Line #22 DoingItForTheArt/VideoGames


1	->''"Video games are meant to be just one thing. Fun. Fun for everyone."''
2	-->-- Creator/SatoruIwata
3	----
4	* It should be stated up front that almost all {{Game Mod}}s are this by default, since in most countries mods [[EnforcedTrope legally]] ''[[EnforcedTrope can't]]'' [[EnforcedTrope be sold commercially]]. If you see a mod that you like, it probably owes its existence to the dedication (and free time) of fans of its parent work.
5	** ''VideoGame/ProjectM'' and its successors are the most well-known case in console gaming. Why would fans spend years working (without pay) on such a massive mod of ''VideoGame/SuperSmashBrosBrawl''? Because they ''love'' Smash Bros. and its community.
6	* The developers that made ''VideoGame/VampireTheMasqueradeBloodlines'' stayed on for months after the company filed for bankruptcy without pay to release a patch that added a lot of content back into the game and fixed a whole host of bugs.
7	* ''VideoGame/BlackMesa'' is a prime example for the modding community. All the effort of an officially licensed game, but entirely free to the community. Everything is polished and well done. The best words to describe it: "A labor of love by fans of Half-Life."
8	* The VideoGame/TeamIcoSeries. Neither ''VideoGame/{{Ico}}'' nor ''VideoGame/ShadowOfTheColossus'' sold very well, but Sony continues to fund and support Team ICO because ''ICO'' and SOTC were met with universal acclaim from the press and gamers alike. They are considered two of the very best games on the [=PS2=] and any conversation about "games as art" will inevitably include a discussion of these particular examples.
9	** Exaggerated for the ''VideoGame/TheLastGuardian'', a game that took an entire decade to complete and unfortunately lead to the effective dismantlement of Team Ico due to Fumito Ueda's uncompromising vision for it. It's amazing that the game even released, and that Sony continued to fund its development all the way though even with the previous games in the series having lackluster sales figures.
10	* Creator/TelltaleGames. They're started to get entrusted with franchises like ''WesternAnimation/WallaceAndGromit'', ''Franchise/JurassicPark'', and ''Franchise/BackToTheFuture'' because they just ''love'' the titles they work on. WhatCouldHaveBeen had they managed to secure ''Series/DoctorWho''...
11	** Telltale also provides an arguably negative example of this trope. Part of the reason they switched from the point-and-click interface to the much-maligned directional arrows found in ''VideoGame/EscapeFromMonkeyIsland'' and ''VideoGame/GrimFandango'' is because it's very hard to do cinematic angles with the traditional point-and-click. They have worked on ways to incorporate the mouse into the control scheme, but not everyone is happy about it and this has led to accusations of them being more concerned with visuals than with gameplay.
12	** They also get a lot of (perhaps deserved) flack for their puzzles being incredibly [[ItsEasySoItSucks simple]]. It's pretty clear they care more about telling good stories than constructing challenging games. To be fair, they ARE pretty damn good at the former so many are willing to forgive them that.
13	* Creator/HidekiKamiya, formerly of Clover Studios and now of Creator/PlatinumGames, with this [[https://twitter.com/PG_kamiya/status/379302161101774848 tweet]] that says it all. If needing an example, ''VideoGame/{{Okami}}'' has often been cited as one of ''the most'' beautiful games visually out there.
14	* Creator/ArcSystemWorks seems to put a quite of attention to their fighting games. Both ''VideoGame/BlazBlue'' and ''VideoGame/GuiltyGear'' have high resolution 2D sprites with various animation, voice work, music that depends on character matchups. ''[=BlazBlue=]'', ''Guilty Gear Xrd'', and ''VideoGame/DragonballFighterz'' deserve mention to the use of 3D technology, as ''[=BlazBlue=]'' rotoscopes its 2D sprites off of 3D models, while the latter two games use the models, but animate them slightly choppy and custom colored per frame to maintain the old animated sprite look.
15	* ''VideoGame/SteelBattalion'' presents a GoneHorriblyRight example. Atsushi Inaba and company had to have realized how commercially infeasible such a HardCore RealRobot [[SimulationGame simulator]] would be, requiring a US$200 controller bundle and an original Platform/{{Xbox}} if you didn't have one already, and [[SaveGameLimits the Roguelike approach to saving and death]] and [[BladderOfSteel no pause feature.]] [[spoiler:Unless you unplug the controller.]] And yet they STILL managed to release it for us to enjoy...
16	* ''VideoGame/CaveStory'' may not seem all that impressive to big brand name releases like ''Franchise/{{Metroid}}'' and ''Franchise/{{Castlevania}}'', but consider this: the entire game, and the "Creator/StudioPixel" responsible for it, consists entirely of one person. Who made all of it. Over the course of 5 years. During the time he graduated and started to work. The kicker? He wasn't even considering working in the game industry, he just did it for fun.
17	* azurelazuline, the co-creators of ''VideoGame/CopyKitty'', have been working on the game for over 6 years, putting in more detail than is perhaps healthy for an indie shooter. Instead of being traditionally drawn, all the sprites have been converted from custom 3d models and scanned to give everything a sterile, precise look with smooth animations. The game's main gimmick that lets you copy up to 3 powers which you can combine to create a fourth unique power is simply staggering in complexity. There's over 175 unique powers, more than a dozen extra upgrades that give an elemental change to your power, every ability has unique and colorful animations, over 172 main levels with an unlockable bonus world, a [[NintendoHard Hard difficulty]] that does more than simply ramp up the damage, enemies have completely unique patterns, there's quite a few new types and bosses you've not seen before, lots of extra powers on top of what's already there, an endless mode that generates random enemies and environments, and has a LevelEditor for fans to create their own missions. There's a story mode that has a wealth of background lore. In most 2d run and guns, the plots tend to be minimal at best. Here, there's an entire universe created with fleshed out ecologies, planets, alien cultures, and WorldBuilding with enemy bios and in-universe blog posts by the main character, with over a hundred pages of writing. Did you know the main character is part of a race called Kitera that are partially colorblind, live underground in caves, digest gems, and meow as a form of echo location? The environments change depending on what you destroy, grass will light on fire if you use a laser, ice will crystalize the plants, lightning will cause electrical lighting to stutter, and so forth. The vast majority of players won't see any of this as it's a legitimately engaging gameplay experience, but not even Touhou (see below) has this much universe depth. When they put the game on Steam, they could've long since declared the game complete, but they put it on Early Access on a system that's infamous for shovelware and continue to update the game with more content and balancing tweaks to make it as polished as they can.
18	* Team Shanghai Alice, which is one guy named "ZUN", made the ''Franchise/TouhouProject'', a whole series of {{Shoot Em Up}}s that has become perhaps the best known among the anime crowd. The one series alone spawned dozens, if not hundreds of doujin circles, creating music, videos, and manga. He's very generous with the copyright as he let's others make whatever they want, provided that they don't call it an "official" work. This may be the reason why he doesn't care so much about commercializing his series. He's even said that while he's pleased people like the games, he's mostly making them for himself, and even if they didn't sell, he'd continue making them anyway.
19	* Creator/{{Nintendo}} says they put their top teams onto their {{casual video game}}s--''Wii Sports'' and the like. Most developers scoff at such an idea. Those games are inexpensive enough to be almost guaranteed a profit. Nintendo does have potboiler games, but they don't seem to think casual games are potboilers.
20	* The ''VideoGame/{{Mother}}'' series. There's a good reason why only three ''MOTHER'' games have ever been made, and why they have such a devoted fanbase. All Creator/ShigesatoItoi wanted from this series was the chance to experiment with telling a good story in a new, different medium. All that's likely to bring him back to the series is feeling that he has a new story to tell for it. Actually, this extends to most things Itoi has ever done and the purpose of his current work, the [[http://www.1101.com/ Hobo Nikkan Itoi Shinbun.]]
21	** And then there's the fangame ''[[http://mother4.andonuts.net/ MOTHER 4.]]'' Not to be deterred by Itoi's official statement that the ''MOTHER'' series is finished, some die hard fans have started work on what seems to be an incredibly professional sequel for no reason other than their passion towards the series. When they became concerned about the possibility of a DMCA (see the ''Franchise/{{Metroid}}'' example below), they rebranded it into [[VideoGame/{{Oddity}} a brand-new game]], while still keeping the spirit of their influence and intending it to be played for free upon completion.
22	** The FanTranslation for ''MOTHER 3''. [[http://mother3.fobby.net/or/ The translation team was very, VERY serious about their work.]] There were many technical hurdles they felt they might never get around, [[SugarWiki/MomentOfAwesome and they got around them anyway]]. And it paid off.
23	* Victor Ireland of Creator/WorkingDesigns was clearly DoingItForTheArt. Not everyone liked all of their [[GagDub art]], but they put a phenomenal amount of effort into localizing relatively obscure Japanese [=RPG=]s, even in the days before ''VideoGame/FinalFantasyVII'' brought [=RPG=]s into the United States mainstream.
24	** Working Designs's staff went out of their way to [[{{Woolseyism}} rewrite]] GratuitousEnglish into more natural-sounding English. Furthermore, they lobbied to keep the [=PS1=] port of ''[[VideoGame/RaySeries Ray Crisis]]'' 100% intact, ''right down to a mini-game for an accessory not released in North America''.
25	** When localizing ''Manga/MagicKnightRayearth'', they had to re-code some of the game from scratch. This delay caused it to be the last Sega Saturn game released in North America, long after the system died. They were also [[ExecutiveMeddling pressured]] by Tokyo Movie Shinsha to [[DubNameChange change the names of the heroines]]. They fought tooth and nail to keep the Japanese names, and it is probably the reason why all future dubs and translations of ''Rayearth'' use the Japanese names instead of the "international" ones used in non-English dubs made prior to the game.
26	* ''VideoGame/TheConduit'', a FPS for the Platform/{{Wii}}, started in development without a publisher (meaning they had nobody to actually sell the game to stores yet), because the developers were sick of what they felt was developers shafting the system (they were known for making [[TheProblemWithLicensedGames licensed games]] for years, but that was more what's known as PayingTheirDues). From the interviews and the extensive soliciting of ideas and feedback, it's clear they were ''thrilled'' to finally get to do it for the art.
27	* ''VideoGame/TooHuman'' suffered from this, with [[DevelopmentHell years of]] [[TroubledProduction prolonged development]] (and the issue that led to the lawsuit over the [[MediaNotes/GameEngine Unreal 3 Engine]]) making it one of the most expensive games ever made ([[https://en.wikipedia.org/w/index.php?title=List_of_most_expensive_video_games_to_develop&oldid=757983888 8th place]] as of 2nd of January 2017).
28	* ''Franchise/TheLegendOfZelda'':
29	** ''VideoGame/TheLegendOfZeldaTwilightPrincess''. Nintendo delayed the game's release for six months to polish the graphics, when it knew full well that the game was likely to sell well as it was (assuming the graphics were all that was unfinished). In addition, there are ''tons'' of areas that the average player is never likely to go near; the "world map" is much, much bigger than they needed to make it.
30	** ''[[VideoGame/TheLegendOfZeldaOcarinaOfTime Ocarina of Time]]'' was also famously delayed for about a year, including a major overhaul of the plot. When questioned about the delays, Miyamoto responded "Delays are temporary. A bad game is forever." What finally got released is still considered 20 years later to be one the best video games ever made.
31	** ''VideoGame/TheLegendOfZeldaMajorasMask'' is another special case. Miyamoto was focused on having Ocarina of Time Master Quest as the Zelda title for the Nintendo 64DD, but Aonuma was insistent that he be allowed to create a brand new Zelda title in its place. Miyamoto gave him a year to get it accomplished. [[TheDeterminator Aonuma succeeded]].
32	** Eiji Aonuma, producer of the current ''Zelda'' games, [[WordOfGod stated]] that he doesn't look at sales when he makes a Zelda game, but rather, how to give a compelling package that provides the players with memorable and compelling experiences.
33	* ''VideoGame/{{Shantae}}'' was released near the ''extreme'' end of the Platform/GameBoyColor's lifetime (2001), and was put out by the then-unknown Creator/WayForwardTechnologies. The main character was based on random sketches from the creator's wife. The game features crazily detailed and fluid 8-bit animation, using a truly insane number of sprites (in some areas, Shantae is built out of several sprites so she can utilize multiple color palettes), and was done up in classic, "hardcore" {{Metroidvania}} format despite its cutesy cover. Did the game sell well? No. Did critics adore it? ''Yeah!'' For years, [=WayForward=] had been trying to make a sequel, and couldn't find a publisher, so they published it themselves on Platform/DSiWare. [=WayForward=] have made a name for themselves by doing whatever they felt like doing, their way. For example, they generally make licensed games for other companies in order to stay afloat and earn enough money to afford making their original productions, yet keep in mind that their licensed games should be [[SugarWiki/NoProblemWithLicensedGames genuinely enjoyable beyond being a simple marketing product]].
34	* Though turning a profit after all, ''VideoGame/RedDeadRedemption'' according to [[http://www.joystiq.com/2010/01/12/sources-red-dead-redemption-development-in-trouble/ this]]:
35	-->''"It will take 4 million sales at full price to recoup the development costs of ''Red Dead''. The good news is they [Rockstar] are not expecting to make money with ''Red Dead Redemption''. At this point, that project is just supposed to prove that the San Diego studio can make a great quality AAA title."''
36	* Creator/DavidHayter gave up half of his paycheck to get all of the other voice actors back for ''VideoGame/MetalGearSolid'''s remake, ''The Twin Snakes''.
37	* ''Franchise/SonicTheHedgehog'':
38	** Sonic co-creator Naoto Ohshima was reported to be a passionate creator who is pretty nitpicky when it comes to his vision and the games' conceptual integrity. For instance, he mercilessly requested revisions of the ''[[VideoGame/SonicTheHedgehogCD Sonic CD]]'' music until it matched his concept for the game.
39	** Similarly, before Nakamura became involved in the development of ''Sonic 2'', Sega of America tried to [[ExecutiveMeddling put a soundtrack produced in-house in the game]]. After the devs found this one wasn't up to snuff, [[WriterRevolt they opposed SoA]], and brought Namakura back on board instead.
40	** Sonic's other co-creator Yuji Naka has gone on record to say that he doesn't like working on sequels, preferring to make all-new games in order to keep things fresh and interesting. Despite Sonic's massive success, he had to be coaxed into working in ''[[VideoGame/SonicTheHedgehog2 Sonic 2]]'' and ''[[VideoGame/Sonic3AndKnuckles 3 & Knuckles]]'', and this was one of the reasons Sonic Team produced various non-Sonic games focused on innovation from the [[Platform/SegaSaturn Saturn]] era onward (most famously the cult classic ''VideoGame/{{NiGHTS\|IntoDreams}}''), only getting back to the series and [[VideoGame3DLeap bringing it into 3D]] in the late 90s. It also explains why he eventually left Creator/{{Sega}} to form an independent studio that focused on new [=IPs=].
41	** ''VideoGame/SonicAdventure2'' scenario writer Shiro Maekawa has gone on record to say that he was heartbroken when scenes had to be cut due to deadlines, to the point he'd willingly have given up an arm in exchange for keeping them.
42	* ''VideoGame/FireEmblemAwakening'' was created to be the last game in the ''Fire Emblem'' series after stream of lackluster sells. So, they decided to go out with a bang by putting the best features of all the past Fire Emblem games into one package. It ended up being the best selling game in the series to that point and saved the entire franchise, which is now one of Nintendo's game pillars.
43	* ''VideoGame/BillyVsSnakeman'' is an anime AffectionateParody {{MMORPG}} almost entirely created by one guy (though ''some'' artwork is commissioned from independent artists) whose day job is owning an anime store. The game also has an elaborate backstory (above and beyond what comes with the plots getting parodied), and occasionally parodies some [[Manga/MonochromeFactor utterly obscure]] anime.
44	* ''VideoGame/MetalBlack'' was a ShootEmUp by Creator/{{Taito}}. Hiroyuki Maruyama, the president of G.rev, started the company and did subcontracting work for Creator/{{Treasure}} and Taito to generate revenue just to make a SpiritualSuccessor called ''VideoGame/BorderDown''. Why? He just really liked ''Metal Black''.
45	* If the notes in the ''[[AllThereIntheManual Mega Man Original Complete Works]]'' art book are any indication, it's obvious that Creator/KeijiInafune cared a ''lot'' about the ''Franchise/MegaMan'' series. After all, it might not have gone beyond the first game without the dedication of people like him.
46	* ''[[Franchise/{{Halo}} Halo: Combat Evolved Custom Mapping Team Version 3]]'' (usually just called CMT v3 by fans) is a completely fan-made mod for Halo seeking to add the graphics and core mechanics of the newer games (specifically ''Reach'' and ''Halo 4'') while maintaining the feel and balance of the first game. [[ExactlyWhatItSaysOnTheTin V3 is the third iteration]] and adds fire selection, armor abilities, and graphics on par with ''Halo 3'' (in an engine older than Source and not open at all, no less); Version 2 extended many levels (the second mission, "Halo" went from being roughly forty-five minutes in the vanilla game to nearly two and a half hours due to the shear amount of content added), and Version 1 (the very first serious, complete campaign mod for the game) added lots of new vehicles and weapons while still trying to stay as lore friendly as possible. Despite most of the team's roster quitting multiple times (V2 will remain forever unfinished as a result of this), Act I of V3 was released to much fan fare in 2016, which Act II (the second half of the campaign) scheduled for 2017. In perspective, many actual AAA games don't go through this much developement before release, and none of these modders were paid.
47	* Some of the fan-made mods for ''[[VideoGame/{{Civilization}} Civilization IV]]'' are hugely detailed with thousands of hours of work going into them. For free. Particular shout out goes to ''Rise of Mankind'', which some have called the real ''Civilization V'', and ''[[VideoGame/FallFromHeaven Fall from Heaven]]'', a dark fantasy mod that takes the basic gameplay elements and changes ''everything else''. Again, they did this all for free and don't even take donations.
48	* Creator/SpiderwebSoftware seems to be aiming for this, but getting tripped up by its perpetual financial difficulties. ''VideoGame/{{Geneforge}}'' is a very unusual series best described as a westernized ''Franchise/ShinMegamiTensei'', and it's never really sold all that well, but the people who like it like it a lot. ''VideoGame/{{Avernum}}''......well, it's a popular series, but apart from its setting BeneathTheEarth it's [[FollowTheLeader pretty obviously]] an ''VideoGame/{{Ultima}}'' clone minus the moral philosophy that made ''Ultima'' so different from other {{Role Playing Game}}s. Even the chief developer seems to have qualms about having made a series where, in his words, you "look around for people who look different from you, break into their homes, kill them, take their stuff, sell it, and use the money to buy better weapons to kill a higher class of people who look different from you." Between 2005 and 2009 it alternated between releasing ''Avernum'' and ''Geneforge'' sequels, the latter of which became increasingly dark and, to a certain extent, artistic, and the former of which [[{{Sequelitis}} soured on the fans a bit]], but still sold far better than ''Geneforge''. (As of this writing, both series have been discontinued in favor of a new IP, ''VideoGame/{{Avadon}}'', so it'll be interesting to see whether Spiderweb has finally managed to strike a balance between what the creators want to make and what the masses want to purchase.)
49	* As Warren Spector explained in this [[http://www.jnoodle.com/careertech/files/postMortems/DeusEx.pdf post-release]] article, the original ''VideoGame/DeusEx'' was a game he was trying to get off the ground for six years, and was stymied time and time again by publishers who didn't want a "cross-genre" game and a concept that couldn't easily be defined (the game combined elements of an RPG, simulation, FPS and an adventure). With the formation of Ion Storm's Austin branch, Spector finally had the chance to realize his vision, and the end result? [[DevelopersForesight Well, the game actively accounts for players trying foolish or, in some cases, counter-intuitive plot choices (ex. going against your employers earlier in the game nets different dialog and more plot information)]]; a massive amount of backstory written by the production team, even for areas the '''player never visits''', was written (some of which was utilized in the sequel, ''[[VideoGame/DeusExInvisibleWar Invisible War]]''); a 500-page design document drafted months before game production even started, and a unified production team that focused on their work in the face of the bad press spiraling out of the ''VideoGame/{{Daikatana}}'' debacle.
50	* In 1997, Creator/LookingGlassStudios began work on ''VideoGame/SystemShock2'', the sequel to the 1994 game (which sold decently, but wasn't much of a moneymaker). The team hired for the project only had a year to complete their project, working with an unfinished graphics engine (the Dark Engine, which would be used in the ''VideoGame/{{Thief}}'' series of games). They had to endure staff walkouts, which arguably made the remaining team members become closer as a result. The game also codified many elements of the action genre in one game--branching character paths, an open-ended gameplay experience, a constantly-changing environment, RPG elements and a extreme infusion of horror--something unheard of at the time. The game ended up being regarded as one of the scariest video games ever made, resulted in critical accolades and awards that continue to this day, received a SpiritualSuccessor in the form of ''VideoGame/BioShock'' and ''Franchise/DeadSpace'', and the creators still release materials related to the game (Ken Levine released design sketches and ConceptArt, while composer Eric Brosius released the entire soundtrack to a fansite) more than a decade later.
51	** Even after the game was released for Steam in 2013, the guys at Irrational thought it was about time to add support to Mac and Linux, as well as updating the game to contain extra content free of charge. The content in question was the game's soundtrack, concept art and original pitch, plus some additional documents.
52	* After all development for ''VideoGame/FalloutNewVegas'' was officially completed, including the patches and DownloadableContent, project director and lead designer Joshua Sawyer released a mod for the PC version that rebalanced the game and all of its expansions in many respects, making it more challenging overall. Changes included making the necessity meters in Hardcore Mode fill up faster, making healing items rarer and giving them weight, decreasing the rate at which the PlayerCharacter gains experience, and altering how much weight could be carried.
53	** In a tangentially related instance, during the development of the original ''VideoGame/{{Fallout}}'', many members of the QA team worked weekends for free as the game entered crunch, forgoing the extra pay that would come with working offhours and overtime.
54	* ''VideoGame/{{Skullgirls}}'':
55	** [[https://www.youtube.com/watch?v=5VkDXBsIXso The choice of hi-res 2D hand-drawn animations over 3D models was only done because they wanted to]], even though it required a much bigger budget from two different publishers, and a gigantic team of animators, colorists, shaders, clean-up artists, line artists, etc. They had to reach several professional artists and animators to achieve this to full effect. The final result is absolutely [[SugarWiki/AwesomeArt gorgeous]].
56	** Even after getting laid off, the dev team created a crowdfunding drive, managing to raise enough funds for ''five'' DLC characters, all offered for free for three months after their release. And despite the game's infamous TroubledProduction, development for the game still progresses, with patches released frequently and developers communicating with fans. The game has been regularly called a "labor of love", and it shows.
57	* Creator/{{Nintendo}} wanted Creator/{{Rare}} to cancel ''VideoGame/GoldenEye1997'' after numerous delays. The choice was made not to inform the development team and allow them to continue working. The game's acclaimed multiplayer was also implemented within a month in secret: the team highly suspected that if they'd told management about it, they'd be forced to cut it from the game to get it out the door faster.
58	* After a year of tweaking and a virtually total overhaul of game mechanics, Creator/ArcenGames decided they simply couldn't make the core components of ''VideoGame/AValleyWithoutWind'' fit their vision. Their solution? Start working on the sequel. Oh, and so their paying customers don't get cheated out of what Arcen wanted to give them in the first place, everyone who owns a copy of AVWW with be given the sequel ''for free'', and just so that new players won't be deprived of an entire first attempt that many current players like nonetheless, the first game will come free with the sequel. A blog post on the matter pretty much said it isn't the customer's fault they strayed during the first development process, so they shouldn't be punished for it.
59	* Creator/SumoDigital, the creators of (well, most of) the ''VideoGame/SegaSuperstars'' crossover games. ''Tennis'' was meant to be a Sonic-only game, but Sumo managed to convince Creator/{{Sega}} to use various Sega franchises because they believed the variety would make for a more interesting game. And as their philosophy to recreating some games which haven't been seen [[StillbornFranchise in a long time]] is "what you remember most about them", this results in a TON of fanservice and attention to detail. It helps they're essentially [[PromotedFanboy Promoted fanboys]] of Sega. While they admit they do keep turning a profit in mind, they mainly consider what franchises can bring to the table to create a fun and memorable game.
60	** And both fans and Sega have been impressed by their passion; it was reported that when the team showed their recreation track of ''VideoGame/SkiesOfArcadia'' in ''Transformed'' to the game's original producer, [[SugarWiki/HeartwarmingMoments she came close to tears]] due to how faithful and nostalgic the result was. They've even admitted if this convinces Sega to revive some of their games, they won't be complaining.
61	* The creator of ''VideoGame/LANoire'' was certainly convinced that it was his masterpiece. The work put into the game definitely shows, and the developers looked through thousands of photos of 1940's L.A. in order for it to be accurate. The open-world gameplay, from the L.A. landmarks to vehicles, was probably intended to show off their work. Most of said landmarks aren't even an integral part of the core storyline, but are re-created in loving detail. One example is how one player found his great grandfather's restaurant, a local landmark, accurately recreated in game. The developing team also utilized cutting-edge technology in order to recreate realistic facial expressions so as to enhance gameplay. Most inaccuracies found in game are actually done for RuleOfCool.
62	* When Toys For Bob were creating ''VideoGame/StarControl 2'', their bosses originally wanted to shove the game out the door still woefully incomplete to meet budget guidelines. The developers instead spent 6 months of unpaid work using their own resources to ensure the game would be properly complete.
63	* ''VideoGame/SlyCooperThievesInTime'' was essentially born out of Sanzaru's want to make a new Sly game. They even went behind Sony's back and developed a demo of the game without their permission, putting their jobs on the line, only with a hope that Sony would greenlight the project. Luckily, they did.
64	* SWERY, creator of ''VideoGame/DeadlyPremonition,'' probably deserves an award for putting so much work into what most developers would consider a simple budget title. Like Remedy, Sweary and co. flew to Washington to gather research for the world of Greenvale. The game is filled with a lot of detail too, mostly with the citizens' schedules. For example, [[https://www.youtube.com/watch?v=-41YUSZ9VAg the sinner's sandwich scene]] is completely optional. When you beat the game once, you get to view a gallery filled with pictures they took while in Washington. Since food plays a big role in the game, one entire sub-gallery is nothing but FoodPorn.
65	* ''VideoGame/BeyondGoodAndEvil'' was in development for nearly six years, because creator Michel Ancel wanted to get every aspect of it ''completely right.'' The game features an astoundingly detailed world, from a sky filled with fake constellations (which your camera will name for you) to the fact that the protagonist already has established relationships with most of the casual [=NPC=]s in the game, and even though they're just there for a few throwaway lines of dialogue, she chats them up like old friends. The game's music was also a notorious labor of love, with the composer recruiting his friends and family members to record vocals and sound effects for the game's eclectic tracks. Eight years after its initial release, when the game was released in HD, Jade's voice actress even reprized her role ''just for a new trailer,'' as if to prove it was the real deal.
66	* A majority of homebrew games for old systems count as this, considering the amount of effort required to program a brand new game for an outdated system and release it as a real cartridge that will almost certainly only be bought and played by a handful of people in the end.
67	* The primary motivation behind the creation of ''VideoGame/XenobladeChronicles1'' was to create a masterpiece. The fact that the game was critically acclaimed proved their success.
68	** The same was done with ''VideoGame/XenobladeChroniclesX''. Creator/MonolithSoft wanted to cut features from the game so it could released sooner. Nintendo wouldn't let them and told them to take their time.
69	* Takashi, the producer of the ''VideoGame/SenranKagura'' series, has made many statements that indicate that this is the reason [[AuthorAppeal he makes the games he does]]. Even if his works put off some people or don't make back much money, as long as there are fans who enjoy what he makes, he's happy with what he's doing.
70	* Creator/YokoTaro sees no point in merely copying what mainstream [=JRPGs=] have been doing for the last 3 decades, and thus opts to make his games [[DeconstructorFleet as different from them as possible]] and attempts to create [=JRPGs=] geared for [[DarkerAndEdgier older JRPG players]], even if it means that his games end up being niche titles with comparatively small budgets. What's even more remarkable is that after ''VideoGame/NieR'' sold modestly well in Japan but ended up being a bomb stateside, Square Enix became aware of its cult status and liked the game so much themselves that they not only funded [[VideoGame/Drakengard3 another entry]] in the ''Drakengard'' franchise, they also gave the go-ahead to [[VideoGame/NierAutomata a sequel to]] ''[=NieR=]'' itself... with some of the absolute best talent in the Japanese industry, including staff from Creator/PlatinumGames (of ''VideoGame/{{Metal Gear Rising\|Revengeance}}'' fame) and Akihiko Yoshida, the character designer for ''VideoGame/BravelyDefault'' and ''VideoGame/FinalFantasyXIV''. All of this to make a sequel to a niche game that lost them money. Even Yoko himself thinks Square Enix must have been insane to greenlight the project.
71	* Tarn "Toady One" Adams is the sole developer (his brother Zach helps plan and design gameplay elements) of ''VideoGame/DwarfFortress'', an insanely complicated and detailed sim game. It attempts to realistically simulate, among other things, the effects of hand-to-hand combat on individual layers of skin. In [[http://www.nytimes.com/2011/07/24/magazine/the-brilliance-of-dwarf-fortress.html an interview with the New York Times,]] he described it as his "life's work" and that it's entirely likely that it could be a full twenty years from now before he releases what he would consider v1.0. He has reportedly turned down six- and seven-figure deals to license ''just the name'' because he doesn't want it to detract from ''his'' creation.
72	** One joke on the Bay 12 forums held that Toady wouldn't be done with the game until it represented a perfect simulation of reality down to the quantum level. The next response to that involved dwarven nukes. The Bay 12 Forums are a fun place.
73	** In 2019, Toady announced that due to family medical issues Dwarf Fortress would be coming to Steam and Itch.io as a way to support him, in exchange for a better UI and a default graphics and music set. However, it will derive all its features from the free version, which will continue to be developed.
74	* ''VideoGame/AnotherMetroid2Remake'' is a FanRemake of ''VideoGame/MetroidIIReturnOfSamus'', which was done by one person (along with a few other people that chimed in to help when he asked) and it took ''10 years'' to make, starting in 2006 and finishing in 2016. All the areas from the game were recreated and modified to bring up to remake standards with a rich color palette and new areas added to the game to have players explore uncharted territory. Enemies have their own unique animations and attacks and even Samus herself has a handful of idling animations, something that is usually never made in the official games. Even the game's hard mode is given extra detail by giving enemies new movement and attack patterns rather than simply buffing up their health and damage output only like most games would do. The game also uses scanning enemies and areas for lore like the ''VideoGame/MetroidPrimeTrilogy'', which adds details and mysteries to a game that originally had nothing more than [[ExcusePlot "soldiers disappeared on this planet, go there and kill all the Metroids"]]. Nintendo would issue a DMCA on the project once it was finished, leaving it a case of [[KeepCirculatingTheTapes keep circulating the torrents]]. The developer harbors no ill will towards Nintendo and was just happy to finish his project while also stating to his fans that they shouldn't hate Nintendo and should support the ''Metroid'' franchise by purchasing the original ''Metroid II'' (and later, the company's own [[VideoGame/MetroidSamusReturns official 2017 remake]] on the Nintendo 3DS [=eShop=]. This is all from one fan who simply loves the ''Metroid'' series and wanted to give an underrated game and the series as a whole some love. Oh, and finding ''Metroid'' fans who think the fan remake greatly surpasses Nintendo's own attempt is far from uncommon.
75	* ''VideoGame/ZeroAD'' was originally conceived as a mod for ''[[VideoGame/AgeOfEmpiresII Age of Kings]]'' but the development team, Wildfire Games, soon realized that that wouldn't cut it. Since 2003, Wildfire Games has been using their own made-from-scratch engine to run the game and have gone to enormous lengths to make the historical cultures represented in it as accurate as possible, which resulted in various generic civilizations like just "Hellenes" and "Celts" being split into several more specific factions. For almost any other real-time strategy series--[[VideoGame/AgeOfEmpires including the one that inspired it]]--it would've been enough to just have "Greeks," but ''0 A.D.'' goes above and beyond by splitting them into Athenians, Spartans, and Macedonians, (who were themselves split into several other factions based on successor states) with fan-proposals for others like the Thebans and Syracusans. On top of all that, ''0 A.D.'' is free-to-download and open-source. You don't get much more passionate than that!
76	* The GameMod ''VideoGame/RiseOfTheReds'' for ''[[VideoGame/CommandAndConquerGenerals Command & Conquer: Generals Zero:Hour]]'' is this, since as mentioned at the start of the page, it cannot be legally sold. Yet the team makes a big effort when it comes to 3d models, voice overs, story updates and balance testing, all in their free time because they want people to enjoy it. Their other mods have the same dedication behind them. Also, sometimes the team leader The_Hunter streams his work and everyone who watches the streams agrees that he clearly loves doing what he does, otherwise he would not put nearly as much thought and detail into the product.
77	* ''VideoGame/Downfall2009'' could be described as a game made by two guys who asked a few friends for help. Remigiusz Michalski created the game almost entirely alone and then had Jesse Gunn/Warmer speak the main character and make the soundtrack. While the team size increased, ''VideoGame/TheCatLady'' and the Downfall remake were still mostly created by just those two people. And while the latter two are sold on Steam, the original Downfall is even Freeware.
78	* 2019 indie horror game ''VideoGame/{{DARQ}}'' was mostly created by a single developer, Wlad Marhulets, who knew nothing about game creation before he decided to make the game and had to learn everything about coding and 3D modeling from scratch. It attracted a lot of attention and became one of the most-anticipated upcoming releases on Platform/{{Steam}}. This led to Wlad receiving an offer of a considerable sum of money from Creator/EpicGames to sell the game exclusively from their much-maligned Epic Games Store (an offer which many publishers of other highly-anticipated games had accepted, prompting ''great'' backlash), which Wlad politely turned down as he'd given his word the game would have a Steam release and thought the exclusivity was a bad thing, gaining him considerable support. After ''DARQ'' was released, it was generally well-received, with the biggest criticism being that [[ItsShortSoItSucks it was too short]]. In response, Wlad began work on a series of free expansions for the game, because his only concern is making ''DARQ'' the best gaming experience it can be.
79	* The Last Stand update for ''VideoGame/Left4Dead2'' was made by fans that simply loved the game and wanted to not only make the Last Stand an official Left 4 Dead 2 survival map (it was originally exclusive to the first Left 4 Dead and was the only map to not be ported over to the sequel), but also making it as a two map campaign that can be played outside of Survival mode. The update also included two new melee weapons (pitchfork and shovel) and a slew of quality of life updates that originated from fan mods. The whole update was done with Valve's blessing.
80	* ''VideoGame/{{Phigros}}'' is absolutely free of charge with all songs legitimately sourced, a rarity for {{Rhythm Game}}s since rhythm games rely mainly on licensed and commissioned music to exist, both methods of which usually cost money since the musicians understandably want to get paid for the use of their songs.[[note]]And usually, when a rhythm game is free, it's either illegally using the songs (such as the Chinese build of ''VideoGame/O2Jam PC''), or it's a simfile-based game (like ''VideoGame/{{StepMania}}'' or ''VideoGame/{{osu}}'') that operates on the assumption that chart/map/level designers have permission from the songs' copyright holders, which 99% of the time they don't.[[/note]] There aren't any [[AllegedlyFreeGame in-app purchases hidden behind a technically-true "free to download" designation]] or even advertisements! In fact, this trope is ''enforced'' as some of the song contracts, such as that of the song "Aleph-0", mandate that the game remain a non-profit project, which is an example of this trope in and of itself on the composer [=LeaF=]'s part.
81	* Due to its status as a FanGame, the creators of ''VideoGame/PowerBomberman'' can't make any money off of the game, instead doing it out of geniuine love and adoration for [[VideoGame/{{Bomberman}} the series it's based on]].
82	* ''VideoGame/LiveALive'' was previously an obscure SNES-era RPG [[NoExportForYou exclusive to Japan]], only playable by FanTranslation. When it was remade for 2022, the director [[https://nintendoeverything.com/live-a-live-dev-on-how-long-the-remake-has-been-in-the-works/ indicated the art team made twice as many animations as needed]] out of sheer love for the game.
83	* ''VideoGame/GuildWars'' is still online to this day. Lead content designer Mike Zadorojny has stated “There’s still a community there that’s really passionate and really thriving in there, so we want to support them as best we can.” [[note]]The fact that the servers are very low maintenance and don't take up a lot of resources certainly helps.[[/note]]

Context DoingItForTheArt / VideoGames