Line #95 ItsAllAboutMe/Literature


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8	* In ''Literature/AnnoDracula'', Christina Light, the former Princess Casamassima, (in ''Seven Days in Mayhem'' and ''One Thousand Monsters'', originally from Creator/HenryJames) is characterised as this. She appears to be a genuine revolutionary who sincerely rejected her title, but other characters have the distinct feeling that her view is really more that people shouldn't do what she says because she's a princess -- they should do what she says simply because she's Christina Light.
9	* In the African folk tale ''Literature/AnsigeKarambaTheGlutton'', Ansige never thinks of anything besides satiating his own hunger. Even his desire to bring back his wife doesn't stem from love for her; it's because, in her absence, he has to rely on the servants for food, and they give him worse quality food in smaller quantities than she did.
10	* ''Literature/TheAssassinationOfJesseJamesByTheCowardRobertFord'': Whenever an outlaw or their family member is sad or injured, the narrative will often point out that the person is only upset about their own predicament and is not sparing a thought to the various victims of their crimes.
11	* The heroic characters' creed in ''Literature/AtlasShrugged'' is "I swear -- by my life and my love of it -- that I will never live for the sake of another man ''nor ask another man to live for mine''" -- meaning, while they exempt themselves from the responsibility of caring about or helping others ([[NobleDemon which they frequently do anyway]]), they assert no one has the right to exploit others for personal gain or obtain anything for themselves by force, fraud, or coercion. This is their definition of "selfishness" (independence + honesty).
12	* The works of Creator/JaneAusten:
13	** In ''Literature/PrideAndPrejudice'', Mrs. Bennet and Lydia Bennet suffer from this; while Mrs. Bennet is perceptive enough to note that without husbands her daughters face a lifetime of ruin upon the death of their father, her primary concern seems mainly to be self-involved whining about how this will affect ''her''. Similarly, her favourite daughter Lydia (who takes after her mother in many ways), on running away with Wickham, writes a giggly letter expressing how much fun she's having and what a laugh it'll be to be married to Wickham without any concern for the fact that she might be putting her family's fortunes at risk through her actions. Mr Bennet suffers from this too: his failure to keep his wife and younger daughters' behaviour in check puts Lizzy and Jane's romantic prospects in jeopardy and creates a bit of a monster in Lydia. Also, he fails to even try to marry Mary off to Mr Collins, even though she is plainly suited to him (lampshaded in the '90s BBC adaptation and recent film), and would secure his wife's future.
14	** In ''Literature/SenseAndSensibility'', Marianne Dashwood is deeply self-absorbed, considering her feelings (whether positive or negative) absolutely irrepressible and in the process disregarding common politeness and the feelings of others; when circumstances force Elinor to confess that she too has been unhappy, Marianne breaks down in TearsOfRemorse, forcing Elinor to comfort her again, and continues to wallow in her own unhappiness -- with added guilt now -- rather than provide emotional support for Elinor. It takes near-death to smarten her up. Granted, she's a teenager, but it's a major contrast with Elinor, who's 19 and displays more responsibility and consideration for others than many people much older than her.
15	* ''Literature/BazilBroketail'': Glaves never thinks about anyone but himself. Everything he does is either for self-preservation or to gain power.
16	* Torak from ''Literature/TheBelgariad''. It's pointed out at least once that his brutal, almost sadistic actions make perfect sense if one accepts his premise that he's the sole reason the universe exists. He originally stole the Orb of Aldur because it was inconceivable that such a powerful magical gemstone could belong to anyone but him. Then he killed half of mankind in a catastrophic seismic upheaval with said Orb when the forces of everyone else came to take it back. A ''lot'' of bad things can happen when the one espousing this viewpoint is a GodOfEvil.
17	* James Figueras from ''Literature/TheBurntOrangeHeresy'' is insanely self-centered, and blatantly doesn't give a damn about the well-being of anyone but himself. When Berenice returns and tearfully apologizes after briefly leaving him early in the novel, the only thing James can think of is that he'll force her to make him coffee after she's calmed down. And later, when she tries to talk him out of burgling Deberiue's house:
18	--> '''Berenice:''' Don't do it James. Please don't do it!\
19	'''James:''' Why, for God's sake?\
20	'''Berenice:''' Because Deberiue doesn't want you to, that's why!\
21	'''James:''' [[EvilCannotComprehendGood That's not a reason.]]
22	* In ''Literature/ChildrenOfTheBlackSun'', Brekan is completely self-centred but thinks that he's self-sacrificing, long-suffering, and unappreciated. He goes on about his efforts on behalf of other people, but his motivation is never just "it would make them happy" -- it's about how they'll be grateful and he'll seem important. If anyone points out that his efforts have had negative, stupid repercussions for the group, his only response is bitterness that he didn't get the outcome he wanted and that people are "as usual" all against him [[NeverMyFault for no reason]].
23	* The works of Creator/AgathaChristie:
24	** Heather Babcock from ''Literature/TheMirrorCrackdFromSideToSide'' is a non-villainous example of this. She isn't mean and actually goes out of her way to do nice things for other people, like rescuing Literature/MissMarple after a nasty fall or taking in a homeless family. However, she is incapable of recognizing that her actions affect other people or that what something means to her might not be the same for other people involved. [[spoiler:The primary example of this was that when she got sick, she didn't recognize that the doctor's instructions to "Stay in bed and don't go out to meet people" might not have been just for her benefit...]]
25	** In ''Literature/AndThenThereWereNone'', Anthony Marston embodies this trope, seeing a hit-and-run accident that caused the death of two young children merely in the light of losing his driver's license.
26	* Gervase from ''Literature/MurderInTheMews'' is unable to view other people as being real, while imperiously feeling that the world should bow to his whims.
27	* ''Literature/TheChroniclesOfNarnia'':
28	** In ''Literature/TheMagiciansNephew'', [[GodSaveUsFromTheQueen Empress Jadis]], the BigBad, relates how, when [[SuicidalCosmicTemperTantrum she refused to accept defeat]] in a civil war with her sister, and spoke [[WordsCanBreakMyBones the Deplorable Word]] to [[FantasticNuke wipe out all life]] [[TheEndOfTheWorldAsWeKnowIt in her world]]. She justifies her actions thus:
29	--->'''Jadis''': I was the queen. [[WeHaveReserves They were all]] ''[[WeHaveReserves my]]'' [[WeHaveReserves people.]] What else were they there for but to do my will? ... You must learn, child, that what would be wrong for you or for any of the common people [[AboveGoodAndEvil is not wrong in a great queen such as I]]. The weight of the world is on our shoulders. [[TheUnfettered We must be freed from all rules]]. [[IronicEcho Ours is a high and lonely destiny]].
30	** Jadis also notably keeps ignoring Polly while talking to Diggory; later, when he's started to realize how bad she is, she ignores both children in favor of Uncle Andrew. The narrator speculates that Jadis is so selfish that she literally forgets people exist unless she feels like she can manipulate them.
31	** Uncle Andrew as well. The whole plot kicks off because he sends Polly to another world and then guilts Diggory to go after her. His attitude is explicitly compared to Jadis', except that his justification for harming others is ForScience; he won't risk himself, of course, because as the researcher, he's too ''important.'' When they get to Narnia he's willing to abandon the others for his own safety and is mostly concerned about how he could profit from this new world. He's also very dismissive of Diggory's hope that Narnia's magic could heal his dying mother, who is Andrew's own sister.
32	* In ''Literature/{{Colony}}'', Charles Perry Gordon tricks Eddie O'Hare into taking his role on the generation ship ''Willflower'', claiming to Eddie that he wants to enjoy the money he recently won at the casino while Eddie takes his role on the ship. In reality, Gordon intends to stage a mugging and get Eddie arrested at a point when it’s too late for Gordon to join the crew himself, allowing him to set up his perceived ‘ideal society’ on Earth when he could have done something less violent and all Eddie asked of him in turn was to set aside a bit of money to support Eddie’s mother.
33	* ''Literature/TheDarkForest'': Luo Ji for the first half of the book. His cynicism runs so deep that for a good while he genuinely doesn't care what happens to humanity, instead using his Wallfacer privileges to enjoy a hedonistic lifestyle for himself.
34	* In Creator/SarahAHoyt's ''Literature/DarkshipThieves'', Thena's father. At one point, Thena makes a plan to escape him that centers on the key fact that he will regard losing control of her as no different from her death.
35	* Creator/MercedesLackey's ''Literature/DianaTregarde'': The BigBad of ''Literature/JinxHigh'' understands the magical law of karma ... specifically, she understands that when others do wrong, it leaves them open for her to harm them. The idea that ''she'' might be subject to this same law doesn't even occur to her. In her defense, she's actually ''not'' entirely subject to it: her body-switching magic has allowed her to let the karmic consequences land on someone else's head while she escapes scot-free, several times. One of the saddest things about the series coming to an unplanned and abrupt halt after ''Jinx High'' is that [[KarmaHoudini her ultimate escape at the end]] and its consequences (notably, that Diana Tregarde has entirely unknown to her actually killed an innocent person in the villainess's stead) are never, ever addressed.
36	* ''Literature/DiaryOfAWimpyKid'':
37	** Greg's incredibly self-centered personality needs no introduction.
38	** Manny has extremely selfish behavior, even for kids his age.
39	** Susan:
40	*** She loves to railroad everyone into going along with her plans and ignores any complaints or criticisms so that she can live out her fantasies. The greatest examples of this are in ''The Long Haul'' where none of the family can decide what to do for the day, so she makes an "executive decision" of going to the beach, which she wanted to do in the first place, and all of her attempts to ban technology, merrily going on her crusade against it and ignoring that no one actually wants to give up technology.
41	*** In ''Wrecking Ball'', Susan shoots down the rest of her family’s (admittedly impractical) ideas for spending the inheritance Aunt Reba left them, but when they reject her idea to use it to improve the kitchen, she throws a hissy fit, demands they go along with her idea because she was "the only one to send her thank-you letters", and storms out.
42	*** This is her entire attitude in ''Big Shot''. From encouraging Greg to take up sports, to be an Olympian, and making him sign up for Basketball, it was pretty clear that she was trying to turn Greg into a successful athlete just so that she could ride on his coattails and feel like his accomplishments are her own accomplishments. And when that didn't work, she traded him away to the rival team so that her team would win and she would feel like a winner.
43	* ''Literature/{{Discworld}}''
44	** In Creator/TerryPratchett's ''Literature/MakingMoney'', Pucci Lavish. It would be inaccurate to say that she confesses [[spoiler:that her family sold all the gold in the vaults of the Royal Bank]] -- "confessing" implies admitting to doing ''wrong''. She's considerably closer to bragging.
45	** Tiffany Aching of ''Literature/TheWeeFreeMen'' is a heroic example. TheFairFolk kidnapped ''her'' obnoxious baby brother and are invading ''her'' country, and now ItsPersonal. It's hinted that "turning selfishness into a weapon" like this is a major source of power for witches: whatever they claim as theirs, do ''not'' mess with it.
46	** Christine, Agnes's {{Foil}} in ''Literature/{{Maskerade}}'' is this combined with BrainlessBeauty; she literally pays no attention to things that aren't about her. Agnes tests this by saying "And my father is the Emperor of Klatch and my mother is a small tray of raspberry puddings!"
47	** The trendy modern witch Letice Earwig is so self-absorbed that [[TheFairFolk Fae]] {{Glamour}}, which works by preying on human insecurities, doesn't affect her at all. Other characters are able to overcome it with HeroicWillpower; Mrs Earwig doesn't even notice it.
48	* ''Literature/DivineMisfortune'': While Syph claims that her becoming the Goddess of Heartbreak and Tragedy was an unfortunate series of circumstances that had befallen her through no fault of her own, it becomes more and more obvious that she's a selfish and petty DramaQueen even by godly standards. She went from being a LoveGoddess to what she is now when her boyfriend (Lucky) broke-up with her, attaches herself to individuals without their consent and sucks the life out of them like a parasite with her perpetual aura of sadness, schemes to smite any lover Lucky takes until he "comes to his senses", ignores what's basically a restraining order he filed against her, and then takes it personally when her other ex (Gorgoz) wasn't waging his eternal grudge against Lucky because she left him for Lucky.
49	* Used in a joking manner in Literature/TheDresdenFiles novel Literature/{{Changes}}, via this exchange between Molly and Harry:
50	-->'''Molly''': I mean, maybe it isn't all about you. Or at least, not only about you.\
51	'''Harry''': But for that to be true, I would have to not be the center of the universe.
52	* Evie O'Neill's FatalFlaw in Libba Bray's ''Diviners'' series. Evie is a self-absorbed glory hound who frequently puts fame above the feelings and desires of her friends.
53	* ''Literature/EpithetErasedPrisonOfPlastic'': Lorelai, the "Foolish" half of a FoolishSiblingResponsibleSibling duo with the main character Molly, believes that it's her right to spend all day living out fantasy scenarios in her [[PocketDimension Dream Bubbles]], never mind how her irresponsibility means that her little sister has to suffer unbearable amounts of stress every day to make up for the chores Lorelai shirks. When Molly ''dares'' to so much as ''suggest'' that maybe should could help out a little every once in a while, Lorelai cruelly mocks her, trying to make it sound like ''Molly'' is the selfish one in that scenario for making such preposterous demands. Lorelai does have a FreudianExcuse, as she retreats into her fantasy worlds as a way to cope with the tragic death of her mother, [[spoiler:which she believes she's responsible for]].
54	* ''Literature/FamilySkeletonMysteries'': The killer in book 3. [[spoiler: Roxanne Beale's younger sister Doreen was cyberbullied by the Devil's Divas for so long she committed suicide. Roxanne's parents blamed her for letting it happen because she was supposed to meet Doreen the night she killed herself but was late. Then, a few years later, one of the Divas goes to Roxanne and admits her guilt in Doreen's death. But throughout all this, Roxanne doesn't actually care her sister is dead. She's angry because of how Doreen's suicide interrupted her first attempt at completing her dissertation, prolonging it and causing her to go through multiple advisers before reaching the deadline. As Roxanne goes on her MotiveRant, Georgia is disgusted at how Roxanne seems only annoyed about what Doreen's suicide did to ''her''. It reaches the point that she holds the Thackerys at gunpoint to make absolutely sure she finally completes her project on time.]]
55	* Christian Grey from the ''Literature/FiftyShadesOfGrey'' books comes across as this. He's a very selfish lover, particularly to his subs, and only cares about his own pleasure, often ignoring discomfort about certain aspects during 'scenes'. Even things that he seems to do for the sake of other people, like sending food supplies to Darfur, is all done because ''he'' used to go hungry as a toddler. ''He'' is the one in control of his life, and of those closely associated with him, including his subs and eventual wife Anastasia Steele. ''His'' pleasure, ''his'' job, ''his'' personal life, is what he focuses on first and foremost.
56	* The Point in ''Literature/{{Flatland}}'' sits content in the 0th dimension thinking about himself. Indeed, he is unable to comprehend there may be something besides himself because zero-dimensional space consists of only a point.
57	* In Creator/AndreNorton's ''Literature/ForerunnerForay'', Yasa, [[CatFolk from a feline-evolved race]], is totally self-absorbed albeit very practical about it.
58	* ''Literature/TheFountainhead'' likewise condemns "second-handers", which includes people who put concern for others before themselves ''and'' {{Manipulative Bastard}}s and {{Corrupt Corporate Executive}}s who exploit others or use force, fraud, or coercion for personal benefit; the protagonist claims the latter aren't "selfish" by his definition of the word.
59	* In Creator/AaronAllston's ''Literature/GalateaIn2D'', Kevin. Out to ruin Donna and Roger's lives out of [[GreenEyedMonster envy]]. Laughs at the way his first discovery of ArtInitiatesLife killed a bunch of painted men. Taunts his {{Mook}} Red with the possibility of [[EvenMooksHaveLovedOnes letting his beloved Penny die]] and makes him beg, repeatedly, before he saves her. Instead of just killing his opponents, locks them up somewhere with monsters that will kill them if they close their eyes -- preventing Roger from using his powers but ensuring they will die of sleep deprivation. Takes advantage of a truce flag to try to kill Roger. Sees a random piece of good art, checks the name so that he knows who to ruin. ''And'' when the heroes have attacked him all out, he demands that Roger explain something he did -- Roger ''owes'' him it, for this attack.
60	* In Creator/CSLewis's ''Literature/TheGreatDivorce'', a damned soul manages to convince himself that he has made great sacrifices for his wife, because he once let her use the last stamp to mail a letter when he wanted to mail a letter, too.
61	* [[BitchInSheepsClothing Daisy]], [[JerkJock Tom]], and [[RichBitch Jordan]] from ''Literature/TheGreatGatsby'', to the point where [[spoiler: Daisy accidentally kills Tom's mistress and Tom's solution is to let Daisy's LoveMartyr Gatsby take the fall, manipulate his mistress' husband into killing Gatsby, and leave all this unpleasantness behind them]]. Jordan would have viewed the spoilered bits as light entertainment.
62	** This trope is the ''theme'' of the book. During [[spoiler:Gatsby's funeral]], Nick is disgusted to see that only one person shows up. Gatsby spent a lot of money throwing lavish parties, which a lot of people attended and enjoyed, yet only one cared enough to show up. A particularly nasty bit had one of Gatsby's regular guests call up the mansion. Upon hearing about [[spoiler:the funeral]] and being asked if he would attend, the guest casually states that he ''might'', but he wasn't even aware that [[spoiler:Gatsby had died]] and just wanted to ask if he could get a pair of shoes that he'd left over there.
63	* ''Literature/HarryPotter'':
64	** Voldemort complains that his Death Eaters lack loyalty to him, but he has none to them, [[spoiler:making Draco try to assassinate Dumbledore [[strike: despite]] because of the pain his danger causes his parents, and murdering Snape for power]]. He's a [[{{Narcissist}} narcissistic]], [[TheSociopath sociopathic]] dictator and doesn't care about any of his Death Eaters.
65	** There's also a little character named Gilderoy Lockhart who had ... a big ego. His idea of a Defense Against the Dark Arts test contained only questions like "What is Gilderoy Lockhart's favorite color?" and "When is Gilderoy Lockhart's birthday, and what would his ideal gift be?"
66	** Barty Crouch, Jr. boasts that he and he alone was faithful to Voldemort. Apparently Bellatrix, who was proclaiming her loyalty to Voldemort while Crouch, Jr. was begging innocence, doesn't exist in his little world. Crouch, Jr. also seems to take for granted his mother and Winky's pity for him.
67	** There's also Cormac [=McLaggen=], the self-absorbed JerkJock whom Hermione briefly dates in Book 6.
68	** Also, Dudley, Petunia, Marge, and Vernon Dursley. Of the four, Dudley is the only one who becomes less self-centered by the series' end.
69	*** Petunia would have too, at least in the movie, except the important moment ended up being a [[https://www.youtube.com/watch?v=hhS9Z13Gyac deleted scene]].
70	* ''Literature/TheHitchhikersGuideToTheGalaxy'':
71	** Betelgeusians can be a bit like this. In ''Literature/MostlyHarmless'', Ford refers to making a "great personal sacrifice" -- he lost a pair of shoes. And they were really nice shoes, and they were ''his''.
72	--->'''Arthur''': I think we have different value systems.\
73	'''Ford''': Mine's better.
74	** Zaphod.
75	--->'''Trillian''': Can we leave your ego out of this? This is important.\
76	'''Zaphod''': Hey, if there's anything more important than my ego around here, I want it caught and shot now.
77	*** To put a finer point on it: One book introduces a torture device called the Total Perspective Vortex, which drives the victim insane by showing them just how tiny and insignificant they are compared to the rest of existence. Zaphod walks away from it just fine because, as he sees it, what it showed him was that the universe really '''does''' revolve around him. On the other hand, at the moment he was in a miniature Universe designed to completely envelop him, so the fully-functional Vortex ''did'' work perfectly -- in the worst way imaginable.
78	* In ''Literature/HonorHarrington'', a subordinate muses on AristocratsAreEvil poster-boy Pavel Young as she betrays him:
79	-->''No one else was quite real to Pavel Young. That was especially true for women, but it applied to everyone else around him, as well. He lived in a universe of cardboard cutouts, of human-shaped ''things'' provided solely for his use. He had no sense of them as people who might resent him -- or, indeed, who had any ''right'' to resent him -- and he was too busy doing things to them to even consider what they might do to him if they got the chance.''
80	%%* ''Literature/TheHungerGames'': Katniss's prep team, who comment on what they were doing when they saw someone die in the games.
81	%%** In ''Catching Fire'', they wail over her. Though when Cinna deals with them, they at least pull out when they start crying again.
82	* Griffin in ''Literature/TheInvisibleMan'' thinks only about what he can get from others using his invisibility -- up to wanting to establish a reign of terror just because (he thinks) he can -- and gets enraged at anyone making things difficult for him by, say, stopping him from stealing. Dr. Kemp, the hero of the story, explicitly says that "he is mad, he is pure selfishness" after hearing him tell his story from his own point of view.
83	* Patrick Hockstetter in Creator/StephenKing's ''Literature/{{IT}}''. Despite being the minion to the sadistic bully Henry Bowers, Patrick Hockstetter is so profoundly psychopathic that he murders his own baby brother by suffocating him with a pillow because he suspected that maybe... JUST MAYBE... he could be as real as him. In his [[UsefulNotes/{{Solipsism}} solipsistic]] world view, only his mind exists and everything else around him are just realistic facsimiles, and thus are merely tools to amuse him at will, however, he is just SANE enough to know that bringing too much attention on himself will get him locked up in the Mental Institution (one of his few real fears) and contents himself with horrifically torturing pets and animals by locking them up in a broken refrigerator in the junkyard to watch them slowly die, among them an adorable puppy he kidnapped from a nearby family. Ironically, the chapter devoted to him is merely a dozen or so pages long before his utterly gruesome yet well-deserved KarmicDeath at the hands of the titular MonsterClown. It's even called "The Death of Patrick Hockstetter".
84	* The gentleman with the thistle-down hair in Susanna Clarke's ''Literature/JonathanStrangeAndMrNorrell''. He is convinced he is a great friend of Stephen Black, a man he loves deeply... completely oblivious to the fact that Black is terrified of him. As a FisherKing, he has turned his land into a sad and dismal place, a derelict manor on a windswept moor surrounded by a dark leafless wood, with the remains of ancient battles rotting outside. [[TheFairFolk The fairy inhabitants]] spend their time in endless [[DancesAndBalls balls]], they have "idled away their days in pointless pleasures and in celebrations of past cruelties." [[spoiler:[[KarmicDeath Fittingly enough]], he ends up dying at Stephen Black's hands, for what he thought was a favor.]]
85	-->The gentleman looked doubtful. Any reasoning that did not contain a reference to himself was always difficult for him to follow.
86	* Creator/PeterSBeagle's ''Literature/TheLastUnicorn''. King Haggard, in a unnerving variation of this trope.
87	** Unicorns as well, although not to quite such a disturbing degree as Haggard. They're explicitly stated to be sort of vain, because they're incredibly beautiful, extremely magical, and fully aware of both those facts. However, they don't actually do anything to anyone on this ground.
88	* Also criticized by British statesman Lord Chesterfield in ''Literature/LettersToHisSon'': "People of an ordinary, low education, when they happen to fail into good company, imagine themselves the only object of its attention; if the company whispers, it is, to be sure, concerning them; if they laugh, it is at them; and if anything ambiguous, that by the most forced interpretation can be applied to them, happens to be said, they are convinced that it was meant at them; upon which they grow out of countenance first, and then angry." (letter 186)
89	* Earlier books in the ''Literature/LlamaLlama'' series in particular are about Llama Llama causing drama because he wants his Mama's attention. As he gets older, he starts to grow out of it.
90	* Although movie adaptations have portrayed ''Literature/{{Lolita}}'' this way, it's actually Humbert Humbert. Sometimes this is PlayedForLaughs; when a potential landlord's house burns down, Humbert is only annoyed that he won't have a chance with the man's pretty daughters. And other times it's not -- Humbert thinks that he loves Lolita and waxes lyrical about her beauty, yet has barely a thought about how he's destroying her childhood until the end of the book. It never occurs to Humbert that he might forget his sexual desires out of love, and her reaction to him molesting her every night and controlling all aspects of her life is regarded as bratty teenage behaviour instead of an abuse victim lashing out in the only way she can.
91	%%* The title character of ''Literature/MadameBovary'' embodies this trope.
92	* ''Literature/MarvelsSpiderManHostileTakeover'': Michael Bingham is the center of his own world and wants to be the center of everyone else's. He has this trope so bad he only considers caring about other people when they are nice to him, and thinks nothing of them when they die.
93	* In Teresa Frohock's ''Literature/MiserereAnAutumnTale'', Catarina interprets everything Lucian does as a slight to her, regarding it as treachery for him to escape after she had tortured him and had him crippled for life.
94	* In ''Literature/TheMister'', when Maxim learns about his love interest Alessia's backstory [[spoiler:involving an abusive father, a forced engagement and sex trafficking]], one of his first responses is to lament that he "can't touch her" now.
95	* ''Literature/MonsterOfTheMonthClub'': Many of the monsters are rather self-centered. Icicle in particular is ''very'' egotistical, borrowing Rilla's things without asking and basically acting as if he's King of the Attic.
96	* ''Literature/TheMoomins'': The father of the Moomin family is one of these. It is most evident in the two books where he's a reasonably main character (''The Exploits of Moominpappa'' and ''Moominpappa at Sea''), but it turns up in the other books as well.
97	* ''Literature/MoribitoIIGuardianOfTheDarkness'': In the climax of the novel, Yuguro rants about how Jiguro turned him into an outcast by escaping with "someone else's daughter," ignoring that Rogsam was at fault for turning his entire clan into outcasts by framing Jiguro for treason.
98	* ''Literature/TheNeverendingStory'': This is Bastian's FatalFlaw and the reason why most of his wishes in Fantastica go horribly wrong. Because he starts out as a LoserProtagonist, he wishes for strength, good looks, favorable opinions, to be feared and so forth. Even when Bastian wishes for good things to happen for others, it's always about secretly getting something he wants, or increasing his own appearance of benevolence. The story even points out that the motive behind doing a good turn for someone is as important as the good turn itself. It takes all of Bastian's selfish wishes going wrong to show him how low he has sunk after morally wounding Atreyu and later seeing what becomes of the other humans who went down similar selfish paths and became trapped and mindless in Fantastica. Bastian's last remaining wish breaks this cycle for him because it's a wish to love someone other than himself and thus put another person first before his own wants.
99	* Played for ([[BlackComedy dark]]) Laughs in ''Literature/OldScores''. After brutally killing two gangbangers, the vampire Salem is shot by a third, and castigates the terrified man for putting a hole in his shirt before killing him, too.
100	* In Creator/JohnHemry's ''Literature/PaulSinclair'' novel ''A Just Determination'', Sinclair's first impression of Garcia is this, but while the ship is underway, Garcia is furious while investigating a death, and Sinclair deduces that it could not reflect on Garcia personally so he must care about something besides himself.
101	* ''Literature/ThePhantomOfTheOpera'': Arguably, everyone in the original book by Gaston Leroux, except Christine, the Persian, and Madam Valerious:
102	** Raoul: After Christine murmurs: “Poor Erik!”
103	--->''At first, he thought he must be mistaken. To begin with, he was persuaded that, if any one was to be pitied, it was he, Raoul. It would have been quite natural if she had said,'' "Poor Raoul," ''after what had happened between them. But, shaking her head, she repeated:'' "Poor Erik!" ''What had this Erik to do with Christine's sighs and why was she pitying Erik when Raoul was so unhappy?''
104	** Erik, After his LoveRedeems scene, meets the Daroga, who asks him (repeatedly) about the murder of Count Philippe:
105	--->''"Daroga, don't talk to me ... about Count Philippe ... "'' … ''"I have not come here ... to talk about Count Philippe ... but to tell you that ... I am going ... to die..."''
106	** Mme. Giry:
107	--->"Mme. Giry. You know me well enough, sir; I'm the mother of little Giry, little Meg, what!"\
108	This was said in so rough and solemn a tone that, for a moment, M. Richard was impressed. He looked at Mme. Giry, in her faded shawl, her worn shoes, her old taffeta dress and dingy bonnet. It was quite evident from the manager's attitude, that he either did not know or could not remember having met Mme. Giry, nor even little Giry, nor even "little Meg!" [[SmallNameBigEgo But Mme. Giry's pride was so great that the celebrated box-keeper imagined that everybody knew her]]
109	** Moncharmin: Excerpt from the (exceptionally long) ''"Memories of a Manager"'':
110	--->''"A grievous accident spoiled the little party which MM. Debienne and Poligny gave to celebrate their retirement. I was in the manager's office, when Mercier, the acting-manager, suddenly came darting in. He seemed half mad and told me that the body of a scene-shifter had been found hanging in the third cellar under the stage, between a farm-house and a scene from the Roi de Lahore. I shouted: "'' 'Come and cut him down!'
111	* Olivia Goldsmith's novels are packed with such characters.
112	** ''The First Wives Club'' has each of the ex-husband truly selfish and miserable men with Gil arrested after he beats his wife upon finding her having an affair with a black man (he's a racist as well as a scumbag) and thinks ''he's'' the hurt party.
113	*** Before that, it's revealed that Gil forced his wife to abort her second child and turned off the life support when their first was in an accident because he hated how the children were taking away attention from him.
114	*** Aaron cheats on wife Elise, steals money from the trust fund for his mentally ill daughter and plans to push his partner out of their ad agency...and is struck by the "betrayal" when the partner pulls the coup on him. A big moment is the board concerned over Aaron overspending their cash on things like lavish hotel suites for weeks on end. When Aaron snaps "don't tell me how to spend my money," he's reminded it's "''our'' money."
115	*** Aaron's son Chris gives him a sharp TheReasonYouSuckSpeech on his behavior, including how Chris has long been TheUnfavorite to his older brother. When Aaron smugly says that as soon as "my name is off the door," Chris is also fired from the agency, Chris reminds his dad that as long as he's there, ''their'' name will always be on the door.
116	** As a story set in HorribleHollywood, ''Flavor of the Month'' has scores of examples.
117	*** Lila is a truly selfish woman determined to be an acting star and not caring who she crushes to get ahead. She doesn't love her supposed fiance and just using him to further her career.
118	*** Lila's mother, Theresa, outdoes her in terms of selfishness. The big turn of the book is when [[spoiler: Lila is shot and found to have a penis. Theresa reveals she could never raise a boy so just had surgery to raise Lila as a girl.]] It's why she never wanted her to be an actress as she knew if she got famous, someone would discover her secret...and Theresa worried how that would affect her, not Lila. When Lila [[spoiler: succumbs to her wounds, Theresa can still only think how the scandal will shake her reputation in Hollywood.]]
119	** ''Bestseller'' has Gerald Ochs, who fancies himself a great author but has to rely on stealing the profits of real authors to beef up his sale numbers. He writes a book based on a scandal involving his uncle and it drives the man to kill himself. Gerald's father tears into him for this...and Gerald can only think how the publicity over his uncle's death can help the sales. [[spoiler: He does have a HeelRealization later in the book that drives him to take his wasted life.]]
120	*** Pam is a truly selfish editor who refuses to credit anyone with success and blames everyone else for her own fall from the top.
121	*** Daniel poses as the sole author of the book her and wife Judith wrote but the fame goes to his head and he truly believes he alone wrote it, throwing away his marriage for the success to come...which bites him when the book flops.
122	** Each of the husbands in ''Young Wives'' can count but Frank is the worst. When his wife, Michelle, discovers the man is a drug dealer, he hits her and demands she keep quiet. Later, he says that if Michelle doesn't testify on his behalf, he'll claim she was involved in his operations, not caring this means their kids grow up with both their parents in jail as long as he remains in control.
123	%%* Also the main character in Creator/OscarWilde's ''Literature/ThePictureOfDorianGray'' develops this attitude.
124	* ''Literature/PigeonSeries'': This sort of thinking is possibly the Pigeon's most defining characteristic and generally what drives his behavior, especially things such as complaining about not appearing in the title of ''The Duckling Gets a Cookie?'' and slipping himself into the ''Elephant & Piggie'' titles.
125	* In ''Literature/ThePilgrimsRegress'': Mr. Sensible, for all his affability, is quite self-absorbed. FridgeHorror sets in when reading his line about hoping for mechanical servants and[=/=]or "a race of peons who will be psychologically incapable of [revolt]", and realizing he'd fit right in at [[Literature/TheStepfordWives Stepford]].
126	* ''Literature/ThePrincessDiaries'': Though generally kind-hearted, Mia slips into this from time to time. A notable example is in ''Princess on the Brink'', in which Mia tries to keep her boyfriend Michael from building a robot that could save thousands, if not millions, of lives just because she couldn't stand the idea of being parted from him for a year. Multiple characters call her out.
127	* In the ''Literature/RainbowMagic'' series, Jack Frost only cares about himself making it big, not his goblins.
128	* Emperor Ublaz Mad Eyes from ''Literature/{{Redwall}}'' is under the impression that it's perfectly reasonable to slaughter dozens of innocents and even as a last resort threatening to tear an Abbey to the ground. Just to get himself a pink pearl to finish decorating his crown.
129	* The eponymous character in Creator/OscarWilde's short story "The Remarkable Rocket".
130	-->"What right have you to be happy? You should be thinking about others. In fact, you should be thinking about me. I am always thinking about myself, and I expect everybody else to do the same. That is what is called sympathy. It is a beautiful virtue, and I possess it in a high degree."
131	* In ''Literature/TheSagaOfDarrenShan'', Darren's childhood friend Steve Leonard -- known as "Steve Leopard" -- is constantly convinced that Darren deliberately tried to kill him with the poisonous spider Madame Octa, and subsequently got himself turned into a vampire, just to show Steve up, regardless of how often Darren insists that he only became a vampire to get the cure for Madam Octa's poison to save Steve.
132	* In ''Literature/ScavengerAlliance'', this and NeverMyFault are Hannah's mantra. She will take whatever course of action serves her best, regardless of who might be hurt, and has no idea why anyone would expect her to do otherwise. Even more blatant early in Scavenger Blood, when Hannah knows that Blaze has to go and help find a missing hunting party, but still thinks she should stop and listen to Hannah's whining about her self-inflicted problems first.
133	* In ''Literature/TheShahnameh'', Goshtasp is willing to send his son Esfandiar to his death to stay king. Unfortunately the prince takes after his father in this regard. Esfandiar is willing to dishonor Rostam to become king, even after all Rostam has done for Iran. Esfandiar is decidedly the more honorable of the two though.
134	* ''Literature/SisterhoodSeries'' by Creator/FernMichaels: A number of villains have shades of this. In particular, Rosemary Hershey from the book ''Sweet Revenge'' is ''all'' about this trope! She doesn't want to share with anyone, she hires ugly people just to make herself look beautiful, and when things go wrong (and they do) she blames Isabelle Flanders and everyone except herself. She caused the deaths of three people to ruin Isabelle and take everything Isabelle held dear, including her fiance Bobby Harcourt. She displayed no remorse for those deaths. However, it turns out later that she blocked out a number of details related to the deaths, and once she remembers them, they stay in her mind, causing her to lose sleep and wreck up her precious ego and sanity. When Bobby makes moves to divorce her (another blow to her), at one point she calls him demanding to know why he didn't turn on her security system on his way out of ''her'' house. Bobby points out "Why is it always about you and what you want?"
135	* In ''Literature/SkulduggeryPleasant'', there's Fletcher Renn, albeit one of the more pleasant and likeable examples once CharacterDevelopment takes hold. The fact that he's [[LastOfHisKind the last living Teleporter]] means that the plot of the third book is more or less dependent on him, and also that every major power in the magical world desperately wants him to work for them. This feeds his ego pretty strongly, but it's toned down in his later appearances.
136	** It's implied most Teleporters are like this, probably because the advanced techniques of Teleporting are only possible if a Teleporter accepts the premise that their powers don't move them through space, but they stand still and their powers allow them to move the world, in essence, the Universe revolves around them. Fletcher has no problem with this concept.
137	** Skulduggery and Valkyrie definitely have shades of this, usually in a warmly arrogant fashion that's PlayedForLaughs. However, it's treated more seriously as time goes by, such as when Valkyrie [[spoiler: dumps her boyfriend]] partially because she didn't think he was as important as her, and this narcissism is one of [[spoiler: Darquesse]]'s defining traits. Meanwhile, it's suggested that Skulduggery is actually subverting this trope, using it as a shield to hide from the fact that he utterly loathes himself and the things he's done.
138	* Very prevalent in ''Literature/ASongOfIceAndFire''. MoralMyopia is so very common, it's no surprise at all to meet its extreme expression quite regularly.
139	** The most prominent examples in the main series itself come from the Lannister family:
140	*** Cersei is one of the most self-absorbed characters in the books, as she blithely destroys nearly everyone else's lives (even those she says she loves) to keep her position as queen.
141	*** Her darling spawn Joffrey isn't far behind her; when he becomes king, he feels he can do just about anything he wants to, and everyone is his to torture if he wishes to, as well.
142	*** Jaime subverts this in later books; he used to only care about [[BloodKnight fighting]] and being with his sister, but he starts growing depth when he cannot avoid witnessing the totality of the mess building around him first-hand (which his previous self-serving inaction helped contribute to, too).
143	*** While ''nowhere'' near as bad as Cersei by any measure you care to use, Tyrion still indulges in self-centered wallowing (and occasional lashing out) from time to time -- especially when deeply in his cups and suffering acutely from the latest heap of misery to dump itself on his head. However, when less in pain, he's generally the most empathic Lannister when it comes to non-Lannisters, aside from his uncle Kevan.
144	*** Tywin ''very'' much practices this at all times: he believes in upholding his family's name and legacy (in short, what he deems those to be) over (and despite) what his children think about it. They should (nay, ''will'') do everything as he commands -- [[DisproportionateRetribution or else]]. As you can guess -- the [[BigScrewedUpFamily family]] is both messed up and messes up on many, many levels because of their various takes on this trope and the resulting feedback.
145	** Renly, though charming, is also self-centered. He tries to take the crown from his older brother because he thinks he would make the best and more popular king, even if it means dividing the Baratheon forces which could be used in the war against the Lannisters at a time when numbers could make all the difference in winning King's Landing. That trying to jump the queue of succession like this could also very likely lead to the death of his brother, Stannis, (and a whole lot of other people) doesn't seem to bother him all that much.
146	** Viserys Targaryen, despite being in no position of power whatsoever, still treats everyone like complete dirt and still thinks everything should go his way, despite it not having done so for years. His rudeness and inflated sense of his own worth grates on just about everybody he comes in contact with-- and almost certainly led to his death.
147	** Theon Greyjoy is another case of this. Getting him to consider the needs of others is uphill work. He uses his relationships with women as if they're disposable toys fit only for his fleeting sexual amusement, for one thing. It... doesn't go well. He has [[FreudianExcuse many explanations]] for his attitude, but, they really don't excuse his both deliberate and accidentally hurtful actions towards others.
148	** Historically, very few people before or since can beat the self-centeredness of Aegon "the Unworthy" Targaryen, ''the'' major cause of the Blackfyre Rebellion(s). Just about everything he did was for shiggles on the YOLO principle. And, it caused havoc that is ''still'' being felt in the body politic of the Seven Kingdoms, almost a century later.
149	** In a broader sense, most of the nobles of Westeros don't spare a thought to the millions of smallfolk whose lives are in their hands, so long as they and their legacies come out on top.
150	* Crell Moset in the Literature/StarTrekNovelVerse. A doctor who performs unethical medical experiments throughout his career with the Cardassian military, he consistently places his own emotional desires above any and all other concerns. He refuses to recognise the pain of others if it serves his intellectual curiosity or contributes to the advance of his scientific reputation. He even seems to believe that the inhabitants of a planet his people were occupying were selfish for taking back their world before he could finish his work there.
151	* ''Franchise/StarWars Episode III: Film/RevengeOfTheSith'':
152	** [[Literature/RevengeOfTheSith The novelization]] gives Count Dooku this characterization. He views all beings in two categories: assets and threats. Everyone who is not of use to him falls into the latter category.
153	** In the same novelization, part of the reason Anakin Skywalker killed [[KickTheMoralityPet Padmé Amidala, his wife,]] was because he refused to see her actions, and Obi-Wan Kenobi stowing away in her ship, as anything but an attack on him. Waking up in the suit, he realizes that he was thinking with this trope. But it's far too late to turn back; even ''he'' knows he's [[JumpingOffTheSlipperySlope jumped off and down the slippery slope]].
154	--->You killed her because, finally, when you ''could'' have saved her, when you could have gone ''away'' with her, when you could have been thinking about ''her'', you were thinking about ''[[ItsAllAboutMe yourself]]''...\
155	It is in this blazing moment that you finally understand the trap of TheDarkSide, [[BeingEvilSucks the final cruelty of the Sith]] --\
156	Because [[WeCanRebuildHim now]] your ''self'' [[FateWorseThanDeath is all you will ever have]].
157	* The Men's Association from ''Literature/TheStepfordWives'' believe that women should be completely submissive to their husbands, and have no remorse about killing and replacing their wives with robotic duplicates programmed to serve them.
158	* In the ''Series/WelcomeBackKotter'' tie-in novel ''The Sweathog Newshawks'' the Sweathogs decide to start a school newspaper. Freddy Washington writes an article about a basketball game he played in which is 90% about him and maybe 10% about the actual game.
159	* ''Literature/SweetAndBitterMagic'': Wren sees Tamsin as the most selfish person who she's ever met, and Tamsin's own sister Marlena viewed her this way too. They're wrong though-Tamsin had risked everything trying to save Marlena in the past, and was punished harshly as a result.
160	* ''Literature/SwordOfTruth'': Objectivist hero Richard Rahl becomes like this about midway through the series, all while apparently wearing a massive set of irony blinders.
161	* ''Literature/ATaleOfTwoCities'': Marquis St. Evrémonde runs over a peasant girl with his carriage, and his only concern is that the incident may have "damaged" his horses (not injured, but damaged).
162	* In Creator/CSLewis's ''Literature/TillWeHaveFaces'', the king. Curses even the gods when he does not get his way, punishes at whim, attacks slaves randomly -- ignores Psyche until she is [[HumanSacrifice to be sacrificed]], and then jeers at the very notion that this is a loss to Orual, her ParentalSubstitute, when it's obviously a loss only to ''him.''.
163	* Several in the ''Literature/TortallUniverse''.
164	** ''Literature/SongOfTheLioness'': Duke Roger has no real affection for anyone else, resents his young cousin Jon for getting born and thus making Roger not the heir to the throne anymore, and hates the gods for not acknowledging him. Never any indication that he thinks he would be a better king; he just wants it because he deserves it.
165	** Ozorne of ''Literature/TheImmortals'' just thinks that his people should worship ''him'' and not any silly gods [[FantasyPantheon which actually exist and get rather tetchy about blasphemy]].
166	** From the same series, Alanna's own brother Thom grows into this after he graduates from the mages' academy. He puts near-lethal wards on an experiment of his in the third book; when a friend of Alanna's nearly dies by using an innocuous spell just to find out what it is, he says it was her own fault for meddling. He uses his twin-magic bond with Alanna to "borrow" a huge chunk of her magic without asking. And the reason he did both of these things was to [[spoiler:resurrect her mortal enemy, Roger, who Alanna killed ''herself'' for trying to usurp the throne]], for the sole purpose of proving that he ''could'' do it.
167	** In a CharacterDevelopment instance, Aly has shades of this at the beginning of the ''Literature/TrickstersDuet'' -- she wants to spy because she'd be so good at it, and it would be fun and exciting. When [[TricksterGod Kyprioth]] kidnaps her for her talents, she sobers up about what the job [[DirtyBusiness really requires]] and the impact it has on LaResistance.
168	** The antagonists of all three ''Literature/BekaCooper'' books.
169	*** In the first you have Crookshank, a fence and slumlord who is not satisfied with his considerable wealth and has whole crews of miners murdered (repeatedly) to keep his precious fire opals secret; he thinks nothing of exploiting poor unemployed folk and cares more about the opals and slight to his pride than his own grandson. The Shadow Snake's motivation boils down to "my neighbors have nice things and I deserve them more."
170	*** Pearl in ''Bloodhound'' almost ruins the whole nation's economy by dumping tons of counterfeits into the moneystream so she can hoard all the silver for herself, will murder [[YouHaveOutlivedYourUsefulness anyone who becomes slightly a liability]] even if they were friends, and has no empathy for anyone (except dogs).
171	*** And in ''Mastiff'', a massive conspiracy to usurp the King and Queen by kidnapping and abusing the child prince is launched by a bunch of mages who object to a sales tax.
172	* Apollo from ''Literature/TheTrialsOfApollo'' is the very definition of this, as well as at least two of his children. Their reaction to finding out their father [[spoiler:is now mortal and will have to complete several dangerous tasks to return to godly status]] is to ask if this will affect their existence or special abilities. And Apollo is ''proud of them for it''.
173	-->'''Apollo:''' It warmed my heart that my children had the right priorities: their skills, their images, their views on Website/YouTube.
174	* In Creator/JackVance's works, the villains do this more often than not, often in eloquent, even florid, language. They tend to be extremely self-righteous. (When they aren't this trope, they tend to display MoralMyopia.)
175	* ''Vietnam: An Epic Tragedy'' by Creator/MaxHastings. From the introduction:
176	--> The authors of all the authoritative works about the conflict are American or French. More than a few of the former write as if it was their own nation's story. Yet this was predominantly an Asian tragedy, upon which a US nightmare was overlaid: around forty Vietnamese perished for every American.
177	* ''TabletopGame/Warhammer40000'':
178	** In Creator/DanAbnett's Literature/{{Eisenhorn}} novel ''Malleus'', Cherubael sets up an elaborate plan to get Eisenhorn [[spoiler: to free him]]. It involves the death of several innocents, including some that Eisenhorn has to kill in self-defense. When Eisenhorn [[spoiler: reimprisons him]], Cherubael laments the gross injustice of it.
179	** In Creator/SandyMitchell's Literature/CiaphasCain novel ''The Traitor's Hand'', a daemon kills a trooper in front of Cain and talks of how she will transform the planet into a warp gate to allow daemons to run wild. When, with the help of Jurgen's "blank" abilities, Cain goes to kill her, she objects: "It's not fair!"
180	*** The villain of ''Duty Calls'' turns out to be like this. He actually complains that, in the face of a [[HordeOfAlienLocusts tyranid]] attack, when he ''shot'' some civilians for ''trying to get their children onto his escape vessel'', the others "got quite abusive". Cain observes that this must have been distressing for him, and he [[SarcasmFailure appreciates the sympathy]].
181	** In Creator/DanAbnett's Literature/GauntsGhosts novel ''First Only'', [[spoiler: Flense]] attacks Gaunt for killing his father, but his complaints are that he, personally, lost his estate and family name, and had to rise up in the world like any common trooper.
182	** In Creator/GrahamMcNeill's TabletopGame/{{Warhammer 40000}} Literature/{{Ultramarines}} novel ''Nightbringer'', Taloun complains to the SpaceMarine Uriel that he has lost thousands of man-hours of production owing to bombs. Uriel wonders how many men he had lost and whether he cared.
183	** This is 40k. Those men only mattered to the Imperium inasmuch as they work for its defense; the loss of a million men is considered a good trade if it will keep a manufacturing planet for one more day. The loss of 20 men at one factory is irrelevant next to the loss of the thousands of man-hours of munitions they would have built.
184	** In Creator/GrahamMcNeill's TabletopGame/{{Warhammer 40000}} Literature/HorusHeresy novel ''Fulgrim'', Braxton is enraged that the primarch keeps him waiting, because keeping people waiting is what he does to other people, to demonstrate his superior status. Keep in mind he's thinking this about a ''Primarch'', one of the gene-sons of ''the Emperor Himself'', who is essentially a PhysicalGod.
185	* ''Literature/WarriorCats'': Hawkfrost, since it seems his main motivation in [[spoiler:trying to rule the forest, is the fact that he believes that he, and only he, is capable of leading the Clans properly]], also how he constantly addresses the crowd at Gatherings, even though he has no right to.
186	* WordOfGod states that this is the one unifying characteristic of the Dark One and all his followers in ''Literature/TheWheelOfTime''.
187	** Padan Fain, the more aloof of the not-quite-evil individual Aes Sedai and Wise Ones, and many of the nobility, native or Seanchan, whether or not they're actually Darkfriends, also qualify, in varying ways. It's a pretty big theme in the books that when a character has power, they generally think either that they deserve to be treated like a god, or at least that their solution to the world's problems is certainly the best/only reasonable one.
188	* In Creator/EDBaker's ''Literature/TheWideAwakePrincess'' novel ''Unlocking the Curse'', the main characters are on TheQuest to find a dwarf who wanders the name and {{curse}}s anyone who thwarts him, often quite reasonably, into a ForcedTransformation.
189	* ''Literature/TheWitchOfKnightcharm'' is set mostly within an evil WizardingSchool. Some of the school's students are there to learn how to TakeOverTheWorld, and some are there to become masters of the TheDarkArts so they can kill specific people upon graduating, but one rookie witch named Chosovi just wants to have fun taking on dangerous and thrilling challenges. The problem is, she doesn't care how many people she has to hurt or kill; as long as she's feeling an adrenaline rush and having a great time, she'll happily support (or participate in) all sorts of evil deeds.
190	* In ''Literature/TheWitchlands'', this is Merik's FatalFlaw. He's convinced that the navy, the country, and the people of Nubrevna are doomed without him and only him sitting on the throne will save the nation from utter destruction wrought by his sister. The reality is... less dramatic.
191	* A staple of ''many'' characters in Creator/PGWodehouse novels, particularly the friends and family of [[Literature/JeevesAndWooster Bertie Wooster]]. Even the more sympathetic characters can fall into it from time to time -- the distinction, generally speaking, is that the sympathetic characters can occasionally be made to see reason (before or after the disaster is complete), while the unsympathetic ones never bother to listen to anything that isn't 100% to their liking.
192	* Henry VIII in ''Literature/WolfHall'', mixed with a big dollop of NeverMyFault. Although he can show affection, statesmanship, and piety, at the core he's a selfish and capricious being who only cares about how his own feelings. After he orders Thomas Cromwell to get Anne Boleyn executed, Henry brings out a play he's written and shows it around to people at every opportunity.
193	-->"A tragedy... my own story."

Context ItsAllAboutMe / Literature