| 1 | !This trope is [[https://tvtropes.org/pmwiki/posts.php?discussion=17057542800.71436100 under discussion]] in the Administrivia/TropeRepairShop. |
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| 5 | %% This page has been alphabetized. Please add new examples in the correct order. Thanks! |
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| 8 | %% Image selected per Image Pickin' thread: https://tvtropes.org/pmwiki/posts.php?discussion=1523717013000606900 |
| 9 | %% Please do not replace or remove without starting a new thread. |
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| 11 | [[quoteright:288:[[WebAnimation/TheDementedCartoonMovie https://static.tvtropes.org/pmwiki/pub/images/happy_end_4.png]]]] |
| 12 | [[caption-width-right:288:"[[EarthShatteringKaboom Happy End? What the hell is Happy End?]]"]] |
| 13 | |
| 14 | ->''"All yet '''seems''' well..."'' |
| 15 | -->-- '''The King of France''', at the end of ''Theatre/AllsWellThatEndsWell'' |
| 16 | |
| 17 | When some viewers don't believe that an ending that the creator intended to be happy is happy. Whether through personal taste, changing social norms, or just [[InferredHolocaust consequences that never even occurred to the creator]], all the satisfaction leaches out of the characters' triumph, leaving behind a feeling of unease that anyone could make a film with that ending, let alone call it a ''happy'' ending. |
| 18 | |
| 19 | Compare InferredHolocaust and OnlyTheLeadsGetAHappyEnding. The afterlife version of the trope would be a HellOfAHeaven or an InfernalParadise. When the ending is not only [[FridgeLogic uncomfortable in hindsight]] but supports some kind of half-considered moral, see {{Glurge}}. |
| 20 | |
| 21 | Not to be confused with AccidentalDownerEnding (where a cliffhanger ending becomes permanent because of work's cancellation or decision by higher ups), BittersweetEnding (where the elements that keep it from being a truly happy ending are deliberate and acknowledged), RayOfHopeEnding (where the ending is mainly bleak but suggests that happier times are coming in the future) or AngstAversion (where the ending is disliked for being deliberately unhappy as opposed to unintentionally unhappy). Tends to cause an AudienceAlienatingEnding. |
| 22 | |
| 23 | '''As an ''EndingTrope'' there will be unmarked spoilers!''' |
| 24 | |
| 25 | ---- |
| 26 | !!Example Subpages: |
| 27 | |
| 28 | [[index]] |
| 29 | * EsotericHappyEnding/AnimeAndManga |
| 30 | * [[EsotericHappyEnding/LiveActionFilms Film - Live Action]] |
| 31 | * EsotericHappyEnding/{{Literature}} |
| 32 | * EsotericHappyEnding/LiveActionTV |
| 33 | * EsotericHappyEnding/VideoGames |
| 34 | [[/index]] |
| 35 | |
| 36 | !!Other Examples: |
| 37 | |
| 38 | [[foldercontrol]] |
| 39 | |
| 40 | [[folder:Advertising]] |
| 41 | * "Finale", the last short in the first season of ''Advertising/HungryDays'', is about two lovebirds confessing to each other while completely unaware of [[ApocalypseWow the world going to hell around them]]. The short ends with the pair reciprocating their love as an extremely large chunk of asteroid is about to make impact. |
| 42 | * A few Advertising/SegataSanshiro ads involve the title character beating up innocent people just for not playing a UsefulNotes/SegaSaturn. Luckily, these were a case of EarlyInstallmentWeirdness, and Segata would become a much more awesome person in his later commercials. |
| 43 | [[/folder]] |
| 44 | |
| 45 | [[folder:Asian Animation]] |
| 46 | * In ''Animation/GuardianFairyMichel'', the Black Hammers lost all the fairies they captured and the Tree of Life is saved but Michel dies in order to rejuvenate the tree, and Kim leaves the island. It's played as more happy than bitter, as Michel will be reborn later, Biam is with the fairies again, Kim reflects on her experience fondly and feels that Michel will remember her when he does return... but in the meantime the bad guys still have the floating castle, and without Michel or Kim around to protect them, the fairies could easily get captured again and start it all over. |
| 47 | * Chinese animation ''[[https://en.wikipedia.org/wiki/The_Legend_of_Condor_Hero Legend of Condor Hero]]'' (which is bizarrely named since this is actually the story from ''Return of Condor Heroes'') in the full story this trope is largely subverted, but it ends for the Japanese translation of the series at around the first season or so. The female lead is poisoned and will eventually die, they defeat the villain of the first act [[ItMakesSenseInContext by feeding him blood]], and so they are relaxing on a rowboat and the Japanese version just ends there. Someone watching this without knowing about the other seasons would find the "ending" extremely strange. |
| 48 | [[/folder]] |
| 49 | |
| 50 | [[folder:Comic Books]] |
| 51 | * ''ComicBook/AlbedoErmaFelnaEDF'': If you take into account the DistantFinale as the definitive ending of Erma Felna's saga, Erma managed somehow in the past to stop the war, but with a very steep price for her, as she loses her family, her boyfriend and possibly anything dear to her. The only thing that prevents the DistantFinale from becoming a complete DownerEnding is the fact that at least Erma found Teka, her cloned daughter, along the way and she cloned herself just to create another family, so it wasn't a complete loss for her anyways. The worst part came with the fact, by WordOfGod's own words, ''another'' war broke out between the ILR and the EDF, possibly after Erma's generation, except this time it was even worse than the previous two wars, because both sides used everything from nuclear weapons to ''biological weapons'', [[MutuallyAssuredDestruction completely destroying each other entirely, collapsing their entire civilization]] and Erma's sacrifices turned out to be AllForNothing. [[note]]One could argue the whole point of the story, at least when the second story arc begins, has less to do with Erma trying to win a war and more with Erma trying to ''survive'' the war.[[/note]] |
| 52 | * ''ComicBook/AmericanBornChinese'': Jin and Wei-Chen end up reconciling after Jin apologizes, but there's always going to be an awkward wedge in their relationship, and Wei-Chen's lifestyle might have tragic consequences down the road when he has to account himself before Tze-Yo-Tzuh. |
| 53 | * ''ComicBook/{{Asterix}}'': Asterix has some in the Uderzo era. |
| 54 | ** ''Asterix and Son'' ends with Brutus getting punished, the Gaulish village he destroyed getting rebuilt, Caesar hosting a banquet for the Gauls and he and Cleopatra reunited with their adorable baby son, Caesarion. The narration notes that Caesarion will become the last pharaoh. Those who know anything about classics (most of the readership...) will realise that all of this will end up in a horrible, murderous disaster. Caesarion certainly would have had a happier and longer life if he'd continued with Asterix and Obelix as his guardians, terrible parents as they are. |
| 55 | ** ''Asterix and the Secret Weapon'' ends with both the village's men and women compromising in a way that could be read as a call for a focus on understanding and collaboration to solve social injustice, or just being outrageously sexist, depending on interpretation. Either way, it's very difficult to side with the story after it specifies that women are allowed at the final feast (as they do not attend feasts usually), but they remain absent from all feasts afterwards. |
| 56 | ** ''Asterix and the Big Fight'' ends with Vitalstatistix winning the fight against Ceramix and convincing the Gauls of his village to return to their Gaulish ways. However, as any student of history knows, the rest of Gaul will continue to adopt Roman ways and become increasingly Gallo-Roman, resulting in the Gaulish language being supplanted by Vulgar Latin and various Germanic languages from around the 5th century CE onwards, with the language going extinct some time around the late 6th century. |
| 57 | * ''ComicBook/TheAvengers'': ''ComicBook/TheAvengers1963'' #200 was intended to be the last-ever ''ComicBook/MsMarvel'' story, and features [[Characters/MarvelComicsCarolDanvers Carol Danvers]] walking off to live HappilyEverAfter... [[NotIfTheyEnjoyedItRationalization with her rapist]]. It didn't take, and the next time Carol is seen she [[WhatTheHellHero lets the rest of the team have it]] for letting her leave with that creep. There's a reason both professionals and fans often consider this issue the single worst done-in-one story ever published by Marvel. |
| 58 | * ''ComicBook/ChickTracts'': Happens very often with Jack Chick tracts. There are too many examples to list specific ones, but they tend to fall into a few distinct categories. |
| 59 | ## The main character converts to Christianity, dies an untimely (and usually also cruel or painful) death and goes to heaven. For example, in "The Little Princess," while Heidi gets herself and her family saved before dying, one has to wonder what it's like for her parents and brother to lose her. |
| 60 | ## The main characters, following the death of someone close to them, convert to Christianity. The unsaved loved ones are promptly forgotten about, and the saved people will never see them again. This is especially jarring in "Happy Halloween," in which the boy killed in the traffic accident is forgotten about. |
| 61 | ## The main characters convert to Christianity after suffering terrible traumas with no indication of any long-term problems, and with those responsible being EasilyForgiven or becoming outright {{Karma Houdini}}s. For example, in "Lisa", the girl may have gotten saved and may no longer be suffering abuse, but she also has herpes now and no shortage of trauma associated with this. Of course, Chick most likely believed that [[EpiphanyTherapy Salvation was a cure for all trauma]], but that does still leave the herpes unaccounted for. |
| 62 | ## Truly despicable people do terrible things all their lives, convert after one minute of EasyEvangelism, and go to Heaven, facing no consequences for their actions ''ever'', while people who did nothing wrong except ''not'' instantly choose to devote their lives to God, needing more than simply having John 3:16 read to them once in order to believe, have freak accidents kill them the next day and go to Hell. In Chick's theology (which is not shared by the vast majority of Christians, to say the least), this is because [[AllCrimesAreEqual all humans are equally evil]], and therefore all repentances are equally good. |
| 63 | ## The ultimate fate of Earth. God will triumph over the Devil, but not before ages of suffering for the people of Earth followed by the majority of humankind being sent to Hell. |
| 64 | * ''ComicBook/{{Deadpool}}'': The ending of ''ComicBook/NightOfTheLivingDeadpool'' is a likely intentional example. Every character in the story dies except Deadpool, and humanity is likely wiped out, but Deadpool gets a happy ending through a bizarre twist ending. Deadpool takes a massive dose of the regeneration serum that caused the zombie outbreak and is eaten by the zombies, causing his consciousness to evolve into a sapient zombie virus that [[MesACrowd spreads to all of the zombies and brings them all under his control as a massive Deadpool hive mind.]] Deadpool's last words in the comic are "Omnipotence won't be all that bad." |
| 65 | ** The sequel comic confirms that this wasn't a happy ending. The plot is about a single Deadpool breaking himself free from the hive mind and trying to save what remains of the world from himself, which he eventually accomplishes by getting infected with a new virus that is lethal to him and spreading it to all the other Deadpools. |
| 66 | * ''ComicBook/TheFlash'': |
| 67 | ** ''ComicBook/{{Flashpoint|1999}}'' (the 1999 ''Creator/{{Elseworlds}}'' storyline) ends with [[Characters/TheFlashBarryAllen Barry Allen]], consumed by the energy created by the Martian ArtifactOfDoom in a HeroicSacrifice, appearing in front of the ComicBook/{{Justice League|OfAmerica}}. It's unknown what this is supposed to mean, as the comic's world seems to be one without superheroes aside from the Flash and Martian Manhunter. It might be a DyingDream, or some sort of Valhalla, or he might have ended up crossing over into another universe. Given that Barry had been having frequent visions of another, "righter" world where he fought alongside other colorful heroes, perhaps it's simply to indicate that Barry's life had been thrown askew, its direction altered by his paralysis at the hands of [[BigBadFriend Vandal Savage]], and in [[ComicBook/CrisisOnInfiniteEarths sacrificing himself to save the world]] destiny has finally corrected itself. |
| 68 | ** ''ComicBook/{{Flashpoint|DCComics}}'' (the 2011 event) ends with Barry Allen [[SetRightWhatOnceWentWrong Setting Right What Once Went Wrong]] by undoing the altered timeline and reuniting the DC Universe with the fractured Creator/{{Vertigo|Comics}} and Creator/{{Wildstorm}} timelines. What isn't addressed is that by rebooting the DCU into the ComicBook/{{New 52}} continuity, Barry also [[RetGone erased a number of characters from history]] (mostly {{Legacy Character}}s or offspring of superheroes), such as ComicBook/GreenArrow's son Connor Hawke, Roy Harper's daughter Lian and Barry's own surrogate son Wally West and the latter's twins Jai and Iris. This was egregious enough that years later, ''ComicBook/DoomsdayClock'' would retcon the ending of ''Flashpoint'' by revealing that Barry had been manipulated into creating the New 52 timeline by [[ComicBook/{{Watchmen}} Dr. Manhattan]]. |
| 69 | * ''ComicBook/HeroesInCrisis'': After a massacre at the superhero therapy facility known as Sanctuary, the murderer, [[Characters/TheFlashWallyWest Wally West]], tries to commit suicide after releasing the patients/murder victims' confessionals in order to raise awareness about mental health. He's talked out of suicide and is instead imprisoned, but the final message is that there's still hope for him, and that he's taken his first step towards bettering himself, while Sanctuary reopens so it can help more people. Most readers did not see this as the happy ending it's meant to be. The release of confessionals was portrayed ''in-universe'' as bad when it first happened and readers see it as a massive breach of privacy that Wally had no right to leak to Lois Lane, and ''she'' had no right to publish. All the dead characters are still dead, despite the heroes using a time machine to place a cloned Wally body at the time of the incident [[note]]Wally's body was found at the scene of the crime and, through time-travel shenanigans, he was going to kill his future self to put the body at the scene of the crime to maintain the timeline[[/note]] which could have been applied to everyone. Wally is locked up with supervillains and the thing that mattered most to him -- getting his RetGone'd family back -- is apparently completely out of reach (because the writer ignored his own plot device with the time machine). Sanctuary's "therapy" was so terrible that it was seemingly actively goading the patients on -- such as repeatedly asking Wally ''why'' he wants his family back and allowing ''repeated self-harm and reliving of death'' in Lagoon Boy -- that ''no reader'' saw it as a healthy mental health facility, so the implication that it has reopened with zero change to how it's run...the series can't even qualify for a bittersweet, it's just misery. |
| 70 | * ''ComicBook/JusticeLeagueOfAmerica'': The ''Creator/{{Elseworlds}}'' storyline ''ComicBook/JLAActOfGod'' attempts to tell us that a new generation of heroes is about, the problems with this are that there were likely millions of innocents killed due to people losing their powers, few superheroes getting over their problems, and Kyle Rayner, ultimately, ends up killed due to psychotic obsession. This isn't getting into the fact that many tech-based supervillains keep their powers and abilities, and one new, superpowered being doesn't make the world better. As tough as the tech-based heroes are, they simply do not and indeed cannot compare to the combined force of Characters/{{Superman|TheCharacter}}, ComicBook/GreenLantern, Characters/{{Wonder Woman|TheCharacter}}, ComicBook/TheFlash and the ComicBook/MartianManhunter. The next time [[Characters/NewGodsDarkseid Darkseid]] (or indeed, any ''one'' of a multitude of cosmic and/or PhysicalGod-level heavy hitters) invades, he is going to steamroll the Earth with trivial ease. |
| 71 | * ''ComicBook/LastGod'': The Dark Fantasy series published by Creator/DCComics ''Creator/DCBlackLabel'' imprint ends with the heroes killing [[GodOfEvil Mol Uhltep]] followed by a montage of the surviving heroes living happily. However during the course of the story, the rulers of Tyrgolad (the human kingdom) and the [[OurElvesAreDifferent Aelva]] died. King Tyr's only heir is his [[HeroicBastard bastard son]], but it's unclear he became king of the humans (since we just see him relaxing in nature). Meanwhile, there is no clear heir for the Aelva since the Ferryman King and her son both died. Presumably, this would be to a SuccessionCrisis. Worse is that the story establishes if even one [[OurFairiesAreDifferent Fey]] is still alive that means [[CantLiveWithoutYou Mol Uhltep will survive as well]], and the ending shows a living Fey. |
| 72 | * ''WesternAnimation/RockosModernLife'': The Boom! Studios ComicBookAdaptation ends its run with an arc where Rocko discovers that Conglom-O is using its newest smartphone to fleece the inhabitants of O-Town out of money until they're penniless. After the hapless wallaby [[EngineeredPublicConfession tricks the CEO of Conglom-O into openly calling his company's customers easily manipulated morons]], the denizens of O-Town are incited to riot and retaliate to Conglom-O's underhanded business strategies by tearing the corporation down. Rocko basks in the fact that he can now be seen as an equal...completely disregarding that his actions have resulted in the town descending into anarchy and that the destruction of the town's most prominent company has most likely left countless people out of work. |
| 73 | * ''ComicBook/TheSimpsons'': PlayedForLaughs in a comic sidestory starring Mr Sparkle. Mr Sparkle saves the family from the invading dirt monsters, but the family father discovers that while doing so, Mr Sparkle had unwitting destroyed his cartoonist equipment, ruining him and driving him to [[{{Seppuku}} kill himself]] out of shame for no longer being able to provide for his family. The entire sequence is played for comedy, with Mr Sparkle himself cheerfully advising the father to try and avoid getting blood on the carpet as he leaves. |
| 74 | * ''ComicBook/SpiderMan'': Creator/JoeQuesada has stated that when looking back at ''ComicBook/OneMoreDay'', he sees Aunt May saved through the Parkers' HeroicSacrifice of their marriage. Most fans see the OfficialCouple being forced apart and [[TheBadGuyWins the villain getting what he wants]]. Many fans also have a problem that the solution to the arc was the HERO making a DealWithTheDevil without ever being held accountable, thus making deals with the devil without consequences a valid mean to happy endings. It’s even worse than that. At one point, an apparition of a little girl confronts Peter with a withering TheReasonYouSuckSpeech explaining why his desperation to save May at all costs is actually selfish. This apparition later turns out to be Peter and MJ’s future daughter, who will never exist thanks to their deal with [[Characters/MarvelComicsDemons Mephisto]]. So not only did Peter make a deal with the devil, but he also allowed the devil to trick him into aborting and then forgetting about his own child, after it had been clearly explained to him why it was the wrong thing to do. A lot of fans were quite puzzled about how that could be called a happy ending in any sense. |
| 75 | * ''ComicBook/SquadronSupreme'': The end of ''ComicBook/SquadronSupreme2015'' sees Dr. Spectrum freely accept Black Bolt as her king, the man that destroyed her world. |
| 76 | * ''ComicBook/{{Superman}}'': At the end of the story arc ''ComicBook/TheGreatPhantomPeril'', villain Faora Hu-Ul is sent back into the PhantomZone. Unfortunately, Mr. Jackson Porter, a widower whom Faora had telepathically deceived into believing she was his wife's ghost in order to manipulate him, still believes Faora is his late spouse. To the point that he requests to be sent into the Zone together with her. And instead of discouraging him and getting him help, Superman, Characters/{{Batman|TheCharacter}} and Characters/{{Supergirl|TheCharacter}} grant his petition. The latter even says maybe it is the best for him, since Mr. Porter is so lonely. |
| 77 | * ''ComicBook/SuperYoungTeam'': At the end of ''Dance'', when Most Excellent Superbat buys Japan so that the Super Young Team can control supervillain activity, making it into a big show. At least the world is saved. |
| 78 | * ''ComicBook/XMen'': The story "End of Grays" ends with [[Characters/XMen80sMembers Rachel Summers]] sitting down to have a nice coffee with her friends, talking about how she's honoring her mother's legacy...after a bunch of aliens violently massacred what's left of her family, children included, for insane reasons, with her grandmother dying cursing Rachel's name, then tried ''repeatedly'' to murder Rachel herself, before getting away entirely scot-free, without even a slap on the wrist. |
| 79 | [[/folder]] |
| 80 | |
| 81 | [[folder:Comic Strips]] |
| 82 | * ''ComicStrip/ForBetterOrForWorse'': Elizabeth marrying [[CreatorsPet Anthony]] after being StrangledByTheRedString. The "new-runs" make it worse by driving home the notion that she's in for the same SelfInflictedHell her mother goes through. |
| 83 | [[/folder]] |
| 84 | |
| 85 | [[folder:Fairy Tales]] |
| 86 | * Perrault's tale "The Fairies" also known as "Diamonds and Toads". A Fairy [[SecretTestOfCharacter tests the politeness of two sisters]]. She rewards the polite [[YoungestChildWins youngest sister]] with having either a jewel, a diamond or a pretty flower fall from her mouth whenever she spoke and curses the rude eldest sister with having either a toad or a snake fall from her mouth whenever she spoke. The mother then drives both out of the house. The good sister meets and marries a prince while the bad sister is rejected by everyone and starves in the woods. One may argue that maybe [[UnintentionallySympathetic the eldest sister]] may not deserve such [[DisproportionateRetribution horrible fate]] or point out that the mother [[KarmaHoudini gets away]] with the mistreatment of both her daughters. Not that clear with the youngest sister - some will say that the only reason the prince loves her is the gems, but the story only says that the prince fell in love with her after she told him her story, so optimists can believe that he loves her for herself, and merely views the gems as a way to avoid ParentalMarriageVeto. The [[ArtisticLicenseEconomics problems with constant gemstone production]], however, are indisputable. |
| 87 | ** A number of later versions have a further chapter in which both the mother and the older sister return for revenge with a BrideAndSwitch scheme that the new king discovers and then foils by sentencing them to death, taking care of the questions of justice for them. Of course, this still leaves the question of what they're going to do about all the [[WorthlessYellowRocks inflation from the gemstones]]: they might be able to avert an economic collapse for the kingdom by dumping all the spare gems in the treasury and forgetting about them (or just [[RidiculousFutureInflation let inflation take its course]] and continue using silver and gold coins for the kingdom's currency), but having objects valuable or otherwise falling from her mouth all the time is [[BlessedWithSuck likely to get awfully inconvenient awfully fast]]. She might have to learn how to use her words sparingly or even [[ElectiveMute go mute]] just to maintain her sanity. |
| 88 | * In the end of ''Literature/TheLordOfTheWinds'', a Nenets fairy tale, the main heroine marries Kotura, the titular lord of the winds, and is welcomed by his family, which all sounds pretty nice. Except that Kotura sent a terrible snowstorm that threatened to destroy the entirety of humanity (or at least everyone who lives in tundra, the narration isn’t very clear on the subject), just to blackmail people into sending him a proper bride. Then he froze the heroine's two sisters to death (they were [[AssholeVictim Asshole Victims]] but hardly deserving of such a fate). The heroine's feelings on marrying him after all that are never stated (one might argue that the girl's sisters at least deserved what they got, but Kotura never even shows any hint of remorse about the snowstorm, which was basically a global-scale ScarpiaUltimatum). |
| 89 | [[/folder]] |
| 90 | |
| 91 | [[folder:Fan Works]] |
| 92 | !!!In General: |
| 93 | * This is common in the darker side of fanfiction (especially in fetish fics). A good example of this can be found in ''[[http://www.fanfiction.net/s/3684981/1/The_Plushtopia_Chronicles_Lugia_II The Plushtopia Chronicles Lugia II]]''. For those who don't want to read that, here's the cliff notes version: Guy picks up a plushie that is alive. Turns out the plushie is a {{Yandere}}. It asks him nicely if he wants to turn into a plushie too. He refuses; it violently and painfully kills him and then rebirths him as a plushie. Now they'll be together forever - and it's treated as a good thing. |
| 94 | |
| 95 | !!!By Title: |
| 96 | * ''Fanfic/AftermathOfTheGames'' was in part a FixFic to season 5 finale of ''Westernanimation/MyLittlePonyFriendshipIsMagic'', giving [[AdaptationalKarma Starlight Glimmer karma]] by having Twilight Sparkle adopt the child Starlight, causing the original to be RetGone. But the finale had shown that such alterations to the timeline could have dire consequence. This necessitated [[SalvagedStory its own fix]] in the sequel ''Integration''; showing Starlight refusing her canon redemption [[ShootTheDog left no other choice]], and that Twilight's [[AscendedFridgeHorror all too aware of the implications]] and is doing what she can to fix them. |
| 97 | * ''Fanfic/BabyBoomShawnaCanon'': There are many who see the end of this story where tons of teenagers become pregnant, young teenagers at that, as being a lot less hunky-dory than presented and more as something incredibly disturbing and life ruining. |
| 98 | * ''Fanfic/BlueMoonNursery'' concludes with baby smurfs Strawberry and Pom-Pom having been rescued from the Smurfnapper that's been abusing them horribly and are now on a road to recovery with help from Blueberry... but not only did the perpetrator [[KarmaHoudini run away before he could get caught and is still out there]], the Blue Moon Nursery and the narrator have shown that they aren't really competent in giving care to baby smurfs themselves, considering earlier another smurf wounded up ''nearly dying in a clothes dryer''. |
| 99 | * Happens within the [[PlotParallel titular game]] of the ''VisualNovel/KatawaShoujo'' fanfic ''[[http://ks.renai.us/viewtopic.php?f=52&t=2435 Broken Dolls]]'', where the [[MultipleEndings "best end"]] still involves [[{{Utsuge}} dying]]. |
| 100 | * The ''WesternAnimation/MyLittlePonyFriendshipIsMagic'' fanfic ''Fanfic/TheConversionBureau''. The premise: Things aren't going well for humanity or Earth, so the ponies offer to let some of the humans into Equestria. Awesome, right? But then the FantasticRacism kicks in: anybody going in has to first be transformed irreversibly into a pony. This might not be so terrible if it wasn't repeatedly and explicitly stated that [[NotHimself someone who's transformed into a pony has their personality fundamentally altered]]. In other words, when faced with a troubled species, the ponies' solution is, [[WouldBeRudeToSayGenocide well...]] While it's a DeadFic and thus never properly ended, the author implies this is meant to be a JustBeforeTheEnd scenario. |
| 101 | * The short ''Anime/PokemonTheSeries'' fanfic ''[[https://www.fanfiction.net/s/5732503/1/Gotta-Catch-them-All Gotta Catch Them All]]'' is a DeadlyDistantFinale where an elderly Ash Ketchum, at the age of 90, having finally caught the last Pokemon in the world, dies from old age after achieving his goal. The fanfic treats it as the '''happiest possible ending''' for Ash, but it comes off as a DownerEnding instead, given that Pikachu is ''dead and taxidermied like a hunted animal'', a lot of wonder is gone from the world as Ash spent his entire life catching literally every last Pokemon IN THE WORLD, and what is the most depressing part of all, the fact that Ash was so obsessed with catching all the world’s Pokemon that he didn't care about anything else, even when he outlived everyone he ever knew and cared about, and never married ANYONE and never had any children, all because he wanted to "catch them all". |
| 102 | * The ending for ''Fanfic/LeftBeyond'' explicitly shows that every non-Christian character goes to Hell, even though they succeed in continuing the human race past the Judgement. This implies that every human being who lives after the Judgement will go to Hell, or at least to a featureless limbo, after they die. |
| 103 | * In addition to the (definitely NotSafeForWork) ''WesternAnimation/TheLittleMermaid1989'' Fanfic ''[[http://textfiles.com/sex/EROTICA/A/ariel.txt Ariel's Wedding Night]]'''s dealing with the psychological version of the MermaidProblem, the text also brings up the interesting point that Ariel's father Triton and her husband Eric are going to have some diplomatic issues concerning the ''economy'' of Eric's kingdom: presumably, a lot of the people were living on seafood, which isn't likely to go over well with Ariel or Triton or any of the other merfolk. How, then, is Eric going to keep his subjects fed? A later revision of the story resolves Ariel and Eric's romantic difficulties, but it says nothing more about how to resolve their kingdom's economic problems. |
| 104 | * Certain ''WesternAnimation/TheLoudHouse'' fanfics based on the very unpopular episode "No Such Luck", which culminates in Lincoln's entire family (parents included) locking him out of the house because they believe him to be bad luck, end with Lincoln calling the police on his family, usually with Lynn Sr. and Rita Loud being the ones who are arrested. It's painted as a happy ending for Lincoln, but the ramifications of Lynn Sr. and Rita being arrested and Lincoln and his sisters having their parents being taken away from them is rarely touched upon; that said, there are other fics, such as ''Fanfic/WhatIsAPersonWorth'' and ''Fanfic/NoSuchLuckNoSuchLove'', that have Lincoln outright say he won't be telling the police or any other adults because it would throw him and his siblings into foster care, [[EveryoneHasStandards which is not something he wants]]. |
| 105 | * Chapter 27 of ''[[https://www.fanfiction.net/s/13646760/ The NEW 151 Pokeshipping Stories]]'' ends with Ash deciding to stay a ghost to be with Misty forever. Keep in mind that this is an AU based on the ''Anime/PokemonIChooseYou'' movie where Misty died of cancer, Ash agreed to play with her for a day before going back, only to back off at the last second to stay with her, and even ''thanks'' her for killing him. A reviewer also points out how Ash doesn't seem to care for his mother potentially being upset about his death (or worse, ''not'' finding out and fretting over whether he's alive or not). |
| 106 | %%* One particular ''Pirates of the Caribbean'' fanfiction had a protagonist determined to save the seas and bring back freedom to the pirates. She accomplishes this by killing Calypso. Who, in the movie, was one of the few mystical beings remaining in the sea, especially after the Kraken was destroyed by Beckett, and one of the few things left keeping the world from "getting smaller". Oops... Everyone treats her as a hero for this. Also, you know, making the world a better place for pirates is making it a worse place for everyone who likes to keep their belongings and not get raped. |
| 107 | * The ''Rose Potter'' series is an interesting example. Because the author slavishly copies as much of the ''Literature/HarryPotter'' canon as he can, each story ends on a happy note if and when the canon books do. Because the author tries to make things DarkerAndEdgier however, it just opens up a whole mess of FridgeLogic, plot holes, and generally makes the Ministry's arguments that Rose is psychotic look rational. One fine example would be Rose discovering the "Golden Patronus", which essentially lets her destroy the hundreds of Dementors in the third story. This is treated as a beautiful thing, with the "released souls" thanking her as they return to their bodies. Thing is, Dementors were used to carry out the wizarding equivalent of the death sentence, which means that Rose also released the souls of a number of dangerous criminals. |
| 108 | * Infamous early eighties ''Series/StarTrekTheOriginalSeries'' fanzine fic "Sounds Of Silence" features Kirk being consistently raped brutally by a Klingon, saved by Spock, who then decides he's going to dominate Kirk from now on no matter what Kirk wants, and it's deemed a cute happy ending. |
| 109 | * In ''Fanfic/TheStalkingZukoSeries'', the author and Zuko see the ending to the tale of Oma and Shu as this. Oma ends a war and establishes a city, but loses her lover in the process, which is why those in the Fire Nation see it as a tragedy. Zuko, in particular, having seen his cousin Lu Ten's girlfriend take his death quite badly, understands how painful it can be to lose a lover. |
| 110 | * Features in the "Torso Murderer" storyline of ''[[Fanfic/TaarokosBuffyTheVampireSlayer Taaroko's Season 8]]'', where the Scooby Gang discover that past Slayer Morgan Stronberg, who everyone believed was killed by her Watcher Richard Aubery in the 1930s, was actually killed in battle with a demon (the titular Torso Murderer) and it just looked like Richard did it. In reality, Morgan and her young Watcher were in love, and Richard spent decades trapped in the demon’s hell dimension before Buffy released him by killing the demon in the present while briefly possessed by Morgan's spirit. Willow considers it uplifting that Richard and Morgan are together now, but Xander can’t get past the fact that people are dead and a good man spent the better part of seven decades in Hell. |
| 111 | * ''WebVideo/YuGiOhTheAbridgedSeries'' features an in-universe example. [[https://www.youtube.com/watch?v=ZAVxdJSJ3rE The 2008 Christmas special]] involves Yami telling Yugi the story of Slavemas, a Christmas-like holiday he invented during his reign as Pharaoh, where he would force his Egyptian followers to turn over one of their family members to be his slave. The story ends with the Pharaoh making his followers "celebrate" Slavemas ''every day'' in retaliation for the Thief King stealing all his Millennium items. |
| 112 | -->'''Yugi:''' Huh... I was expecting a ''happy'' ending.\ |
| 113 | '''Yami:''' What are you talking about? That ''was'' a happy ending.\ |
| 114 | '''Yugi:''' Yeah, but only for the Pharaoh. Everybody else was miserable!\ |
| 115 | '''Yami:''' ... [[ComicallyMissingThePoint What's your point]]? |
| 116 | [[/folder]] |
| 117 | |
| 118 | [[folder:Films -- Animation]] |
| 119 | * ''WesternAnimation/AllDogsGoToHeaven2'': Charlie is allowed to go back to Earth and live out a considerable lifespan with Sasha and David. All well and good, except that Heaven's monotony and starched, sniffy, oppressive nature was driving Charlie to the brink of madness. He's been granted a brief, happy reprieve — then back to an eternity of misery. The only upside is that he'll live on Earth with Sasha for a few years, and then the two will ascend to the afterlife together. |
| 120 | * ''Anastasia'' by Creator/GoldenFilms has one. When Anastasia begins recovering her memories about her family, there is a happy atmosphere and a quick jump to the credits song, which is the same song Anastasia sung in her birthday, and is a happy song. However, all her family were shot, ergo she will never see them again. Meanwhile, Rasputin has [[TheBadGuyWins successfully taken over Russia.]] |
| 121 | * ''WesternAnimation/AnimalsUnited'' is an {{Anvilicious}}, if not untrue film about the dangers of pollution and human interference in nature. However, the end involves the cast taking over New York, with one human bystander being outright joyous in declaring [[AuthorTract "This is how it]] ''[[AuthorTract should]]'' [[AuthorTract be!"]] |
| 122 | * ''WesternAnimation/BaltoIIWolfQuest'': So how's Balto going to break the news to Jenna that their daughter has left and they'll most likely never see her again? |
| 123 | * Foxy Loxy's fate at the end of ''WesternAnimation/ChickenLittle''. A TeleporterAccident causes her personality to be overwritten from a tomboy into a feminine girl. The aliens offer to turn her back to normal, but Runt of the Litter decides he likes her new personality better. She may have been a bully, but she certainly did not deserve this fate at all and the fact that the other characters treat it like a good thing is very uncomfortable. |
| 124 | * ''WesternAnimation/TheDevilAndDanielMouse'': Jan's soul is saved and she's reunited with Dan...but B.L. has openly threatened to stop playing by the rules in the future (making him harder to beat) and has a particular reason for developing a hate-on for the pair of them. Also, the newly-reformed jurors and Weez are probably suffering unspeakable torments for their little HeelFaceTurn. |
| 125 | * ''WesternAnimation/TheEmojiMovie'' ends with Alex having [[FlatCharacter learned absolutely nothing throughout the whole movie]], and so the CosmicHorrorStory at the heart of the setting is still very much in effect. Given Alex's already established penchant for rash decisions, the denizens of Textopolis are still in far more danger than emojis on other phones. The only reason they ''didn't'' all get wiped from existence at the end is that Addie was so EasilyImpressed. And [[TechnologyMarchesOn the phone's probably getting replaced in a year or two anyway.]] |
| 126 | * ''WesternAnimation/{{Encanto}}'': While ''much'' happier than most examples, as the family as a whole is much better off at the end than they were at the beginning, some fans think that [[spoiler: the Madrigals regaining their magic gifts]] isn't as good as it's presented in the movie. Mainly for characters like Pepa and Dolores, [[spoiler: whose [[BlessedWithSuck issues with their powers]] came largely from the gifts themselves rather than how the people around them treated them.]] |
| 127 | * ''WesternAnimation/{{Ferdinand}}'': Ferdinand earns his freedom and returns home, along with all of his friends. However, the bull fights are still going on, and thousands like them will continue to die in the ring. Though it's likely that Ferdinand's stand would at least lead to changes in the way people see or conduct future bull fights, creating a small but ultimately positive difference. |
| 128 | * ''WesternAnimation/FireAndIce1983'': When Fire Keep unleashes lava to combat the glacier, it destroys a good deal of vegetation and wildlife and there's a lot of water from the melted glacier which causes a good deal of flooding. Fire Keep won the war but it's going to take a lot of time for the land to recover and for life to adapt. |
| 129 | * ''WesternAnimation/FritzTheCat'': Fritz gets a gangbang out of his experiences, but he's learned absolutely nothing and he'll very likely face charges for all the chaos and carnage he's caused. Not to mention Duke is still dead, Harlem is in ruins, and the neo-Nazis are [[KarmaHoudini still out there doing god knows what]]. |
| 130 | * Creator/DingoPictures' take on ''Literature/TheHunchbackOfNotreDame'' ends with Quasimodo being locked up for life after murdering Frollo, while Esmeralda flees. While [[SparedByTheAdaptation this]] is ''arguably'' better than the original story, it's still very odd to hear [[https://www.youtube.com/watch?v=ToXrIGTxl_0 this music]] while the narration insists this is a happy ending just because he has proof that Esmeralda is still alive. |
| 131 | * ''WesternAnimation/TheHunchbackOfNotreDameJetlagAnimation'': Quasimodo and Esmeralda get to live together happily, but the Romani are being killed and Gringoire apparently was left to die. |
| 132 | * ''WesternAnimation/JosephKingOfDreams'': Watching the Israelites happily move to Egypt at the end, when the audience knows that their descendants will be enslaved by the Egyptians in a few generations. |
| 133 | * ''WesternAnimation/TheLegendOfTheTitanic'': The second film ends with Elizabeth, Don Juan, Connors, Ronnie, and Happy living on a desert island despite the fact that they were given immortality without their consent and will never be able to see their friends and relatives again. |
| 134 | * In Creator/GoldenFilms' version of ''WesternAnimation/{{The Little Mermaid|Golden1992}}'', Lena gets to marry Prince Stefan and avoids dissolving into seafoam, but unlike [[WesternAnimation/TheLittleMermaid1989 the Disney version]], [[WhatHappenedToTheMouse she apparently doesn't get her voice back]]. |
| 135 | * The climax of ''WesternAnimation/MulanII'' has Mushu ensure that neither Mulan nor the three princesses she was escorting to another kingdom have to submit to an ArrangedMarriage to its prince(s), and thus they can MarryForLove their respective sweethearts. The problem is that the arranged marriages were explicitly explained to be necessary to secure a political alliance between the kingdoms so that they will band together to defend China from the Mongols. As the denouement does not resolve that issue (though the audience was probably meant to assume that Mushu's "Golden Dragon of Unity" act convinced the Qigong Emperor to finalize the alliance anyway off-screen), the most straightforward assumption is that Mulan and her lady friends have '''selfishly doomed their homeland'''. |
| 136 | * ''WesternAnimation/OliverAndCompany'': The evil Bill Sykes is dead, but Fagin is still an unemployed man with a gambling problem who lives in a dilapidated boat and who can't afford to feed his dogs. The movie ends with a happy song, but the future of Fagan and his dogs is hardly promising. |
| 137 | * ''Westernanimation/ThePainting'': The solution to the painting's problems lies not so much in achieving equality between the Alldunns, the Halfies and the Sketchies, but in turning the Halfies and the Sketchies into Alldunns. It feels rather cynical a conclusion, though most of the characters are happy with this. The fact that the free-spirited Lola foregoes becoming an Alldunn and looks on the proceedings with apparent melancholy might be subtly acknowledging this. |
| 138 | * ''WesternAnimation/{{Pocahontas}}'' ends with a "happy ending" in which the British and Powhatan come to terms with each other. Anyone with the vaguest knowledge of history knows this will last about three seconds before relations go south for about 300 years. |
| 139 | * ''WesternAnimation/ThePrinceOfEgypt'' ends with Moses returning to the children of Israel with the Ten Commandments in hand. Anyone familiar with the story of Moses (or at the very least, the Charlton Heston version) knows what happens next.[[note]]He smashes the tablets in anger at seeing the Israelites having built the golden calf to worship, and sends the Levites to kill 3000 people. Unless you believe it was the second time around, which is happier (and suggested in the storybook/coloring book which posits the scene as taking place "Years later") but still pretty bitter. This isn't even the half of it. The group of Hebrews being led out of slavery toward the hope of the Promised Land? Apart from Joshua, none of them will be allowed entry into it. Their pride, stubbornness, and lack of faith results in them being sentenced to wander in the desert for forty years until that generation dies out. Even Moses will never get to enter it while he's alive, although his bones are eventually buried there. One can only hope that this movie's version of the story, with its liberties taken, would have things go better overall... On the historical side of things, Rameses' thirteenth son and successor Merneptah will claim to have conquered Canaan, including Israel, decades later.[[/note]] |
| 140 | * ''WesternAnimation/RalphBreaksTheInternet'': Vanellope is happy, but she effectively "went Turbo" to do so, abandoning her game and its people. Meanwhile, Ralph himself is left with one less friend to confide in even if he's happy that she's happy, and she was better off than him when she decided to hang out in someone else's game. Also, the insecurity virus was forgotten about and is still out there free to wreack more havoc in the future. |
| 141 | * ''WesternAnimation/{{Ratatouille}}'' ends with Linguini, Remy and Colette opening their own private restaurant with the [[HeelFaceTurn reformed]] Anton Ego being their top customer. However, while the tone is undeniably happy, consider the facts. The whole reason Linguini and Colette have to open a new restaurant is that Gusteau's ancestral restaurant was closed down after its "rat infestation" was exposed, meaning that the legacy of Gusteau is over and the once-world-famous chef has been reduced to a disgraced joke. Skinner is still obsessed with capturing Remy for his own use, and there's nothing stopping him from pursuing new schemes (however ineffectual they may be). Finally, there's an entire former restaurant staff out there that could, if they wanted to, come forward with believable evidence that Linguini is mentally unwell due to believing in talking, cooking rats, and considering that Linguini's "madness" ruined their careers, they'll likely have a grudge against him and his new restaurant. |
| 142 | * ''WesternAnimation/RomeoAndJulietSealedWithAKiss'': In the end, the Prince meets and marries another elephant seal. But considering he’s been established as a jealous, violent tyrant with no redeeming qualities who threatens to eat other characters for minor snubs, things don’t look too good for her. |
| 143 | * ''WesternAnimation/RubyGillmanTeenageKraken'': Although it's mitigated somewhat by the fact that [[spoiler:the Trident of Oceanus has been destroyed, putting the mermaids at least at a disadvantage, and that Ruby and her family will start protecting Oceanside]], nothing else is ever done to actually ''end'' the conflict between the krakens and the mermaids, something not helped by Grammamah's treatment of the mermaids as being AlwaysChaoticEvil and only able to be dealt with [[ViolenceIsTheOnlyOption violently]] more or less being proven entirely correct in the end. Combine this with a town of powerless humans that is now likely to get caught in the crossfire should the kraken-mermaid conflict ever flare up again (whether through [[spoiler:Nerissa]] escaping or other evil mermaids appearing) and it takes a bit of the sunshine-and-roses out of an otherwise happy ending. |
| 144 | * At the end of ''WesternAnimation/SausageParty'' even though the food won their fight against the humans, it was only because they were lucky enough to have bath salts on them to use on said humans. Once the friends and families of those humans come, the foods won't have any more bath salts left to defend themselves with. Even if no one came to the store sooner or later most of the foods would expire. Only a few of the items are nonperishables, which makes the ending more like a ShootTheShaggyDog ending. |
| 145 | ** Also, they find out they're in a movie. So they decide to do something about it by inventing a trans-dimensional teleporter to kick the asses of the film writers. They go through the portal, and... that's it. And then you realize they're still foot-tall convenience items who are now entering a world that isn't comically slanted in their favor. Deleted scenes reveal the last we see of them is their panic over the writers calmly eating their avatars in a diner, oblivious to the screaming deli meats outside the restaurant. |
| 146 | * ''WesternAnimation/SharkTale'': |
| 147 | ** Oscar finally telling the truth after all of the brand deals he made with the thousands of product placements [[https://youtu.be/g6Ae_KKEeSY?t=1623 could land him in jail for fraud, as well as being sued for everything he did, as well as Angie, their children and grandchildren for around 100 generations.]] |
| 148 | ** For a movie based around the premise that eating fish is bad, the sharks get to eat as many fish as they want... [[ProtagonistCenteredMorality just not at this particular reef.]] |
| 149 | * At the end of ''WesternAnimation/SnoopyComeHome'', the Peanuts gang is initially overjoyed to see Snoopy returning and sing his praises. Then, Snoopy types letters to Linus demanding the return of his croquet set and chess set, and to Schroeder for the return of his record collection. Lucy then tells Charlie Brown, "That does it, Charlie Brown! He's your dog, and you're welcome to him!" Yeah, it seems everyone's really happy to have Snoopy back. |
| 150 | * ''WesternAnimation/TadTheLostExplorer'': A minor example - everybody sure seems very happy at the end, but strangely, no mention is made of the fact that Tad is still unemployed. |
| 151 | * ''WesternAnimation/TitanicTheLegendGoesOn'': The chipper WhereAreTheyNowEpilogue makes absolutely no mention of the tragic loss of life during the ship's sinking. |
| 152 | * ''WesternAnimation/TomAndJerryTheFastAndTheFurry'': While Tom and Jerry did win the race, every other contestant is either dead or missing, and [[HereWeGoAgain their antics will likely destroy the mansion they won, so they’ll be homeless again.]] |
| 153 | * One of the reasons ''WesternAnimation/ATrollInCentralPark'' is considered Creator/DonBluth's worst-ever film is its infamous ending, which features the title character using his GreenThumb powers to make the vegetation of Central Park overrun New York City, a scene eerily similar to the original DownerEnding of ''Film/LittleShopOfHorrors''. The film portrays this as the ultimate triumph of nature over technology, but one gets the distinct impression that [[InferredHolocaust many of New York's eight million residents would likely disagree]]. Especially in hindsight, given the shot of the Twin Towers covered in flowery vines. |
| 154 | * The elaborate end-title sequence in ''WesternAnimation/WallE'', showing the humans and the robots successfully rebuilding Earth over many generations, was added with the intent of averting this trope, after the initial test audiences thought that all the humans would die in a hopeless attempt to do so. |
| 155 | [[/folder]] |
| 156 | |
| 157 | [[folder:Music]] |
| 158 | * "Hello, Muddah, Hello, Faddah" by Allan Sherman ends with the rain ending and so the singer having fun at camp after all. This is meant to be a happy ending, but the boy's morale improving still doesn't change the fact that his bunkmate has malaria and two other boys have ptomaine poisoning and are missing respectively, though the whole story about those are quite likely and heavily implied, given Sherman's sense of humor, to be a load of bunko a bored kid would dream up to try and scare his parents into taking him home. |
| 159 | * Music/CarrieUnderwood's [[https://www.youtube.com/watch?v=WaSy8yy-mr8 "Before He Cheats"]] ends with a moment of triumph for the jilted (she assumes) girlfriend who assumes her boyfriend will "think before he cheats". A far more likely ending would involve him turning her in for vandalism, especially since she so conveniently carved her name into the seats. (Underwood herself has stated she does ''not'' recommend such retribution.) |
| 160 | * ''Music/TheChristmasShoes'' is about a man who learns the meaning of Christmas through an act of charity. However, the act of charity is a result of God making the man bump into a child whose mom is dying, and helping him out. The implication being that God felt it was more important to teach a grumpy guy a lesson than to miraculously heal this kid's dying mother. Creator/PattonOswalt does not neglect to note this in his take on the song: |
| 161 | -->'''Creator/PattonOswalt:''' Let's review: There's a guy in line. He's a little cranky on Christmas. God looks down and sees this. "Somebody in a bad mood on my son's birthday? BULLSHIT! Give that kid's mom cancer, make sure he's front of them in line, make him seven cents short for the shoes, this guy will buy them and then he'll be in a good mood." I almost feel like Jesus is behind God going, "I don't think we need to give a kid's mom-" "Kid, you shut the FUCK up! This is gonna be the best birthday you ever had!" |
| 162 | * The Gerry Goffin[=/=]Music/CaroleKing classic "Oh No, Not My Baby", first recorded by Maxine Brown, has the narrator spend the first two verses talking about how they ignored their friends and even their own mother warning them that their lover was cheating on them, in a seeming tone of "how dumb could I be?", only to spend the last verse claiming that they were right all along because the pair is going to get married. Except, in that verse the narrator also admits that the lover had a "last-minute fling", meaning that everyone else ''was'' right, and the distinct possibility that the lover might cheat again after the wedding is still on the table. |
| 163 | * The last movement of Dmitri Shostakovich's Symphony No. 5 ends in [[HappinessIsMandatory a forced triumphant cry of the high strings and the brass]], suggesting one such trope. Not only that but as conductor Michael Tilson Thomas notes, he slips in a few [[TakeThat zingers]] into the final "rejoicing" flourishes. When the music reaches major chords played by the brass, Shostakovich signals a conventional ending -- but, we find out a moment later that, instead of keeping put in that resting chord, Shostakovich ''keeps pushing'' the brass section higher and higher into minor registers, before lurching heavily into a tacked-on ending. |
| 164 | * "Judy's Turn to Cry" -- the sequel to "It's My Party" by Lesley Gore has the singer pull off OperationJealousy to get Johnny's attention back (after he came to her party with another girl). It works: Johnny decks the poor sap and ditches Judy to come back to our heroine, who now... gets the guy who abandoned her for nothing and hits people for little provocation. Great? |
| 165 | * Rupert Holmes' "Escape (The Pina Colada Song)" ends with the man responding to a personals ad and discovering the woman who had placed the ad was none other than his own wife/girlfriend. Pretty romantic, except for the part where, along with all the other nice stuff they realized they have in common, they also both learned their respective partner was not only willing to cheat on them but even actively seeking to. This was discussed (along with other inconsistencies in the song) on [[https://www.youtube.com/watch?v=wBeKaR-IOrA a host segment]] of ''Series/MysteryScienceTheater3000''. |
| 166 | [[/folder]] |
| 167 | |
| 168 | [[folder:Mythology and Religion]] |
| 169 | * The Literature/BookOfRevelation in Literature/TheBible. The saints all get to reign in a New Heaven and a New Earth, there is no more sin or death to trouble humanity, and {{God}} seals the devil and his servants away in [[{{Hell}} The Lake of Fire]] forever. Huzzah! But then that means untold numbers of people are burning in Hell forever. The concept of Hell is one that even many devout Christians are troubled by. |
| 170 | * Myth/EgyptianMythology: During the Old Kingdom, only kings got the privilege of an afterlife. But by the time of the New Kingdom, anyone could enter the afterlife as follows: If an Egyptian peasant dies, he has to take a very long walk across the desert (and hope the people who buried him gave him ''The Book of the Dead'', a book of spells designed to defeat the monsters). At the end of this arduous journey, his heart gets weighed. If it outweighs a magical feather representing Truth, it gets thrown to the Devourer ([[MixAndMatchCritters a beast with a crocodile's head, a lion's mane, and a hippo's hindquarters]]), who eats it and condemns the unfortunate soul to CessationOfExistence. However, if the man's heart weighs the same as the feather (if not lighter), he gets to go to Egyptian heaven, which means... he must work in Osiris' fields for all eternity. Congratulations, man. You get to do what you did for your ''entire mortal life''. (Then again, [[ValuesDissonance to a farmer, that might be a pleasurable afterlife]].) |
| 171 | [[/folder]] |
| 172 | |
| 173 | [[folder:Radio Play]] |
| 174 | * ''[[Recap/BigFinishDoctorWho064TheNextLife Doctor Who: The Next Life]]'' ends seemingly happily: The Doctor, Charley and C'rizz are back in the main universe (or in it for the first time in C'rizz's case), acting like friends again and ready to go on adventures. Rassilon and Kro'ka got their comeuppance, and it seems everything worked out for the best. Except for the fact that the Divergent Universe is doomed to reset over and over again. All of the stories set within the Divergent Universe will repeat again and again, but without the Doctor, many of them will have a much less happy ending for those involved, to say nothing of what will happen to the Eutermesans without C'rizz around. And even beyond that, Zagreus and Keep have decided to team up to terrorise this universe, so who knows what havoc and misery they will sow. The TARDIS team may have achieved their happy ending, but for the residents of the Divergent Universe, the horror is only just beginning... |
| 175 | [[/folder]] |
| 176 | |
| 177 | [[folder:Tabletop Games]] |
| 178 | * ''TabletopGame/VampireTheMasquerade'' features an in-universe case in the Followers of Set clanbook: during the history chapter, the narrator briefly focuses on the disastrous events of the Children's Crusade, and true to history, it ended with the majority of the children either dead or sold at the slave markets of Alexandria. Of course, the Followers of Set admit to buying several consignments of enslaved crusaders, many of whom ended up as temple servants - or blood sacrifices. However, [[DeliberateValuesDissonance the narrator assures the reader that this is actually a happy ending]] - because out the thousands of children enslaved and murdered by the cult, ''eleven'' of them were Embraced into the clan... and ''four'' live on as respected elders of a vampire clan dedicated to furthering corruption and decay throughout the world. |
| 179 | * ''TabletopGame/WerewolfTheApocalypse'': In the Time of Judgment scenario in which the Wyrm is released from confinement in the Weaver's web, the Weaver and Wyrm become sane again, and the cosmos is restored to balance. However, virtually all the changing breeds have been killed and the human race has been hurled back into the stone age. |
| 180 | * ''TabletopGame/MagicTheGathering'': The Tarkir Storyline gets accused of this, due in part to the BlueAndOrangeMorality of its protagonist, Sarkhan Vol. Vol has always revered dragons, but lives in a world where dragons were hunted to extinction millennia ago, and the humanoid cultures now fight each other in a global ForeverWar. Vol believes that their world lost something irreplaceable when the dragons disappeared, and travels back in time to prevent their extinction, which he succeeds at. The result is a new timeline where dragons have become the dominant species, with the mortal races serving them. And they're still locked in a ForeverWar. Sarkhan considers this a huge success, although many of the people who live in servitude to the Dragon Lords disagree (not that they know anything has changed). Indeed, many of the characters who were important and powerful in the previous timeline are leading much worse lives in the new (although some of them deserve it). |
| 181 | [[/folder]] |
| 182 | |
| 183 | [[folder:Theatre]] |
| 184 | !!!By Genre: |
| 185 | * Practically a RunningGag in {{Opera}}: |
| 186 | ** Music/GeorgeFredericHandel's ''Ariodante'', in which the title character commits suicide (he gets better) after finding out that his betrothed, Princess Ginevra, has been unfaithful (actually a scam by a competitor, who wants him out of the way to get Ginevra for himself). She is disowned by her father, who [[NoSympathy ignores her grief and protestations of innocence]], regards her as a harlot, and condemns her to death. When Ariodante is revealed to be alive and the plot is unmasked, Ginevra is reunited with him and all is forgiven...[[EasilyForgiven including her father's disowning her and death sentence]]? Small wonder that a 2014 production made Ginevra [[ScrewThisImOuttaHere considerably less forgiving]]. |
| 187 | ** Apparently, Leoš Janáček thought the ending of his opera ''The Cunning Little Vixen'' was soothing and happy enough to be played at his funeral, while it would otherwise generally be considered a (heavy on the bitter) BittersweetEnding. To recap: the title character has been shot dead, leaving her cubs to fend for themselves, and her skin made into a wedding gift so her killer, a poacher, can marry the human protagonist's sweetheart instead of him. But, hey, he gets to reflect on the cycle of life and death, so all's well! (It's worth noting that [[DeathByAdaptation this dark turn wasn't present in the source material]], and this is ''still'' lighter than most of Janáček's operas.) |
| 188 | ** The ending to ''Theatre/{{Jenufa}}'', another of Janaček's operas, is either that or BittersweetEnding. Depends on the production, on the tenor who sings Laca, and on your interpretation. To put it short, the heroine, after all sorts of suffering, finds true love – with the man who has previously scarred her for life in a fit of jealous rage, effectively frightening off all suitors except himself. He says he has repented and admits that by disfiguring the girl he caused many of the subsequent tragic events of the opera. If his remorse (and Jenufa's forgiveness) are convincing, then it's classic bittersweet. If not, it's this trope. |
| 189 | ** The opera ''Theatre/{{Turandot}}''. Essentially, deposed PrinceCharming hooks up with [[GodSaveUsFromTheQueen the evil queen]] (well, [[IceQueen evil princess]]), immediately after she tortures his [[TooGoodForThisSinfulEarth loyal slave girl to death]]. Yes, this is supposed to [[MyGodWhatHaveIDone trigger]] the [[DefrostingIceQueen Defrosting of the Ice Queen]], but seriously, they get a happily-ever-after wedding hours after ''[[KarmaHoudini she tortured the best person in the whole opera to death]]'' - and nice job sending their life - and the hope of your people - into ruins, O Mighty Prince Calaf! |
| 190 | *** In real stage time, it takes place ''minutes'' after. |
| 191 | |
| 192 | !!!By Playwright: |
| 193 | %%* Samuel Beckett--The theater director Charles Marowitz has written in praise of Beckett's "no-bullshit optimism." |
| 194 | * Creator/{{Shakespeare}}'s got several of these. They're sometimes classed as "the problem plays", because it's hard to figure out what to do with them. |
| 195 | ** The ending of ''Theatre/TheTamingOfTheShrew'' can be interpreted in many ways, which fall into three basic categories: A. Based on the values of the time, it's a happy ending in which an unpleasant shrew gets what's coming to her and learns a valuable lesson. B. Interpreted subversively, Katarina either learns to manipulate her husband or they come to an understanding. C. [[SecretTest Katarina's rudeness was just a test]] and Petruchio has passed: especially if Katarina's other suitors are played as particularly foppish. D. Taken literally, it's a comedy that becomes a tragedy, in which a strong-willed woman has her spirit broken by the kind of physical and psychological abuse favored by [[DomesticAbuse domestic abusers]], [[ColdBloodedTorture interrogation experts]], and [[ArsonMurderAndJaywalking members of any political party you don't like]], and [[AndThereWasMuchRejoicing everyone thinks that's a good thing]]. |
| 196 | *** It's even worse if you consider the epilogue by Ben Johnson, which often is not included due to being a later addition. Shakespeare began the play with a FramingDevice in which a drunk is taken off of the street, dressed up like royalty, and shown the production of the play, all for the amusement of a nobleman. [[WhatHappenedToTheMouse His reaction to the play is never shown, and it's not clear how the framing device ties in to the rest of the play.]] The epilogue shows that the drunk passes out, is put back in his own clothes, and left on the streets again. When he wakes up, he decides that it was all a dream and decides to use the tale of Kate and Petruchio as a lesson on how to deal with his own shrewish wife. |
| 197 | ** ''Theatre/TheMerchantOfVenice''. Okay, this one might just be ValuesDissonance, since a Jew being forcibly converted to Christianity was considered a good thing at the time. All the same...the play is ''very'' dark for a Shakespearean comedy, prejudice seems to be a theme running through the whole story, and Shylock does get that "if you prick us, do we not bleed" speech. And, frankly, while Shylock's a terrible person, all the Christian characters in the play are greedy, unlikeable bastards. Are we really supposed to be glad they won? This tends to be the reason most productions take Shylock's side, and treat the ending as [[DownerEnding a downer.]] |
| 198 | ** ''[[Theatre/AllsWellThatEndsWell All's Well That Ends Well]]'' ends with the sweet, lovely and clever Helena having succeeded in forcing the young nobleman [[SpoiledBrat Bertram]] -- a snobby, childish {{Jerkass}} who hated her guts for no good reason -- to marry her. And this is clearly ''not'' just ValuesDissonance, because other characters point out that Bertram is clearly not good enough for her. But the play seems like a comedy, so...yay? |
| 199 | ** ''Theatre/MeasureForMeasure'' has the just, lawful Duke put back in power, the wicked chancellor Angelo punished and made to marry his forgotten sweetheart, and the virtuous Isabella marrying the Duke. Great! Except... the Duke is kind of an amoral fellow who sits back and watches his own city fall apart, any woman getting married to [[SexIsEvilAndIAmHorny Angelo]] should ''not'' consider that a happy ending, and Isabella is a nun-in-training who DoesNotLikeMen, loathes the thought of sex, and she and the Duke have practically no interaction before he says they'll get married. Although the last part is more ambiguous than "happy", as there is no scripted response from Isabella to the Duke's marriage proposal. |
| 200 | ** ''Theatre/AMidsummerNightsDream'' ends with all three human couples HappilyMarried and the fairies blessing them to "ever true in loving be," with offspring who "ever shall be fortunate." Putting aside that Demetrius has been the unwitting victim of a LovePotion that [[DoubleStandardRapeSciFi will forever bind him to someone he didn't truly love]], anyone who knows Myth/ClassicalMythology will find that blessing bitterly ironic for Theseus and Hippolyta. The kinder version of the myth is that Hippolyta died naturally after giving birth to their son Hippolytus; the darker version is that Theseus eventually abandoned her to marry his second wife, Phaedra, and Hippolyta retaliated by waging war against him, in which she was killed. And either way, their son Hippolytus wasn't "ever fortunate," but was romantically desired by [[LecherousStepparent his stepmother Phaedra]], who [[FalseRapeAccusation falsely accused him of rape]] after he rejected her, and Theseus [[OffingTheOffspring called on Poseidon to kill his son]] for this alleged crime, only to learn his innocence too late. And if this is their future despite the fairies' blessing, how are we supposed to believe that Lysander and Hermia or Demetrius and Helena will live HappilyEverAfter either? |
| 201 | |
| 202 | !!!By Title: |
| 203 | * The end of ''Theatre/{{Grease}}'', in which Sandy [[BeAWhoreToGetYourMan remakes herself as less of a Sandra Dee innocent]] in order to win the attraction of Danny, has both its defenders and detractors. Depending on how well each individual show portrays it, either an uptight girl learns to loosen up a little in order to get the guy she's attracted to, who himself has been attempting to do the same, or else a perfectly fine woman changes herself for the worse in order to conform with people who have acted like jerks for the past two acts. It's worth noting that in the film adaptation's MovieBonusSong "You're the One That I Want", the major theme of the song is "You better shape up" - in short, whether or not Sandy has changed for the worse, she's ''not'' going to put up with Danny's douchebaggery, and she makes it clear from the word go. So this trope may not apply to the film. |
| 204 | * ''Theatre/JosephAndTheAmazingTechnicolorDreamcoat'' ends with Joseph and his family reunited and happily settled in Egypt. All well and good for ''them'', but anyone who knows Literature/TheBible knows that eventually their descendants will be enslaved by the Egyptians, leading to the story of Moses and [[Literature/BookOfExodus the Exodus.]] |
| 205 | * ''Theatre/LoveNeverDies'' tries for a BittersweetEnding: Meg accidentally kills Christine, but she dies in the Phantom's arms, affirming her love for him, and their son Gustave is willing to accept him as his father. But nothing suggests that the Phantom is fit to be a father to the boy -- after all, he's a mentally deranged murderer. Meanwhile, Raoul (who, alcoholic and gambler though he may be, did raise the boy for ten years) is presumably returning to France alone without even the money he needs to pay his debts, and while Meg's fate [[WhatHappenedToTheMouse is never revealed]], it's likely that ''at best'' she'll be sent to prison for what she did. And according to the original prologue of the London version, the beautiful Phantasma amusement park subsequently burns down and its freaks, shunned by the "ordinary" world, live in its remains! Where did the owner and his son go? |
| 206 | ** It doesn't help that the Phantom pulls a bit of a KarmaHoudini in all this; he manipulates and destroys everyone around him and gets the woman he loves killed, and in return he gets...a loving hug from his son. Yay? |
| 207 | ** It's even worse in the novel ''Literature/ThePhantomOfManhattan'' by Creator/FrederickForsyth, which was based on early ideas for a stage sequel and has some concepts that persisted into ''Love Never Dies''. In that version, the Phantom's son, here named Pierre, is explicitly a ChildByRape (the show changes this to a consensual one-night stand) and Raoul is a perfectly decent man who just happens to have been rendered infertile in a tragic ContrivedCoincidence and genuinely loved Pierre. But we're still supposed to cheer when Pierre chooses Erik, [[GlorifiedSpermDonor based solely on the fact that he's the biological father]] -- a decision treated by another character as a God-given miracle! |
| 208 | * ''Theatre/{{Oklahoma}}'' ends with Jud Fry, Laurey's StalkerWithACrush, threatening her new husband Curly on the night of their wedding and dying in the process. [[note]] Whether Curly kills him in self-defense or by accident, and how much Jud provokes him, depends on the production, examples ranging from [[DeathByFallingOver Jud falling on his own knife while lunging at Curly]] to [[YouWouldntShootMe Curly shooting Jud for getting too close to him]]. [[/note]] Curly knows he has to turn himself in, and even though he will almost certainly get off, he'll have to spend his wedding night in jail. The wedding guests, among them the town judge, decide to hold a [[KangarooCourt makeshift trial]] to declare his innocence [[NotablyQuickDeliberation before the train leaves for his honeymoon.]] Curly and Laurey depart for the beginning of their happy life together and the company sings about what a beautiful day it is, while Jud's body is still warm (and in some productions, still onstage). |
| 209 | * ''Theatre/{{Rent}}'': Mimi recovers from her illness, the bonds of friendship between the main cast are renewed, and the musical ends on a high note, but it doesn't change the fact that half the main cast are HIV-positive (and it's very possible Benny and his wife got infected thanks to Benny's affair with Mimi), and this being the nineties, they're running on borrowed time. (In fact, it had already run out for [[spoiler:Angel]] and WordOfGod says [[spoiler:Mimi]] will die soon after.) Notably, one Dutch production (directed by [[Creator/IvoVanHove Ivo Van Hove]]) [[https://youtu.be/JtyzmMz5PiY?si=zmo2ZYekA981IrXl&t=1130 flat out rejected this ending on these grounds]] [[spoiler:and had Mimi die at the end]]. |
| 210 | [[/folder]] |
| 211 | |
| 212 | [[folder:Visual Novels]] |
| 213 | * ''VisualNovel/AmnesiaMemories'': Played with. The good ending for Diamond World has the heroine and Toma starting a romantic relationship, after having cleared up a misunderstanding and revealing that they've been in love with each other for a long time. Many (Western) players didn't find this a happy ending, at all, because it meant Toma's actions of drugging and imprisoning the heroine out of some twisted sense of protection and jealousy were [[KarmaHoudini completely ignored]]. Mitigated by the After Story in ''Amnesia: Later'', where it shows that Toma doesn't actually pursue a relationship with the heroine yet ''because'' he hasn't paid for his actions yet. However, due to the [[LateExportForYou long time]] that game spent untranslated, (Western) players felt it was a little late. |
| 214 | * In ''Silver Chaos'', Adonis and Might have to die in order to be together, then reincarnate and lose the memory of each other. A small déja vu will be left, though. |
| 215 | * ''Franchise/{{Danganronpa}}'': |
| 216 | ** ''VisualNovel/DanganronpaTriggerHappyHavoc'': |
| 217 | *** It ends with the protagonists refusing to give in to despair and surviving, but the world outside is post-apocalyptic, making it unlikely they'd even survive for long. Furthermore, 15 friends (considered humanity's brightest hopes) killed each other until only 6 remained, showing the rest of the world [[TheBadGuyWins how far the world's best had fallen]]. And although the BigBad was executed, Junko [[NightmareFetishist ENJOYED it]], [[KarmaHoudini dodged all responsibility]], and managed to start another Killing Game. |
| 218 | *** The hidden alternate ending has ''all'' of the characters surviving and escaping the school. However, Junko manages to escape and continue her schemes to bring despair to the world. |
| 219 | *** The second game at least addresses the issue, showing at least three (likely four) of the survivors are still alive and working to rebuild the world. Not only that, the GaidenGame ''VideoGame/DanganronpaAnotherEpisodeUltraDespairGirls'' outright confirms that they all survived. |
| 220 | ** The ending of ''VisualNovel/Danganronpa2GoodbyeDespair'' can fall into this based on your interpretation. At the end, the survivors wake up with their memories but, for whatever reason, they remain sane and stay behind on Jabberwock Island to restore their comatose friends. If you think that they succeed, as Makoto said they would this is pretty decent. If you think the opposite, then the survivors are doomed to waste the rest of their lives tending to their braindead loved ones. Even then, there's the problematic fact that the students are known to the world as world-destroying terrorists and have most likely no surviving loved ones and that Makoto and his allies are likely going to end up in hot water with the Future Foundation over what happened. |
| 221 | *** ''Anime/Danganronpa3TheEndOfHopesPeakHighSchool'' addresses this and confirms that the whole cast (save Nanami) is restored, but their reputation as world-destroying terrorists that must remain ostracized on Jabberwock Island is solidified when they pull a ZeroApprovalGambit and take the blame for a scheme perpetrated by the Future Foundation's (former) upper management. |
| 222 | ** [[OncePerEpisode To add to the pile]], ''VisualNovel/DanganronpaV3KillingHarmony'' has an ending that also [[BrokenBase split the fanbase]]. The killing game has ended, and the mastermind is dead, but only three people survived this time around, their entire lives and backstories were revealed to be lies and FakeMemories implanted for an ImmoralRealityShow, the company responsible (Team Danganronpa) is still out there and presumably angry, the entire world has been brainwashed to love the killing games, and [[ArsonMurderAndJaywalking the entire Hope’s Peak Saga was just in-universe fiction]]. Then again, the mastermind is most definitely an UnreliableNarrator, so it's hard to say for certain what exactly is true or not. |
| 223 | * Joseph's "good" ending in ''VisualNovel/DreamDaddy''. On the third date, Joseph tells the player character that things are over between him and his wife, Mary. He and the player character then have sex on Joseph's yacht, with a full-blown romantic relationship on the horizon. Then, at Amanda's graduation party, Joseph reveals to the player character that he and Mary reconciled, and are staying together. Joseph promises they can still be friends, but he loves his family and can't find it in himself to abandon them. The player is left heart-broken. Keep in mind, this is the ''good'' ending. {{Justified|Trope}} in that the developers never really had a happy ending planned for Joseph, as they didn't want to send the message that it's okay to break up people's marriages. |
| 224 | * In the true endings in ''Dream Savior Gakuen'', it's revealed that the player character has been DeadAllAlong and reliving their memories of high school. The guy who the PC has met on a bus several times prior to this reveal turns out to be an angel and he explains that the PC's reward in the afterlife for having been a good person is getting to relive the memories of being with the person they loved the most in life over and over again. Sounds romantic... until you realize that this "reward" means that the PC will be forever trapped in a GroundhogDayLoop with no ability to change events or do anything new -- and judging from the PC's negative reactions when they began realizing that they were stuck repeating the same events endlessly, becoming aware at all of this GroundhogDayLoop again will only cause them torment. |
| 225 | * The True End of ''VisualNovel/TheShell'' seems to have been shooting for the bittersweet feeling that most True Ends have, but fridge logic kind of shoots it down. First of all, about half the cast is dead. Second, Reiji's sort-of girlfriend Toko is among them. Third, he's still alone. All he has that he didn't have before is closure over his dead fiancee. |
| 226 | * The most positive thing about the ending of ''VisualNovel/SuperDanganronpaAnother2'' is that Mikado's plan to obtain Divine Luck was stopped. However, doing so required Sora to give up everything so the others could escape, including her own body so that Yuki (who had been reduced to a BrainInAJar) could have a second chance at life. The Killing Game still claimed a lot of innocent people, most of whom were considered the Next Generation of Hope for the Tragedy world, and including Teruya, a member of the Kisaragi Foundation and survivor of the previous game. He was willingly sacrificed by his friend and ally Tsurugi, whose actions proved so divisive that the Foundation is now in the midst of a civil war between his supporters and the opposition. As for the survivors, one of them gets only a passing mention, two of them were arrested for their compliance in the killing game and broke out in a hostage situation, and Yuki- the new holder of Divine Luck- intervenes and allows them to escape before disappearing. One can only imagine how much trauma he now struggles with. |
| 227 | [[/folder]] |
| 228 | |
| 229 | [[folder:Webcomics]] |
| 230 | * ''Webcomic/{{Endtown}}'' sees fan-favourite Holly Hollister PutOnABus by way of electing to stay in a Matrix-esque illusion. It's implied she's going to have a loooong life... living in a literal bubble of denial with a faulty computer pretending (badly) to be her dead husband along with an imaginary child, all this after being the character defined by such things as detesting the way some people live in their own make-believe worlds and forcing herself out of her clock tower home and back into reality prior to the start of the story for the sake of finding happiness. Yay? More than anything, it comes across as the author's half-hearted attempt to be rid of her while also leaving her "happy" enough not to completely disappoint the fans who were hoping for a happy ending for her. Said fans will probably still wait forever for [[TheBusCameBack the bus to come back]]... |
| 231 | %%* ''Webcomic/{{Homestuck}}'' has a severely BrokenBase over the ending; many loved it, but for reasons gone into in great detail at [[https://bitterstucker.tumblr.com/ Bitterstucker]], many did not. |
| 232 | * The ending of ''Webcomic/{{Inverloch}}'' drew criticism for inadvertently undercutting its own anti-prejudice themes with TheReveal that Acheron was Kayn'dar all along. Although the da'kor were depicted as sympathetic, Acheron was the only one the other characters ever actually met--so him teaching them that his people weren't all bad and didn't deserve the denigration they received became a lesson in how da'kor were okay if they were a SoulJar for the elves' TheChosenOne. Additionally, the original WhereAreTheyNow epilogue (now gone) revealed that the main characters "solved" the da'kor's DyingRace problem not by confronting prejudice or making the elves fulfill the deal they broke, but by having the da'kor leave their home and live on an island, fully segregated from the other races. |
| 233 | %% * Not strictly an ending, but [[http://www.giantitp.com/comics/oots0331.html the answer]] Durkon received back from [[{{Seers}} the Oracle]] in ''Webcomic/TheOrderOfTheStick'' revealed that he would return to his home in the Dwarven Lands 'posthumously'. After the party leaves to resume their journey, [[http://www.giantitp.com/comics/oots0333.html Roy sees Durkon crying,]] and assumes that he's sorrowful over the idea that he wouldn't be able to return alive. However, Durkon turns out to be [[TearsOfJoy delighted]] at the prospect, due to the DeliberateValuesDissonance between the human and dwarven societies. Roy doesn't really understand it, but is happy that Durkon's happy about. |
| 234 | %% -->'''Durkon:''' I get to go home!! Home, home, home, home! Durkon gets ta go home!\ |
| 235 | %% '''Roy:''' Oooookay. Durkon, you do know what the word, "posthumously" means in Common, right? Because it doesn't mean, "After something funny."\ |
| 236 | %% '''Durkon:''' Aye, lad, it means, "after I die". Which means I get ta be buried in me ancestral tomb wit' honor, next ta me pappy, an' me granpappy, an' me great-granpappy, and me—\ |
| 237 | %% '''Roy:''' Yeah, I sense the pattern.\ |
| 238 | %% '''Durkon:''' All this time, I thought I'd be dyin' out here in human lands and me corpse'd be eaten by some monster. Now I know I'll be brought home, an' sure as Thor don't own shaving cream, I'll be buried with me family. This be all a dwarf like me could want!\ |
| 239 | %% '''Roy:''' But... you'll still be dead.\ |
| 240 | %% '''Durkon:''' As a doornail! Isn't it glorious?!? Ha ha ha! Home, home home!\ |
| 241 | %% '''Roy:''' You are a very strange little bearded man, Durkon.\ |
| 242 | %% '''Durkon:''' Aye, lad. Aye. |
| 243 | * ''Webcomic/PastelDefenderHeliotrope'': All the main characters eventually live on as post-singularity uploaded minds. |
| 244 | * ''Webcomic/RedString'' ends with Makoto and Miharu getting engaged. The author would have you believe that this is the best outcome for all parties, but a more critical examination can point out the problems with this. Makoto has just thrown away his very good and stable job to be with her, which he totally didn't need to do because he is marrying into the family anyway. He has savings, but those things aren't limitless and he will eventually run out, which has led many fans to believe that he will sponge off of his very wealthy parents and avoid getting a job so he can be with Miharu all the time. Miharu, meanwhile, has no stable goal in life (besides shopping, eating, and dating) and no job skills besides a waitress, which is a mediocre pay at best. Neither of them shows any real chemistry with one another besides heavy petting and sexting, and they avoid actual, meaningful communication like the plague. They are co-dependent to a fault and almost consciously refuse to see the consequences of their actions towards one another and others. It tallies up to two selfish, petty and immature individuals who won't make it past the honeymoon stage and will eventually become broke and destitute due to their own stupidity. |
| 245 | * The ending of ''Webcomic/SlyCooperThiefOfVirtue'' is weirdly upbeat like ''Thieves in Time'' was despite how Lady Venom and Colonel Zahn are freed despite their crimes and the latter has clear intentions of settling the score with Sly one day, along with the fact that Vick ends up taking over Drake's Criminal empire which is portrayed sympathetically for whatever reason. To top it off, the progressive-minded Torus is arbitrarily removed from power and is replaced by Eddard "Ned" Grey; an officer that lacks his experience and did very little to actually warrant his promotion to Director, who will probably approach the position with Jack's mindset and in a way that meets Bubo's approval (which "The New Director" confirms [[AscendedFridgeHorror all that]] and more). Apparently all that matters is that Carmelita and Sly are together again and the Cooper gang is reunited... |
| 246 | * Most issues of ''Webcomic/{{Sonichu}}'' (at least from Issue #5 and onwards) end with the author's [[SelfInsertFic Self-Insert]] character pummeling anyone he feels has wronged him, even if they didn't or had good intentions, and calls it a job well done. However, the entirety of "Director Amenities" consists of him engaging in a bloody massacre of his perceived enemies (and brainwashing a few into complete loyalty), ending with him as a dictator with godlike powers. This is also considered a happy ending, and the story to come after this one is a ChristmasEpisode. |
| 247 | * In ''Webcomic/WhoMadeMeAPrincess'', this is how the InUniverse novel ''The Lovely Princess'' is seen at. Yes, the book heroine Jeanette and the emperor Claude end together as father and daughter, but only after Claude had his neglected real daughter executed for a crime she turns out to have not committed and feels no guilt over the matter. The protagonist, who found this ending appalling, got transmigrated into the doomed daughter and her plan of action is to escape the plot as fast as she can.[[spoiler:Later events make it clear that the book ending is in fact not a happy ending at all and was likely not intended to be.]] |
| 248 | [[/folder]] |
| 249 | |
| 250 | [[folder:Web Original]] |
| 251 | * Cracked [[http://www.cracked.com/article_16570_the-6-most-depressing-happy-endings-in-movie-history.html has]] [[http://www.cracked.com/article_15416_6-horrible-aftermaths-implied-by-movies-with-happy-endings.html written]][[http://www.cracked.com/article_20108_6-happy-movie-endings-that-actually-ruin-heros-life.html numerous]] [[http://www.cracked.com/article_19536_6-happy-endings-that-accidentally-screwed-movies-hero.html articles]] [[http://www.cracked.com/article_18684_6-movie-heroes-who-actually-made-things-worse.html that]] [[LampshadeHanging point out]] that several films has [[DesignatedHero protagonists]] that believed they had done the right thing, [[NiceJobBreakingItHero but actually screwed up badly if you think about it]]. |
| 252 | * Invoked in ''WebAnimation/TheDementedCartoonMovie'', which shows the caption "HAPPY END!" over an EarthShatteringKaboom. |
| 253 | -->'''Guy in Green Chair''': [[LampshadeHanging "Happy end"? What the hell is "happy end"?]] |
| 254 | * ''Literature/FunnyBusiness'' ends with the main character [[RealityWarper Jeanette]] brought down to normal and erasing any memory of what she could do before. Perhaps her way of avoiding potentially JumpingOffTheSlipperySlope rather than simply resetting it just enough to erase the world's memories of finding out what she could do. She could have gone back to the playground after either way. As it is, she took away her inner conflict by effectively crippling herself within her little world. |
| 255 | * It would probably be easier to list the Platform/GoAnimate Grounded videos that ''don't'' end this way, as many of them invariably end with the main character grounded for long periods of time at best, have their lives completely ruined or even beaten up or killed at worst. Rarely does the video present this as anything but a happy ending for those beside the main character(s). The worst cases of this trope as it pertains to grounded videos are the "X Gets Executed" videos, which are centered around a troublesome character being killed for their past misdemeanors with their death [[AndThereWasMuchRejoicing being celebrated]] (by their families, friends, and even the entire town) both before, during, and after the execution. (Often with the characters quite literally dancing on their grave.) Despite having such a demented premise and having everyone involved clearly crossing the MoralEventHorizon, this is presented as a good ending for everyone involved. (Except the character being executed, of course.) |
| 256 | * A [[MissingEpisode now withdrawn]] episode of [=MinuteVideos=] had a preteen girl talk about how her father [[MurderSuicide killed her soon-to-be stepmother and then himself]] while she was home and as she and other family members tried to stop him. As bad as that was, even worse is how they left behind a toddler daughter, the narrator's half-sister, and that the girl was put up for adoption. The story attempts to end on a high note with the girl determined to get her sister back and reunite her family, but she's still left an orphan, she still has to live with [[BrokenPedestal her father's]] [[ItsAllAboutMe selfish actions]] and even his reasoning behind it all remains a mystery. There ''is'' a mention of a suicide note, but the cops are withholding it from her due to some vaguely hinted-upon "sensitive material". |
| 257 | * The ending of ''Theatre/{{Starship}}'' features Bug accepting his bug form and getting his true love February, Tootsie and Mega-Girl getting married and everyone saving the bug world from the G.L.E.E. Happy right? Well, what happens when the G.L.E.E. comes back and investigates? How is Dr. Space Claw going to react when he finds out about his son's death? Where do the Rangers go from here, are they stuck on the planet? Mega-Girl is still a robot. So what happens when Tootsie ages and dies while she stays the same? And Bug is still a bug, so if you take the "Six long days of life" joke at face value the same could apply to them. |
| 258 | * [[https://www.youtube.com/watch?v=8XO3q6MA668 This short film,]] which was written by an AI, ends with a fairly heartwarming conversation between the three students who went to a distant planet as part of "Spaceship Day." Unfortunately, the ship ran out of fuel, so the three are presumably trapped on "a cold and lonely planet" until they die. |
| 259 | [[/folder]] |
| 260 | |
| 261 | [[folder:Western Animation]] |
| 262 | * ''WesternAnimation/The7D'': "Giggleberries". The dwarfs had eaten too many Giggleberries and brought them to an ultra serious ceremony, and start feeding them to everyone in sight which sends everyone into hysterical fits of laughter, including Queen Delightful who was supposed to look good for the ceremony. Grumpy, Dopey and Gizelle show up with the I've-Got-The-Blues berries, too much of which... well, [[ExactlyWhatItSaysOnTheTin give people the blues]]. The episode ends with half the people at the ceremony happy and the other half sad. And Dopey neighing (Don't ask). |
| 263 | * The ending for the ''WesternAnimation/AdventureTime'' episode "Tree Trunks" has the eponymous character of the episode, an elderly, grandmotherly elephant, finally eating the crystal apple she traveled alongside Finn and Jake, who kept [[BadlyBatteredBabysitter putting their lives on the line]] to prevent any of the [[EverythingTryingToKillYou many monsters in the Evil Forest]] from harming her. As soon as Finn asks her how it tastes, she suddenly explodes. However, after a few seconds of Finn and Jake [[HeroicBSOD staring blankly]], it soon cuts to Tree Trunks merrily dancing along inside the crystal. Interestingly enough, this scene following Finn and Jake's reaction was an [[ExecutiveMeddling executive demand to soften the blow of the otherwise grim ending]], which also gave the writers the ability to bring back the character in the Season 2 episode "Crystals Have Power", when [[MindScrewdriver we learn what really happened to Tree Trunks]]. |
| 264 | * Parodied in ''WesternAnimation/TheAmazingWorldOfGumball'' in "The Others", where Gumball and Darwin become aware of the other students at the school, outside their class and Anais. They focus on someone named Clare, who is leaving the school and the city because of her dad losing his job. As Clare constantly tries to narrate her thoughts in a TeenDrama-esque fashion, Gumball and Darwin constantly butt in [[SpotlightStealingSquad just to remain in focus of the episode]]. This culminates with Gumball ''forcing'' a happy ending on Clare by fixing everything wrong with her life. Loudly. |
| 265 | * ''WesternAnimation/AvatarTheLastAirbender'' has an in-universe example in the episode "The Ember Island Players." The ending of the play ''[[PropagandaPiece The Boy in the Iceberg]]'' is happy if you're from [[TheEmpire the Fire Nation]], but since the heroes are the Fire Nation's biggest foes, they find it highly uncomfortable to see themselves dying while the audience applauds. |
| 266 | * ''Franchise/{{Ben 10}}'': |
| 267 | ** ''WesternAnimation/Ben10AlienForce'': The episode "Simple" had a girl call Ben to her planet to stop two factions fighting a ForeverWar. Ben managed to settle the war by accidentally destroying one of their most valued statues, pitting them against him, and ending the war for good. The episode ends with the girl comically telling Ben that she and the rest of the planet hates him, and that her life is even worse now as her work hours are longer. However, she finds a pile of treasure that Kevin and Argit left behind as part of their war profits and the episode closes with her celebrating. While the war has stopped, it doesn't solve anything. Ben's discussions with the military leaders showed them to be incessantly corrupt Generals who refused to see reason, and even admitted to using the war as a convenient excuse to blame their social and economic problems on. The girl and other civilians had to work long hours producing weapons and had a hard time finding homes. While she gets to keep the money from Kevin and Argit's war-mongering, there are still countless other civilians who're still suffering from poverty because of the pointless draining war. |
| 268 | ** ''WesternAnimation/Ben10Omniverse'': The Incursion invasion StoryArc is concluded in "Frogs of War", where it's revealed the entire plot was a BatmanGambit by [[DaddysLittleVillain Princess Attea]] to [[TheStarscream overthrow]] her father [[TheEmperor Emperor Milleus]]. By the end of the episode, she agrees to leave Earth with the Incursion Empire in exchange for the Plumbers keeping her daddy in custody, which is presented as an acceptable, if not entirely happy, ending. The thing is, in previous episodes, it had been clearly established that Attea was ''much'' worse than her father, being an AxCrazy PsychopathicManchild motivated by RapePillageAndBurn whereas her father was a more {{pragmatic|Villainy}} GalacticConqueror. In fact, she almost blew up Earth ForTheEvulz in her introduction episode. Now, granted, she is sort of in a DatingCatwoman situation with Ben, so she will most likely avoid attacking Earth again, but that's little consolation to the rest of the galaxy. |
| 269 | * ''WesternAnimation/BettyBoop'': In "Making Friends", Pudgy ends up doing exactly what Betty wanted him to do—"Go out and make friends with the world." Unfortunately for Betty, his newfound friends happen to be a batch of rascally wild animals who proceed to tear apart Betty's house upon arrival! |
| 270 | * The infamous ''WesternAnimation/CasperTheFriendlyGhost'' cartoon "There's Good Boos Tonight" has Casper befriending a cute little fox, only for said fox to be killed by hunters...but it's okay; the fox comes back as a ghost so they can be together forever. To some, this makes it suck because it effectively renders the pathos over the fox's death meaningless. To others, this makes it suck because he's still dead (in the way "Literature/TheLittleMatchGirl" is far from a happy ending). But Casper's technically "dead" too, so it's anyone's call. |
| 271 | * ''WesternAnimation/{{Chaotic}}'': In the first episode of the third season, The four tribes hold a race to celebrate their victory over the M'arrillians and peace between the tribes. A riot erupts due to all of the tribes cheating in the race and disagreeing about who won, wrecking the peace treaty. The humans characters, who are partially to blame for this due to getting involved in the race, act like this is a good thing because the world of Perim will always be chaotic. |
| 272 | * Most episodes of ''WesternAnimation/TheDreamstone'' end with the Land of Dreams having successfully fended off the Urpneys, [[MinionWithAnFInEvil pitiful unwilling]] Mooks to [[BigBad Zordrak]], and managing to save the titular stone. The Urpneys usually end each episode beaten and miserable (inflicted by both the heroes and their BadBoss) for orders [[TheDragAlong they didn't even want to be part of]], while the genuinely evil Zordrak himself is [[KarmaHoudini rarely punished for his misdeeds]], but, hey, [[SeriousBusiness at least the Noops get good dreams that night]]. Used most egregiously in the season one finale "Megattack", which ends with the heroes using HeelFaceBrainwashing on almost the entire Urpney army. |
| 273 | * ''WesternAnimation/TheGroovenians'': Sure the heroes manage to ward off Norman and the Normals. However as Jet points out, there is nothing to stop Norman from returning and send him and Glinda back to Jeepers, which he flat out promises to do. The solution presented is to not worry about it and just party. |
| 274 | * ''WesternAnimation/{{Grossology}}'': "Go Fish" ends this way. While Ty and Abby repelled the mutant hagfish for the time being, they're still free to wreck havoc on other marine ecosystems, and could resurface at any time. |
| 275 | * ''WesternAnimation/HalloweenIsGrinchNight'': Yes, Euchariah distracting the Grinch stopped Grinch Night this time. But the sour-sweet wind will return, and so will the Grinch--and he probably will have a plan to stop anyone from distracting him by then. (Then again, if this is the same Grinch as in ''WesternAnimation/HowTheGrinchStoleChristmas'', his CharacterDevelopment in that cartoon may stop him from trying to cause Grinch Night again.) |
| 276 | * ''WesternAnimation/HappilyEverAfterFairyTalesForEveryChild'': The Emperor's New Clothes ends with the Emperor reconciling with his brother and how his kingdom was able to live "happily ever after". This glosses over the fact that he gave most, if not all, of the treasury to two swindlers leaving them in worse debt and there was no mention of what the Emperor or his brother did to save their kingdom from economic ruin. |
| 277 | * ''WesternAnimation/HomeMovies'' has an in-show example in ''Kafka: The Musical'': "Hello Franz Kafka! My name is God! I think you are going to like it here!" |
| 278 | * ''WesternAnimation/KidCosmic'': Fantos is defeated, Erodius is healed, Earth is saved and the Heroes are able to successfully reach out to their alien friends, but Papa G no longer has the healing stone and is now feeling his true age of 112. How much time does he have before old age claims him and where will Kid be when that happens? |
| 279 | * ''WesternAnimation/TheLegendOfKorra'': Baatar Jr being EasilyForgiven; not only was he fully complicit in Kuvira's actions, but there was a lot of ContrivedCoincidences in his survival when Kuvira tried to kill him along with most of the main cast. Not only was he the only one injured but his injuries were relatively minor. It’s highly unlikely that the masses would accept him going free. In fact, in Ruins of the Empire, this is explored how he feels really guilty for what he did, works to atone for it, and refuses to forgive Kuvira. While his mother thinks he's been punished enough, he certainly doesn't. |
| 280 | * ''WesternAnimation/MayaAndTheThree'': Some fans argued that the ending of the series can be perceived as this. Not only do the King and Queen seem unfazed by the deaths of their children, but also the large casualties that occurred throughout the story were shrugged off quite fast. |
| 281 | * Season 5 of ''WesternAnimation/MiraculousLadybug'' ends on what's presented as a fairly happy note: Gabriel/Monarch is gone, Marinette and Adrien have hooked up, everyone's lives have become better, and the only sour spot shown is Lila managing to get her hands on the Butterfly Miraculous. However, for all intents and purposes, Gabriel never answered for any of the crimes he committed over the course of the series -- even with his DeathEqualsRedemption moment (which many fans questioned the sincerity of), he managed to achieve his main goal (getting to use a Wish), he's seen as a hero and martyr by the people of Paris, Adrien still loves him despite his abuse, and the only people who know he was Monarch aren't telling anyone for now (which especially doesn't bode well for Adrien and Marinette's relationship, given how she has to keep the fact that his dad was the BigBad secret from him). On top of that, Gabriel's accomplice Tomoe is still free to go through with anything she's planning, which unlike Lila doesn't even get a mention. Overall, these factors caused a number of fans to see it as a BittersweetEnding at best and a flat-out TheBadGuyWins ending at worst. |
| 282 | * ''WesternAnimation/MovilleMysteries'': "The Day Rico Became Smart" ends with Rico giving up his humanitarian aspirations and feigning being a nincompoop, convinced that he will be happier that way, while agents of an oil company called by Mo murder Professor Kindly (not that he didn't deserve it) and destroy his stolen cold fusion papers to prevent the proliferation of clean, cheap and sustainable energy. |
| 283 | * An InUniverse example happens in an episode of ''WesternAnimation/TheNewAdventuresOfWinnieThePooh''. Piglet reads a [[FracturedFairyTale fractured version]] of ''Literature/JackAndTheBeanstalk'' to a group of bunnies that ends with the giant [[EverybodyDiesEnding eating everybody]] and living happily ever after, [[DissonantSerenity (which Piglet very strangely reads as though he agrees it's a happy ending)]]. The bunnies all start crying. |
| 284 | * ''WesternAnimation/ThePatrickStarShow'': |
| 285 | ** "Squidina's Little Helper" revolves around Squidina's new intern, Fentin, stealing all the studio equipment and setting up his own show for his sister. The episode ends with the Star family getting "revenge" on Fentin by dropping Tinkle, Patrick's sentient toilet, into their show, and he chases them around on-stage. Squidina is happy about this. This is despite the fact that they have no equipment left, no way to keep making the Patrick Show, and Fentin and Crabina have a network contract for at least six seasons and are enjoying tremendous success. |
| 286 | ** "The Drooling Fool" ends with Patrick's drooling problem finally being solved, and him walking away contently... as buildings burn in the background behind him. |
| 287 | * ''WesternAnimation/ThePenguinsOfMadagascar'': |
| 288 | ** All the Savio episodes end with the boa being sent to Hoboken. While this does stop the boa from being a problem for the main characters, he's still free to continue his rampage elsewhere, with the main difference is that in Hoboken, there's no one trying directly to stop him like the Penguins. |
| 289 | ** "Endangerous Species": One of Dode's clones is saved, but the main problem is still present, once he dies, Dodos would be gone for good, so the Penguins didn't achieve their objective of saving a extinct species. Also a eternal staring contest isn't a practical way of living, without eating or sleeping is highly unlikely he's gonna last very long. |
| 290 | ** "Night of the Vesuviuses": Besides the In-Universe EsotericHappyEnding (The Vesuvius twins have learned to stop being cruel to the animals but that [[ProtagonistCenteredMorality doesn't stop them from being cruel with people]]), the fact that the Penguins are still sworn enemies with the rest of the Zoo for protecting the Vesuvius twins, including their close ones like Marlene and the Lemurs is never acknowledged. [[AccidentalDownerEnding Not helped by this being the last aired episode.]] Hopefully, NegativeContinuity takes care of that. |
| 291 | * ''WesternAnimation/TheProudFamily'': "The Legend of Johnny Lovely". An actual boy named Johnny Lovely is suspended from school after dancing with Penny. She then leads a wild goose chase in search of him that ends at the intersection of Johnny Avenue and Lovely Lane. Penny then concludes that Johnny is just a legend and that he may be out there somewhere. |
| 292 | * ''WesternAnimation/TheRenAndStimpyShow'' has a lot of them: |
| 293 | ** The two-parter "Stimpy's Big Day" and "The Big Shot". Stimpy [[CelebrityIsOverrated gives up his celebrity status and fame]] to return to living with Ren. After a tearful reunion, Ren [[WhatTheHellHero smacks the everloving hell out of Stimpy]] when he realizes [[EasyComeEasyGo that he also "gave away" a vast fortune of 47 million dollars.]] |
| 294 | ** The BannedEpisode "Man's Best Friend" ends with Ren beating his owner George Liquor to a bloody pulp with an oar... after which he commends Ren for being such a good guard dog and the cartoon closes with them dancing along with Stimpy to upbeat Raymond Scott music. |
| 295 | ** In "Rubber Nipple Salesmen", the two finally manage to sell some rubber nipples after many failed attempts. The suburbanite couple that purchased them kick Ren and Stimpy out the door and onto the backs of a couple of crazed bulls who then ride off into the distance (this is a ShoutOut to ''Film/TheThreeStooges'', for what that's worth). |
| 296 | * ''WesternAnimation/RobotChicken'' paints the ending to ''WesternAnimation/OneHundredAndOneDalmatians'' as one of these with a friendly little dose of FridgeLogic. Twice. The first has 50 of the puppies pregnant, meaning the family's going to be drowning in puppies and forcing them to ultimately ''give them to Cruella de Vil''. The second fast-forwards two weeks ahead where the puppies have overrun the house, smashed everything, and pooped everywhere. Anita is leaving Roger who, now an alcoholic, is singing a depressing song about how much he hates dogs. |
| 297 | * ''WesternAnimation/SagwaTheChineseSiameseCat'': |
| 298 | ** "Tea for Two" ends with Dongwa and the sleeve dogs having made a monkey trainer and his monkeys hated by the entire province. But the sight of a tree supposedly means they'll be wanted at the palace again. |
| 299 | ** "Cats of a Different Class": Sagwa befriends a group of cats whom she's envious of for their lavish lifestyle, only to find out they are constantly menaced by their cruel owner who treats them strictly as ornaments rather than true cats. Sagwa gives them the freedom to act like normal cats for an entire afternoon and helps renew their spirits; however, the episode still ends with the four of them returning to their owner where they are almost certain to resume the strict lifestyle forced upon them. |
| 300 | * ''WesternAnimation/SamuraiJack'' [[UnCanceled belatedly]] concludes with the title character finally managing to go back to the past and slay [[BigBad Aku]], preventing the Aku-ruled BadFuture from happening, a victory that is soured by losing the love of his life - Aku's daughter, Ashi - when she [[RetGone ceases to exist]] right in the middle of their wedding, a dark turn of events that the ending scenes and their [[BittersweetEnding general mood]] amply address. What is ''not'' addressed is the possibility that ''everyone'' else seen in the future setting where nearly the entire series has taken place [[InferredHolocaust may also have been erased]], considering Aku's massive long-term influence on the world and even others beyond it.[[note]]That said, considering they were willing to give their lives to save Jack, they may have been fine with it so long as Aku was no more.[[/note]] |
| 301 | * ''WesternAnimation/SheRaAndThePrincessesOfPower'': Due to the lack of a {{denouement}}, and its rather sudden ending amounting to Horde Prime being defeated and every couple uniting, the series never deals with any of the consequences of its conflicts. This is despite the fact that Prime's conquest would have created massive damage across Etheria on a societal level, the Horde and Rebellion now have to find peace despite their massive and destructive conflict, including some members still clearly having distaste for one another, and, perhaps most importantly, the Galactic Horde, comprised of countless clone cultists, just lost their leader, their technology, and will have to find a way to settle on Etheria. While all of these things could definitely play out just fine, it's not quite the straightforward happy ending the show tries to present it as. |
| 302 | * ''WesternAnimation/TheSimpsons'': |
| 303 | ** Lampshaded at the end of the episode "[[Recap/TheSimpsonsS5E4Rosebud Rosebud]]": |
| 304 | --->'''Homer:''' Well, we didn't get any money, but Mr. Burns got what he wanted... Marge, I'm confused. Is this a happy ending or a sad ending?\ |
| 305 | '''Marge:''' It's an ending. That's enough. |
| 306 | ** Also parodied in-universe in "[[Recap/TheSimpsonsS13E1TreehouseOfHorrorXII Treehouse of Horror XII]]" story "Hex and the City": |
| 307 | --->'''Homer''': Yep, everything worked out for the best.\ |
| 308 | '''Marge''': What? Bart is dead!\ |
| 309 | '''Homer''': Well, saying I'm sorry won't bring him back.\ |
| 310 | '''Marge''': The fortune-teller said it would.\ |
| 311 | '''Homer''': She's not the boss of me! |
| 312 | ** In the episode "[[Recap/TheSimpsonsS9E2ThePrincipalAndThePauper The Principal and the Pauper]]", Principal Seymour Skinner of Springfield Elementary School is revealed to be an impostor named Armin Tamzarian. Armin then goes back to his old life as a street punk in Capital City while the ''real'' Skinner takes his place as principal. Springfield eventually realizes how much they miss the Skinner that they are used to, so they convince Armin to come back. The only one opposed to this is the ''real'' Skinner, who is ejected from Springfield ''for that reason only'', while Armin legally changes his name to "Seymour Skinner". There's a reason this episode is considered the beginning of the show's SeasonalRot [[BrokenBase by at least half of the show's fanbase]]. |
| 313 | * ''WesternAnimation/SonicPrime'': While Sonic gets his happy end, we have no idea what's going to happen to the rest of the Shatterverse inhabitants, that is if they even exist anymore and weren't wiped by the CosmicRetcon. Worst of all, Nine's character arc doesn't get a closure - the Paradox Prism is gone so he can no longer reshape the Grim like he originally wanted, Sonic, the only person who cares about him, is gone, the rest of the Shatterverse doesn't trust him after he nearly destroyed the world, he's completely alone in the Grim and [[ShaggyDogStory essentially back at square one]]. |
| 314 | * ''WesternAnimation/StarVsTheForcesOfEvil'' has its GrandFinale, "Cleaved". Star manages to accomplish her goal of destroying magic and stopping Mina, while also saving Tom and still getting together with Marco thanks to Mewni and Earth being merged into one amalgam world. Happy ending, right? Not quite. Many fans view Star as having committed ''genocide'' on all the inhabitants of the Magic Realm, as well as any beings dependent on magic to survive: we're explicitly shown some of these deaths during the fact, others have their lifeless bodies shown after the events, and some that perish offscreen (such as Glossaryck and Hekapoo) directly tell Star that they'd die if she succeeds. All this is treated as [[UnintentionallyUnsympathetic the perfect solution]]. While she never intended for it, the union of two dimensions is clearly causing a large amount of culture shock for everyone, with the humans of Echo Creek and the various creatures of Mewni adapting poorly to elements of each others' worlds. Even if everyone can eventually adapt to this, Mina is still around, declaring that she'll never lose so long as [[AsLongAsThereIsEvil there are people with similar ideas]]. Combine that with supplementary material stating there's a contingent of villains still out there that are [[AlwaysNeedWhatYouGaveUp undefeatable without magic]], and you have some very troubling implications for the future. The only ones who really get a good ending are [[OnlyTheLeadsGetAHappyEnding Star and Marco]]. |
| 315 | * At the end of the episode of ''WesternAnimation/SupermanTheAnimatedSeries'' "Warrior Queen", Superman returns to Earth, following the restitution of Queen Maxima to the throne of Almerac, and the arrest of the usurper Decine. Apparently all is well, except that Maxima is a despotic, immature and impulsive ruler whose only interest is in finding a husband who has superpowers, and who doesn't really care about her people - who seemed quite pleased with Decine's takeover. Furthermore, Maxima only showed some restraint when Superman was around to influence her. To make matters worse, the last scene of the episode opens up the possibility that space bad boy Lobo could become Maxima's prince consort - which would probably not be to the liking of the people of Almerac. |
| 316 | * ''Franchise/TomAndJerry'' has the 1961 short ''Down and Outing''. After [[KarmaHoudini Jerry]] repeatedly tricks Tom (who was minding his own business at the beginning of the cartoon) into attacking [[BadPeopleAbuseAnimals his abusive]] [[HairTriggerTemper and short-tempered owner]], the cartoon ends with him beating the shit out of Tom so brutally that [[EveryoneHasStandards even Jerry winces in shock]]. Then, Tom is tied up and put in the fish basket while his owner is fishing, throwing the fish into the basket while Tom is sobbing. The upbeat, silly music implies that this is supposed to be funny. |
| 317 | * Such is often the case with each season finale of ''WesternAnimation/TotalDrama'', but the final episode of its fifth season "The Final Wreck-ening" is easily the most infamous example of this. It follows Mike and Zoey in their final run for the million-dollar prize, with Mike finally overcoming his evil alter-ego Mal by means of a reset button pressed inside his head, erasing Mal and his other personalities. Mike and Zoey are happily reunited with their first kiss before finally winning the million which they intend to split between each other. However, prior to the challenge no less than eight eliminated contestants are sent floating away in fart-filled balloons carelessly left to drift away by Chris, with their fates remaining unexplained as they are last seen blowing into the sky. Mike and Zoey are then sent drifting with their friends Gwen and Cameron as the entire island sinks due to Chris and Chef's land drill, while Heather and Alejandro are chased by sharks. The episode ends with Owen water skiing and proclaiming it to have been the greatest finale ever; the fandom disagreed. |
| 318 | * ''WesternAnimation/TrollhuntersRiseOfTheTitans'': Many fans have pointed out that while the time-travel brought back characters who died, it came at the cost of three series of character development. All the villains would be back as well. |
| 319 | * The ''WesternAnimation/VeggieTales'' episode "Madame Blueberry" is [[UnexpectedlyDarkEpisode surprisingly shocking and rather brutal, considering how light-hearted the series was up to this point.]] The episode details how the titular character goes around buying things, hoping that they won't make her feel sad anymore. However, by the time [[YouAreBetterThanYouThinkYouAre she learns that she just needs to be thankful for what she already has]], her own house gets destroyed, all of her possessions become worthless, and she herself becomes homeless. Though the trope may be downplayed if you take the book "Madame Blueberry Learns to Be Thankful", wherein Bob and Larry help rebuild the treehouse after the events of said episode, to be a canon follow-up to the episode. |
| 320 | * One episode of ''WesternAnimation/TheWildThornberrys'' depicts the last two Galapagos Tortoises hooking up, securing a future for their species. All ''seems'' well... until you realise that all this did was delay the inevitable. Either the species goes extinct with their children, or it's doomed to a future of genetic disorders due to all potential breeding pairs being related. |
| 321 | [[/folder]] |
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