Line #100 GrowingTheBeard/AnimeAndManga


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2	%% This list of examples has been alphabetized. Please add your example in the proper place. Thanks!
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5	* In the case of the ''Manga/AhMyGoddess'' manga, it's "Growing The Ponytail". The series began somewhat crude and crass, and the main cast comprised only Keiichi and Belldandy, who then had long, silvery hair. As the series evolved and more characters were added, Kōsuke Fujishima started making her (and her sister goddesses, Urd and Skuld, when they joined) look less Asian and more European. By the time Fujishima had gotten a firm handle on the character designs (with Belldandy in blonde hair in a bun and ponytail, with some dangling for good measure), the series had more or less become a light-hearted romantic-comedy.
6	* The ''Manga/{{Akira}}'' manga picks up a lot of steam at the point where [[spoiler: Akira demolishes Neo-Tokyo]], transforming from an edgy cyberpunk story about unravelling the mystery behind a group of psychic kids to an intricate, psychologically and politically riveting [[spoiler: post-apocalypse epic]]. The anime ends just at the point where the manga gets much richer and more involved. This may have been a wise filmmaking choice, since it would have taken what, four, five hours to even dent the plot of the last half of the manga?
7	* ''Manga/AttackOnTitan'': The ''Female Titan'' arc and the lead up to it, where focus diverts from the main trio and becomes more of an ensemble story is considered a vast improvement by some.
8	* ''Manga/{{Berserk}}'': Around volume 9 where stuff starts hitting the fan. The Manga's first arc (which looks like shallow torture porn at first) starts to grow the beard when [[spoiler: the snail count visits his daughter.]] It's the first sign of the layered storytelling that the manga is best known for. The anime had a well-written but very slow start. It really gets interesting at episode 15.
9	* ''Manga/BlackClover'': Many fans agree that the series' weakest point is the beginning, which is often criticized for being pretty generic, and that it starts to get better around the Dungeon Exploration Arc and really becomes more enjoyable around the Eye of the Midnight Sun Arc, in which Licht and Yami are finally shown off. Additionally, it is around this time that the series started to involve using combinations of magic from different characters which adds a believable layer to the fights.
10	* ''Manga/{{Bleach}}'': [[BrokenBase According to about half the fandom,]] the beard grows in when Rukia gets arrested, which is when the story stops being MonsterOfTheWeek as the MythArc first kicks in, the stakes get much higher, and the TrueCompanions really come together for the first time. According to the OTHER half of the fandom, that's when the massive influx of [[SpotlightStealingSquad Shinigami characters]] saps the story of focus, [[FightingSeries action]] overtakes plot development, and "good guys never die" robs the story of dramatic tension.
11	* ''Anime/BloodPlus'' gets a bit better around the time Saya grows her hair out. It makes sense since so many things happened right before her hair style changed: [[spoiler:Her younger foster brother is killed, Red Shield's HQ is destroyed, its leader crippled, and her angst filled QuestForIdentity is finally completed]]. Not that there wasn't more angst, but the second half of the series was both more entertaining and more memorable.
12	* ''Anime/BlueGender''. The first ten episodes or so, out of twenty-six, are set on Earth. They're relatively lackluster, feeling more like a [[FollowTheLeader rip-off]] of ''Literature/StarshipTroopers'' with a touch of ''Anime/MobileSuitGundam'' than anything else. They're also very episodic, and you can easily skip most of the first half... then Marlene and Yuji get to Second Earth, and the series takes a sharp turn towards fucking awesome. The introduction of Yuji's EvilCounterpart, [[spoiler:ManipulativeBastard Tony]], helps. The introduction of [[PsychicPowers B-cells]] helps too.
13	* ''Anime/CandyBoy'' turns more and more into an emotional {{slice of life}} series with each subsequent episode, especially from the introduction of Kanade and Yukino's little sister Shizuku onward. Not bad for a show that was originally a one-time affair based around the gimmick of [[{{twincest}} twin sisters who like each other much more than average]].
14	* While the lighthearted, villain-of-the-week style first half of ''Anime/{{Charlotte}}'' is entertaining enough, the show started its beard in episode six, with [[spoiler: Ayumi's death]]. The beard reaches full mountain man status by episode nine, when [[spoiler: time travel comes into play]].
15	* ''Manga/ChocottoSister'' makes an almost seamless transition from a {{fanservice}}-laden {{moe}}-vehicle to an emotional rollercoaster-ride, leading to some very well-executed {{tear jerker}}s near the end.
16	* ''VisualNovel/{{CLANNAD}}'' was always a decent high school romance comedy, but it REALLY proved its depth at the end of episode 18 when the other girls realised they had to give up on Tomoya because he loved Nagisa, and in episode 19 when Tomoya ran away from his broken home and moved in with Nagisa's family.
17	** Similarly, after ''~After Story~'' trimmed its beard by falling back into high school filler for the first eight episodes, it came back with a vengeance in episode 10 when--get this--Tomoya ''graduates and gets a job!'' Not the kind of thing normally seen in high school romance comedy, is it? The beard grows even longer in episode 12 when [[spoiler:Tomoya asks Nagisa to marry him]] and by the end of episode 16 [[spoiler:when Nagisa dies in childbirth]] this series has the kind of beard you expect to see in The Guinness Book of Records.
18	* Though the episodes before it had had their highlights, the conflict at Narita in episodes 10 & 11 of ''Anime/CodeGeass'' marked the point at which the plot hit its stride and entertaining plotlines were produced both for Zero's rebellion and Lelouch's life at Ashford.
19	* The early chapters (Or [[IdiosyncraticEpisodeNaming "Karte" as they're called]]) of ''Manga/TheDangersInMyHeart'' received mixed reactions, with some finding them fairly enjoyable and sweet and others being turned off by Ichikawa's dark {{Chuunibyou}} mentality and dismissed the series as another WishFulfillment RomanticComedy. The reception became much better around chapters 10-15 once he dropped his "desire" to kill Anna and started focusing more on CharacterDevelopment and the growing interactions between them. What ''really'' settled it as a great series among readers were Karte 42-43, where the series started exploring Ichikawa's insecurities.
20	* Okay, ''Manga/DestinyOfTheShrineMaiden'' is a TwelveEpisodeAnime, but it still grows a definite beard halfway through. Be patient with the silly mechas and shonen anime clichés -- when Chikane's issues take centre stage, that's when things are about to get way the hell more interesting.
21	* ''Anime/DigimonAdventure'' started out as a fun, if typical, TrappedInAnotherWorld {{Mons}} series. Things picked up at around episode 21, but it wasn't until the introduction of Vamdemon/Myotismon (an incredibly iconic villain for children's anime, even after a decade) that the series really hit its stride.
22	** ''Anime/DigimonTamers'': After some slow, character-building episodes, the show grew its beard with episodes 13 and 14, as the Director finally reveals the breadth of his roots in Horror to give a whole new kind of ''Digimon'' anime that's heartwrenching, terrifying, and ''awesome''.
23	** ''Anime/DigimonDataSquad'' starts off as "[=GeoGreymon=] victim of the week" series but starts to pick up with the introduction of Falcomon. Then [[MadScientist Kurata]] shows his hand and the fun [[spoiler:and genocide]] begins...
24	** ''Anime/DigimonFusion'' showed great improvement by the introduction of [=DarkKnightmon=] and began to really hit its' stride with the commencement of the Death Generals arc, the reintroduction of traditional evolution and the conflict with Yuu Amano.
25	* ''Franchise/DragonBall'':
26	** With regards to the manga, this could be placed around the time Goku goes to train with Roshi. At this point, Toriyama dropped a lot of the abject Literature/JourneyToTheWest stuff, stopped breaking the fourth wall so frequently, and refined the action sequences. Even though the earlier parts were entertaining, this is where the series really came into its own, and began its move towards that which Dragon Ball is really known for - a lengthy, fighting-based shounen saga.
27	** Another would be the Piccolo Daimao Arc, which is the point where the story undergoes a very visible shift towards a darker tone and more dramatically-fueled action. This is the first [[ArcVillain Villain Arc]], a story format that would tellingly ''define'' every subsequent arc going forward after the 23rd Tournament Arc, which makes up almost the entirety of ''Anime/DragonBallZ''.
28	** If the above weren't enough, ''Anime/DragonBallZ'' solidified it by being the first Villain Arc with Goku as an adult, heralding all future stories having a wholly dramatic thrust compared to the more happy-go-lucky adventures of the early years. This is helped by the WhamEpisode of Goku's death and TheReveal of his alien origins, and the huge action sequences, which the previous two arcs reserved for the end, now become more commonplace.
29	** ''Anime/DragonBallSuper'':
30	*** The series started getting its own voice during the Universe 7 VS Universe 6 tournament. It had a very powerful plot twist with [[spoiler:Frost being revealed to be EvilAllAlong]], and featured some of the most tactical and well thought-out fights in the entire ''franchise'', helped in no small part by the U6 fighters having very unique fighting styles. The one thing that eventually won the fans over, however, was [[spoiler: Goku combining the power of Super Saiyan Blue with the Kaio-Ken and breaking the very concept of time itself.]]
31	*** Many fans agree that the Future Trunks Arc was far better than almost the entire show leading up to it.
32	* ''Anime/EurekaSeven'' was a quirky but tepid mecha anime for most of its first half, and most of its watchers were rather ambivalent towards it on its first Creator/AdultSwim airing. Then came the first-season finale, which, along with a marked increase in animation quality, set the stage for the rest of the show and was a wonderful SugarWiki/{{Heartwarming Moment\|s}} in its own right. Then the ''real'' fun began. Some saw the improvement of the series purely in the fact that Renton wasn't [[AbusiveParents beaten up]] [[ButtMonkey every other episode]] anymore.
33	* ''Manga/FairyTail'' steadily came into its own after the first few storylines, which were generally goofy and had more emphasis on comedy. The Galuna Island arc, while still goofy at times, was the first point where the series began to really delve into the characters' tragic pasts and show that it could handle tear-jerking drama just as skillfully as it could handle badass action scenes and goofy comedy. The following storyline, involving the war with the Phantom Lord wizard guild, is where the series finally got the formula right, with exactly the right amount of drama, comedy, and action.
34	* ''Manga/FateKaleidLinerPrismaIllya'' starts out as a fairly comedic, smart series about Illya as a MagicalGirl. It then steadily becomes more serious. The CharacterDevelopment and ArtEvolution become more apparent in its second season, and the gentle amounts of FanService and heavier action clearly show it's a {{Seinen}} series.
35	* ''Manga/FistOfTheNorthStar'' starts off as a series of loosely connected story arcs where one thing leads to another. It isn't until the introduction of Kenshiro's three honorary brothers in the ways of Hokuto Shinken and their dispute over who will become the successor where the main story truly begins.
36	* ''Manga/FullmetalAlchemist'':
37	** Quite early on, the first few stories seem to set the series as a MysteryOfTheWeek format, where the two brothers journey around and solve various problems via alchemy. As soon as Edward and Alphonse reach Central and meet up with Mustang, the story turns into a longer single arc.
38	** Another notable moment is the death of [[spoiler:Hughes]].
39	** There's also when [[spoiler:Mustang killed Lust in an [[SugarWiki/MomentOfAwesome absolute blaze of glory]]]].
40	** ''Brotherhood'' was promising from the very start just for being a [[TruerToTheText more accurate adaptation]] than the 2003 anime, but the first three episodes were fairly average (a {{filler}} episode, an episode telling Ed and Al's backstories, and a [[MonsterOfTheWeek villain-of-the-week]] episode) and what little we saw of the villains was fairly generic. The moment no ''FMA'' fan will ever forget comes in [[WhamEpisode Episode 4]] of ''Brotherhood'', when [[spoiler:a friendly, likable and sympathetic character [[NightmareFuel fuses his daughter and her beloved dog]] [[MoralEventHorizon together into a horrifying brain-dead hybrid]], establishing forever how truly [[NightmareFuel/FullMetalAlchemist dark]] and [[TearJerker/FullMetalAlchemist tragic]] this show really could be.]]
41	** ''Anime/FullmetalAlchemist2003'' likewise picks up around the time of [[spoiler:Hughes' death]], splitting from the manga's storyline and evolving into a truly dark and compelling drama. By the time Ed fought [[spoiler:and killed]] Greed, its beard had grown out to roughly Music/ZZTop proportions.
42	* ''Anime/FullMoon'' does this in the anime. It takes a good 30 episodes of happy fluffy fun times (if you forget the protagonist is going to eventually become mute due to a throat tumour or, alternatively, die) before things start getting serious and very emotionally hard-hitting. The second half of the anime is very nearly unrecognisable from the first.
43	* The first season of ''Manga/FushigiYuugi'' leads one to think it will be a HappilyEverAfter MagicalGirl story. It's slightly violent, a few deaths of Mooks and the like, but the main characters always survive unscathed... until the first season finale, where [[spoiler:the male lead's entire family is brutally murdered.]] From that point on, the series takes a much darker turn, [[spoiler:and most of the main characters die]].
44	* ''Manga/{{Gantz}}'', for the first nine volumes (and the whole anime series), consists of senseless killings, gory, horrific violence, {{Fanservice}}, and sex scenes. Thanks to the introduction of [[LoveInterest Tae Kojima]] and impressive CharacterDevelopment for Kurono, however, the manga has since improved ''immeasurably.''
45	* For the first 20 or so episodes, ''Anime/GaoGaiGar'' was not particularly impressive and seemed to be a simple, poorly constructed ''Franchise/{{Transformers}}'' ripoff like its predecessors... around episode 26, however, the first BigBad reveals his hand, the truly epic fights begin, and the animation budget grows notably more robust. Then episode 31 occurs and [[LensmanArmsRace the handbrake is removed from the wheels of badassery.]]
46	* The original ''Manga/GetterRobo'' manga, despite being an [[CombiningMecha influential]] and important series for the HumongousMecha genre, is still a fairly typical shonen action comic with some shaky art. When the series was revived 15 years later in ''Getter Robo Go'', now under the full creative control of Ken Ishikawa, things ''really'' started to take off.
47	* ''Manga/{{Gintama}}'': Even its most die-hard fans will admit that the pre-Benizakura chapters are the weakest part of the manga, as it is just a series of comedic situations one after the other with seemingly no end goal. The anime especially had issues adapting the humor of the manga, with the voice actors not being as on point as they will get, the animators finding the right style for the kinetic energy Gintama requires and the editors figuring out how to pace and cut to make the jokes land, making the humor in these first few episodes feel extremely clumsy. It's not until Benizakura, its first serious arc (around episode 58) that Gintama finally fixes its issues, prompting fans to give the following advice: "Try it out until the Benizakura arc. If it hasn't gripped you by then, it's safe to drop it".
48	* ''Anime/GunXSword'' starts a bit slow and episodic... and then at the end of the sixth episode, [[spoiler:Van asks a waiter if he's seen a man with a claw - a question to which [[FailureIsTheOnlyOption the answer has always been "no."]] The response is as follows: "Yes. He's right over there."]] That moment starts the show's momentum going, and it never loses it until the end.
49	* ''Webcomic/HetaliaAxisPowers'':
50	** The manga was always a light hearted and cute Anime, but the third season (Named independently from the first three as ''"World Series"'') has a distinct DarkerAndEdgier feel, with darker colouring, more visible lines, better quality, and more fluid animations, along with more original plots to go alongside the ones from the manga, it's also much funnier than the first two seasons. And it contains [[EnsembleDarkhorse PRUSSIA!]] Which probably adds to the humour department.
51	---> '''Prussia:''' [[BreakingTheFourthWall Stupid animation department, not letting me be in the anime just because I'm not an official country any more...]]
52	** The fifth season got a new name again (''"The Beautiful World"'') and a new team with a [[ArtEvolution noticeably more polished art style]] and has become a bit more focused (generally adapting only one story per episode, where episodes in earlier seasons would skip around between multiple stories).
53	* Watanagashi-hen (the 2nd novel) of ''VisualNovel/HigurashiWhenTheyCry'' is commonly referred to as the point where the quality improves.
54	** For the anime, it could probably be said that this happens in either Tsumihoroboshi-hen, or Kai. During the former, the series finally stops making its protagonists turn into [[AxCrazy insane,]] [[HatePlague paranoid]] [[VillainProtagonist villains]] who murder the remaining characters before either killing themselves due to the hate plague or being killed by some outside force. For once it stops focusing on paranoia and murder mysteries and focuses more on the theme of [[ThePowerOfFriendship friendship,]] which leads to the first happy ending in the entire series, not that it lasts long. The latter moment of growing the beard answers several unanswered questions of the previous arcs, while finally giving the show more [[SugarWiki/HeartwarmingMoments uplifting moments,]] the characters no longer at each others' throats. While the arcs still have the characters dying in the end for the most part, they usually get in some awesome or heartwarming moments which, unlike in the previous season, seem to be more heartfelt than just plain silly. The true villain and the reason behind the time resets are revealed to the audience, and the group seems more passionate about their friendship, giving the viewer more hope.
55	* While ''Manga/InuYasha'' does get a lot of flack for its ArcFatigue, many fans believe that the rebirth of Kikyo and the introduction of Naraku is when the series began to shift away from a simple quest for the {{Macguffin}} with MonsterOfTheWeek elements and focus on a more complex story involving the band of heroes facing off against a powerful and seemingly impossible to kill enemy, while experiencing developments as characters.
56	* ''Literature/IsItWrongToTryToPickUpGirlsInADungeon'' undergoes a noticeable shift in quality starting with Volume 5, where the story actually begins to challenge the main characters and the stakes become higher. The anime, however, does not do a very good job illustrating this, leading to criticism that the series arguably does not deserve.
57	* ''Manga/ItazuraNaKiss'': the [[spoiler:HappilyEverAfter end]] of the first season is in many ways the real ''beginning'', because it drops most of the exaggerated RomCom {{Dead Horse Trope}}s in favor of a more grown-up plot.
58	* ''Manga/JoJosBizarreAdventure'' begins as what could best be described as ''Manga/{{Fist of the North Star}}'' with vampires for its first two arcs (''Phantom Blood'' and ''Battle Tendency''). With the ''Stardust Crusaders'' arc it really comes into its own with the introduction of [[FightingSpirit battle]] [[PsychicPowers spirits]] called "Stands" and does away with the Hokuto Shinken-esque martial arts used in the previous storylines (not to mention Joseph himself humorously grows a beard during it). In Part 4, the art noticeably begins to shift away from looking like ''Fist of the North Star'' and develops a completely unique style. Finally, during Part 7, as a result of shifting to the seinen demographic, the series becomes less about the fights and action and much more about the characterization and plot, and begins tackling adult subject matter that showed up now and again in the older parts in a more mature and direct fashion, not to mention the art becomes much more detailed as a result of being monthly instead of weekly. The animated adaptation also improves during the adaptation of ''Battle Tendency'', with a better pacing compared to ''Phantom Blood'', better animation and a better soundtrack.
59	* ''Anime/JubeiChan'' had about 7/10 comedy and 3/10 action. Then the sequel came, improved animation quality and turned that ratio on its head.
60	* ''Manga/KaguyaSamaLoveIsWar'' was a popular series from its start, but it's widely accepted among the fandom that the exact point it went from good to ''really'' good was the "I Can't Hear the Fireworks" two-parter. Most manga readers who try to convince people who only watched the first season of the anime (which only covered this segment) to read the rest of the series will cite it as being the weakest part of the story.
61	* After numerous false starts, ''Anime/KiddyGirlAnd'' manages to find its stride halfway through the series. True, it never reaches the emotional heights of its [[Anime/KiddyGrade predecessor]], but the story becomes much more serious and digestible--although [[TheScrappy Ascoeur's perpetually childish demeanor]] remains an ... uhm ... acquired taste.
62	* ''Manga/{{Kinnikuman}}'' starts off as a parody of superheroes with a goofy MonsterOfTheWeek gimmick until the Choujin Olympics start and by the end [[ArtEvolution the art starts to get more detailed]] and the series becomes the ProfessionalWrestling epic with imaginative villains it's best known for.
63	* ''Anime/{{Kiznaiver}}'' did this from episode 8 and 9 onward. Before that, it received mixed reviews from fans, some thought that the idea was better than the execution, that it suffered from RomanticPlotTumor and that Maki Okada's involvement in the writing made the series overly melodramatic. After these episodes, the mysteries of the series set in, the ShipTease is more fitting, the characters have more depth, their dramas seem more believable and sympathetic to the fans and many fans enjoyed the tear jerking and the dramatic tone the series took.
64	* ''Manga/KokounoHito'' starts off as a pretty typical shounen manga, with an antisocial main character discovering a love of climbing and joining the school's club, surrounded by characters who seemed to fall into pretty typical shounen roles, and an overall optimistic tone. However there is a '''very''' big turning point when [[spoiler: TheMentor, instructor Ounishi, dies]], and from that point on the manga pretty much shifts genre completely into a psychologically dense and mature seinen ComingOfAge story with more nuanced and realistic characterization overall, especially with Miyamoto and Yumi who end up completely subverting their initial roles of TheRival and LoveInterest respectively.
65	* ''Anime/LastExile'' spends the first three episodes with next to no plot development, only going into high gear around episode 4. Some fans push this ahead further to episode 7, when Dio is introduced.
66	* ''Anime/LittleWitchAcademia2017'' started off quite slowly, with its first five episodes having very little plot and were largely focused on episodic antics that did little to progress the characters or the story further. Episode 6 is widely regarded to be a turning point for the series, from there on, the series began putting a greater emphasis on CharacterDevelopment, worldbuilding and the overarching Seven Words plotline.
67	* ''Anime/TheLostVillage'' did this from episode 7 onward. The series had a slow start, unsympathetic characters that were mostly bystanders, bland or screaming dumbasses, mysteries that made no sense and a plot that didn't really seem to go anywhere. From [[spoiler:Masaki's witch hunt]] from there on, the characters are shown to be more complex, the mysteries start to get solved and things get clearer, and the fans starting to genuinely enjoy the series, rather than consider it SoBadItsGood.
68	* The anime version of ''Manga/LuckyStar'' suffered from a very poor director in its first four episodes. It was bad enough that the producers actually canned him and had him replaced, after which the series takes a noticeable turn for the better, with the sixth episode being a BeachEpisode. Unfortunately, this is like many other cases in that it's hard to get your friends into it when the first episode spends twenty minutes talking about how to eat different foods.
69	* The first few episodes of ''Anime/LupinIIIPart1'' were very uneven in quality, but it finally grew the sideburns at one of two episodes, depending on who you ask. One contender is the fourth episode for being a faithful adaptation of a manga chapter that adds plenty of CharacterDevelopment...or the eighth, for being the first episode to feature Goemon as part of the gang, establishing the status quo that the franchise would operate on from then on, AND for being the first one directed by Creator/HayaoMiyazaki and Creator/IsaoTakahata.
70	* ''Franchise/LyricalNanoha'':
71	** The first four episodes of ''Anime/MagicalGirlLyricalNanoha'' are decidedly episodic. Girl gets powers, fights MonsterOfTheWeek, rinse, repeat, and the animation style jumps about quite a bit. Then the plot does a turnaround, removes the MonsterOfTheWeek entirely, and adds the DarkMagicalGirl and the space battle cruiser staffed by [[BlingOfWar military-uniform]] garbed mages.
72	** The trend is continued in the following seasons, ''[[Anime/MagicalGirlLyricalNanohaAs A's]]'' and ''[[Anime/MagicalGirlLyricalNanohaStrikerS StrikerS]]'', as the story transforms into a psychologically complex, multi-dimensional saga.
73	** There are reports of this happening in ''[[Manga/MagicalGirlLyricalNanohaViVid ViVid]]'' as well, with the author/s apparently having decided that the (rampant) FanService was getting in the way of the plot.
74	* ''Anime/Macross7'' picks up around episode 17, with the separation of City 7 from the fleet, and picks up once again in episode 27 with the creation of Sound Force.
75	* ''Anime/MagicalProjectS'': Although it parodies the magical girl genre, never takes itself seriously and taking into account that this is a subjective trope from episode 19 you can see that besides the ever present jokes, there is an actual change of the status quo thanks to character development. It goes beyond being a parody show and adds psychological complexity to some characters (particularly Misao/Misa) that lead and from this point the characters were taken seriously beyond (but retaining) comic relief.
76	* ''Manga/MajinTanteiNougamiNeuro'' was a SerialKiller [[MonsterOfTheWeek of the week]] mystery solving case till Sai shows up and the mysteries become much more emotionally investing. It takes another leap with the HAL arc brings forth far more dramatic tension that what it had before.
77	* ''Manga/MedakaBox'' starts off as a SliceOfLife story of the absolutely flawless student president, Medaka Kurokami going on quirky tasks of helping students with their issues, but once [[KnightOfCerebus Unzen]] the head of the Student Disciplinary Corps shows up, the story and [[ArtEvolution art]] drastically improved with its GenreShift to {{Shonen}}.
78	* ''Manga/{{Monster}}'' really takes its time setting up its characters and situations, so that for its first 20-some episodes it appears to be a warmed-over ''Fugitive'' knockoff with a doctor on the run from the law helping people he meets while trying to find the real perpetrator. Then we get a complete shift in focus to Dr. Reichwein and some other new characters being affected by Johan's plans, with the series taking on a much stronger focus on uncovering Johan's backstory rather than simply chronicling Tenma's travels.
79	* ''Manga/MuhyoAndRoji'' gets quite a bit more interesting than a [[MonsterOftheWeek Ghost Of The Week]] series when Enchu is revealed as a BigBad, but the series truly gets interesting after [[spoiler:Rio]] is revealed as a traitor, when the plot shifts to the war against the evil Ark organization.
80	* ''Manga/MyHeroAcademia'': It's generally considered that the manga grew the beard thrice, in the sense that it bettered different aspects of its plot.
81	** The USJ Arc is regarded as the point in which the stakes were raised with the introduction of the League of Villains and the plot's TheHeavy Shigaraki.
82	** The Sports Festival Arc is generally considered where the characters started to receive depth and development, as well as adding [[TheAce Todoroki]] to the main cast, fleshing out the characters that, otherwise, seemed to be flat and cliched in the process. It's also where the EarlyInstallmentWeirdness traits of several of these characters came to a halt.
83	** The Stain Arc -- though, to some, it's the Camping Trip Arc -- is where the threat of the villains was truly advanced to be treated as a real threat, with the League of Villain's Vanguard members managing to score victories, some of which also became EnsembleDarkhorse.
84	* Fans of ''Anime/MyHime'' believe that it grew its beard at its eighth episode, with events ([[spoiler:the killing of Harry by Miyu and subsequent "death" of Kazuya]]) that kick off an AncientConspiracy's intervention and cause a breakaway from the hitherto-formulaic plot.
85	* ''Manga/MyMonsterSecret'' has two points that are generally regarded as major upticks in quality:
86	** [[TheGadfly Akane]]'s introduction is generally considered the point where the series found its tone, particularly as [[TricksterMentor her presence]] has a major effect on the dynamics between cast members.
87	** Chapter 86, in which [[spoiler: Youko and Asahi officially become a couple]], marks the point at which the series becomes more focused on developing the minor characters and exploring the implications of the setting in more detail. It also begins to depart more from the RomanticComedy format to use a wider variety of plotlines.
88	* While the first arc of ''Manga/{{Naruto}}'' was well-received, the series started growing with the Chunin Exam Arc. We're introduced to the BigBad of part 1 as well as many [[EnsembleDarkhorse Ensemble Darkhorses]], and characters such as Naruto and Sakura start showing their signs of CharacterDevelopment.
89	** Regarding the Shippuden anime, after the tragedy of bad animation throughout ''Pain's Invasion arc'', and after the subsequent Filler Hell before and after the ''Kage Summit arc'', the series started picking the hell up. First was [[SugarWiki/MomentOfAwesome Naruto vs. Kyuubi]], an incredible climax to a lifelong battle. Then came [[TearJerker Naruto's birth story]], which had movie-quality animation and a new OST to boot. After that came the Fourth Great Ninja War, complete with new [[TwoDVisualsThreeDEffects CG rendering]] in scenes (due to the ''tens of thousands'' of people/Zetsus).
90	** While once very clumsy in execution, fillers have gradually gained more and more HiddenDepths, CharacterDevelopment and flowing story starting with the Fourth Ninja War, especially with the new "Power" arc which has great movie quality animation and the use of subtle writing, along with CharacterDevelopment and fighting sequences, with each episode bringing a new [[WhamEpisode surprisingly shocking]], but foreshadowed developments that turn the story in a better direction with each episode; especially if you compare it to the {{Filler}} of Part 1 and almost all the filler episodes prior the 4th Great Shinobi War.
91	* The ''Manga/NegimaMagisterNegiMagi'' manga does this around chapter 16, when it begins to switch from an UnwantedHarem comedy to an action series with the arrival of Evangeline. It really hits its stride at the climax of the Kyoto Arc. Unfortunately, the anime adaptation [[GeckoEnding didn't get that far]].
92	* Starting about halfway through the series (roughly around the 14th episode), the legendary anime ''Anime/NeonGenesisEvangelion'' abruptly swaps over from a light[[note]]-ish[[/note]]-hearted scifi {{shonen}} series about [[HumongousMecha super robots]] fighting [[CosmicHorrorStory towering, nightmarish creatures]], with special focus on its characters' relationships and insecurities, to a noticeably more {{postmodern}}, existential, and psychoanalytical work of character drama and art-text-mystery play. The robot-vs-creature fights, fewer and further between, become substantially [[DarkerAndEdgier darker and more traumatic]], increasing emphasis is placed upon disquieting mysteries seemingly surrounding everything, and beloved characters who had been shown to be emotionally fragile and dependant are gradually revealed to be downright psychologically broken, or are emotionally tortured until they break. Eventually, around the last two episodes, the series grows its beard out to truly impressive lengths and [[WorldOfSymbolism abandons all its own narrative precedents]] to become a kaleidoscopic investigation into the psychology of the main character, thereby [[{{TropeCodifier}} codifying]] the GainaxEnding. It ultimately becomes an experimental deconstruction of {{shonen}} anime and escapist fantasy fiction, exploring the symbolic relationships between the HumongousMecha, the characters, [[MonsterOfTheWeek creatures they fight]], the organization that created the mecha, and the audience and creators of the show itself. It was these changes in tone that would provide Evangelion with much of its most rabid and enduringly massive fanbase, and bring it unprecedented levels of cultural respect both generally and, especially, within the humanities crowd, which at the time was extremely rare for a {{shonen}} anime.
93	* ''Anime/{{Noir}}''. The first few episodes were basically filler. The sixth episode "Lost Kitten" was a truly touching moral dilemma. After that it was crime thrillers and ancient conspiracy and female gunslinging action to the climax.
94	* ''Manga/NuraRiseOfTheYokaiClan'' started off as a fairly average shounen manga, about a quarter-youkai boy who's meant to be the next head of a youkai clan but just wants to [[IJustWantToBeNormal live a normal life]]. But once [[spoiler:he stepped up to accept his role as their leader,]] much of its fandom agrees that the story took a sharp turn upwards.
95	* ''Manga/NurseAngelRirikaSOS'' centers on a [[PluckyGirl plucky]] young MagicalGirlWarrior who doesn't take her duty very seriously at first. StatusQuoIsGod for the first chunk of the show, but after a while [[spoiler:(around the point when the heroine's {{mentor}} dies)]] this stops being true. Events in the show aren't just fun and games anymore; there are lasting consequences.
96	* ''Manga/OnePiece'' was always fairly unique as a shonen manga with its blend of action and humor. The first few arcs are decent, but not terribly notable. This changed with the Arlong Arc, combining great action scenes, suspense and character development that captivated the audience and made them really want to see Arlong rightfully ground into the dirt. And it's only gone up from there. This is the source of a common piece of advice for people considering if they want to read One Piece or not: "Read it up to the Arlong Arc. If you don't like it after that, it's not the series for you."
97	* ''Manga/OuranHighSchoolHostClub'' does this in the manga. It starts off as an AffectionateParody and slowly begins to grow the beard as we learn more about the characters and their past. As the story has gone on we've seen considerable character development, particularly with Hikaru and Kaoru. Tamaki also matures a bit (while still remaining the lovable idiot), and [[spoiler: Honey and Mori finally graduate as the series falls out of ComicBookTime]]. Despite the story turning more toward [[CerebusSyndrome drama]], it hasn't sacrificed the humor.
98	* ''Manga/{{Pretear}}'' starts out as a rather lighthearted, episodic Magical Girl Show, at least until [[spoiler:Takako]] shows up. Afterwards it [[spoiler: takes a huge turn and shifts into darker territory before the lightheartedness returns at the end.]]
99	* ''Anime/PrincessTutu'' is a good, but fairly typical MagicalGirl series -- until Kraehe shows up. And if THAT doesn't convince you, wait until after the HappilyEverAfter ending of episode 13. It doesn't stay that way for long.
100	* ''Anime/QueensBlade'' probably scares potential viewers off with its {{hentai}}-inspired character designs, {{fan service}} up the wazoo. After a few episodes it begins presenting a rather gripping story and compelling characters, even though a lot of people may still be [[DistractedByTheSexy distracted by the show's huge focus on well-endowed female bodies]]. Specifically, the turnaround seems to come with Reina's first confrontation with [[AloofBigBrother Aloof Big Sister]] Claudette, which helps plumb the depths of her motives and really gets viewers caring about what happens to her.
101	* ''Manga/RaveMaster'' had been a VillainOfTheWeek plot with Haru and co getting into different situations while helping the civilian of the week. Then Sieg shows up, bringing much more drama and overreaching plot and the introduction of Aetherion, it goes full throttle with the Tower of Din, which sets the epic tone of the story [[ArtEvolution in addition to greatly improved art]].
102	* ''Manga/Reborn2004'' had a basically stagnant plot until Volume 9 with [[spoiler:the arrival of Mukuro]]. The story and plot got a lot more interesting, hitting its stride during the [[spoiler:Varia Arc]] and kept getting better from there (except the 'Future' arc which had many drop the series). Even the art got better.
103	* The end of the first story arc of ''Anime/RevolutionaryGirlUtena'' doesn't quite mark the point where the series becomes [[DarkerAndEdgier dark]] ... it's just the point where [[DramaticIrony the viewer realizes how dark it's been]].
104	* ''Anime/RODTheTV'' starts off very slow and episodic, with only the most superficial of connections to ''Anime/ReadOrDie'' and a strange amount of time spent on Anita going to school. Then the show gets a kick in the rear [[spoiler: when the entire AncientConspiracy of the British Library comes into play beginning with kidnapping Nenene and the destruction of the entire island of Hong Kong, and the main plotline becomes the focus and not the subplot]].
105	* ''Manga/RosarioPlusVampire'' started as a lighthearted, MonsterOfTheWeek, UnwantedHarem comedy with relatively little depth to the characters. Starting somewhere around the Witch Hill arc and introduction of Ruby, the series had already started to develop a more realistic artistic style and more dangerous villains. With Witch Hill, the series took a huge swerve by entirely chucking the whole MonsterOfTheWeek thing in favor of significant character development, the ongoing backstory of Tsukune's ghoul transformation, multi-issue story arcs, blurring the line on how "evil" many of the bad guys are and focusing on some truly depressing subjects. Season 2 is flat-out {{seinen}} with little resemblance to the series start.
106	* ''Anime/RurouniKenshin'''s first season, while mostly good, is more episodic, occasionally silly, and bogged down with filler. The drama and character development ramp way up with the onset of the Kyoto Arc. Which starts with episode 28, so it's actually quite a lot of silliness and [[MonsterOfTheWeek villain of the week]] that you're being asked to sit through before you even get a whiff of the real plot. The drama, character development and plot begin during the first Aoshi/Kanryu arc. It does take a break later before coming back in full in the Kyoto arc though.
107	* The ''Manga/SailorMoon'' manga took some time to find its voice. Although the novelty of combining the Sentai formula with the MagicalGirl genre was unheard of at the time, the first volume played out as more of a Sentai series with its associated tropes transplanted into a Shoujo cast. Usagi was a lovable ditz who more often than not shirked her responsibilities as a Sailor Guardian as she spent much of her time uncertain about her WillTheyOrWontThey crush on resident hunk Mamoru. The first five chapters are spent introducing each Guardian as they befriend and join Usagi's team with the vague connecting plot thread of the villains looking for the Legendary Silver Crystal and Luna's search for the Moon Princess. The girls were likable and had a nice chemistry between them, but it couldn't sustain what was an episodic MonsterOfTheWeek ExcusePlot. With the introduction of [[spoiler:Sailor Venus' entry into the story as a wiser, more serious counterpoint to Usagi, she completed the team, the girls [[MyFriendsAndZoidberg and Mamoru]] fully awakening memories of their past lives, Sailor Moon's revealed status as the Moon Princess which brought some responsibility and darker elements to Usagi's carefree personality, and Mamoru's subsequent capture and FaceHeelTurn. Aside from these three major characters bringing full focus to the story's plot, the manga phases out Usagi's Cutie Honey-esque transformations and broader Sentai tropes, and becomes a full-fledged MagicalGirl story with increasingly creepy and outlandish threats from space for the rest of its run.]] Rather humorously, Usagi's hair grows rather long [[spoiler:as a result of her awakened identity]] parallel to the story's grown beard.
108	* The first two seasons of ''Anime/SailorMoonCrystal'' were pretty divisive, with a lot of criticism going to the uneven pacing and (initially on broadcast streaming) lackluster animation, as well as some creative decisions regarding the Shitennou, as well as Chibi-Usa's [[BaseBreakingCharacter usual reception across adaptations]]. Season 3 won praise for having a noticeable AnimationBump, made Chibi-Usa much more likable, and introduced the Outer Guardians as the writing became stronger and the fight scenes much improved.
109	* ''Manga/SaintSeiya'':
110	** The main series gets this treatment when the Silver Saints make their appearance.
111	** ''Anime/SaintSeiyaOmega'' grew a beard in episode 8, when the bearded Iolias, Golden Saint of Capricorn revealed himself as a Villain and a traitor, he is pretty damn badass for his age beating the snot out of Pegasus Koga.
112	* ''Anime/SelectorInfectedWixoss'' was already an interesting show to start with; a card game show that takes a darker, deconstructive approach to the [[SeriousBusiness typical mindsets]] of card-battle protagonists with a MagicalGirl flavor. The fact that the Wixoss card game's rules are barely explained and largely glossed over put off some viewers, especially those that prefered the more over-the-top characters and situations of the genre. Despite that, if one sticks around, they'll find a lot of SliceOfLife material and a lot of cryptic dialogue from the girl's companion cards called [=LRIGs=] with only a handful of battles and a vague explanation of the overall goal of becoming an Eternal Girl to find their greatest wish. Keep at it and by episode 5 "This Invalidated Vow", resident cutie Hitoe [[spoiler:actually loses her three wishes, having her own wish of [[IJustWantToHaveFriends making friends]] inverted into a curse, reducing her to a psychologically fragile BrokenBird]]. When the consequences are revealed about what the card game actually does to its contestants and [=LRIGs=], the extra time on characterization is used to give the cast a high degree of psychological complexity and misery that examines the motivations of girls willing to put their own desires over others, the selfish intentions behind personal goals, and the hangups that arise when a competetive game like Wixoss erodes friendships, showing the series has more in common with ''Anime/PuellaMagiMadokaMagica'' than the standard card game series. It's also around this time that the manipulative BigBad shows up.
113	* ''VisualNovel/{{Shuffle}}'' really got better and more dramatic with the beginning of Nerine and Lycoris' arc.
114	* ''Anime/SpaceDandy'':
115	** Episode 5, which was the first consistently serious episode in the series and showed Dandy having a HiddenHeartOfGold. Some see it as a step in the right direction since it shows the series isn't entirely a GagSeries.
116	** Episode 4 showed how within the constraints of being said GagSeries, the anime still manages to pull one of the best laughs and storylines with [[spoiler: its unique SliceOfLife take on the ZombieApocalypse trope.]]
117	** The second season/half of the series is this in general.
118	* ''Anime/{{Symphogear}}'' had a shaky start in its first few episodes. The "MagicalGirlWarrior meets IdolSinger" premise was a hard sell, especially with budget-quality animation making it difficult to show off the fights, and things didn't improve when Kanade turned out to be a DecoyProtagonist replaced by the initially incompetent Hibiki and the unpleasant Tsubasa. Episode 4 and 5, however, turned things around when Tsubasa became sidelined with some shocking BodyHorror, leading Hibiki to proactively take training to TakeALevelInBadass. Afterwards, the characters became more likeable while the plot slowly became more over the top. By the second season, the show leveraged improved art and animation to continue to ramp up the excess until everyone understood that ''Symphogear'''s true destiny was to be the most ridiculous, HotBlooded, homoerotic battle anime to feasibly use ThePowerOfRock.
119	* ''Anime/TenchiInTokyo'''s low point has to be the thirteenth episode, 'Moon Mission'. Starting on the next episode however, the series takes a turn for the better, going exploring the family dynamic as the girls go their separate ways due to Yugi's plans.
120	* ''Anime/TengenToppaGurrenLagann'': The end of the first part with [[spoiler:Kamina's death]]. Ironic, seeing how [[spoiler:he's often regarded as everyone's favorite character]], yet the series as a whole tends to do better [[spoiler:without him, regarding him more as a fallen martyr to be idolized]].
121	* ''Anime/TransformersArmada'':
122	** The series started out as a sub-par GottaCatchEmAll series, not improving at all until midway through the show's run when they did a heel-face turn with Starscream (who became a much more shades of grey character as far as honor went) as well as introducing Armada's surrogate Starscream, the villainous, backstabbing Thrust.
123	** The improvement first began with "Rebellion", when Sidways really starts to manipulate. By Starscream's HeelFaceTurn, the beard is full and bushy. By his SECOND HeelFaceTurn, it's like the show's face is one bristly hedgehog full of beard hair. Then Unicron showed up, also showing the first Unicron toy ever to reach mass release.
124	** Also applies to Anime/TransformersCybertron. After Armada had finished its run and been replaced by the dismal series known as Anime/TransformersEnergon, fans were pleased to see humans who weren't annoying, a plot that made sense while staying strong throughout its run, a decent dub and enough [[SugarWiki/MomentOfAwesome awesome moments]] to make a very decently sized page.
125	* ''Manga/{{Trigun}}'''s first few episodes can be accurately described as "The Wacky Adventures Of Vash & Friends". That all changed in the twelfth episode, which set up an overarching plot to a previously fillerish show. [[note]]This marks the point where the manga moved from a {{shonen}} to a {{seinen}} magazine.[[/note]]
126	* ''Manga/TsubasaReservoirChronicle'' changed from a lighthearted series full of {{Company Cross Reference}}s to past Creator/{{CLAMP}} series into a much darker story once the group arrived in Acid Tokyo and several startling character revelations took place. Main character Fay also physically exemplified this trope by [[ExpositoryHairstyleChange allowing his hair to grow out]] after this story arc. ''IF'' you consider DarkerAndEdgier to be better. Some fans were put off by the unrelenting gloominess of the next three arcs, but the complexity of the plot and characterization certainly mushroomed.
127	* ''Anime/UmiMonogatari'' starts rather formulaic, with a fair amount of fanservice (especially surrounding [[InnocentFanserviceGirl Marin]]) and a {{monster of the week}} pattern--until the {{mood whiplash}} halfway through, when the story becomes much darker and laden with symbolism about intimacy and separation. The excellent music helps too.
128	* There are several things about early episodes of ''Manga/UruseiYatsura'' that make them less well liked by fans of the series than subsequent ones. The art style is very primitive, the scripts contain primarily simplistic slapstick humor, and the majority of the episodes consisted of [[ThreeShorts two separate stories]] (each occupying half of the episode's running time). After about 20 episodes, the [[ArtEvolution drawing style began to improve noticeably]], the two-part episode structure was dropped, the humor became more subtle and sophisticated, and there were occasionally more serious stories.
129	* The first couple volumes of ''Manga/VinlandSaga'' suffer from TooBleakStoppedCaring. While Thorfinn's quest for revenge against the man who murdered his father is interesting, the way he's just as immoral as his father's murderer makes it hard to root for him, and it's established early on that he's just too dumb to avenge his father. All the people Thorfinn encounters are likewise immoral. It's not until after the TimeSkip when Thorfinn feels remorse for his actions that the story becomes tolerable (it's also when he grows a BeardOfSorrow).
130	* ''Anime/WitchHunterRobin'' was rather blah through its first twelve episodes or so, featuring a rather episodic plot involving the protagonists hunting down random witches in an almost MonsterOfTheWeek format. All that changed during "Loaded Guns", when [[spoiler:Robin's organization betrayed her, using her roommate Toko as bait for a trap that nearly led the titular character to her death, an action which kicked off the main plotline of the series.]] Since ''Anime/WitchHunterRobin'' was a single-season show it's probable that this was deliberate.
131	* ''Manga/TheWorldGodOnlyKnows'': The first 113 chapters / two seasons of the anime adaptation are quite light-hearted and fun, mostly comedic with very little lasting character growth. Then in the 114th chapter / beginning of the Goddess Arc of the anime, [[spoiler:Kanon/Apollo is stabbed with a cursed magical blade]] and the story takes a turn for the serious. Keima [[TheGlassesComeOff pushes up his glasses]] in a signature character move and declares that it's time to [[LetsGetDangerous Get Dangerous]]. What follows is the buildup to one of the best TearJerker moments of 2013.
132	* ''Manga/YuGiOh'':
133	** The manga originally is a fairly episodic series where Yami Yugi plays various dangerous games against one-shot bad guys to punish them for their evil natures. However, when [[BreakoutVillain former one-shot bad guy Seto Kaiba returned as a]] BigBad and started an AmusementParkOfDoom, it resulted in a story arc in which Yugi's friends finally learn of Yami Yugi's existence. From then on, things became much more story-oriented and dramatic.
134	** The anime focusing on Duel Monsters, starts off as a MonsterOfTheWeek kind of duel, which lasts till the Battle City. At this point, the story becomes much more arc-reaching and more complex and the animation drastically improves. It helped, of course, that the duels began to become closer to their TCG counterparts in playstyle.
135	* ''Anime/YuGiOhGX'''s third season is largely seen as this. After being largely a static InvincibleHero for the first two, Judai finally gets some much-needed CharacterDevelopment, while the series introduces one of its strongest antagonists in Yubel along with a number of popular side characters, and launches one of the grimmest stories in the franchise. Unfortunately, the new cast and focus on Judai led to a few characters being DemotedToExtra in the process - something that the fourth season, thankfully, rectified.
136	* ''Anime/YuGiOhZEXAL'''s first half was widely seen as one of the weakest parts of ''Franchise/YuGiOh'' as a whole, with the main issues being a heavy focus on MonsterOfTheWeek, a protagonist who frequently dipped into StrawLoser territory, very simplistic duels, and an overarching plot that just wasn't very interesting. The show began to dig itself out of its rut with the introduction of [[EnsembleDarkhorse the Arclight siblings]], who offered an intriguing sidestory that bolstered the main plot considerably. When the show became ''ZEXAL II'', though, it drastically improved in every territory, with tighter plotting, the protagonist's CharacterDevelopment finally paying off, the duels becoming more creative and high-powered, and a story of warring dimensions that gave the story some very real bite, as well as the introduction of some of the best characters in the franchise.
137	* ''Anime/YukiYunaIsAHero'' for its first seven (out of twelve) was seen as a pleasant but average MagicalGirl series that was very heavy on SliceOfLife, only being notable for its AfterTheEnd setting and its including a handicapped magical girl. Then [[WhamEpisode Episode 8]] aired, which revealed that the magical girls [[spoiler:are sacrificing their bodies in order to fight]] and MoodWhiplash set in, at which point it became known for its TearJerker moments.
138	* ''Manga/YuYuHakusho'' goes through this twice: the first notable increase in quality is when Yusuke comes back to life and becomes a Spirit Detective resulting in the series becoming more action-oriented, and the second is later on when the Toguro Bros. and Sakyo first appear, thus giving the series its first major over-arching villains.
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Context GrowingTheBeard / AnimeAndManga