Line #62 Film/MidnightinParis


1	[[quoteright:350:https://static.tvtropes.org/pmwiki/pub/images/Midnight_in_Paris_Poster_5707.jpg]]
2
3	->''"If I could live anywhere, it would be a night in Paris [[NostalgiaFilter in the 1920s.]]"''
4	-->-- '''Gil'''
5
6	''Midnight in Paris'' is a 2011 romantic-fantasy-comedy film directed by Creator/WoodyAllen.
7
8	Creator/OwenWilson -- the latest actor to be handed Allen's "screen persona" nebbish character -- plays Gil, a hack but successful Hollywood screenwriter who dreams of writing novels. He and his fiancée Inez (Creator/RachelMcAdams) are visiting UsefulNotes/{{Paris}} with her parents; Gil falls in love with the city while Inez dreams of living in a Malibu suburb. One night, as Inez and her friends go out dancing, Gil takes a walk and discovers a square where every night at midnight, a magic car shows up that transports him to 1920s Paris. Enamored with the culture and the famous historical figures he encounters, he continues to travel there, much to Inez's anger and suspicion.
9
10	'''Warning: spoilers ahead.'''
11	----
12	!!''Midnight in Paris'' contains examples of:
13	* AnAesop: The moral of the story is spoken out loud both in the beginning (by Paul) and in the end (by Gil).
14	* TheAntiNihilist: Gil finds his reality to be unsatisfying and his work as a Hollywood screenwriter to be worthless. He wishes to escape it all, and he does. However, he later concludes that there is no escape as life and present-day realities are always unsatisfying for everybody, and that's how one ''has to'' live. The story concludes with Gil, having decided to leave his "Golden Era", finally finding meaning and joy in his own contemporary era.
15	* ArtisticLicenseHistory: Actually, Creator/WilliamFaulkner was one of the rather few significant American writers of the day who ''didn't'' travel to Paris. And Creator/WoodyAllen got ''sued'' (unsuccessfully) by Faulkner's descendants for using his quote about the past not being past. Which is even more ironic given that this very quote, uttered by Gil and specifically attributed to Faulkner InUniverse, marked ''the only time'' Faulkner was mentioned in the film in any context.
16	* AuthorAvatar: As is customary with Creator/WoodyAllen films, main character Gil is a stand-in for Creator/WoodyAllen, from the tucked-in shirts Gil wears to the nervous way Gil talks. He also leaves his fiancée and hooks up with a much younger woman. However, Allen himself noted that Owen Wilson was different from his usual actors mostly in that he was West Coast and WASP, whereas his usual heroes were more on the East Coast liberal intelligentsia side of the equation.
17	* AuthorAppeal: InUniverse, Dali keeps relating every part of his conversation with Gil to rhinoceroses in some way.
18	* BettyAndVeronica: Played with. Inez has the position of a Betty (being Gil's fiancée from his time period) but the haughty RichBitch personality of a Veronica. Meanwhile, Adriana has the position of a Veronica (a vaguely-attached woman from the 1920s), but her connection to Gil over art puts her into the relatable Betty position.
19	* BilingualBonus: It helps to have a working knowledge of French while watching this film. Spanish could come in handy too.
20	* BoisterousBruiser: Creator/ErnestHemingway.
21	* {{Bookends}}: The film opens and closes with scenes of Paris in the rain.
22	* BornInTheWrongCentury: Gil believes that he would have fit in with the writers and artists of 1920s Paris. He gets to go back and find out firsthand (and he actually does get along quite well with them). Further, he falls in love with Adriana, who believes this about herself with LaBelleEpoque[[note]]And those in La Belle Epoque wish they were in UsefulNotes/TheRenaissance[[/note]]. Truthfully, this movie is a {{deconstruction}} of the trope, as it's clear to the audience and other cast from the beginning that Gil's real problem isn't modernity but something in himself.
23	* ButchLesbian: Gertrude Stein is the 1920s version of this trope, though her RealLife lesbianism is never brought up.
24	* TheCameo: Name a member of the Lost Generation and they'll probably have shown up or have been name checked at some point in this movie.
25	* CassandraTruth: Gil tries to tell his fiancée about his experiences, leading her to think he may have a brain tumor. When he tries to tell the surrealists about his coming from the future, they think he's speaking metaphorically. When he tells Adriana, she's not really interested, having just travelled back to LaBelleEpoque.
26	* ChekhovsGunman: Gabrielle the antique dealer.
27	* {{Cloudcuckoolander}}:
28	** Creator/SalvadorDali. He and his surrealist buddies are so out there that not only do they not question Gil's claim of being a time traveler, they find it perfectly unremarkable.
29	** Gil is also seen as this by Inez and her parents.
30	* CoversAlwaysLie: In the poster, [[spoiler: Owen Wilson (Gil) is shown walking by the Seine with a background of Creator/VincentVanGogh's Art/TheStarryNight. Vincent Van Gogh and his work doesn't appear in the movie.]]
31	* DarkhorseVictory: Throughout the whole movie, the audience wonders if Gil will choose Inez or Adriana, but the final answer the film offers is less predictable.
32	* DashingHispanic: Juan Belmonte, the ''Toreador'' (bullfighter).
33	* DisposableFiance: It quickly becomes clear that Gil would be better off without Inez, she dismisses all of his thoughts or opinions, openly insults or criticizes Gil to her friends right in front of him and doesn’t share any of his interests, the final straw for Gil is finding out that she cheated on him and he breaks up with her.
34	* DoubleStandard: while viewing art at a museum, Inez unquestioningly listens to all of Paul’s pseudo-intellectual claims about various pieces of art and shuts down all of Gils attempts to query Paul’s information, however when Gil gives a similar in depth description behind a Picasso (which is actually correct because he met the artist) she accuses him of being intoxicated.
35	* DumbassHasAPoint: Paul, [[KnowNothingKnowItAll for all his pedantic bluster]], actually summarizes the struggle Gil goes through for most of the film early on.
36	* FanService: Inez unloading luggage from the car.
37	* GayParee: It's not revealed whether it's the real Gay Paree or an idealized version of it from Gil's perspective, though.
38	* TheGayNineties: Adriana's "Golden Age."
39	* GenreMashup: It's a fantasy/romantic comedy/drama.
40	* GoodAdulteryBadAdultery: Gil giving Adriana his fiancee's jewelry to try to seduce her is not treated as a particularly bad thing to do, but Inez cheating on Gil is another matter. The difference, of course, is in entirely in [[ProtagonistCenteredMorality which character the audience sympathizes with]] (which is this trope in a nutshell). The nail in Inez's coffin, though, is that, even after being confronted by Gil and admitting that she slept with Paul, she brushes it off with a "what's the big deal?" attitude and wants to continue planning their wedding.
41	* HappyRain: Gil ''loves it'' when it rains in Paris. Gabrielle does as well. Quite possibly AuthorAppeal. This is also brought up in ''Film/EveryoneSaysILoveYou''.
42	* HistoricalInJoke: In spades.
43	* IChooseToStay:
44	** The whole plot is basically a will-he-or-won't-he dilemma built around this trope. [[spoiler: In the end, it's subverted, as Gil decides to return to his own era.]]
45	** [[spoiler:Played straight with Adriana in her own Golden Age.]]
46	* InsufferableGenius: Subverted with Paul (the genius part, not the insufferable part). Inez thinks he's brilliant, but Gil, the tour guide and the audience know that he's not.
47	* InThePastEveryoneWillBeFamous: The Movie. Several influential figures of the time, such as Creator/PabloPicasso, Creator/GertrudeStein, Creator/FScottFitzgerald, and Creator/ErnestHemingway, turn up in Gil's travels to 1920s Paris. It's justified in that Gil goes to a famous tavern where artists congregated.
48	* ItWillNeverCatchOn: Gil gives Luis Buñuel the basic plot of ''Film/TheExterminatingAngel''. Buñuel is puzzled.
49	-->'''Buñuel:''' ''Why'' can't they leave?
50	* ItsAllAboutMe: Inez, who doesn't seem to give a rat's ass about anything Gil says or wants.
51	* ItsNotSupposedToWinOscars:[[invoked]] Gil is a writer of these kinds of films. He hates them, Inez and her parents love them.
52	* {{Jerkass}}: Inez, her parents, and Paul. They have no qualms about openly ridiculing Gil even in his presence.
53	* KarmaHoudini: Inez and [[ObnoxiousInLaws her parents]] are [[{{Jerkass}} horrible to Gil]] throughout the movie, all of them constantly belittle him, the parents hire a private detective to spy on him and finally it is revealed that Inez cheated on him with Paul and fails to see why [[NeverMyFault she would be at fault for this.]] The only repercussion from all of this is Gil breaking up with Inez, which her parents are actually pretty happy about and Inez treats as an annoyance. They are all still wealthy, privileged and dreadful people at the end of the movie.
54	* KnowNothingKnowItAll: Paul Bates, whom a museum guide refers to as "the pedantic gentleman". From what we hear of Gil's novel, there's a character based on him in it, Gertrude Stein's reference to "the pedantic one" is anything to go by.
55	* LargeHam: Hemingway and Dalí. ...of course.
56	* MagicalRealism: It's never explained or even discussed how the time travel works, it's just there to provide the conflict necessary for the character to have his arc.
57	* MostWritersAreWriters: The main character is a writer trying to put the finishing touches on his novel. About half the supporting cast are famous writers of the early 20th century.
58	* NeverMyFault: When Gil calls out Inez on sleeping with Paul, she admits it but never shows any remorse about cheating on her fiancé and acts as if she did nothing wrong and is outraged when Gil breaks up with her.
59	* NiceToTheWaiter: Gil, according to Inez, always sides with the help when she takes issue with one of them. He even comes to the aid of a tour guide when Paul starts trying to ”correct” her about who was Creator/AugusteRodin’s wife.
60	* NoodleIncident: Adriana tells Gil that she and her friends once hired a prostitute to "teach them what she knew." Gil seems torn between shock and amusement.
61	* ObnoxiousInLaws: Gil and Inez are still not married, but Inez's parents act this way, openly ridiculing Gil, and John hires a private detective midway through the film to investigate Gil's strolls at night. [[spoiler:When Gil breaks up with Inez in the end, John and Helen are actually happy about it]].
62	* OffWithHisHead: [[spoiler: The likely fate of the detective in 17th Century France.]]
63	* OhCrap: Gil gets this expression shortly after meeting Zelda and Scott Fitzgerald and realizes that he has managed to time-travel back to the 1920s, however he quickly starts enjoying it.
64	* PoliticallyCorrectHistory:
65	** All the men in the 1920s treat the women with the same level of respect as other men. If you buy the idea that it's all in Gil's head, then this makes sense as it's his idealized version of the 1920s. Gertrude Stein's influence with and access to publishers and booksellers, i.e. ability to get struggling writers published, had a lot to do with the respect she got. However, if you were 'just' an artist model or girlfriend, then your opinions were more easily dismissed.
66	** Music/ColePorter sings Bowdlerized lyrics for the first chorus of "Let's Do It (Let's Fall In Love)"] which wouldn't be written until the 1940s- [[ValuesDissonance the original lyrics]] were [[spoiler: "Chinks do it, Japs do it, up in Lapland little Laps do it..."]].
67	* ReallyGetsAround: Adriana.
68	-->'''Gil:''' My God, you take 'art groupie' to a whole new level!
69	* RecycledInSpace: This film can be seen as ''Film/{{Pleasantville}}'' for adults.
70	* TheRoaringTwenties: The "Golden Age" for Gil.
71	* RichBitch: Inez. She gets it from her mother.
72	* RomanticRain: At the end of the movie, Gil encounters Gabrielle, a young woman he has met before. They agree to stroll together at night in gentle rain.
73	* SceneryPorn: The movie starts with several lovely shots of Paris. Every scene makes Paris look fantastic, both in the past and the present.
74	* ShoutOut:
75	** The yellow car that Gil travels to the '20s in is a reference to Jay Gatsby's yellow car in ''Literature/TheGreatGatsby''.
76	** Dali's obsession with rhinos is a nod to surrealist Creator/EugeneIonesco's play ''Theatre/{{Rhinoceros}}''.
77	* SmallNameBigEgo: Paul Bates.
78	* SmokingIsGlamorous: Zelda and Adriana, both '20s women, smoke lovely-looking cigarettes.
79	* SpiritualAntithesis: To ''Film/LastNightInSoho'', as both protagonists believe they are BornInTheWrongCentury according to the city they are visiting. Both find a way to magically transport back to the golden age of each city, but while ''Film/MidnightInParis'' is a romantic comedy that explores nostalgia [[spoiler: in general by unlocking further time travelling to a more distant past]], ''Film/LastNightInSoho'' harshly deconstructs the NostalgiaFilter we tend to have for older eras.
80	* SpoiledBrat: Inez.
81	* SpottingTheThread: Even though they never meet them, Hemingway and Stein are the ones who clues into the fact that [[spoiler: Inez is sleeping with Paul]] after reading the draft of Gil's novel.
82	* StableTimeLoop: It's suggested (but never explored in depth) that Gil saves Zelda's life and thus prevents a paradox.
83	* [[StrawmanPolitical Strawman Republican]]: Inez's Dad.
84	* TestosteronePoisoning: Could Ernest Hemingway have been portrayed in any other way?
85	* ThirdOptionLoveInterest: [[spoiler:Gil doesn't end up with either Inez or Adriana, rather Gabrielle, a young Frenchwoman.]]
86	* TrailersAlwaysLie: The trailer deliberately hides the TimeTravel aspects of the story, making it seem like Gil has found something contemporary. The trailer also implies the 'disappearance' of the detective following Gil is a major plot point instead of the minor BrickJoke it is in the film.
87	* UncertainDoom: [[spoiler:It's never revealed if the detective ever made it back to the present era, or if he was able to escape the king's guards and avoid being decapitated]].
88	* ViewersAreGeniuses: Some of the people Gil meets aren't as well known as others. Knowledge of [[Creator/LuisBunuel Luis Buñuel]]'s filmography is required to get one joke in particular. Creator/JosephineBaker is not even identified by name and audiences not familiar with her are left only with Gil's reaction to know she's supposed to be anyone important.
89	* WhatHappenedToTheMouse: Paul's wife Carol gets sick after eating an oyster and this is the last time her existence is even acknowledged. [[spoiler:It's not even revealed if she ever found out that her husband cheated on her with Inez]].
90	* WritersSuck: Gil [[SelfDeprecation believes this about himself]], at least with his screenwriting.
91	* WriteWhoYouKnow: [[invoked]] Gil has done this with his novel. [[spoiler: This comes into play when Hemingway reads his work and questions why the character Gil based on himself doesn't realize the characters he based on Inez and Paul are having an affair, cluing him in to what's happening in his own reality.]]

Context Film / MidnightinParis