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16[[quoteright:350:[[TabletopGame/{{Warhammer}} https://static.tvtropes.org/pmwiki/pub/images/i24zmsjc.jpg]]]]
17[[caption-width-right:350:''The old ones speak of winter, [[VideoGame/DarkSouls the young ones praise the sun]]''.]]
18
19->''"And then those sails appeared on the horizon. White, but dripping with the bloody symbols of their foul gods. And then came the black wood of the boats, dragged through the froth by tireless, muscled arms pulling on a hundred oars. I rang the warning bell from my lookout and me lads formed up, each one sweating at the arrival of these beasts. The crossbowmen loosed bolt after bolt, and many fell, but still the howling fiends ran up the beaches with no care for armour or shields. They looked like rabble, but fought like daemons, crashing through our lines, butchering men left and right, clubbing limbs into gore and hacking heads from bodies like they were attached with butter. I'll never forget that morning..."''
20-->-- '''Ostlander Sergeant''', account of a [[HornyVikings Norscan]] raid, ''TabletopGame/{{Warhammer}}''
21
22Dark Fantasy is, generally speaking, a DarkerAndEdgier [[ExactlyWhatItSaysOnTheTin subgenre of fantasy]]. These kind of stories can be pretty much described as StandardFantasySetting [[JustForFun/XMeetsY meets]] CrapsackWorld, as opposed to a usually-lighthearted, regular fantasy setting. Oftentimes common fantasy elements are [[DeconstructedTrope deconstructed]] where the UnfortunateImplications presented by some of the elements of standard fantasy become AscendedFridgeHorror in dark fantasy works. So magic is real and it can be used for pretty much any application, huh? A dark fantasy setting will show just how depraved an evil magician, sorcerer, or wizard can be by using magic from BodyHorror on poor hapless muggles to straight up [[RapeIsASpecialKindOfEvil Rape]] using spells of enchantment or mind control. Oh, normal fantasy settings have magical or enchanted animals like unicorns, griffons, and cute little animal familiars that magic users have? Well, you can bet that a Dark Fantasy setting will go above and beyond to show that NatureIsNotNice on steroids with horrific bestiary like GiantSpiders, GiantSquid, and dragons as furious hellbeasts straight from the darkest abyss capable of destroying whole cities if not countries. What's that? Heroes can call upon their patron deities for strength to banish the great evil and restore peace to the land? In a dark fantasy setting you can bet that [[JerkassGods very few gods are all that nice]], [[TheGodsMustBeLazy nor are they all that interested in mortal affairs]], with the few that are usually operating on BlueAndOrangeMorality while believing AMillionIsAStatistic with any boon they give [[PowerAtAPrice coming at a cost.]]
23
24Some authors go beyond deconstruction and the story is played in the darkest way possible, and the best you can hope for is GreyAndGrayMorality. Website/{{Wikipedia}} goes a step farther, saying it's {{Horror}} [[JustForFun/XMeetsY meets Fantasy]]. It may have been originally, but now, with some linguistic drift, any remarkably dark fantasy story (it's sometimes enough if it's set in a CrapsackWorld) is often listed as a Dark Fantasy. While it's often a matter of marketing or abuse of terms, this entry assumes the latter, currently more common, definition.
25
26DarkerAndEdgier ScienceFiction isn't recognised as a subgenre in the same way as in Fantasy. Dark Fantasy ''reacts to'' and ''deconstructs'' mainline genre fantasy where, in the case of ScienceFiction, it has always had a streak of darkness running through it, from ''{{Literature/Frankenstein}}'' (often regarded as the first ScienceFiction novel) onwards. In recent years, [[DarkerAndEdgier grimdark]] has become another name for Dark Fantasy with fans on both sides divided on whether it's a valid name for it or not.
27
28Do not confuse with LowFantasy, which is about downplaying fantastic elements in order to tell a more realistic story, though they may overlap. The supernatural levels of a Dark Fantasy can range anywhere from super low to extremely high.
29
30Also, if you want to write your own, [[SoYouWantTo/WriteADarkFantasy check this out]].
31
32[[WMG:Magic]]
33* MagicIsEvil and often TheCorruption, or at best relatively neutral. It may well come directly via a DealWithTheDevil, BloodMagic, or HumanSacrifice and [[PoweredByAForsakenChild Forsaken Children]]. Wizards tend to [[WithGreatPowerComesGreatInsanity go mad with power]] (or just its [[MadScientist mere potentiality]]) and are [[VainSorceress full of themselves]]. This is likely why BurnTheWitch is a pastime of the lower classes and religions.
34* Magical weapons will be [[EvilWeapon evil]], or at least require a grievous price to in order to wield.
35* If SufficientlyAdvancedMagic [[DungeonPunk enters play]], the following may happen: [[CyberneticsEatYourSoul augmentations eat away at one's humanity]] (often [[BodyHorror involuntarily]] for the sake of war and profit), [[SinisterSurveillance communication magic]] creates [[BigBrotherIsWatching new and fascinating ways to control people]], and sentient constructs [[AIIsACrapshoot have only contempt]] for their creators.
36* Sometimes magic is kept on a low level, hard to exploit or of highly limited usefulness. This way the setting avoids the fancifulness of a StandardFantasySetting and is easier to keep gritty.
37
38[[WMG:Politics and society]]
39* There is a high chance that there is an [[TheEmpire evil, expansive and genocidal empire]], which nonetheless is a seemingly [[RepressiveButEfficient better alternative]] to the rest of the lot, if only for the fact that everyone is too afraid of TheEmperor to try anything funny. Which means that if the emperor is weak or ill, then all bets are off. When democracies and republics exist, they are corrupt and profit-driven. [[AristocratsAreEvil Kingdoms]] and [[CorruptChurch theocracies]] don't even need a description, and TheMagocracy uses magic to MindRape the people into obedience.
40* {{Wretched Hive}}s of cities and TheDungAges in the countryside is what you should expect of society. The lower classes are MedievalMorons, while the upper class are [[AristocratsAreEvil Evil Aristocrats]]. The slave trade is the main source of income, both in terms of taxes and population. Expect the cute, fuzzy, WeakWilled ones to be targeted, such as {{Beast M|an}}en or {{Hobbits}}. {{Conscription}} into the army may be present, overlapping with an ArmyOfThievesAndWhores. Often, HobbesWasRight.
41* TheHorde (often [[HordesFromTheEast hailing from the eastern edge]] of [[LeftJustifiedFantasyMap the map]]) vastly outnumbers civilization. There are many AlwaysChaoticEvil races there, and is either [[EvilerThanThou even worse than you'd expect]], or the "good" guys aren't really better than them. Expect a lot of RapePillageAndBurn when they go raiding. Good chance someone (on either side) will say "TheWomenAreSafeWithUs."
42* Of the StandardFantasyRaces, [[OurElvesAreDifferent the elves]] are all [[CantArgueWithElves stuffed-up jerks]] who have either sneaked off, devolved into fancy-eared humans, are [[TheFairFolk horrifying abominations]], or have been [[EnslavedElves enslaved]] (the only kind who may thrive are the Dark Elves), the {{hobbits}} were the first to be subjugated or are just plain evil in the first place, the dwarves don't care about anyone else and thus shamelessly nickel-and-dime the other guys, and HumansAreBastards and actively persecute the rest. AbusivePrecursors, if any.
43* If a FracturedFairyTale is being told, the darkest AlternativeCharacterInterpretation possible will be used. Forget three little pigs building houses out of questionable materials because mum kicked them out, it'll be a horde of Orcs trying out new fortress designs so they have somewhere to store pillage from the village vs. a werewolf knight, or perhaps Puss in Boots is a shameless ConArtist FemmeFatale [[BeastMan humanoid puma]] or cat-demon, or Little Red Riding Hood and the Woodsman are a serial killer [[UnholyMatrimony husband and wife team]].
44* In terms of politics, often there's an [[ForeverWar endless conflict]] between the civilizations. Wars of extinction are not uncommon and entire Worlds[[note]]world, in this context, means both planets and planes of the multiverse[[/note]] are often put to the sword to ensure victory. Otherwise it is a fight to be the new figurehead of the [[VestigialEmpire old empire that had fallen eons ago]].
45
46[[WMG:Religions and deities]]
47* The gods [[JerkassGods are all assholes]] who pass the time [[PassThePopcorn eating prayer chips and drinking soul-booze while placing bets and trolling the helpless mortals]], and {{The Legions Of|Hell}} {{Eldritch Abomination}}s are mere days away from breaking into the Mortal Realm, if they aren't there already. A GodOfEvil is probably [[VillainsActHeroesReact the only active one]], unless the point of the story is that he doesn't need to because people will jump at any opportunity to do harm anyway. DemonicPossession is quite common. May even have DevilButNoGod, or an outright [[GodIsEvil evil supreme god]] running the show. If there are no "gods" per se, the CelestialBureaucracy[=/=]CouncilOfAngels have more red tape than a ribbon factory. Alternatively, the [[AngelsDevilsAndSquid eldritch abominations might be destroying both sides]]. In the most absolute worst, the universe is a CosmicHorrorStory.
48* Any [[TheChurch organized religion]] which is not a CorruptChurch or ReligionOfEvil is a PathOfInspiration. Expect [[ChurchPolice Spanish Inquisition ripoffs]] run by [[KnightTemplar Knights Templar]], [[ChristianityIsCatholic complete with a grimdark gothic Catholic theme]], but turned up to eleven as a full-blown totalitarian StateSec. What else there is tend to be {{cult}}s (often of {{Eldritch Abomination}}s), paganic {{Scary Amoral Religion}}s, or even more radical offshoots of the big ones. Often led by a SinisterMinister.
49* [[ZombieApocalypse The dead find staying buried a little boring and resist any and all attempts to keep them buried]], short of [[KillItWithFire cremation]] or dismemberment. There might even be [[CorpseLand a region so full of undead that nothing and nobody alive and in their right mind goes there]]. In extreme cases, the undead form their own society, complete with an [[TheNecrocracy undying ruling class]], [[NightOfTheLivingMooks standing army]], and [[UndeadLaborers proletariat]].
50
51[[WMG:Heroes]]
52* The very best you can count on is an {{Anti Hero}}ic KnightInSourArmor. There is a high chance of (likely more than a bit of WellIntentionedExtremist, or just straight-out [[EvilVersusEvil bad guy]]) DesignatedHero, who will probably lose or end up as HeWhoFightsMonsters or [[AndThenJohnWasAZombie a zombie]] anyway, no matter how hard he may ResistTheBeast. If they're GivingTheSwordToANoob to [[DefiedTrope Defy]] this, expect said Noob to fail.
53* Even if you don't count in the BlackAndGrayMorality of the heroes, they spend most of their respite on having sex or getting drunk and violent and have a less than amicable working relationship with their comrades.
54* If any hero has a shred of nobility to them, and refuse to do any of the above activities they are often depressed loners who feel that they are the only one in the world who believes in traditional [=HighFantasy=] values of goodness. Often they are [[GullibleLemmings hated and feared by the very people they protect.]] Yet they never turn their back on their values, and try to preserve the little goodness in Dark Fantasy worlds.
55* TheWorldIsAlwaysDoomed. One may be able to EarnYourHappyEnding, but EvilOnlyHasToWinOnce.
56
57Sibling trope to DungeonPunk, which can be just as grim and gritty, but DungeonPunk has MagiTek. See also FantasticNoir and SwordAndSorcery. May be the result of a disruption in, or Evil's turn, on the BalanceOfGoodAndEvil.
58
59----
60
61%% Administrivia/ZeroContextExample entries are not allowed on wiki pages. All such entries have been commented out. Add context to the entries before uncommenting them.
62
63!!Examples:
64[[foldercontrol]]
65
66[[folder:Anime & Manga]]
67* ''Manga/{{Berserk}}'': Part TheEpic, part {{Tragedy}}, part SurvivalHorror. A KnightInSourArmor AntiHero searches for revenge and/or redemption in a CrapsackWorld and fights sickeningly frightening demons along the way. Constant instances of human cruelty lend to the tone of the work. HumansAreBastards and AristocratsAreEvil are in full effect, with [[AllMenArePerverts more than a few men being rapists]] as well. The Church is either a CorruptChurch or PathOfInspiration (details of its founding are unclear) but regardless, watch out for the KnightTemplar [[ChurchPolice Inquisition]], who can and will torture and slaughter you for being a heretic. Magic and good witches definitely exist, but are treated with suspicion and hostility by the above church. TheMagicComesBack is portrayed as almost certainly a bad thing, as the only deity shown to be active in the world is a GodOfEvil. (More benevolent godlike beings are mentioned, but haven't shown up to help out.) The MessianicArchetype is a mass murderer and a rapist who has become a demon god -- and that last bit happened as his ''very first act'' upon becoming a demon god. And so on. [[spoiler:The kicker? According to a now partially decanonized chapter that was removed for spoiling too much, said GodOfEvil and its demons are merely the answer to humanity's desire for something to be responsible for their suffering (as opposed to it being random and meaningless). The Idea of Evil only exists because, in a truly warped way, people ''need'' it to exist.]] Naturally, all of these details also apply to both the [[Anime/Berserk1997 1997]] AnimatedAdaptation and the [[Anime/Berserk2016 2016]] one.
68* ''Manga/CeresCelestialLegend'': Certainly one of Creator/YuuWatase's more [[SlidingScaleOfIdealismVersusCynicism cynical creations]], the story follows the Japanese tradition of [[ShapeshiftingLover the swan maidens]], but full of vengeful celestial maidens, jealous husbands, ancient family curses, {{Eldritch Abomination}}s, evil corporations, incest, rape, insanity, and with that shojo twist, doomed romances.
69* ''Manga/{{Claymore}}'': monsters run amok devouring the innocent civilians while [[TheyLookLikeUsNow disguising themselves as their neighbors]] and the [[DemonSlaying only warriors who can fight them]] (all [[BrokenBird psychologically damaged young women]]) tend to live very short lives thanks to TheCorruption which will [[OneWingedAngel turn them into something much worse]] and [[spoiler:it's all just a MonsterProtectionRacket (something that the warriors are just as ignorant of as the terrorized peasants). And for what? To create an ideal weapon for an [[ForeverWar Endless War]] between another continent bent on seeing them dead.]]
70* While the game ''VideoGame/DragonsDogma'' is a slightly lighter shade of dark, the [[Anime/DragonsDogma anime adaptation]] spares no expense in delving into the darker side of fantasy: TheHero is driven by revenge, the dragon has turned the land into a CrapsackWorld, and HumansAreBastards of the highest order.
71* ''Manga/EdensZero'', while seeming like a light-hearted HighFantasy {{Shonen}} series in the same vein as ''Manga/FairyTail'' (creator Creator/HiroMashima's previous manga) mixed with ScienceFantasy, is [[CerebusSyndrome gradually revealed]] to be this: [[AndroidsArePeopleToo robots]] are treated as second-class citizens at best and [[JustAMachine disposable trash at worst]]; most villains are the [[HateSink highest degree of scum]], ranging from mass murderers to homicidal warmongers; and the StockShonenHero is not only an outcast for his [[SillyRabbitIdealismIsForKids over-idealistic mindset]], but is constantly exposed to the horrors of [[HumansAreBastards human cruelty]] and [[WarIsHell war]] until he becomes a more [[TookALevelInCynic jaded]] yet [[ComingOfAgeStory still hopeful young adult]].
72* ''Anime/GenmaWars'': Despite the setting taking place in a [[AfterTheEnd post-apocalyptic Earth]], it fits all other aspects: civilization has fallen and humanity is ruled by an [[EvilOverlord oppressive demonic tyrant]] and his sorcerous race, who employ evil monsters to enforce their will. There are no actual heroic opposition against them, the only other group that defies the demons are a criminal band of reavers that steal from the demon's innocent servants, while the two protagonists are {{failure hero}}es who just make everything worse and do not accomplish anything.
73* ''Manga/UbelBlatt'', in a decaying kingdom under the threat of war with its black magician neighbors, an inhuman young man is murdering the seven greatest heroes of the land. Only the truth turns out to be much worse.
74* ''Manga/WorldsEndHaremFantasia'': An expansionist empire is conquering its way across the continent, a toxic miasma is slowly poisoning the land, and the HaremPowered protagonists run off black magic that requires them to [[HerosSlaveHarem enslave women to their wills just to have a chance at fighting back]].
75[[/folder]]
76
77[[folder:Comic Books]]
78* French comic ''ComicBook/{{Arawn}}'' is set in a dark fantasy realm loosely inspired by Celtic legend and has an EvilOverlord as a protagonist. However, the comic plays out as a tragedy, detailing ''how'' he become a Dark Lord, something he never even really wanted.
79* ''ComicBook/BlackMoonChronicles'', a French series of comic books is essentially this as the tale is set in the war-torn quasi-medieval world where [[CorruptChurch corrupted priests]], [[BloodKnight misguided paladins]], demons and indifferent mercenaries vying for power while an impending doom looms on (or rather above) the horizon.
80* ''Chronicles of Hate'' from [[TabletopGame/WarhammerFantasyBattle Warhammer]] artist Adrian Smith is a 2014 Creator/ImageComics graphic novel duology which takes elements of Celtic legend and incorporates them into a story where demigod warlords have imprisoned the Earth Mother and taken much of her power for themselves. As a result, the sun is frozen in the sky and the moon burns while plants and animals grow twisted. Humanity itself grows increasingly more mutated and deformed with each succeeding generation, battling and enslaving each other in warring tribes. The Earth Mother seeks a champion to become the Horned God and save her.
81* ''ComicBook/{{Hellboy}}'' has many dark fantasy elements, such as the {{Eldritch Abomination}} known as the Ogdru Jahad, and the title character being destined to one day unleash said abomination on the Earth with his Right Hand of Doom.
82%%* ''ComicBook/{{Hound|2014}}''
83* The original ''ComicBook/LadyDeath'' comics qualified as ReligiousHorror, however they turned into straight-up dark fantasy under Creator/AvatarPress: the story was rebooted, most biblical elements were ditched and it took place in an afterlife realm that wasn't necessarily {{Hell}} in the strictest sense, but it was populated by monstrous demons that lived alongside native humans, with no shortage of {{omnicidal maniac}}s trying to purge it of all life.
84* ''The Last God'' from Creator/DCBlackLabel, is set in a world that has fallen from grace. With TheCreator, Ang Luthia dead and the benign gods she created dying of old age, there was no longer any guidance for the world of Cain Anuun. The only remaining god is an alien EldritchAbomination. The human race dominates the world, but since they were created as a food source for dragons, their society worships a false god and is deeply patriarchal and xenophobic. The humans not only practice genocide and slavery, they created a form of black magic gained through [[CannibalismSuperpower cannibalism against species with innate magic]]. The dwarf equivalent race are AlwaysChaoticEvil with a penchant for rape and cannibalism. Finally besides the Last God seeding the world with violent undead, many of the monstrous failures by Ang Luthia are creeping out of exile to kill and pillage.
85* ''ComicBook/{{Monstress}}'' is set in a steampunk fantasy world that's influenced by tales told to the author by her Chinese grandparents of their experiences in World War 2. This is a setting where a court of decadent supernatural immortals and their half-human offspring face a genocidal war against a cabal of science-based psychic witches, while [[EldritchAbomination alien gods]] are set to make a return to the world. The main character is a crippled, angry teenaged girl who survived a prison camp to find herself the host of one of these gods and having an appetite for raw flesh.
86* ''ComicBook/RequiemVampireKnight'' is this in spades, and the world of Resurrection is as crapsack as they come. It's set in an afterlife where everyone is reincarnated according to their sins in life, with the worst individuals becoming the vampire nobility that rule Resurrection. While not lacking in black humor, there's plenty of gore and violence to go along a world where evil is largely celebrated.
87* ''ComicBook/TalesOfTelguuth'' from ''ComicBook/TwoThousandAD'' is an anthology comic series set in a HighFantasy CrapsackWorld where monsters, demons, and tyrants roam the land, and life is generally short and brutal.
88* ''Tales of the Dragon Guard'': [[OurDragonsAreDifferent Dragons naturally radiate]] TheCorruption, which only [[VirginPower virgin women]] are immune to. Entire villages are mutated into slavering, insane monsters, and if the dragon knights fail, a FantasticNuke is detonated, which turns the countryside into a wasteland. Some peasants are convinced that nailing a virgin vaccinates them against the corruption, so [[RapeIsASpecialKindOfEvil you can guess what happens]]. [[VideoGame/{{Stalker}} The dragon knights are followed closely by prospectors looking for dragon gastroliths and scales, who often won't wait for the dragon to be killed before prospecting]].
89%%* Some albums from ''ComicBook/{{Thorgal}}'' series are set in definitely bleak and corrupted fantasy settings (especially ''Three Ancients of the Realm of Aran''/''Bottomless Lake'').
90* In ''ComicBook/TenThousandBlackFeathers'', main characters Trish and Jackie invent a fictional universe [[spoiler:implied to be subconsciously based on the actual dark dimension they end up in]] where they are a mage and a sword-wielding warrior respectively. The world mostly looks like a post-apocalyptic wasteland full of run-down, modern, man-made structures like factories, steel bridges and other buildings, but there are also more typically medieval houses too, and travel is done by horse. The BigBad of the story, called the Crow King, has minions in the form of masked, seemingly mindless men called "skinwalkers" and more intelligent BirdPeople called Crowfolk.
91* ''ComicBook/UnholyGrail'' reimagines the Arthurian Legend as this, with a demonic Merlin manipulating Arthur for his own ends. The ExcaliburInTheStone aspect of the story is fittingly reimagined as well, as while the sword Arthur pulls is an ordinary weapon once belonging to his father the origin of the stone is much more dark. After it was announced that the baby Arthur would one day be king, several men decided that they wanted to be king and attempted to take the sword from Merlin, who instead kills one of the men and using magic transforms the corpse into a stone that still bleeds blood.
92[[/folder]]
93
94[[folder:Fan Works]]
95* ''Fanfic/TheNightUnfurls'' is most certainly this, albeit a story of a smaller scale compared to other works of fiction with the same genre. There are no signs of any [[TheEndOfTheWorldAsWeKnowIt world-ending events]] or [[GodOfEvil active gods of evil]], and the kingdom of Eostia seems like a functioning regime in and of itself. However, don't let these subversions hide the fact that Eostia has been engulfed in a ForeverWar for centuries, with the underlying FantasticRacism as the main driver for this vicious cycle. Luckily, said war finally comes to an end when The Good Hunter comes to the picture... only for ''another'' war to break out when the Black Dogs, an ArmyOfThievesAndWhores who happens to be the finest [[HiredGuns mercenary group]] in Eostia, [[AmbitionIsEvil decides to take over the country to build a Sex Empire]]. As such, civilians are constantly threatened by not only the AlwaysChaoticEvil monsters in the [[GrimUpNorth North]], but also the rogue mercenaries, both of whom engage in RapePillageAndBurn on a frequent basis. Later parts of the story even reveal that sizeable support for the Black Dogs is evident, courtesy of traitors within the country that puts it in a war of multiple fronts. WarIsHell is in full effect, as the [[PyrrhicVictory pyrrhic victories]] and [[WarCrimeSubvertsHeroism numerous descriptions of war crimes committed by both sides]] would tell you. As for the main protagonist, he is an [[AntiHero anti-heroic]] ShellShockedVeteran talented in the art of bloodshed. While it is true that he is at best a KnightInSourArmour who believes that HumansAreFlawed and defies WhatMeasureIsANonHuman, these qualities are only backed by his [[TheDreaded infamy]] as a merciless WorldsStrongestMan, driving home that [[MightMakesRight might certainly makes right]], instead of the other way round. Oh, [[spoiler:did we forget to mention that he is a [[HumanoidAbomination humanoid great one]]? The SerialEscalation involving an EvilSorcerer shows how far he will go to [[{{Masquerade}} bury the secrets]] of the [[ThingsManIsNotMeantToKnow Eldritch Truth]], in order to avert [[GoMadFromTheRevelation a far worse outcome]].]]
96[[/folder]]
97
98[[folder:Films -- Animation]]
99* ''Anime/BerserkTheGoldenAgeArc'': An AnimatedAdaptation of the {{backstory}} of Guts, Casca, and Griffith in ''Manga/{{Berserk}}''. Starts out looking like HistoricalFantasy with ambitious mercenary leader Griffith trying to parlay his service to the Kingdom of Midland into nobility and a shot at the throne, which is when the demons start to show up.
100* ''Anime/NinjaScroll'' involves an antiheroic SamuraiShinobi aiding a kunoichi loyal to an uncaring, cruel regime as they try to stop the machinations of a cult of demonic ninjas from taking over Japan.
101* ''WesternAnimation/WendellAndWild'': A dark fantasy about a troubled teen who strikes a deal with demon brothers to get her dead parents back.
102[[/folder]]
103
104[[folder:Films -- Live-Action]]
105* ''Film/ArmyOfDarkness'': The third installment of the Evil Dead films sees King Arthur’s court take on deadites.
106%%* ''Film/TheBeastmaster''
107* ''Film/TheBrothersGrimm'': The [[Creator/TheBrothersGrimm famous writers]] are con men who must suddenly go up against an evil queen and twisted versions of their fairy tales.
108%%* ''Film/CarnageForTheDestroyer''
109* ''Film/CastADeadlySpell'': In an alternate version of 1940s L.A. where magic is widespread, a detective goes up against evil cultists.
110%%* ''Film/TheCompanyOfWolves''
111%%* ''Film/Constantine2005''
112%%* ''Film/{{Conquest}}''
113* ''Film/TheCrow1994'': A murdered musician is brought back to the land of the living by a crow to seek revenge on his killers.
114** ''Film/TheCrow2024'': A reboot in which the musician has a chance to save the soul of the woman he loves.
115* ''Film/TheCurseOfSleepingBeauty'': A man inherits an ancestral mansion that has been in his family for generations, only to learn that he has also inherited an ancient curse stemming back to the Crusades.
116%%* ''Film/{{Daimajin}}''
117%%* ''Film/TheDeadOne''
118* ''Film/DoctorStrangeInTheMultiverseOfMadness'': In this take on the Franchise/MarvelCinematicUniverse, Doctor Strange battles a corrupted Scarlet Witch who is using dark magic to steal the powers of a young girl so she can kidnap versions of her children from an alternate universe. [[spoiler:Ultimately, Strange must turn to similar dark powers, including possessing a corpse of his deceased variant.]]
119* ''Film/DriveAngry'': A deceased criminal escapes hell to hunt down the cultists who killed his daughter.
120* ''Film/FaustLoveOfTheDamned'': A DarkerAndEdgier superhero movie in which the protagonist makes a DealWithTheDevil to get powers and get revenge.
121%%* ''Film/{{Gallowwalkers}}''
122* ''Film/TheGreenKnight'': A dark, sexualized take on the Arthurian Legend about a young knight send to a task that would surely kill him.
123%%* ''Film/HanselAndGretelWitchHunters''
124* ''Film/Hellboy2004'' and its sequel ''Film/HellboyIITheGoldenArmy'' (overlapping with UrbanFantasy and the superhero genre). A demon summoned from Hell seeks to protect the world from monsters, elves, and Nazis.
125** ''Film/Hellboy2019'' (which is even DarkerAndEdgier, and BloodierAndGorier, than the earlier films): The good demon seeks to take down an ancient witch who seeks to destroy the world. Now much DarkerAndEdgier than the previous films.
126* Despite being usually held up as classic examples of HighFantasy, ''Film/TheLordOfTheRings'' trilogy edge into this genre at times, with director Creator/PeterJackson's background in the horror genre making the darker and scarier scenes really stand out. A few examples:
127** The Ringwraiths, especially in the first film, where they're mounted on {{Hellish Horse}}s. The scenes of them riding through the {{Arcadia}} of The Shire under cover of darkness would not feel out of place in a FolkHorror movie.
128** Frodo's HeroicBSOD in the [[SwampsAreEvil Dead Marshes]], as he sinks into the water full of ghosts that look like the illustrations from ''Literature/ScaryStoriesToTellInTheDark''.
129** The genuinely unnerving prologue to ''Return of the King'', showing Gollum's [[StartOfDarkness origin story]] and descent into animalistic madness.
130** Frodo's passage through the web-choked lair of Shelob, and her subsequent ambush of him in a nearby canyon, is one of the more terrifying uses of a GiantSpider in film history.
131** Aragorn, Legolas, and Gimli descending into the Paths of the Dead to try to recruit an army of ghosts to their cause. The extended edition has them caught in an avalanche of NothingButSkulls.
132* ''Film/{{Maleficent}}'': An alternate take on Disney’s ''WesternAnimation/SleepingBeauty'' with a sympathetic version of the antagonist going up against the evil king who stole her wings.
133%%* ''Film/Mandy2018''
134* In ''Film/PansLabyrinth'' is a borderline example. The supernatural elements - even the benign ones - are fairly creepy, but the real darkness comes from the mundane horror of living under fascism. At worst, the magical creatures are a reflection of that (the Pale Man), while at best, they are an escape from it.
135%%* ''Film/{{Paperhouse}}''
136%%* ''Film/QueenOfTheDamned''
137%%* ''Film/RedRidingHood''
138%%* ''Film/{{Scrios}}''
139%%* ''Film/SnowWhiteAndTheHuntsman''
140%%* ''Film/SolomonKane''
141%%* ''Film/Underworld2003''
142* ''Film/VanHelsing'': A monster hunter helps to save the soul of a young woman and her brother by helping them save Frankenstein’s Monster from Dracula.
143* ''Film/{{Wolfcop}}'' is a comedic example, where a coven of shapeshifting warlocks transform a dimwitted policeman into a werewolf, but it blows up in their face and he becomes their nemesis.
144[[/folder]]
145
146[[folder:Literature]]
147* In ''Literature/TheActsOfCaine'' it's one half of the setting. The other half is classical {{Dystopia}}.
148** ''Literature/BerserkTheFlameDragonKnight'', a 2017 Light Novel side story.
149* ''Literature/TheBlackCompany'' cycle. The military kind of dark.
150* ''Literature/BlackguardsTalesOfAssassinsMercenariesAndRogues'' published by Creator/RagnarokPublications gained a surprisingly large Kickstarter following by promising to be nothing but this.
151* ''Literature/TheBrokenEmpireTrilogy'' follows Jorg, our VillainProtagonist in a CrapSackWorld filled with evil mages and the undead as he slaughters his way to the Imperial throne. To put it in perspective, the first book opens with him and his group of raiders in the tail end of a RapePillageAndBurn of a village of farmers.
152* ''Literature/ChroniclesOfTheBitchQueen'' is set in a CrapsackWorld of a falling, vestigial empire and follows an AntiHero protagonist as she tries to save her son from the multiple battling political factions. Magic is a part of the setting, but has enormous costs.
153* ''Literature/ClandestineDaze'' by Creator/TimMarquitz follows the adventures of a cannibal shapeshifter who hates what he does and who he is but needs to continue on in order to keep peace between humans and Aels in the modern world.
154* ''Literature/CruelSisters'' is a short story with dark fantasy while retelling the ballad "Twa Sisters," showing a harpist making an instrument out of a dead girl's body.
155* The ''Franchise/CthulhuMythos'' along with the CosmicHorrorStory genre in general have evil cultists galore, and a whole plethora of incomprehensible {{Evil God}}s. Magic or any reality-warping abilities are generally not used, as one wrong word results in [[GoMadFromTheRevelation Insanity]] or MindRape by an EldritchAbomination. Success will usually either drive you insane(r) or get you eaten by an EldritchAbomination. That said, if a wizard is mentioned, you can bet your ass he's a villain or will meet a tragic end. The only notable exception is a guy who reads a spell book For Lulz and accidentally teleports himself to an EldritchLocation.
156** Technically part of the Cthulhu Mythos, the writings of Creator/ClarkAshtonSmith fall more under the heading of conventional fantasy than most of the Mythos does, combining the darkness of Creator/HPLovecraft with the fantastical worldbuilding of Creator/RobertEHoward (Smith was friends with both of them). He has four main settings - the MedievalPrehistory of Hyperborea, the nautical SwordAndSandal tales of Poseidonis, the MedievalEuropeanFantasy of Averoigne, and the DesertPunk AfterTheEnd world of Zothique - which are all populated by JerkassGods, horrible monsters, and heroes who are - at best - [[ActionSurvivor barely up to the task]].
157* ''Literature/DemonRoad'', by Derek Landy of ''Literature/SkulduggeryPleasant'', is pretty dark, as it features demons, a DealWithTheDevil, and the main character's parents attempting to use her blood in order to fulfill a blood pact.
158* ''Literature/{{Dirge}}'' by Creator/TimMarquitz is a novel about an assassin trying to deal with the ZombieApocalypse which has pushed her LowFantasy world to the brink of extinction.
159* The ''Literature/DoctrineOfLabyrinths'' series by Sarah Monette is about a former child prostitute dealing with heavy trauma and receiving huge amounts more of psychological and sexual trauma even as an adult, including going completely insane and being forced into an Edwardian-esque sanitorium for quite some time.
160* ''Literature/DraconianSymphony'', is about an abuse victim that gets roped into doing Hell's dirty work after getting a demon's help in revenge against his abuser.
161* ''Dusk'' and ''Dawn'' from Tim Lebbon are novels that are part of his storiess set in the NewWeird-ish world of Noreela. In Dusk and Dawn, humanity is suffering from a long decline ever since TheMagicGoesAway (not that anyone would blame it - magic is a SentientCosmicForce and it left because humans were too violent even back in the good old days) and people were already pretty scummy in this setting. So dealing with cannibals, bandits, serial killers, bizarre cults and whatnot was already commonplace, things just became even worse as {{Magitek}} farming machines no longer work the fields to provide abundant harvests and other benefits of living in a magical world. Now [[TheMagicComesBack magic appears to be coming back]] to give humans a second chance, unfortunately a pair of would-be {{Sorcerous Overlord}}s and their armies are waiting for this.
162* Creator/MichaelMoorcock's ''[[Literature/TheElricSaga Elric Saga]]'', focusing on a doomed albino emperor (albeit a DefectorFromDecadence from his cruel and decaying empire) with the mother of all {{Evil Weapon}}s.
163* ''Literature/TheEyeOfArgon'' is an attempt at a gritty Conan-style tale of blood, sex and violence. It sits on the overlap between Dark Fantasy and HeroicFantasy: MagicIsEvil and TheEvilPrince rules unopposed, but the mighty-thewed BarbarianHero is always up to the challenge.
164* All novels written by Feliks W. Kres, especially the ''Szerer cycle.''
165* Joe Abercrombie's ''Literature/TheFirstLaw'' series has a feudal society in which the upper classes [[AristocratsAreEvil scheme and intrigue while caring nothing about the common man]] and [[SecretPolice the Inquisition]] is a very powerful, feared, and merciless force...bordered by a vast and totalitarian [[TheEmpire slave-keeping empire]] to the South and a barbarian kingdom of savage killers from GrimUpNorth on the other side. Said Southern empire being controlled behind the scenes by a cabal of crazed cannibal mages...and non-cannibal mages being little better [[spoiler: (if not worse...)]]. Oh, the little matter of any form of magic being, at its source, a demonic power in this setting. Lots of violence, grittiness, grime, and death. It's saying something that one of the (comparatively) ''more sympathetic'' characters is a cynical, crippled TortureTechnician for the aforementioned Inquisition.
166* ''Literature/GeistPrelude'', by Fallon O'Neill, forgoes the MedievalEuropeanFantasy take on the genre in exchange for a DieselPunk setting. Blending various eras of human history, the world of ''Geist'' centers on Holy Gothica, an industrial city in a wasteland, governed by the Ecclesiarchy, policed by the Inquisition, and underpinned by a hellish otherworld born of mankind's collective unrest.
167* The ''Literature/GentlemanBastard'' series has thieves as its protagonists, who are kept sympathetic by the fact that the whole world is cutthroat and corrupt.
168* ''Literature/GoblinSlayer'': The weakest monster, goblins, have had a population explosion since 1) nobody with power and influence can be arsed to kill them and because the areas most often hit with goblins are too poor to offer a reward worth the attention of the higher-ranked members of the Adventurer's Guild, the job often falls to inexperienced rookies who frequently get in over their heads and wind up slaughtered or worse; and 2) they have an R-selective reproductive strategy (spawn hundreds in the hopes that a handful will make it to adulthood) and [[MarsNeedsWomen require abducting females]] to perpetuate their species. The main protagonist - the only high-ranked adventurer who bothers doing anything about the goblin problem and is ''extremely effective'' at his job - is a ByronicHero KnightTemplar who wouldn't hesitate about [[WouldHurtAChild bashing in the brains of even the youngest of the goblins]]. The worst part is that [[TheExtremistWasRight he is absolutely right]] because every single goblin is AlwaysChaoticEvil.
169* ''Literature/GrandmasterOfDemonicCultivationMoDaoZuShi'': Society is full of elitist assholes and there are monsters and zombies everywhere.
170* ''The Grim Company'' by Luke Scull is set in a world where powerful wizards killed and absorbed their gods' power only to learn that the gods were the CosmicKeystone to the world. Despite their newfound powers, these wizards can't halt the decay of the world and many of them have gone mad or decadent while demonic forces are starting to make inroads into the world. Trying to save the world is a delusional idiot who was told he had a HeroicLineage, the girl he's in love with who's secretly a junkie, a pair of world-weary and broken barbarians and a bunch of rebels who are much worse than they let on.
171* ''Literature/TheInquisitorCycle'' follows an Inquisitor engaging in witch-hunting and political intrigues, but also deals with a cosmic horror implications of this setting.
172* ''Literature/JillKismet'' is an UrbanFantasy series set in the seedy underbelly of the WeirdWest, starring a foul-mouthed monster slayer who started as a teenage prostitute and whose mentor was murdered by an {{Apocalypse Cult}}ist. That should give you some idea.
173* Creator/JRRTolkien actually wrote a fair amount in this genre. He even wrote that most of his tales were tragic.
174** ''Literature/TheChildrenOfHurin'' would be one of the earliest examples if only Tolkien hadn't held it in DevelopmentHell until his death. TheHorde vastly outnumbering human civilization? Check. Isolationist elves and often shameless dwarves? Check. The gods [[PassThePopcorn passing the popcorn?]] Check, as this is set before Eärendil's voyage. Satan is the only one not passing the popcorn? Oh yes, check. The main hero is an AntiHero [[KnightInSourArmor in sour armor]]? Frickin check. Pile on the incest, genocide, bleak war against the forces of an evil god where humanity's on the losing side, and a tragic DownerEnding, and it's almost hard to believe it's in the same universe as ''The Hobbit''.
175** Much of ''Literature/TheSilmarillion'' feels like this, [[UnbuiltTrope amusingly enough]]. The ''Children of Hurin'' is but one story in a list of several darker losses and tragedy, set within a world of astounding beauty and wonder, but also in a world where the wisest know that the old glory cannot last and fate is doomed to taint the world with evil. Many elves in the story are genocidal, racist, and on a path of bloodshed and revenge for the Silmarils, doomed by their own oath to get them back or fail beyond any help from the gods and by fate itself. Promises are SeriousBusiness, after all. Humans either die heroically in a war they have no chance of winning, betray their kin with promises and seduction by the dark god Morgoth, or simply try to survive against all odds. Dwarves are either greedy or isolationist against all the suffering around them, and the war is going so bad that both men and elves are on the brink of apocalypse. Things do get better, but their Numenorean descendants bring their triumph down to a PyrrhicVictory.
176** ''Literature/TheFallOfNumenor'': The Men who fought the first Dark Lord are rewarded with their own island nation and superior technology, but they become gradually corrupted by their hubris and sense of self-entitlement into imperialistic tyrants who conquer and plunder lands, capturing slaves and sacrificing them to the very Dark Lord whom their ancestors opposed. Likewise, the Elves' pride and desire to preserve the world's fading beauty leave them open to Sauron's manipulations, who exploits their selfish desires to forge his mind-controlling Ring and rise as the next Dark Lord. The Free Peoples will wage long and costly wars against Sauron through the Age, and their conflict will cause untold death, destruction and the forever loss of the beauty of the ancient world, since war is ALWAYS Hell, and it leads to evil even if your cause is just and you emerge victorious.
177** Even ''Literature/TheHobbit'' could be considered an example, albeit a downplayed one. The whole story is motivated not by the balance of the world, but by greed and self-interest on all sides. There are very few real heroes -- Bilbo gradually develops into one after starting as an apathetic ClassicalAntihero a lot of the time, and Gandalf is a trickster who cannot be relied on for at least half of the journey as he comes and goes apparently capriciously, having greater issues to tackle that are only later revealed.
178** Even ''Literature/TheLordOfTheRings'' counts given it's a DarkerAndEdgier follow-up to ''The Hobbit'' and details some of Middle-Earth's darkest days. There's a general feeling of hopelessness in-universe regarding Frodo's quest and the fight against Sauron's forces, the antagonists are all NightmareFuel, with the ringwraiths being [[WasOnceAMan corrupted humans]], orcs being cannibalistic and monstrous compared to the borderline playful goblins of The Hobbit, and parts of the world being home to [[EldritchAbomination Eldritch Abominations]]. The Ring itself adds elements of psychological horror and body horror with its gradual effect on the wearer's mind and body, turning them into hideous, ghoulish shells of themselves, so obsessed with its beauty and the power it grants that they're willing to murder anyone who seeks to take it from them, and it's shown how, even in the hands of people like [[BigGood Gandalf]] and Galadriel, the ring would warp them into something [[GodOfEvil just as bad if not worse]] than [[BigBad Sauron]]. And while the story doesn't explicitly serve as an allegory for WWII, readers have [[{{Applicability}} applied]] that to the text due to its focus on the consequences and psychological trauma that come with war, especially in the case of Frodo and the physical and mental scars he's left with from carrying the ring. [[spoiler: By the climax, even Frodo succumbs to the Ring's temptation, even though it's still ultimately destroyed.]]
179* ''Literature/KingdomOnFire'': The series is set in a world of magic, where humanity has been fighting a war against seven [[EldritchAbomination Eldritch Abominations]] known as "The Ancients".
180* ''Literature/LadyOfGems'' series has a lot of dark fantasy elements, the first book deals with BodyHorror and not to mention the fear-feeding creatures that keep people in at night.
181* ''Literature/TheLanguageOfThorns'' is a dark take on fairy tales, so that each has at best a BittersweetEnding.
182* ''Literature/ALandFitForHeroes'' involves 3 older heroes from a devastating war against the LizardFolk. One of the heroes is a knight who fell from grace because of his homosexuality and his desire to spill a DarkSecret about their order, [[spoiler: older members systematically rape newcomers to bind each member together with that HiddenShame]], another is a barbarian chief who's too in love with civilizations' luxuries and the third is a half-breed alien engineer currently working for a cruel desert kingdom. These three are the only hope against an invasion by the FairFolk, but what the CrapsackWorld they're protecting might not be worth it - there's the aforementioned cruel desert kingdom with an erratic young ruler and it's rival kingdom who's foolish business ventures have bankrupted the nation and they now resort to selling their own people into slavery.
183* The ''Literature/MalazanBookOfTheFallen'' takes typical WarIsHell conventions and applies them to fictional wars in a fantasy setting. Some of the atrocities the characters bear witness to (or go through themselves) are genuinely shocking.
184** ''Literature/TheKharkanasTrilogy'', a prequel to the ''Literature/MalazanBookOfTheFallen'', while LighterAndSofter in structure, manages to be even darker in tone and story.
185* ''Literature/MiserereAnAutumnTale'': the purpose of the World is to hold off {{Hell}}.
186* ''Literature/{{Mortis}}: The Blood 'n Flowers Series's'' first book, ''Demon Meat for Dinner'', progressively gets darker with each passing chapter, ultimately leading to the [[spoiler: the graphic torture and butchering of the antagonist.]]
187* ''Literature/Overlord2012'': The New World is not exactly pleasant to live in, for most of society. To wit, the sudden introduction of a nigh-invulnerable Lich Overlord, and his army composed mostly of nigh-unstoppable, psychotic, genocidal followers who see people as insects, at best, is actually an improvement in most circumstances.
188* ''Literature/{{Phenomena}}'' starts off as a fantasy and starts showing hints of becoming a Dark Fantasy in the 2nd book, by the 7th and the spin-offs, it is really a dark fantasy with BodyHorror, terror, [[SlasherSmile Slasher Smiles]], and more. Of the characters only the two main characters seem genuinely good, most of the others have GreyAndGrayMorality. Most of the characters treat murder as "necisary", at times, people sell them out, lie, and have slaves. One elf that never was a slave thinks it's okay to kill the race that mainly keeps elves as slaves. There's cannibalism, strong implications of rape (one even bragged about seemingly doing it), FantasticRacism, magic is seen as evil, implied incest, and it goes FromBadToWorse. It's a good series because it's well-written, interesting story, and the characters are great, but it still feels wrong that it still has a [[WhatDoYouMeanItsForKids 9+ rating in Norway]], which might be because of the lack of [[ThinkOfTheChildren swearing and implications of nudes]], even though it's [[DoubleStandard allowed on Norwegian children's TV]].
189* ''Literature/RedRoom'' by Creator/CTPhipps follows the adventures of TheMenInBlack Derek Hawthorne and Shannon O'Reilly as they work for AncientConspiracy the House in keeping humanity in the dark about the supernatural. There are no heroes and the only thing a person can aspire to o be is less evil than the next guy.
190* ''Literature/TheRedTree2009'' either falls into horror or dark fantasy, depending on your interpretation of what happens. If you choose the latter, it is a subversion of the story of a girl that finds a magical tree less than 100 yards from her house that grants wishes. Instead, according to the manuscript Sara finds in the cellar, the tree has a history of sinister urban legends, tales, and local folklore that becomes fascinating to the protagonist, an author named Sara. Needless to say, the massive red oak starts to take an interest in her too. Some events are not entirely explained by the suggestion that she was [[spoiler: slowly going insane and losing touch with reality]].
191* ''Literature/ReZero'', while seemingly starting off as a HighFantasy, is slowly unraveled to be one of these by Arc 3, featuring terrifying monsters, evil cults, and good people doing horrible things when caught in the middle of it all.
192* ''Literature/ReignOfTheSevenSpellblades'': Looks like a ''Franchise/HarryPotter'' clone at first glance, but turns out to take place in [[TheMagocracy magocratic]] FantasticCasteSystem that's almost as abusive to the mages at the top of the pyramid as to {{Muggles}}, with demihumans barely rating third-class citizenship ''[[WhatMeasureIsANonhuman if they're lucky]]''. Mage clans perpetuate generational trauma onto their children, the WizardingSchool sits overtop of [[MalevolentArchitecture a labyrinth full of monsters that encroaches on the school building at night]], [[LovecraftLite the world is periodically threatened]] by {{Alien Invasion}}s led by [[EldritchAbomination the inhuman gods of other worlds]], and the main protagonist Oliver Horn? [[spoiler:He's the leader of a StudentsSecretSociety plotting to assassinate half the faculty to avenge their brutal murder of his mother.]]
193* ''Literature/ReturnOfTheReaper'' would be a clear example, with the "hero" being the same demon who enslaved all the sentient races in the world and who is acting more for revenge than for the well-being of those sentient races.
194* Craig Schaefer's ''Literature/RevancheCycle'' follows the struggle for to control a parallel-Renaissance papacy. BlackAndGrayMorality is in full effect; decadent nobles, witches, poison, and back-stabbing galore. The one truly good character in the saga, an aspiring knight who seems to have wandered in from a much happier fantasy world, [[spoiler:is an AxCrazy psycho who's just been drugged and brainwashed into acting that way]]. It's that kind of story.
195* ''Literature/RollOverAndDie'': Though it looks like a classical HighFantasy at first glance, it is quickly shown to be this. The demons are not the stereotypical AlwaysChaoticEvil monsters that the heroes believe them to be, but just a different humanoid race that have been victims of persecution by the Church for a long time. The CorruptChurch is the true villain. The typical monsters of a Fantasy setting still exist, but the ones the main cast has to fight are "chimeras" with bizarre but powerful abilities created by experiments of the church. Said experiments are also performed on humans, who also get unique but terrifying powers. There is plenty of BodyHorror and the heroes never finish an arc without going through great amounts of pain, physical and emotional.
196* The ''Literature/{{Rollerskater}}'' saga features frequent depictions of graphic violence in common with {{Horror}} while still being very obviously a {{Fantasy}} work. The very first chapter sets the tone with a murderous and creepy villain who can puppet people's shadows, while later arcs introduce vampire cults, sentient {{Mind Virus}}es and {{Eldritch Abomination}}s into the mix.
197* The ''Literature/SecondApocalypse'' series is unrelenting in its darkness. The world is in a constant struggle involving religious zealots, insane immortals, ruthless sorcerers, and [[ItMakesSenseInContext intergalactic sex-demons]]. WarIsHell, and is described in horrific detail. Plagues, infighting, widespread slavery, casual cruelty, and rape are so common they become background scenery. The setting's already been brutalized in the past by a world-ending apocalypse that came dangerously close to driving humans to extinction, and all the warning signs for the second are already here.\
198Humanity's best chance of survival rests in the hands of a manipulative, pitiless sociopath Übermensch who reads the emotions and minds of people with disturbing ease. He's the only one who has the single-minded focus to manipulate the self-interest and infighting of the population into one common goal and prepare for the return of [[EldritchAbomination Mog-Pharau, the No-God]]. The sorcerers of the School of Mandate, who are aware of the Unholy Consult's existence by way of dreaming of the First Apocalypse every night, are derided and mocked by society as madmen who have damned their souls. [[FromBadToWorse Additionally]], later books state outright [[spoiler:that the threat of damnation is completely true, and thousands are doomed to suffering in a literal interpretation of the Christian hell]], and those that remain are in for a full-scale CosmicHorrorStory.
199* ''Literature/TheShadowsBetweenUs'' follows VillainProtagonist Alessandra and her love interest, the equally-evil Kallias (aka the Shadow King) as they fall in love in the midst of Kallias' DecadentCourt. Kallias's moniker comes from the shadow powers he inherited from his father's line, after his patrilineal ancestor made a DealWithTheDevil to gain them.
200* ''Literature/TheSilerianTrilogy'': A people as occupied with killing each other as winning liberty, versus a brutal empire which rules them, fairly ruthless "heroes" leading them, and evil wizards who extort others for the simple use of ''water''. The chosen one [[spoiler: dies at the end of the first book]], and once the empire leaves, the newly free country falls into civil war.
201* ''Literature/ASongOfIceAndFire'': Creator/GeorgeRRMartin goes the full mile in emphasizing the "[[TheDungAges dark]]" in the [[MedievalEuropeanFantasy Dark Ages]]. AnyoneCanDie, morality is a subjective thing, WarIsHell and the tangled politics with its socio-economic lessons in self-defeat makes the whole war thing look like the easy (or just plain lazy) option towards speedplaying your way to disaster. Even [[TheMagicComesBack the Magic Coming Back]] seems to just make everything [[FromBadToWorse more dangerous]].
202%%* The works of Creator/StephenKing often travel into fantasy territory, depending on how far the supernatural elements are elaborated upon. ''Franchise/TheDarkTower'' series, and related works like ''Literature/TheStand'', ''Literature/TheTalisman'', ''Literature/{{IT}}'' and ''Literature/{{Insomnia}}'', are this.
203* ''Literature/TheSunEater'' could be considered a more LovecraftLite sci-fantasy version of a Dark Fantasy story in a similar vein to ''Warhammer 40,000''. The titular protagonist is the TouchedByVorlons hero/villain DarkMessiah of a xenophobic empire, who ended the threat of an omnicidal alien ServantRace to {{Eldritch Abomination}}s that are trying to destroy the physical universe. To do so he committed a near-genocide of those aliens, leaving only a few hundred to be exiled into alienages. Worse yet his final victory over those aliens required the use of a StarKilling weapon and the near destruction of the Imperial fleet plus the death of the Emperor.
204* The ''Literature/SwordArtOnline'' ''Alicization'' arc is the closest the series gets to being this, with Underworld being filled with many monsters like Goblins and Giants from the Dark Territory that outright grotesque and violent and the Human Realm while seemingly looks peaceful on the outside, is actually full of hidden corruptions and crimes everywhere.
205* ''Literature/TalesOfTheBlackRaven'' by Seth Skorkowsky is a work following the adventures of the titular Master Thief in a dark and dreary Renaissance-meets-Hyboria setting.
206* ''Literature/ThievesWorld'' is a SharedUniverse setting of Sanctuary, a wretched city where almost everyone is criminal scum. One indication of how messed up the world is, is that the local religion has a rape ceremony to symbolize an event where a renegade goddess is punished by having her brother regularly rape her.
207* ''Literature/{{The Ties That Bind|Hayes}}'' by Rob J. Hayes. It is a bleak setting of cynical mercenaries with a ruthless Inquisitor out to save the lands from a demonic invasion.
208* While actually set in the far future and being more of a cross between ScienceFantasy and Horror, ''Literature/VampireHunterD'' is set in a world where monsters control the Earth, with humans as second-class citizens kept in MedievalStasis. The only hope humanity has is various monster hunters.
209* ''Literature/TheWardstoneChronicles'' is dark fantasy for teenagers. It follows the adventures of a young boy, Thomas Ward, who becomes the apprentice of "The Spook", a stern and feared hunter of the forces of evil, whose job is to imprison or kill entities ranging from murderous goblins to creepy ghosts passing by child-eating witches. As the series goes on, Thomas has to fight even more monstrous and dangerous entities, including EldritchAbominations, while dark secrets about his master, best friend and family are revealed, and sometimes the humans themselves turn out to be worse than the supernatural threats (a fanatic inquisitor appears by book two). Things get even worse when [[spoiler: the Devil himself is invoked on Earth and becomes the BigBad of the series]], which leads the heroes to [[spoiler: fight fire with fire by siding with witches and other forces of evil to fight him]].
210* ''Literature/WeAreAllCompletelyFine'' is about a support group for traumatized heroes who are all suffering from their various ordeals with the supernatural, [[spoiler: some of which, like the Dwellers, are real and still after them]]
211* ''Franchise/TheWitcher'' cycle, particularly in the later books of the Saga, [[CerebusSyndrome when it began accumulating grimdark]]. The Continent is gradually cooling into an ice age, monsters are everywhere, and [[HumansAreTheRealMonsters humans are even worse]], with a conquering empire invading from the south and elf and dwarf resistance fighters running a terrorist guerrilla campaign against the humans occupying their ancestral lands.
212* Creator/RoaldDahl's ''Literature/TheWitches'' is a strange mishmash of Dark Fantasy, UrbanFantasy, DefangedHorrors, and ConspiracyThriller.
213* ''Literature/WraithKnight'', is essentially a Dark Fantasy sequel to ''Literature/TheLordOfTheRings'' with a cynical {{Deconstruction}} of the Fellowship and the Witch King as the protagonist.
214* ''Literature/TheYoungElites'' by Marie Lu features a {{crapsack world}}, {{fantastic racism}}, {{black and grey morality}}, while Adelina Amouteru, the protagonist, becomes darker [[ProtagonistJourneyToVillain as the books progress.]]
215* ''Literature/TheZombieKnight'': Thanks to a high amount of humor throughout, this story might not have the same sense of hopelessness and/or pessimism that many other entries here have, but even so, this story is still ''very'' dark. The "magic" in the story comes from [[TheGrimReaper grim reapers]] who [[TheUndead resurrect corpses]], and while the [[ShrinkingViolet protagonist]] is actually quite noble-hearted and wants to protect the people of [[CrapsackWorld Eleg]], [[FailureKnight his success]] is [[AnyoneCanDie never guaranteed]]. That said it slides more towards the idealistic side of the scale. The protagonists win as much if not more so than they lose and they are all likable and heroic. The fact that it takes place in a modern setting means {{values dissonance}} isn't at play. There are scores of good people who are capable and willing to stop the numerous villains that inhabit their world. Their may be tons of {{omnicidal maniac}}s in Eleg but not all is lost. There is always a sense of hope throughout the story that makes you want to read more to see if things get better.
216* The ''Zorachus'' duology was written by Mark E. Rogers who wrote ''Literature/TheAdventuresOfSamuraiCat''. A much DarkerAndEdgier story compared to that feline warrior's misadventures, Zorachus is a grimdark tale about a young magician warrior from a sect of ascetic monks who journeys to Khymir, a city dedicated to excess and where no evil is forbidden. This experience quickly corrupts the young hero and turns him into a genocidal maniac. Its prequel trilogy ''Zancharthus'' is even more excessive with the gratuitous violence and sex.
217[[/folder]]
218
219[[folder:Live-Action TV]]
220* ''Series/GameOfThrones'', just like the books it is based on, casts the fantastical world through a cynical, if not nihilistic lens. The noble king who led a rebellion against a mad tyrant has degenerated into a fat, drunken adulterer. The beautiful queen is a vicious, half-mad shrew who is cuckolding her husband (whom she hates) with her own twin brother. The charming prince is a sadistic little monster born of adultery and incest. Everybody winds up either dead or miserable, and what slivers of happiness are attained are only gained after much blood, sweat, and tears. Oh, and, if things weren't bad enough, there's a cold-flavored ZombieApocalypse growing in the North.
221** ''Series/HouseOfTheDragon'' goes this route too, with DeathByChildbirth aplenty, [[TheTourney jousts]] turning into {{blood sport}}s, a mad corsair admiral with greyscale who feeds his prisoners to the crabs, a creepy and deviant secret advisor to the Queen consort who burned his father and brother alive, scary [[RentAZilla gigantic]] dragons, a king who's literally rotting away, his mercurial and ruthless brother, and more.
222* ''Series/{{GARO}}''
223* ''Series/{{Helstrom}}''
224* ''Series/MotherlandFortSalem''
225* ''Film/RedWerewolfHunter''
226* ''Series/{{The Witcher|2019}}''
227[[/folder]]
228
229[[folder:Mythology]]
230* European myths, whether they are [[Myth/ClassicalMythology Greco-Roman]], [[Myth/LusitanianMythology Lusitanian]], [[Myth/CelticMythology Celtic]], [[Myth/NorseMythology Norse]], [[Literature/TheKalevala Finnish]], [[Literature/{{Kalevipoeg}} Estonian]], [[Myth/SlavicMythology Slavic]], [[Myth/RussianMythologyAndTales Russian]] or [[Literature/TheBible Abrahamic]], tended to vary about this. Regarding tropes...
231** The treatment of magic varied a lot. For most of recorded history, it was either [[MagicIsEvil bad]] or [[OutgrownSuchSillySuperstitions ignored]]. Recently, this has started to get subverted, thanks to popularity of fantasy works and the good PR that Neopagans have.
232** Politics part mostly depends on your interpretation of (mostly real) history. On StandardFantasyRaces, that trope didn't exactly exist back then, and TheFairFolk were mostly just annoying tricksters. A ForeverWar thankfully never truly occurred.
233** On JerkassGods, see that trope. Myth/ClassicalMythology was the worst offender. A total CosmicHorrorStory was averted though in all myths. (On that, see Myth/AztecMythology.)
234** The classical heroes were often the [[AntiHero "anti-"]] sort. Averted in the medieval times, which trusted more in the KnightInShiningArmor.
235** In the various stories of Greco-Roman and Christian mythology, the world is apparently filled with horrific monsters that are only held back by God(s) and heroes slaying them from time to time. Be they man-eating giants, [[DragonsAreDemonic draconic manifestations of Satan]], an absurd amount of [[SeaMonster terrors from the sea]], or whatever else the universe might want to throw at humanity. The various Hellene heroes and Christian saints have no shortage of MonstersOfTheWeek.
236* When it comes to monsters, [[OurVampiresAreDifferent Vampires]] have been an enduringly famous source of Dark Fantasy, ever since the popularity of ''Literature/{{Dracula}}''. Very often, Vampires are torn between what's left of their humanity and their instincts. They are a lesson, in the [[PowerAtAPrice price of immortality]] and letting the lust for power [[DrunkOnTheDarkSide delude oneself.]] Another interpretation pictures, Vampires as [[LoveMakesYouEvil tragic romantics]] who got the short end of the stick, when it comes to love and happiness.
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240* ''TabletopGame/{{Atmosfear}}'' (AKA Nightmare), which has the players at the mercy of an angry, petty demon-god called the Gatekeeper. The players roleplay his minions, either his Herald, a monster beholden to him, or a "soul ranger" attempting to steal a key from a herald.
241* ''TabletopGame/DontRestYourHead'': A group of insomniacs are slowly losing their minds, and gain access to a city built out of insanity, and populated by corporeal nightmares, which they fight off with PowerBornOfMadness. And, as the title suggests, if they ''do'' ever get to sleep, they are in deep shit (If they live long enough to wake up again, they lose their superpowers until sleep deprivation drives them crazy enough to use them again).
242* Some ''TabletopGame/DungeonsAndDragons'' settings (''TabletopGame/{{Ravenloft}}'' and ''Heroes of Horror'' spring to mind), and it really depends on the player's CharacterAlignment and the DM's mood when he cooked up the campaign whether it stays HeroicFantasy too.
243** The ''TabletopGame/DarkSun'' setting takes place in a desert fantasy world where a psychotic EvilSorcerer named Rajaat taught the art of Defiling[[note]]the setting's take on arcane magic -- everyone else uses [[PsychicPowers psionics]] -- which is basically BlackMagic fueled by [[WalkingWasteland sucking the life out of the land around you]][[/note]] to a bunch of humans and lead them on a [[FantasticRacism genocidal world-war that annihilated a number of sentient species]], devastated the cultures of those races not driven extinct, and burned the world to a dying desert. When those humans realised that their boss wasn't human and, in fact, planned on wiping out humanity once it had killed off the other races, they turned on him. Then the most powerful of them all turned into a monstrous dragon-monster and ever since the others have ruled as undying sorcerer-kings whilst slowly trying to advance themselves in the same way. Slavery is the norm, cannibalism a fact of life, family members will kill each other over a mouthful of water, and any heroes ([[IDidWhatIHadToDo if you can call them that]]) fight out of necessity, not idealism.
244** ''TabletopGame/DungeonsOfDrakkenheim'' was already a morally ambiguous world of scheming nobles, an ambitiously overzealous church, and mages who were shunned and hated for having ruled as brutal {{Sorcerous Overlord}}s over a thousand years ago. Then the capital city of the biggest kingdom was annihilated by a meteor made of GreenRocks, which both turned the city into an urban wasteland crawling with insane mutants and kicked off a fifteen-year civil war amongst the aristocracy over who would claim the now-vacant throne. Not to mention that the toxic mists evenloping the fallen city are slowly spreading, corrupting the rest of the world. [[spoiler:Or the fact that the meteor opened a dimensional rift where it struck, and an EldritchAbomination will eventually enter the world and devour it when it grows big enough.]]
245** The ''TabletopGame/Midnight2003'' setting takes place in a rather generic fantasy world where the Forces of Evil won the final war and the protagonists are [[LaResistance guerillas]] or simple folk trying to delay the inevitable. Imagine ''Literature/TheLordOfTheRings'' if Sauron had won. Add in the fact that the gods created the world as a prison ''for'' the BigBad and screwed up the bindings that were supposed to keep only the BigBad trapped, so now they can't get in and sort things out, and it gets worse.
246** The overall theme in ''TabletopGame/{{Planescape}}'' is its moral ambiguity and the bizarre settings only increase the grim mood.
247** ''TabletopGame/GrimHollow'', a third-party setting, markets itself heavily as this. While it's not quite as dark as other entries on this page, it still has some very clear dark elements; Of the two most powerful (and warring) nations on the continent, one is barely held together by a CorruptChurch and an inbred child king, while the other is fallen into civil war and half of it is ruled by vampires. In the north, shamans perform HumanSacrifice to prevent [[ColdFlames Coldfire]] from consuming all. In the south, the Castinellan Provinces brutally slaughter sorcerers, wizards, and warlocks for the crime of not performing magic. Meanwhile, monsters and plague stalk the land, the cruel men seek to profit.
248* ''TabletopGame/{{Exalted}}'': Creation has pretty much been on a declining spiral since it was created, with one or two temporary exceptions. The Gods are corrupt, lazy, and/or addicted to games that are worse than crack, heroin, nicotine, and bacon combined. The world is threatened by no less than three sets of {{Eldritch Abomination}}s, any of which would be happy to corrupt, unravel, or utterly destroy existence. The greatest weapons with the capability to fend off these enemies are humans stuffed with way more power than humanity was built to handle, suffering from a curse that causes them periodic psychotic breaks. The average mortal can expect either a long life of drudgery and toil or a short life of terror and pain. Oh, and those weapons? Two of the three sets of Abominations have their own versions working for them. Pretty much the only thing keeping the setting from being a Cosmic Horror Story is that the PC Exalted are fully able, if they act with wisdom, to actually confront and, potentially, solve the problems that face Creation.
249* ''Gemini'' is set in a dying world that succumbed to [[TheNightThatNeverEnds eternal twilight]] and the people are harassed by the demonic forces looking for the hiding Prophet believed to be a Saviour of Man, while the inhuman elves and dwarf races grow increasingly more degenerate and hostile.
250* ''TabletopGame/{{Ironsworn}}'' is described as having a "perilous" setting, as the Ironlanders contend with perpetual winter and defend against the horrific monsters of the Ironland. Magic is rare but dangerous.
251* ''TabletopGame/{{Kult}}'': Humanity used to be immortal super-entities, but a jealous deity known as the Demiurge took away our powers and sealed them off, and imposed "mundane reality" on us. People who we think to be crazy are actually seeing through this veil.
252* Although the game itself has very little in terms of setting, the rules and artwork in the ''TabletopGame/LamentationsOfTheFlamePrincess'' core books present a world filled with sex, black magic, and the most gruesome violence imaginable.
253* Palladium Game's ''TabletopGame/{{Nightbane}}'', where you must save a modern-day Earth that has *already* been taken over secretly by monstrous shapeshifters- often by being one of them.
254* ''TabletopGame/ShadowOfTheDemonLord'' from Schwalb Entertainment was influenced by the makers work on the 2nd. ed. ''TabletopGame/WarhammerFantasyRolePlay''. In this setting, the weak magic of WHFRP is even further diminished to uselessness (so no magical hopes) and while there aren't the Chaos Gods to try and turn everything in shit, {{God}} has been maimed and devolved into the titular [[DemonLordsAndArchdevils Demon Lord]], an almost omnipotent EldritchAbomination who's nearly [[AlmightyIdiot mindless with fury]] and only held back by being [[SealedEvilInACan imprisoned in a cage]] made from his stolen power. He's still potent enough to send semi-regular demon invasions and natural disasters. Not to mention that while the fey oppose the Demon Lord, a particularly cruel and sadistic branch known as the devils love taking humans to their realm of hell to be constantly tortured. Finally humans are as mean, racist and unhygenic as they are in WHFRP.
255* By Creator/{{Chaosium}}, the very early game ''TabletopGame/{{Stormbringer}}'' and its '90s temporary successor ''Elric!'' which are set in the world of Literature/TheElricSaga where the world is doomed by an idiot sorcerer king and his EvilWeapon.
256* ''TabletopGame/{{Warhammer}}'' hits pretty much every trope except evil cults controlling all organized religion and CyberneticsEatYourSoul. How dark is it? When the setting was rebooted, the justification was that all the prophecies about TheEndOfTheWorldAsWeKnowIt came true simultaneously and everything was destroyed in horror despite everything the various heroes and factions tried.
257** A few of the tropes it meets:
258*** Magic really is intrinsically tied to [[TheCorruption Chaos]] but not using it simply isn't an option.
259*** Every religion and power structure has been infiltrated to some extent by Chaos worshipers.
260*** Any and all actions that a sentient being performs directly feed the forces of Chaos. Fighting against the Champions of Khorne, for instance, empowers Khorne because that just increases the violence. Not fighting just means you will die, which also furthers Khorne's goals.
261*** Since the coming of Chaos all forms of life in the world have been at least slightly corrupted by it. The elves lost their compassion and turned into haughty manipulators, xenophobic cannibals, and vicious slavers. The lizardmen, the chosen race of the original gods, have gradually lost their SuperIntelligence and the lesser ones have become partially feral. Dwarves once formed firm and long-lasting bonds of friendship but now obsess over grudges and ancient hatreds instead.
262** The off-spring game Mordheim is set in the world of Warhammer Fantasy and fits the bill even better than its progenitor. In the ruined city of Mordheim, the pious become zealous, the tough becomes weak and the good become corpses hung above the streets. It says something that the only irrevocably "good" faction is a small group of fanatic warrior monks who *everyone else* thinks are evil.
263** Its more popular ScienceFantasy spinoff ''TabletopGame/Warhammer40000'' can be summed up as ''Warhammer'' [[RecycledINSPACE In Space.]] And it does have everything on the list, even the evil cults monopolizing all religion (provided you remember the Imperial Cult is the lesser of who knows how many evils).
264* ''TabletopGame/TheWorldOfDarkness'' games are practically the trope codifiers for [[UrbanFantasy urban]], Dark Fantasy. It's setting is a CrapsackWorld where wealthy vampires run the world from the shadows while fighting to cling to their humanity, angry werewolves are losing a battle to save Earth's ecology from an EldritchAbomination, wizards are waging war amongst each other to dictate reality and etc.
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268* ''Theatre/McQueen'' - an exploration of a journey "down the rabbit hole" of a distorted London with two suicidal fashionistas waiting until morning.
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271[[folder:Video Games]]
272* ''VideoGame/{{Amea}}'' features a world overrun by zombies, yetis, and darkness. And by the end of the game, [[spoiler:Amea, Inglor, and Garrik are shown to be the only good guys, and Garrik gets killed fairly early]].
273* ''VideoGame/{{Avadon}}'' totters on the edge of the trope without quite falling off, allowing for both humor and heroism in a totalitarian, ends-justify-the-means society that's one broken treaty away from bloody ruin.
274* In ''VideoGame/BattleBrothers'', Orc marauders and goblins roam the countryside, all manner of bloodthirsty monsters lurk in the woods, the nobles are far more interested in their [[DecadentCourt bickering]] than helping the peasants, violent death is a regular occurrence and the only kind of magic is vile necromancy. You might not save the world, but you might be able to save enough coin to retire comfortably.
275* The ''Under the Burning Suns'' campaign in ''VideoGame/BattleForWesnoth'' is set in the same fantasy world as the other campaign, but takes place long after them. By the time of the campaign, what remains of Wesnoth is a desert filled with marauding humans, orcs, and necromancers. [[spoiler:And when the protagonist desert-elves find some civilized humans, they turns out to be working for an EldritchAbomination who pretends to be the elves god]].
276%%* ''VideoGame/BerserkAndTheBandOfTheHawk'': See entry for ''Manga/{{Berserk}}''.
277* ''VideoGame/BerserkMillenniumFalconHenSeimaSenkiNoSho'': See entry for ''Manga/{{Berserk}}''.
278* ''VideoGame/BlackGuards'' and its sequel, has your band of thugs, madmen, and junkies dealing with enemies much worse than yourselves, as you try to prove yourself innocent of a murder in the first game and go on a dark quest for revenge in the second.
279* ''VideoGame/BrambleTheMountainKing'' is based upon Nordic fables and folktales. It revolves around two young siblings, Olle and Lillemor, who sneak out to explore an enchanted forest filled with magical creatures. It initially starts out as a whimsical adventure, but things take an increasingly dark and horrifying turn when Lillemor is kidnapped by a troll and Olle learns of a curse over the land. Olle has to avoid or fight numerous monsters and malevolent beings to save Lillemor. The backstory reveals that humans were the cause of much of the problems [[spoiler:and while it has an uplifting ending, Olle has to [[EarnYourHappyEnding go through hell to achieve it]]]].
280* ''VideoGame/BrutalLegend'' has elements of it (Humans oppressed by demon overlords and both sides under attack from TheUndead), but it's mostly masked by the sheer awesome.
281* Despite the sometimes terrifying enemies and morbid nature of the setting most of the ''Franchise/{{Castlevania}}'' series is GothicHorror. The AlternateContinuity [[ContinuityReboot Reboot]] ''VideoGame/CastlevaniaLordsOfShadow'' and its sequels however, dive right into this.
282* ''VideoGame/CrossbowCrusade'': The game has you exploring a kingdom full of zombies and monsters, all of which you can combat with your trusty crossbow.
283* ''VideoGame/DantesInferno'', where you play a Crusader who has to slash his way through the Seven Circles of Hell to rescue his beloved from {{Satan}}.
284* ''VideoGame/DarkestDungeon'' toes the line between this and CosmicHorrorStory. After the Narrator spent the family fortune on uncovering the secrets of the family's ancestral home, he DugTooDeep and found an eldritch portal that let ''something'' out. Now the once stately manor has become an abomination, and it's up to the player to send teams of adventurers into those [[EldritchLocation maddening corridors]] to investigate. Not all of them come out alive, and those that do are [[GoMadFromTheRevelation often changed irrevocably]].
285* The ''VideoGame/{{Deception}}'' series tends to be set in a world that invokes this feeling. Though the main character is usually limited to a small area, it's mostly shown in outside cutscenes and enemy descriptions.
286* ''Demon's Crest'', the final game in the ''[[VideoGame/GargoylesQuest Gargoyle's Quest]]'' series, is one of the bleakest games on the Super Nintendo, taking place in a realm of demons and with a main character who wants to gain ultimate power to rule the world.
287* The ''VideoGame/DeptHeaven'' series in general. As if the mortals [[HumansAreBastards weren't bad enough by themselves]], all mortals are by design stuck in the middle of the war between [[OrderVersusChaos gods and demons]], both sides of which will actively screw you over in the name of their own victory. Defectors from either side generally don't get very happy endings either.
288* ''{{VideoGame/Diablo}}'' has elements of it.
289** In ''VideoGame/DiabloII'', TheLegionsOfHell have TheHorde of TheUndead, mutant wildlife, lesser demons, and DealWithTheDevil types Vs. a morally dubious {{Necromancer}}, a VainSorceress, or a {{Paladin}} who belongs to a CorruptChurch. [[ItsUpToYou And it's all up to that one person]], plus any minions [=s/he=] may [=hire/summon=]. Heaven won't help out because of a strict non-interference policy, except for one Angel who sells goodies and resurrects dead party members to pay rent.
290** In ''VideoGame/DiabloIII'', the series veers away from this into heroic fantasy, with [[spoiler:the aforementioned Angel joining the fight against evil in person, and an unambiguous positive ending.]] The graphical style especially shifts away from the darkness in a figurative ''and'' literal way, becoming vibrant and cartoonish. Then the darkness comess back in a big way in the ExpansionPack ''Reaper of Souls'', with a powerful archangel going bad and seeking to KillAllHumans by means of a demonic ArtifactOfDoom because he sees them as no better than demons because of [[BornOfHeavenAndHell their origins]].
291* World of ''VideoGame/DominionOfDarkness'' is like this, mostly because of the player character's actions. Altough there is no evidence for existence of any truly benevolent higher power. All "divine" beings turn out to be fictional, malevolent or in the best case, working on bizarre, inhuman morality.
292* ''Franchise/DragonAge'' is completely this. The entire world is almost always at war. Mages constantly fight against the whispers of demons from the dream world/afterlife of the Fade trying to [[DemonicPossession take them over]] (little wonder many of them choose to be [[EmptyShell magically lobotomized]]), and every so often, one succumbs and becomes a HumanoidAbomination, or [[DealWithTheDevil makes a deal in order to learn]] BloodMagic. Demons are thus a constant threat. Because it's so easy for a mage to be possessed or go rogue, they're imprisoned and kept under constant watch by [[CrystalDragonJesus The Chantry]]. Mages who resist this are hunted down and either captured or killed. Elves are a SlaveRace distinguished from humanity only by their long ears, who were once the dominant species but were soon hunted down, and are now second-class citizens in a society dominated by humans (the only exceptions being the Dalish, who are nomadic and desperately hold on to the last shreds of culture they once had). The Dwarves are a politicking race with a brutally restrictive FantasticCasteSystem, who cower in their last two remaining fortress-cities, with the rest of their once-mighty empire being overrun. The resident [[ProudWarriorRaceGuy Proud Warrior Race]] (though it's technically a religion, not a race, and anyone can join) called the Qunari are almost impossible to understand by the other races and are constantly threatening invasion. One of the world's major powers is built on slavery, and the rest are filled with everything from {{Decadent Court}}s to constant infighting. To top it all off, every hundred years or so they all come under attack by [[TheHorde Darkspawn]], which the Chantry's god figure, The Maker, [[TheScourgeOfGod cooked up as divine retribution because Humanity tried to invade heaven]] - [[UnreliableNarrator according to the Chantry, anyways]].
293* ''VideoGame/DragonMarkedForDeath'': The world has all manner of monsters terrorizing the countryside and villages, the [[TheEmpire Medius Empire]] is a brutal regime that could care less about the dregs of their people living in the slums despite being "chosen" by the Celestial Primatus [[spoiler:and its emperor is corrupt and seeking immortality by any and all means available to him]], the protagonist had most of their Dragonblood Clan wiped out by the empire [[spoiler:for the sake of said immortality]] under the name of them being monsters who worship the Astral Dragon Atruum despite only wanting to live in peace away from persecution, they make a pact with said dragon for [[RoaringRampageOfRevenge revenge]] and rescuing the other SoleSurvivor that leads to them [[LovecraftianSuperpower manifesting dragon parts on their bodies]] and being willing to devour the souls of anyone in their way to gain more power to do it, most humans treat them like monsters for their ties to their clan despite them being willing to do their jobs and save their lives, [[spoiler:and said dragon is just using them to revive himself so he can kill his rival god (by blowing up a ''[[DetonationMoon moon]]'') and plunge the world into chaos and destruction like in ancient times.]]
294* ''Franchise/{{Drakengard}}'' features Caim, a protagonist who gleefully slaughters enemies with his dragon, who is also having a jolly old time with all the murder. One of the party members is a cannibalistic serial killer who targets children. Another is a pedophile. At least there's Caim's sister, who seems like a decent enough person. [[spoiler: Except for the fact that she wants to bang her brother, and kills herself when she finds out her brother is disgusted by the idea.]] Perhaps unsurprisingly, the story morphs into a CosmicHorrorStory by the end.
295** ''VideoGame/NieR'', Drakengard's spinoff, is closer in tone to a traditional fantasy narrative...at first. Things are post-apocalyptic, sure. Magic is blood-based, I'll grant you that. Humanity may have done some awfully unpleasant things in the past in the name of saving themselves. And yes, your daughter ''has'' been kidnapped by [[DarkIsEvil the resident king of shadows.]] But you and your friends are good people...right? [[spoiler:Maybe you are, maybe you aren't. However you view yourself, you still just thoughtlessly murdered [[ForcedTransformation the last of the original humans.]]]]
296** The exact same holds true for the above with ''VideoGame/NierAutomata'', which is DarkFantasy given [[ScienceFantasy a healthy dosage]] of SufficientlyAnalyzedMagic and ClarkesThirdLaw. On ''top'' of all the BloodMagic and supernatural horrors returning from the first game, [[TimeAbyss enough time has passed]] that Earth has become the battleground of ''14'' {{Robot War}}s -- between both the [[RidiculouslyHumanRobot YorHa Androids]] (the [[AndroidsArePeopleToo human-like androids]] made by humanity to reclaim Earth) and the [[TheRemnant Machine Lifeforms]] (the robotic life forms a race of alien invaders made [[TurnedAgainstTheirMasters before being wiped out by their creations]]). Sure, there is full hammering-home that WarIsHell, the dark magical elements of the first game still persist... but you're still the good guys, right? [[spoiler:As it turns out, [[AwfulTruth the entire conflict is built on a lie]]; [[HumanitysWake humanity has been dead for millennia now]], [[AllForNothing rendering the entire war completely pointless and only continued out of inertia]]. Surprisingly, [[EarnYourHappyEnding the story has a happy ending for the main characters]], but that only becomes clear after going through ''hell'' just to get that far]].
297* ''VideoGame/DwarfFortress'', [[DownplayedTrope to some extent]]. The powers of magic range from [[WildMagic unpredictable]] to [[BlackMagic malevolent]]. The gods are [[JerkassGods aloof and arbitrary when they aren't actively cruel]], demons rise from the Underworld to become major political players, the only mages of any real power are necromancers who perform [[PlayingWithSyringes vile experiments]] and send out undead hordes from their [[EvilTowerOfOminousness dark towers]], TheFairFolk abduct villagers to eat and [[MarsNeedsWomen reproduce]], massive creatures raid villages to slaughter and steal, and magically-saturated lands are more dangerous than their ordinary counterparts, [[LightIsNotGood even when inhabited by the likes of unicorns and pixies]]. That said, [[AWorldHalfFull your dwarves and adventurers can carve out a better world through willpower, dedication, and cold, hard steel]]. [[VideoGameCrueltyPotential Or make it even worse]].
298* ''VideoGame/EldritchLandsTheWitchQueensEternalWar'' calls itself dark fantasy on its own Steam page, and it's quite accurate. [[GodIsDead The Gods are almost all dead]], hordes of undead overwhelm the world, [[spoiler: and even the human afterlife is gone, as the protagonist destroyed it when she killed the human's gods, believing that allowing souls "[[CessationOfExistence the peace of oblivion]]" is a better fate]].
299* The ''VideoGame/FallFromHeaven'' mod for ''[[VideoGame/{{Civilization}} Civilization IV]]'' is explicitly described as Dark Fantasy by its creators. Convenient, since the mechanics of ''VideoGame/{{Civilization}}'' heavily encourage a [[ThereCanBeOnlyOne rather brutal]] and [[ChronicBackstabbingDisorder cynical]] gameplay.
300* ''VideoGame/FallenLondon'' and ''VideoGame/SunlessSea'' are set in a version of Victorian London that was "stolen by bats" and is now run by the Masters of the Bazaar. Players can commit murder and cannibalism, go mad, become possessed, have their eyes stolen by spiders, sell their soul and be sank beneath the strange waves of the zee by enemies.
301* ''VideoGame/FearAndHunger'' is set in a world exactly like this. The outside world is [[TheDungAges not especially better than medieval Europe]], with wars and conflict about the world, and [[CrapsackWorld it only gets]] ''[[CrapsackWorld worse]]'' [[CrapsackWorld when one factors in the supernatural elements]]. Namely, the fact that all magic is inherently tied to [[EldritchAbomination dark gods]], the entirety of this world's equivalent of the Americas being a monster-laden DeathWorld, and the fact that throughout the world is dark dwellings of horrible monsters, the one your hapless player character visits being known as the "dungeons of [[TitleDrop fear and hunger]]", where the very real threat of being [[CruelAndUnusualDeath messily killed]], [[ToServeMan devoured]] or even [[RapeAsDrama raped]] is all too real and every act of fighting to survive is an achievement of its own. Perhaps unsurprisingly, the setting devolves into a CosmicHorrorStory by the time you reach the lowest part of the dungeon.
302** It's sequel, ''VideoGame/FearAndHungerTermina'', is not much better, being a [[UrbanFantasy contemporary take on the genre]]. Set several hundred years after the first game, the world's equivalent of Europe has undergone its World War 2 that devastated both sides, with it being strongly implied that one of the characters of the last game has [[spoiler:been resurrected and ascended into the Kaiser of the Bremen Empire, the resident Nazi Germany equivalent]]. As if that wasn't enough, fourteen passengers on a train bound for Prehevil get sucked into a [[ThereCanBeOnlyOne battle royale]] led by one of the EldritchAbomination JerkassGods of the setting in a festival that lasts three days, and morphs many of the town's inhabitants into monsters themselves. And you have to survive the festival with a ticking timebomb in your head that will lead you to potentially being [[WasOnceAMan moonscorched]]. [[SarcasmMode Have fun]]!
303* ''Creator/FromSoftware'':
304** ''VideoGame/DemonsSouls'' is a SurvivalHorror ActionRPG that takes place in the Kingdom of Boletaria, a place many people called paradise on earth until its king went mad with nihilistic grief and made a pact with an ancient demon god known as ''the Old One''. The awakening of the Old One would unleash a fog that would turn humans into savage monsters or powerful demons while also giving form to creatures of myth and reviving an ancient ''Dragon God''. You are just another individual coming to a now-deserted Boletaria to help stop the fog or for your own hunger for power while also meeting other visitors/survivors with their own agendas.
305** In ''VideoGame/DarkSouls'', Where to begin? The games are classed as SurvivalHorror by way of fantasy ActionRPG by a good amount of people. The game takes place primarily in the Kingdom of Lordran, which has been completely run into the ground. The only thing that remains are the decaying buildings, it's inhabitants have all either died or become hollowed, crazed and undead. In addition to it being host to dozens of different types of horrific forms of demons, twisted animals, and grotesque monsters. Lordran is also just the worst of the Kingdoms and nations in the souls universe. Many other states are implied to be decaying and faltering. That's just the setting. The world is actually ending to the Plague of Undeath. The morally ambiguous protagonist, along with most of the world's population has been cursed by the Darksign. A curse that grants its bearer technical immortality, but at the cost of eventual complete loss of sanity. (death is also not any less painful when you're immortal in the souls universe). The gods have either all left or are too bothered to do anything about the situation. Many of the [=NPCs=] you meet along the way eventually lose themselves to the curse and you are forced to slay them in self defense. The "hero" is tasked with relighting the First Flame, which even then, would only temporarily cure the curse, as it is forced to resurface every couple of centuries. Or, the hero can choose to let the flame die ushering the world into the ambiguous "Age of Dark". An age of freedom? or simply another word for the dark and nothingness consuming the world? Even the quest givers who task the hero with the final goals of the game are not entirely trustworthy and may be manipulating the player character as an unwitting pawn for further ends. Then there's Manus and the Abyss, if there's anything the Souls series needed to make it the crappiest of crapsack worlds, was an eldritch abomination trying mindlessly to obliterate all known existence. There isn't much hope in the Dark Souls universe, indeed.
306** ''VideoGame/DarkSoulsII'' is even darker than the first game, with up to four kingdoms crumbling due to the shards of Manus influence. While there were many characters who claimed to be undead in the first, even after going crazy they appeared to be normal. In ''II'', [=NPCs=] can be varying levels of hollow, from appearing vaguely zombie-like to almost falling apart - just like the player.
307** It gets even ''worse'' in ''VideoGame/DarkSoulsIII''. Civilization has fallen, the Age of Dark is practically upon mankind, all the Lords who kindled the flame before have abandoned their thrones, and now it's up to you to decide what is the true fate of the world, and this is not necessarily a good thing, all that remains is ember indeed......
308** ''VideoGame/{{Bloodborne}}'' is a mix of this and GaslampFantasy for the first half of the game, being set in a Victorian-Gothic setting, with a lycanthropy plague, quicksilver bullets, witches, magic, and other elements of the subgenres. [[spoiler: However, it is later revealed to be a CosmicHorrorStory along the lines of [[Creator/HPLovecraft H. P. Lovecraft's]] novels.]]
309** ''VideoGame/EldenRing'' is perhaps the most rooted in DarkFantasy among [=FromSoftware=]'s games as, in addition to Creator/HidetakaMiyazaki directing it, ''Creator/GeorgeRRMartin'' is responsible for building its myth and world. The Lands Between in the midst of a SuccessionCrisis between demi-gods fighting over who gets to become the next Elden Lord, with said crisis beginning when GodEmperor Marika the Eternal went missing and her most beloved son Godwyn was killed. Some of her children are also frightening monsters, with Godrick the Grafted being the most blatant example for being a tyrant and '''grafting body parts''' onto his body in an attempt to gain more power.
310* ''VideoGame/GrimDawn'' has a steampunk fantasy world where humanity is pushed to the brink of extinction by an invasion of other-dimensional beings and the undead. The situation has become so bad that gold has become worthless, it's useful iron that's the currency.
311* ''VideoGame/HandsOfNecromancy'', where you play as a Dark Sorceror who practices forbidden magic, and you're fighting TheLegionsofHell.
312* ''VideoGame/HellbladeSenuasSacrifice'' is an interesting case, often [[MaybeMagicMaybeMundane blurring the line]] between DarkFantasy and PsychologicalHorror. Based upon [[Myth/CelticMythology Celtic]] and Myth/NorseMythology, the titular [[TheOphelia Senua]] journeys into the the depths of Helheim to bargain for her dead lover's life back. In the argument for Maybe Magic, TheCorruption is a very real presence in the story, having plenty of nightmarish takes on existent (and [[SadlyMythtaken non-existent]]) Norse gods and demons, and featuring a descent into the darkness while on TheQuest to save her loved one. In the argument of Maybe Mundane, however, it's basically confirmed that Senua is a schizophrenic who was deeply traumatized by a Viking raid on her home settlement, killing her lover and most of her family, so it's ambiguous [[YourMindMakesItReal how much of it is in her head or not]].
313* ''VideoGame/HeroesOfNewerth'': Maliken's betrayal has caused many Legion strongholds to fall to the mercy of the Hellbourne forces who plans on destroying it so they can bring forth their Sacrificial Pit.
314* ''VideoGame/LegacyOfKain'': The world of Nosgoth is rotting away when its guardians became corrupted. Demons and undead roam dark forests and swamps while bandits are free to murder as they please. And these are the good old days!!! Because the vampire messiah who was supposed to save the world didn't. Instead he raised a horde that reduced humanity to cowering behind a single fortified city while his vampire minions cloud the skies with toxic fumes, as the world is dying even more rapidly. And then an EldritchAbomination decides to get into the act...
315* ''VideoGame/LiesOfP'' is a SoulsLikeRPG video game centered around [[FracturedFairyTale a darker and edgier take]] on ''[[Literature/TheAdventuresOfPinocchio Pinocchio]]''. Set in a dark, [[TheGay90s Belle Époque]] city called Krat, players control Pinocchio, here a “[[RidiculouslyHumanRobot puppet mechanoid]]”, as he sets off to find his creator, Mr. Geppetto, fighting through countless enemies to do so amid the ruins of a city overrun by mechanical monstrosities.
316* ''VideoGame/LostInRandom'' is set in a dark fairy tale world full of board game motifs, where a wicked Queen rules with an iron fist, monsters roam the land, [[spoiler: and three EldrichAbominations feed off of the fears of stolen children]].
317%%* ''VideoGame/EatMe''
318* ''VideoGame/TheLastFaith'': A GothicHorror {{Metroidvania}} SoulsLikeRPG set in a dark, haunted land which has fallen to a [[TheCorruption mysterious, magical force]] called the Nycrux, which has spread like a plague and brought mutation and madness in its wake.
319* ''VideoGame/MaceTheDarkAge'': This fighting game presents an alternate timeline version of the medieval era in which the world has rather literally gone to hell due to the presence of Asmodeus and his underlings known as the Covenant of Seven. Some other details about the setting for elaboration:
320** The setting is largely depicted as being a CrapsackWorld, with an especial mention about Europe and western Asia being portrayed as particularly bad due to those lands being overrun by demons and other supernatural creatures. In addition, it is stated that in the Mace-verse that the religions of UsefulNotes/{{Christianity}} and UsefulNotes/{{Islam}} did not came to exist. While the influence of those religions (or at the very least the [[ManipulativeBastard manipulations of those religions by certain rulers]]) may not have been entirely beneficial, but at the very least they contributed to certain shared values across their respective domains. Thus, the non-existence of those religions leads to those parts of the world being even more fractious and chaotic.
321** The Abrahamic God is non-present and the only god-like divinity that is present is the aforementioned Asmodeus, who is a SatanicArchetype.
322** In addition, the Mace of Tanis is used both to enforce Asmodeus' will and also as [[MacGuffin a way to bait others]] either into making a DealWithTheDevil or lure warriors to fight to the death to claim its power for themselves.
323* ''VideoGame/MiddleEarthShadowOfMordor'' and its sequel ''[[VideoGame/MiddleEarthShadowOfWar Shadow of War]]'' lead towards this direction rather ''Franchise/TheLordOfTheRings'''s HighFantasy: instead of an epic adventure where the heroes travel to several lands in search for a magical artifact to defeat the [[EvilOverlord Dark Lord]], the games take place entirely inside {{Mordor}} where evil is everywhere and the forces of light have no power. The main protagonist derives [[BadPowersGoodPeople his powers from a dark source]] and has to do very morally ambiguous deeds like raising his own army of brainwashed minions, and said source is not completely well-intentioned either.
324* ''VideoGame/NightsOfAzure'' is set in a world that had been showered by a demon king's blood, leading to [[WasOnceAMan transformed fiends]] plaguing the night. The only thing protecting humanity is an untrustworthy, BurnTheWitch-happy church who [[HumanSacrifice sacrifices a designated Saint]] every ten years to prevent the demon king from returning and [[WeHaveReserves who employs agents that get transformed into fiends if they're exposed to too much demon blood]], unless if they themselves are one of the rare half-demons that retained their humanity. Don't feel too bad for humanity though, as a common theme of the game is [[HumansAreBastards how humans could be comparable, if not worse, than demons]].
325* ''{{VideoGame/Overlord}}'' series are both a pastiche and a parody of this genre.
326* ''VideoGame/PathOfExile'' is set in a continent-sized CorpseLand-cum-PenalColony (think "fantasy [[LandDownUnder Australia]]") under siege by [[ANaziByAnyOtherName Fantasy Nazis.]] All summoning runs on {{Necromancy}}, and even ''[[ThePaladin Templars]]'' do this.
327* The original ''VideoGame/{{Quake|I}}'' featured this as the main setting. Eldritch horrors, dark magic, gothic and occult architecture, and an overall bleak atmosphere permeate the entire setting of the game. The major difference? You kill the enemies with MoreDakka.
328* ''VideoGame/SoulSacrifice'' is based around Sorcerers in such a world, and filled to the brim with BodyHorror and WasOnceAMan.
329* ''VideoGame/{{Soulstice}}'' is a StylishAction take on the genre. It takes place in a city where it is AlwaysNight and features Chimeras, magical warriors who run the risk of losing their humanity the more they use their powers.
330* ''VideoGame/SwordOfTheBerserkGutsRage'': See the entry for ''Berserk'' in the Manga folder.
331* ''VideoGame/ValkyrieProfile'' is an example of one. Slavery, war, and general atrocities is the order of the day. More often than not, humans succumb to the worst part of themselves. [[JerkassGods Not to say that the gods are any better]]. Ragnarok is just around the corner, and things are falling apart. Your job is to recruit the soul of worthy mortals to fight in that final battle, and there is no shortage of death and despair to make it very easy and guilt-free for you.
332* While ''VideoGame/{{Warcraft}}'' is generally optimistic HighFantasy, at least two RTS games in the series qualify. Warcraft I is DarkerAndEdgier compared to later games, orcs lack any redeeming qualities or humorous elements, Medivh is outright a mad EvilSorcerer and player's character (who later evolved into Orgrim Doomhammer) betrays Blackhand out of lust for power alone. Also, canonically, bad guys win there. Warcraft III: The Frozen Throne is a far more prominent and complex example, where ALL campaign protagonists are anti-heroes or villains to some degree, and the known world is still suffering the aftermath of a massive undead and demon onslaught. Humanity is hunted down to the borders of extinction (and its remnants are run by a racist tyrant), high elves willingly damn their entire race, and the main conflict is set between the Lich King and his former master Kil'jaeden, both sides nearly equally evil. Even the bonus campaign, The Founding of Durotar, has a Tearjerker ending with Jaina having to betray her father.
333* ''Franchise/TheWitcher'' - see literature explanation above.
334* ''VideoGame/WildBlood'', a game inspired by Myth/ArthurianLegend, but with the kingdom being conquered by assorted demons and monsters unleashed by the evil sorceress Morgana.
335* Most of the games of Yasumi Matsuno (''VideoGame/OgreBattle'', ''VideoGame/TacticsOgre'', ''VideoGame/FinalFantasyTactics'', ''VideoGame/VagrantStory'', ''VideoGame/CrimsonShroud'') fall under this category. War-torn lands, oppressive governments, {{Corrupt Church}}es, and vengeful gods abound.
336[[/folder]]
337
338[[folder:Webcomics]]
339* ''Webcomic/ArkTheImprobable'': The main characters are an Elf and a FrankensteinsMonster belonging to a {{Bounty Hunter}}s guild, fight hideously mutated creatures, developed from TheVirus working its disgusting magic on mundane animals, plants, humans, and fantastic creatures, including Werewolves and Zombies.
340* ''Webcomic/BasketsOfGuts'': Despite the fact that magic is quite common and basically doesn't require any evil activities to use it, most of the wizards empower their spells with [[OurHomunculiAreDifferent homunculi]]-based batteries. Said homunculi are supposedly artificial powerful wizards, doomed [[PoweredByAForsakenChild to serve as energy sources]] for their [[AndIMustScream entire life]]. And then there are [[MadScientist paraanatomists]] who promote [[PlayingWithSyringes "medicine"]] over healing magic. And TheMafia, lots of it. So it's not [[CrapsackWorld the world that is dark]], but rather the creatures who populate it. It even makes the whole goverment tyranny thing [[HobbesWasRight somewhat justified]].
341* ''Webcomic/BlackRose'' features a grimy corrupted empire with Steam Punk technology versus an underdeveloped country where magic users are being wiped out, a lack of fantasy races other than humans, and a continued emphasis on how while things might seem bad at present, the protagonists will doubtlessly be going through worse. Said underdeveloped magic-using country also has magic users capable of MindRape, with the military of said grimy corrupted empire being their only true means of protection against them (for a fee)...provided they don't just [[RapePillageAndBurn "vacate"]] their settlements and take over their land if they don't buy in.
342* ''Webcomic/DraconiaChronicles'', although it's more of the "Society is in the toilet, none of the races can get along or see their so-called "allies" are about to stab them in the back, and there's constant, unceasing warfare, atrocity, and bloodshed" sort of dark.
343* ''Webcomic/{{Drowtales}}'': Murder and DemonicPossession are very common. One character whose life is in danger comments that she doesn't want to end up Undead (and another has her zombified little sister as a bodyguard). Cannibalism is completely legal due to a resource shortage, as are rape, incest, pedophilia, and JackBauerInterrogationTechnique. Schools don't mind the students killing each other, as long as they do so quietly and dispose of the bodies themselves. And those are the "[[DesignatedHero good]]" guys. On the surface world, nobles [[BloodBath bathe in elven blood]] because they think it'll make them immortal. Magic is fairly neutral though, but some are allergic to BloodMagic.
344* Parts three and four (and possibly part 5, we're not sure since it hasn't been posted yet) of ''Webcomic/AModestDestiny'', although they manage to inject some humor. It also seems to be getting better (due to one character, a frost-elf Vampire/ Necromancer, being stuck in the HeelFaceRevolvingDoor.)
345* ''Webcomic/KillSixBillionDemons'' is set a [[TheMultiverse multiverse]] built upon [[GodIsDead the suicide of its creator YISUN,]] which was once a place of grandiose warrior-gods and civilizations of wise philosopher-kings, but no more. After an apocalyptic Universal War swept away the multiverse in a deluge of fire, seven mad [[GodEmperor Demiurges]] now rule over creation, [[MultiversalConqueror visiting ruin and oppression upon their subjects.]] Crime and rot are rampant and unchallenged. The closest thing to Heaven, the Red City of Throne, is a gigantic WretchedHive built from the corpses of the gods and angels that once inhabited it, controlled by decadent [[TheMafia Guilds]], [[OurDemonsAreDifferent devils]] and ruthless slavers. [[OurAngelsAreDifferent Angels,]] the keepers of order and justice, have either stepped on [[FallenAngel the Path of Thorns,]] lost their way and became glorified mercenaries, or spend their time philosophying in [[VoidBetweenTheWorlds the Void]] while the material world tears itself apart. If that wasn't enough, the central religion of the setting, Atru, preaches that all of creation is built on violence and lies, and worst of all, seems to be ''right.''
346-->''"YISUN said: Let there be no genesis, for beginnings are false and I am a consummate liar."''
347* ''Webcomic/UnDivine'' is set in an analogue of Cuba where the main protagonist ends up selling his soul to a demon in a ritual and there's a whole war between angels and demons that the former mostly won.
348[[/folder]]
349
350[[folder:Web Original]]
351%%* ''Literature/AboveGround''
352%%* ''WebOriginal/TheArknMythos''
353* ''WebOriginal/DemonsDue'': An illustration-based web series where an evil sorceress unleashes all kinds of evils upon a local lordship. Magic is fairly neutral here, too, but dang, is it can't be misused for all kinds of horrors in this one.
354* ''Literature/DisAcedia'': a dark fantasy web serial set in an interdimensional magical prison, crafted by an ancient, utterly demented deity. Magic is extremely dangerous and feared, death is never an escape, and the entire dimension is divided into fiefdoms waging eternal war.
355* ''Literature/TheIronTeeth'': A dark fantasy web serial set in a world full of dangers and monsters. Human civilization hangs by a thread and yet people still war and fight among themselves. Magic is neutral but limited and hoarded by guilds that use it for personal power. And of course, everything wants to kill goblins...
356* ''WebOriginal/TaleOfTheNecromancer'': The presented world makes quite a bleak impression. There are no benevolent higher powers, in fact their absence partly prompted the protagonist to study (or perhaps create) necromancy. The magical powers/spiritual beings that appear in the stories are either evil or, at the best, "neutral but corrupting".
357[[/folder]]
358
359[[folder:Western Animation]]
360%%* ''WesternAnimation/TheAmazingAdventuresOfTheLivingCorpse''
361* ''WesternAnimation/{{Castlevania}}'' is set in a world filled with violence, [[TheDungAges filth]], and blood, with extremely sadistic vampires who seek to either exterminate the human race or use them as livestock, [[LastOfHisKind and only one remaining member]] of a vampire hunting family left to stop them. And when the protagonists aren't dealing with vampires, they have their hands full with animated skeletons, night creatures, religious zealots killing innocent people for being "heretics", citizens who range from apathetic to dogmatically supportive of said zealots, [[EvilSorcerer Evil Sorcerers]], and simply mankind exhibiting [[CompleteMonster its worst traits]]. [[spoiler: It even becomes a CosmicHorrorStory with the reveal of a gateway that leads to an infinite number of realms including the afterlife, different points in time, and dimensions with strange architecture, among other things]]. Adding to this is the final season which introduces [[spoiler: an elemental vampire that feeds on death who's been pulling the strings all along to sate his appetite on whatever genocides occur]]. The heroes and villains both exhibit plenty of moral grayness. Perhaps one of the few characters that don't is [[TheHeart Sypha]].
362* ''{{WesternAnimation/Disenchantment}}'' has probably the most [[BlackComedy darkly humorous]] take on the dark fantasy genre in cartoon history, playing its [[TheDarkAges medieval dystopian setting]] for laughs. Despite this, is still meets many of the traits of other Dark Fantasy stories. The royal palace is large and comfortable, and the [[UpperClassTwit royalty/nobility]] live in luxury; but the commoners live in severe poverty, filthy homes, and barely have enough to eat, and often have to make a living doing unpleasant work such as [[OffWithHisHead executioners]]. And despite the fact that the royalty and nobility have much more comfortable lives, they're also going [[ImpoverishedPatrician bankrupt]]. Children may even start work as soon as they are born, taking jobs such as midwife, miner, or candlemaker. The relations between the various nations are tense at best, and the threat of war is very real. Magical beings don't have it any better; [[OurFairiesAreDifferent fairies]] often work as [[TheOldestProfession prostitutes]], while [[OurElvesAreDifferent elves]] are hunted for their [[BloodMagic magical blood]] which can create the ElixirOfLife. The elves, by the way, live in a society where [[HappinessIsMandatory you are expected to act happy all the time]]... [[CrapsaccharineWorld or else]].
363* ''WesternAnimation/LittleDemon'': An AnimatedSitcom about TheAntichrist coming into her powers and living a suburban life killing bullies and dealing with parents.
364* ''WesternAnimation/TheOwlHouse'': While a DenserAndWackier take on the genre (being a family-friendly Creator/DisneyChannel series), a lot of the tropes that make up the setting it very much in line with Dark Fantasy. Unlike many of the SummonEverymanHero fiction novels that Luz is used to, the Boiling Isles is a dog-eat-dog GiantCorpseWorld populated by witches with inherently deadly WeirdWeather, deadly curses, a WizardingSchool that makes [[TakeThat Hogwarts look safe and accommodating in comparison]] and all sorts of monsters that literally prowl the streets that are equally likely to eat you, imprison you or rip you off in every sense of the phrase. The plot itself is about a human who finds herself in this world and has had her life threatened and her childish notions of magic and wonder questioned multiple times, a small demon with aspirations of conquest and tyranny and a ConArtist witch under a curse that turns her into a mindless beast, all the while being hunted down by an oppressive regime that has all of the bells and whistles of a CorruptChurch.
365[[/folder]]

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