Line #65 Literature/TheAeneid


1	[[quoteright:318:https://static.tvtropes.org/pmwiki/pub/images/12912_sx318.jpg]]
2
3	->''"Arms and the man I sing of Troy, who first from its seashores,\
4	Italy-bound, fate's refugee, arrived at Lavinia's\
5	Coastlands. How he was battered about over land, over high deep\
6	Seas by the powers above! Savage Juno's anger remembered\
7	Him, and he suffered profoundly in war to establish a city,\
8	Settle his gods into Latium, making this land of the Latins\
9	Future home to the Elders of Alba and Rome's mighty ramparts.\
10	Muse, let the memories spill through me. What will was wounded,\
11	What deep hurt made the queen of the gods thrust a famously righteous\
12	Man into so many spirals of chance to face so many labours?\
13	Anger so great: can it really reside in the spirits of heaven?"''
14	-->-- '''Virgil''', ''The Aeneid'' 1.1-11 (translation by Frederick Ahl)
15
16	''The Aeneid'' is an [[NarrativePoem epic poem]] written by the poet Publius Vergilius Maro--more commonly known as Creator/{{Virgil}}. It's considered one of the great masterpieces of literature, and many later works are deliberately based off the style Virgil used. Of course, Virgil himself was deliberately writing in the style of Creator/{{Homer}}, his literary hero, also basing his portrayal of certain characters off of stars of ''Literature/TheIliad'' or ''Literature/TheOdyssey''.
17
18	''The Aeneid'' is a {{continuation}} set after the end of UsefulNotes/TheTrojanWar, following the story of the Trojan hero Aeneas. [[BecauseDestinySaysSo Prophesied]] to found a city whose empire will cover the whole world and rule forever, he travels all over the known world ([[CreatorProvincialism i.e. the Mediterranean]]) trying to reach the fated place. After suffering many tragedies and getting kicked out of most places, he realises that the gods want him to go to Italy. When he gets there, however, he still doesn't have it easy: he has to pretty much conquer the whole area before he can settle down.
19
20	The city he eventually founds is the one from which Roman founders Romulus and Remus supposedly come. ''The Aeneid'' was intended as a propaganda piece for the [[JustTheFirstCitizen emperor-in-all-but-name]] UsefulNotes/{{Augustus}}, who had recently become the supreme power in Rome, then ravaged by civil war, by defeating UsefulNotes/MarkAntony and UsefulNotes/CleopatraVII. Aeneas, who is pious,[[note]]Aeneas is often called ''pius Aeneas''. ''Pius'' is often translated as pious, but it refers to devotion to not only the gods, but also one's family and country. In the case of Aeneas, his country is the Rome which will eventually exist.[[/note]] dutiful and brave was held as the Roman ideal and is obliquely compared with Augustus at several points in the poem.
21
22	Standard material for Latin students; the U.S. AP Latin exam assumes its takers know the story in its entirety.
23
24	The poem may well have made some tropes, and used others cheerfully. This guarantees that all those tropes are at least OlderThanFeudalism, if [[UnbuiltTrope built]] at all. The story also got a continuation of sorts in the form of Geoffrey of Monmouth's ''Literature/HistoriaRegumBritanniae'' which has Aeneas' descendant Brutus of Troy sail to England to found a new empire and largely focuses on [[Myth/KingArthur a certain legendary medieval king]] [[Myth/ArthurianLegend from British folklore]].
25
26	Part of the story was used as the basis for Creator/ChristopherMarlowe's play ''Theatre/DidoQueenOfCarthage'', as well as Henry Purcell's opera ''Theatre/DidoAndAeneas'' based on a libretto by Nahum Tate.
27
28	----
29	!!Tropes Used:
30	%%
31	%% Zero context examples have been commented out. Please write up an actual example before uncommenting.
32	%%
33	* ZeroPercentApprovalRating: The Etruscans ally with the Trojans due to their hatred of the tyrant Mezentius, who has been protected by Turnus since fleeing from the wrath of his people.
34	* ActionGirl: Camilla of the Volsci. Huntress and worshipper of Diana, she's one of the few female war leaders and warriors in ''The Aeneid''. Even Dido got her kingdom through guile and smarts rather than martial prowess.[[note]]It's part of her backstory rather than stated in the poem, but when Dido and her followers arrived in North Africa, she asked a local Berber king for only as much land as could be encompassed by an oxhide. He agreed, so she cut an oxhide into thin strips and encircled an entire hill with it.[[/note]]
35	* AdaptationalVillainy:
36	** In ''Literature/TheOdyssey'', Aeolus is in charge of a thriving kingdom and tries to help Odysseus. Here, he is bribed by Juno into loosing the winds on Aeneas's ships. Helen is also treated less sympathetically than she is in ''Literature/TheIliad'', betraying Deiphobus to the Greeks.
37	** Most of the Greeks in general are portrayed unsympathetically. Odysseus, for example, is a slimy ManipulativeBastard compared with the GuileHero OnlySaneMan in Homer's epics.
38	** This also applies to the Gods that were on the Greeks' side. Hera's grudge against Aeneas is incredibly petty and excessively destructive. Athena doesn't make an appearance but sends snakes to [[HeKnowsTooMuch kill off Laocoön simply for figuring out the trap and warning the Trojans]].
39	* AerithAndBob: Amongst the exotic-sounding Greek and Latin names, it may surprise some to find names still used today, like Anna and Camilla. However, in Anna's case it's a subversion, as the commonplace name Anna we use today is of Jewish origins and not etymologically connected to the one in the Aeneid.
40	* AffectionateNickname:
41	** Aeneas is known as "''pius Aeneas''", often translated as "pious", but it's one of the most complex words in Latin: other meanings include "steadfast", "dutiful", "kind", "righteous", and "good".
42	** Aeneas is one of many characters referred to with epithets. Juno is "Saturnia", Dido is "infelix Dido" or "miserrima Dido" (referring to her destiny and doomed love), etc. Virgil is homaging Homer, who also refers to various heroes and gods with epithets.
43	* AfterlifeTour: The TropeCodifier. While still alive, Aeneas makes a journey through the underworld under the guidance of a likewise still-living Sybil. His purpose is to speak with his deceased father, which he does, but the Sybil also shows him around the underworld in general.
44	* AltarDiplomacy: The importance of Aeneas marrying Lavinia is mostly about the Trojans becoming united with the Latins to form the Roman nation.
45	* AmbiguouslyGay: The nature of Nisus and Euryalus's friendship. It is clear that they are both close, and that "Nisus is known for his love of the boy, so respectful and righteous", but their friendship is very heavily implied to be more than just platonic.
46	* AnachronismStew:
47	** In ''Literature/TheIliad'' and ''Literature/TheOdyssey'', Homer described battles fought with bronze-tipped spears. In ''The Aeneid'', Virgil describes those same battles as having been fought with ''steel''-tipped spears. Steel-making was unknown in Homer's time.
48	** Escaping from the destruction of Troy, Aeneas lands at Carthage, even though Carthage was founded some four centuries after UsefulNotes/TheTrojanWar.
49	** There are multiple references to Aeneas taking the "''penates''"--statues of the gods to be kept in households--with him when he leaves Troy. Romans had these, but Greeks actually did not.
50	** The text references a type of ship called a bireme multiple times, which did not exist at the time of the story.
51	* AngelUnaware:
52	** Venus disguises herself as a Spartan huntress when Aeneas lands near Carthage. Aeneas recognizes ''that'' she's a divine being; he can't tell which one until the huntress walks away and lets her dress stream down to her ankles. Evidently, he is ''not'' happy when he discovers this.
53	** The queen of the gods sends the goddess Iris to disguise herself as an old maid and inspire the Trojan women to set Aeneas' fleet on fire. Unfortunately, some women see through her disguise, and only some of Aeneas's fleet is torched.
54	** Alecto, a minister of the Fates and one of three Furies, disguises her infernal visage with the appearance of an old priestess so she can convince Turnus to declare war with some lies about divine visions. When Turnus tells her to StayInTheKitchen, she throws away the disguise and uses the threat of torture to get Turnus to do as she desires.
55	* AscendedExtra: Aeneas was a minor character in ''Literature/TheIliad'' and in most accounts of the Trojan War prior to Virgil's interpretation (however, it was implied that he was important for, at the time, unknown reasons).
56	* AwLookTheyReallyDoLoveEachOther: Venus begs Vulcan to make her son Aeneas some armor, reminding him that she never asked anything of him during the Trojan War. Vulcan’s response? “Why seek so far your argument? Why should your faith in me, O queen divine, grow less? Had such been your desire, even Troy I might have helped with arms; not mighty Jove nor fate forbidding her proud walls to stand; and ten more years to Priam’s life have given. And now, if you prepare a war—your will so fixed—whatever lies within my art, of labor or of skill, in molten gold and silver, or in steel, through fire, and breath of winds, I promise you.”
57	* BadassBoast: Allecto has a great one in Book 7, when she appears to Turnus as an old woman and tries to persuade him to fight the Trojans. He sneers at her and basically tells her to leave fighting to the men. So she unveils her true form, scaring the crap out of him, and says ''respice ad haec: adsum dirarum ab sede sororum, / bella manu letumque gero'', or in English, "See what I've brought. I have come from the realm of the Sisters of Terror, / I decide wars, and death, with my own hand" (4.454-5).
58	* BattleCouple: Granting that Nisus and Euryalus are indeed lovers, they would make a homosexual example.
59	* BecauseDestinySaysSo:
60	** Largely {{deconstructed\|Trope}}. Aeneas's destiny goes against his desires for love, stability, and comfort, but his devotion to the gods prevents him from doing anything but suffering as the gods command. His lover kills herself, half his men abandon him, a friend's son dies, and he's nearly poisoned to death, all so the decrees of the Fates can be fulfilled.
61	** It doesn't matter whether Lavinia really wants to marry Turnus (implied at one point) or how long they've been promised; it's decided the minute he arrives that she's gonna marry Aeneas, who never shows any interest in her. Which means Turnus is doomed to die, just for being her former fiancé. And that's that.
62	** Juno knows that there is nothing she can do to change the fact that Aeneas and the Trojan remnants were fated to found the Roman nation; all she can do is make the journey as miserable for them as possible. At the end of the epic, Juno resigns and leaves the Trojan remnants be, but on the condition that they assimilate with the Latins and lose the name of "Trojan".
63	* BigBad: Juno. [[NonActionBigBad While she never directly confronts Aeneas]], she does spark the most conflict for him in her efforts to prolong his suffering, even manipulating Turnus to start a war.
64	%%* BloodKnight:
65	%%** '''Turnus'''. Juno only makes him worse.
66	%%** Pyrrhus, if the Siege of Troy is any indication.
67	* BloodFromTheMouth: It's easy to tell Dares would be dead if he didn't concede the boxing match because of the flood of purple blood coming from his mouth and nose.
68	* BloodSplatteredWarrior: ImpliedTrope; Alecto appears in Book 7 covered in Gorgon poison at Juno's summon. As established in the ''Argonautica'', the Gorgon's poison is its blood, meaning Alecto is drenched in acidic blood just before she goes to bring war to Italy. John Dryden's translation of the text makes this explicit.
69	* BoltOfDivineRetribution: Aeneas tries to invoke this on himself in Book 5, after the Trojan women set fire to the fleet. He says "let your own hand / Blast me to death with a lightning bolt that expresses your anger." Instead, Jupiter sends a torrential rainstorm that puts the fire out.
70	* BrainwashedAndCrazy: One of the Furies sends an invisible, insensible snake to circle around the queen of the Latins and inject her with a venom of rage and madness. From then on, the queen loses her rational faculties and fears as she kidnaps the princess bound to marry Aeneas and takes her into the forest to prevent the marriage in time for war to commence.
71	* BreakUpBonfire: After Aeneas abandons her, Dido orders to build a pyre to burn Aeneas's clothes and weapons, an image of Aeneas, and also the bed on which she slept with him, claiming this ritual will heal her of her lovesickness. But when the pyre is ready, she stabs herself with Aeneas's sword on it, and the Breakup Bonfire becomes her funeral pyre.
72	* BreatherEpisode: Anchises's funeral games in Book 5, after fleeing from Troy, a series of wanderings, and a liaison that has ended terribly for them both. At least, until the Trojan women burn some of the ships.
73	* TheCassandra: Cassandra appears in Aeneas's flashback in Book 2. He acknowledges that even though Cassandra's prophecies have come true, the gods have cursed her by having nobody believe her.
74	* CardCarryingVillain: Pyrrhus. Priam denounces him for being cruel, unlike his father Achilles. In response, Pyrrhus does not deny this charge against him but rather gives Priam a very cruel death.
75	* CaughtInTheRain: Aeneas and Dido are out hunting and take shelter from the rain in the same cave. The rain was part of Juno's successful plan to hook them up.
76	* CockFight: Aeneas and Turnus are fighting for Lavinia’s hand, but their fight is more about the position as son-in-law to Latinus than Lavinia herself. In fact, no consideration is shown for Lavinia’s feelings at all.
77	* ConsolationBackfire: Twice with Aeneas when he tries to assure Dido that he's leaving Carthage for Italy against his will: the first time is in Book 4 as he leaves Carthage, and the second time in Book 6 when he sees her again in the underworld.
78	* {{Continuation}}: In the 15th century, an Italian poet named Maffeo Vegio wrote a continuation for it, which was widely printed in later editions.
79	* CurbStompBattle: Book 2 has Pyrrhus vs. Priam. Priam's a broken old man who has suffered the death of his numerous children and the downfall of his family and kingdom. His son being killed galvanizes him to fight, but his spear bounces off Pyrrhus's shield, and he's dragged to an altar and slaughtered.
80	* DavidVersusGoliath: InvertedTrope in Book 5; the boxing match between Entellus and Dares pits a giant, veteran warrior against a cocky, younger fighter who has to rely on his speed and his wits to defeat the terrifying champion. Problem is, Dares is portrayed as an arrogant antagonist in this account and loses to the Goliath-like Entellus, who only takes the challenge to knock him down a peg.
81	* DeadlyDodging: Dares replies on his youthful limbs to slip past the giant but aged fists of Entellus. Eventually, his evasion pays off when it causes Entellus to miss a heavy stroke and fall to the ground. Unfortunately, it doesn't help Dares get past Entellus's RapidFireFisticuffs.
82	* DeadPersonConversation: In Book 2, Hector warns Aeneas to get out of Troy, and after Aeneas escapes, Creusa's ghost tells him not to wait for her.
83	* DeathByMaterialism: The deaths of Euryalus, Camilla, and Turnus are all indirectly caused by their desire to loot their foes. See FatalFlaw below.
84	* DecapitationPresentation: In Book 9, the Rutulians present the heads of the Trojans they have slain. Two of these heads are those of Nisus and Euryalus, demoralizing the Trojans. In fact, Euryalus' mother soon learns of her son's death and tries to coax the Rutulians into killing her, but two Trojans, Idaeus and Actor, pull her away before anything else can happen.
85	* DeityOfHumanOrigin: Juturna, Turnus’s sister, happens to be a goddess of springs and streams; "this honor Jove had given to her, for violated maidenhood." Surprisingly, Juno is fond of her.
86	* DepartmentOfRedundancyDepartment: The metrical restrictions of Latin epic, as well as a hefty bit of Virgil's personal style, make for awkward (if not downright humorous) translations. Aeneas's entrance into the "cavernous cavern" is just one of dozens of examples. Virgil also seems fond of his characters "pressing footsteps" rather than just walking.
87	* DestructiveSaviour: Venus's idea of 'saving' her son often causes everyone a great deal of grief, including Aeneas himself.
88	* DidYouJustFlipOffCthulhu:
89	** Iarbas, while ordering Jupiter to intercede on his behalf, adds a blasphemous taunt: "We, meanwhile, consecrate offerings / Made in your temples, and place our faith in what's just idle Rumour." In other words, Iarbas is saying that all his prayers, all the temples and altars he erected in Jupiter's honour, might be all for nothing. That is enough to prod Jupiter into ordering Mercury to remind Aeneas of his duty.
90	** Mezentius, who is known to despise the gods, proclaims his right hand and his javelin to be his gods and promises his spoils of war to Lausus, not to Jupiter, in the hopes of dressing him like a trophy. The typical Roman trophy is a tree with its limbs trimmed off and dressed in the armor of the conquered.
91	--->'''Mezentius:''' Right hand, you are my god, and you, javelin that I'm poising,\
92	Ready to throw, give your best shot! I vow to you, Lausus, that you'll be\
93	Dressed like a trophy with spoils stripped away from Aeneas, this pirate's\
94	Corpse.
95	* DirtyCoward: Arruns, who lurks on the edge of the battlefield to avoid Camilla, shoots her InTheBack while she's distracted and immediately tries to run away.
96	* DisposableWoman: Creusa, Aeneas's first wife, who dies during the razing of Troy.
97	* DisproportionateRetribution: Juno is still pissed about not being chosen as the fairest by the long-dead Paris. Her hatred for the Trojans is the direct cause of the war that fills the second half of the epic.
98	** Seems even more fitting seeing as 1) some of her reasons are even more stupid, like the fact that Ganymede was chosen as "cup-bearer" to the gods instead of her daughter and he happened to be a Trojan and 2) in the end, she ends up going along with the creation of Italy and Rome anyway, making all of her resistance pointless.
99	*** Juno doesn't hate Ganymede just because he's Trojan (and therefore ultimately responsible for the destruction of her beloved city Carthage), but because he was her rival for [[DepravedBisexual Jupiter]]'s affections.
100	* DivineIntervention: Juno and Venus intervene throughout. Juturna intervenes in an attempt to save Turnus by steering him away from Aeneas. Turnus’s prayer to Faunus is implied to have affected Aeneas’s sword being stuck in the consecrated wild olive tree that the Trojans cut down.
101	* DivineParentage: Aeneas is the son of Venus. King Latinus’s father is Faunus. Both of these divine lineages go back to Saturn. Aeneas is descended from Saturn through Jupiter and Venus; Latinus is descended from Saturn through Picus and Faunus. Messapus, a warrior on the Rutulian side, is mentioned to be Neptune’s son almost every time he’s mentioned.
102	* DoomedHometown: Aeneas's odyssey is set off by the Greeks' destruction of Troy.
103	* DressingAsTheEnemy: A band of Trojans disguise themselves in Greek armour; however, the other Trojans are also fooled, and the Greeks eventually see through the disguise.
104	* DrivenToSuicide:
105	** Queen Dido stabs herself and jumps on her funeral pyre in grief and rage at being abandoned by Aeneas, after prophesying future strife between her people and Aeneas'.
106	** Queen Amata hangs herself at the conclusion of the war, blaming herself for the impending defeat by the Trojans.
107	* DyingCurse: Immediately before Queen Dido of Carthage commits suicide because Aeneas left her, she prays to the gods that Aeneas's mission may fail and that the Carthaginians may forever be enemies to the descendants of Aeneas's Trojans and may one day avenge her. While part of the curse comes true, it ultimately fails: Aeneas succeeds despite many obstacles, and although Carthage came close to defeating Rome in the [[UsefulNotes/PunicWars Second Punic War]], in the end, Rome turned out victorious.
108	* EntitledToHaveYou: Iarbas, an African king Dido spurned, hears of Dido's affair with Aeneas. He then complains to Jupiter that Dido has rejected him in favor of Aeneas, whom he likens to Paris, and he concludes that all his devotional practices to Jupiter, all his prayers to him and all the temples and altars he built in his honor, [[DidYouJustFlipOffCthulhu might be all for nothing]].
109	* EvenEvilHasStandards: While Juno is perfectly willing to unleash Allecto on Latium to stir up a bloody war to eliminate Aeneas, she immediately dismisses her back to the Underworld once she starts gloating that she can expand the war to affect neighboring states that have nothing to do with Juno's grudge against Aeneas.
110	* FanSequel: To ''Literature/TheIliad''. Actual Greek traditions held that:
111	** Aeneas left Troy after an omen of impending doom--the death of Laocoön and his sons--and returned to Mt. Ida.
112	** Or he did survive the sack of Troy, making a LastStand until the Greeks let him leave intact.
113	** Aeneas ruled over a rebuilt Troy after UsefulNotes/TheTrojanWar, as the ''Iliad'' hints that the kingship would pass from Priam's line to him.
114	* FatalFlaw: Love of spoils.
115	** Androgeos urging his men to loot to their hearts' content gets him killed when it turns out he is ''not'' talking to his men, but to a contingent of Trojan warriors.
116	** Euryalus was unable to escape the Rutulian patrol because he was weighed down by the spoils he stole from their camp. The Rutulian patrol only spotted Euryalus and Nisus because of the richly adorned helmet of Messapus, which Euryalus took and put on, which gleamed in the moonlight and revealed their presence.
117	** Camilla chases after Chloreus, who is on the other side of the battlefield, so she can loot his golden armour. This gives the DirtyCoward Arruns his opening to shoot her InTheBack without having to get too close.
118	** Turnus stole Pallas’s sword belt. When Aeneas has Turnus at his mercy, he is nearly convinced by Turnus to spare him. Then the sight of this sword belt reminds Aeneas of the killing of his friend Pallas, bringing up feelings of rage that drive Aeneas to kill Turnus.
119	* {{Flashback}}: Books 2 and 3 are Aeneas telling the story of the fall of Troy to Dido.
120	* {{Foreshadowing}}:
121	** In Book 4, we are repeatedly told that Dido is "burning" with love for Aeneas. At the end of the book, this becomes rather unpleasantly literal.
122	** Their whole badly-ended affair is this for the UsefulNotes/PunicWars. Dido prophesies the wars before killing herself on the pyre, and the Trojans, upon witnessing the pyre, recognize that whatever it means, it is a bad omen.
123	* ForgingScene: Venus gets [[UltimateBlacksmith Vulcan]] to forge armor for Aeneas.
124	** [[http://classicsvic.files.wordpress.com/2014/01/penwillvol18.pdf This article]] gives details on the comparisons between the shields.
125	* GiveMyRegardsInTheNextWorld: A rather villainous version. After Priam denounces Pyrrhus for being unlike his father Achilles and tries to attack, Pyrrus tells him to tell Achilles that Pyrrus is indeed a degenerate bastard before killing him.
126	* GodSaveUsFromTheQueen:
127	** While her husband is a good, if not a very proactive king, Queen Amata of Latium sides with Turnus against Aeneas. Then there's Juno, who also causes some trouble for Aeneas.
128	** Dido goes a bit love-crazy after Aeneas arrives, and it worsens after he (reluctantly) dumps her. By that point, virtually all her subjects are against her.
129	* GoldenAge: The story of Saturn, a deity in exile who fled to Latium and brought about a golden age in brought up several times. This serves to further the implications that Aeneas, another exile that fled to Italy, will bring about a new golden age from Rome.
130	* GrayAndGrayMorality: Aeneas is a courageous, pious, and dutiful leader, but he also commits morally questionable acts, such as abandoning Dido without warning and slaying an unarmed Turnus at the end of the poem. The Trojans' enemies are likewise portrayed sympathetically despite being antagonists.
131	* HalfHumanHybrid: Aeneas is the son of Venus.
132	* HatOfPower: Turnus has a helmet crested with a metal chimera that breathes real fire.
133	* HeavensDevils: The infernal Furies are sent away from their work in the Underworld by Juno, goddess of the heavens. She uses them to start a war between Aeneas and Turnus to delay Aeneas's fated victory, an unnatural plan that earns Juno Jupiter's reprimand. And even Jupiter himself turns to one of the Furies to get Juturna out of the battlefield so Aeneas can kill Turnus.
134	* HowWeGotHere: Books 2 and 3 are an extended flashback to the events of UsefulNotes/TheTrojanWar and the long period of wandering that followed it, leading up to the Trojans' arrival in Carthage at the beginning of Book 1.
135	* ImAHumanitarian: Evander tells the story of Cacus, a fire-breathing giant who would drag men back to his cave to devour them before Hercules stopped him. Polyphemus, the man-eating Cyclops of the ''Odyssey'', also makes a brief appearance.
136	%%* ImplacableMan: Mezentius, particularly after [[spoiler: the death of his son]].
137	* {{Intangibility}}: As they reunite in Elysium, Aeneas tries to hug the soul of his father, only to touch his hands to his own chest three times. Turns out that while the souls of Elysium look solid, living people cannot touch them.
138	* IntroDump: Book 7 ends with a series of paragraphs listing the background and army of more than a dozen heroes who have answered Turnus' call to wage war on Aeneas.
139	* IronicEcho: Aeneas refers to himself as "pious (roughly "righteous") Aeneas" during his remorse following [[spoiler: the death of Lausus]].
140	* IronicNickname: Virgil uses the Homeric technique of applying epithets to his characters, but unlike Homer, he sometimes uses them ironically, e.g., in Book 4, immediately after Dido has just given Aeneas her epic denunciation of his faithlessness, Virgil describes "pius Aeneas" as going back to his ships. Sarah Ruden in her translation renders "pius" as "right-thinking", to underline how poorly Aeneas has defended himself. [[note]]''Pius'' is the adjective related to the noun ''pietas'', one of the most complex notions in Latin. In Book 9, when Euryalus' mother learns of her son's death in battle, she runs to the front line and laments his death, and demands that the enemy, if they have any feelings, kill her on the spot. The word she uses for "feelings" is ''pietas''.[[/note]]
141	* InTheBack: Camilla is fatally shot through the back by Arruns, who is himself shot in the back by Opis moments later.
142	* ItsPersonal: Aeneas ''would'' have been perfectly content to show his rival, Turnus, mercy and let him live... if he hadn't killed his friend a few books ago. Mezentius and Aeneas's conflict also turns personal after [[spoiler: the death of the former's son]].
143	%%* JerkassGods: Pretty much all of them, but Juno is in her own category.
144	* JerkassHasAPoint: Juno calls Venus out for her hypocrisy when Venus, who had already intervened in the Trojan War and in favor of Aeneas during his exploits, for complaining that gods were intervening in battle and supporting mortals.
145	* JudgementOfTheDead:
146	** King Minos is seen judging the newly dead in between the ghosts of infants and the suicides as Aeneas enters the realm of Pluto.
147	** Apollo's priestess explains that those damned to the Fields of Punishments are first interviewed by Rhadamanthus, who they are compelled to tell their every crime.
148	* KarmaHoudini:
149	** Neoptolemus/Pyrrhus brutally kills the defenseless Priam and gets away with it; while Greek tradition held that he was eventually killed by Orestes, his fate isn't relevant to Aeneas's story, so Virgil doesn't mention it beyond a vague mention by Diomedes of something bad having happened to him after the war.
150	** Helen of Troy, here reimagined as a cackling villain who murdered Deiphobus in his sleep, is spared by Aeneas in her only scene in the epic and gets to return home to Sparta.
151	** Messapus participates in violating the truce and dishonourably kills Aulestes while he's supplicating at the altar, but as far as we know he survives the war. That said, it's not entirely clear if the death of Turnus, the epic's end point, ends the war or not, so he may die some time afterwards.
152	* KarmaHoudiniWarranty: The Etruscans' reason for joining the war: their former tyrant Mezentius had escaped to Rutulia after being overthrown and is now fighting alongside Turnus, so they hope that winning the war will allow them to avenge themselves on him.
153	* KickTheDog: Just before killing Pallas, Turnus gloats that he wishes Evander were here to see him murder his son.
154	* LadyMacbeth: Queen Amata actively encourages the war between the Latins and Trojans. She encourages Turnus to fight for Lavinia’s hand, and she does all she can to discourage her husband, King Latinus, from simply giving Lavinia to Aeneas.
155	* LaserGuidedKarma:
156	** The Greek warrior Androgeos is slain when he urges who he thinks are his comrades to RapePillageAndBurn, not realising they're actually Trojan warriors.
157	** Mezentius rejects the gods just before his duel with Aeneas and is killed almost immediately.
158	** DirtyCoward Arruns prays to Apollo that he will kill Camilla by shooting her InTheBack. Apollo grants his prayer, but is so disgusted by his cowardice he decrees that Arruns himself will die immediately afterwards. Arruns is indeed killed when he himself is shot InTheBack by Opis, a handmaiden of Diana sent to slay whoever kills Camilla, and his comrades don't even notice that he's gone.
159	** Turnus kills Pallas and plunders his belt from his dying corpse. In the poem's final lines, Aeneas contemplates sparing Turnus when he has him at his mercy, then catches sight of Pallas's belt and strikes Turnus dead in a rage.
160	* LikeFatherUnlikeSon: Priam explicitly condemns Pyrrhus for not being like Achilles. Specifically, Achilles held some measure of honor and compassion by returning Hector's body. Pyrrhus, on the other hand, just killed Polites in front of Priam. Not that Pyrrhus cares.
161	* LoveAtFirstSight: Dido for Aeneas. Justified in that Cupid, Aeneas's half-brother, personally caused it.
162	* LoveHurts: For both Dido and Aeneas. After Aeneas tells his story to the Carthaginians, Dido, despite her vow to remain faithful to Sychaeus, gets stirred by Cupid to fall in love with him and catches him in a liaison, and Aeneas, though not intending to stay in Carthage, eventually gets comfortable. Later, Mercury appears to Aeneas in a dream and snaps him out of it by ordering him to leave Carthage. Although Aeneas did not intend to be in the liaison, he also reluctantly does so out of duty, but Dido finds out and is outraged and heartbroken about it. She eventually kills herself as a result.
163	* LoveRuinsTheRealm: Dido's liaison with Aeneas causes them both to neglect their kingdoms and the rumours to spread. Not that Dido is concerned. It certainly ended with Dido killing herself in a fit of lovesick rage, and it would have also ended disastrously for Aeneas himself were it not for Mercury snapping him out of it.
164	* LoverAndBeloved: Nisus and Euryalus at first embody this dynamic that was characteristic of homosexuality in Ancient Greece, with Nisus as the older loving mentor and Euryalus as the younger beloved follower. However, their relationship shifts to one of more equal footing as they embrace more Roman values.
165	* MamaBear: Venus goes to great lengths to make sure Aeneas's destiny happens on schedule. Not only does Aeneas resent it, she really does more damage than good.
166	* MedalOfDishonor: Salius gets tripped during a foot-race and gets a pity reward from the king, prompting another loser to demand a pity reward for being the first runner to fall over. The king obliges and gives the loser a nice shield.
167	* MissionFromGod: Aeneas's mission to reestablish Troy in Italy. He tells the Spartan huntress ([[AngelUnaware in reality his mother in disguise]]):
168	-->I am Aeneas the Righteous. I carry with me on my vessel\
169	Household gods that I saved from the foe. My fame reaches heaven.\
170	Seeking a homeland in Italy, I, mighty Jupiter's offspring,\
171	Had, when I launched upon Phrygian seas, two squadrons of ten ships.\
172	My goddess mother showed me my course. Fate commanded. I followed.
173	** This gets put to the test when Aeneas, after getting comfortable with Dido upon being getting pulled into a fling with her, is reminded by Mercury of his mission. Aeneas ultimately chooses to see the mission through, and despite the anguish it causes on him, Dido, and Anna, he remains resolute.
174	* MoralityPet: Mezentius is an exiled Etruscan tyrant whose people is out for his blood noted for despising the gods and refusing to worship them. That said, he is humanized by his love for his son and Rhaebus, his stallion.
175	* MyGirlIsNotASlut: Aeneas' people may be just as annoyed about him knocking boots with Dido as hers are, but she's the one who pays for it. She does prophesy the Punic Wars and the Trojans see the inferno and get that it is a bad omen, but that comes much later.
176	* NayTheist: Mezentius is one of the first known examples his epithet being "God-despising Mezentius". He even declares his hand and javelin to be gods and vows his spoils of war to his son, rather than to Jupiter, in Book 10.
177	* NoEnding: The poem ends the second Aeneas kills Turnus, with no resolution to whether Aeneas marries Lavinia or how the Latins and Trojans settle into peace. It is debated to this day whether Virgil had other intentions and died before he could complete/change the ending, or whether he intended the DownerEnding. The latter is more plausible if you subscribe to the pessimistic reading.
178	* OneHitKill: Entellus demonstrates what would have happened had Dares continued their boxing match by crushing a bull's skull with a single punch.
179	* OneSteveLimit: Pallas is the name of Evander’s son and also another name for Minerva (Athena).
180	* OurGiantsAreBigger: The nine-acre-tall Tityus, a child of Jove and the Earth, appears in the Fields of Punishments. His many entrails serve as an eternal feast for an infernal vulture.
181	* PatrioticFervor: One of the whole points of the work! "Remember, Roman, these will be the arts for you, to rule peoples by command, to impose the custom of peace, to spare the conquered, and to wear down the proud with war." (6.851-3)
182	* PerspectiveFlip: While the ''Iliad'' and the ''Odyssey'' told the story from the Greeks' point of view, this work tells it from that of the surviving Trojans.
183	* PreMortemOneLiner:
184	** Pyrrhus to King Priam.
185	--->'''Pyrrhus:''' You'll report this, then, to my father Achilles,\
186	Fully, in person. Remember to tell him the tale of my grisly\
187	Actions. Describe Neoptolemus just as he is: a degenerate bastard.\
188	Now: die.
189	** Aeneas to Turnus: "This wound will come from Pallas: Pallas makes this offering, and from your criminal blood exacts his due!". All the more famous because it sparks a WhatTheHellHero moment, and dishes out an [[NoEnding abrupt]], rather DownerEnding.
190	* PrettyBoy: Young men such as Ascanius, Pallas, Euryalus, and Lausus often have their almost feminine beauty described at length (since it was highly valued in Rome). Turnus' good looks are apparently enough to inspire other men to fight and die for him.
191	* PropagandaPiece: The poem was more or less state propaganda promoted by UsefulNotes/{{Augustus}} to link the emerging and brand-new UsefulNotes/TheRomanEmpire with antique origins. It aimed to provide an alternative founding narrative to the Roman tradition that their city was founded by Romulus. (The Romans did not create the myth of Aeneas founding Lavinium—speculated to have come from the Etruscans or the Greek colonists on Italy—but the story of Romulus was a Roman creation.) The Julio-Claudian family of which Augustus was a descendant claimed descent from the Trojans and the Goddess Venus, both origins linked Augustus and Caesar to Aeneas, thereby creating a continuity of the ruling family with their ancestors, and insisting that the foundations of Rome were imperial rather than republican. Aeneas likewise embodies virtues more amenable to Augustan Roman: piety, family honor, stoicism, differing from the more capricious and earthy nature of the Homeric attitude.
192	--> '''Jupiter:''' ''I'' am imposing no bounds on his realm, no temporal limits.\
193	Empire that has no end is my gift. Even Juno, whose harshness\
194	Now is exhausting the sea and the earth and the heavens with terror,\
195	Will, one day, change plans for the better, and, with me, she'll nurture\
196	Romans, that people in togas, the masters of all in existence.\
197	That's my decree.
198	* ProphecyTwist: The Harpy Celaeno's prophecy that they will get so hungry that they'll eat their tables... which they do when they eat a meal served on big pieces of flatbread. Young Ascanius making direct reference to the pun only makes it better.
199	* RacialRemnant: The Trojan War ends with nearly all the Trojans killed while the remnants of Troy escape. ''The Aeneid'' definitely contributed to the idea of the surviving Trojans being the founders of other countries--for example, several medieval works had them as the founders of Britain. Especially pronounced since Juno concedes defeat, but on the condition that the Trojans will not pass on their culture but fully assimilate with the Latins instead.
200	* RapePillageAndBurn: The fate of Troy at the hands of the Greeks.
201	* RapidFireFisticuffs: After falling on his face, Entellus ends his fight with Dares by attacking him so fast he can't even breathe. The blows are compared to a storm, a tempest, and hail before Aeneas stops the fight and declares Entellus victorious while blood floods out of Dares's mouth.
202	* TheReasonYouSuckSpeech: Dido gives Aeneas one in Book 4 after discovering that he's planning to leave Carthage and hasn't told her. When Aeneas replies, Dido's rage erupts, and she gives him another.
203	* RetiredBadass: Entellus was the bravest of Trojan heroes in the past, but age has forced him to step down. His match against Dares shows that he's StillGotIt, and he demonstrates what he's capable of in his prime by bashing an ox's skull in with a punch.
204	* TheRival: Turnus, Aeneas's rival for the land of Latium. He's even called a "second Achilles".
205	* RoaringRampageOfRevenge: After Pallas is killed, Aeneas goes on a brutal killing spree against the Rutulians in emulation of Achilles. Eventually, he almost spares Pallas's killer when he has him at his mercy, then catches sight of him wearing the belt he plundered from Pallas's body, which provokes him into stabbing him.
206	* RobbingTheDead: Some characters loot their dead foes and often pay for it (Nisus and Euryalus are caught because the moonlight glints off their spoils, Camilla gives Arruns an opening to shoot her by running across the battlefield to loot Chloreus' armour, Turnus stealing Pallas's belt drives Aeneas to kill him when he was previously going to spare him).
207	* SecondHandStorytelling: Aeneas does this in Books 2 and 3, relaying to the Carthaginians how the Greeks sacked Troy and what the Trojan remnants had to go through while leaving its burning ruins.
208	* {{Seers}}: King Tolumnius, one of Turnus' allies, is renowned for his ability to divine the future from the movement of birds. Turnus mentions this ability to bolster his army's confidence, but Tolumnius's divination allows the goddess Juno to trick the Turnus' army into thinking fate is on their side, prolonging the war.
209	* SenselessSacrifice: Nisus tries to save Euryalus by pleading with the Latins to kill him instead, but the Latins kill them both.
210	* SexSignalsDeath: Aeneas and Dido both suffer consequences from their affair. Dido stabs herself in a botched suicide and burns to death on her funeral pyre, having lost all the respect of her people, other leaders, and herself, but before dying, she prophesies the Punic Wars.
211	* ShoutOut: The first words, "Arms and the man I sing of Troy" are meant by Virgil as a callback to ''Literature/TheIliad'' and ''Literature/TheOdyssey'' respectively, to connect his epic with the works of Homer. Specifically, ''The Iliad'' begins by proclaiming itself to be about the rage (''mania'') of Achilles, a great warrior, in the war between the Greeks and the Trojans, while ''The Odyssey'' begins by proclaiming itself to be about a man, Odysseus. Virgil starts by saying that his poem is going to be about both, with the first half of the ''Aeneid'' mirroring ''The Odyssey'' in that it focuses on the Trojans' travels to Italy, and the second half mirroring ''The Iliad'' in that it focuses on the Trojans' war with the Latins.
212	* SmiteMeOMightySmiter: When Aeneas sees that the Trojan women set the fleet on fire in Book 5, Aeneas urges Jupiter to either put the fire out or strike him down with a lightning bolt. Jupiter opts for the former.
213	* SoapOperaRapidAgingSyndrome: Ascanius goes from a small child in the first book to being able to go hunting at Carthage and then fighting and killing in the Latin wars.
214	* StarCrossedLovers: Dido and Aeneas, though because of circumstances out of their control. When Aeneas sails to Carthage and tells Dido his story, Dido (who initially swore to remain faithful to her husband Sychaeus), under the influence of Cupid, becomes lovesick for him and catches him into trysting with her, especially when they flee into the cavern for shelter during a rainstorm; Aeneas, though he has no intentions of staying in Carthage permanently, evidently has become comfortable with her, and it is not until Mercury snaps him out of it, reminding him of his duty to sail to Italy. Though Aeneas experiences a lot of anguish, he ultimately decides to remain resolute in carrying out the command, while Dido, in a fit of lovesick rage, kills herself and prophesies her people meeting Aeneas' as combatants.
215	* StayInTheKitchen: Turnus dismisses the advice of his elderly maid because women are better suited to stay in the temple and let men handle the affairs of war. Unfortunately for him, his maid [[AngelUnaware reveals herself to be a Fury of the Underworld]] and threatens him into taking her womanly counsel.
216	* SuicideByCop: Euryalus' mother tries to get the Rutulians to kill her shortly after learning of her son's death. Idaeus and Actor defy this by pulling her away and taking her elsewhere, where no one will find her.
217	* SwordOverHead: Subverted. Aeneas almost decides to spare Turnus when he has him cornered at swordpoint until he remembers how Turnus killed his friend.
218	* TemporaryLoveInterest: Dido. Her love keeps Aeneas in Carthage and away from his destiny, so Jupiter sends Mercury to remind him to continue his journey.
219	* ToHellAndBack: Book 6. In a homage to ''The Odyssey'', Aeneas enters the underworld to talk to the ghost of his father.
220	* TragicIntangibility: Virgil uses this device twice, closely copying the example from ''The Odyssey'':
221	** Book 2: Aeneas ignores his wife's commands to stop grieving her and tries to hug her three times, passing through all three times as she fades into shadow.
222	** Book 6: As they reunite in Elysium, Aeneas tries to hug the soul of his father, only to touch his hands to his own chest three times. It turns out that while Elysium's souls look solid, living people cannot touch them.
223	* {{Transflormation}}: Aeneas finds the kingdom of Polydorus abandoned and overrun by a forest. The Trojans have no idea where all the people could have gone until one of them breaks off a tree branch and the voice of Polydorus screeches out a warning about this cursed land. Aeneas leaves the tree-man and doesn't come back.
224	* TrojanHorse: Book 2 contains the beginning of the fall of Troy and shows the horse from the view of the Trojans.
225	* UnwantedRescue: Juno separates Turnus from the battle and his troops by luring him to a ship with a phantom of Aeneas. Turnus is extremely upset about this because he will be seen as a coward who fled the battle and abandoned his men. He tries to jump off the ship to get back to the battle three times, but Juno restrains him. Turnus even considers falling on his sword.
226	%%* WarIsHell: Look no further than the Fall of Troy.
227	%%* WatchingTroyBurn: The TropeNamer.
228	* WeWillMeetAgain: Dido's last words are that her people and Aeneas' will meet again in war; she essentially prophesies the Punic Wars.
229	* WhatTheHellHero:
230	** Aeneas does a few things to provoke this reaction, like leaving Dido without warning. Needless to say, Dido is not happy at all when she finds out.
231	** Priam also calls out Pyrrhus for not being like his father Achilles, [[ForegoneConclusion sadly to no effect]]:
232	-->'''Priam:''' ''You'' are no child of Achilles, you liar. He never mistreated / Priam, his foe, like this!
233	* WhoWantsToLiveForever: Juturna wishes she were mortal when she realizes that she can’t accompany her brother Turnus’s shade to the afterlife.
234	* WomanScorned:
235	** Dido ''really'' goes off the deep end, even though Aeneas obviously didn't want to leave, and wouldn't have if [[JerkassGods the gods (mostly Juno)]] [[YouCantFightFate told him to move on]]. (For bonus points, much of the imagery Vergil uses is the same imagery commonly used for Medea.)
236	** Additionally, Juno's whole reason for being miffed at the Trojans (and therefore Aeneas) is that Paris didn't pick her.
237	* WouldntHitAGirl: Some historians believe that the reason [[spoiler: Camilla isn't killed by Aeneas was so that Virgil could avoid having his hero kill a woman. Even a badass ActionGirl kind of woman]].
238	* WringEveryLastDropOutOfHim: In Creator/{{Virgil}}'s version, Queen Dido decides to commit suicide for having betrayed her late husband's memory by falling in love with Aeneas. She recruits her sister Anna's help in building a pyre under the pretense of getting rid of everything that reminds her of her lover. Dido lies down in the pyre but gets impaled by one of Aeneas' swords before she can even immolate herself. Anna rushes to her side and embraces her while everybody else mourns their dying queen. Then, Goddess Juno is sent to release Dido's spirit from her suffering in a dramatic scene. On top of that, Aeneas glimpses the glow of Dido's funeral pyre from afar as he's shipping off Cartague. Thus making this one OlderThanFeudalism.
239	%%* {{Yandere}}: Dido, Juno, Amata (once Allecto has her way with her).
240	* YouCantFightFate: Juno knows that there is nothing that she can do to avert Aeneas's fate (she hooks him up with Dido to distract him, supports the Rutuli, tries to kill him multiple times). All that she can do is make the journey miserable for him. She eventually relents and spares Aeneas and his crew, but on the condition that they assimilate with the Latins and give up the name of "Trojans".
241	* YouCantGoHomeAgain: Troy has been razed by Greek soldiers; the premise of the poem is Aeneas providing the groundwork for Rome as he tries to re-establish Troy.
242	* YouHaveWaitedLongEnough: Dido's sister Anna says this when Dido believes that having an affair with Aeneas would betray her deceased husband.

Context Literature / TheAeneid