Line #29 Film/Sunrise


1	[[quoteright:320:https://static.tvtropes.org/pmwiki/pub/images/sunrise.png]]
2
3	->''"This song of the Man and his Wife is of no place and every place; you might hear it anywhere at any time. For wherever the sun rises and sets in the city's turmoil or under the open sky on the farm, life is much the same; sometimes bitter, sometimes sweet."''
4	-->-- '''Opening title card'''
5
6	''Sunrise: A Song of Two Humans'' is a 1927 silent drama film directed by [[Creator/FriedrichWilhelmMurnau F. W. Murnau]]. It was his first American film and won two Oscars at the inaugural UsefulNotes/AcademyAward ceremony: Best Cinematography and Best Artistic Quality of Production (an alternate Best Picture award that existed only that year). It is perhaps best known for its massive critical acclaim (even over 90 years later) and for either inventing or perfecting many of the camera, special effects and storytelling techniques we take for granted now.
7
8	The story follows a rural man (George O'Brien) who, under the influence of an urban temptress (Margaret Livingston), plans to kill his wife (Janet Gaynor) by pushing her out of a boat. He can't go through with it, though: the couple continue their boat ride to TheCity, where they reconcile and have a day's worth of innocent adventures. But AStormIsComing...
9
10	''Sunrise'' is considered a stylistic masterpiece and is the UrExample, TropeMaker or TropeCodifier of many now-common camera and special effects techniques like EpicTrackingShot and ForcedPerspective. Its lyrical camera movement and minimal use of intertitles are typical of Murnau, and {{German Expressionis\|m}}t influence shows in the oversized sets of the amusement park where much of the film takes place and in the juxtaposition of outdoorsy tactile details with soundstage artificiality in the village scenes. But the setting is not disturbing in itself, as it is in many German Expressionist films (the fractured brainscapes of ''Film/TheCabinetOfDrCaligari'', the cold machine-world of ''Film/{{Metropolis}}'', the corrupt antiquation of Murnau's own ''Film/{{Nosferatu}}''). Instead, it functions as an unobtrusive, archetypal backdrop for what is in essence a modern fable.
11
12	Janet Gaynor won the first-ever UsefulNotes/AcademyAward for Best Actress for this film, as well as ''[[Film/SeventhHeaven 7th Heaven]]'' and ''Street Angel'' (at that first ceremony, the acting awards were given for one's body of work during the year).
13
14	Adaptation of German short story "Die Reise nach Tilsit". In 1939 the original story was adapted into a German film, ''Film/DieReiseNachTilsit''. ''Sunrise'' was selected for preservation in the inaugural year of the Library of Congress's UsefulNotes/NationalFilmRegistry (1989). The film [[PublicDomainFeatureFilms entered the public domain]] on January 1, 2023.
15	----
16	!!This film provides examples of:
17
18	* ActuallyPrettyFunny: When the photographer sees that the Man and the Wife (who had just frantically left the studio) had replaced the head of a statue they broke with a ball sporting a cartoony face, he actually laughs at it.
19	* AmusementPark: The man and wife go to one after reconciling.
20	* BettyAndVeronica: The scheming, evil Woman from the City and the sweet, nurturing Wife.
21	* BigBad: The Woman from the City is the closest thing the story has to a villain, and she was responsible for the man nearly drowning his wife.
22	* ChekhovsBoomerang: The bulrushes, gathered up to be the Man's life preserver, first save his life, then the Wife's.
23	* ChromaKey: What looks at first like an egregiously bad green-screen effect of the Man and Wife walking across a city street, is revealed to be deliberate when the effect changes to the Man and Wife walking through a beautiful field of flowers, suggesting how they're tuning out the world as they renew their love for each other.
24	* TheCity: The Woman is from there, and the Man and Wife renew their love there.
25	* CityMouse: The Woman, with her tight dresses and heels, obviously doesn't fit in the rural village (she even has a maid ''polish'' those heels before she goes to walk along the muddy village roads). And she knows it, which is why she wants the Man to come to the city with her.
26	* ComfortingComforter: The Wife does this for her husband. Later he does it for her on the boat trip back.
27	* DownOnTheFarm: Setting for the first part, contrasting with the latter portion when the couple goes to the City.
28	* DramaticSlip: The wife, when running from her husband into the woods.
29	* EasilyForgiven: Your husband said he was sorry. Check. He said he was really, really sorry. Check. But you know, he did almost murder you, and that was after he cheated on you and sold off much of your farm.
30	* EpicTrackingShot: Not by modern standards, maybe, but the way the camera follows the Man as he walks through the swamp to meet the Woman was very innovative for 1928 Hollywood.
31	* EvilDetectingDog: When the Man takes the Wife out on the lake, their dog knows something is up. He slips his leash and tries to come along to protect her, but the Man takes him back before returning to the boat.
32	* FascinatingEyebrow: The photographer raises his eyebrow fashionably when the couple leaves his studio.
33	* TheFlapper: The Woman from the City is a combination of this and TheVamp.
34	* ForcedPerspective: Used for much of the movie to make the sets both in the village and in the city look bigger than they really were.
35	* ForDoomTheBellTolls: Played with. The church bells ring in a doom-y way as the man takes the wife out on what's supposed to be a fatal boat ride. But when they ring again, making higher notes, they help snap him out of it.
36	* [[FunWithSubtitles Fun with Intertitles]]: When the Woman asks the Man "Couldn't she be drowned?", the titles melt and fall to the bottom of the screen.
37	* GoodSmokingEvilSmoking: If we hadn't already figured out that the Woman From The City was bad after finding out she's breaking up the Man's marriage, or after seeing her plot the murder of the Wife, that cigarette she keeps puffing on would do it.
38	* HairOfGoldHeartOfGold: The angelic, loving Wife has blonde hair--this is definitely an artistic choice, as Gaynor was a natural brunette.
39	* HeavySleeper: The Wife falls asleep on the way back and doesn't wake up when the wind picks up and a storm rolls over the boat. It takes a clap of thunder to bring her around. In fairness, the film does show that she's a little bit drunk after their night out in the City.
40	* HeCleansUpNicely: The Man starts off with a scruffy beard, unkempt hair, and a hunched animal-like posture. After he realizes his shortcomings, he gets cleaned up and starts standing up straighter.
41	* HeroicBSOD: When the Man thinks his wife has drowned, he goes into such a numb state of shock the other villagers have to lead him home. When he sees her empty bed, he breaks down in despair and begins to cry.
42	* HostileWeather: Which nearly kills The Man and The Wife. Ironically, the bulrushes the Man planned to use to aid in his murder end up saving them both.
43	* ImportantHaircut: The Man gets a shave, getting rid of his scruffy beard, symbolic of being renewed and cleansing himself.
44	* KubrickStare: The husband puts this face on right before he gets up to drown his wife.
45	* LettingHerHairDown: The Wife in the last scene.
46	* LightFeminineAndDarkFeminine: The Woman from The City is the Dark Feminine (hedonist, cheater, brunette), while The Wife is the Light Feminine (good all the way through, blonde).
47	* MakeItLookLikeAnAccident: The plan is to make the wife's drowning look like an accident. The husband is supposed to save himself by using some bulrushes as a life raft, then scatter them on his way to shore to hide the evidence.
48	* MessyPig: One gets loose from a carnival game and runs into a restaurant. The Man uses his farming skills to wrangle it when none of the city boys can manage it.
49	* TheMistress: The Woman from the City has already seduced the Man when the story begins. The Wife obviously knows something is up, but is unwilling to confront him.
50	* MoodWhiplash: ''Everywhere.'' The scene where the Man nearly tries to murder his Wife is pretty scary. After that the narrative is tragic for a while, then it morphs into something like a country-bumpkin-in-the-city comedy, then it's quite romantic and sweet as the Man and the Wife sail home under the moon, and then the storm happens...
51	* MurderTheHypotenuse: Averted at the last moment.
52	* MyGodWhatHaveIDone: The Man immediately realizes he doesn't have the kind of mental character to kill his wife, but it only truly hits him how far he's fallen when he witnesses the church wedding.
53	* NamelessNarrative: The {{archetypal character}}s are known only as The Man, The Wife, and The Woman from the City.
54	* NoMoreForMe: A server at a fancy restaurant in the city swigs wine straight from a bottle he is supposed to be serving. The escaped piglet from the funfair sneaks into the kitchen and gets tangled in a tablecloth in a way that resembles a BedsheetGhost; when the frightened server sees this, he drops the bottle on the ground and runs off.
55	* OneHeadTaller: Gaynor didn't even get to O'Brien's collarbone level. This makes the scene where he looms over her in the boat particularly effective.
56	* SilenceIsGolden: While, yes, its a "silent" film, the movie actually has very little dialogue and very few intertitles. Most character interactions are through facial expressions and body motions.
57	* SparedByTheAdaptation: In the original short story, the husband drowns when the boat capsizes in the storm on the way back, and it's the wife that makes it to shore via the flotation device.
58	* ThunderEqualsDownpour: One lightning bolt, cue torrential thunderstorm.
59	* UnstoppableRage: When it seems that the Wife has drowned in the storm, the Man is stricken with grief, while the Woman from the City thinks everything has gone according to plan. She tries to get the Man to run away with her, pissing him off so badly he almost kills ''her'' before the Wife is found alive.
60	* TheVamp: The Woman from the City, who likes adultery and wants to graduate to murder.
61	* WhenItRainsItPours: On the way back home.

Context Film / Sunrise