar character named Halk Kar. |
| 109 | ** This happened in the Golden Age too, when the exact same stories were sometimes used only with new drawn pictures. |
| 110 | ** Through the ages there have been a large number of villains claiming responsibility for the destruction of Krypton: Klax-Ar in ''Superboy'' #67 (1958), Raspor in ''ComicBook/ActionComics'' #338 (1966), Black Zero in ''Superman'' #205 (1968), -possibly- ComicBook/{{Brainiac}} in ''ComicBook/SupermanBrainiac'' (2008), Rogol Zaar in ''ComicBook/ManOfSteel2018''... |
| 111 | ** ''ComicBook/GirlPower'' (2005), ''ComicBook/LastDaughterOfKrypton'' (2011), ''ComicBook/RedDaughterOfKrypton'' (2014), ''ComicBook/TheKillersOfKrypton'' (2018), ''ComicBook/SupergirlSpecial'' (2023)...all feature Supergirl learning to get over her grief, anger and feelings of abandonment and accepting Earth as her new home. |
| 112 | ** "Supergirl and Power Girl are at odds with each other" has been another constantly recycled plotline since the late 90's. |
| 113 | ** ''ComicBook/ManOfSteel2018'' and ''ComicBook/SupermanBrianMichaelBendis''. A villain claims responsibility for the destruction of Krypton, rather than Krypton being destroyed due to natural causes. A new ComicBook/{{Superboy}} is introduced, who gets invited to join the ComicBook/LegionOfSuperHeroes. |
| 114 | ** Nearly every decade someone writes a story where Superman is split into two "twins", each with different powers: ''ComicBook/TheAmazingStoryOfSupermanRedAndSupermanBlue'' (1963), ''ComicBook/TwoForTheDeathOfOne'' (1983), ''Superman Red/Blue'' (1997) and ''ComicBook/SupermanReborn'' (2017) are only some examples. |
| 115 | ** Every so often, Superman gets infected with a seemingly incurable alien illness. The Virus X in ''ComicBook/TheLastDaysOfSuperman'' (1962) and ''ComicBook/TheLeperFromKrypton'' (1968), the Bloodmorel spores in ''ComicBook/TheJungleLine'' (1985)... |
| 116 | ** Every so often, Superman writers rehash the "Superman goes back to Krypton" plot from 1960 story ''ComicBook/SupermansReturnToKrypton''. "Return to Krypton" (2000) and "Krypton Returns" (2013) are only some examples. |
| 117 | * ''ComicBook/TeenTitans'': |
| 118 | ** Issue #2 of the first series introduced Garn, a teenage caveman who ended up in the present. Issue #32 then introduced Gnarrk, a similarly named teenage caveman who also ended up in the present. |
| 119 | ** The writers of ''New Teen Titans'' have also maintained a consistent attachment to the concept "ComicBook/{{Raven}} goes evil because of [[VillainousLineage her demonic father]]". Or, in the case of both ''ComicBook/TitansRebirth'' and ''ComicBook/Titans2023'', [[spoiler:Raven's demonic side/soul self splits off from her]]. |
| 120 | ** This is at least in part because of [[MyRealDaddy Marv Wolfman's]] immense success with the ''ComicBook/NewTeenTitans'', which was at the time DC's best selling and most highly acclaimed title for a good while. Many storylines attempt to ape the success of his, with some success and some... not so much success at times. |
| 121 | ** Not just Raven. The number of stories where ComicBook/{{Cyborg}} angsts about being a machine, only to eventually come to terms with his appearance until the next time. |
| 122 | ** ''Titans: Paper, Scissors, Stone'' actually lampshades this last part as an explicit and inseparable part of the Titans mythos, and one that the new group's leader failed to take into account when she set out to recreate the circumstances of the team's forming. |
| 123 | * ''ComicBook/WonderWoman'': Robert Kanigher, an incredibly long-tenured writer at DC, recycled scripts in part or in whole on many occasions, most notably throughout his landmark 22-year run on ''ComicBook/WonderWoman1942''. Especially so in the mid-to-late 50s, when he seemed to dramatically overestimate the readership turnover rate -- for instance, Wonder Woman went back in time and met Robin Hood twice... with the two very similar stories separated by only 11 issues. Later, Kanigher would also reuse material from ''Wonder Woman'' in other comics he was writing, particularly ''ComicBook/MetalMen''. |
| 124 | * ''ComicBook/XMen'': The series as a whole has been doing this since 1991. Whatever changes are made to characters, most last five or so years before going back to the [[MyRealDaddy status quo that Chris Claremont had set before he left the book]]. It's notable that Claremont ''himself'' did not subscribe to this, and things kept changing constantly during his run, and never went completely back to normal most of the time. Apparently, it never occurs to Marvel that this might be ''why'' the Claremont years are looked upon as the golden era of ''ComicBook/XMen'' comics. |
| 125 | ** Recent examples include ''ComicBook/HouseOfM'', where at the end the X-Men status quo was changed by Mutants going from a prominent minority with their own sub-culture to being on the verge of extinction when the ComicBook/ScarletWitch [[AWizardDidIt wished away the powers of most other mutants]] in ''2005'', and '''seven years later''' the whole thing was undone with the crossover event ''[[ComicBook/AvengersVsXMen AVX]]''. |
| 126 | ** ...and then ''ComicBook/SecretWars2015'' happened, and the X-Men and mutant kind are right back to where they were post-"House of M" with the M-Pox story line. Many fans began to lose patience with Marvel, as this story came [[YankTheDogsChain less than five years]] after AVX and suspiciously coincided with [[ScrewedByTheNetwork Marvel's infamous movie rights dispute with 20th Century Fox]]. |
| 127 | ** Before the M-Pox story line, the Legacy Virus was the mutant virus story line from the 90's, which Jamie Madrox also [[DeathIsCheap died]] from. |
| 128 | ** Apocalypse creates a four-horsemen team, posing a great threat to the world, only to be forgotten later. |
| 129 | ** ComicBook/RachelSummers in ''ComicBook/DaysOfFuturePast'' (1981), [[ComicBook/{{Cable}} Nathan Summers]] (1986 & 1990), [[ComicBook/{{Bishop}} Lucas Bishop]] (1991), and [[ComicBook/GenerationHope Hope Summers]] (2008) all either are or revolve around a time traveler coming to the present to prevent a BadFuture. Even [[ComicBook/XMan Nate Grey]] (1995) technically counts, as while he came from [[ComicBook/AgeOfApocalypse an alternate reality]], he dedicated most of his career to preventing that reality becoming 616's BadFuture. |
| 130 | ** Psylocke gains new powers, forgets those powers, and gains new powers. |
| 131 | ** The X-Men travel to space for important space-related business. |
| 132 | ** The X-Men have to deal with another dimension and/or another timeline. |
| 133 | ** Someone dies. |
| 134 | ** Someone you thought was dead [[DeathIsCheap isn't anymore]]. |
| 135 | ** Mr. Sinister/Apocalypse/Madelyne Pryor/Stryfe does something evil and mysterious and disappears for a while. |
| 136 | ** The Hellfire Club has a new roster. |
| 137 | ** The X-Men split off into two or more teams. |
| 138 | ** An inexperienced team of younger members has adventures and gets forgotten about. |
| 139 | ** A spunky, hip female member joins the team, then leaves. |
| 140 | ** There's a new version of the Sentinels, only this time, there's something different. |
| 141 | ** The headquarters of the X-Men team, typically an academy or other institute of higher learning, is destroyed. |
| 142 | ** The X-Men relocate to a new geographical location. |
| 143 | ** Something happens to Charles Xavier. Something... that looks... '''PERMANENT!''' |
| 144 | ** ComicBook/{{Magneto}} does something irredeemably evil, reforms to help the X-Men, stays neutral, and goes back to being evil. This is eventually touched on in ''Magneto: Not A Hero'', which directly contrasts the more or less reformed Magneto with his clone, Joseph, resurrected by an anti-mutant activist who wanted an evil Magneto to stir up fear, when Magneto rips into Joseph, neatly summing up his reason for the HeelFaceRevolvingDoor: “The thing ''none'' of you will ever understand is that there are no ''sides''. There's no ''heroes'' or ''villains.'' ''There's just what I want and how I'll get it.''” |
| 145 | ** ComicBook/JeanGrey struggling with her growing powers and dying has been done over and again since ''ComicBook/TheDarkPhoenixSaga''. |
| 146 | ** ComicBook/{{Iceman|MarvelComics}} finally deciding to start acting like an adult and vowing to stop being an immature jokester has been redone multiple times. |
| 147 | [[/folder]] |
| 148 | |
| 149 | [[folder:Films -- Live-Action]] |
| 150 | * The trailers for ''Film/SpyKidsAllTheTimeInTheWorld'' hyped the "4D Aroma-Scope" (actually a scratch-and-sniff card) as if it were a new, revolutionary thing. The film itself came out eight years after the prior entry in the series, ''Spy Kids 3D'', and ten years since the first one. The children who were in the target audience when the original films came out were all grown up by the time ''All the Time in the World'' came out, while the children in the contemporary target audience would have probably never heard of the series before (after all, it didn't exactly stay in the public consciousness after it left theaters). As such, the franchise was remarketed as though new. |
| 151 | * ''Film/JamesBond'' |
| 152 | ** The franchise is infamous for announcing ahead of virtually every Bond film that '''this''' time the Bond girl will be an ActionGirl who is treated as an equal match for Bond, which is then immediately forgotten and next time the idea is again treated as new. |
| 153 | ** Creator/DanielCraig is not the first new Bond to be DarkerAndEdgier. A general rule of thumb is that Bond switches between being camp (Creator/SeanConnery, Creator/RogerMoore, and Creator/PierceBrosnan) and being serious (Creator/GeorgeLazenby, Creator/TimothyDalton, and Craig) each time they change actors. |
| 154 | * The sequel to ''Film/CatsAndDogs'' came out when the kids who had seen the original were too old to care about a sequel, and the kids who would see the sequel were too young to have seen the original. |
| 155 | * ''Film/HalloweenH20TwentyYearsLater'' was intended to be the definitive ending to the Halloween series, with Laurie Strode confronting Michael Myers once and for all for the series' 20th anniversary. 20 years later, the series... got its definitive ending when Laurie Strode confronts Michael Myers once and for all in ''Film/Halloween2018'' for the series' 40th anniversary. Both movies ended up being very different tonally, however, and the 2018 film ignores ''Film/HalloweenII1981'', meaning there is no brother/sister relationship between Laurie and Michael. |
| 156 | [[/folder]] |
| 157 | |
| 158 | [[folder:Literature]] |
| 159 | * ''Literature/DiaryOfAWimpyKid: The Meltdown'': One of Fregley's lines, "Betcha I can find your 'tickle spot'!", is taken word for word from the earlier tie-in do-it-yourself book. |
| 160 | * Used in-universe in ''Literature/WatershipDown'', due to rabbits' short lifespan. The main events of the novel are the stuff of legend some five years later, and humans are portrayed as driving cars and smoking cigarettes in the mythic past. |
| 161 | [[/folder]] |
| 162 | |
| 163 | [[folder:Live-Action TV]] |
| 164 | * Networks for kids, teenagers, and young adults often work this way. They know that in five years they're going to have a completely new crop of the target audience, and the crop from five years ago will begin to notice the reused plots and complain. |
| 165 | * Some ''Franchise/StarTrek''s overused their stock plots ad nauseam. The attitude seems to have been, 'Well, we've done this plot in four other shows, but have we ever done it on '''this''' show? No? Greenlight that sucker! Who wants pizza?" |
| 166 | -->'''[[http://www.startrek.com/article/catching-up-with-ds9undefineds-rene-auberjonois-part-2 Rene Auberjonois:]]''' I was sitting with Scott Bakula at lunch about two or three days into shooting the episode. He said, “I like this script. I think this is a good one.” I said, “Yeah, we did this one in [[Series/StarTrekDeepSpaceNine season three]].” And he looked at me and said, “[[YankTheDogsChain What?]]” |
| 167 | ** Oh, look, ''more'' [[PuttingOnTheReich aliens in Nazi uniforms.]] (''Doctor Who'' is guilty of this as well.) |
| 168 | ** Allusions to [[TwoDecadesBehind the new age movement and JFK's shooting]] are also incredibly common. |
| 169 | ** Another ''Trek'' standby is the "[[EveryoneIsATomato everybody on this planet is a hologram]]" twist. |
| 170 | ** [[HolodeckMalfunction Turning the Holodeck into a death trap]] is a favorite of ''[[Series/StarTrekTheNextGeneration Next Generation]]'' and ''[[Series/StarTrekVoyager Voyager]]''. Just which characters are placed in peril is subject to change... the formula isn't. Would that it ''only'' happened once every two years. |
| 171 | ** Lampshaded in ''[[Series/StarTrekDeepSpaceNine Deep Space Nine]]'': |
| 172 | ---> '''Worf:''' We were like warriors from the ancient sagas. There was nothing we could not do.\ |
| 173 | '''O'Brien:''' Except keep the holodecks working right. |
| 174 | *** It was parodied on ''WesternAnimation/{{Futurama}}'' when Kif shows Amy the [=HoloShed=]. He states that nothing in the simulation will hurt her, unless there's a malfunction and everything comes to life again, but that [[TemptingFate hardly ever happens]]. Several minutes later, the greatest villains in history (including an ax-wielding [[HistoricalHilarity Evil Lincoln]]) show up just after a malfunction. They know the drill and start smashing stuff. |
| 175 | ** In another ''Futurama'' episode, a ''Series/{{Star Trek|The Original Series}} TOS''-obsessed EnergyBeing forces the Planet Express crew and the TOS cast to fight to the death. When asked where he got that "idiotic idea", the alien rattles off the numbers of ''four'' TOS episodes where that happened (and Fry adds one he missed, much to the alien's chagrin). |
| 176 | ** Every iteration of ''Trek'' does MobySchtick. The first instance of a ''Moby Dick'' plot was seen as far back as 1967's [[Recap/StarTrekS2E6TheDoomsdayMachine "The Doomsday Machine"]] and [[Recap/StarTrekS2E13Obsession "Obsession."]] |
| 177 | *** This plot is reused in two of the movies: [[Film/StarTrekIITheWrathOfKhan Khan]] with Kirk as his whale and, in ''[[Film/StarTrekFirstContact First Contact]]'', Picard has the Borg as his whale. Creator/PatrickStewart actually played Ahab two years after ''First Contact'' in the Disney version of ''Moby Dick''. |
| 178 | *** ''Film/StarTrekIntoDarkness'' flips the script by having Kirk with Khan as the whale ([[spoiler:and after Kirk's apparent death, Spock with Khan as the whale]]). [[LampshadeHanging All three films compare the situation to Moby Dick]]. |
| 179 | *** And for Captain Janeway, we had [[Recap/StarTrekVoyagerS4E8YearOfHell "Year of Hell"]] and [[Recap/StarTrekVoyagerS5E25S6E1Equinox "Equinox"]] (both featuring Janeway as Ahab), followed by [[Recap/StarTrekVoyagerS5E14Bliss "Bliss"]], which guest-starred W. Morgan Sheppard as an alien hunting a giant, telepathic pitcher plant. |
| 180 | *** ''Futurama'' parodied this one, as well, with Leela becoming obsessed with getting revenge on an actual space whale, and in the end found out the whale actually feeds on obsession, and antagonizes spaceship pilots because they tend to get obsessed very easily. |
| 181 | ** ''Voyager'' and ''[[Series/StarTrekEnterprise Enterprise]]'' are ''especially'' bad at this, leading to criticism that both ignore their premises to be "''Next Gen'' lite" and [[RecycledScript recycle old episodes]] in the belief no one would recall episodes from any prior series. Hence why many ''Enterprise'' episodes feature technology and species wildly inappropriate for the time; they were introduced back in 1987, and ''nobody'' would remember back that far. Not that they cared. And why ''Voyager'' does things like base an episode around the legal issue of the rights of artificial lifeforms, even though TNG had resolved that early on. Parodied in Voltaire's "USS Make-Shit-Up". One verse expresses deja vu over Voyager, then has a flash of memory -- it was "way back in the sixties, when they called it ''Series/LostInSpace''." |
| 182 | ** However, as with this trope in general, certain complaints can fall into the trope of TheyCopiedItNowItSucks. For example, even though VOY's "Author, Author" and TNG's "The Measure of a Man" both deal with the rights of artificial life forms, there is an important difference: Data is an android who is considered a person by almost everyone, whereas the Doctor is an intangible hologram intended as a short-term supplement to the medical team, and has a harder time getting people to regard him as a person and not just a piece of technology. His lack of a permanent physical body is one of the key differences between the two. The fact that Data had over a decade earlier established the precedent for artificial life being recognized under Federation law is never even ''mentioned'' in the Voyager episode, though, which is rather odd. |
| 183 | ** The villain from ''Film/StarTrekTheMotionPicture'', [=VGer=], is [[MeetTheNewBoss a larger version of Nomad]], a villain from the original series. More interestingly, elements of [=VGer=] were recycled into the Borg Collective, and TOS' Trelane was the influence for Creator/JohnDeLancie's Q.[[note]]This was not lost on Creator/PeterDavid, who made Trelane a Q (non-canonically) in the novel ''Q-Squared''.[[/note]] |
| 184 | * ''Series/StargateSG1'' self-consciously makes use of this by having similar plotlines (time travel, alternate dimensions) refer to or even depend on previous episodes with similar plots. |
| 185 | ** Each time they encounter the same phenomena they will always recap the events of the previous mission, and try to figure out if what they learned that time can be useful again. In ''Series/StargateAtlantis'' sometimes the same solution is used again (or the same problem), with a twist. |
| 186 | ** Sometimes if the plot is similar to that from another media, this will even be lampshaded within the story, such as an episode involving a GroundhogDayLoop when O'Neill referred to the villain who had engineered it as "The King of Groundhog Day". |
| 187 | ** The ''Stargate'' franchise has never been afraid of metahumor. A number of ''SG-1'' episodes hinge on the US military [[BackedByThePentagon providing technical assistance]] to a sci-fi show about a secret military team that covertly fights aliens, in order to give themselves plausible deniability. Consider for a moment the plot of ''SG-1'', and that they are BackedByThePentagon to the point of casting actual American military personnel for bit characters (including ''two'' [[FourStarBadass Chiefs of Staff]] [[AsHimself playing themselves]]), and you can only ''imagine'' how fun the WildMassGuessing for that show can be. |
| 188 | * ''Franchise/SuperSentai'' (and by extension ''Franchise/PowerRangers'') has this going on in regards to their seasonal themes. |
| 189 | ** Car-themed: ''Series/KousokuSentaiTurboranger'' (1989) -> 7 years -> ''Series/GekisouSentaiCarranger'' (1996) -> 12 years -> ''Series/EngineSentaiGoOnger'' (2008) |
| 190 | ** Dinosaur-themed: ''Series/KyoryuSentaiZyuranger'' (1992) -> 11 years -> ''Series/BakuryuuSentaiAbaranger'' (2003) -> 10 years -> ''Series/ZyudenSentaiKyoryuger'' (2013) -> 6 years -> ''Series/KishiryuSentaiRyusoulger'' (2019) |
| 191 | ** Martial arts-themed: ''Series/HikariSentaiMaskman'' (1987) -> 6 years -> ''Series/GoseiSentaiDairanger'' (1993) -> 14 years -> ''Series/JukenSentaiGekiranger'' (2007) |
| 192 | ** [[GratuitousNinja Ninja]]-themed: ''Series/NinjaSentaiKakuranger'' (1994) -> 8 years -> ''Series/NinpuuSentaiHurricaneger'' (2002) -> 13 years -> ''Series/ShurikenSentaiNinninger'' (2015) |
| 193 | ** [[AnimalMotif Animal-themed:]] ''Series/TaiyouSentaiSunVulcan'' (1981) -> 7 years -> ''Series/ChoujuuSentaiLiveman'' (1988) -> 10 years -> ''Series/SeijuuSentaiGingaman'' (1998) -> 3 years -> ''Series/HyakujuuSentaiGaoranger'' (2001) -> 6 years -> ''Series/JukenSentaiGekiranger'' (2007) -> 9 years -> ''Series/DoubutsuSentaiZyuohger'' (2016) |
| 194 | ** Police-themed: ''Series/TokusouSentaiDekaranger'' (2004) -> 14 years -> ''Series/KaitouSentaiLupinrangerVsKeisatsuSentaiPatranger'' (2018) |
| 195 | ** Mythical creature-themed: ''Series/DengekiSentaiChangeman'' (1985) -> 8 years -> ''Series/GoseiSentaiDairanger'' (1993) -> 12 years -> ''Series/MahouSentaiMagiranger'' (2005) |
| 196 | ** Technology-themed: ''Series/DenshiSentaiDenziman'' (1980) -> 4 years -> ''Series/ChoudenshiBioman'' (1984) -> 13 years -> ''Series/DenjiSentaiMegaranger'' (1997) |
| 197 | ** [[LampshadeHanging Lampshaded]] in ''Series/KaizokuSentaiGokaiger'' in two different ways. In the Legend War sequence in the first episode, teams with the same theme can be seen fighting alongside one another (such as the Kakurangers and Hurricanegers). Further, a RunningGag has the Gokaiger getting teams mixed up (such as their changing into the Turborangers during the Carranger tribute episode). |
| 198 | ** ''Series/ChikyuuSentaiFiveman'' (1990), ''Series/RescueSentaiGoGoFive'' (1999), ''Series/MahouSentaiMagiranger'' (2005), and ''Series/ShurikenSentaiNinninger'' (2015) all use the idea that the heroes are a SuperFamilyTeam composed of siblings (or cousins, in ''Ninninger'''s case). |
| 199 | ** ''Series/PowerRangersRPM'' (2009) also recycled a plotline from ''Series/PowerRangersInSpace'' (1998), beat for beat: A mysterious loner (Andros/Dillon) joins an established team looking for his missing sister. [[spoiler:Said sister is now the resident villainess (Astronema/Tenaya 7), not remembering her pre-abduction life. Halfway though the series, she discovers she has a brother and attempts a HeelFaceTurn, only for the villains to brainwash her with cybernetic implants. The Rangers make things right in the finale.]] |
| 200 | ** The Titanium Ranger's arc from ''Series/PowerRangersLightspeedRescue'' (2000) is very similar to the Green Ranger's from ''Series/MightyMorphinPowerRangers'' (1993), right down to the plot point about the new Ranger having to be careful about Morphing. |
| 201 | * ''Sentai'''s ''Series/SuperHeroTime'' partner, ''Franchise/KamenRider'', inevitably runs into this as another seasonal theme-heavy LongRunner. As almost every annual season is a standalone story, the combination of new writers, FleetingDemographic, and general guidelines of the premise ("HenshinHero transforms into multiple forms to fight MonstersOfTheWeek while heroic Riders, villainous Riders, and {{Super Mode}}s all with their own gimmicks debut"), certain plot concepts get repeated quite often, sometimes back-to-back. |
| 202 | ** The [[{{Deuteragonist}} second-billed Rider]], either appearing early in the show or as a SixthRanger in shows with fewer Riders, initially conflicts with the protagonist before they eventually settle their differences and unite against the true villains. ''[[Series/KamenRiderRyuki Ryuki]]'', ''[[Series/KamenRiderBlade Blade]]'', ''[[Series/KamenRiderKabuto Kabuto]]'', ''[[Series/KamenRiderDenO Den-O]]'', ''[[Series/KamenRiderKiva Kiva]]'', ''[[Series/KamenRiderDecade Decade]]'', ''[[Series/KamenRiderW W]]'', ''[[Series/KamenRiderOOO OOO]]'', ''[[Series/KamenRiderFourze Fourze]]'', ''[[Series/KamenRiderWizard Wizard]]'', ''[[Series/KamenRiderDrive Drive]]'', ''[[Series/KamenRiderGhost Ghost]]'', ''[[Series/KamenRiderExAid Ex-Aid]]'', ''[[Series/KamenRiderZiO Zi-O]]'', and ''[[Series/KamenRiderZeroOne Zero-One]]'' ''all'' use this concept to some extent. ''[[Series/KamenRiderRevice Revice]]'' [[JustifiedTrope Justifies]] it, with Kamen Rider Evil actually ''possessing'' the heroic character who goes on to be the proper Secondary Rider. |
| 203 | *** This often applies to actual SixthRanger Riders who aren't the Secondary Rider, as well, including Gills & Another Agito in ''[[Series/KamenRiderAgito Agito]]'', Leangle in ''Blade'', Drake & Sasword in ''Kabuto'', Saga in ''Kiva'', Mage in ''Wizard'', Marika & Zangetsu Shin in ''[[Series/KamenRiderGaim Gaim]]'', Necrom in ''Ghost'', Para-DX in ''Ex-Aid'', Grease in ''[[Series/KamenRiderBuild Build]]'', Woz in ''Zi-O'', Thouser in ''Zero-One'', and Sabela & Durendal in ''[[Series/KamenRiderSaber Saber]]''. |
| 204 | ** "[[ArchnemesisDad Evil dad]]", or at least "[[DownplayedTrope dad who fights the heroes]]", has reached meme-status among the fandom for how often it's used. See the ''Kamen Rider'' entry on ArchnemesisDad for examples. |
| 205 | ** Both ''[[Series/KamenRiderDouble Double]]'' (2009) and ''Revice'' feature a mysterious, masked, black-coated benefactor to a secondary Rider who can create Rider gear, is revealed to have a connection to other major characters and to the origin of the Riders, and wears their mask to cover serious burns. |
| 206 | ** For less specific reused concepts: ''Series/KamenRiderAgito'' (2001), ''Series/KamenRider555'' (2003), and ''Series/KamenRiderKiva'' (2008) all used highly similar PoorCommunicationKills storylines (detailed on that trope's page), as part of writer Toshiki Inoue's SignatureStyle. ''Agito'' and ''Series/KamenRiderBuild'' (2017) both have {{Amnesiac Hero}}es, ''Series/KamenRiderKuuga'' (2000) and ''Series/KamenRiderOOO'' (2010) both star carefree globe-trotters, ''Series/KamenRiderDouble'' (2009) and ''Series/KamenRiderDrive'' (2014) both star BunnyEarsLawyer detectives with overbearing female partners, and ''Series/KamenRiderRyuki'' (2002), ''Series/KamenRiderGaim'' (2013), and ''Series/KamenRiderGeats'' (2022) all feature a war between a much larger cast of Kamen Riders than usual. |
| 207 | ** Three series feature CardsOfPower as the main gimmick of the Riders: The Advent Cards of ''Series/KamenRiderRyuki'' (2002), the Rouze Cards of ''Series/KamenRiderBlade'' (2004), and the Rider Cards of ''Series/KamenRiderDecade'' (2009). This is lampshaded in ''[[Film/KamenRiderXSuperSentaiSuperHeroTaisen Super Hero Taisen]]'', when Decade, Blade, and Ryuki are each given a card from the ''Series/TensouSentaiGoseiger'', the Sentai team which used cards, to help defeat [[Series/KamenRiderV3 Doktor G]]. |
| 208 | ** ''Series/KamenRiderDecade'' (2009) and ''Series/KamenRiderZiO'' (2018) are both {{milestone celebration}}s (the tenth and twentieth Heisei riders, respectively), and both feature Riders who travel to meet past Riders and use them as the source of their power-ups. |
| 209 | ** In terms of season themes rather than plots: |
| 210 | *** While the franchise post-Showa repeats series themes markedly less often than ''Sentai'', certain iconic motifs are frequently reused as a form of tribute. Aside from the oft-recurring classic insect motifs, the most obvious example (and truest to the trope) is the "bat-spider-cobra" trio of themes for enemy monsters, the former two being some of the first-ever monster themes in the series and the latter being the motif of the first monster to receive a power-up in the franchise. Almost every series with animal-themed monsters will eventually reuse these three, but the more direct tributes are ''Series/KamenRiderDrive'' where the basic, "unevolved" forms of every monster will have one of these themes, and the 50th anniversary entry ''Series/KamenRiderRevice'', where three of the main ensemble of ''Riders'' are bat, spider, and cobra-themed. |
| 211 | *** Riders with multiple form changes with AnimalMotifs have become increasingly common in the franchise. ''Kamen Rider OOO'' did it first with mix-and-matching three animals being the protagonist's gimmick, followed by many of [[Series/KamenRiderBuild Build]]'s forms using animal motifs mix-and-matched with miscellaneous "abiotic" items, ''Zero-One'' featuring animal-themed forms for almost all Riders, ''Saber'' ending up with several animal-themed forms as a result of its book theme, and ''Revice'' once again uses animal themes in almost the exact same way as ''Zero-One'', with the catch being that form changes are also themed after past Riders. ''Geats'', another mix-and-match Rider like OOO and Build, uses Animal Motifs in the form of the Riders' identifying masks rather than the actual form changes. |
| 212 | *** In a franchise as thematically diverse as ''Kamen Rider'', the design similarity between ''Series/KamenRiderWizard'' (2012) and ''Series/KamenRiderSaber'' (2020) is rather conspicuous: a show with a magical premise starring a red and black Kamen Rider with a waistcoat, whose main form is [[PlayingWithFire based on fire]] and his own dragon {{familiar}}. |
| 213 | ** ''Film/KamenRiderTheFirst'' (2005) and ''Film/ShinKamenRider2023'' are both theatrical {{continuity reboot}}s of the first ''Series/KamenRider'' (1971). |
| 214 | ** ''[[Series/KamenRiderBlackSun Kamen Rider BLACK SUN]]'' (2022) seeks to [[ContinuityReboot reboot]] ''Series/KamenRiderBlack'' (1987), although apart from borrowing some names and character designs from his inspiration, it's an InNameOnly adaptation of its source material. |
| 215 | * Both ''Series/{{Barney|and Friends}}'' and ''Series/SesameStreet'' are subject to this. The former went through wholesale changes of the child cast (and the voice of the titular character, to a lesser extent) about once every five years, whereas Sesame Street Muppets have been shown to forget things so they can be taught to a new audience. |
| 216 | * ''Series/TheSunnySideUpShow'' and, to a lesser extent, ''Series/TheGoodNightShow'' have both gone through host changes over the years. On the latter show, Star (and, to a lesser extent, Chica in the former) has been shown to forget things if they were discussed again. |
| 217 | * The current incarnation of ''Franchise/{{Degrassi}}'' has been on TV so long (over a decade) the the show routinely recycles storylines and only slightly updates them depending on the character. For example, the show has dealt with teen pregnancy at least five times (Manny, Emma, Liberty, Anya, and Jenna). An episode in which Emma almost becomes the victim of a pedophile she meets online is recycled twice, first with Darcy and then later with Connor. |
| 218 | ** They also [[{{Expy}} re-use the same character types]]. When the current series began (2001) they began using {{exp|y}}ies of characters from ''Series/DegrassiJuniorHigh'' and ''Series/DegrassiHigh''. Since the series has been on for over 10 years now, they now do this characters every few years. |
| 219 | * 106&Park used to have a segment called the ''"Old School Joint of the Day"''. Originally they did play videos that were at least a decade or so old, with guests even picking some of their favorite songs for the video. As the show, went on they began to play younger and younger videos. After people, even A.J. and Free who were hosting at the time, started to complain, the segment began to alternate with ''"The Flashback Joint of the Day"'', where they could play songs that were only a few years old without drawing the ire of people who knew they weren't really "old school". |
| 220 | * Creator/TerranceDicks, ''Series/DoctorWho'' script editor during the Creator/JonPertwee era of the early 1970s and writer for a longer time, has expressed this in terms of '''respect''' for the audience, recommending as a general rule that the audience should [[ViewersAreGoldfish never be expected to remember]] canon details from episodes broadcast more than two years before. This was from an age before VHS or DVD, and before you could be absolutely certain that reruns ''happened''; otherwise we'd not [[MissingEpisode have lost episodes of]], among other shows, ''Doctor Who''. If you're expecting to actually ''gain'' new viewers, it's actually quite nice to presume that not everybody was ''watching'' two years ago, and those who were can't be expected to have remembered details from an episode that only ran once (''maybe'' twice) so far back. |
| 221 | ** It is also worth noting that in the 1980s ''Doctor Who'' would, to its general detriment, suffer from ContinuityLockout as creators began to over-rely on increasingly obscure references to episodes ten or twenty years old (which ''still'' weren't out on VHS or DVD) without making it entirely clear what's going on for the audience members who ''didn't'' have detailed flowcharts of the show's history right in front of them at the time. Thus it can be said that Dicks had a point and that [[Administrivia/TropesAreTools there's a valid reason]] why the mindset behind this trope exists. |
| 222 | ** Dicks and outgoing producer Creator/BarryLetts were planning out Season 12 and decided "It's about time for Creator/TerryNation to do another Dalek story for us." So they asked him for a Dalek story, and he wrote a Dalek story, but they realized that his script was regurgitating "[[Recap/DoctorWhoS10E4PlanetOfTheDaleks Planet of the Daleks]]" and "[[Recap/DoctorWhoS11E3DeathToTheDaleks Death to the Daleks]]" from the previous two seasons. To break the repetition, they suggested he write a Dalek OriginsEpisode, which became "[[Recap/DoctorWhoS12E4GenesisOfTheDaleks Genesis of the Daleks]]". |
| 223 | ** The producers have said several times over the years that the Doctor's next companion is going to be a 'strong female character who can think for herself' as though they've never done it before. In fact Barbara, one of the three original companions of the ''First'' Doctor, is a strong female character who can think for herself. Amusingly, the first time this appears to have been used in the press was in 1971 to promote Jo Grant, who was specifically created by the showrunners to be '''less''' intelligent and challenging to the Doctor than her predecessor Liz Shaw. |
| 224 | ** The audio drama ''Doctor Who and the Pescatons'' shamelessly recycles most of the Creator/PatrickTroughton story "[[Recap/DoctorWhoS5E6FuryFromTheDeep Fury From the Deep]]", on the grounds that the children the drama is aimed at would have been about two or three when the story was aired. |
| 225 | ** New ''Doctor Who'' hasn't been entirely free of this either; in particular, during Creator/RussellTDavies's first run in the 2000s, something happens that makes it clear that the Daleks who show up are the absolute final last Daleks in all of the universe and then, when the Doctor defeats them, makes it equally clear that the Daleks have been Destroyed For Good This Time... until the next time they show up, a year or so later, at which point we go through it all again. |
| 226 | ** A guest character/ally turning out to be a never before seen regeneration of the Master in a third act twist is basically the way they've revealed like half of the new actors in the role. |
| 227 | * ''Series/LawAndOrderUK'' consciously recycles numerous storylines from the original ''Series/LawAndOrder'' into the British legal system. |
| 228 | * On ''Series/HomeAndAway'', Martha discovers that her boyfriend is in a marriage of convenience. Surprisingly, this does not remind her of her love affair with Ash nearly three years earlier, which ended because he was married with kids and wasn't about to leave them. |
| 229 | * Subverted on ''Series/SaturdayNightLive''. John Goodman is hosting, along with Tom Petty and the Heartbreakers. During his monologue, an audience member stops him to ask if this is a repeat. John reassured that it isn't-given that it was a live broadcast and all- but kept getting interrupted by members of the audience who insist that it's a repeat from a few years ago when John also hosted with Tom Petty as the musical guest. John even brings out Jimmy Fallon, a cast member at that time, who agreed with the audience that this show is, in fact, a repeat and that he remembers it because it was aired when he was in high school. |
| 230 | * Virtually every episode from the last few seasons of ''Series/{{Bewitched}}'' (the [[TheOtherDarrin Dick Sargent]] years) re-used the plot of an episode from the Dick York era. |
| 231 | * Sometimes happens on ''Series/{{QI}}''. If watching the show from the beginning, you will occasionally hear the same joke twice (''not'' as a RunningGag), or hear a question based on something that was already discussed at length in a previous episode. |
| 232 | ** One example is the story about how Kangaroos got their name and what it means. This [[strike: story]] myth is told twice at length in two different episodes. The second time offers no reference to the first, so it isn't an InJoke. |
| 233 | ** In Series H, Stephen Fry finished one episode with a scat joke about pathologists and dead bodies. This joke was already told by Alan Davies, several seasons back. |
| 234 | ** In Series J, Stephen asks how elephants drink. Alan suggests using its trunk and gets a forfeit, and Jimmy Carr quips that they drink to forget. Back in series A, during a question about elephants' lack of tolerance for alcohol, Alan made the same mistake (without forfeit) and Clive Anderson made the same joke. |
| 235 | ** In the "Fire and Freezing" episode, one of the facts is that fire stations are now often built one story high to avoid spending time getting downstairs, even by way of the pole. In "Inland Revenue," when fireman's poles are mentioned again, Al Murray asks why they don't just build them one story high if speed is such a concern. Stephen and the other panellists come up with reasons like needing room for the fire engines, and nobody seems to remember learning otherwise. |
| 236 | ** They occasionally do catch these (more than once in the form of Alan contributing an interesting fact only for Stephen to point out that he learned it on ''QI''). |
| 237 | ** This is subverted when they ask questions which have been asked before, and (predictably) Alan provides the previous answer only to find out it's now wrong. |
| 238 | *** The most famous example is the question, "How many moons does the Earth have?". In the A Series "Astronomy" episode the answer is 2, due to the inclusion of Cruithne. By "Beavers", the answer is either one or five due to the discovery of three more satellites, and if Cruithne is a moon then so are they. In "Knowledge", the answer is at least 18 thousand due to the discovery of "mini-moons". And by "Landmarks", the Earth has no moon; the Earth and the Moon are instead a binary planet system. |
| 239 | *** The "Knowledge" episode was based on the fact that the answers to many questions that they had asked in the past were proven false by the time the 11th series aired due to new scientific discoveries. The episode rewarded the panelists points they were statistically owed for having possibly been right after all these years. Series mainstay Alan Davies is given 737.66 points; by the end of the episode he's lost 50 through his usual wrong answers. |
| 240 | * ''Series/{{Buffy|the Vampire Slayer}}'': Season seven episode "Him" rehashes the plot of season two episode "Bewitched, Bothered, and Bewildered" (a love spell gone wrong causes many women to fall blindly for the same guy, with terrible consequences). Xander even reminisces fondly about the prior event (including ''his best friend leading a mob of women and [[IfICantHaveYou trying to kill him with an axe]]''). |
| 241 | ** There are also multiple episodes based on the characters' fears becoming manifest, though for different reasons. A first season episode based on folks' nightmares, and a fourth season episode with a haunted house. |
| 242 | * ''Series/{{Angel}}'' occasionally reuses plots from [[Series/BuffyTheVampireSlayer its parent show.]] For instance, both shows have an episode that involves the main cast getting amnesia and meeting each other for the first time again. [[Administrivia/TropesAreTools This isn't a bad thing]], though--''Angel'' has a slightly different premise, different tone, and most importantly, completely different characters. Put the same characters in a different situation, and they react differently. Put different characters in the same situation... and they react differently. |
| 243 | * Many of the skits in the revival of ''Series/AllThat'' are rehashes and reimaginings of the skits from the original set ("Cooking With Randy" becomes "Coffee And Sugar," Repairman/Detective Dan/Stuart becomes Randy Quench: Volunteer Fireman, etc.), which ended three years prior. This becomes especially obvious in the tenth anniversary special, which involves new skits from both sets. |
| 244 | * A related version happens in TV made for toddlers. In the case of ''Series/InTheNightGarden'', only 100 episodes were ever commissioned, despite the show being wildly popular. The logic is that the demographic will only watch for two years, then grow out of the show, meaning after 100 episodes you can start from the beginning again and nobody but adults will notice. This is also the reason why the show has no overarching plot or an [[TheResolutionWillNotBeIdentified episode that acknowledges itself as the first or last]]. |
| 245 | ** This is similar to many studios only commissioning 65 episodes for its kids', neonate, early and late teen shows. It takes a monumental push by fans to get more of the same show instead of using the same 65 scripts for the next one they churn out. This was a pretty big issue in the mid 2000s with Creator/DisneyChannel, where the hugely popular ''Series/LizzieMcGuire'' ended at 65 episodes in just 2 seasons and ''WesternAnimation/KimPossible'' needed an obscure contract from a German television station to get a 4th season. ''Series/HannahMontana'' and ''Series/WizardsOfWaverlyPlace'' have over 85 and ''Series/TheSuiteLifeOnDeck'' has over 100 when you count both series. |
| 246 | ** Originally, this practice started as something of an insurance policy for all sides -- if the show did well, great, it would be signed up for more than 65 episodes. But if it bombed and was canceled, 65 was the minimum most stations would purchase for syndication (allowing them to run the show each weekday for 13 weeks without repeats). By ensuring that there would be at least that number of episodes, the producers hoped to guarantee they would make at least some money off the show, and this worked reasonably well. (Famously, the first seasons of ''Series/StarTrekTheNextGeneration'' were produced under such a deal.) Add in the idea that your shows are interchangeable dreck that nobody cares too closely about, and you end up switching shows each time the grace period expires. |
| 247 | * Parodied on ''Series/HaveIGotNewsForYou'': an episode had Boris Johnson and Janet Street-Porter as guests, then the following year they both happened to be booked the same week again. Creator/AngusDeayton lampshades this by joking that due to a legal loophole, it's cheaper for the BBC to film the same episode over and over again rather than just repeat it. |
| 248 | * The shows of the Franchise/DisneyChannelLiveActionUniverse, when compared across the board, fall heavily in this trope (not surprising considering the Fleeting Demographic is considered especially in play). |
| 249 | * Seasons 1 and 4 of ''Series/{{Smallville}}'' both involve an episode in which Clark wants to try out for football, and his parents are against it because of his superpowers. There are, however, some key differences. The first time he ends up dropping out, the second time he stays on the team at the end of the episode. In the first episode it's the main storyline, while it's a B-plot in season 4. |
| 250 | * ''{{Series/Supernatural}}'': In season 5, Castiel gradually loses his powers as a result of being cut off from Heaven until he is eventually turned into a normal human. Four seasons later, he's turned into a human again for season 9. His first stint as a human is never even mentioned. WordOfGod has even mistakenly referred to him as being human for the first time. |
| 251 | * ''Series/TheXFiles'': Count the number of episodes that feature a MonsterOfTheWeek with a very specific HorrorHunger, a protagonist who has some kind of psychic connection with a serial killer, or a LotusEaterMachine of some variety. There's also all the times that the "real, definitive" truth about the aliens and the Conspiracy was revealed... |
| 252 | * ''Series/TheNoddyShop'', a show that was a RecycledPremise version of ''Series/ShiningTimeStation'', began its run on PBS affiliates around the same time they dropped the latter show. |
| 253 | * ''Series/{{Chespirito}}'' tended to recycle scripts every two or three years, sometimes with minor variations in the setting or characters (especially during María Antonieta de las Nieves's leave of absence, or Ramón Valdés and Carlos Villagrán leaving the show), though that certainly didn't stop Chespirito making nearly identical episodes, or even recycling a script once a year (or even twice a year sometimes). |
| 254 | * ''Series/InaiInaiBaa'' changes hosts every 4 years and the exercise song every 8 years for this reason. It's also the reason many of the earlier songs get re-recorded, with the most common example being "Tonton Tomato-chan". |
| 255 | * ''Series/TheSootyShow'', a British puppet show that has been on television in some form since the 1950s, has had plots recycled over the decades, particularly after a new host takes over. The current host Richard Cadell borrows a lot from previous host Matthew Corbett, who hosted from the 1970s through the 1990s after taking over from his father and making the show into sort of a surreal sitcom rather than a traditional puppet show. |
| 256 | [[/folder]] |
| 257 | |
| 258 | [[folder:Magazines]] |
| 259 | * Bridal magazines presume that the vast majority of their readers are brides-and-grooms-to-be who will only be subscribing (or picking up a few issues here and there in the grocery store checkout line) for the duration of their engagements, and thus repeat articles (with very slight tweaks) on a 16-20 month cycle. |
| 260 | * Outdoors-oriented magazines will often repeat articles annually with only slight tweaks. For example, photography magazines seem to have a repeating "Summer photography guide", "Fall photography guide", "Winter photography guide", "Spring photography guide" cycle. Bicycling and running magazines love to offer seasonal advice, which does not change much from year to year. |
| 261 | [[/folder]] |
| 262 | |
| 263 | [[folder:Professional Wrestling]] |
| 264 | * Coined by ProfessionalWrestling promoter, booker, on-air personality, and general jack-of-all-trades Wrestling/JimCornette, the Seven Year Rule is the unwritten pro wrestling rule that, after seven years, there has been enough turnover in the fanbase that a booker can re-use the same gimmicks and angles with impunity. As the theory goes, any wait shorter than seven years may result in fans noticing the rehashing, and calling the promotion on the re-use. After that, a few diehard longtime fans may notice and become upset, but almost everybody will accept the product as new. |
| 265 | * Thanks to a very recent bit of recycling, Chris Jericho can now count himself part of this list. Back in early 1998, when he was still part of (and, as legend states, rather disgruntled with) WCW, he showed up with ''The List of 1004 Holds'' (ARMBAR!!) as part of his feud with Dean Malenko. Fastforward eighteen years to 2016, where Jericho (with his "best friend Kevin Owens") begins to chronicle his various grievances with the WWE, centred around the recent brand split (''another'' recycling from the early part of the previous decade) and the people with whom he shares roster space. How does he accomplish this? Why, with ''The List of Jericho'', complete with him missing out numerous points on said list during lengthy recitations and people (such as The New Day and the reason for the List being started, Mick Foley) being told "...YOU JUST MADE THE LIST!" on multiple occasions. Then again, this ''is'' Chris Jericho we're talking about. If he can get a piece of paper over once, he can damn well do it again. |
| 266 | ** In late 2019, Jericho {{defied|Trope}} and {{lampshade|Hanging}}d this trope. On the December 4 episode of ''[[Wrestling/AllEliteWrestling AEW]] Dynamite'', he created "The Lexicon of ''Le Champion''", a list of wrestlers whom he wouldn't face again that year. When he announced the title of his latest creation, the crowd cheered, only to have Jericho (by now a heel holding the AEW championship belt) tell them that it wasn't 2016 any more. The Lexicon was constructed oddly like The List, including not only wrestlers but throwing in non-wrestling figures such as Music/BuckOwens, "[[Characters/SouthParkTheBoys Kenny]] from ''WesternAnimation/SouthPark''", and [[Music/DefLeppard Rick Allen]]. The "armbar" of The Lexicon ended up being [[Wrestling/DeanAmbrose Jon Moxley]] (with whom he had a major feud in 2020, ending with Jericho dropping the AEW title to Mox). |
| 267 | * Certain [[TheGimmick gimmicks]] recur so often in ProfessionalWrestling that it is not unusual to have more than one example existing at the same time - albeit necessarily on different TV shows or in different promotions. Whereas Wrestling/{{WWE}} boasts a mentally unstable "[[WrestlingMonster monster]]" who uses the Chokeslam finisher named Wrestling/{{Kane}}, [[Wrestling/ImpactWrestling TNA]] has a mentally unstable "monster" who uses the Chokeslam as a signature move named Wrestling/{{Abyss}}. And in late 2004/early 2005, this mimicry was seen within WWE itself as Gene Snitsky and Jon Heidenreich each performed the role of an intense monster heel with PunctuatedForEmphasis speaking patterns on ''Raw'' and ''[=SmackDown=]'', respectively. Both of them spawned [[Memes/ProfessionalWrestling IWC memes]] (Snitsky's "It Wasn't My Fault" and Heidenreich's "[[{{Pun}} Heidenrape]]") They even {{lampshade|Hanging}}d this fact at the 2004 ''Survivor Series'' when they met for the first time, as well as had feuds in the same time frame with [[Wrestling/TheUndertaker the Brothers]] [[Wrestling/{{Kane}} of Destruction]]. |
| 268 | * [[Wrestling/LexLuger "The Narcissist" Lex Luger]] was recycled as "The Reflection of Perfection" Mark Jindrak after 11 years, complete with a [[Wrestling/TeddyLong hammy manager]] to talk him up. |
| 269 | ** See also "The Masterpiece", Chris Masters, in 2005-07. |
| 270 | ** Though the name similarity isn't there, many people see the similarities between [[Wrestling/CurtHennig Mr. Perfect]], and Wrestling/DolphZiggler: long blond hair, tan skin, and an obsession with "perfection" (the former's nickname, the latter's second theme song.) Ziggler's [[Wrestling/VickieGuerrero manager]] is also an authority figure. |
| 271 | * Wrestling/TheFourHorsemen first formed in 1986 with Wrestling/RicFlair, Wrestling/ArnAnderson, Ole Anderson, and Tully Blanchard, and at one time held the Wrestling/{{N|ationalWrestlingAlliance}}WA [[http://www.wrestling-titles.com/nwa/world/nwa-h.html World Heavyweight Title]], the [[http://www.wrestling-titles.com/us/midatlantic/nwa/ma-nwa-t.html NWA World (Mid-Atlantic, the only recognized version by that point) Tag Team Titles]], and the [[http://www.wrestling-titles.com/wcw/wcw-tv.html NWA World Television Title]]. They went through a few different lineups on and off until RealLife PointyHairedBoss Jim Herd fired Flair from Wrestling/{{WCW}} before the infamous ''WCW Great American Bash 1991'' [=PPV=]. There was a brief reformation in 1993, but the group didn't really come together full force until Flair turned on Wrestling/{{Sting}} during their match against Arn Anderson and Wrestling/BrianPillman at ''WCW Halloween Havoc 1995'', October 30, 1995, and the introduction of Wrestling/ChrisBenoit as the fourth member the next night on ''Wrestling/WCWMondayNitro''. Pillman left after a WorkedShoot with [[Wrestling/KevinSullivan "The Taskmaster" Kevin Sullivan]] at ''WCW [=SuperBrawl=] VI'', intended to put over Pillman's "Loose Cannon" persona, in February 1996. Former [[UsefulNotes/NationalFootballLeague Chicago Bears football player]] turned color-commentator Steve "Mongo" [=McMichael=] was added in his ''in-ring debut'' when he turned on his partner, fellow football player Kevin Greene, in their match with Flair and Arn at ''WCW Great American Bash 96''. Wrestling/JeffJarrett was added in October 1996, and Arn had his last match at the start of 1997, declaring his retirement on the August 25, 1997 ''Nitro'', with Wrestling/CurtHennig accepting Arn's "spot" in the group. Hennig turned on the Horsemen in the [[GimmickMatches War Games]] match against the [[Wrestling/NewWorldOrder nWo]] (Wrestling/KevinNash[=/=]Syxx [=Sean Waltman=][=/=]Wrestling/{{Konnan}}[=/=]Buff Bagwell) at ''WCW Fall Brawl'', September 14, 1997, shutting the group down for a year. Then RealLife {{Jerkass}} BadBoss Wrestling/EricBischoff sued Flair after Flair had no-shown a taping of ''WCW Thunder'' in April 1998. Flair returned on the September 14 ''Nitro'', as Arn and long-time Horsemen manager Wrestling/JamesJDillon introduced the new lineup of the Horsemen: Benoit, [=McMichael=], Wrestling/DeanMalenko (who had been pushing Arn for months to reform the group) and Flair. [=McMichael=] left quietly in early 1999, and the group dissolved in the middle of the year. |
| 272 | ** Flair started accompanying Wrestling/TripleH to his matches starting after ''WWE Unforgiven'' in October 2002. Wrestling/{{Batista}} moved from ''[[Wrestling/{{WWESmackDown}} WWE [=SmackDown!=]]]'' to ''[[Wrestling/{{WWERaw}} Raw]]'' and joined them, with Wrestling/RandyOrton completing the group on January 20, 2003, and the name Wrestling/{{Evolution}} debuting two weeks later. |
| 273 | * At ''Wrestling/RoyalRumble 1994'', [[http://www.wrestling-titles.com/wwe/wwe-h.html WWE Champion]] Wrestling/{{Yokozuna}} defeated Wrestling/TheUndertaker in a [[GimmickMatches Casket Match]] after 10 other wrestlers got involved. In 1998 he is again the challenger for the Title at the Royal Rumble in a Casket Match, and again a total of 10 people are involved but this time it only really took one, Kane (who set the casket on fire). It again started a this time shorter Hiatus. Then in 2005, Wrestling/RandyOrton and his father had a casket match with Undertaker, ''again'' winning by outnumbering him and then setting the casket on fire. |
| 274 | * 1995, Wrestling/MickFoley turns heel in Wrestling/{{ECW}} and tries to lure Wrestling/TommyDreamer to the safer environment of Wrestling/{{WCW}}. 2005, Wrestling/MickFoley turns heel in Wrestling/RingOfHonor and tries to lure Wrestling/SamoaJoe to the higher paying pastures of WWE. |
| 275 | * In 1997, Wrestling/{{Kane}} started tormenting Wrestling/TheUndertaker, and at the following ''Wrestling/{{WrestleMania}}'' (XIV), Taker defeated Kane. This was followed by a long period of general peace and cooperation between them, including a reign as the tag champs. In 2003, Kane buried Taker in a Buried Alive match, and at the following Wrestlemania (XX), Taker defeated Kane, leading to a general period of peace with some cooperation over the past four years. Seven--er, six--year rule magnified exactly. |
| 276 | ** Speaking of The Undertaker and Kane, when the Undertaker first debuted, he was announced as "Cain the Undertaker". They didn't call him by that name again for over seven years, and then his brother "Kane" debuted. |
| 277 | ** In 1994, there was an infamous "Undertaker vs. Undertaker" feud. Or more accurately, "Undertaker vs. Guy In Undertaker Costume Who Is Visibly Shorter And Less Muscular Than Undertaker". Fast forward to 2006, and there was a "Kane vs. Guy In Kane's Old Costume Who Is Visibly Shorter And Less Muscular Than Kane" feud. (The fake Kane was played by the same wrestler who played hillbilly Festus and Wrestling/CMPunk disciple [[Wrestling/DocGallows Luke Gallows]].) |
| 278 | ** In 2010, Wrestling/{{Kane}} took out the Undertaker for a few months and the Undertaker came back for revenge. When Kane explained his actions, he stated it was because the Undertaker had shown weakness in his match with Wrestling/ShawnMichaels. It is very similar to the storyline where Kane buried Taker alive because he showed weakness in helping protect Wrestling/{{Stephanie|McMahon}} from Wrestling/{{Vince|McMahon}}. This feud fully acknowledges the past storyline, saying that last time, the time wasn't right for Kane's "master plan", and that he's been building up to this since the year after he debuted. The timeline also fits; it had been about another six years. |
| 279 | *** It had also been six years since Undertaker "killed" Wrestling/PaulBearer, only for [[NotQuiteDead Bearer to return to be in 'Taker's corner]]. Though Bearer then betrayed Undertaker at the ''Hell in a Cell'' PPV two weeks later. Presumably ''he'' still remembers being buried in cement. |
| 280 | *** He hinted on Website/{{Twitter}} that he does, anyway. |
| 281 | *** The feud then led to a Buried Alive match with Undertaker losing due to outside interference, leaving Kane to ask for a bulldozer to dump soil into the grave, almost seven years since the last time this happened. |
| 282 | * WWE redid the Wrestling/MontrealScrewjob angle, wherein the referee, the owner/manager, and a smarmy wrestler conspire to [[{{Kayfabe}} "screw"]] a fan favorite out of a title. Anyways, the wrestler who got screwed over is the Undertaker, who then proceeded to abduct Teddy Long, in a manner reminiscent of the NotMyDriver portion of the maligned "[[AssPull Higher Power]]" storyline when he abducted Stephanie in much the same way. Not only did they reuse old storylines, they mixed them together. |
| 283 | ** Wrestling/{{WWE}} ''loves'' to reference and re-enact the Wrestling/MontrealScrewjob. It was repeated merely a year later at the 1998 Survivor Series, with Vince screwing over [[Wrestling/MickFoley Mankind]]. |
| 284 | *** Other companies like to reference it, too. Less than two months after the original, Wrestling/BretHart came out after the main event of Starrcade where Wrestling/HulkHogan pinned Wrestling/{{Sting}} and claimed referee (and [=nWo=] lackey) Nick Patrick made a quick count (well, he was supposed to in kayfabe, but mistakenly made a regular count, but that's neither here nor there) and yelled he wouldn't let "it" happen again. He restarted the match and Sting got Hogan to submit to the Scorpion Deathlock (which is the same hold as Bret's "Sharpshooter", and the move that HBK used on Bret when he was "screwed") to win. Years later, in TNA, Hogan and Wrestling/KurtAngle re-enacted the Screwjob as well. |
| 285 | ** And now they've done it again, but this time with a {{subversion}}. At Money in the Bank 2011, controversial {{heel}} Wrestling/CMPunk (who was also involved in the Undertaker screwjob) threatened to leave the company with the belt after beating then current champ Wrestling/JohnCena. When Cena had Punk locked in his signature submission, Vince and office stooge Wrestling/JohnLaurinaitis came down trying to screw Punk out of the title; however, Cena knocked out Vince's crony, saying that he was going to win this his way, only to have Punk use the distraction to hit Cena with the [[FinishingMove Go To Sleep]], [[CueTheFlyingPigs pin him]], and [[SugarWiki/MomentOfAwesome leave the company]] with the [[InsistentTerminology championship.]] |
| 286 | * In late 1999, Wrestling/TripleH, the top heel, [[{{Kayfabe}} "married"]] Wrestling/StephanieMcMahon and used her power in the company to rule the roster with an iron fist as the [=McMahon=]-Helmsley Regime, allowing him to keep a strangle hold on the Championship. Cut to 2008 and the same thing is repackaged with Wrestling/{{Edge|Wrestler}} and Wrestling/VickieGuerrero (who, like Steph, was part of a famous wrestling family). Ironically, back in 2000, Edge and his tag team partner Wrestling/{{Christian}} voiced confusion on whether the group was a regime or a faction (both terms were used throughout the stable's history) and settled on "Fac-gime." |
| 287 | ** LifeImitatesArt: In late 2003, Paul Levesque (Wrestling/TripleH) married Stephanie [=McMahon=] in real life, and (it can be argued) used their combined power in the company to rule the roster with an iron fist, allowing him to keep a strangle hold on the Championship. |
| 288 | * The feud between The Undertaker and Triple H at [=WrestleMania=] XXVII was this. They had last competed against each other at [=WrestleMania=] X-Seven. WWE went out of its way not to bring this up, and in fact acted as if Taker and Triple H had never faced each other at all before (despite having wrestled each other many times in the 1990's even). This tactic may have had a slightly better chance of working if it wasn't a ''[=WrestleMania=]'' they were expecting everyone to have forgotten about. |
| 289 | ** The night after Wrestlemania, Triple H [[ContinuityNod finally mentioned he'd faced Taker at Mania before]]. |
| 290 | * In 1999, [[Wrestling/DwayneJohnson The Rock]] stole a win in an "I Quit" match over [[Wrestling/MickFoley Mankind]] by playing a recording of Mankind yelling "I Quit!" and fooling the officials into awarding him the match. In 2011, Wrestling/TheMiz stole a win in an I Quit match over Wrestling/JohnCena with the exact same trick, simply updated for the twenty-first century. Rather than use the PA system like The Rock did, Miz had his then-protége Alex Riley (who was present due to The Miz abusing the "no disqualification" clause present in such matches) play a soundbite of Cena yelling "I Quit!" on his smartphone into a microphone. [[spoiler: It didn't work. The referee caught on to his trick, leading him to reverse the decision and restart the match. Freed from his kendo stick beating, Cena then went and made Miz quit for real inside three minutes.]] |
| 291 | * There are ''strong'' parallels between Wrestling/CMPunk's mid-summer 2011 storyline (TL;DR: his contract is revealed to be expiring the night that he competes for the WWE Championship, before which he proceeds to verbally shit all over WWE under Vince [=McMahon=] and John Cena's hegemony, threatening to take the belt to other promotions, and then actually won the belt in his hometown while letting his contract run out) and the "Summer of Punk" angle in Wrestling/RingOfHonor (his supposedly final match was for the [[http://www.wrestling-titles.com/us/roh/roh-h.html ROH World Title]], which he won only to reveal that he was going to WWE, sign his WWE contract on the title and then would be "chased" by the ROH roster attempting to take it back before he could run off with it). |
| 292 | ** [[Wrestling/ImpactWrestling TNA]] subverting the rule caused problems when they rehashed the entire storyline late 2013, with Wrestling/AJStyles as Punk and Dixie Carter as Wrestling/VinceMcMahon. Since this is two years removed from the original storyline that skyrocketed Punk to superstardom, everyone noticed the similarities so the storyline kind of fell flat. It did not help that Dixie Carter made a poor man's Vince. However, what probably killed the whole thing all together were AJ's contract negotiations at the time, much like how Punk's were disputed during the summer of 2011. AJ Styles, one of the TNA Originals who has stuck around since the company's very inception, the epitome of UndyingLoyalty, finally left TNA, forcing the company to remove the title from him and kill his TNA career. AJ not sticking around destroyed the entire storyline and most likely TNA's last hope for a comeback. |
| 293 | * Much of the Wrestling/RicFlair vs. Wrestling/RickySteamboat feud of 1989 was a rehash of earlier angles, including Steamboat stripping Flair naked in the ring. The two hadn't wrestled in five years, and in the interim the business had experienced almost 100% fan turnover. Ergo, a slick updating of five-year-old spots was probably the top feud of the year. |
| 294 | ** As much due to time as the original version occurring pre-TV. |
| 295 | * In 2003 Wrestling/BrockLesnar was in a match against Wrestling/TheBigShow for the Heavyweight Championship, one spot called for them to superplex off the second rope, which ''imploded the ring''. Fast forward to 2011 and the ''Vengeance PPV'' and the spot happens all over again, this time with Wrestling/MarkHenry and the Big Show, ''again''. Unlike Lesnar/Show, which was at the end of the show, Henry/Show was followed by a WWE Championship match with John Cena and Wrestling/AlbertoDelRio. It was a Last Man Standing Match, which worked out amazingly well. And then in 2017, the same thing happened a third time, this time with Wrestling/BraunStrowman and, you guessed it, the Big Show. Interestingly enough, Big Show was the victim of the "superplex" all three times. |
| 296 | * 1997-ish, [[https://www.youtube.com/watch?v=D_4WJA_4R0s Mini Mankind & Mini Vader]]. 2009-ish, [[https://www.youtube.com/watch?v=0rFxtf3j2do&feature=related Mini Everyone]] |
| 297 | * Like the popularity of Wrestling/StoneColdSteveAustin leading into the Wrestling/AttitudeEra in the late 90s, it's happening all over again now with Wrestling/CMPunk being the straight-talking, Pepsi drinking AntiHero who rebels against WWE's management. Punk being likened to Austin, as well as a new Attitude Era coming, certainly help in making the comparison to the late 90s. Whether this is all an elaborate storyline/gambit on the part of Vince [=McMahon=] and the creative team is unknown, but if it is, it makes this one hell of a BatmanGambit, and Vince one hell of a MagnificentBastard[=/=][[TheChessmaster Chessmaster]] for him to know the fans would immediately love Punk. |
| 298 | * Around 2004, former WCW wrestler Ernest "The Cat" Miller made his WWE debut, a comedy {{jobber}} who danced in the ring to the song "Somebody Call My Mama", and provided the 2004 ''Royal Rumble'' with its very own BigLippedAlligatorMoment before disappearing. Eight years later, a wrestler named Wrestling/BrodusClay made his Raw debut (he was formerly a ''Wrestling/{{WWE NXT}}'' rookie and a bodyguard for Alberto Del Rio), another dancer, with the exact same theme song that everyone onscreen acts like they've never heard before. |
| 299 | * In 2002, Hulk Hogan and the Rock finally met in the ring for the first time at ''[=WrestleMania=] X8''. It was touted as a meeting of two legends from two eras. Ten years later, the Rock and John Cena meet under the same terms at ''[=WrestleMania=] XXVIII''. It would be no surprise to see John Cena and the then-current force in professional wrestling having the same encounter at the 38th ''[=WrestleMania=]''. |
| 300 | * Rock & Wrestling Era: a mega-heel called Wrestling/TheOneManGang (a big white guy from Chicago) is transformed into the "African Dream" Akeem after "discovering his African roots".[[note]]It was a TakeThat to [[Wrestling/DustyRhodes "The American Dream" Dusty Rhodes]][[/note]] WWE, Inc. Era (a return to the cartoonish-ness of the Rock & Wrestling Era): A-Train (a huge white guy; before that, he was known as Albert) returns after 8 years as Lord Tensai (later just Tensai), having "found himself" in Japan. Which actually has some basis in reality, since [[Wrestling/MattBloom Matt "A-Train" Bloom]] did spend several years wrestling in Wrestling/{{All Japan|ProWrestling}} as Giant Bernard. They eventually gave up on that gimmick and renamed him "Sweet T" Tensai as Wrestling/BrodusClay's partner in the wacky dancing big fat guy comedy team Tons of Funk. |
| 301 | * TNA's Final Resolution 2010, Wrestling/JayLethal faced Robbie E for the [[http://www.wrestling-titles.com/us/tna/tna-x.html TNA X Division Title]], with Cookie suspended above the ring in a shark cage so she could not interfere. During the match, Cookie threw a foreign object down, which Lethal used against Robbie and was disqualified, allowing Robbie to retain. Just over a year later, at Genesis 2012, Mickie James faced Wrestling/GailKim for the Knockouts Title belt, with Wrestling/MadisonRayne suspended above the ring in the same shark cage. Gail retained in a similar way to Robbie (champion's partner deploys foreign object, challenger uses it, is disqualified). These are both callbacks to angles ran in IWA Puerto Rico, back when it and TNA Impact both shared Fox Sports net in 2004(Savio Vega being suspended in a cage for Super Phoenix getting a title shot at Ray González. Vega ended up being in charge of the knockouts in TNA later.) |
| 302 | * Wrestling/{{Ryback}}'s gimmick, in which he wins very short squash matches and then demands another opponent, has garnered chants of "Wrestling/{{Goldberg}}" from the crowd because of their many similarities. It doesn't help that Ryback even looks like Goldberg. |
| 303 | * Rocky Maivia and Curtis Axel[[note]]Joe Hennig, son of Curt Hennig and grandson of Larry "The Ax" Hennig[[/note]] are both third-generation wrestlers with gimmick names where they takes the first name from their famous father and the last name from their famous grandfather. |
| 304 | * TNA example: Wrestling/AJStyles has been broody throughout a good part of 2013. Outlaw biker stable Aces & Eights picks up on this and tries to win AJ to their side, to which they almost succeed when Wrestling/KurtAngle is attacked by AJ while wearing one of their vests. However, this is short-lived as AJ shows he's not playing for Aces & Eights either and lashes out against them too, stating he is "his own man". Clearly drawing inspiration from Wrestling/{{WCW}} teasing Wrestling/{{Sting}} joining the [[Wrestling/NewWorldOrder nWo]] in 1996 (almost unashamedly rehashing if not for this trope's existence). |
| 305 | ** The "TNA Front Line vs. Main Event Mafia" angle is a redux of WCW's "New Blood vs. The Millionaire's Club" arc (young up-and-comers vs. veterans). Only this time, Wrestling/VinceRusso did it right by making the up-and-comers unambiguous faces, and putting them over. |
| 306 | * One of the most famous feuds of the 1990's was when the Undertaker's manager, Paul Bearer, turned on 'Taker and aligned himself with Kane. Bearer repeatedly threatened to reveal a dark family secret about the Undertaker's past, which eventually culminated in a pay-per-view match with the Undertaker against Kane, and if Undertaker lost, Bearer would reveal the secret. Undertaker won the match, but Bearer revealed the secret anyway: That Kane was the Undertaker's supposedly long-dead half brother. Fast-forward to 2005, when Wrestling/EddieGuerrero turned on his tag team partner, Wrestling/ReyMysterioJr. Eddie repeatedly threatened to reveal a dark family secret about Rey's past, which eventually culminated in a pay-per-view match with Rey against Eddie, and if Rey lost, Eddie would reveal the secret. Rey won, but Eddie revealed the secret anyway: That Rey's son Dominik was actually Eddie's from a period of time in which he was separated from his wife. |
| 307 | * WWE has recycled the "supergenius heel" '[[InsistentTerminology character]]' a few times: Lanny Poffo became "The Genius" from 1989-91. Later "[[Wrestling/ShaneDouglas Dean Douglas]]" graced us all with his presence. Then, 15 years later, we get the smug intellectual Wrestling/DamienSandow. |
| 308 | * In 2013, WWE hyped up the first match between John Cena and Daniel Bryan as being a really big deal but it was really just the first match they ever had in nine years since they first squared off on WWE Velocity. |
| 309 | * The unification of the WWE Championship and World Heavyweight Championship at the 2013 TLC event was hyped as the most important match in WWE in over 50 years...yet December 2013 marks the 12-year anniversary of Wrestling/ChrisJericho's unification of the WWF Championship and the WCW World Heavyweight Championship at Vengeance 2001. |
| 310 | * One of the most-remembered moments in the history of WWE/F was Wrestling/HulkHogan bodyslamming Wrestling/AndreTheGiant at Wrestling/WrestleMania III; but a lot of fans don't realize that Hogan had already bodyslammed Andre (...wait for it...) seven years earlier at a house show in Hamburg, PA. Hogan did it again on a televised episode of WWF All American Wrestling on September 11, 1983, in a match Gorilla Monsoon refereed but evidently forgot had happened by Wrestlemania III less than 4 years later. By that time the WWF had attracted so many new fans, who couldn't look things up on the internet yet, so most were none the wiser. (It also helped that Andre was at least a hundred pounds heavier at [=WrestleMania=] III than he was in the previous years, so Hogan slamming him at that point was a much more impressive feat.) |
| 311 | * ECW 03/09/1999, Bubba Ray Dudley cuts a promo comparing Wrestling/TheDudleyBoys to God and declares his intentions to suck to soul out of ECW by brutalizing Wrestling/TommyDreamer. September 13th, 2013 TNA, Bully Ray boasts about taking [[Wrestling/KenAnderson Mr. Anderson]]'s soul and compares himself to God. |
| 312 | * CM Punk bragging about his reign with the WWE title (over a year), often retaining it by cheating and declaring himself the best in the world is suspiciously similar to Wrestling/HonkyTonkMan - "The greatest Intercontinental Champion of all time!" - and his long reign with the belt, only Punk was a baby {{face}} champion who [[FaceHeelTurn turned heel]] over the lack of respect he was shown, thus was taken much more seriously and had a much stronger PlausibleDeniability as much of the cheating was done by Wrestling/PaulHeyman and Wrestling/TheShield than by himself directly. This includes both men being quickly and unexpectedly defeated by super faces, The Rock and The Ultimate Warrior, to lose their belts. JBL could also be considered the version of this angle that occurred seven years before Punk. |
| 313 | * In Wrestling/{{ECW}}, Wrestling/StevieRichards was best known for imitating Wrestling/{{Raven}}'s former gimmicks but upon arriving in the WWF, he started imitating wrestlers in general. In one of his runs with the company, [[Wrestling/TheWorldsGreatestTagTeam Charlie Haas]] did a gimmick where he imitated other wrestlers, usually with his name worked in ("Stone Cold Charlie Haas", "the Glamahaas," "[[Wrestling/CarlitoColon Charlito]]," etc.) Fast forward to 2014 and Wrestling/DamienSandow is (for some reason) doing the same shtick, albeit without the name puns. [[note]] He doesn't just dress as other wrestlers, but as people or things significant to the city he's performing in, (such as Lebron James in Cleveland or an astronaut in Houston). [[/note]] |
| 314 | * As far as women go, WWE sure do love the idea of a crazy and unpredictable heel - especially acting very {{Yandere}} towards their rival. You could say Wrestling/LunaVachon vs Wrestling/{{Madusa}}, but that was in progress before and lasted after their WWF careers. [[Wrestling/LisaMarieVaron Victoria]] and Wrestling/MickieJames (who both did this with Wrestling/TrishStratus funnily enough) were the TropeCodifier, eventually being succeeded by Wrestling/AJLee, {{Wrestling/Paige}} and Wrestling/AliciaFox. |
| 315 | * Another popular women's feud WWE always have success with is the concept of a 'Beast vs Beauty' - featuring an intimidating BrawnHilda [[WrestlingMonster monster]] feuding with a glamorous attractive GirlyGirl (who's usually [[EveryoneLovesBlondes blonde]]). First was [[Wrestling/{{Madusa}} Alundra Blayze]] (beauty) vs Wrestling/BullNakano (beast), then Trish Stratus (beauty) vs [[Wrestling/CarleneMoore Jazz]] (beast). Wrestling/BethPhoenix did this type of feud twice in her career (though was more of an AmazonianBeauty than BrawnHilda) first against Wrestling/CandiceMichelle and later against Wrestling/KellyKelly. [[Wrestling/KiaStevens Kharma]] was clearly going to have this storyline as well but her pregnancy changed matters. In TNA they also had [[Wrestling/JessicaKresa ODB]] and {{Wrestling/Jacqueline}} vs Wrestling/VelvetSky. And in 2016 WWE introduced a new "beast" in Wrestling/NiaJax, going after (for the most part) Wrestling/SashaBanks and Wrestling/{{Bayley}}. |
| 316 | ** Pro wrestling sometimes inverts it by having the 'beast' as the {{face}} and the 'beauty' as the heel - usually to evoke "Cool Loser" vs AlphaBitch. Notable examples in WWE include Wrestling/LayCool vs Beth Phoenix & Wrestling/{{Natalya|Neidhart}} and {{Wrestling/Paige}} vs Wrestling/SummerRae. They were possibly going for this storyline much earlier with Raquel Diaz as the 'beauty' but she left before it could get going. In TNA there has also been Wrestling/TheBeautifulPeople vs Roxxi Laveaux, ODB and Awesome Kong. |
| 317 | * Another popular one for the ladies recently is to build up a female tag team and then split them up to feud. Wrestling/LayCool proved a success, quickly followed by the Wrestling/ChickBusters, Wrestling/TheFunkadactyls and Wrestling/BellaTwins. |
| 318 | * Three sets of WWE Divas have debuted as a Superstar's LoonyFan: [[Wrestling/TerriPoch Tori]] for Wrestling/{{Sable}} in 1999, Wrestling/MickieJames for Wrestling/TrishStratus in 2006 and Wrestling/RosaMendes for Wrestling/BethPhoenix in 2009. Amusingly enough ''all three'' girls debuted in the winter of their years. The outcome has actually been different each time however; Sable was the one that turned heel on Tori but Mickie was the one who turned heel on Trish. Due to the ThisLoserIsYou element, Mickie was still cheered over Trish at the blow-off match. Meanwhile Beth was already a heel so there was never a turn on Rosa. The alliance just quietly disappeared after a few months. TNA did this one too: Payton Banks (indie wrestler Rain) debuted in TNA as a fan of [[Wrestling/BobbyRoode Robert Roode]], though her animosity was directed to his valet, Ms Brooks. |
| 319 | * It seems the "Seven-Year Rule" not only affects the audience but the characters themselves too. At [=WrestleMania=] 31, Wrestling/StephanieMcMahon confronted [[Wrestling/DwayneJohnson The Rock]] and said he's too honorable to [[WouldntHitAGirl hit a woman]], capping it off with a slap to the face. The Rock, taking the high road, tacitly agreed by going into the audience, getting female MMA fighter Creator/RondaRousey to join him in the ring, and having ''her'' do what he is unwilling to. However he needn't have gone to all the trouble, since video evidence is on record of him doing exactly that fifteen years prior at the same event, [=WrestleMania=] 2000. His victim? Stephanie [=McMahon=]-Helmsley, whom he delivered a Rock Bottom and People's Elbow to in the finale of the show following his loss in the Fatal Four-Way championship match. In fact Stephanie's actions almost mirror her actions from the latter event (slapping The Rock in an attempt to provoke him), except in this case he simply didn't call her bluff.[[note]]Now it does make sense for him not to have struck her since WWE's values [[LighterAndSofter have changed]] since 2000 but it is still rather humorous for them to build up to Rousey's involvement in such a way that would make people want to remember this specific incident.[[/note]] |
| 320 | * The ending to ''Wrestling/SurvivorSeries 2015'' is practically rehash of ''Wrestling/SummerSlam 2013'', with Wrestling/RomanReigns as Wrestling/DanielBryan, the face who gets screwed after finally winning the title by a heel authority figure (the same heel authority figure, in fact), and Wrestling/{{Sheamus}} as Wrestling/RandyOrton, the guy who cashes in and then joins up with said heel authority figure. It wasn't well-received at all, for a variety of reasons: |
| 321 | ## Again, Seven Year Rule. It's only been two years, so everyone can see the parallels. |
| 322 | ## Neither of them are over enough to make it work. Reigns has mild popularity at best at this point, while Sheamus has been regarded as irrelevant and no one, not even the company itself, wanted him to be champion in the first place. |
| 323 | ## The reason the original storyline worked was because of the RealitySubtext to it and the fact that Bryan was already massively over to begin with. [[Wrestling/BryanDanielson Daniel Bryan]] as the popular, plucky underdog face against Wrestling/RandyOrton, TheChosenOne of management who's been protected by the company for practically his entire career. The fans aren't dumb and this isn't the 80s -- even the average casual fan is much smarter than they used to be, thanks to the advent of the Internet and the destruction of {{kayfabe}}. Everyone knows that Reigns is the corporate pick -- he hasn't lost a one-on-one match clean since the start of his singles career and his mega push earlier in the year cemented it. That's not even accounting for the fact that "popular rebel-face vs. heel authority figure" is Austin vs [=McMahon=] with a fresh coat of paint, which has been done to death with nearly every single heel authority figure in the company for the last fifteen years, since at least the Attitude Era. It's as if the company is trying to set him up for constant failure and they're just completely oblivious to it. |
| 324 | * In August-September 1997 WWF, [[Wrestling/BrianPillman "The Loose Cannon" Brian Pillman]] claimed to be the "father" of [[Wrestling/{{Goldust}} Dustin "Goldust" Runnels]] and Wrestling/TerriRunnels' daughter Dakota. Jump ahead to 2005, and Wrestling/EddieGuerrero claimed the same thing about Wrestling/ReyMysterioJr's son Dominick. The difference is that Eddie wasn't portrayed as a physically-deteriorated maniac. |
| 325 | * In 1998, there was a famous angle where Wrestling/StoneColdSteveAustin was hit by a car driven by an unknown assailant, with the mystery behind who was responsible dragging on for a while. In 2019, Wrestling/RomanReigns suffers several attacks (including being nearly hit by a car) and the mystery behind who was responsible drags on for a while. In both cases, the culprit was revealed to be a BeneathSuspicion mid-carder. [[note]] Though with the Austin case, Wrestling/{{Rikishi}} was revealed to have done it [[GreaterScopeVillain by order of]] Wrestling/TripleH, while, in the latter example, [[spoiler: Wresting/ErickRowan]] seems to be acting on his own, doing it simply because [[ItAmusedMe he could]]. [[/note]] |
| 326 | * Wrestling/{{Aces And Eights|Wrestlers}} in ''Wrestling/ImpactWrestling'' in 2013 and RETRIBUTION in ''Wrestling/{{WWE}}'' in 2020 both feature the promotion being beset by a masked group, who runs roughshod over the roster for weeks (or months). Both groups started out with a lot of hype that died down once the members were unmasked and revealed. |
| 327 | [[/folder]] |
| 328 | |
| 329 | [[folder:Tabletop Games]] |
| 330 | * TabletopGame/{{Warhammer 40000}} and other TabletopGame/{{Warhammer}} products have new revisions brought out every four or five years, that being the length of time most players stick with the hobby, according to Games Workshop. |
| 331 | * ''TabletopGame/MagicTheGathering'' will reuse popular themes after a several-year hiatus, reasoning that enough players had come and gone to make them seem new (and that players who had been around for them the first time would be happy to see them back). For example, multicolor cards were a theme in 1994's ''Legends'', 2000's ''Invasion'', 2005's ''Ravnica: City of Guilds'', 2008's ''Shards of Alara'', and 2012's ''Return to Ravnica.'' Speaking of ''Return to Ravnica'', they've settled on seven years as being about the right amount of time to revisit a setting, as was done with both the Mirrodin and Ravnica settings. (Although they broke this habit by revisiting Zendikar after six years, and Innistrad after only four and a half.) There is an underlying game-balance [[JustifiedTrope justification]] that influences some of this, since a common format for sanctioned tournaments allows only cards from a certain number of the most recent releases to be used, about two years or so. Older cards are periodically rotated out of the whitelist, so one of the easier ways to maintain balance is to make sure some newly-released cards fill similar niches to ones that were recently rotated out. |
| 332 | [[/folder]] |
| 333 | |
| 334 | [[folder:Toys]] |
| 335 | * ''Toys/AmericanGirl'' has repeated not only themes, but storylines. |
| 336 | ** The Girl of the Year Line tends to reuse themes including horses, dance, and feminine sports. Given that the demographic age of eight to twelve is likely to have aged out by the next time a specific theme comes around again, it makes sense--especially because aspirations of dance and/or [[AllGirlsLikePonies bonding with horses]] continue to be girlhood fantasies. |
| 337 | ** 2007's ''The Light in the Cellar'' and 2018's ''The Legend of the Shark Goddess'' were both mysteries written for the 1940s characters (Molly and Nanea, respectively) where the plot revolves around suspicions of theft and black-market activity to circumvent rationing. They end differently: [[spoiler:In Nanea's, nobody was guilty at all, and the characters who look suspicious all have valid reasons.]] |
| 338 | * Franchise/{{Barbie}} reuses themes (e.g., ballerina, bridal, etc.) on a regular basis, [[Administrivia/TropesAreTools not that that's]] [[LongRunner a bad thing...]] |
| 339 | * Franchise/{{LEGO}} will always have a Space-like, underwater-like, castle-like or robot-like theme. Only the characters and sets are new. [[JustifiedTrope Justified]] in that the sets will contain enough new parts or features to make it worthwhile. |
| 340 | ** Example from the ''Franchise/IndianaJones''-like Lines: Adventurers (1998 - 2000), Orient Expedition (2003), ''Franchise/IndianaJones'' (2008 - 2009), Atlantis (2010 - 2011, is also underwater-like), Pharaoh´s Quest (2011). |
| 341 | ** And every generation of the castle theme has a catapult set. |
| 342 | *** In the town theme, new police and fire stations are released on a 3-year cycle, like clockwork. |
| 343 | ** Lego's ''Franchise/StarWars'' line has run long enough that they now rerelease vehicles that already got playsets. This began in 2004 exclusively for OT sets because [=LEGO's=] style changed widely and made some sets look side-by-side like cars from the 50s next to ones from the 90s, and flesh colored figures were introduced. Now the quality of the design updates vary as many models can´t be designed that much better unless they change the size and price range (Slave One, for example, has been the same thing with different colors and functions since 2002). |
| 344 | ** They run with this trope sometimes. A set of smaller police cars and firetrucks were on shelves constantly from 2005 till 2013 because they figured kids would need basic things like them all the time. |
| 345 | * Many action figure companies (especially back in the '90s, and ''especially'' Creator/{{Kenner}}) release versions of a figure or vehicle from a couple years ago with a new color scheme, and attempt to pass it off as a new one. Usually by this time the original is no longer for sale and has been dropped from the listing on the back of the box/card. Amusingly, sometimes the "new" figure will have completely new flavor text and new names for its special actions and accessories, even though it's just describing the same thing in different words. |
| 346 | ** ''Franchise/{{Transformers}}'', in particular, makes absolutely no attempt to hide this. In fact, in the franchise's first year, several sets of characters who were just each other in different colors came out ''all at once'', with the toys sold on shelves right next to each other and the cartoon and comic book making no effort to disguise their identicalness. In fact, [[WesternAnimation/TheTransformers the cartoon]] uses variously-colored [[TheStarscream Starscreams]] as generic {{Mooks}} known as "Seekers". |
| 347 | *** Interestingly, this element has actually become embraced by much of the Transformers fan base--when a new toy is released of a character who was once well known for having a variety of repaints, demand will rise among fans for recolored versions of that toy representing his recolors from prior series. In addition to the aforementioned Starscream, Bumblebee being recolored as Cliffjumper is a common recurring theme, with a [[Franchise/TransformersGeneration1 few]] [[WesternAnimation/TransformersPrime exceptions]]. Additionally, ''Transformers'' recolors are rather atypical in that they usually represent completely new characters who just look similar to the old ones, as opposed to old characters in different colors (which, conversely, tend to be slow sellers). |
| 348 | * The ''Franchise/MyLittlePony'' toyline has an approximately ten year rule for each of its generations. It likes to recycle character names, and will sometimes recycle gimmicks and plotlines as well. |
| 349 | [[/folder]] |
| 350 | |
| 351 | [[folder:Webcomics]] |
| 352 | * [[https://www.shortpacked.com/comic/airbrushed This strip]] from ''Webcomic/{{Shortpacked}}'' shows a toy fan realizing the frustrations inherent when companies take advantage of fans' short memories (in this case, regarding heavily enhanced test photos vs. plain final product shots) because the fans [[TruthInTelevision let them]]. |
| 353 | * Expect ''Webcomic/{{Multiplex}}'' to inform you when this trope is in play with a current movie. Jason being a movie snob requires him to point them out. |
| 354 | * Discussed in ''Webcomic/PennyArcade''. In a discussion drawn from real life, Mike pitches a joke and Jerry responds that [[https://www.penny-arcade.com/comic/2012/04/09/hermetically-yours they had already done it ten years ago]]. Mike considers that good news, since it falls outside the Ten Year Rule and is therefore free to use again. They end up making not a strip recycling the joke, but [[https://www.penny-arcade.com/comic/2022/09/02/new-to-you a strip making a joke ABOUT recycling the joke]]. |
| 355 | [[/folder]] |
| 356 | |
| 357 | [[folder:Web Original]] |
| 358 | * ''WebVideo/LoadingReadyRun'' parodies this by pretending to be remaking a sketch that had been released just a few weeks earlier. As it turns out one of their members is manipulating them into position so he can use them for his own sketch, which the others had shot down. |
| 359 | * ''Website/{{Cracked}}'''s [[http://www.cracked.com/quick-fixes/the-6-craziest-superman-stories-ever-written-twice/ The 6 Craziest Superman Stories Ever Written Twice]]. |
| 360 | * The Website/JollyRogerTelephoneCompany is a particularly special case. They're a company which makes bots which are designed to waste the time of telemarketers and other unwanted callers. Though it's possible that some of the callers will figure out what's going on if their calls are picked up by bots enough, the turnover rate in the telemarketing industry is huge. Therefore, at any given time, it's likely that that any call redirected to one of the bots will be handled by someone who is still rather new on the job. That said, this doesn't necessarily prevent supervisors from warning agents about these bots, which means that the company must still be innovative in coming up with new tactics, routines and bots to try to stay ahead of the game. |
| 361 | * WebVideo/PatrickHWillems' video "[[https://www.youtube.com/watch?v=tdR_GU3Hi9U Robin Hood, King Arthur, and Hollywood's Problem With Public Domain Properties]]" is about the failure to follow this trope. For the last several decades, every Myth/{{Arthurian|Legend}} or Myth/RobinHood film has been a "bold new take" that removes the characters' most recognizable elements. But since there hasn't been a straight adaptation of these stories since the early 90s, people don't really remember what they're ''supposed'' to be like, so a revised version doesn't have the same impact. |
| 362 | [[/folder]] |
| 363 | |
| 364 | [[folder:Western Animation]] |
| 365 | * This trope is thought to be the reason the writers of ''WesternAnimation/CareBearsAndCousins'' chose to do an invert of RememberTheNewGuy and make it so bears barring Tenderheart do not recognize the cousins. |
| 366 | * For decades, [[http://en.wikipedia.org/wiki/Disney_Vault Disney would release their animated films in theaters every seven years]], starting with the re-release of ''Snow White and the Seven Dwarfs'' (1937) in 1944. Walt Disney thought that after seven years, there would be a new crop of viewers who hadn't seen the earlier release. This way, Disney reasoned, it would refresh the movies to a new generation of viewers. This was considered such holy writ that, when then-CEO Michael Eisner looked to release Disney movies to the VHS market in a desperate attempt to save the company, there was more than the usual amount of teeth-gnashing and doomsaying over how he was selling the farm and no one would ever buy Disney products again. |
| 367 | ** After Disney permanently switched over to re-releasing their films on VHS rather than in theaters, Eisner and co. found a way to apply this "generational" line of thinking to home releases with the creation of the so-called "Disney Vault"; films would be re-released on video every seven years, and then would be pulled from circulation after a year or so in order to create artificial scarcity. In order to entice people to keep buying the releases every seven years, each new release would feature updated picture quality compared to the version released seven years prior, and once [=DVDs=] came out the films were given new bonus material. The creation of the Disney Movies Anywhere and Creator/DisneyPlus internet streaming services put an end to this practice, however. |
| 368 | *** Unfortunately, there has been [[{{WesternAnimation/Cinderella}} one]] [[DigitalDestruction negative consequence]] of this during the last year of the aforementioned Eisner era.[[note]]Namely, the disappearance of fine details and alteration of colors, both of which still occur in the blu-ray release.[[/note]] |
| 369 | ** This may have also inspired Creator/GeorgeLucas to both theatrically release the updated ''Franchise/StarWars'' original trilogy ''and'' avoid the mistakes Eisner and Disney made. The updates and the long absence from theaters also helped justify the original trilogy reshows. |
| 370 | * By the 1980s, because Creator/HannaBarbera had been around for so long, they were able to reuse jokes and gags (and yes, even plots) from older productions in newer ones. For instance: |
| 371 | ** ''Rockin' With Judy [[WesternAnimation/TheJetsons Jetson]]''[[note]]One of the "Superstars 10" TV movies.[[/note]], essentially a loose, expanded remake of the 1960s episode, "A Date With Jet Screamer", reuses the "secret message mixup" bit. It also reuses the "hairstyle" gag from a different episode, only with Judy instead of Jane. |
| 372 | * During UsefulNotes/TheGoldenAgeOfAnimation, this trope was employed partly due to the fact that movie theaters wouldn't rerun older cartoons anyway, particularly if they were from the black and white era once Technicolor became the standard. Because of this, plots could be re-used after enough years had gone by. The ''ComicStrip/{{Popeye}}'' series was particularly guilty of this, once Creator/FamousStudios took over. |
| 373 | ** Often found in ''WesternAnimation/LooneyTunes'' shorts in remakes, like "WesternAnimation/BackAlleyOproar" and "WesternAnimation/NotesToYou" both featuring a gag where Sylvester the cat singing while one of the other characters is trying to sleep. Others include the XylophoneGag, the shooting gallery gag (where one character takes a mischievous child character to a shooting gallery, and the kid makes it seem like the shooter is shooting the barker in the head), and the powder room gag (where Bugs throws a match into a room with gunpowder, and Sam refuses to go get it after the third time, resulting in a big kablooey). |
| 374 | ** In some shorts, a main character will be married or have a girlfriend who will [[DisposableLoveInterest disappear]] with no explanation, only for a new love interest to appear in another short. Daffy Duck has been married at least three times for the purposes of situational comedy. |
| 375 | * During the 1950s, MGM's cartoons used the plot of "a character constantly runs out of the building to avoid waking up his grouchy master". This occurred in ''Rock-a-Bye Bear'' (1952), ''Deputy Droopy'' (1955) and ''Royal Cat Nap'' (1958). |
| 376 | * Every episode of ''WesternAnimation/BluesCluesAndYou'' recycles the plot from an earlier episode of [[WesternAnimation/BluesClues the original series]]. The credits for each episode also thank the crew members who made the original episode each one is based off. |
| 377 | ** Many episodes of the two seasons of the original with Joe as the host borrowed several concepts from Steve's seasons, also for this reason. |
| 378 | * ''WesternAnimation/VeggieTales'' will reuse previous lessons or plots from earlier episode for this exact reason: |
| 379 | ** The show had two Silly Song-based sing-along tapes: "Very Silly Songs" and "The End Of Silliness?". |
| 380 | ** The show has five [[ChristmasSpecial Christmas specials]]: "The Toy That Saved Christmas", "The Star Of Christmas", "Saint Nicholas: A Story of Joyful Giving", "Merry Larry and the True Light of Christmas" and "The Best Christmas Gift". |
| 381 | ** "God Wants Me To Forgive Them?", "The Wonderful Wizard of Ha's" and "Celery Night Fever" have a lesson in forgiveness. |
| 382 | ** "[[WesternAnimation/JonahAVeggieTalesMovie Jonah Sing Along Songs and More!]]" was later remade as "[[WesternAnimation/ThePiratesWhoDontDoAnythingAVeggieTalesMovie The Pirates Who Don't Do Anything Sing Along Songs and More!]]", the only difference being that the former had animated FramingDevice segments, while the latter's FramingDevice segments were live-action. |
| 383 | ** The show has three Easter specials, "An Easter Carol" and "Twas The Night Before Easter". |
| 384 | ** Both "The Ultimate Silly Song Countdown" and "If I Sang A Silly Song" are countdowns of Silly Songs from previous videos. |
| 385 | ** Both "Where's God When I'm S-Scared?" and "The League of Incredible Vegetables" have a lesson in facing fears. |
| 386 | ** Both "Lyle, The Kindly Viking" and "Veggies In Space: The Fennel Frontier" have a lesson in sharing. |
| 387 | * Given the series's length, ''WesternAnimation/SpongeBobSquarePants'' is bound to have repeat plotlines. ''WesternAnimation/TheSpongeBobMovieSpongeOnTheRun'''s premise is a retelling of Season 4's "Have You Seen This Snail". |
| 388 | ** The video games can be described in the same way, as a large number of recent entries in the franchise involve Plankton creating some type of robot army. |
| 389 | * ''WesternAnimation/{{Arthur}}'' had a strange example of this trope in the episode "The Longest 11 Minutes". The episode's plot focuses on the gang trying to find a way to survive when the Internet goes out, and learning about things that can be done without the Internet, like reading encyclopedias and using an instant camera. However, the things they choose to entertain themselves with are claimed to be "unfamiliar" to the characters when they have appeared in previous episodes of the series. This was likely done because it is relatable to the current demographic watching the show. |
| 390 | * In ''WesternAnimation/TheSimpsons'' season 5 episode "[[Recap/TheSimpsonsS5E10Springfield $pringfield (Or, How I Learned to Stop Worrying and Love Legalized Gambling)]]", Barney mistakes a cup of quarters for a cup of beer, and ends up swallowing a bunch. As he starts burping them out, one of the patrons nearby says, "Hey, this guy's paying off!" Barney is then surrounded by gamblers picking up the quarters as he keeps burping. This episode aired in 1993. Cut to 2012. After ''WesternAnimation/{{Futurama}}'' (another show created by Creator/MattGroening) is {{Uncancelled}}, there's the season 7 episode "[[Recap/FuturamaS7E12VivaMarsVegas Viva Mars Vegas]]". The Planet Express crew steals a bunch of money from a casino taken over by the Robot Mafia by [[ItMakesSenseInContext having Zoidberg eat everything in the vault, as he's currently invisible]]. When the crew attempts to wheel Zoidberg out of the casino on a shrimp serving cart, he starts burping out dollar bills. And just like in "$pringfield", a bystander shouts "Look! The shrimp cart's paying out!" before a horde of gamblers follow after it to pick up the bills. In essence, they reused a joke ''nineteen years later''. |
| 391 | [[/folder]] |
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