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1[[quoteright:285:https://static.tvtropes.org/pmwiki/pub/images/henry_james_with_pen_photo.jpg]]
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3->''"The only reason for the existence of a novel is that it does attempt to represent life."''
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5Henry James [[UsefulNotes/KnightFever OM]] (15 April 1843 – 28 February 1916) was an American-born British author of the Victorian era. Although he became best known for writing realist novels about everyday life, his works spanned a wide range of subjects and formats. Despite being born and raised in the United States, James spent most of his adult life in Europe and became a British citizen one year prior to his death. Accordingly, one of his favorite subjects was the cultural and psychological differences between denizens of the Old World and the New.
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7A number of his works have been adapted to film and television, while the second season of ''Series/TheHauntingOfHillHouse2018'' and ''Series/TheHauntingOfBlyManor'' both draw from several of James's stories.
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10!!Works by Henry James include:
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12* ''Literature/TheBostonians''
13* ''Literature/DaisyMiller''
14* ''Literature/TheEuropeans''
15* ''Literature/ThePortraitOfALady''
16* ''Literature/WashingtonSquare''
17* ''Literature/WhatMaisieKnew''
18* ''Literature/TheWingsOfTheDove''
19* ''Literature/TheTurnOfTheScrew''
20* "Literature/TheRomanceOfCertainOldClothes"
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23!!Other works by Henry James contain examples of:
24* BelatedLoveEpiphany: Happens to John Marcher in "The Beast in the Jungle".
25* BritishStuffiness: Subverted. James often depicted American characters who were as stuffy as (and sometimes more stuffy than) their British counterparts.
26* DelicateAndSickly: May Bartram in "The Beast in the Jungle". [[spoiler: She dies.]]
27* MindScrew: Done in-universe in "The Figure in the Carpet". The writer Hugh Vereker tells the narrator that all his work has a secret meaning which can be figured out by anyone who puts the work in to do so. The narrator and his friends then spend the entire rest of the story trying to work out what it is. [[spoiler: They never do, although one of them claims to have figured it out, but then dies before he has a chance to tell anyone else.]]
28* ObfuscatingStupidity. Such as in ''The Ambassadors'' or ''Literature/{{The American}}''. Henry James liked using tact as a tool to limit how much information he was giving out.
29* PassionIsEvil: Lambert Strether in ''The Ambassadors'' starts out believing this, but he changes his mind.
30* PurpleProse: James wrote in very long and finely crafted sentences.
31* RealityIsUnrealistic: The short story "The Real Thing" deserves to be a TropeCodifier: the narrator is an artist who wants to paint a picture of a fictional upper-class family, and who's delighted when he's approached by a down-at-heel but real-life upper-class couple who need cash and are willing to be models for him. He soon finds that they're useless models because they're incapable of seeming like they're who they are, and he goes back to hiring working-class men and women, who are far more relaxed as subjects and who can seem like they're anyone he wants them to be.
32* UnreliableNarrator: His works are often filtered through the perceptions of their point of view subject with a biased or incomplete understanding of the events they perceive. In ''What Maisie Knew'', the complex romantic lives of two people are perceived by their young daughter, who does not understand most of what is going on.
33* WallOfText: James' writing style evolved into extraordinarily long sentences and paragraphs that run for pages. The effect can be very vivid, but it's also very easy to become lost in the avalanche of words.
34* WifeHusbandry: In ''Watch and Ward'', 29-year-old Roger Lawrence adopts 12-year-old Nora Lambert and grooms her to marry him several years later.
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37!!Trivia about Henry James:
38* ReferencedBy:
39** ''Webcomic/HarkAVagrant'': A cover for an edition of ''The Ambassadors'' is used in one of the Creator/EdwardGorey [[http://www.harkavagrant.com/index.php?id=252 book cover comics.]] It presents the ambassadors as being for concepts rather than nations.
40** ''Film/DriveAwayDolls'': The works of Henry James are referenced a number of times by the two central characters, one of whom is reading ''Literature/TheEuropeans'' during the film. In the closing credits, the title is revealed to be CensoredTitle, with the "real" title being ''Henry James' Drive-Away Dykes.''

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