Line #44 Film/DeadMan


1	[[quoteright:350:https://static.tvtropes.org/pmwiki/pub/images/Dead_Man.jpg]]
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3	->''"It is preferable not to travel with a dead man."''
4	-->-- '''Henri Michaux'''
5
6	''Dead Man'' is an acid/existential {{Western}} written and directed by Creator/JimJarmusch, released in 1995. The protagonist, played by Creator/JohnnyDepp, is an out-of-work accountant from Cleveland named William Blake. He goes to a frontier town on the promise of a job, but once there finds the position already taken. He gets briefly mixed up in a love triangle, kills the son of the most powerful man in town in self-defense and is forced to run for his life with a bullet in his chest.
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8	While trying to evade the bounty hunters and marshals who are after him he meets Nobody, a solitary and erudite Native American who- upon hearing his name- believes him to be the wandering spirit of the English poet Creator/WilliamBlake, even though the name is purely coincidental.
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10	[[SimilarlyNamedWorks Not to be confused]] with the Creator/DCComics character of the [[ComicBook/{{Deadman}} same name]], and ''not'' to be confused with [[Manga/DeadmanWonderland that one really]] {{Gorn}}y {{anime}} about an amusement park prison.
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12	-----
13	!!''Dead Man'' provides examples of:
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15	* TheAllegedSteed: Mr. Dickinson's Pinto, which he wants back in addition to wanting his son's killer dead. The others, quite naturally, mock him behind his back for it.
16	* AmbiguouslyHuman: Crispin Glover's train man, whose soot-covered face and bulging eyes give him a very demonic performance, not to mention speaking in a [[CreepyMonotone bizarrely intoned and inhuman-sounding voice.]] He also seems to have some kind of prophetic ability, referring to things that Blake experiences in past tense, but at this point in the film, [[MindScrew haven't happened yet.]] He warns William Blake that he's [[WelcomeToHell "on the train to Hell"]], and given what Blake finds there, it's [[MindScrew hard to say]] that he's definitively wrong.
17	* AscendToAHigherPlaneOfExistence: [[spoiler:This is what Nobody expects William Blake to do, whether he wants to or not]].
18	* BilingualBonus: Uses Cree and Blackfoot without subtitles. Cree has some choice insults.
19	%%* BladeOfGrassCut
20	* BountyHunter: Three of them, all insane to varying degrees and [[spoiler:killed off in inverse order to the height of their insanity]].
21	* CatchPhrase: Nobody's is "Stupid fucking white man!" He even [[ActorAllusion gets to say it]] in [[Creator/JimJarmusch Jarmusch]]'s next film ''Film/GhostDogTheWayOfTheSamurai''.
22	* CitySlicker: The protagonist is a quintessential tenderfoot. At first.
23	* CreepyCrossdresser: Music/IggyPop's character wears a woman's dress in the wilderness, cluing the viewer in that the trio to which he belongs is deranged.
24	* CreepyMonotone: Creator/CrispinGlover rambles through a strange philosophical rant with little inflection. It's just as unsettling to William Blake as it is to the audience.
25	* CultureClash:
26	** Blake is out of sorts as a city slicker in the frontier. He's even more out of depth when traipsing about the wilderness with Nobody.
27	** Nobody has this in his background as a Native boy who was raised by whites.
28	* DeliberatelyMonochrome: Shot in beautiful black-and-white, like an Ansel Adams photo.
29	* DisproportionateRetribution: [[spoiler:Cole shoots Johnny dead for telling him "Fuck you", and later kills and eats Conway just because Conway annoyed him by trying to make idle conversation with him by asking what race his family was.]]
30	* DontThinkFeel: Nobody tells Blake that he might see better without his glasses. Much of Nobody's dialogue in the film is in this vein. "You don't stop the clouds by building a ship." His favorite poet is Creator/WilliamBlake and [[Creator/JimJarmusch Jarmusch]] felt that many of Blake's aphorisms sounded similar to Native American spiritualism.
31	* DownerEnding: Shouldn't come as a surprise given the film's title and the fact that the protagonist is mortally wounded by the end of the first act.
32	* EverythingTryingToKillYou: Blake is surrounded by trigger-happy psychos.
33	* ExactWords: Blake is asked at point who he's traveling with. His reply, "Nobody", is completely accurate and completely misleading.
34	* {{Foreshadowing}}: The trainman warns Blake, "I wouldn't trust no words written down on no piece of paper, especially from no [[MeaningfulName Dickinson]] out in the town of [[NamesToRunAwayFromReallyFast Machine]]. You're just as likely to find your own grave!" before a shot rings out.
35	* {{Gorn}}: Deliberately subverted. Scenes of violence are staged as brief, awkward, and nausea-inducing; the camera lingers sadly over the outcome.
36	* HookerWithAHeartOfGold: Thel is an ex-hooker turned paper flower maker and takes Blake in when he has nowhere to go. It turns out to be a bad idea for both of them.
37	* ImAHumanitarian: Cole Wilson has the reputation of eating his parents. He later feasts on human flesh again.
38	* InjunCountry: A big theme. Blake looks out on the typical tepee camps of the Plains Indians while aboard the train and eventually travels through the Injun Country of the Northwest, which looks much different from the Plains Indians. The Indians are neither romanticized nor stigmatized.
39	* InstantDeathBullet: [[spoiler:Thel is shot in the chest by Charlie and she immediately falls over dead without any final death throes.]]
40	* MadOracle: The train fireman makes some prophetic statements at the beginning of the film.
41	* MagicalNativeAmerican: Nobody exists in the film to escort a white man on his spirit journey, but this is justified by Nobody's fleshed-out background and beliefs.
42	* MagicRealism: Blake's trip to the ocean is basically a spiritual journey into the afterlife taking place in the real world. Even before Blake gets shot, the film presents a dream-like, otherworldly level of reality.
43	* MaybeMagicMaybeMundane: Nothing in the film is outright supernatural, but pretty much all of it is ''reealllly'' weird.
44	* MeaningfulName: William Blake, Dickinson, and Nobody, most notably.
45	* MindScrew: From the very first scene to the very last moment.
46	* MutualKill: [[spoiler:Nobody and Cole Wilson]] at the end.
47	* NamesToRunAwayFromReallyFast: The town of Machine is just as soulless an industrial town as you'd imagine.
48	* NobleSavage: Nobody describes how he was raised and presented in white society as one of these.
49	* NotInThisForYourRevolution: "Look, I've had it up to here with this Indian malarkey."
50	* PinkertonDetective: Two of them, both of whom get killed.
51	* PopculturalOsmosis: Most of the "Indian sayings" Nobody uses are actually quotations from the poet William Blake.
52	* PopStarComposer: Music/NeilYoung provides a soundtrack that's entirely improvised on highly distorted electric guitar.
53	* ProverbialWisdom: Nobody, who serves as an EccentricMentor to Blake, often speaks in cryptic sayings which sound very much like Native American version of Zen koans, [[spoiler: but turn out to be quotations from Creator/WilliamBlake]].
54	* PsychoForHire: Cole Wilson, the cannibal bounty hunter. He's so bad that [[spoiler:he kills his two infamous colleagues just for annoying him, and eats the second]].
55	* RankScalesWithAsskicking: Mr. Dickinson, the boss of Machine. He seems to carry a shotgun around with him at all times and even uses it to threaten the three baddest bounty hunters in the west into taking his assignment. This was Robert Mitchum's final role.
56	* RiverOfInsanity: The whole trip is a journey into the madness of the American soul. Blake must be put [[LongBusTrip on a boat]] to cleanse him and prepare him for the journey [[AscendToAHigherPlaneOfExistence to the afterlife]] as the surroundings get weirder and darker and more dangerous the further he goes into the wilderness. And then to top it off, there's the opening railroad journey, piloted by Creator/CrispinGlover:
57	-->'''Trainman:''' Look out the window. And doesn't this remind you of [[{{Foreshadowing}} when you were]] [[CrypticConversation in the boat]], and then later than night, you were looking up at the ceiling, and the water in your head was not dissimilar from the landscape, and [[SecondPersonNarration you think to yourself]], "Why is it that the landscape is moving, [[MindScrew but the boat... is still?"]] And also... where is it that you're from?
58	-->'''Blake:''' [describes his journey]
59	-->'''Trainman:''' Machine! (ScareChord) That's the end of the line!
60	* RunningGag: Nobody is always asking for tobacco. Whenever he asks Blake, Blake responds, "I don't smoke."
61	* SceneryPorn: Even in black and white, the woods of the Pacific Northwest are still gorgeous.
62	* ShoutOut: At the trade outpost, two of the numerous wanted posters are for "Rex Proddert" and "Red Holmes", two characters mentioned passingly in episodes of the classic Western long-runner ''{{Series/Gunsmoke}}''.
63	* TerribleTrio: The three hunters.
64	* TookALevelInBadass: William starts as a clueless CitySlicker, and becomes a deadly [[TheGunslinger Gunslinger]].
65	* TheWestern: Acid Western.
66	* WhatASenselessWasteOfHumanLife: Wilson finds one of the US Marshals lying dead with his head in the middle of an extinguished campfire, twigs spreading out like a crown of thorns.
67	-->'''Wilson:''' Looks like a goddamn religious icon.
68	* WorldHalfEmpty: Westernized society is shown to be corrupt and cruel, epitomized by the awful industrial town of "Machine." Unusually, Native society isn't idealized in comparison.
69	* YourEyesCanDeceiveYou: Nobody steals William Blake's glasses: "Perhaps you will see better without them."
70	* YouTalkTooMuch: Cole Wilson, a man of few words, lets his pistol say this when Conway Twill's incessant yapping finally gets to be too much.

Context Film / DeadMan