History YMMV / ThreeMenAndABaby

** Earl Hindman plays the other, whom you might not recognize [[Series/HomeImprovement without a fence in front of it]].

* OohMeAccentsSlipping: Nancy Travis' English accent was often quite patchy and unconvincing.

** Miss Lomax, the school headmistress in the sequel who is deeply taken with Peter, is played by Creator/FionaShaw. While Ms. Shaw is known for several other film and television roles, she's most popularly known today as the actress who plays the despicabke Aunt Petunia Dursley in the ''Film/HarryPotter'' movies.

** Miss Lomax, the school headmistress in the sequel who is deeply taken with Peter, is played by Creator/FionaShaw. While Ms. Shaw is known for several other film and television roles, she's most popularly known today as the actress who plays Aunt Petunia in the ''Harry Potter'' movies.

** Miss Lomax, the school headmistress in the sequel who is deeply taken with Peter, is played by Fiona Shaw. While Ms. Shaw is known for several other film and television roles, she's most popularly known today as the actress who plays Aunt Petunia in the ''Harry Potter'' movies.

* SugarWiki/MomentOfAwesome: In the sequel, during the wedding, Edward sees that his scams have been exposed, and he's trying to weasel his way through an explanation. Mary openly scoffs, prompting, "Oh, shut up, you little shit!" That's the last straw for Peter. "That's it," he says, and promptly flattens Edward with one punch.

-->'''Creator/RogerEbert''': It begins with too many characters and too much plot, and 15 minutes into the film I was growing restless. It spends a lot of time describing the lifestyles of three bachelors - Creator/TomSelleck, Creator/SteveGuttenberg and Creator/TedDanson - who share a luxury apartment and play host to a never-ending stream of girlfriends. We meet too many of the girlfriends, and too many of their friends. And then it's the morning after Selleck's big birthday bash, and on the doorstep outside their apartment is a basinette containing a little baby named Mary. From that point on, the movie finds its rhythm, and it works.

* EarWorm
** [[Music/GloriaEstefan ''Bad boy, bad boy, boys will be boys...'']]
** ''Waiting for a star to fall, and carry your heart into my arms, that's where you belong, in my arms baby, yeah...''

** ''Bad boy, bad boy, boys will be boys...''

* RetroactiveRecognition: Paul Guilfoyle ([[Series/{{CSI}} Cpt. Brass]]) plays one of the heroin smugglers.

* CrowningMomentOfAwesome: In the sequel, during the wedding, Edward sees that his scams have been exposed, and he's trying to weasel his way through an explanation. Mary openly scoffs, prompting, "Oh, shut up, you little shit!" That's the last straw for Peter. "That's it," he says, and promptly flattens Edward with one punch.

-->'''Creator/RogerEbert''': It begins with too many characters and too much plot, and 15 minutes into the film I was growing restless. It spends a lot of time describing the lifestyles of three bachelors - Creator/TomSelleck, Creator/SteveGuttenberg and Creator/TedDanson - who share a luxury apartment and play host to a never-ending stream of girlfriends. We meet too many of the girlfriends, and too many of their friends. And then it's the morning after Selleck's big birthday bash, and on the doorstep outside their apartment is a basinette containing a little baby named Mary. From that point on, the movie finds its rhythm, and it works.

-->'''Creator/RogerEbert''': It begins with too many characters and too much plot, and 15 minutes into the film I was growing restless. It spends a lot of time describing the lifestyles of three bachelors - creator/TomSelleck, Creator/SteveGuttenberg and Creator/TedDanson - who share a luxury apartment and play host to a never-ending stream of girlfriends. We meet too many of the girlfriends, and too many of their friends. And then it's the morning after Selleck's big birthday bash, and on the doorstep outside their apartment is a basinette containing a little baby named Mary. From that point on, the movie finds its rhythm, and it works.

* EarWorm: ''Bad boy, bad boy, boys will be boys...''

-->'''Creator/RogerEbert''': It begins with too many characters and too much plot, and 15 minutes into the film I was growing restless. It spends a lot of time describing the lifestyles of three bachelors - Tom Selleck, Steve Guttenberg and Ted Danson - who share a luxury apartment and play host to a never-ending stream of girlfriends. We meet too many of the girlfriends, and too many of their friends. And then it's the morning after Selleck's big birthday bash, and on the doorstep outside their apartment is a basinette containing a little baby named Mary. From that point on, the movie finds its rhythm, and it works.

* {{Filler}}: Nearly every review, positive and negative, bemoaned the heroin subplot that seemed like it came from a different movie than the comedic, gentle stuff with Mary, and wished it were excised altogether. Indeed, the film dispenses of it with almost a half hour left in the movie.

-->'''Creator/RogerEbert''': It begins with too many characters and too much plot, and 15 minutes into the film I was growing restless. It spends a lot of time describing the lifestyles of three bachelors - Tom Selleck, Steve Guttenberg and Ted Danson - who share a luxury apartment and play host to a never-ending stream of girlfriends. We meet too many of the girlfriends, and too many of their friends. And then it's the morning after Selleck's big birthday bash, and on the doorstep outside their apartment is a basinette containing a little baby named Mary. From that point on, the movie finds its rhythm, and it works.
* CrowningMomentOfAwesome: In the sequel, during the wedding, Edward sees that his scams have been exposed, and he's trying to weasel his way through an explanation. Mary openly scoffs, prompting, "Oh, shut up, you little shit!" That's the last straw for Peter. "That's it," he says, and promptly flattens Edward with one punch.

-->'''Creator/RogerEbert''': It begins with too many characters and too much plot, and 15 minutes into the film I was growing restless. It spends a lot of time describing the lifestyles of three bachelors - Tom Selleck, Steve Guttenberg and Ted Danson - who share a luxury apartment and play host to a never-ending stream of girlfriends. We meet too many of the girlfriends, and too many of their friends. And then it's the morning after Selleck's big birthday bash, and on the doorstep outside their apartment is a basinette containing a little baby named Mary. From that point on, the movie finds its rhythm, and it works.

* ItGetsBetter: The movie starts with a four-minute opening credits sequence followed by a rather pedestrian ten-minute birthday-bash sequence that both establish the men as free-wheeling bachelors, when it could've been done in about a third of the time. But stick with it.
-->'''Creator/RogerEbert''': It begins with too many characters and too much plot, and 15 minutes into the film I was growing restless. It spends a lot of time describing the lifestyles of three bachelors - Tom Selleck, Steve Guttenberg and Ted Danson - who share a luxury apartment and play host to a never-ending stream of girlfriends. We meet too many of the girlfriends, and too many of their friends. And then it's the morning after Selleck's big birthday bash, and on the doorstep outside their apartment is a basinette containing a little baby named Mary. From that point on, the movie finds its rhythm, and it works.
* RetroactiveRecognition: Paul Guilfoyle ([[Series/{{CSI}} Cpt. Brass]]) plays one of the heroin smugglers.

-->'''RogerEbert''': It begins with too many characters and too much plot, and 15 minutes into the film I was growing restless. It spends a lot of time describing the lifestyles of three bachelors - Tom Selleck, Steve Guttenberg and Ted Danson - who share a luxury apartment and play host to a never-ending stream of girlfriends. We meet too many of the girlfriends, and too many of their friends. And then it's the morning after Selleck's big birthday bash, and on the doorstep outside their apartment is a basinette containing a little baby named Mary. From that point on, the movie finds its rhythm, and it works.

* RetroactiveRecognition: Paul Guilfoyle ([[{{CSI}} Cpt. Brass]]) plays one of the heroin smugglers.

* RetroactiveRecognition: Paul Guilfoyle ([[{{CSI}} Cpt. Brass]] plays one of the heroin smugglers.

-->'''RogerEbert''': It begins with too many characters and too much plot, and 15 minutes into the film I was growing restless. It spends a lot of time describing the lifestyles of three bachelors - Tom Selleck, Steve Guttenberg and Ted Danson - who share a luxury apartment and play host to a never-ending stream of girlfriends. We meet too many of the girlfriends, and too many of their friends. And then it's the morning after Selleck's big birthday bash, and on the doorstep outside their apartment is a basinette containing a little baby named Mary. From that point on, the movie finds its rhythm, and it works.

* ItGetsBetter: The movie starts with a four-minute opening credits sequence followed by a rather pedestrian ten-minute birthday-bash sequence establishing the men as free-wheeling bachelors, when it could've been done in about a third of the time. But stick with it.