Line #55 Main/CosmeticallyAdvancedPrequel


1	%% Image selected per Image Pickin' thread: https://tvtropes.org/pmwiki/posts.php?discussion=1589912982024889200
2	%% Previous thread: https://tvtropes.org/pmwiki/posts.php?discussion=1313202136008099700
3	%% Please do not replace or remove without starting a new thread.
4	%%
5	[[quoteright:350:[[Franchise/StarTrek https://static.tvtropes.org/pmwiki/pub/images/enterprisebridgecomparisonsfrontdl.png]]]]
6	[[caption-width-right:350:Top: USS ''Enterprise'', [[Series/StarTrekDiscovery 2257]]. Bottom: Same ship, [[Series/StarTrekTheOriginalSeries 2266]].]]
7	%%
8	->''"I have to say, I find these slick computer-generated renderings of the ship kind of jarring; it makes the Enterprise look more technologically advanced than starships will look however many years later, [[Series/StarTrekTheOriginalSeries during Kirk’s stint as captain]]. I’ll admit there’s really no way around that problem (short of dusting off old models from 1950s B-movies), but it’s just one of what I suspect will be many little anachronisms that arise from doing a prequel series."''
9	-->-- '''Website/TheAgonyBooth''''s [[https://www.agonybooth.com/star-trek-enterprise-two-days-and-two-nights-part-1-6520 recap]] of ''Series/StarTrekEnterprise'', "Two Days and Two Nights"
10
11	While a {{Prequel}} story may be set before the events of the original story, it is being made ''after'' the original story and the creators have access to more money or better technology in order to make the work. This can be a bit of a dilemma when it comes to visual and interactive media, concerning not only {{prequel}}s, but {{spinoff}}s as well. Designers often try to evolve and improve on what they did before, even when the story they're working on occurs way before their earlier designs. The end result is that the production design of prequel/spinoff looks or feels better than what they had in the current storyline. The technology to create the clothing, sets and props has advanced, allowing better graphics, better features, better special effects and better interactivity with the characters. However, even though the setting of the prequel is [[TechnologyMarchesOn stated to be less "advanced" than the setting of the original]], you wouldn't know that from just observing it due to TheAestheticsOfTechnology.
12
13	This is common in prequels to sci-fi works created in the mid 20th century, but whose prequels were done in the late 20th or 21st century. While the original is rife [[TechMarchesOn with outdated technology]], the more "primitive" prequel will have tech that looks like it came straight out of an Apple Store ([[EverythingIsAnIpodInTheFuture iPod look]] optional). What was once a crudely made OffTheShelfFX becomes carefully crafted and custom created by an artisan with all the seams sanded away and no "Made in China" label can be seen.
14
15	If technology [[PrequelInTheLostAge had regressed in-universe]] in the time between the prequel this trope does not apply. If the original is set AfterTheEnd and the prequel is set JustBeforeTheEnd, then what we are seeing can be explained as LostTechnology unavailable to works later in the timeline. But this discrepancy can enhance the aesthetic clash if there is no such explanation, you're wondering why the original work has hard locked analog controls while the prequel has fancy holographic displays that can be customized to the user. Often this inspires some level of {{fanwank}} that can explain the regression.
16
17	The LiteraryAgentHypothesis helps suspend one's disbelief when this trope comes into play; that is, the progression of technological sophistication is not arbitrary or backwards, but merely subject to the special effects and budgetary constraints of the modern-day reproduction.
18
19
20
21	Compare and contrast TheAestheticsOfTechnology, LongRunnerTechMarchesOn, EvolutionaryRetcon, {{Zeerust}}. May be a specific instance of OlderIsBetter. See also ZeerustCanon.
22
23	----
24	!!Examples:
25
26	[[foldercontrol]]
27
28	[[folder:Anime & Manga]]
29	* Some of the individual ''Franchise/{{Gundam}}'' series may also fall into this, depending if they have {{spinoff}}s of their own. This is actually kinda explained in the case of the Universal Century. It's stated that the time after [[Anime/MobileSuitGundam0083StardustMemory Operation: Stardust]], technology kept leapfrogging itself, but once the Zeon Wars came to an end, they went from flashy and Newtype-centered to being economical. Some specific examples:
30	** For example, take the reputed F91 Gundam in comparison to the Unicorn. The ''Anime/MobileSuitGundamF91'' takes place decades in the future whereas the Unicorn is only a few years after Char's Counterattack. Guess which one looks more advanced?
31	** The cake may go to the anime of ''Manga/MobileSuitGundamTheOrigin''. Despite being set before the One Year War, these first generation Zakus are zipping around and pulling maneuvers that put much more advanced mecha from older series to shame. Granted, the ones pulling off said maneuvers are well-established in [[Anime/MobileSuitGundam the original series]] as Zeon's {{Ace Pilot}}s by the time Amuro [[FallingIntoTheCockpit climbs into the Gundam's cockpit for the first time]].
32	** Another contender for most egregious example is ''Manga/MobileSuitGundamThunderbolt''. This is again set during the One Year War, the first war using mobile suits. The Full-Armor Gundam in ''Thunderbolt'' makes the F91 (a bleeding-edge high-mobility suit from 44 years in the future) look like a tortoise in molasses.
33	* Played with regarding the VF-0 in ''Anime/MacrossZero'', which does have some sleeker-looking bits and various features not found on the Variable Fighters in the original ''Anime/SuperDimensionFortressMacross''; however, its overall design is bulkier and less refined than the VF-1, with very spindly, unfinished-looking arms, all of which makes sense for a prototype. Played straighter with the Rebel [=VFs=], however, who look more like the mechs from post-''SDF'' sequel ''Anime/MacrossPlus'', with just a few spindly, unfinished mechanical touches of their own to remind us that they're early prototypes.
34	* WordOfGod is that ''[[Anime/FLCLProgressiveAndAlternative FLCL Alternative]]'' is actually a [[StealthSequel Stealth Prequel]] to [[Anime/{{FLCL}} the original]] and ''Progressive''--yet it features smartphones, flatscreen screens, and more modern concepts for 2018 than the 2000-2001 original series.
35	* Characters in the main ''Franchise/LyricalNanoha'' timeline are shown using flip phones as late as ''[[Anime/MagicalGirlLyricalNanohaStrikers StrikerS]]'', but the ''[[Anime/MagicalGirlLyricalNanohaReflection Reflection]]''/''[[Anime/MagicalGirlLyricalNanohaDetonation Detonation]]'' duology (which take place around 8 years earlier) show Nanoha with a smart phone. Characters are also shown wielding ''[[Manga/MagicalRecordLyricalNanohaForce Force]]'' era equipment, which from the movies' perspectives wouldn't be invented for another 14 years.
36	[[/folder]]
37
38	[[folder:Films -- Animation]]
39	* Zig-zagged in ''WesternAnimation/MonstersUniversity''. While the animation is noticeably more advanced, some of the technology is a lot less advanced than it was/will be in the first movie, like the scare training dummies (which move very mechanically and are clearly made of wood here, whereas in ''WesternAnimation/MonstersInc1'' they look exactly like real children).
40	* ''WesternAnimation/TotallySpiesTheMovie'', despite being a prequel and origin story for the spies, includes Gadget & Set Designs (such as the cloths changing mechanism on the girl's compowders) that weren't seen on the show until the 3rd Season.
41	[[/folder]]
42
43	[[folder:Films -- Live-Action]]
44	* ''Film/TheHobbit'': While ''Film/TheLordOfTheRings'' films established much of the aesthetics of the modern high fantasy settings, these aesthetics have been built upon over the years in a variety of works. Thus, to appear more spectacular, the structures are more grandiose (Erebor, Thranduil's halls, Laketown is a subversion as it takes a departure from the ShiningCity Minas Tirith was and is closer in appearance to something out of ''Series/GameOfThrones''), weapons and armor are more elaborate (noticeably in the case of dwarves and elves, but men and orcs as well) and the character designs are more diverse (all 13 dwarves, Radagast, as well as Azog and Bolg who are very distinct in appearance from any other orc). It also makes sense from an in-universe standpoint, as the world in ''The Hobbit'' is portrayed as distinctly magical and wondrous, while in ''Lord of the Rings'' the sentiment is that TheMagicGoesAway.
45	* The technology in the ''Franchise/StarWars'' prequels looks much shinier than it will two or three decades later. In-universe, this is because ships and architecture of the Old Republic were designed for comfort and luxury, while Imperial vessels are mass-produced warships that prioritize function over aesthetics. And the Rebels grabbed whatever they could. Although it must be said that the prequel technology is not significantly more primitive than the original trilogy technology (except for a few superweapons like the Death Star), but is mostly the same, only with more styling. The effect is actually pretty obvious over the course of the prequel trilogy, with things well on their way to how they will look in ''A New Hope'' by the end of it. ''Film/RogueOne'' closes the circle by showing the final stage of this degrading, with several prequel vehicles and devices that have been given [[UsedFuture the aesthetic of the original trilogy]].
46	* ''Film/StarTrek2009'': It's in the strange position of being part ContinuityReboot and part {{prequel}}. Unlike the ''Enterprise'' example there was almost no attempt at a "retro-future" look and the technology looks like it would rival anything from ''[[Series/StarTrekTheNextGeneration The Next Generation]]'' shows (24th Century). The bridge looking like an Apple Store was stated by the production team itself. The engine room, on the other hand, looks like it would pass muster on a modern-day military warship (assuming said warship contained a brewery). In-universe this is justified with the ''Enterprise'' using technology reverse engineered from the ''Narada'' (a ship that traveled in time from a post-TNG period).
47	* The titular ship of ''Film/{{Prometheus}}'' certainly looks more advanced than the ''Nostromo'' from ''Film/{{Alien}}''. It could be justified, however, by the fact that the ''Prometheus'' is a brand new expedition ship while the ''Nostromo'' is the equivalent of an old space truck. There are also many similarities in design for those who can search them out. ''Film/AlienCovenant'', which is supposedly set only 18 years before the original, makes this trope even more apparent.
48	* A variation appears in ''Film/FinalDestination5'', [[spoiler:the twist being that the 2011 sequel is actually a [[StealthSequel Stealth Prequel]] to the original film. Computer screens and cell phones used in the movie are noticeably sleeker-looking than those used in the original- while these would have technically been available in 2000, they would have been expensive and barely on the market. Clothing is also more fitted and tailored than the baggy ensembles of ''Final Destination''. However, this trope was likely intentionally invoked by the filmmakers as a means of misleading audiences about the time period, which is only revealed in the film's final moments.]]
49	[[/folder]]
50
51	[[folder:Live-Action TV]]
52	* The visual effects, most notably the hyperspace jump points, are more advanced-looking in ''Series/BabylonFive'''s aborted spin-off ''The Legend of the Rangers'' than they are in its earlier short-lived spin-off ''Series/{{Crusade}}'', but ''The Legend of the Rangers'' is actually set a year and a half before ''Crusade''.
53	* ''Series/BattlestarGalactica2003'' was produced in the 2000s and looks very much like "the future" as people in the '00s imagined it, but with one major exception: the computers. Thanks to the after-effects of the RobotWar in [[GreatOffscreenWar the show's backstory]], society in the Twelve Colonies of Kobol turned its back on many forms of advanced computer technology, especially computer networks, to protect against Cylon viruses and infiltration, and so Colonial computers on the show are fairly primitive and look like they came out of the '80s and '90s. The show's prequels, set before or during the Cylon War, wind up featuring more advanced computer technology as a result.
54	** ''Series/{{Caprica}}'' is set 58 years before the events of the main series, and combines this with a RetroUniverse that cosmetically resembles The50s. EverybodySmokes, the production used futuristic-looking European cars from the postwar era (most notably the Citroën DS) as the basis for Colonial cars, professional men wear fedoras to work, and there are shades of [[FantasticRacism Fantastic McCarthyism]], but it's paired with {{Cyberpunk}} elements like {{Holographic Terminal}}s, virtual reality video games, and the development of advanced artificial intelligence that will eventually become the Cylons. The main series reveals how and why all this technology was scrapped in the intervening years.
55	** An example that only briefly appears: ''Series/BattlestarGalacticaBloodAndChrome'' takes place some 30-40 years prior to the main series, considering the main character's age. In ''Blood and Chrome'', a pre-mission briefing is conducted using something like virtual reality goggles. By the time the main series rolls around, plastic figurines on a two-dimensional map are used instead. Justified in that the Galactica is a museum piece by the time of the main series.
56	* In the ''Series/DoctorWho'' story [[Recap/DoctorWhoS12E4GenesisOfTheDaleks "Genesis of the Daleks"]], an OriginsEpisode for the Daleks, the Dalek props used have the final codified Dalek design used from [[Recap/DoctorWhoS2E8TheChase "The Chase"]] onwards, rather than the design used in when they first appeared in [[Recap/DoctorWhoS1E2TheDaleks "The Daleks"]], to say nothing of the fact that the Daleks here don't seem dependent on being fed an external electric current as in their debut serial and generally seem considerably more powerful. This has led to fans theorizing that the Daleks in "The Daleks" were a fringe group that became technologically crippled from constant warring with the Thals, though from a behind-the-scenes perspective it amounts to a simple continuity error.
57	* The Batman prequel series ''Series/{{Gotham}}'' is an interesting case. Though it is set a good 10-15 years before Bruce Wayne will become Batman, Batman stories (and by extension, backstories) typically exist on a [[ComicBookTime sliding timescale]] rather than being tied to a specific era. Nonetheless, the makers have taken efforts to avoid this trope by giving Gotham a [[AmbiguousTimePeriod 'timeless]], [[AnachronismStew anachronistic']] feel, with [[RetroUniverse a mix of 70's taxi cabs, flip-phones, typewriters, 40's clothing, and modern-day demographics]].
58	* ''Series/HouseOfTheDragon'': While the technology is recognizably medieval and will remain so until the time of ''Series/GameOfThrones'' over a century and a half later, the clothing fashions of the period look more like that of UsefulNotes/TheRenaissance in England in contrast to the late-medieval, UsefulNotes/WarsOfTheRoses-consistent style of at least Season 1 of the parent show. The producers use it to highlight the wealth and excess of the time period--and how Westeros is enjoying a period of plenty it will never see again after the Dance of the Dragons.
59	* Played with in regard of ''Series/TheLordOfTheRingsTheRingsOfPower''. The show takes place in an AlternateContinuity from the Lotr cinematic trilogy, but it borrowed so many elements and MythologyGags from the movies that they count at least as a SpiritualSuccessor or a BroadStrokes prequel.
60	** Armenelos, shares many architectural elements with Minas Tirith from the movies, the most blatant one being having the courtyard of the palace atop the city build on a spur of rock. Both are shining cities, but Minas Tirith has a sober architecture inspired by the late Byzantine Empire, signaling its fall into decay over centuries, while its people dress up in washed out colors. Armenelos has greco-roman elements from the classic period, is lively and far more colorful with his golden domes, water channels, and having colorful plants growing over the buildings. The Numenorians people wear mostly, blue, red and white. Even the furniture shown inside White Tower of Ecthelion has an AsceticAesthetic to it, while the royal palace from Armenelos has colorful and rich furniture, looking very luxurious, reflecting the lavish life the Numenorians lead.
61	** Ost-in-Edhil is depicted here as city with many high towers surrounded by waters and lush vegetation. In the movies all that was left of the capital city of Eregion are several stones and plain fields.
62	** Khazad-dum is an UndergroundCity thriving with life in the Second Age. In the Third one, is just huge, abandoned ruins inhabited by Orcs and a balrog.
63	* ''Franchise/StarTrek'':
64	** ''Series/StarTrekEnterprise'' compares this way to ''[[Series/StarTrekTheOriginalSeries The Original Series]]''. Where the TOS NCC-1701 ''Enterprise'' computers just look like shinier [[TheSixties 1960s]] computers, NX-01 ''Enterprise'' computers would look cutting edge to 2000s computers. Though if you compare the TOS movies (with their higher budget and better designed sets) then it actually does look somewhere between ''Star Trek: Enterprise'' and the 24th century shows.
65	** Every ''Star Trek'' show up through the TurnOfTheMillennium maintained the look of the original series during time travel to that era, most notably a couple of episodes in ''[[Series/StarTrekDeepSpaceNine DS9]]'' and ''[[Series/StarTrekEnterprise Enterprise]]'': sets or props that didn't exist anymore were painstakingly remade to resemble the originals. This went out with ''Series/StarTrekDiscovery'', which is contemporary with the ''Enterprise''-1701 but looks more advanced than even the ''[[Series/StarTrekTheNextGeneration Next Generation]]'' theatrical films. Season 2 implies that the ship is a testbed of not-ready-for-prime-time technology, and that viewscreens instead of holograms is Captain Pike's personal preference. However, this doesn't entirely explain why holocoms and other innovations are never seen again until [=DS9=], decades in the future. The novel ''Desperate Hours'' describes the holocoms as "total data hogs", with the implication that this is why they never became standard [[note]] Although the fact that [[AIIsACrapshoot Control]] abused the hell out of holographic interfaces with almost catastrophic results might also have something to do with it.[[/note]]. The ''Enterprise'' is also shown, modernized but not redesigned like in the [[Creator/JJAbrams Abrams]] movies.
66	** Said version of the ''Enterprise'', along with Pike, Spock, and Una "Number One" Chin-Reilly got spun-out into ''Series/StarTrekStrangeNewWorlds''. The show keeps the "modern-interpretation-of-the-original-designs (now with budget!)" look from the ship's appearances on ''Discovery'', with the same changes that were specifically designed to better blend the ''Original Series'' look with the refit version from ''Film/StarTrekTheMotionPicture'', making it more plausible that they were the same ship.
67	[[/folder]]
68
69	[[folder:Video Games]]
70	* ''VideoGame/DragonQuestIII'' takes place before ''VideoGame/DragonQuestI'', and shows monsters, items, spells, and ship travel that would not be known to the player until ''VideoGame/DragonQuestII'' (as well as quite a few other monsters, items, spells and features such as travel by flight which aren't in ''II''), taking place a generation after the first game. Erdrick/Loto's sword is more powerful than in the first game, and has the ability to cast more and stronger spells.
71	* ''VideoGame/TheSims3'' is set 25 years before [[VideoGame/TheSims1 the original]], when many of the iconic characters such as Mortimer, Bella and Bob Newbie were much younger, yet the game is packaged with 2009 fashion, 2009 furniture, 2009 tech, and 2009 houses, compared to the early 2000s feel of the original game.
72	* ''VideoGame/DeusEx'', compared to its prequels, ''[[VideoGame/DeusExHumanRevolution Human Revolution]]'', ''VideoGame/DeusExTheFall'' and ''[[Videogame/DeusExMankindDivided Mankind Divided]]''. The original is set in 2052, where nano-augmentation is replacing mechanical augmentation, but ''Human Revolution'', set in 2027, makes ''Deus Ex'' look far more primitive. WordOfGod for ''Human Revolution'' has handwaved this by saying that the game is set during a "golden age" of technology which was immediately followed by the economic and socio-political collapse that created the CrapsackWorld of the original and caused technology to become more cost effective, including the augmentations. Interestingly, WordOfGod for the original noted the preponderance of slum levels, suggesting the more advanced tech was "offscreen", so to speak.
73	* The Nitrome Flash game ''Final Ninja'' and its prequel, ''Final Ninja Zero''. The latter is set decades before the original, yet the enemies and traps are tougher and deadlier than those in the original, and many {{mooks}} in the game have no equivalents in the original at all.
74	* A variation in gameplay mechanics rather than appearances: ''VideoGame/DevilMayCry3DantesAwakening'' is set before ''VideoGame/DevilMayCry1'', yet the controls, {{combos}}, mechanics and weapons are significantly more elaborate in ''[=DMC3=]'', leaving Dante — by comparison — positively arthritic in the original.
75	* With the introduction of the Big Boss-oriented prequel games in the ''VideoGame/MetalGear'' series, this trope has firmly sunk its claws into the franchise. With the Big Boss games taking place during a timespan from 1964 through 1984 (as opposed to the games starring Solid Snake, which all occur during a timeframe of 1995 to 2014), specifically with ''VideoGame/MetalGearSolidPeaceWalker'' and ''VideoGame/MetalGearSolidVThePhantomPain'' (the two mainline games directed by Creator/HideoKojima following the release of ''VideoGame/MetalGearSolid4GunsOfThePatriots'', which was written to conclude the series). It's shocking to see Big Boss confront amazingly high-tech machines that look as if they would be more at home in the [=21st=] century than the [=20th=], such as the A.I. Weapons and Zeke in ''PW'' (set in 1974), and Metal Gear Sahelanthropus in ''TPP'' (set in 1984). Aside from looking infinitely more advanced, they're shown in combat to be much more agile and powerful than everything found in the original MSX games, which take place a decade after ''TPP''. Even the REX from ''VideoGame/MetalGearSolid'' looks sluggish in comparison, with its nuclear-capable railgun having already been used by the Chrysalis and Zeke in ''PW''. This is particularly egregious with Sahelanthropus, a humanoid-looking Metal Gear with functional arms capable of standing upright, which looks more like a predecessor to the Orbital Frames from the far-future-set ''VideoGame/ZoneOfTheEnders'' series than the direct precursor to the TX-55, from [[VideoGame/MetalGear1 the original game]], that it's supposed to be. ''Webcomic/AwkwardZombie'' [[http://awkwardzombie.com/comic/missing-link illustrates]].
76	* In the ''Franchise/AceAttorney'' franchise, ''[[VisualNovel/AceAttorneyInvestigationsMilesEdgeworth Investigations]]'' has a camera phone (that may be a "smart" phone with its design and the fact that its owner was obsessively playing with it), while the chronologically years afterwards ''[[VisualNovel/ApolloJusticeAceAttorney Apollo Justice]]'' uses (already slightly dated at the time of release) flip phones.
77	** It also features a color video with sound in case 4, which is set before anything else in the series (which uses black and white during the original trilogy). The bizarre part is that it is on a ''tape'' while the same case features a wide screen flat panel TV. Though this makes some sense considering it was meant to analyze security camera footage, which is often recorded on tape to reduce costs.
78	** It's also possible the phone design is more primitive, and camera phones are very expensive, the characters with ones are an Interpol agent and an international prosecutor. Other characters are probably just using more affordable versions. It seems that living in such a murder-filled universe has its advantages though, as a fingerprint set that includes a machine that can analyze prints in under a minute is PORTABLE.
79	** Japanese flip phones are insanely advanced and extremely common in Japan compared to smartphones, anyways. In Japan, flip phones are much preferred to modern smart phones, and are even 'Galapagos phones', due to the unique isolation of an ostensibly obsolete technology. The localized US versions of the games are supposedly set in America, though only infrequent mentions in dialogue make that apparent. The actual look of the game is very obviously Japanese.
80	** ''Ace Attorney Special Stage 2017 - Phoenix vs. Ryunosuke'' pokes fun at this when Phoenix contests [[VisualNovel/TheGreatAceAttorney Ryunosuke's]] claim of being his ancestor because his desk slamming and finger-pointing animations are far too smoothly animated to have come before Phoenix's LimitedAnimation ones.
81	--->'''Phoenix:''' In other words, this choppy animation... means '''I'm''' the ancestor here!
82	* ''VideoGame/HardCorpsUprising'' (released in 2011, set in 2613) is set two decades before the original ''VideoGame/{{Contra}}'' (released in 1987, set in 2633), but the weapons and technology shown in the game are way more advanced than anything featured in the original arcade and NES games, or even the 16-bit installments ''VideoGame/ContraIIITheAlienWars'' and ''VideoGame/ContraHardCorps''.
83	* ''VideoGame/{{Wipeout}}'' avoids this by setting each new installment of the anti-gravity racing franchise a few decennia farther in the future and sticking to a stylized clean and immaculate future (with the exception of two highly dystopic editions). However the scope of the racing league seems to follow a backwards trend: the first game features a track on Mars and a polar track made out of 'artificial crystal'. Recent games are set in a generic future city. Even the track design itself grows more realistic, going from vertical drops and multiple track splits to mostly flat undulating tracks with few jumps and magnetic strips liberally applied to any place where the ship could leave the ground. This is because technology marches on, in particular game physics engines.
84	* ''VideoGame/FinalFantasyVII'' used brick phones; ''Anime/FinalFantasyVIIAdventChildren'' had a ProductPlacement deal with Panasonic, and used flip-phones. Well enough... except that ''VideoGame/CrisisCore'' then continued to use the flip phones, despite being a prequel that ended on a major backstory point of ''VII''. When ''VideoGame/FinalFantasyVIIRemake'' came out, it then [[ZigZaggingTrope zig-zagged]] the trope by both having the party continue to use brick phones (behind the technology of ''Crisis Core'') and having some [=NPCs=] use ''smartphones'' (ahead of the technology of ''Advent Children'').
85	* ''Franchise/TheLegendOfZelda'':
86	** ''VideoGame/TheLegendOfZeldaOcarinaOfTime'': According to ''[[AllThereInTheManual Hyrule Historia]]'', the events of the game diverge into three timelines. One of these leads into the first four games of the franchise (as well as the ''VideoGame/TheLegendOfZeldaOracleGames'' released three years after, and the two Platform/Nintendo3DS games ''[[VideoGame/TheLegendOfZeldaALinkBetweenWorlds A Link Between Worlds]]'' and ''[[VideoGame/TheLegendOfZeldaTriForceHeroes Tri Force Heroes]]''). The book calls this the "era of decline", and all those games show a visible technological regression due to Hyrule and the other associated kingdoms being ravaged by the war against the forces of evil, especially during the first two NES games.
87	** ''VideoGame/TheLegendOfZeldaSkywardSword'': Creator/EijiAonuma says that it's the first in the timeline, but it has an entire dungeon based on electricity and SchizoTech. There are also robots, and they all are from ''[[LostTechnology even further in the past]]'', being only restored to working order through time-reversal stones.
88	* ''Franchise/{{Halo}}'':
89	** Prequel ''VideoGame/HaloReach'':
90	*** The game attempted some justification for why you have certain weapons and abilities that weren't available in the original ''VideoGame/HaloCombatEvolved'', largely that ''CE'' was about the crew of a single ship being trapped with limited supplies. In contrast, ''Reach'' takes place on the largest human colony and the headquarters of military research and development, with several of your toys being prototypes that didn't get a chance to be produced elsewhere (hence why you don't see them in the original trilogy). ''VideoGame/Halo2'' and ''[[VideoGame/Halo3 3]]'' take place with better resources but the weapon selection and equipment from Reach are largely absent, excepting some things like the Spartan Laser. The [[PoweredArmor Mjolnir armor]] that Noble Team wear look more functional like storage pouches, weapon straps and hard points to mount different mission spec options, while previously Master Chiefs' armor was designed to be like a seamless second skin.
91	*** The Covenant itself has weapons that were never seen in any previous game; in particular, the needle rifle is far superior to the Needler and Carbine (although the focus rifle is inferior to the beam rifle). It's handwaved as a mix of the battle of Reach hurting the Covenant enough to momentarily deplete some of their stockpiles, and the Covenant genuinely not giving a crap about standardizing their equipment across their fleets, though none of this completely explains why the Covenant in the first game, who were part of the same fleet as in ''Reach'', don't have those weapons (especially considering that the ''Anniversary'' remake did retcon them into wearing ''Reach''-style armor).
92	*** [[http://www.halopedia.org/United_Nations_Space_Command_Emergency_Priority_Order_098831A-1 The Cole Protocol]] tends to be a double edged sword when it comes to preventing human technology from falling into Covenant hands. It says that any human ships "jumping" from an encounter with the Covenant have to make the jump at random. If they're in danger of capture, they have to scrub their astral navigation databases and computers, and self-destruct if they are at risk of capture. Considering that the entire planet Reach was an encounter, it makes sense that there would be no time for the more advanced human tech to be mass-produced and distributed in the less-than-four months between the start of Reach and the end of ''VideoGame/Halo3'', especially since they were still in testing.
93	*** Oddly, one aspect where ''Reach'' averts this is in the design of the non-Spartan soldiers' armour: individual plates are blockier, more poorly-fitted to the body and generally less comprehensive when compared with the Marines in the first game (though ''CE Anniversary'', like with the Covenant, retcons them into wearing ''Reach''-style armor) or on Earth in the second and third; most personnel don't have any protection for their lower arms and legs. Additionally, the Orbital Drop Shock Troopers seem to wear much the same armour (but with the addition of their distinctive plastron, pauldrons and vambraces from ''VideoGame/Halo3ODST'') and the same two-piece twill battle-dress as the Army and Marine troops, where by contrast the previous two games had [=ODSTs=] sporting full-body plating over armoured vacuum-enabled bodysuits. This is made doubly strange by the idea, as mentioned above, that Reach was the point-of-origin for the UNSC's more ''advanced'' kit.
94	** ''VideoGame/HaloWars'' also shows this trope, where the UNSC has a ''ton'' of better vehicles and technology, including aircraft like Vultures, HumongousMecha like the Cyclops, advanced bases, tanks with reverse-engineered plasma cannons, and even more protective armor for the infantry! The original trilogy has none of this, even though ''Halo Wars'' takes place two decades before the first game. Some canon has handwaved this by saying the advanced tech became too expensive later in the timeline, especially as the war began to take a toll on humanity.
95	** Games taking place ''after'' the Human-Covenant War mitigate this somewhat. ''VideoGame/Halo4'' starts off with only ''Halo 3''-era weaponry, and once reunited with UNSC forces you can find armor mods and use weapons only previously shown in ''Reach'', supporting the theory of weapon/tech adoption being slow because of the war. The ''Infinity'' itself is the flagship of the UNSC and holds the majority of the [[SuperSoldier Spartan IV]] contingent, which makes sense that they would have the most advanced stuff possible. The Mjolnir PoweredArmor that Master Chief wears in the game was cosmetically modified to look more technically polished [[TechnologyPorn where you can see rivets and how the individual pieces fit together]], which formed the look of the updated GEN 2 armor for Spartan IV's and was adopted as the standard Mjolnir look even in flashbacks. This is slightly more in line with the Mjolnir redesign made for ''Reach'', but runs even more contrary to how Master Chief looked when he went into the cryo-pod in ''Halo 3''.
96	* Inverted with ''VideoGame/PerfectDark Zero'', which is a mere three years before the original, but technology is a lot less advanced - chief among them, ''Zero'' still features traditional wheeled cars, while by the original game three years later the world has apparently made the complete switch-over to flying cars.
97	* The ''VideoGame/MetroidPrimeTrilogy'' falls into this, taking place in between the first two games. Ridley goes from a massive winged cyborg, to a somewhat large purple dragon with tiny wings. Samus goes from utilizing complex combos to more standard beams. In most of the games, the Chozo left the planet long ago; however, in ''VideoGame/MetroidPrime'', they recently [[AscendToAHigherPlaneOfExistence ascended]], only to be pulled back to the mortal plane by Phazon pollution (it's implied that Tallon IV was the last mortal Chozo outpost), after which they had a vision of Samus fighting off the entity in the impact crater. It can therefore be inferred that the tech on Tallon IV actually ''is'' more advanced than the technology from their older outposts, and that they made it specifically to help Samus on her quest. In addition, some of the technology later in the series actually shows signs of being more advanced, as well; the Zebesian Super Missiles found in ''VideoGame/MetroidZeroMission'' and ''VideoGame/SuperMetroid'' are a separate weapon system from her regular Missiles, and the Federation in ''VideoGame/MetroidFusion'' later works out how to make their own version of the Super Missile by simply upgrading the basic one's explosive power, while the Tallon IV (and Aether) Super Missiles found in ''Metroid Prime 1'' and ''[[VideoGame/MetroidPrime2Echoes 2]]'' are basically formed by jury-rigging the Power Beam & Missile Launcher to fire a combined projectile. So, basically, the series plays with this: the ''Prime'' trilogy's technology actually is more advanced, due to being made chronologically later than the technology seen in later installments; however, there are cases where the older technology works better than the more advanced models. The remake ''VideoGame/MetroidSamusReturns'' would later reveal that [[spoiler:Ridley was discarding his cybernetics over time as he recovered from his injuries]].
98	* The Batsuit in ''VideoGame/BatmanArkhamOrigins'' appears to be much more protective and overall more advanced looking than the Batsuits in the other ''Arkham'' games. This was intentional, to suggest he was basing it off rejected R&D prototypes rather than building them from scratch for himself. The suit looks tough but is also raw and strapped together. Some fans have surmised that he got better at evasion and stealth, and so increased his flexibility. ''VideoGame/BatmanArkhamKnight'' shows Batman with a new suit that combines the armored look of Origins with a flexible fabric undersuit similar to what is used in the other games, presumably due to the higher threat level without Joker to keep playing the bad guys against each other.
99	* ''VideoGame/MassEffect1'':
100	** The weapons could fire indefinitely (barring cooldown requirements) with no need for reloading or maintenance, but each subsequent game required the use of "heat sinks" that were functionally identical to expendable magazines or clips. It's explained a little better InUniverse, but the functional impression is that firearm design is getting less efficient over time. Bioware said they tried a hybrid system, but it wasn't fun for playtesters.
101	** Similarly, the first game had omni-gel, a goo made of {{nanomachines}} that could do almost anything, but most prominently hack computers and open locks. In subsequent games, while omni-gel is still implied to be in use for repairs and such, Shepard must hack and lockpick manually. Lampshaded in ''Lair of the Shadow Broker'', where Shepard complains how much easier it used to be. The explanation given is basically that the "terrorist attack" by Saren in the first game made everyone paranoid and change their locks, never mind that many of the locations in the sequels probably haven't updated their technology in decades, let alone two years.
102	* ''VideoGame/MassEffect3'': This is lampshaded by Conrad Verner, who was apparently unaware of the invention of thermal clips and when the concept is explained to him, especially the part where the existing self-cooling systems had to be removed to make room for the replaceable heat sinks, he feels like it's a step backward.
103	* ''VideoGame/PokemonLegendsArceus'' is set hundreds of years before [[VideoGame/PokemonDiamondAndPearl the Sinnoh games]], yet gives the character a smartphone (which weren’t even invented yet when the original games came out). That said, this is the only instance in the game (and is justified by the fact that we see [[PhysicalGod Arceus]] itself give the protagonist said smartphone), every other piece of technology is fairly plausible or at least less advanced than the other games.
104	* ''VideoGame/FiveNightsAtFreddys2'' is only revealed to be a prequel at the end of the game (set in 1987), but until then, with its cleaner and more modern aestheics, coupled with its high-tech robots beyond anything even at the year of the game's release, you'd be forgiven for thinking it took place much later. This has an InUniverse justification: Freddy Fazbear's Pizzeria was in its prime in 1987 and fabulously wealthy, but by the time of the first game, the restaurant has been in financial ruin for years and is months away from bankruptcy, hence why the sleek high-tech androids were scrapped in favor of the more primitive and cheaper-to-maintain animatronics and the building isn't as well-kept. The VoiceWithAnInternetConnection also [[HandWave handwaves]] it further by stating that the primitive robots from the first game were much older than the prequel robots, but were retrofitted with some of the same advanced computing and sensor technology, hence why they were being used instead of the androids from the prequel.
105	* While ''[[VideoGame/ShovelKnight Shovel Knight Dig]]'' is [[https://twitter.com/YachtClubGames/status/1574123850396073984 chronologically set before any of the previous]] ''Shovel Knight'' games, the game goes for a 16-bit art style with music composed in the Yamaha YM-2608 sound chip[[note]]The sound chip used in the Platform/PC98, which composer Jake Kaufman notes has a similar sound to the Platform/SegaGenesis' sound chip ([=YM2612=]) with several key differences.[[/note]] as opposed to the original game's 8-Bit, NES-inspired look.
106	[[/folder]]
107
108	[[folder:Web Animation]]
109	* The Freelancer segments from seasons 9 and 10 of ''WebAnimation/RedVsBlue'' all take place before the series proper, yet it's [[AnimationBump animated entirely by Monty Oum's CGI]] instead of the standard ''Franchise/{{Halo}}'' {{machinima}} and all of the Freelancers have Mark VI armor ''before'' the Blood Gulch Crew got their Mark V armors (which can be excused given they're [[spoiler:cannon fodder for the Freelancers' training exercises]], but this doesn't explain Texas and Wyoming downgrading in the first three seasons).
110	[[/folder]]
111
112	[[folder:Webcomics]]
113	* ''Webcomic/AwkwardZombie'' skewers how the ''VideoGame/MetalGear'' series (see above) has fallen into this [[http://www.awkwardzombie.com/comic/missing-link here]].
114	-->"The hard part about releasing a game in 2015 set in 1984 that's a prequel to a game released in 1987 and set in 1995 while yet itself a sequel to several games set further in the past is that you've bracketed yourself into a narrow band of available technology."
115	[[/folder]]
116
117	[[folder:Western Animation]]
118	* ''WesternAnimation/ScoobyDooWhereAreYou'' is firmly within UsefulNotes/TheSixties as far as fashion, hairstyles, culture, and slang go. ''WesternAnimation/APupNamedScoobyDoo'', actually mostly averts this by keeping a general early 1960's setting to befit the original show's late 1960's setting. The soundtrack, including the theme song, is heavily indebted to Doo Wop and Motown, and Velma's computer is far closer to a 1960's UNIVAC-style machine than a 1980's PC. Exceptions such as Velma having a rocket-powered skateboard and Daphne having a 1980's style cell phone crop up occasionally.
119	* Most SpinOffBabies shows are like this. ''Series/TheMuppetShow'' was made in the late 70s-early 80s, and two prominent [[Franchise/TheMuppets Muppets]] (Kermit and Rowlf) date from the 50s. But ''WesternAnimation/MuppetBabies1984'' has Scooter as a computer nerd, an array of BlandNameProduct 80s video games in "It's Only Pretendo" and, of course, the kids' imaginations recreating scenes from 1980s movies like ''Film/Ghostbusters1984'' and ''Film/RaidersOfTheLostArk''. And ''WesternAnimation/MuppetBabies2018'' has a huge multimedia "scribble screen" in the nursery, an episode revolving around a handheld video game, and pretty modern looking plastic tube slides. Yet both feature the original Muppets productions as "the future". (For the original series, "When You Wish Upon a Muppet" has Kermit's final wish that they'll all stay together represented as a scene from ''Film/TheGreatMuppetCaper''; and in the remake, "Piggy's Time Machine" has them encounter their future selves in the ''Muppet Show'' title sequence).
120	[[/folder]]

Context Main / CosmeticallyAdvancedPrequel