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1[[quoteright:300:https://static.tvtropes.org/pmwiki/pub/images/1408.jpg]]
2
3->''"It's an evil fucking room."''
4-->-- '''Gerald Olin'''
5
6''1408'' is a 2007 PsychologicalHorror film directed by Creator/MikaelHafstrom and starring Creator/JohnCusack and Creator/SamuelLJackson, based on a Creator/StephenKing short story by the same name.
7
8Cusack plays horror writer Mike Enslin, who specializes in investigating supposedly haunted houses and other sites of supernatural activity, which he has documented previously in books like ''Ten Haunted Graveyards'' and ''Ten Haunted Mansions''. However, these investigations have yet to bear fruit in the form of confirmable sightings, leaving him pessimistic and jaded.
9
10Through an anonymous recommendation, Enslin learns about the Dolphin Hotel, in which no one has been able to stay even a single night (or even one hour) in one particular room - the eponymous 1408. According to his research, everyone who tries has committed suicide or died from anything from heart attacks to drowning.
11
12The manager, Gerald Olin (Jackson), tries to warn him away from staying in that room, to no avail; Enslin is unconvinced by his warnings and tales, preferring to see things for himself. After all, [[TemptingFate what's the worst that could happen?]]
13
14The short story [[Literature/FourteenOhEight has its own work page]].
15
16----
17!! ''1408'' contains examples of:
18
19* AdaptationalAlternateEnding: The [[Literature/FourteenOhEight short story]] ends on a far more cynical note than the movie, with [[spoiler:Mike Enslin setting ''himself'' on fire rather than the room to escape its horrible influence. He survives with extensive third degree burns, but he lives the rest of his life alone and in fear. His tapes are also completely worthless and don't convince anyone of anything. Everything indicates that the evil room will simply continue to claim victims despite Mr. Olin's efforts to contain it.]] The film has three endings, none resembling the one in the book:
20** The theatrical version has [[spoiler:Mike setting the room on fire to destroy it, getting saved by firemen and finding a tape recorder with his dead daughter's voice on it as proof that the room is supernatural. He listens to it with his wife just before the movie ends.]]
21** A first alternate ending has [[spoiler:Mike still setting the room on fire as well, but dying alongside it, then Sam reading the manuscript of the book ''1408'' he wrote before the movie ends.]]
22** Finally, the director's cut has [[spoiler:Mike also setting the room on fire and also dying, but this time, it's Olin who listens to the tape with the dead daughter's voice.]]
23* AdaptationalBadass: Mike's results, as mentioned in the above trope, are far more impressive in the film than in the short story. There's also a weird [[InvertedTrope inversion]] in terms of Mike's writing career; he's a bestseller in the story, but is struggling in the film to the point that, when he hosts a book signing, he has to explain to the library clerk who he is to get things running. [[JustifiedTrope Though given how specific a demographic he caters to, it's not that surprising that he does not have a huge amount of fans.]]
24* AdaptationExpansion: The original story has him in the room for about seventy minutes before he sets his shirt on fire (according to the text: it seems like it would be more like fifteen or twenty). The movie also expands more on Mike's motivations and what his life was like outside of ghost-hunting, and of course this is used to twist the knife further during his stay.
25* AdvertisedExtra: Creator/SamuelLJackson's face takes up as much real estate on the poster as Creator/JohnCusack's. The former has maybe fifteen minutes of screentime, whereas the latter is in every scene (and is often the ''only'' character in the scene).
26* AFormYouAreComfortableWith: For the most part, the room seems content to slowly drive its inhabitants to the brink of madness through slowly escalating its use of [[AlienGeometries incomprehensible alterations to the room]] or attacking their inner demons. But every so often, it adds a little variety by dispensing with the ambiguity and communicates directly either via a telephone call or, in one case, using the form of Olin as an avatar and conversing with Mike "face to face".
27* AirVentPassageway: Subverted. Not only are the vents incredibly cramped, not only does Mike fail to escape, but ''something chases him in the vents''.
28* AlienGeometries: The film nods to the short story with a painting of a ship in a storm which, no matter how Enslin adjusts it, always appears to hang crooked.
29* AllJustADream: [[spoiler:Subverted in the film]] and done remarkably well, too -- at the point in the film where this happens, [[spoiler:enough running time has elapsed that you might actually believe the movie was coming to an end.]]
30* AndYouWereThere: When Mike realizes that the clerk at the post office and the hotel boy were the same person, the illusion starts to crumble.
31* AttackOfTheKillerWhatever: In this case, a hotel room.
32* AwLookTheyReallyDoLoveEachOther: [[spoiler: Mike wanted to avoid contacting Lily while he was in New York. But when he's in a desperate situation, he calls her. While at first dismissive and annoyed, she quickly takes it seriously and calls the police. Unfortunately, the police say [[WhamLine the room is empty.]] Lily is desperate to help Mike, which the Room [[KickTheDog takes advantage of and creates a doppelganger who begs her to come.]]]]
33* BalconyEscape: Mike tries, and fails as the other windows all disappear from the wall that stretches out into infinity.
34* BeCarefulWhatYouWishFor: Enslin was looking for proof of the supernatural. '''He found it.'''
35* BigNo: In a sense: When [[spoiler: Enslin finds himself back in 1408 after the reveal that it's an illusion, he screams "I WAS OUT!"]]. But it fits more in regards to [[spoiler: his anguished screams when Katie again dies in his arms]].
36* BilingualBonus: The French label of the bottle (see {{Foreshadowing}})
37* BittersweetEnding: Both the theatrical and Director's Cut endings have this:
38** [[spoiler: The theatrical ending has Enslin burn down 1408, destroying it completely and escaping his ordeal. He reunites with Lily and moves in with her, finally moving on with a better writing career. While playing his old burnt tape recorder, it plays the recording of when Enslin reunited with Katie, shocking Lily at the realization that the events of 1408 weren't really in his mind]].
39** [[spoiler: The Director's Cut has Enslin die, but destroy 1408 in the fire. Olin tries to deliver Enslin's items to Lily at his funeral, but fails to do so when attempting to explain that Enslin's actions destroyed the Room. While in his car and hearing the recording of Enslin's encounter with Katie, Olin encounters Enslin's charred ghost, but chalks it up to his imagination. The film then ends with Enslin's spirit in 1408, before being called by Katie and walking to the door and fading away, the sound of a door slamming shut]].
40* BlackComedy: The torments the room inflicts on Enslin are downright slapstick at first, but still quite threatening.
41* BlankBook: When Enslin breaks down and opens the Gideon Bible, it's blank.
42* BribeBackfire: Mr. Olin offers Enslin a bottle of 1939 cognac (worth about 800 dollars), as well as upgrading his room and Knicks tickets in his attempt to keep Enslin out of the room. Enslin accepts the cognac, [[{{Jerkass}} then says he's still staying]].
43-->'''Mr. Olin:''' Goddammit to hell!
44* CassandraTruth: Enslin is very insistent about staying in 1408, in spite of Olin's warnings against doing so. He should have listened.
45* CassetteCraze: Enslin keeps his notes on a portable tape recorder. In the original short story he states that he found that when camping in graveyards, cassettes were easier to use than paper.
46* ChekhovsGun:
47** Mike's habit of [[spoiler: keeping a cigarette handy for emergencies.]]
48** At the beginning of the movie, [[spoiler:Enslin receives a bottle of cognac from Olin. This is later used to make the molotov cocktail to destroy the room]].
49* CigaretteOfAnxiety: The protagonist has a cigarette stored behind his ear for these types of situations.
50* CompartmentShot: There are several throughout the film.
51** We see the hotel room's mini-bar from the inside when Enslin opens it. He looks baffled and we assume it is because the fridge is empty but it turns out, the fridge's backside is open and leads into the next room from where an illusion of the hotel manager starts to berate Enslin.
52** Other examples include a shot from the inside of Mike's PO Box, the compartment from which the key is produced at the hotel, and the locking mechanism of the door itself.
53* CorneredRattlesnake: [[spoiler:The room pushing Enslin over the DespairEventHorizon backfires spectacularly. When 1408 resets and it's clear Enslin's never getting out, he turns into TheStoic, lights up a cigarette and a MolotovCocktail, and calmly takes a seat for OneLastSmoke as the room burns around him.]]
54* CouldHaveAvoidedThisPlot: The plot only happens because of Enslin's bone-headed insistence on spending a night in Room 1408 and ignoring Mr. Olin's many, many warnings and attempts to dissuade him. Olin even offers Enslin access to all his files on the room's macabre history and suggests that Enslin photograph room 1404 with its identical layout, making the entirely valid point that Enslin's readers would never know the difference; Enslin refuses because he wants it to be "authentic". By the time Enslin realizes his mistake, it's too late for him.
55* CoversAlwaysLie: A minor example, but the poster shows an old-fashioned paddle key, as described in the book, with a complex head. The movie features a very ordinary key with the room number attached on a keychain.
56* CuttingBackToReality: While Mike is being endlessly tormented by 1408, there's an interesting shot where he opens the minifridge in [[INeedAFreakingDrink search of booze]], which is shown to lead into a completely different room from which another character gives him a TheReasonYouSuckSpeech. When the camera pulls back, Mike is simply screaming at a regular fridge. In another scene, a phone melts in front of him before changing back in a jump cut. That being said, it's not clear if ''everything'' is just happening in his head or if 1408 is a RealityWarper.
57* DangerousWindows:
58** First, the window that slams shut on his hand hard enough to break the skin.
59** Later, when Enslin tries to escape to the next room over by going out the window, he is unable to reach the expected next window over - and then sees that 1408's are the only two windows within about five miles of otherwise featureless wall. Naturally, the window tries to bite him again on the return trip.
60* DeadlyEuphemism: The room keeps asking Enslin if he wants to take advantage of the hotel's "[[DrivenToSuicide express check out system]]".
61* DeadpanSnarker: The Front Desk Clerk talks like this when Enslin takes the phone after the supernatural events happen. Later on, it's revealed to be [[spoiler:the Room itself]] mocking him.
62-->'''Front Desk Clerk[[spoiler:!The Room]]''': [[FateWorseThanDeath You can choose to repeat this hour over and over again,]] [[DrivenToSuicide or you can take advantage of our express checkout system.]]
63* DeathByAdaptation:
64** [[spoiler:Enslin]] in the director's cut - he survives in the original short story.
65** [[spoiler:The room itself]] in both cuts. In the short story, it's still in good shape by the end -- if rather [[AlienGeometries non-Euclidean at times]].
66* DeathOfAChild: [[spoiler: Enslin's marriage fell apart after his daughter, Katie, died of cancer. He couldn't cope with the loss and took up ghost hunting after abandoning his wife so he can regain his faith in the afterlife and reunite with her. The theatrical ending has Enslin and his ex-wife get back together after the experience with 1408.]]
67* DespairEventHorizon: Enslin reaches this after experiencing [[spoiler:the vision of Katie dying in his arms]]. And ''the room keeps going'' in its attempts to mess up his mind.
68* DetachableDoorknob: Once Enslin realizes that the titular hotel room he's staying in [[GeniusLoci is, in fact, evil]], he tries to escape, but not only does the door eat the inside key, the knob suddenly breaks off. This comes after the window slams itself completely shut, [[SealedRoomInTheMiddleOfNowhere solidifying the fact that he's just become trapped for good.]]
69* DiabolusExNihilo: The movie gives zero explanation of the crazy guy with the hammer Mike keeps seeing. A brief shot implies he's one of the men from the painting of the ship at the sea.
70* DidYouJustPunchOutCthulhu: [[spoiler:Unlike the short story, Enslin manages to destroy the room in both cuts by burning it down.]]
71* DiedInYourArmsTonight: Just when Enslin thinks he might have his dead daughter back, she falls limp while he's hugging her -- and then to twist the knife further, the radio startles him (again) and she crumbles into ash.
72* DoomedContrarian: Enslin [[spoiler: barely averts this. In ''most'' endings of the movie, at least]].
73* DownerEnding: The original ending had [[spoiler: Enslin dying with the room. Test audiences did not approve, and this ending was reserved for the international releases]].
74* DramaticDrop: At the end, when [[spoiler:Enslin is listening to his notes while his wife is unpacking from a recent move. Her reaction to hearing the voice of their dead daughter on the tape is entirely understandable]].
75* DrivenToSuicide: A number of 1408's victims went out this way, and it tries like hell to induce this in Enslin through sheer psychological torture. It even offers him a noose. [[SarcasmMode How helpful of it.]] Even for those who don't kill themselves, from the 29 undocumented "natural" deaths, it's implied the unrelenting torment the room puts its victims through eventually causes them to die from sheer stress anyway. These were probably people who went to bed and fell asleep shortly after entering the room, so they didn't have the opportunity to consciously kill themselves.
76* EldritchAbomination: The "good" news is that there are no ghosts involved. When Enslin refers to a phantom in the room, Olin sharply rebukes him, in the charming way that only Creator/SamuelLJackson can (see the quote at the top of this page) pull off. This arguably makes the movie even harder to watch. You desperately want ''something'' to hate for everything that's happening to Enslin, but hating a room is like, well, shouting at a mini-fridge. The good thing about this is that you're relieved that it's just this ''one'' room...
77* EldritchLocation: Room 1408, the EldritchAbomination mentioned directly above, is a physical place. It messes up the reality of the place every time someone stays in there too long.
78* [[EarnYourHappyEnding Earn your]] [[BittersweetEnding Bittersweet Ending]]: The revised ending has Mike survive his ordeal, albeit injured. He moves to Los Angeles with Lily, where both of them realize that Mike's ordeal was indeed real.
79* EnclosedSpace: In the movie, after Enslin has been in the room for a while, the door simply refuses to open. Going out the window doesn't work, and there's something horrible in the ventilation ducts, so that's out. Oh, and the room ''actively hates him''.
80* TheEndOrIsIt: Both the Director's Cut and the alternate ending leaves the unsettling implication that burning down Room 1408 didn't destroy it all but simply caused it to instead possess Mike's possessions instead.
81* EvilHasABadSenseOfHumor: Implied. Some of the torments the room puts Enslin through are downright slapstick, and the sheer comedic timing of some of it is too good to be an accident on the room's part. It might not have a face to laugh with, but it's obvious that it finds the whole thing to be absolutely ''hilarious.''
82* EvilPhone: On the few occasions when the room decides to verbally communicate with Enslin, it does so through the room's phone. Though it initially pretends to be one of the hotel's employees (albeit one who ignores Enslin's complaints), the ruse eventually drops, though it maintains its [[FauxAffablyEvil perky and warm tone]] the whole time.
83* EyeScream: A cleaning lady who found herself locked in 1408's bathroom for four seconds used a pair of scissors to cut her own eyes out. What had she seen? No one knows. In the short story, it was subtler yet in its own way scarier. She simply goes temporarily blind while cleaning the room, and yet she says she could "see the most awful colors".
84* FaceOfAThug: [[spoiler: Inverted. The room looks rather nice before it goes to hell.]]
85* FairPlayVillain: Downplayed, but the room does seemingly give Mike a chance to leave at the beginning, leading him [[AlienGeometries back to the elevator he just came from despite him walking in a straight line, and opening its doors in invitation]]. Unfortunately Mike doesn't take the hint until it's far too late.
86* FantasyKeepsake: After [[spoiler: Mike really escapes the room]], it could be thought that everything he went through was some kind of hallucination, with either a natural or supernatural cause-- except that his tape recorder has his daughter's voice on it.
87* FateWorseThanDeath: [[spoiler:"You can choose to repeat this hour over and over again, or you can take advantage of our express checkout system".]]
88* FauxAffablyEvil: The room itself. It offers Mike, in a very polite manner, the option to ''take advantage of its express checkout system'': showing him a rope to hang himself. Then cheerfully tells him that they will make sure that his wife joins him shortly.
89* FeedbackRule: Happens when a bookstore clerk grabs a mic to announce the hero's autograph session for that night.
90* {{Foreshadowing}}:
91** By way of BilingualBonus: The bottle Olin gives to Mike is named ''Les Cinquante Sept Décès'', which means "The fifty-seven deaths." [[spoiler: We learn there have been 56 deaths in 1408. Guess who's number 57]].
92** When Mike gets to the 14th floor, he ambles along through the corridors absent-mindedly, not looking where he's going, and inadvertently ends up [[spoiler:back at the elevators, right where he started.]]
93** The lady with the pram and the baby's screams are [[spoiler:hints of the death of Mike's daughter.]]
94** Enslin calls down to the front desk because the room is too hot:
95--->"I need you to send somebody to fix my thermostat. Room's on fire."
96** The recurring use of "We've Only Just Begun" by the Music/{{Carpenters}}.
97** [[spoiler:"Burn me alive"]] written on two separate bricks of walls (see KillItWithFire).
98* ForTheEvulz: The room's only motive apparently.
99* FreezeFrameBonus: If you look closely at the Holy Bible right after Mike puts it down when he first enters the room, you'll see that the text on the cover is ''backwards''. This is the first sign that something's wrong.
100* FridgeHorror: Invoked and discussed by Mike as he settles into the room and prepares his investigation.
101-->"Hotel rooms ''are'' a naturally creepy place, don't you think? I mean, how many people have slept in that bed before you? How many of them were sick? How many of them lost their minds? How many of them... died?"
102* GeniusLoci: The room doesn't have anything evil in it. The room ''itself'' is evil.
103* GoodIsNotNice: Olin is trying to stop Enslin from entering a deadly room, but he makes it clear he's not doing this out of the goodness of his heart: he doesn't want to have to deal with another dead guest.
104* GriefInducedSplit: After the death of their young daughter Katie, Mike abandons his wife Lily and travels the country as an author chronicling stays in supposedly-haunted locations.
105* GroinAttack: One victim of 1408, as Mike delicately puts it, "turned himself into a eunuch", [[ThereIsNoKillLikeOverkill while having also slit his wrists]].
106* GroundhogDayLoop: [[spoiler: How the room put the screws to its residents' sanity.]] There's a variation though, in that the time itself isn't reset after the end of the loop - it just repeats over and over.
107* HauntedHouseHistorian: The hotel manager knows all the history of room 1408.
108* HauntedTechnology:
109** PlayedWith. The reality-warping nature of the titular room affects even electronic devices in there, causing them not to work properly or act strange. It's mentioned that the reason the room is accessed through an old fashioned key (which Mike had sarcastically complimented as a nice touch) rather then a magnetic card like all the other rooms is because of this.
110** The one example where this trope is played completely straight, though, is when Enslin tries to contact his wife via laptop, only for a doppelganger of him to appear in the chat window and goad Lily into entering the 1408.
111** In the theatrical cut [[spoiler:Enslin's tape recorder was retrieved from the fire of 1408, and after a moment he gets it working again and it begins to play back his recordings, before jumping to a recording of the conversation he had with his dead daughter. It's unclear what this means -- if the room's influence has survived in the tape, if this is all another elaborate delusion and he's still in the room, or if it simply was able to record their voices and is not playing them back.]]
112*** In the director's cut, [[spoiler:the tape recorder finds its way to Mr. Olin, who begins listening to it while in his car. He then looks up and jumps upon seeing Enslin's charred corpse in his rear-view mirror, giving him a weary grin. Whether this is the room's malign influence spreading or simply Enslin seeing his last work completed remains unclear]].
113* HeadInTheSandManagement: The Dolphin Hotel is owned by a Japanese company who are ignoring Olin's requests to seal off 1408 despite detailed evidence of the dozens of guests who have died in there, many of them violently. Olin compares it to the superstition of pretending there is no 13th floor. This is avoided by [[OnlySaneMan Olin himself]], who has done everything in his power to prevent any more guests from staying in there and to minimize any further harm the room can do.
114* HellHotel: Played with. Only the one room, and the owner does his best to explain the risks and discourage most people from going in there. The rest of the hotel is exceptionally pleasant. Hell, even the room (before it goes to shit) looks like a lovely spacious apartment.
115* HopeSpot: The nightmare sequence late in the movie where [[spoiler:Enslin thinks he's escaped from the room.]] This immediately leads to an inversion, where [[spoiler:Enslin looks ready to cross the DespairEventHorizon, but when the room mocks him one last time, Enslin decides to set the room on fire. Even though he's prepared to die, he's pulled from the burning wreckage of the room.]]
116* HorrorStruck: Despite Enslin's occupation as an author who writes about his experiences with supernatural places, he is a skeptic and expects a normal stay in 1408. He even blows off the manager's warnings as an attempt to build the mystique of the hotel. To his horror, he soon realizes that the room is worse than he could have possibly imagined.
117* HollywoodAtheist: Enslin, though he was an atheist ''before'' his daughter passed away.
118* HostileWeather: The temperature in the room keeps changing to either hot or cold extremes to mess with Enslin. It eventually starts snowing, forcing him to huddle around an improvised campfire for warmth.
119* INeedAFreakingDrink: After his narrow return from his failed AirVentEscape, Mike immediately makes a beeline for the fridge while muttering "alcohol" under his breath. Unfortunately, the room has long since stopped bothering to be subtle with its machinations and doesn't even allow him this minor reprieve, creating an illusion of Olin [[TheReasonYouSuckSpeech taunting him about how he has no one but himself to blame for his situation]] when he opens the fridge. Luckily Mike still had the whiskey the real Olin had given him and, underlying how badly he's unravelling, he doesn't even bother with a cup and swigs several gulps straight from the bottle.
120* IWarnedYou: As part of it's ongoing MindRape, at one point room 1408 creates an illusion of the manager telling Mike that, [[TheReasonYouSuck among other things]], he was the one who ''sought'' out the room despite all the warnings and mockingly asks him if 1408 was [[BeCarefulWhatYouWishFor living up to his expectations]].
121* IfJesusThenAliens: Mike doesn't believe in the supernatural, claiming even if it was real, there isn't a God to protect them from it. This comes back to bite him ''hard'' when, at the near of his rope, he desperately resorts to praying from the hotel's bible only to see that the good book is now completely blank.
122* InnSecurity: "Even if you check out, you can never leave..."
123* ItHasOnlyJustBegun: Featuring the Music/{{Carpenters}} as the voice of unfathomable evil.
124* ItWontTurnOff: The clock radio, which keeps counting down even after Enslin pulls out the plug.
125* KillItWithFire: Used in both the short story and the movie to escape the room... but in slightly different fashions. In a "blink and you miss it" foreshadowing, when the post office is being torn down to reveal the room, one of the bricks on the wall has "Burn me alive" written on it. This is also shown when the room is first encased in brick, outside the living area window [[spoiler: which is the only one in the room at the time]].
126* KickTheDog: Basically everything the room does to Mike is this [[spoiler: like showing him her dying daughter and then causing her to turn to dust in Mike's arm.]]
127* KubrickStare: Mike, in the theatrical ending.
128* LastUnsmokedCigarette: Literally. Enslin, who has quit smoking, keeps a cigarette behind his ear throughout the movie. [[spoiler: When Mike sets the room on fire and expects to die, he lights it up.]]
129* LatexPerfection: The final nightmare sequence features the best variation ever, [[spoiler:executed by the room itself]].
130* LaughingMad:
131** Enslin gets a massive case of the giggles [[spoiler:as the room burns around him]].
132** Olin also mentions that the maid who was accidentally locked in 1408's bathroom briefly and [[EyeScream gouged her eyes out]] was laughing hysterically when they pulled her out.
133* LawfulStupid: Enslin uses an old civil rights law to coerce Mr. Olin to let him stay in room 1408 despite the latter's ''very pointed'' requests that he not go in there and providing detailed files on the victims as proof that it's too dangerous. However, since Enslin ignores his warnings, Olin is forced to cooperate or otherwise open the hotel to a lawsuit. It doesn't help Olin's case that the owners of the hotel are [[SelectiveObliviousness blithely denying]] the obvious safety issues of the room, which would make it incredibly easy for Enslin's lawyers to argue discrimination in court.
134* LittlestCancerPatient: Katie Enslin, who dies from an unspecified disease (possibly terminal cancer) a year before the events of the movie, an event that spurred Enslin to travel around the country investigating haunted locations. The room's visions of Katie still alive with Mike in the room really seem designed to go for Mike's jugular.
135* LittleNo: "Your wife will be here soon, Mr Enslin. We'll send her right up!"
136* LivingStructureMonster: The entire hotel room itself, not just any specific piece of it, is evil. The rest of the hotel is fine though.
137* TheLonelyDoor: Near the end, a random door appears in the middle of the room. When Enslin opens it, it just shows a black void.
138* MagicCountdown: The clock radio counts down from 60 minutes. ''[[spoiler:Over and over and over.]]''
139* MindRape: It is implied that [[spoiler:the room peers into the darkest corners of its current occupant's fears, regrets, and insecurities, and customizes itself to whatever nightmares will traumatize them the most. Then it will just repeat the Mind Rape until the occupant kills themselves.]]
140* MindVirus: [[spoiler:The room starts a slow infection of any of its occupants' minds without them realizing it.]]
141* MirrorScare: Mike gets shocked by seeing the reflection of the man with a hammer in his bedroom mirror. He turns around to realize he is alone in the room. The room later tries this again, this time with an image of Mike gruesomely hanging himself, but by this point [[spoiler: he's already resolved to burn down the room]] and is so jaded by everything else he's gone through he doesn't even blink.
142* MissingFloor: The corporation running the Dolphin Hotel believes that ThirteenIsUnlucky, so they pretend there's no 13th floor. Hence Floor 13 is re-numbered as 14, putting the room of death on the appropriate level (with digits that also add to 13).
143* MistakenForSuicidal: Enslin pre-empts this when he attempts to crawl along the outside ledge to the next room over. He tells his tape recorder that should he fall, he wants it to be known it was an accident, not the room winning.
144* MysteriousNote: The postcard that starts it all. Really mysterious, since who sent it remains [[TheUnreveal unknown]], and Enslin never bothers to ask Olin about it.
145* NonSequiturEnvironment: The room changes itself many times to unsettle Enslin, such as the bathroom being replaced by a larger one where his father sits alone, the windows being replaced with walls, and the fridge opening into Mr. Olin's office.
146* NothingIsScarier: No explanation is ever given for the origin of the room's supernatural nature: it seems to have simply been that way as long as the hotel has been around, as its first victim was claimed in the first week the hotel was open.
147* OffscreenRealityWarp: Over the course of the hour, many details of the room change, starting subtly with a crooked hanging, but growing increasingly elaborate. Even the varying levels of cognac left in the bottle are likely intentional.
148* OccultDetective: Enslin, in combination with IntrepidReporter. However, he's never encountered any genuine supernatural force until he tries to stay in 1408.
149* OnlySaneMan:
150** Enslin believes himself to be this: he doesn't believe in the supernatural, claiming even if it was real, there isn't a God to protect them from it. He even wears a hat at one point with the words "Paranoia is just total awareness".
151** In comparison, Olin is definitely this. He decided after the 4th death under his watch to have the room sealed and forbade any guests to check into it. He has 1408 serviced once a month, under his direct supervision, with maids working in pairs [[ProperlyParanoid and the door kept open at all times.]] He tells Enslin that he treats the room as if it were filled with toxic gas, and won't even go near it unless he has to.
152** Some of the staff at the hotel are also fully aware of the dangers of room 1408. The mechanic sent up to fix the thermostat flat out refuses to enter the room, talks Mike through the steps while remaining outside the door and is [[ScrewThisImOuttaHere already down the hallway the second the thermostat is fixed]].
153* OurZombiesAreDifferent: Mike tries to [[AirVentEscape escape through the vents]], but the room doesn't like that, so it throws a zombie of Kevin O'Malley (one of 1408's first victims) up there to stop him.
154* OutlivingOnesOffspring: For Enslin, when Katie was dying of a terminal disease, and not only could he not do anything to prevent it, but as an atheist, he couldn't even take refuge in prayer.
155* ParkingProblems: The protagonist takes up two stalls with his SUV in front of the post office at the beginning of the movie.
156* ThePrecariousLedge: Mike tries to escape [[EldritchLocation The Room]] by climbing out onto the thin, windy ledge and shimmying into the next room over's window, only to discover that [[spoiler: there are '''no''' other windows, only an infinite sheer brick wall.]] He turns back, ending up in a LiteralCliffhanger thanks to the [[spoiler: ghost of a woman committing suicide by throwing herself out the window.]]
157* PersonalHorror: The overall schtick of the titular hotel room seems to be dragging guests kicking and screaming through the darkest corners of their own subconscious and beating them over the head with their own doubts, fears, and regrets. Mike Enslin discovers this to his extreme detriment.
158* PrecisionFStrike: "It's an ''evil'' fucking room."
159* PrimalFear:
160** Notably on the ''Heights and falling'' part...
161** And the "Spectre of Death" part as well.
162* PsychologicalTormentZone: What the room does to anyone who comes in. Enslin is taunted by memories of his dead daughter and his failed marriage, his father in a nursing home, and just generally tormented by the room's RealityWarper abilities.
163* PsychoticSmirk: Enslin's doppelganger which appears in the chat window on laptop gives Mike a vicious smile after successfully tricking his wife Lily into entering the titular room. Said doppleganger it's implied to be the room's avatar.
164* RaceLift: Mr. Olin, a white middle aged British man in the story is played by Creator/SamuelLJackson in the film. It's a very effective transition at that. If some stuffy British guy walked up to you and said 'Don't go in the room!', you'd probably do it out of spite. Now if ''Samuel L Jackson'' told you 'Don't go in the fucking room'...
165* RealFakeDoor: As soon as Mike realizes how dangerous the room really is and tries to make a break for it, it creates a brick wall behind the front door so he can't leave.
166* TheReasonYouSuckSpeech: Enslin receives one [[spoiler:from his mini-fridge.]]
167* ResetButton: [[spoiler:After subjectively going through weeks of utter hell and paranoia, and the room itself being reduced to a bombed-out wreck, when the timer on the clock runs out the room immediately reverts to the way it was when Enslin first entered it.]]
168* {{Room 101}}: See PsychologicalTormentZone above.
169* SelectiveObliviousness: The Dolphin Hotel is owned by a Japanese conglomerate who refuse to close off 1408 for good. Mr. Olin implies that he has strongly recommended this solution multiple times, but admits in exasperation that his bosses prefer to pretend there isn't a problem.
170* SchmuckBait: The postcard Enslin receives, warning him "Don't go in 1408!"
171* SchroedingersButterfly: The whole movie plays with this concept a lot but especially when [[spoiler:the main character (as well as the viewing audience) is tricked into thinking that he escapes the hotel room and has returned to a normal life before he realizes that it was all a vicious illusion. This arguably comes to an end when he burns the place down and escapes, but there's still the feeling that too could possibly be an illusion.]] Only in the theatrical ending, though. In the director's cut and the other alternate ending, [[spoiler:it's clear he burned the entire room down, though at the cost of his life, but what is happening to Olin (director's cut) or Sam (other ending) is unclear.]]
172* SealedRoomInTheMiddleOfNowhere: After a while, room 1408 cuts off all of Enslin's exits so it can continue tormenting him. The hotel map on the front door changes to show that the room is the only thing that exists inside a featureless black void.
173* ShoutOut:
174** To the fridge scene from ''Film/{{Ghostbusters 1984}}''.
175** There's a small blink-and-you-miss-it reference to the [[Literature/FourteenOhEight original short story]]. When Enslin is walking down the hall to the room for the first time, he is shuffling through his notes. On one page is a line from the original short story from when Enslin first begins to feel the effects from the room.
176---> "My brother was actually eaten by wolves one winter on the Connecticut Turnpike."
177** "We've Only Just Begun", the song that becomes Enslin's MadnessMantra by proxy, is also played in the insane asylum where John Trent winds up after the events of ''Film/InTheMouthOfMadness'' ([[HowWeGotHere but at the beginning of the actual movie]]).
178** After the climax and Enslin's escape, he starts seeing the ghosts of those trapped in 1408, including while having lunch in a restaurant in a frame-for-frame shout out to the ending of ''{{Film/Misery}}''. [[spoiler:Then he finds out he's not escaped after all.]]
179** Enslin's attempt to find a rational explanation for the strange occurences, described by him as "Let's ''Literature/EncyclopediaBrown'' this bitch."
180** When Enslin first enters the room, he asks his dictaphone "Where are the rivers of blood?" in reference to [[Film/TheShining another Stephen King adaptation set in a hotel]].
181** When a fan asks Mike where he can find a genuine haunted house, Mike responds "[[Franchise/TheHauntedMansion Haunted Mansion]], [[Ride/DisneyThemeParks Orlando, Florida]]".
182*** the shifting portrait of the ship might also be a Haunted Mansion reference as well.
183* SnowMeansCold: When it gets to freezing in the room, the floor is covered with a layer of snow. The sprinklers were on for awhile, but it should have generated some ice, not snow. But of course, the room's RealityWarper nature can explain such little details.
184* SoundTrackDissonance: "We've Only Just Begun", indeed...
185* SpiritualSuccessor: Replace "evil hotel room" with "disgraced opera singer's home" and you have Magnetic Rose from Katsuhiro Otomo's ''Anime/{{Memories}}''.
186* SpitTake: In the movie, Enslin learns why you shouldn't drink anything when staying in a hotel room with a sadistic radio...
187* SpookyPainting: Enslin finds three framed examples of Generic Hotel Artwork that get more menacing as the movie goes on. Specifically, [[spoiler:a painting of "constipated English lords" hunting changes to a scene wherein they are attacked by their hunting dogs, a ship being tossed about in on the high seas suddenly has a full crew fighting in vain against a storm, and a painting of a woman and her child becomes a painting of a woman ''breastfeeding her dead baby.'']]
188* StrawVulcan: Subverted. Enslin presents himself, to himself and to others, as an atheist with a skeptical, highly rationalistic perspective on the world, but his true hamartia is his arrogance; he dismisses Olin's warnings without really considering them because his preconceptions make them sound to him like superstitious nonsense, i.e., ghost stories. A genuine skeptical rationalist would consider that Olin's experience as the hotel manager gives him a better claim to authority on the subject of the titular room than anyone who hasn't spent a night in it -- and, if nothing else, a genuine skeptical rationalist would consider that $800 worth of XO cognac is a hell of a long way to go to put over a ghost story. Enslin does suspect that Olin is hyping the story for financial gain, but Olin points out that the hotel is always nearly booked to capacity regardless of any publicity stunt; yet Enslin still refuses to take him seriously. Last but not least, a rationalist would seriously consider the fact that since ''all'' 1408 guests died, staying there is not advised from mere statistical point of view -- after all, nobody with the right mind would risk getting into a scenario with one-hundred-percent mortality rate, supernatural factors involved or not.
189* SuddenlySignificantRule: After Enslin tries to book room 1408 and is told it is unavailable, he consults with his agent and an attorney who confirm that due to a civil rights law, the hotel must allow him to stay in any room he requests, as long as it's unoccupied. It appears that Olin is familiar with this law, because despite his many attempts to dissuade Enslin from staying in the room, he never outright forbids it and eventually hands over the key.
190* SuperDrowningSkills: While Mr. Olin elaborates to Mike about the gruesome death record of room 1408, he remarks that one person who stayed in the room died by drowning ''in his chicken soup''. Even Mike is momentarily befuddled at how he managed that.
191* TakingYouWithMe: [[spoiler:When Enslin finally snaps, he makes a Molotov cocktail with the cognac given to him by the manager to burn himself and the room. He even says, "If I have to go down, I'm taking you with me."]]
192* TemptingFate: As mentioned in the description above, Enslin insisted on staying in the room.
193* ThatWasNotADream: [[spoiler:1408 is such a bastard that it let Mike think he'd been out for a week or more before informing him, nope, you're still here]].
194* TogetherInDeath: Alluded to in the alternate ending [[spoiler: where Enslin dies]]; while Mary is watching [[spoiler: his]] body being lowered into the ground next to Katie's, she remarks, "They're together now..."
195* TranquilFury: Mike is oddly nonchalant about taking a Molotov to the room knowing full well at the time he was likely to die himself. But a huge amount to this could have stemmed from the fact [[spoiler: The Room was smug enough to ''threaten to take his ex-wife'']].
196* TheyLookJustLikeEveryoneElse: Nonhuman version here. Until weird things start happening, 1408 looks like any random (if very nice) hotel room.
197* ThirteenIsUnlucky:
198** The hotel doesn't have a floor marked 13, to accommodate superstitious guests ([[TruthInTelevision actually a pretty common thing in the hotel business]]). This means that the 14th floor, where the room is located, is actually the 13th floor.
199** 1 + 4 + 0 + 8 = 13. Mike even considers it cute the first time he makes note of it. Needless to say, this sentiment doesn't last.
200** The room also keeps fiddling with the thermostat to extremely hot or cold temperatures, the digits of which always add up to thirteen. He also tells the maintenance man (who refuses to enter the room) that it's only "six or seven feet" to reach the thermostat.
201** The numbers that the phone calls out add up to thirteen in pairs.
202** The Dolphin is at 2254 Lexington. Also, the metal plate inside the door's lock is engraved with "6214." [[RuleOfThree And]], [[NoFourthWall the DVD's run time]] is 104 minutes, 8 seconds (1 + 04 + 8 = 13, or 104 / 8 = 13). The director's cut clocks in at around 112 minutes: 1 + 12 = 13.
203** It came out on the 22nd in 2007. 2+2+2+0+0+7=13.
204** According to Olin, there has been a total of 56 deaths in 1408. Mike was the intended 57th victim, and [[spoiler: had Lily come up to the room as well, it would have added up to 58. 5 + 8 = 13]].
205** The Dolphin Hotel opened in October 1912, with 1408 claiming its first victim the opening week. 1 + 9 + 1 + 2 = 13.
206* ThroughTheEyesOfMadness: Shortly after the room starts to play tricks on Enslin, he starts to consider the possibility that he might be dreaming or hallucinating (and wonders if perhaps Olin put a hallucinogenic in the whiskey he gave him). One moment definitely is: Mike opens his fridge to find that [[NonSequiturEnvironment it leads into Mr. Olin's office]], who berates him for his pointless insistence on staying in 1408; when the camera pulls back, Mike is clearly screaming at a normal fridge. This remains an entirely valid interpretation of the film for most (if not all) of its runtime.
207* TitleByNumber: It's the name of the hotel room in question.
208* TooDumbToLive: Enslin counts. Even if he is a skeptic in the supernatural, it should have been disturbingly obvious with the extensive history of mysterious deaths and mutilations that Olin provides him that room 1408, regardless of nature, was dangerous, he still insists on staying the night. It ends up costing him dearly. An argument of Enslin acting this way can be argued that he has become so jaded with desperation of hotels playing off ghost stories, to say his ''own'' jadedness with not believing in ghosts and religion, is arguably why he thinks Olin is lying. That being said, considering the amount of evidence against the room, Enslin should have been a lot more wary.
209** And yet he was probably the very first occupant of the room who'd got to know all the backstory ''before'' checking in. In retrospect, despite all his skepticism it could well be precisely this pre-existing knowledge that allowed him to endure what must have completely smitten completely unsuspecting guests within minutes.
210* TookALevelInBadass: Takes effect once [[spoiler:the voice on the phone offers Enslin the express checkout and he acts completely nonchalant for the rest of the film, such as relaxing on the couch as the place is set on fire]].
211* TrashTheSet: [[spoiler:After Mike seems to have escaped from 1408 and lived a week or so of his normal life, he goes to the post office to deliver a letter, and suddenly all the employees start destroying the place, to reveal 1408 beneath it. Then the timer runs and out and [[ResetButton it's like nothing ever happened]].]]
212* {{Troll}}: The room starts out with malicious but relatively harmless pranks, like slamming a window on Mike's hand and blasting him with scalding sink water. It quickly gets worse.
213* TheUnreveal: In spades. [[spoiler:We never learn what the room is, who sent the postcard, or whether Enslin really escaped (in the ending where he does).]]
214* VertigoEffect:
215** Used almost identically to the TropeNamer, when Enslin is looking out his window down the street below.
216** Used again when he tries crawling through the vents.
217* WeakToFire: [[spoiler:This is how the room is finally destroyed]].
218* WhamShot:
219** [[spoiler:When it turns out that Enslin's entire ordeal in eponymous room was apparently AllJustADream, he decides to write a book about it and walks into the post office in order to send it to the editor... only to recognize the attendant as one of Dolphin Hotel staff members. Cue other postal office workers tearing the place down, revealing the walls and furniture of 1408 beneath it. No, it was ''not'' just a dream and Enslin is still trapped inside]].
220** Enslin endures all the crap the room puts him through for full hour while watching the countdown timer on the alarm clock slowly going down, hoping that when the time is up, it will be over (after all, he heard that none of the guests survived longer than an hour...). When said timer finally reaches zero... [[spoiler:the room simply reverts to its original state, all damage and dilapidation gone in an instant. And the alarm clock resets, starting the one-hour countdown yet again. Turns out here is no way out after all -- Enslin has to relive this hour over and over again, until he finally snaps and decides to [[DrivenToSuicide put an end to his own misery]], like everyone before him]].
221* WordSaladHorror: The room's "conversation" with Mike Enslin is made of random sentences and series of numbers [[ThirteenIsUnlucky that add up to 13]].
222-->"Five. This is five. Ignore the sirens. Even if you leave this room, you can never leave this room. Eight. This is eight. We have killed your friends. Every friend is now dead. Six. This is six."
223* YankTheDogsChain:
224** [[spoiler:Enslin is waiting for the clock to count down to zero, thinking then that he'll be safe. Then the clock starts up again at 60 minutes]].
225** And [[spoiler:letting him "escape"]]. And [[spoiler:showing him his daughter, then ripping her away again.]]
226* YearInsideHourOutside:
227** Time is one of the many things that don't function normally in room 1408. [[spoiler:At one point, Mike is lulled into thinking it was AllJustADream, and he goes on with his life for about a week on the "outside" before the room reveals that he never left at all. In truth, he barely spent an hour in there.]]
228** Mr. Olin claims that none of the 1408's guests survived more than an hour -- leading Enslin to believe that if he manages to endure that much, everything will be over. However, [[spoiler:when countdown timer reaches zero, all it does is reverting the room to its initial, pristine state and resetting the timer to one hour countdown again, revealing that Mike is doomed to go through this over and over again. Apparently, other guests have -- from their point of view -- spent ''much'' more than an hour inside 1408, until they couldn't take it anymore and committed suicide]].
229** While leading Enslin to the eponymous room, Olin recalls a story of a maid who got locked in a bathroom for just a few moments. It is unknown ''[[NothingIsScarier what]]'' happened in there and ''how'' long did it take from her perspective, but it drove her so crazy that by the time they got her out, she has ''[[EyeScream gouged her own eyes out]] with scissors'' while [[LaughingMad laughing hysterically]].
230----
231
232:: ''Even if you leave this page, you can never leave this page.''
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