Line #21 Film/ExitThroughTheGiftShop


1	[[quoteright:290:https://static.tvtropes.org/pmwiki/pub/images/exit.jpg]]
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3	''Exit Through the Gift Shop'' is a documentary by French filmmaker/obsessive filming hobbyist Thierry Guetta about Creator/{{Banksy}} and the street art scene, unless it's a documentary by Banksy about Thierry Guetta. [[MindScrew It's one of those movies]].
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5	Guetta carries a camera wherever he goes and films everything. When he discovers that his cousin is the street artist Space Invader, he becomes the unofficial documentarian of the rising street art movement, meeting and accompanying prominent artists like Shepard Fairey. He eventually sets his sights on the most famous and elusive street artist of all: Banksy. But everything turns around when Banksy inspires him to become a street artist himself under the name Mr. Brainwash.
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7	On the surface, the film appears as a relatively straightforward documentary about street art and Guetta's search for Banksy, but as the film goes on, its framing starts to slowly shift, with points like the what the documentary is actually about and whether any of it is actually real becoming more pertinent. Often compared to ''Film/FForFake'', ''Exit Through the Gift Shop'' is likewise a very "[[MetaConcepts meta]]" exploration on the definition of art and artistry, with its own unique takes on iconography, creative inspiration, and the facetiousness of it all.
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9	The film's official website is [[http://www.banksyfilm.com/ here.]]
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12	!!''Exit Through the Gift Shop'' provides examples of:
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14	%%* AgonyOfTheFeet: A downside to constantly filming rather than looking where you are going. - ZCE
15	* ArtImitatesArt: Mr. Brainwash's art is exclusively created by combining pre-existing images. His general style is accused of being derivative of other street artists.
16	* BuffySpeak: Guetta lacks the vocabulary to describe Banksy.
17	* CameraFiend: Thierry films absolutely everything. At one point it shows hundreds of unmarked tapes that he's filmed over the years.
18	* ElephantInTheLivingRoom: Banksy's exhibit features a literal elephant in a living room.
19	* TheFaceless: Banksy, Space Invader, and several other artists do not allow their faces to be filmed.
20	* LeParkour: In the opening credits, a teenager jumps onto a roof to, apparently successfully, evade two cops.
21	* MindScrew: Guetta claims to be making a documentary about Banksy and other street artists, but he's really just filming mindlessly because he just loves to film street artists. Then he finally ''does'' make a documentary of sorts, which he calls ''Life Remote Control'', and it's terrible, so Banksy ends up making his own film about Guetta. ''Or'' it's all a hoax and everyone involved is screwing with the audience to make a point. We will probably never know.
22	* {{Mockumentary}}: ''Possibly''. One of the most common theories of the film on a meta level is that it's secretly a work entirely directed by Banksy, and Guetta/Mr. Brainwash is (at least how he's presented in the film) merely a character devised by him, used as [[AudienceSurrogate a stand-in for the archetypal everyman]] [[ThisLoserIsYou and potential "artist" in the audience]]. This is made a little muddy since [[https://en.wikipedia.org/wiki/Mr._Brainwash Guetta/Mr. Brainwash]] actually exists as an artist who continues to operate well after this film, [[MindScrew but who's to say that's not all an act as well]]?
23	-->'''[[https://www.latimes.com/entertainment/la-xpm-2011-feb-22-la-et-oscar-exit-20110222-story.html Mr. Brainwash]]:''' Banksy captured me becoming an artist. [[AmbiguousSyntax In the end, I became his biggest work of art]].
24	* PhoneyCall: After the Disneyland prank, Banksy calls Guetta and figures it's time to leave when Guetta replies as if he's talking to his wife. Guetta is already in park custody when he takes the call.
25	* ReclusiveArtist: Invoked in-universe; Banksy is hard to get in touch with and hides his identity.
26	* RodentsOfUnusualSize: Wharf rats are a recurring motif in Banksy's art.
27	* SelfDeprecation: Early in the film, a masked figure who is identified as Banksy says "This was supposed to be a film about me, but I'm pretty boring so we decided to make a film about Thierry instead."
28	* SlidingScaleOfLawEnforcement: Nearer to the negative end, for obvious reasons.
29	* SmallNameBigEgo: It takes no time at all for Thierry to let his initial success go to his head, to the point that he nearly sabotages his own premiere because he keeps blowing off the actual hanging of the pictures so that he can give interviews.
30	* StylisticSuck: ''Life Remote Control'' (assuming ''Exit Through the Gift Shop'' is indeed a {{mockumentary}}).
31	* SwitchingPOV: A rare case where it ends up affecting the nature of the film on a ''metatextual'' level. The documentary starts out appearing as following Guetta's dive into street art culture and Banksy, but once he becomes Mr. Brainwash, this starts to get muddy as his portrayal becomes less sympathetic, and by the ending, the POV has shifted to Banksy and Shepard Fairey trying to wrangle in the arrogant hack they've indirectly created.
32	* TakeThat: Most of Banksy's work.
33	* ThematicThemeTune: Richard Hawley's "Tonight The Streets Are Ours" isn't literally about street art, but rather about creative sterility. And of course, there's the chorus.
34	* WhereAreTheyNowEpilogue: The epilogue informs about current activities of major characters.
35	%%* WildHair: Guetta.
36	%%* XtremeKoolLetterz: Common in graffiti. - ZCE

Context Film / ExitThroughTheGiftShop