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1[[quoteright:307:https://static.tvtropes.org/pmwiki/pub/images/rtp-hanks1_4056.jpg]]
2
3->''"There is only one guarantee — none of us will see heaven."''
4-->--'''John Rooney'''
5
6A 2002 film, directed by Creator/SamMendes, based on the comic of the same name by Max Allan Collins and Richard Piers Rayner (itself inspired by the manga ''Manga/LoneWolfAndCub''). [[TheIrishMob Mobster]] Michael Sullivan (Creator/TomHanks) and his son Michael Jr., (Creator/TylerHoechlin) who followed him to work, witness the mob boss John Rooney (Creator/PaulNewman)'s son Connor (Creator/DanielCraig) shoot a fellow employee ([[Creator/CiaranHinds Ciarán Hinds]]) for [[StealingFromTheTill embezzling from]] the gang.
7
8Connor tries to kill the witnesses off, but botches the job and ends up killing Mike's wife and [[ParentalFavoritism younger son]]. Expecting revenge, the mob takes out a ContractOnTheHitman and Sullivan and Michael go on the run, pursued by a chillingly psychopathic assassin, Maguire (Creator/JudeLaw). Also starring Creator/StanleyTucci as Frank Nitti, a real-life major figure in the UsefulNotes/AlCapone organization.
9
10The film deals largely with father-and-son relationships -- both the protagonists and the villain of the movie have deep issues with paternal [[ParentalFavoritism favoritism]] and [[WellDoneSonGuy respect]]. Whereas Connor forces his father to try to protect him at the cost of a man he clearly [[TrueCompanions loves as a son]], Michael becomes determined that his only surviving child [[EvilParentsWantGoodKids will not become like him]].
11
12Also notable for being the final film that legendary cinematographer Conrad L. Hall[[labelnote:*]]Film/ButchCassidyAndTheSundanceKid, Film/CoolHandLuke, Film/MarathonMan[[/labelnote]] worked on before his death.
13
14----
15!!''Road to Perdition'' provides examples of:
16
17* AdaptationDistillation: The comic's author himself approves of many of the changes, like having the Sullivans contend with a single assassin instead of various random {{Mook}}s. With the exception of the slightly more upbeat ending, the book is mostly a grim, pulpy odyssey of stylishly bloody death, the film has a more serene tone with violence kept to a minimum.
18* AdaptationNameChange: A very slight example. In TheMovie, "John Looney" becomes "John Rooney" and "Michael O'Sullivan" becomes "Michael Sullivan". Interestingly, though Looney likely had his name changed so that the piece's villain wouldn't have a comical-sounding name, [[RealityIsUnrealistic "John Looney" is only a lightly-fictionalized version of the real Irish gangster in 1930s Rock Island]].
19* AdaptationalUgliness: The graphic novel's [[AdaptationNameChange Michael O'Sullivan]] was a much more [[http://www.comicbookreligion.com/img/m/i/Michael_OSullivan.jpg classically]] [[http://cronicasdeja.com/wp-content/uploads/2013/10/road3.jpg handsome]] character, and he was apparently nicknamed "Looney's Angel of Death", in part, for his good looks. Understandably, Creator/TomHanks - though definitely a handsome man - was chosen [[AbilityOverAppearance more for his acting ability than for his physical resemblance to the character]].
20* AllForNothing: [[spoiler:Connor's father already knew his son was ripping him off, making the murder and all subsequent events unnecessary.]]
21* AmbiguouslyGay: Rance is very fussy, flamboyant, and speaks in a somewhat effeminate manner. When he calls up the hotel staff from the bridal suite, he tells them not to wish him congratulations, because "there is no Mrs. Rance and I am all the better for it."
22* ArtImitatesArt: Sam Mendes and cinematographer Conrad L. Hall sought to give the film the look of the works of Creator/EdwardHopper. The assassination of [[spoiler:Connor, via DeadlyBath,]] is modeled on Jacques-Louis David's famous painting ''The Death of Marat''.
23* ArtisticLicenseHistory: The movie is set "in the winter of 1931", which could refer to either the beginning or end of the year, but if it's early '31, Capone shouldn't be in jail yet (he wasn't convicted until October of that year), and if the movie is set in December, Frank Nitti should still be serving his own sentence. Either way, Nitti did not assume control of the Chicago Outfit until his own release in April of '32.
24* BadassAndChildDuo: A WholePlotReference to the UrExample ''Manga/LoneWolfAndCub''.
25* BadassLongcoat: Everyone (except Michael Jr.) wears one.
26* BaitAndSwitch: When Michael sees Connor in his house at night through the window, Connor looks straight towards where he's standing and [[DeerInTheHeadlights Michael freezes in horror.]] Then it turns out Connor was just looking at his own reflection in the glass and hadn't noticed Michael.
27* BankRobbery: The main action of the film and the comic has Michael robbing mob banks of their off-the-books money to get Rooney and Capone to give up Connor to him. He makes a point of not touching the money of ordinary clients, and sometimes he even gives a cut to the bank teller.
28* BattleInTheRain: A classic: [[https://www.youtube.com/watch?v=ZphC0_XpDp4 (SPOILERS)]]. There's a recurring motif throughout the film that water equals death, too.
29* BeautyInversion: Harlen Maguire is a balding, hunched, brown-toothed man with an ill-fitting bowler hat and generally creepy mannerisms; not what the audience was expecting from Creator/JudeLaw. Law himself has said he finds his own scenes in the movie hard to watch for this exact reason.
30* BeyondRedemption: This is almost the exact meaning of "perdition" — being doomed to go to hell once and for all, with no chance of salvation (hence Rooney's "none of us will see heaven").
31* BigNO: Michael Sr. does one off-screen when he finds Annie and Peter dead.
32** Also, Annie screams it moments before Connor shoots her and Peter, also off-screen.
33* BittersweetEnding: [[spoiler:Michael Sr. dies, but the kid lives, and in the comic, grows up to become a priest.]]
34* BlackAndGrayMorality: The purest motive held by any of the characters is Michael Sr's wish for his son to have a better life.
35-->'''Michael Sullivan Sr.:''' He [Connor] murdered Annie and Peter!\
36'''John Rooney:''' There are only murderers in this room! Michael! Open your eyes! This is the life we chose, the life we lead. And there is only one guarantee - none of us will see heaven.\
37'''Michael Sullivan Sr.:''' Michael could.\
38'''John Rooney:''' Then do everything that you can to see that that happens.
39* BloodIsSquickerInWater: [[spoiler:Connor's execution]] and the death of [[spoiler:Peter]] [[DeadlyBath in the bath]]. Water preceding death is a ''major'' theme.
40* BloodlessCarnage: There's not much gore after Finn [=McGovern=] is given a BoomHeadshot at point-blank range by Connor. Even that is pretty clean, we see his face bloodied while he's lying dead on the ground, but there's more gunsmoke than blood during the actual shooting. Done rather bizarrely at the end, when [[spoiler:Michael Sr.]] is bleeding heavily from his wounds, but [[spoiler:Maguire]] doesn't appear to bleed ''at all.''
41* BottomlessMagazines: Zigzagged in the hotel shootout between Michael Sr. and Harlen Maguire. Maguire fires six shots from a five-round shotgun, while Michael has four bullets in a seven-round pistol magazine (when Michael fires the shot that disfigures Maguire, the slide on Michael's pistol locks back, indicating that the magazine is empty).
42* CanonForeigner: If you've only seen the movie, you might be surprised to learn that Maguire is nowhere to be found in the source material.
43* ChekhovsGunman: [[spoiler:The couple on the farm, who Michael goes to live with at the end.]]
44** The comic [[spoiler:subverts this — Michael arrives to find them both dead, and immediately gets shot as well]].
45* ChurchgoingVillain: Mike and Mr. Rooney are both Irish Catholic and Mr. Rooney is seen praying in church, but they both also accept that their choices will keep them from ever entering Heaven. See the quote at the top of the page.
46* TheCollectorOfTheStrange: Maguire has a collection of photographs of corpses, at least some of which are his own handiwork.
47* CompleteTheQuoteTitle: [[WellIntentionedExtremist "...is paved with good intentions".]]
48* CompositeCharacter: Maguire is a combination of all of [[CanonForeigner the random mooks from the graphic novel]].
49* ConcealmentEqualsCover: Subverted. Rance runs away and disappears behind a wall when the gunfight between Sullivan and Maguire breaks out, but the pellets from Maguire's shotgun easily penetrated the plaster wall and killed him anyway. Sullivan survives because he's hiding behind a large, steel strongbox.
50* ContractOnTheHitman: In the second act of the film, John Rooney puts a hit out on Michael because he knows that Michael won't stop until Connor is dead.
51* CrimeSpreeMontage: The film shows rogue hitman Michael Sullivan robbing banks in Illinois and Indiana, assisted by his eldest son. Pointedly, Sullivan is only draining the accounts of Connor Rooney, the ne'er-do-well son of crime boss John Rooney. Connor has been siphoning off funds from his father's "business," and salting them away in various banks. Sullivan aims to either compel Connor to confront him, or expose his graft to his father.
52* CurbstompBattle: The final shootout between Michael Senior and [[spoiler:Rooney's bodyguards]]. He doesn't even get a scratch on him.
53* DeadlyBath: [[spoiler:Connor is murdered while taking a bath, in a shot that appears very much [[ArtImitatesArt as an homage]] to Jacque-Louis David's painting ''The Death of Marat''.]] Also, Mrs. Sullivan is giving the younger son, Peter, a bath when Connor comes to shoot them.
54* DeathByAdaptation: [[spoiler:John Rooney dies, while John Looney lives (just like his historical counterpart)]].
55* DepthDeception: Michael Jr. approaches the front door of his house, seeing Connor approaching [[spoiler:after he has killed his mother and brother]], and freezes when Connor appears to stare directly at him through the door's window, but it turns out [[spoiler:Connor was actually looking at his own reflection]]. After Michael realizes this, he has time to hide before Connor leaves the house.
56* DiesWideOpen: When one of Finn [=McGovern's=] men falls dead after Michael Sr. guns him down, he falls so that his eyes are looking right at the (concealed) Michael Jr.
57* DisposablePilot: [[spoiler:When Michael comes to kill John Rooney, the first person he kills is Rooney's driver, preventing him from leaving quickly.]]
58* DissonantSerenity: The silent gunfight.
59* TheDragon: Michael was this to John Rooney before the film. Maguire is this to the Rooneys during the main story, as well.
60* DragonTheirFeet: [[spoiler:After Michael Sr. kills the entire Rooney crime family, [[PsychoForHire Harlen Maguire]] still shows up at the end and kills him, despite the fact the people who were paying Maguire were already all dead,]] because...
61** ItsPersonal: [[spoiler:During the exchange of gunfire in Rance's hotel suite, Michael shoots a glass lamp, which shatters and the fragments leave lots of nasty cuts on the left side of Maguire's face.]]
62* ElementalMotifs: Water is often used to symbolise death:
63** [[spoiler:Michael kills Connor in the bath.]]
64** [[spoiler:Michael kills Rooney and his henchmen in the rain.]]
65** [[spoiler:Michael and Maguire kill each other in a house near the sea.]]
66** Early in the film, everyone attends a funeral where someone draws attention to the ice on the corpse.
67* ElevatorActionSequence: Subverted twice with the same players each time. When Michael is trying to leave Frank Nitti's hotel in a hurry, one of Nitti's burly goons follows him into an elevator...but Michael immediately slips out again right before the door closes. The second time, [[spoiler:when he's hunting Connor, Nitti's goons just step aside and let him through]].
68* EpunymousTitle: Michael ''is'' on the way to irrevocably dooming his soul to hell… but he's also driving to a town called Perdition.
69* EstablishingCharacterMoment:
70** Maguire's plot-irrelevant crime scene photography, showing him as an entirely amoral and psychotic ice-cold killer when he finishes off the NotQuiteDead victim.
71** There's also Rance whining to the hotel staff about his boiled egg.
72* EvilParentsWantGoodKids: Michael Sullivan Sr. would damn his own soul to Hell if it means saving his son's soul.
73* FaceDeathWithDignity: [[spoiler:Rooney, who, as his mooks are gunned down around him, simply stands there and awaits his fate.]]
74* FacingTheBulletsOneLiner: [[spoiler: Rooney does have one last thing to say to Michael before he gets gun down by him.]]
75-->"I'm glad it's you."
76* FilmNoir: Both a {{Homage}} and a {{Deconstruction}} of the genre.
77* {{Foreshadowing}}: Much like oranges in ''Film/TheGodfather'', [[BloodIsSquickerInWater water]] precedes every major death scene (bath, rain, lake, etc.):
78** Finn [=McGovern=] dies on a rainy night, shot in the head by Connor.
79** Connor kills Michael Sr.'s wife, Annie, and son, Peter, as Annie is getting Peter ready for a bath.
80** [[spoiler:Rooney meets his end at the barrel of Michael's Thompson submachine gun in a rainstorm.]]
81** [[spoiler:Connor [[KarmicDeath is executed by Michael Sr. while sitting in a bathtub]].]]
82** [[spoiler:Michael Sr. and Maguire shoot each other dead in a house right by a lake. Big windows facing the water make the point very clear.]]
83* {{Foil}}: Michael Sr. has Connor Rooney and Harlen Maguire.
84** Michael is John Rooney's adopted son, Connor is John's biological son. Michael has been a HypercompetentSidekick for years for the Rooneys, with a [[TheDreaded weighty reputation]] in the underworld, while Connor is an incompetent coward who's seen as dead weight by the Chicago Mafia (and [[spoiler:allowed to die when the one person who still cared about him is murdered]]). Michael is quiet and taciturn, Connor is a sniveling StepfordSmiler.
85** Michael and Harlen are both hired killers, but while Michael doesn't enjoy the work he does but continues out of respect for his adopted father John, Harlen revels in his macabre fascination with death.
86* FriendlyEnemy: Michael and the elder Rooney. To an extent, this is also true of Michael and the Capone organization, [[RobbingTheMobBank whose money he's stealing in an attempt to force them to end their protection of Connor]], but they (or at least, Nitti) completely understand why he's doing what he's doing, and would sort of like to be on his side. [[spoiler:Once the elder Rooney is out of the picture, they happily step aside and allow Michael to get his revenge on Connor.]]
87* GetawayDriver: Michael teaches his son to become one for him when they start RobbingTheMobBank to force Capone to give up Connor. It doesn't work in the long run because of course Michael Jr. drives a very slow getaway car at first.
88* GoryDiscretionShot: Subverted. Michael shoots [[spoiler:Connor]] in his bath; we see Michael through the bathroom doorway, but his victim is off-camera. Then the bathroom door swings shut, and we see—reflected in the mirror on the bathroom door—the victim slumped in the bathtub, with his brains blown over the bathroom wall. Played straight with the death of [[spoiler:the elder Rooney, where the camera focuses on the agonized Michael as he readies his Tommy gun and fires]].
89* GracefullyDemoted: Nitti sees himself as simply the interim leader of the Chicago Outfit, and fully expects to step down once Capone is out of prison and can re-assume control. [[note]]This never came to pass, as by the time Capone was out, he had caught a bad case of syphilis and was in no condition to rule a criminal empire. Nitti would lead the outfit until his own death by suicide in 1943.[[/note]]
90* GreasySpoon: The Michael Sullivans ''very narrowly'' avoid an assassination attempt in one of these. Michael Sr. even small-talks with a waitress who brings his fried chicken and coffee, and Maguire — posing as an IntrepidReporter—also orders coffee with [[SweetTooth an enormous heaping of sugar]]. While Michael Sr. and his son just barely escape, Maguire kills a cop who happened to be in the wrong place at the wrong time.
91* GreaterScopeVillain: HistoricalDomainCharacter Frank Nitti, who has bigger fish to fry than this whole feud between the Rooneys and the Sullivans. Notably, Michael Sr. realizes that it would be futile to try to bring Nitti down to get to Connor, so [[spoiler: his goal instead becomes convincing Nitti that protecting Connor isn't worth the trouble.]]
92** On an even greater scope, there's Nitti's own boss, Al Capone, who [[UnseenEvil never even appears in the movie]].
93* TheHeroDies: [[spoiler:Michael Sr. himself at the end.]]
94* HistoricalDomainCharacter: Frank Nitti, the [[TheGhost entirely unseen]] Al Capone, and brief references to Elliot Ness.
95* HitmanWithAHeart: Michael, especially in the comic.
96* HopeSpot: Jr. and Sr. arrive at their relatives' beach house, [[spoiler:with John and Connor both dead. Too bad nobody told the hitman who was chasing them]].
97* ImperialStormtrooperMarksmanshipAcademy: In particular, the scene in the rain where Michael Sullivan Sr. takes out all of Rooney's goons. 5 or 6 of them stand, feet planted still in place, firing one-handed and hitting absolutely nothing. Sullivan, of course, mows them down expertly with his Thompson submachine gun from a ways off. Both the goons' hilariously ineffective counterattack and Sullivan's ridiculous aim with an inaccurate spray-fire weapon are unrealistic, to say the least.
98* InadequateInheritor: Connor qualifies. He's incompetent and unstable, and because of these traits, [[spoiler:Nitti has no problem selling him out to Michael Sr. if he ends the feud]].
99* TheIrishMob: John Rooney is the head of an Irish criminal organization, and employs Michael Sullivan as an enforcer.
100* JustOneLittleMistake: Maguire botches his second attempt to kill the Sullivans when he walks in front of a car; Michael Jr. hears the tires squealing and sees the shotgun under Maguire's coat, prompting him to honk the car horn to warn his father, alerting him to the approaching hitman.
101* KickTheDog: During a shootout, Maguire shoots a cop before the latter can finish asking what the former's doing, then shoots him again as he's getting up, finishing him off. All to let you know Maguire is evil as evil gets.
102* KilledMidSentence: Finn [=McGovern=].
103-->"You think you're so smart? You think we don't know? I mean you've been spending all that time in Chicago —" [BoomHeadshot]
104* KubrickStare: Connor gets a ''very'' unsettling one after the "apology" scene, complete with a slow {{zoom}}-in and a RackFocus to bring his face into detail.
105* LifeSavingMisfortune: Michael Jr. winds up at home later than usual and misses being killed by Connor because he got into a fight at school and had to stay later to copy lines.
106* TheMafia: While most of the movie is about TheIrishMob, the largely Italian-American gang called the Chicago Outfit is the real power in the underworld, and appear as [[GreaterScopeVillain Greater Scope Villains]]. Technically the Outfit were not part of the actual organization known as "UsefulNotes/TheMafia", but they did so much to pioneer the same pop cultural archetype of hard-nosed Italian-American gangsters in nice suits.
107* MomentOfSilence: The climactic BattleInTheRain, with muted sound effects, [[SoundtrackDissonance minimalistic music]] and no dialogue until the final confrontation. Followed by an understated FacingTheBulletsOneLiner, and a [[BangBangBang jarringly loud]] burst of gunfire.
108* MoralMyopia: A rare villain-to-hero example. Connor kills Michael's family, so Michael asks Connor's father to help him get revenge. Michael didn't get the irony of his own petition.
109-->'''Michael Sullivan, Sr.:''' He murdered Annie and Peter!\
110'''John Rooney:''' [[VillainHasAPoint There are only murderers in this room!]] Michael! Open your eyes! This is the life we chose, the life we lead. And there is only one guarantee — none of us will see heaven.
111* MutualKill: Sullivan Sr. and Maguire both take one another out in the ending of the movie.
112* NietzscheWannabe: Connor tries to use a cynical facade to hide his jealousy and childishness. It doesn't work.
113* NonActionBigBad: It's weird to think of Daniel Craig as a cowardly weakling, but yeah, Connor Rooney is emphatically not a badass. See PsychopathicManchild below.
114* OhCrap: Sullivan when he reads the message from the Rooneys that if Tony kills him, his debts will be paid; Sullivan then realizes that one of the Rooneys (Connor specifically) has targeted his son and frantically tries to call home, and another silent one when he realizes in the diner that Maguire is a PsychoForHire there to kill him.
115* OneLastSmoke: Kelly, the henchman who Rooney leaves to receive Michael and attempt to dissuade from continuing after Connor, lights one when Michael arrives. Kelly takes a final puff just before Michael shoots him.
116* TheOner: Late in the film, when [[spoiler:Michael goes to kill Connor, the camera tracks him from his arrival on the 14th floor, down the hall, through Connor's room and into the bathroom where Michael gives Connor a BoomHeadshot. As Michael leaves the room, the camera halts, but the door moves to show Connor's corpse in the bathtub]].
117* ParentalFavoritism: Something of a theme.
118** Michael Jr. is originally TheUnfavorite, because "[[YouRemindMeOfX you were more like me]]".
119** In the film, John Rooney clearly favors Michael over his own son, Connor, which gives Connor a serious complex and only makes him even more of a screw-up. When called upon to choose between them, however, John chooses blood, largely out of guilt for not being a better father to Connor.
120* PleaseShootTheMessenger: Sullivan first discovers the plot against him when he is given a special note from him (that's actually from Connor) for the first debtor he visits: an offer to forgive the debt if the debtor shoots Sullivan in the head.
121* PlotTriggeringDeath: Connor's impulsive murder of Finn [=McGovern=], which is witnessed by Michael Sullivan Jr., starts a chain of events that results in the decimation of the Rooney crime family.
122* PoliceAreUseless: In at least 2 scenes showing extended, broad daylight shootouts, there is no sign of law enforcement in the area, much less intervention from them of any kind. The one time we see a cop, he gets immediately killed by Maguire after cluelessly bumbling outside to see what all the noise (gunfire, no less) was about.
123* PrecisionFStrike: From probably the least foul-mouthed character:
124-->'''Rooney:''' I curse the '''''fucking day''''' you were born.
125* PrettyLittleHeadshots: Subverted with [[spoiler:Connor]]'s death — when we see the body, his actual ''head'' is pretty clean, but there's a massive splatter of blood across the wall behind him.
126* PsychoForHire: Harlen Maguire, who enjoys photographing dead bodies almost as much as he enjoys making them that way.
127* PsychopathicManchild: Connor Rooney.
128-->'''Connor Rooney:''' I can look after myself.\
129'''Frank Nitti:''' No, you can't! This is the point. You're a big baby who doesn't know his thumb from his dick!
130* PsychoticSmirk: Again, Connor Rooney.
131-->''Because it's all so fuckin' hysterical...''
132* PunkInTheTrunk: Michael Jr. hides in the trunk of his father's car when he goes to talk to Finn [=McGovern=].
133* RobbingTheMobBank: Michael's plan to avenge his family involves robbing banks of the off-the-books money they hold for Rooney and Capone in an effort to get Capone to turn over Connor, the murderer in question.
134* RuleOfSymbolism: Mendes deliberately wrote every death to be near or surrounded by water to demonstrate the commonness (and uncontrollability) of death in the mobster's lives.
135* RuleOfThree: Maguire tries three times to kill the Sullivan father and son; first at the diner, at the hotel, and finally the lake house. [[spoiler:He manages to kill the father, but not the son.]]
136* SarcasticConfession: When Michael and son divide up the money they got from RobbingTheMobBank in another diner, a waitress asks what they do for a living and Michael Jr. bluntly says they're bank robbers, but this is taken as a joke.
137* TheScream: We never see Michael Jr.'s reaction to finding his mother and brother's bodies. When his father finds them, we hear his muffled BigNo from the other room, with the camera on Jr. staring silently at nothing.
138* ScrewThisImOuttaHere: [[spoiler:After the death of John Rooney, Nitti no longer has a reason to protect Connor, and actually wants him dead because Connor is an idiot and would be a total liability once he inherited his father's legacy. Nitti decides to kill two birds with one stone and buys peace with Michael by no longer protecting Connor. When Michael enters the hotel to kill Connor, Nitti's goons operate the elevator and open the door of Connor's room for him.]]
139* ShadyLadyOfTheNight: In one of the comic book stories, Michael O'Sullivan visiting an underage prostitute named Juana who he wants information from concerning his nemesis Connor Looney. For obvious reasons, he doesn't do anything with her, but instead gets the information that he needs from her and leaves her with enough money to leave if she wants to.
140* ShootTheMessenger: What Michael Sr. does to Mr. Kelly, the henchman that Rooney sent to offer $25,000 recompense for the death of his family.
141-->'''Mr. Kelly:''' Think, Mike. Don't be stupid. I'm just the messenger.\
142'''Michael:''' Then give Mr. Rooney a message for me.\
143'''Mr. Kelly:''' What is it?\
144'''Michael:''' [''Shoots Mr. Kelly in the head'']
145* SinisterMinister: Michael Sr. tells Michael Jr. to not go to Father Callaway to hide, implying that the man is in the pocket of the mob and would give him up.
146* SmallRoleBigImpact: Whoever Michael Jr. got into a fight with; because of the fight, Michael has to stay at school and copy lines, meaning that he gets home later and doesn't get killed by Connor.
147* SoundtrackDissonance:
148** A cheery jazz tune is heard during the bar scene when Michael kills Tony Calvino and his bouncer, the song ending as Michael shoots the bouncer.
149** Maguire's introduction where he [[spoiler:finishes off a dying victim he found at a bloody crime scene]] is scored with a peppy, old-timey Dixieland jazz number.
150** The shootout in the rain is underscored by a peaceful piano line.
151* StaggeredZoom: The camera jumps back during Maguire's introductory scene as he uses a cloth to suffocate a not-quite-dead stabbing victim while an 'L' train speeds by outside.
152* StepfordSmiler: Connor, who smiles when he's feeling shamed by his father's preference for Michael. When asked why he does this, his deadpans, "Because it's all so fucking hysterical."
153* SupportingProtagonist: Michael Jr.
154* SweetTooth: Maguire pouring about half a cup of sugar into his coffee. And, well, look what it does to his teeth…
155* TagLine: Four.
156** Pray for Michael Sullivan.
157** Every father is a hero to his son.
158** Every son holds the future for his father.
159** The innocence of a son is surpassed only by the father's will to save it.
160* ThousandYardStare: When Michael Sr. arrives home, he finds Michael Jr. sitting at the table, just staring ahead and continuing to do so, the camera lingering on him as his father runs upstairs to find what has happened to the rest of his family.
161* ThouShaltNotKill:
162** In the movie, Sullivan's final act is [[spoiler:shooting Maguire]] so that his son will be able to go through life having never killed anyone. [[IfYouKillHimYouWillBeJustLikeHim If You Kill Him You Will Be Just Like Me]], if you will.
163** In the comic, [[spoiler:however, Michael Jr. averts this, killing at least two of the mooks that come after them, including the man who fatally wounds his father]].
164* TooMuchAlike: The reason for Sullivan's distant relationship with Michael, Jr.
165* UnseenEvil: Capone is deliberately kept off-camera to evoke a sense of mystery and fear behind the most powerful man in Chicago and the power resting behind Frank Nitti[[note]]although by the time the movie is set, Capone's best days were behind him (see GracefullyDemoted above), nobody knew this yet[[/note]]. [[https://www.youtube.com/watch?v=OT9oZXTlCLM A scene]] with him was filmed, but was left out of the final cut despite the director admitting he loved the performance.
166* UriahGambit: [[spoiler:Connor]] sets up Sullivan to be killed this way: send him out to a speakeasy owner who owes debt to Rooney with a message. The message tells the owner [[PleaseShootTheMessenger that if he kills Sullivan, his debt will be forgiven]].
167* VertigoEffect: Maguire first appears walking toward the camera underneath an 'L' track. It takes about 11 seconds of screen time, whereas the typical Vertigo shot is much more fast-moving.
168* VeryLooselyBasedOnATrueStory: There was a Rock Island, Illinois gangster by the name of [[http://en.wikipedia.org/wiki/John_Patrick_Looney John Patrick Looney]]. He betrayed a formerly loyal lieutenant of his, the resulting feud led to the death of his son, and he was eventually arrested for the murder of a lawyer named William Gabel.
169* VillainousBSOD: When the elder Sullivan guns down all his men, [[spoiler:John Rooney]] seemingly just ''gives up'' and stands there, tightly clutching the door handle of his car for dear life as if it's the only thing keeping him standing.
170* WellDoneSonGuy: Connor Rooney in the movie. In the comic, however, none of his angst (nor his father's favoritism towards Michael Sr.) is even hinted at (his motives for doing what he does are out of bloodlust and paranoia rather than out of envy).
171** Also Sullivan himself towards Michael Jr.; not only does he struggle to connect with his son, but Sullivan later admits he's had mixed feelings as [[EvilParentsWantGoodKids Jr. reminds him of himself.]] He also has this feeling towards John Rooney; Michael was raised by John Rooney and his career as an enforcer is to pay him back for what Rooney did for him.
172* WhiteShirtOfDeath: [[spoiler:Michael Sr. himself at the end.]]
173* WouldHurtAChild:
174** ''Connor.'' He tries to kill Michael Jr. and kills Peter instead.
175** Harlen Maguire has no problem with trying to kill Michael Jr. either, even though Rooney declared Michael Jr. off-limits.
176* YouRemindMeOfX: An inversion of the regular usage, see ParentalFavoritism above.
177* YouShouldHaveDiedInstead: Michael Jr. believes this is how his father feels about him. [[spoiler:He is wrong.]]
178* YouHaveNoIdeaWhoYoureDealingWith: Inverted when Sullivan goes on a robbery spree to recruit Capone's support. When he barges into a bank, guns drawn and specifically demanding the off-the-books money they're holding for Capone, the teller's reaction is:
179-->You obviously know exactly who you're messing with... but... why?

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