Line #99 Film/TheWarriors


1	[[quoteright:310:https://static.tvtropes.org/pmwiki/pub/images/the_warriors_1979_poster.jpg]]
2	''[[caption-width-right:310:[[ArmorPiercingQuestion Can you dig it?]]]]''
3
4	->''"There is such little glory in a poor man's life''\
5	''He works for his money, and he takes a wife''\
6	''But a poor man's son can be a hero in the night''\
7	''With a fist full of anger, and the will to fight."''
8	-->-- '''Desmond Child''', "Last of an Ancient Breed"
9
10	''The Warriors'' is a 1979 crime/action movie, directed by Creator/WalterHill and [[TheFilmOfTheBook based on]] the 1965 novel of the same name by Sol Yurick, that tells the story of nine members of a UsefulNotes/NewYorkCity street gang called [[TeamTitle "The Warriors"]] as they fight to survive one very bad night.
11
12	The movie starts with the Warriors arriving in a huge Bronx park to attend a summit called by Cyrus, the intelligent and charismatic leader of the Riffs, New York's most powerful street gang. Cyrus makes an ambitious proposal to the assembled delegates of the city's various gangs: if all of them unite under his leadership into an army, they can rule the city and take out [[UsefulNotes/NewYorkCityCops the cops]], [[TheMafia the mob]], and anyone else who gets in their way.
13
14	Swayed by his articulateness, almost all the gangs are completely fired up to unite and make Cyrus's fantasy a reality. They don't realize two things; the police are secretly surrounding the park while Cyrus is speaking, and Luther, leader of the Rogues, is planning to cause disorder. Amid his speech, as hundreds of gang members are distracted by their madness, Luther shoots and kills Cyrus. Luther then frames Cleon, the leader of the Warriors, for Cyrus's murder. Right after that, the police come in and the Riffs kill Cleon. None of the other Warriors know either that their leader is dead or that they are accused of Cyrus' murder, but they do manage to escape the frenzy.
15
16	The remaining Warriors are now faced with a nearly impossible task: make their way from the Bronx to their home turf of Coney Island at the opposite end of the city, with the cops, all the other gangs, and Cyrus' actual killers all hunting for them.
17
18	The film and its source material are notable for being very loosely based on Creator/{{Xenophon}}'s ''Literature/{{Anabasis}}''.
19
20	Because the film was about street gangs, when it was shown in theatres, it often attracted actual gang members. A number of theatres had extra security on hand after several riots broke out with rival gangs in some cities (most notably, Los Angeles) where it was shown. Ironically enough, there were no reported riots involving the film in New York City.
21
22	More than twenty-five years after the film's release, it was used as the basis for [[VideoGame/TheWarriors a video game]] that is generally considered a spectacular example of SugarWiki/NoProblemWithLicensedGames.
23
24	A comic miniseries, ''[[ComicBook/TheWarriorsJailbreak The Warriors: Jailbreak]]'', was published in 2009. Taking place after the events of the film, it deals with the gang breaking Ajax out of jail.
25
26	----
27
28	!! Tr-o-ooperrrs! Come out to plaa-ee-aaay!
29
30	* TwentyMinutesInTheFuture: There is an ambiguity to the time period, as the unusual costumes, night setting and generally apocalyptic vibe can evoke a dystopia similar to ''Film/EscapeFromNewYork'' or ''Film/BladeRunner''. Some descriptions for the film even say it is set in the future, but by all accounts it is supposed to just be a stylized version of the modern day.
31	* ActionFilmQuietDramaScene: Mercy spills an account of her woeful life to Swan while the two are wandering through an empty subway tunnel.
32	* AdaptationalHeroism: The titular Warriors are much less violent than their despicable Dominator counterparts (from the novel), who kill a random civilian for looking at them funny before gang-raping Mercy on his freshly dead body.
33	* AdaptationalNameChange: The Warriors were called the Dominators in the original book, but the name change avoids a potential CowboyBebopAtHisComputer issue.
34	* AdaptationTitleChange: The film, and the novel it's adapted from with the same name, is a modernized retelling of the ancient Greek text the ''Anabasis''.
35	* AllThereInTheScript: The second-in-command of the Riffs who takes over when Cyrus is killed is named Masai. This name is not used in the film, however it does appear in the credits.
36	* AmbiguouslyGay:
37	** The Lizzies are hinted at being a lesbian gang, with two members dancing with each other during the party scene. Their name might be a play on "lezzies", a reference to Lizzie Borden, or maybe even both.
38	** Rembrandt, a young and fairly meek twink who was recruited to be the gang's "artist", is completely immune to the Lizzie's seductions and even seems annoyed by his friends' attraction to them, though it could just be his cautious nature. In a [[https://www.vulture.com/2017/04/walter-hill-defends-the-assignment-after-gender-controversy.html 2017 interview with Vulture.com]], Walter Hill [[WordofGay explicitly listed Rembrandt as one of his gay characters]].
39	* AnnouncerChatter: The DJ provides running commentary throughout the film.
40	* AntiHero: The heroes of the film are an unapologetic street gang. We sympathize with them because they're unjustly accused, but they still occasionally remind us that they're no saints. Our hero Swan casually wonders whether he should let the whole gang "run a train" on Mercy. Even if it were an empty threat, it's still a pretty horrible thing to say to someone. Ajax tries to force himself on a lone woman in a park, and the rest of the gang seem opposed to it purely for practical reasons. Ajax is also fond of insulting his comrades, using slurs, and generally being an asshole.
41	* AnyoneCanDie: Out of the nine Warriors at the start of the film, only six of them make it to the end. [[spoiler:Cleon is beaten to death by the Riffs, Fox is run over by a train, and Ajax gets arrested.]]
42	* AssShove: Ajax's threat to one of the Baseball Furies:
43	-->'''Ajax:''' I'll shove that bat up your ass and turn you into a popsicle!
44	* AuthorAppeal: The Baseball Furies were created due to Creator/WalterHill's love of baseball and Music/{{Kiss}}.
45	* AxCrazy: Luther, and, to a lesser extent, Ajax.
46	* BadassCrew: The Warriors. Pound-for-pound, they prove to be one of the toughest gangs in NYC. Nine guys, outnumbered a thousand to one, fight their way from Van Cortland to Coney Island. And they do it Crazy Awesome style.
47	-->'''Masai:''' You Warriors are good. Real good.\
48	'''Swan:''' The best.
49	* BathroomBrawl: The Warriors face off against The Punks in the bathroom of a metro station, which ends in The Warriors' favor.
50	* BatterUp: The Baseball Furies use bats as their signature weapon. The Warriors pick up a few of their bats during their rumble.
51	* BigApplesauce: New York City's teen gang underworld is the setting and subject, though treated in a rather fantastical fashion.
52	* BigBad: Luther, Cyrus's true killer.
53	* TheBigRottenApple: New York at night is dominated by violent warring gangs and the police, just short of UrbanHellscape or even UrbanWarfare territory; ordinary citizens are explicitly referred to by the gangs as "civilians".
54	* BittersweetEnding: [[spoiler: Most of the Warriors make it back to Coney Island, they're cleared of killing Cyrus, Swan and Mercy get together and Luther gets what's coming to him, but Cleon and Fox are dead, Ajax has been arrested (though one could argue this is a good thing), Swan is clearly disillusioned and the alliance between the gangs has fallen apart, leaving them all back where they started and having lost more than they gained. It's possible they might find something better, with Mercy even suggesting she and Swan travel elsewhere, but for now they're stuck]].
55	* BlackDudeDiesFirst: The first ''two'' casualties on screen are both African-American; Cyrus, whose death is the IncitingIncident, and Cleon, the DecoyProtagonist, whose death makes room for the real hero of the film, Swan (whose name even reflects his whiteness).
56	* BloodKnight: Ajax, verging on TheBrute status.
57	* {{Bookends}}:
58	** The movie begins and ends at Coney Island.
59	** The first and last fight scenes in the movie have the Warriors fighting the Rogues [[spoiler:and prevailing despite the Rogues' unfair advantages. The Riffs also interfere in both fights to avenge Cyrus's death.]]
60	* BringTheAnchorAlong: When Ajax gets handcuffed to a park bench by a decoy cop, he manages to drag the park bench several feet while attempting to reach her and get the handcuff key. He is prevented from going any further by the arrival of squad car full of cops. Creator/JamesRemar secured the role of Ajax by being so involved in the audition scene (which was the park bench sequence) that he did the same thing with the heavy table in the audition room.
61	* BrooklynRage: New York City is apparently a warzone of brightly-clad boppers out for blood.
62	* ButtMonkey: The Orphans. A minor street gang [[GoldfishPoopGang so low on the pecking order]] they didn't even know about Cyrus's event. The entire gang can't even handle eight Warriors walking through their turf.
63	* ChainPain: One the Punks who attacks the Warriors in the men's room is wielding a length of chain as a weapon. Cochise manages to wrap it around the Punk's own neck. Later, one of the Riffs who surrounds [[spoiler:Luther]] on the beach is carrying a heavy chain.
64	* ChairmanOfTheBrawl: Used in the skirmish with the Lizzies.
65	* ChallengingTheChief: When [[TheLeader War Lord]] Cleon (from the rest of the Warriors' POV) disappears, Swan takes over as Cleon's designated [[NumberTwo War Chief.]] Ajax (of course) isn't happy, and issues the challenge. The actual fight is averted by the timely arrival of the elevated train they need to catch.
66	* ChekhovsGun: Luther's gun is a literal example. He uses it to kill Cyrus and [[spoiler:draws it in his duel versus Swan.]]
67	* ChekhovsGunman: The Turnbull [=ACs=], the Furies, and the Punks make their first appearances listening to the radio channel, on which the DJ is relaying the Riffs' kill order on the Warriors.
68	* CombatPragmatist: The Warriors in general qualify, particularly Rembrandt, who uses his spraypaint as mace in the bathroom fight.
69	* ComeOutComeOutWhereverYouAre: One of the most-quoted scenes of the film is Luther calling out the Warriors to "come out to play" while clinking beer bottles together. This was mostly improvised by the actor. He originally wanted two dead pigeons, but beer bottles are easier to get.
70	* ComicallyMissingThePoint: Mercy, (apparently) leaving her self-described [[ReallyGetsAround colorful past]] behind to ally with the Warriors, balks at entering the site of their last subway battle. "I can't go in there, that's the men's room!" Vermin leans out of the door with a perfectly timed and inflected "Are you kidding?!?" and yanks her offscreen like a VaudevilleHook.
71	* ComicBookAdaptation: An adaptation by David Atchison.
72	* ConservationOfNinjitsu: Subverted in the opening scene. The Rogues attempt to take Cleon down by attacking him one at a time, which Cleon manages to fend off. The Riffs, however, pile on him all at once, overwhelming him quickly.
73	* CounterAttack: This seems to be Swan's preferred style of combat. Nearly every single attack he does in the movie is either a counter to someone else attacking him, or disarming a foe.
74	* CueTheSun: The Warriors, [[spoiler:having reached home and had their name cleared, play on the beach]] while the sun rises during the credits.
75	* DeadpanSnarker: The DJ qualifies throughout, but especially at the end: "Now for that group out there that had such a hard time getting home last night... ''sorry about that.'' I guess the only thing we can do is play you a song." The written line can't do justice to the tone.
76	* DeathByAdaptation: Cleon's equivalent in the novel, Papa Arnold, gets separated from the others in the gang meeting and is not heard from again. At the end, it turns out he survived and made it back to Coney Island on his own.
77	* DecapitatedArmy: Cyrus' grand alliance of gangs falls apart the second he gets shot, as the cops close in and the gang members scatter to save themselves.
78	* DecoyProtagonist: Cleon, the gang's leader, is the first to go. The focus then shifts on Swan, the former second-in-command.
79	* DemotedToExtra:
80	** In the book, the main protagonist is Hinton, the gang's graffiti artist. His equivalent in the movie, Rembrandt, is a secondary character.
81	** Snow, Cowboy, and Vermin are this in the ''Jailbreak'' comic.
82	* DirtyCoward:
83	** Luther, the leader of the Rogues, in spades. He violates the truce and shoots Cyrus, then frames the Warriors. He is the only (male) gang member to use a gun in a fight. And his meltdown when the Riffs show up [[spoiler:and reveal they know what he did]] is classic.
84	** The Orphans are an entire gang of them who immediately scatter and flee as soon as something looks too hard.
85	* DistractedByTheSexy:
86	** This also seems to be the Lizzies' tactic of choice.
87	** Proves to be the undoing of [[spoiler:Ajax]] in the third act when he stops to flirt with a woman on the park bench and gets aggressive. She reveals she's an undercover cop and cuffs him to the bench. He's unable to get the key from her before he's swarmed by police and arrested.
88	* DroppedABridgeOnHim: [[spoiler:Ajax]], one of the Warriors with the most characterization, is ignominiously dropped from the film by [[spoiler:getting arrested after trying to force himself on a random woman. The toughest Warrior goes out without a fight]].
89	* DumbMuscle: Ajax is only interested in the two Fs.
90	* DwindlingParty: The Warriors start off with nine members, but between battles with cops and other gangs, they start getting picked off. They also get split up a few times. Only six make it back home by the end.
91	* EnemyMime: The Baseball Furies paint their faces similar to mimes and never speak. There's also the Hi-Hats, who wear more traditional mime attire and are seen in the background of the gang conference.
92	* EveryoneHasStandards: Mercy helps the Warriors blow up a car, evade cops, and make their way through subway tunnels on foot. Then she balks at seeking shelter in a men's restroom.
93	-->'''Vermin:''' [[LampshadeHanging Are you kiddin'?]]
94	* ExtremelyShortTimespan: All the action takes place over the course of about 12 hours.
95	* TheFaceless: All we see of the DJ is her mouth next to the microphone.
96	* FakeShemp: Thomas G. Waites had already walked off of the production by the time [[spoiler:his character Fox is thrown in front of a subway train]].
97	* FightMagnet: The Warriors fight every gang they come across because they've been framed for murder and refuse to take off their colors when entering rival gangs' territory.
98	* ForTheEvulz: Luther kills Cyrus and blames it on the Warriors. When asked why, he responds, "No reason. I just like doing things like that."
99	* GangOfHats: New York's streets are apparently ruled by these. Each gang has a theme, which carries into their dress and behavior. The Orphans dress shabbily and are total wimps. The Turnbull [=ACs=] have shaved heads. The Baseball Furies never speak, wear facepaint and baseball uniforms, and wield baseball bats. The Lizzies are all female. The Riffs (NYC's most powerful gang) have an Asian martial arts theme. The Hi-Hats (seen briefly in the opening and given a bigger part in the game) dress like street mimes. The Warriors themselves wear red leather vests and Native American accessories. Needless to say, the New York underworld [[UncannyValleyMakeup comes across as very surreal]]. In any case, this movie is definitely one of the {{Trope Codifier}}s.
100	* GangsterLand: Nearly every character who isn't a cop is a gangbanger. There are virtually no civilians on the streets out at night, which is why it's so jarring when a few high school kids out on prom show up in Swan and Mercy's subway car.
101	* GreekChorus: The DJ, in DeadpanSnarker mode.
102	* AHandfulForAnEye: During the fight with the Punks, Rembrandt sprays paint into the eyes of one his attackers.
103	* HarmlessVillain: The Orphans weren't even invited to the meeting in the park and lamely try to intimidate the Warriors with newspaper clippings detailing their misdeeds, all while holding weapons like belts and straight razors.
104	* HeroAntagonist: The NYPD. Of the three casualties the Warriors suffer, New York's finest inflict two of them.
105	* {{Homage}}: Of course, being based on Greek mythology, the Baseball Furies are The Furies, the Lizzies are the Sirens, and so on.
106	* HomageShot: Swan's showdown with Luther is a shot-for-shot reference to a scene from ''Film/{{Yojimbo}}''.
107	* HonorBeforeReason: The Warriors refuse to remove their gang colors when passing through Orphans turf, even knowing this will be seen as an act of war. Of course, a fight with the Orphans isn't exactly a scary prospect.
108	* IAmSong: "Last of An Ancient Breed" sums up the Warriors' life.
109	* ImprobablyCoolCar: The Rogues are grubby street gang who drive a 1950s Cadillac hearse.
110	* ImprovisedWeapon: Characters are occasionally seen whacking each other with objects they grab in the middle of a fight. Just before the final showdown, several Warriors rip off a piece of metal or wood from the dilapidated amusement pier they're standing under. Few guns and blades are actually seen in the movie. In the video game, random items such as beer bottles and bricks come in handy during street fights.
111	* ImperialStormtrooperMarksmanshipAcademy: The Lizzies, who [[spoiler:only manage to graze a single Warrior after ambushing them at close range...maybe; given their poor aim, it's just as likely he cut himself smashing through the door on his way out. In the original script, Vermin was supposed to die.]]
112	* InformedAttribute: Rembrandt is the gang's artist, but the only thing we see him paint is a ''W'' consisting solely of four shaky lines.
113	* JerkWithAHeartOfGold: Ajax is a real {{Jerkass}} who doesn't seem to get along with anyone. Still, Cowboy has to admit, "He saved my ass back there." After failing to seize power from Swan, he doesn't hold a grudge and brushes it off with a simple, "Aww, fuck!"
114	* JiveTurkey: The film features a small lexicon of slang terms with somewhat dubious authenticity. To "bop" is to fight, and gang-bangers are called "boppers." To "soldier" means to openly act as a member of a gang, including wearing their gang colors. The words "waste" and "wasted" are almost always used instead of "kill" or "dead." Cyrus's triumphant rallying cry to the assembled gangs is, "Can you dig it? Can you ''dig'' it?"
115	* LargeHam:
116	** Cyrus. ''CAN YOU DIG IT??''
117	** Masai demanding to know about the Warriors (see the closing page quote at the bottom)
118	** Luther's sneering, unhinged delivery in almost every line.
119	* LaserGuidedKarma:
120	** [[spoiler:Luther gets ratted out by his own man, and his murder of Cyrus gets avenged by Cyrus's own gang.]]
121	** Also, Ajax stops in the park in order to sexually harass a woman [[spoiler:and is promptly arrested by her]].
122	* LeaveTheCameraRunning: The end credits. The actors got a quarter-mile from the camera down the beach and, if you look closely, can be seen turning around on several occasions wondering if they've gone far enough.
123	* LeeroyJenkins: Ajax is the most hotheaded member of the gang and his strategy is always to go on the attack, regardless of the odds. Sometimes it works out for him, sometimes it really doesn't.
124	* LetsGetDangerous: At least two examples. Cowboy, who comes off as whiny and a little cowardly in earlier scenes, kicks major ass in the subway men's room brawl. And Rembrandt, the smallest and weakest of the crew, punches a guy out in that very same scene.
125	* LighterAndSofter: The original book is far bleaker. The Coney Island gang is composed of {{Villain Protagonist}}s who murder an innocent man and commit multiple rapes and various acts of vandalism on the way back to their territory. The other gangs are never particularly gunning for them, and the fights they get into are primarily instigated by themselves. The book also shows the wider social context of how gang members come from poverty, sometimes abusive households and the future seems to hold nothing for them.
126	* LockedOutOfTheLoop: Every gang in New York is gunning for the Warriors for Cyrus' murder -- a fact the titular gang is ''completely unaware of'' for most of the movie. Sure, every gang they meet attacks them on sight, but sadly that's business as usual for them.
127	* LyricalDissonance: Arnold [=McCuller's=] rather upbeat rendition of "Nowhere To Run" is a naked threat to the Warriors' lives.
128	* MeaningfulAppearance: Ajax sports a pair of fingerless gloves, almost certainly to cushion his knuckles.
129	* MeaningfulName: Ajax is the DumbMuscle, as was his mythical namesake. Rembrandt is in charge of tagging, making him the gang's "artist." Fox is the gang's scout and quickest member. Snow always stays cool. Swan is calm, dignified, and handsome. Cleon is named after a famous Greek general. Cowboy is never seen without his Stetson hat. Cochise is dressed in Native American apparel. Vermin, in the original script, was to be "exterminated" by the Lizzies. Cyrus's namesake was a powerful prince in ''Literature/{{Anabasis}}'' who was killed trying to claim the throne of the Persian empire. Masai is named for the African warrior culture.
130	* MockingSingSong: "Warriors, come out to play."
131	* MolotovCocktail: Vermin is correct that "Thirty's a lot more than eight," but a well-thrown flaming wine bottle evens the odds quite nicely against the Orphans -- especially since Swan targets the [[EveryCarIsAPinto combustible car]] the Orphans have gathered around.
132	* MookChivalry: Despite outnumbering the Warriors, and being armed while the Warriors are not, the Baseball Furies stand back and attack the Warriors one on one rather rushing them.
133	* MoreCriminalsThanTargets: The few ordinary people who appear are mostly extras; only the "Candy Store Girl" (actual credit, played by Ginny Ortiz) has even one speaking line.
134	* NeverBringAGunToAKnifeFight: Swan proves quicker on the draw with a knife than Luther is with a gun.
135	* NewOldWest: There are a lot of Western plot elements, with the Warriors essentially running through a lawless InjunCountry of hostiles while themselves sporting a Native American theme. Further, the Warriors are "outlaws" being pursued by the "Posse" of the NYPD. Two of the Warriors even have Western motifs; Cowboy, who wears a stetson, and Cochise, who wears Native American style clothing with his vest. Luther wears a sheriff's badge pinned to his vest, giving him elements of the LawmanGoneBad.
136	* NonActionBigBad: Luther, most notably in the final showdown when Swan challenges him one-on-one, and Luther threatens to shoot Swan instead.
137	* OhCrap: ALL the Rogues when the Riffs show up on that Coney Island beach, but especially Luther, who first descends into Wangst with "Nooo... It wasn't us... It was them... The Warriors..." and, finally, [[BigNo "NOOOOOOOOOO!"]].
138	* OOCIsSeriousBusiness: When the the Warriors come face to face with the quiet and intimidating Baseball Furies, it is the usually hotheaded Ajax that's first to agree with Swan to just run away from them.
139	* OpeningMonologue: Present in the special edition.
140	* {{Overcrank}}: [[spoiler:Cyrus's death]], and The Lizzies and Subway bathroom fight scenes combine SlowMotionFall with DramaticShattering (of a platform, a chair, and a stall door, respectively) to incredible effect.
141	* PetTheDog: Swan is mostly a jerk to Mercy. But in a later scene, they wind up sharing a train with some yuppies who make disapproving glances at Mercy's general state of disarray. When she self-consciously starts to adjust herself, Swan stops her and gives them a DeathGlare that scares them off the train. As the pair leave the train themselves, [[FlowersOfRomance Swan gives her the corsage]] the yuppies dropped.
142	* PimpDuds: Worn by The Boppers, briefly visible during the gang summit.
143	* PoliceAreUseless: Averted. The police keep an eye on Cyrus's meeting with the other gangs and immediately swarm the park after Cyrus gets shot. In addition, they are responsible for most of the Warriors' losses as [[spoiler:one of them kills Fox and another arrests Ajax.]]
144	* PoliticallyIncorrectHero: Ajax accuses his fellow Warriors of "turning faggot" when they want to avoid a fight or not go out and get laid. It's also his favorite insult toward people he doesn't like. While this was far less controversial in The Seventies, it's still used to make him seem abrasive.
145	* PragmaticAdaptation: To say the film adaptation is loosely based on the Sol Yurick novel is putting it lightly. However, as the author noted in a subsequent reprint of the book, it was highly unlikely that Hollywood would've been able to make a profitable/successful movie based on the [[DarkerAndEdgier original plot and structure of the book]].
146	* PreAssKickingOneLiner:
147	** Ajax: "I'm gonna shove that bat up your ass and turn you into a Popsicle!"
148	** Inverted with the Orphans:
149	--> '''Orphan Leader''': You see what you get Warriors, you see what you get when you mess with The Orphans!
150	--> '''Orphan Lieutenant''' We’re gonna rain on you Warriors! [[spoiler:The Orphans then get their own asses kicked.]]
151	* PrecisionFStrike: In this movie about teen gangbangers, while not quite a ClusterFBomb picture, the language is one of the more realistic things;. Still, Swan manages to pull one of these off with context and timing. He and Fox have been trying to talk, rather than fight, their way past one of the gangs, and all is going well [[spoiler:until Mercy shows up and starts signifying]]. That prompts the following exchange:
152	-->'''Orphan Leader:''' Take your colors off, you can walk through.\
153	'''Swan:''' We don’t do that.\
154	'''The Fox:''' It’s just our mark. It don’t mean we’re at war.\
155	'''Orphan Leader:''' Go as civilians, okay? You go as soldiers I got to come down on you. Now take off your colors.
156	-->''DramaticPause''
157	-->'''Orphan Leader:''' You hear me?
158	-->''Second DramaticPause''
159	-->'''Swan:''' Fuck you.
160	* ProudWarriorRaceGuy: The boppers are portrayed as a barbarian subculture of warring tribes that come out after nightfall and take over the city, with their own lingo, culture, and rules.
161	* PunctuatedForEmphasis:
162	** Cyrus's rallying cry of "Can you dig it?" gets repeated and emphasized until it fits this trope.
163	** Masai spits out a breathy, "I! Want! Them! Found!" when speaking of the Warriors.
164	* RaceLift: While there were white characters in the book, none of the central characters or protagonists were white: according to Hill, Paramount did not want an all-black cast for "commercial reasons".
165	* RapeIsASpecialKindOfEvil: {{Downplayed}}. On several occasions, the characters casually mention forcing themselves on a lone woman as if it were a casual hookup.
166	* RealMenWearPink: Swan must be a pretty tough guy to get nicknamed "Swan" and still command respect.
167	* RollerbladeGood: The leader of The Punks wears roller skates.
168	* RuleOfCool:
169	** Most gangs' outfits aren't realistic or practical, but it all fits in with the film's style.
170	** The leader of the Punks wears roller skates, which looks cool but doesn't seem practical for someone who expects to get into fights.
171	* RunTheGauntlet: After the Rogues frame the Warriors for the murder of Cyrus, the Riffs put out a kill order on the Warriors. Every time the Warriors enter a new gang's turf on their way home, that gang comes right after them.
172	* SearchingTheStalls: The Punks line up in a bathroom to kick all the stalls open at the same time. The Warriors open the doors first and a brawl ensues.
173	* SettingUpdate: The story is basically [[Literature/{{Anabasis}} Xenophon's March to the Sea]] in modern New York.
174	* SexSignalsDeath:
175	** While not killed, [[spoiler:Ajax is arrested when he gets rough with a woman he's trying to pick up.]]
176	** [[spoiler:Three of the Warriors are seduced and then ambushed by the Lizzies, but they all manage to escape. Originally Vermin was supposed to get killed by the Lizzies, but this was changed when the filmmakers were forced to kill Fox instead due to his actor's departure.]]
177	* ShoutOut:
178	** The Baseball Furies' make up was inspired by {{Music/Kiss}}. Their uniforms are based on the [[UsefulNotes/{{Baseball}} New York Yankees]].
179	** Swan defeating Luther by throwing a knife to disable Luther's gunhand is a reference to Sanjuro doing the exact same thing during the final confrontation in ''Film/{{Yojimbo}}''.
180	* SinisterShades: Masai wears aviators at all times.
181	* SlidingScaleOfIdealismVersusCynicism: On this particular axis, the film's ideology shifts all over the place. In one sense, ''The Warriors'' is about as anti-progressive and nihilistic as a movie can get: The leaders of modern society are full of it, but the unwashed masses have been so barbarized by their mistreatment that if they ever did take over, [[FullCircleRevolution they'd just become the same sort of hypocritical oppressors that have always been]]. ("We could tax the crime syndicates and the police! Nothing would move without us allowing it to happen!") On the other hand, the film demonstrates that [[VillainousValor even cheap thugs can have a sense of honor]], and if they're for real, they will certainly not tolerate anyone violating their [[BlueAndOrangeMorality particular moral code]].
182	* SlutShaming: Mercy likes to sleep around, and Swan makes his disdain clear. Although it seems pretty clear Swan is attracted to her underneath that disdain.
183	* SortingAlgorithmOfEvil: Despite the premise that the Warriors have to RunTheGauntlet of rival gangs to return to Coney Island, it is [[AvertedTrope averted]] for the most part. Near the beginning, the Warriors barely escape the Riffs, the most powerful gang, and lose Cleon as a result; furthermore, the third gang they fight are the Orphans, who are the weakest gang encountered. [[spoiler:The Punks, the penultimate gang fought by the Warriors, are the {{Climax Boss}}es, who while inferior to the Riffs give the Warriors one of their toughest fights. Finally, the Rogues, the true villains of the film and the final opponents for the Warriors, fare less well against the Warriors than most of the previous gangs did.]]
184	* SoundtrackDissonance: Joe Walsh's "[[https://www.youtube.com/watch?v=UUAacbCcouA In The City]]" over the closing credits. That said, it seems to fit in with Swan's line "This is what we fought all night to get back to? Maybe I'll just take off."
185	* StalkerShot: While Swan is navigating his way to Union Square through the subway station, as Swan walks offscreen, the leader of the Punks appears around the corner wearing roller skates and stalks Swan from a distance.
186	* SternChase: For most of the film, the gang doesn't know specifically that all the gangs are hunting them because the Riffs have a bounty on them. However, from the immediate aftermath of the big conclave, they do know that, as Cochise puts it, "Every cop in this city’s lookin’ to bust our heads." They also realize that the truce may not still be on. Their encounter with the Turnbull A.C.s confirms it isn't.
187	* SubvertedInnocence: A fairly common motif here. The Warriors' hideout is an old, abandoned section of a Coney Island AmusementPark. Cyrus addresses his congregation from atop what appears to be a crude jungle gym. The Turnbull A.C.'s run down their prey in a graffiti-strewn school bus. The Furies have a baseball theme. The Punks wear overalls and their leader wears roller skates. And then, there's a gang known as "The Orphans." It's suggested a few times that the Warriors are supposed to be teenagers.
188	* SurprisinglyRealisticOutcome:
189	** The movie begins with members from almost every gang gathering in Van Cortland Park, where a charismatic leader is planning to forge them into an army... and what looks like the entire NYPD following them. With the sheer amount of people involved and invited who are monitored by the police, ''of course'' it couldn't be kept secret and the police heard about it. And obviously if all these criminals and delinquents who normally fight each other at the drop of a hat on a daily basis are gathering in one location, the NYPD is going to devote significant manpower/resources to deal with it.
190	** For that matter, Cyrus' big plan is ultimately a victim of this. While his plan to unite all the gangs together in theory is a clever plan, his immediate death also underlines the issues that was bound to occur; Not everyone would be willing to work as a unit and there would always be people (like Luther) that would cause issues and make the whole plan collapse. Even later on in the film when the Warriors are together and reflect on Cyrus's plan, they scoff at it and Masai (Cyrus's top lieutenant) himself writes this off as a case of "the dream died with him" when Swan brings it up in the comic.
191	* TheThemeParkVersion: [[LampshadeHanging Lampshaded]] in that the picture begins and ends in the Warriors home turf, the amusement park section of Coney Island. Beyond that, played with extensively. Especially by today's standards, the film offers a somewhat cartoonish vision of gang life in New York, with gangs wearing elaborate costumes and getting up-to-the-minute coverage on rumbles from a local "underground" radio station. However, the film is also rather brutal, with a number of characters getting killed. One particular scene, in which the surviving members of the gang are contrasted to some suburbanites coming from prom, emphasizes the relative grittiness of the setting. The film became infamous when real gang members attended showings and got into fatal fights.
192	* TiredOfRunning: The hot-blooded bruiser Ajax is glad when Cowboy says that he can't run from the Baseball Furies anymore, since he wanted to fight them anyway.
193	* TokenEvilTeammate: Ajax is hardcore even by the gang's standards. He's pugnacious with the other Warriors and he dooms himself by trying to force himself on a random woman.
194	* TooDumbToLive:
195	** Ajax, [[spoiler:He decides to break away from the group to score with a lone woman in the park, despite the others' warnings over how stupid the idea is. He gets arrested when she turns out to be an undercover cop]].
196	** Could also be applied to Vermin and Cochise when they meet the Lizzies. Granted, they don't know everyone is gunning for them yet, but they don't seem the least bit suspicious when this female gang they meet on the street is really really friendly. Vermin initially questions how they even know about the Warriors, but then immediately chalks it up to their hardcore reputation. True to the trope, the original version of the scene had Vermin getting killed.
197	* ThrillSeeker: Another explanation of Mercy's behavior when the Warriors show up; it's not that she's dumb, she's desperate -- willing to roll the dice to get out of her dead-end neighborhood and its even more dead-end gang.
198	* TrappedBehindEnemyLines: The Warriors are far from their turf and must get through miles (28.3 miles, according to Google Maps) of enemy turf to get home.
199	* TravelMontage: The movie opens with The Warriors going to the big meeting in one of these.
200	* UncertainDoom: [[spoiler:Luther]] is last seen screaming as the Riffs descend on him after finding that [[spoiler:he killed Cyrus]].
201	* VagueAge: The Warriors are played by men in their 20s, but there's also mention of one having an assigned youth social worker. Swan and Mercy are also contrasted with a group of teens going to prom. It's ultimately unclear whether they're supposed to be teens or adults.
202	* VaporWear: Mercy doesn't wear a bra.
203	* VillainousBreakdown: Luther's begins when Swan demonstrates his ImprobableAimingSkills and gets worse when the Riffs show up now knowing that it was ''he'' who murdered Cyrus.
204	* WalkingShirtlessScene:
205	** The Warriors' outfit includes a vest worn open, exposing their manly chests in the New York heat. Strangely, Ajax wears a black tank-top beneath his vest in spite of having the best physique. Cowboy wears a plain t-shirt and his vest over it, and Fox is the only one to wear his vest buttoned up.
206	** Masai wears his sequined black gi open to expose his muscular chest.
207	* WeAreStrugglingTogether: This is basically Cyrus' message at the Bronx summit. Luther proves him right, killing Cyrus not out of opposition to his vision of a [[WeCanRuleTogether single gang controlled by Cyrus ruling New York]], but just for the thrill of doing so.
208	* WhatHappenedToTheMouse: We never do find out to whom Luther was speaking during those phone conversations. It was someone he was familiar with and wanted to give constant updates on what was happening; most viewers assume it was the DJ in her role as "play by play announcer."
209	* WhiteGangBangers: The New York of this film plays host to the most [[EqualOpportunityEvil ethnically diverse gangs]] yet seen; while everyone is [[{{Jerkass}} extremely misogynistic and violent]], nobody is racist and race is never once mentioned. The Warriors gang is roughly half-black half-white with one Hispanic character. On the DVD commentary, Walter Hill admits that he bowed to [[ExecutiveMeddling executive pressure]] to cast some white actors. The other gangs are generally homogeneous, although often they have one white/black/Asian gang member present. Even the apparently all-black Riffs can be seen to include a white member or two in the background of some scenes, possibly due to a limited supply of black extras.
210	* WouldHitAGirl:
211	** Sully, the Orphans' leader, threatens to smack Mercy in the mouth when she starts mocking them. Not long after that, Swan suggests that the Warriors should gang rape, or "run a train" on, her when she continues to follow and heckle them, though it's unclear if this is an empty threat..
212	** Ajax attempts to rape a female undercover cop at one point, despite her [[SchmuckBait pretending to be entirely willing at first]].
213	* YeahShot: A relatively restrained example, with [[spoiler:Swan, Mercy, Vermin, Cowboy, Snow, Cochise, and Rembrandt]] [[RidingIntoTheSunset walking off into the sunrise]] just after the end credits. If you look closely, you can see (far off in the distance) [[spoiler:Swan and Mercy]] raise their hands in a "Yeah!" gesture just before the fade to black.
214	----
215	"''WHO are The Warriors?!? I want ALL the Warriors! Send the word!''...."
216

Context Film / TheWarriors