Follow TV Tropes

Following

Context Characters / JesusChristSuperstar

Go To

1%%Do not leave trope names hanging - give context.
2
3%%AlternativeCharacterInterpretation can apply to just about any of these characters and YMMV highly. There's a reason why this play was extremely controversial when it came out. All interpretations are welcome but treat others' interpretations with the respect you'd want them to give yours.
4
5The characters in the hit rock opera and musical ''Music/JesusChristSuperstar''. As they are based upon characters in ''Literature/TheFourGospels'', see also [[Characters/TheFourGospels the character page]] for their biblical inspiration.
6
7[[foldercontrol]]
8
9[[folder:Jesus]]
10->'''Played by:''' [[Music/DeepPurple Ian Gillan]] (concept album), Jeff Fenholt (1971 US tour and 1971 Broadway), Ted Neeley (1971 understudy and 1973 movie), Paul Nicholas (1972 West End), William Daniel Grey (1977 Broadway revival), Steve Balsamo (1996 West End revival), Glenn Carter (2000 Broadway revival), Paul Nolan (2012 Broadway revival), Ben Forster (2012 UK tour), Music/JohnLegend (2018 TV special), Aaron [=LaVigne=] (2019 US tour).
11
12The leader of the Twelve Disciples; a man called the "Son of God" and the "King of the Jews."
13----
14
15* BornInTheWrongCentury:
16-->If you came today you could have reached the whole nation / Israel in 4 B.C. had no mass communication.
17* BreakTheCutie: He's a kind and well-meaning preacher who feels overwhelmed by his ministry. Then, he's betrayed by one of his closest followers, arrested, tortured, denounced by several of his own people, and executed on trumped-up charges.
18* CelibateHero: Well, unless the production goes ''that'' direction with his relationship with Mary Magdalene...
19* CrucifiedHeroShot: The final scene of the musical depicts Jesus on the cross.
20* DeathByAdaptation: The play ends before we find out whether he resurrects or not.
21* DoomedByCanon: It's a given that he will be crucified by the Romans.
22* GoodWearsWhite: In many productions.
23* HeroicBSOD: "Gethsemane". He admits that his ministry has left him sad and exhausted, that he's terrified of his impending execution, and that he doesn't understand why God is allowing all of his trials and tribulations to happen.
24* HeroicSacrifice: Lets himself be crucified as per God's plan.
25* HippieJesus: In the 1973 film, he ''is'', for all intents and purposes, a hippie actor.
26** Most other productions tend to retain at least some aspects of the hippie look as well.
27* IWantMyMommy: Asks for his mother while on the cross.
28* JesusWasCrazy: According to Pilate and Judas.
29* JesusWasWayCool: According to Mary Magdalene, Simon, and Caiaphas.
30-->'''Caiaphas:''' One thing I'll say for him, Jesus is cool.
31* LightIsGood: In many productions, he is dressed in white or off-white.
32* MaybeMagicMaybeMundane: He doesn't commit any miracles in the course of the play, and most productions leave the question of his divinity open-ended.
33* MetalScream: Present in almost every version of "The Last Supper" and "Gethsemane", largely due to the OriginalCastPrecedent of Ian Gillan on the concept album.
34* PrettyBoy: He's good-looking, but small, slight, not physically intimating.
35** [[LongHairedPrettyBoy Ola Salo]] of the [[https://www.youtube.com/watch?v=ZbrgWSpRVV4 2014 Swedish Arena Tour]] may also count.
36* RaceLift: Very much downplayed. Jesus of the Gospels was a Middle Eastern man, but most performances of ''Jesus Christ Superstar'' cast European fair-skinned actors for the role of Jesus. In real life, there are light-skinned Middle Eastern people who can pass for white Americans or Englishmen, and the Jewish tribe to which Jesus was born is known to have white skin, albeit dark by Western European standards, but real life Jesus's complexion would have resembled your stereotypical Sicilian or other Southern European. However, it got played completely straight in the 2018 NBC performance, which cast the black Music/JohnLegend as Jesus.
37* TooGoodForThisSinfulEarth: It's Jesus Christ, so this is a given.
38* UncertainDoom: Definitely dies, but the play ends after the crucifixion without showing his resurrection. Some versions imply he survives to appease Christian protesters.
39* UnwittingPawn: Of God himself. In the "Gethsemane" scene, Jesus doesn't realize what role his death will play in God's plan and can only hope that it will not be in vain.
40* WellIntentionedExtremist: Judas and the Council ''think'' that Jesus is a revolutionary fomenting rebellion. In reality, violent revolution is the ''last'' thing Jesus wants.
41[[/folder]]
42
43[[folder:Judas]]
44->'''Played by:''' Murray Head (concept album), Creator/BenVereen (1971 Broadway), Carl Anderson (1971 concert tour, 1971 Broadway understudy and 1973 movie), Stephen Tate (1972 West End), Patrick Jude (1977 Broadway revival), Zubin Varla (1996 West End revival), Jérôme Pradon (1999 movie), Tony Vincent (2000 Broadway revival), Josh Young (2012 Broadway revival), Tim Minchin (2012 UK tour), Brandon Victor Dixon (2018 TV special), Tyrone Huntley (2019 US tour)
45
46One of the Twelve Apostles, Judas was initially Jesus's right hand man, but has grown concerned about the cult of personality surrounding Jesus, believing it's overgrown his teachings. His political and interpersonal disagreements with Jesus set the plot of the play in motion.
47-----
48
49* AlasPoorVillain
50-->''So long Judas \
51Poor old Judas''
52* AntagonistInMourning: He suffers a complete emotional breakdown after his betrayal of Jesus and subsequently hangs himself.
53* AntiVillain: Portrayed very sympathetically throughout the play.
54* BeautyEqualsGoodness: Depending on how you interpret his character, his being played by a balding young man who hasn't shaved recently in the 2000 version either subverts or plays it straight.
55** Music/TimMinchin in the 2012 tour makes a pretty convincing case for Judas being good.
56** That goes double for Josh Young in the 2012 Broadway revival.
57** Peter Johansson in the 2014 Swedish Arena Tour has arguably one of the most morally good portrayals of Judas, a fundamentally decent man who loves Jesus but disagrees with him strongly enough to make him an easy target for Caiaphas to manipulate. He's also an ''objectively'' beautiful LongHairedPrettyBoy who very strongly resembles [[Film/LordOfTheRings Legolas]].
58* BetrayalByInaction: He actually threatens to ''not'' betray Jesus just to spite him and God's plans.
59* BlatantLies:
60-->''(about Mary)'' "It's not that I object to her profession..."
61-->''(to the high priests)'' "Jesus wouldn't mind that I'm here with you!"
62* BSODSong: "Judas's Death", wherein he realizes that God chose him to be the one to betray Jesus.
63* DoomedByCanon: See DrivenToSuicide, below.
64* DrivenToSuicide: He hangs himself after betraying Jesus.
65* EvilCostumeSwitch: in the 2000 film, after betraying Jesus to the Pharisees, Judas takes off his jacket to show off his black shirt, and starts wearing red after committing suicide.
66** In the 2012 Live Arena tour, he wears grey and green, before switching to black post-suicide.
67* HiddenHeartOfGold: In public, he's an angry, judgmental contrarian. Beneath the surface, he's worried about the future of Jesus' ministry, conflicted about betraying him, and later devastated by the harm he brought down on his friend.
68* InelegantBlubbering: In the 2014 Swedish Arena Tour, Peter Johansson's Judas sings "I Don't Know How to Love Him (Reprise)" through brokenly weeping his soul out.
69* KilledMidSentence: "You have murdered me! MURDERED ME! MURDERED..."
70* TheLancer: Serves as a foil to Jesus and calls him out on some of his beliefs and practices.
71* MyGodWhatHaveIDone: "Judas's Death".
72* NecessarilyEvil:
73-->I came because I had to; I'm the one who saw.
74-->Jesus can't control it like he did before.
75* NeverMyFault: On a meta level — whilst other characters have the deeds accredited to them in the Bible presented in different ways to make them more or less sympathetic, Judas actually has negative aspects of his character removed entirely (such as his robbing from the Apostles' purse) to make him more sympathetic.
76* NoIndoorVoice: in the original film.
77* OnlySaneMan: Believes himself to be this.
78* RaceLift: Judas was a Middle Eastern man in the Gospels, but he's depicted as a black man in some versions of ''Jesus Christ Superstar'', most famously Carl Anderson in 1973.
79* RageAgainstTheHeavens: "Judas's Death".
80-->God, I'll never ever know \
81Why you chose me for your crime \
82For your foul bloody crime.
83* TheResenter: He's jealous of Mary, calling her out for her past involvement in prostitution. He's also distrustful of Jesus.
84* SlutShaming: Chastises Jesus for associating with a woman of Mary's profession.
85* SourSupporter: He admires Jesus, but strongly disagrees with a lot of his actions and proclamations.
86* SupportingProtagonist: The story is largely told from his perspective.
87* TearsOfRemorse: After he sees the extent of Jesus's punishment at the hands of the Romans.
88* UnwittingPawn: Of God, no less.
89-->My God, I am sick. \
90I've been used! \
91And you knew \
92All the time!
93* VillainousBreakdown: During "Judas's Death", he's overwhelmed with grief and guilt for betraying Jesus. His cocky assertiveness is gone, replaced by anguish.
94[[/folder]]
95
96[[folder:Simon Zealotes]]
97
98->'''Played by:''' John Gustafson (concept album), Dennis Buckley (1971 Broadway), Derek James (1972 West End), Larry Marshall (1973 movie), Bobby London (1977 Broadway), Glenn Carter (1996 West End), Tony Vincent (1999 movie), Michael K. Lee (2000 Broadway), Lee Siegel (2012 Broadway), Giovanni Spano (2012 UK tour), [[Music/SkidRow Erik Grönwall]] (2018 TV special), Eric A. Lewis (2019 US tour)
99
100A belligerent apostle who urges Jesus to lead his followers into battle against the Romans.
101----
102
103* LaResistance: A militant leader looking to overthrow Roman power.
104* LargeHam: '''AAAAA-MEEEEEEEEN!!!'''
105* LyricalDissonance: His song is an energetic, joyful song and dance number about trying to convince Jesus to rebel against Roman rule.
106* PrettyBoy: In the 2000 film and the 2018 NBC performance.
107* PsychoSupporter: He tries to get Jesus to declare war on Rome in order to gain absolute power.
108* WellIntentionedExtremist: Calls for a war against Rome.
109[[/folder]]
110
111[[folder:Peter]]
112
113One of the Twelve Apostles, prophesized to deny Jesus three times.
114----
115
116* KarmaHoudini: Judas: Betray Christ once, suicide and eternal damnation. Peter: Deny Christ three times, become the first pope.
117** YMMV, as he also was the only one of the Apostles to follow after Jesus, even when he told them to make a break for it.
118** KarmaHoudiniWarranty if you want to look at it that way, he is eventually crucified himself, requesting an upside cross as he does not feel worthy to die in the same manner as Jesus.
119* MyGodWhatHaveIDone: He's overcome with shame after he publicly denies being one of Jesus' followers.
120* PrettyBoy: In the 2018 concert version, as played by Jason Tam.
121[[/folder]]
122
123[[folder:Mary Magdalene]]
124
125->'''Played by:''' Yvonne Elliman (concept album, 1971 Broadway and 1973 movie), Dana Gillespie (1972 West End), Barbara Niles (1977 Broadway), Joanna Ampil (1996 West End), Renée Castle (1999 movie), Maya Days (2000 Broadway), Chilina Kennedy (2012 Broadway), Music/MelanieC (2012 UK tour), Music/SaraBareilles (2018 TV special), Jenna Rubaii (2019 US tour)
126
127The only major female character in the play — formerly a prostitute, now a follower of Jesus who finds herself falling in love with him.
128----
129
130* BeneathTheMask: "I Don't Know How to Love Him" reveals she's just as clueless as everyone else about what to make of him.
131* CompositeCharacter: She combines elements of herself with that of Mary, the sister of Martha, whose "waste" of costly perfume on Jesus was derided by Judas.
132* TheHeart: She comforts Jesus when he's stressed. In some performances, such as the 2018 NBC musical, she calms down other members of Jesus' entourage and tempers their anger.
133* HookerWithAHeartOfGold: She's the holiest of ho's, alright.
134* NumberTwo: Judas believes that she has usurped his role as Jesus's most trusted follower.
135* SlutShaming: Judas is jealous of Mary's close relationship with Jesus and mocks her for being a former prostitute.
136[[/folder]]
137
138[[folder:Caiaphas]]
139
140The high priest who sees Jesus as a threat to the nation.
141----
142
143* AntiVillain: He's an arrogant religious leader who arranges for an innocent man's arrest and execution. However, he did so because he honestly believed that Jesus' followers were about to carry out a rebellion, which would have prompted the Roman occupiers to crush Judea in retaliation. Of all of Caiaphas' actors, Norm Lewis probably struck closest to this trope, portraying Caiaphas as an almost fatherly man who seemingly offers Judas money as actual thanks for his efforts, rather than a manipulative bribe. Because Annas' actor in that production, Jin Ha, was young enough to be Norm's son, his Caiaphas also has a better handle on his [[TheDragon dragon's]] cruelty than most versions.
144* BaldOfEvil: As portrayed by Frederick B. Owens in the 2000 film.
145* BigBad: The mastermind behind the death of Jesus, puppeteering Judas and influencing Pilate in such a way as to ensure they act as the means to his end.
146* TheChessmaster: He plays a major role in Jesus' arrest, having convinced Judas to reveal Jesus' wearabouts and urging the Roman authorities to crucify Jesus.
147* EvilCostumeSwitch: He wears a blood red robe in the 1973 film during the trial.
148* EvenEvilHasStandards: In the 1973 film, despite demanding Jesus be executed, he looks extremely unnerved during the 39 lashes.
149* EvilSoundsDeep: He's the only bass in the show, and one of the few in all of music theater. (Not only that, he's actually a ''basso profundo'', which is rarer still.)
150* GoodColorsEvilColors: In the 1973 film, 2000 film and the 2018 NBC performance, Caiaphas and the other priests wear black clothing, in contrast to Jesus' white clothing.
151* IDidWhatIHadToDo: He believes that the actions of Jesus will have negative repercussions for the entire Jewish race.
152* ImpossiblyCoolClothes: In the 2018 NBC version, Caiaphas and the other priests are wearing long black coats covered with geometric patterns, making them look both futuristic and sinister.
153* KickTheDog: It's pretty damn cruel to mock Judas for having been paid 'pretty good wages for one little kiss' in betraying Jesus when Caiaphas forced him to accept the money to give to charity as a 'fee' to begin with.
154** PetTheDog: Oddly enough, in the 1973 film, he and Annas both place comforting hands on Judas' shoulders after this.
155* LargeHam: "[[YouFool FOOOOOLS!]] [[PunctuatedForEmphasis YOU! HAVE NO PERCEPTION!]] THE STAKES WE ARE GAMBLING ARE FRIGHTENINGLY HIGH!"
156* NecessarilyEvil: See IDidWhatIHadToDo, above. He believed that Jesus' followers were about to launch a rebellion, which could have thrown Judea into chaos and provoked the Romans to commit a massacre.
157* TheNeedsOfTheMany: The stated rationale for the priests' actions:
158-->'''Caiaphas:''' For the sake of the nation, this Jesus must die!
159* ScaryBlackMan: In the 2000 film, where he's played by bald, booming Frederick B. Owens, and the 2018 NBC version, where Norm Lewis uses his explosive gravitas to basically turn Caiaphas into [[Theatre/LesMiserables Javert]] distilled.
160* SopranoAndGravel: Caiaphas is a booming, commanding bass, contrasted with high-voiced Annas, who is usually played by a countertenor.
161* VillainRespect: In earlier versions of the musical, he thinks "Jesus is cool" for not openly preaching violence against Rome. Averted in later versions, in which his line about Jesus' coolness is replaced with "Infantile sermons; the multitudes drool".
162* WellIntentionedExtremist: Caiaphas is driven by a desire to avoid 'blood and destruction' against the Jews.
163[[/folder]]
164
165[[folder:Annas]]
166
167A Jewish priest, Caiaphas's second-in-command.
168----
169
170* AgeLift: In history, he was the older man and Caiaphas' father-in-law; most productions present him as a younger SmugSnake sidekick.
171* BaldOfEvil: In the 2000 film and the 2018 NBC performance.
172* CreepyHighPitchedVoice: Usually has the highest-pitched male voice in the show, bordering on falsetto at times. How "creepy" he is varies between adaptations (the 2000 film version being probably the most unpleasant), but he's always a smug {{Jerkass}}.
173* TheDragon: To Caiaphas.
174* GoodColorsEvilColors: In the 1973 film, 2000 film and the 2018 NBC performance, Annas and the other priests wear black clothing, in contrast to Jesus' white clothing.
175* HateSink: The only true example in the story - while Caiaphas and Pilate have sympathetic qualities, Judas is flat out tragic, and Herod is at least [[LaughablyEvil funny to watch]], Annas remains an unpleasant, sneering asshole the whole time.
176* ImpossiblyCoolClothes: In the 2018 NBC version, Annas and the other priests are wearing long black coats covered with geometric patterns, making them look both futuristic and sinister.
177* {{Jerkass}}: He makes no attempt to hide his contempt for the "carpenter king", who he calls a "hero of fools". He also sneers at Jesus' followers, calling them "blockheads" and "half-witted fans" who could easily get out of control. This is especially pronounced in the 2000 film, where the only thing he seems to feel or express is open, disparaging contempt for literally everyone except Caiaphas.
178* KickTheDog: He makes no attempt to empathize with a distraught Judas, dismissing his emotional breakdown as histrionics and suggesting that the only thing Judas should care about is being on the winning side.
179-->'''Annas:''' Cut the confessions. Forget the excuses. I don't understand why you're filled with remorse.
180* LackOfEmpathy: The coldest of the priests, who says he can't really understand why Judas is filled with remorse for betraying Jesus since he 'backed the right horse' in the end.
181* LooksLikeOrlok: In the 2000 film he's depicted as completely bald, pale, and dressed in a long black coat/robe.
182* RaceLift: In the 2018 NBC version, he's played by Jin Ha, who (as his name suggests) is East Asian.
183* SmugSnake: He sneers at the early Christians' devotion to Jesus, but fails to understand what Jesus stands for or what his death will achieve.
184* SopranoAndGravel: To contrast him against deep-voiced Caiaphas, Annas is a countertenor and is typically given a sharper, more outwardly unpleasant voice to denote him as the show's [[{{Jerkass}} asshole-in-chief]].
185* WellIntentionedExtremist: Like Caiaphas, Annas is driven by a desire to save the Jewish people from Rome's wrath, although he's more of a {{Jerkass}} about it than Caiaphas.
186[[/folder]]
187
188[[folder:Pontius Pilate]]
189
190The Roman Governor of Judea tasked with Jesus's trial.
191----
192
193* AlliterativeName: '''P'''ontius '''P'''ilate.
194* AntiVillain: He harbors no ill will toward Jesus and admits that he has no legal grounds to execute him. He feels anguish when forced to choose between punishing an innocent man and allowing his angry subjects to get out of control.
195* ChewingTheScenery: Fred Johanson takes this to [[https://www.youtube.com/watch?v=QY_W_taKkXM epic proportions]] in the 2000 film, as does Ben Daniels in the 2018 NBC performance.
196* DreamingOfThingsToCome: "Pilate's Dream", in which he meets with Jesus and is responsible for his death.
197* HistoricalHeroUpgrade: An example that carries over from [[Literature/TheBible the source material]]. The historical Pontius Pilate was a ruthless governor who had no compunctions against bloodshed in the name of maintaining order and had his men hide among the people so they could slaughter Jews by the hundreds at the first sign of rebellion against Rome. This Pilate actually has a functional conscience and is ''deeply'' uncomfortable with the KangarooCourt he's presiding over.
198* IgnoredEpiphany: Takes little to no note of his prophetic dream. Some productions, as well as the 2000 film, avert this when, during the "Trial Before Pilate", he backs away in shock as the "Pilate's Dream" motif plays, showing that he has recognised the Galilean from his dream.
199* LargeHam[=/=]PunctuatedForEmphasis: "What! Do! You mean! By! ''That?'' That! Is not! An aaaan''swer!"''
200* MachoCamp: Fred Johanson's Pilate is a towering, uniformed goliath of a man who bellows almost every word that comes out of his mouth. His version of "Pilate's Dream" reveals this to be a complete mask.
201* MundaneMadeAwesome: He counts along while Jesus is flogged to the tune of heavy metal guitar.
202* PeerPressureMakesYouEvil: He ''does not want'' to execute Jesus and insists that Jesus has committed no crime. Peer pressure from the priests and the mob drives him to have Jesus flogged, then to foist Jesus' case onto Herod instead of setting him free.
203-->'''The Mob:''' Remember Caesar! You have a duty to keep the peace, so crucify him! Remember Caesar! You'll be demoted! You'll be deported! Crucify him!"
204* PurpleIsPowerful: As the governor of Judea, Pilate is one of the most powerful characters in the show, and some productions dress him in purple to reflect this.
205** He wears purple in the 1972 London production (designed by Gabriella Falk).
206** Every single one of his costumes in the 1973 film incorporates purple to some extent (designed by Yvonne Blake).
207** His costume on the A.D. Tour is also purple (designed by David Paulin).
208* PuttingOnTheReich: In the 2000 film the Roman's outfits are a combination of Roman armor and Nazi uniform, with Pilate [[HatOfAuthority distinguished]] by a CommissarCap. He ends up looking like a weird {{Expy}} of [[Franchise/StreetFighter M. Bison/Vega]].
209* ShamingTheMob:
210** He lambasts the mob screaming for Jesus to be crucified, since he sees Jesus as a harmless crazy man being used as a scapegoat by the mob for the revolutionary rumblings his presence set off.
211** He also calls members of the crowd hypocrites for insisting, "We have no king but Caesar", pointing out that they hate the Roman occupiers more than they hate Jesus.
212* ATasteOfTheLash: Unwilling to execute a man, he first orders Jesus to be whipped instead.
213[[/folder]]
214
215[[folder:Herod]]
216
217The King of Galilee; Jesus is brought to him for judgment after first being taken to Pilate.
218----
219* AffablyEvil: He's a charismatic host, his underlings seem to love him, and he's positively giddy at seeing Jesus.
220* AscendedExtra: He only appears for one scene in most versions, but the 1973 movie has him appear again during the 39 Lashes scene, as he initially enjoys Jesus' flogging before showing discomfort.
221* BerserkButton: Ignoring him and not performing the miracles he wants makes Herod positively explode.
222* CampStraight: For all his camp and debauchery, he's a married man, and tends to surround himself with beautiful dancing girls.
223* CardCarryingVillain: The only unashamedly evil character and is not suffering an existential crisis.
224* ChewingTheScenery: Music/AliceCooper delivers a flamboyant performance as Herod, complete with dancing girls, during the 2018 NBC performance.
225* EvenEvilHasStandards: [[DownplayedTrope Downplayed]] in the 1973 version: while Jesus is being flogged he starts out cackling with cruel amusement at his suffering, but by the end he looks visibly disturbed and uncomfortable.
226* FatBastard: In the 70s production, Herod is noticeably paunchy and quite the nasty jerk.
227* GameShowHost: [[Radio/ChrisMoyles Chris Moyles']] portrayal. His segment parodied ''Series/BritainsGotTalent'' and he asked the audience to text in to vote if Jesus was a god or fraud.
228* GodTest: Tries to goad Jesus into proving he's the son of God by performing miracles.
229* GoldColoredSuperiority: Music/AliceCooper's King of Galilee indicates his station by literally wearing a ''gold tuxedo.''
230* IronicEcho: Jesus says "Get out!" first when clearing the temple, then to Judas. Herod drives him away with the same words.
231* LargeHam: His song is usually the most over-the-top and flashy in the show, and Herod himself tends to [[ChewingTheScenery milk every moment for all it's worth.]]
232* LaughablyEvil: Herod and Annas are arguably in contention for being objectively the worst people in the show, but the distinction between them is that Annas is an openly unlikable bastard while Herod is ''[[LargeHam ridiculous]]''.
233* MythologyGag: In the 2019 Barbican production, his servants had wide silver platter collars with blood on them, referring back to Herod's execution of John the Baptist and his DecapitationPresentation on such a platter.
234* NoIndoorVoice: Music/AliceCooper again, of course, during the final verse and ending of his song.
235-->'''''[[PunctuatedForEmphasis GET! OUT! OF MY! LIFE!]]'''''
236* RoyalBrat: Interested in getting things his way, having fun and enjoying life.
237* SissyVillain: Some performances depict him as effete and flamboyant.
238* VillainRespect: The first two thirds of his song are him first expressing wonder at Jesus's supposed accomplishments; then begging him to show off some miracles. Subverted when Jesus refuses, and he turns nasty.
239* WalkOnWater: In the 2012 tour, when he tells Jesus to walk across his swimming pool, an image of Herod walking across one appears in the background.
240[[/folder]]
241
242[[folder:God]]
243-----
244* ThePlan[=/=]GambitRoulette: For the highest of stakes and with his own son's life as the ante.
245* TheUnseen: He doesn't actually appear in the musical.

Top