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* FirstInstallmentWins: Widely seen as the most well-remembered of the "Karnstein Trilogy", the film's loose sequels, ''Film/LustForAVampire'' and ''Film/TwinsOfEvil'', are widely regarded as inferior.
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* FirstInstallmentWins: Widely seen as the most well-remembered of the "Karnstein Trilogy", the film's loose sequels, ''Film/LustForAVampire'' and ''Film/TwinsOfEvil'', are widely regarded as inferior.
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* ToughActToFollow: The film's sequel, ''Film/LustForAVampire'', is widely regarded as inferior.
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* ToughActToFollow: The FirstInstallmentWins: Widely seen as the most well-remembered of the "Karnstein Trilogy", the film's sequel, ''Film/LustForAVampire'', is loose sequels, ''Film/LustForAVampire'' and ''Film/TwinsOfEvil'', are widely regarded as inferior.
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Neither trope is YMMV.
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* AmbiguouslyEvil: For a good 3/4 of the film Marcilla/Carmilla keeps her fangs hidden and almost seems to be acting as an inside woman for the real villain, the sinister Man in Black. Indeed, given that she clearly has feelings for both Laura and Emma, and is never seen feeding on either of them, a case could almost be made that she was being placed in these households in order that she could allow her Master entry so that he could feed on these young women.
* AmbiguousTimePeriod: Often placed in 1790s Styria, the internal evidence would appear to place it decades later. Baron Hartog’s vendetta against the Karnsteins follows the death of his sister in 1794, and it’s not specified how long it took him to track them down. Either way, he’s shown and described as a young man in the flashback, but when he returns to finish the job he is at least 20 years older, possibly more. This would place the setting somewhere around the 1820s, possibly as late as 1840, and definately after the Napoleonic Wars.
* AmbiguousTimePeriod: Often placed in 1790s Styria, the internal evidence would appear to place it decades later. Baron Hartog’s vendetta against the Karnsteins follows the death of his sister in 1794, and it’s not specified how long it took him to track them down. Either way, he’s shown and described as a young man in the flashback, but when he returns to finish the job he is at least 20 years older, possibly more. This would place the setting somewhere around the 1820s, possibly as late as 1840, and definately after the Napoleonic Wars.
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* AlternateCharacterInterpretation: Why did Carmilla attempt to spirit a dying Emma away to Castle Karnstein's ruins? Was it a bid to preserve her intended victim for future feeding, now waxing scrutiny and Renton's murder had made a longer sojourn at Emma's estate untenable? Or might she have been genuinely in love with Emma, perhaps even plotting to turn her into a vampire?
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* AmbiguousTimePeriod: Often placed in 1790s Styria, the internal evidence would appear to place it decades later. Baron Hartog’s vendetta against the Karnsteins follows the death of his sister in 1794, and it’s not specified how long it took him to track them down. Either way, he’s show and described as a young man in the flashback, but when he returns to finish the job he is at least 20 years older, possibly more. This would place the setting somewhere around the 1820s, possibly as late as 1840, and definately after the Napoleonic Wars.
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* AmbiguousTimePeriod: Often placed in 1790s Styria, the internal evidence would appear to place it decades later. Baron Hartog’s vendetta against the Karnsteins follows the death of his sister in 1794, and it’s not specified how long it took him to track them down. Either way, he’s show shown and described as a young man in the flashback, but when he returns to finish the job he is at least 20 years older, possibly more. This would place the setting somewhere around the 1820s, possibly as late as 1840, and definately after the Napoleonic Wars.
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* AmbiguouslyEvil: For a good 3/4 of the film Marcilla/Carmilla keeps her fangs hidden and almost seems to be acting as an inside woman for the real villain, the sinister Man in Black. Indeed, given that she clearly has feelings for both Laura and Emma, and is never seen feeding on either of them, a case could almost be made that she was being placed in these households so that she could allow her Master entry so that he could feed on these young women.
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* AmbiguouslyEvil: For a good 3/4 of the film Marcilla/Carmilla keeps her fangs hidden and almost seems to be acting as an inside woman for the real villain, the sinister Man in Black. Indeed, given that she clearly has feelings for both Laura and Emma, and is never seen feeding on either of them, a case could almost be made that she was being placed in these households so in order that she could allow her Master entry so that he could feed on these young women.
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*AmbiguousTimePeriod: Often placed in 1790s Styria, the internal evidence would appear to place it decades later. Baron Hartog’s vendetta against the Karnsteins follows the death of his sister in 1794, and it’s not specified how long it took him to track them down. Either way, he’s show and described as a young man in the flashback, but when he returns to finish the job he is at least 20 years older, possibly more. This would place the setting somewhere around the 1820s, possibly as late as 1840, and definately after the Napoleonic Wars.
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* AmbiguousVillain: For a good 3/4 of the film Marcilla/Carmilla keeps her fangs hidden and almost seems to be acting as an inside woman for the real villain, the sinister Man in Black. Indeed, given that she clearly has feelings for both Laura and Emma, and is never seen feeding on either of them, a case could almost be made that she was being placed in these households so that she could allow her Master entry so that he could feed on these young women.
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* AmbiguousVillain: AmbiguouslyEvil: For a good 3/4 of the film Marcilla/Carmilla keeps her fangs hidden and almost seems to be acting as an inside woman for the real villain, the sinister Man in Black. Indeed, given that she clearly has feelings for both Laura and Emma, and is never seen feeding on either of them, a case could almost be made that she was being placed in these households so that she could allow her Master entry so that he could feed on these young women.
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* AmbiguousVillain: For a good 3/4 of the film Marcilla/Carmilla keeps her fangs hidden and almost seems to be acting as an inside woman for the real villain, the sinister Man in Black. Indeed, given that she clearly has feelings for both Laura and Emma, and is never seen feeding on either of them, a case could almost be made that she was being placed in these households so that she could allow her Master entry so that he could feed on these young women.
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* ToughActToFollow: The film's sequel, Film/LustForAVampire, as widely regarded as inferior.
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* ToughActToFollow: The film's sequel, Film/LustForAVampire, as ''Film/LustForAVampire'', is widely regarded as inferior.
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* HilariousInHindsight: One of the General's guest at the party is wearing a uniform similar in design and color scheme to the costume that [[ComicBook/CaptainAmerica Steve Rogers would wear as the Captain]] and John Walker would wear as U.S.Agent
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* JerkassWoobie: Throughout the film, Mircalla preys on several innocent people, and shows a willingness to dispose of others once they have outlived their usefulness to her. However, depending on how charitably one assesses her motivations, and specifically whether or not she had genuine love for Emma, she could be seen as a closeted lesbian who can ultimately never have romantic female companionship due to her vampiric condition, and due to it not being socially acceptable at the time. See TragicMonster on the main page.
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* JustHereForGodzilla: Ties in with BestKnownForTheFanservice above, but the main draw of the film is to see [[MsFanservice Ingrid Pitt get naked]] and [[GirlOnGirlIsHot engage in some light lesbian activity]]. The filmmakers themselves seemed to be fully aware of this, and made use of it in their promotion for the film.
* ToughActToFollow: The film's sequel, Film/LustForAVampire, as widely regarded as inferior.
* ToughActToFollow: The film's sequel, Film/LustForAVampire, as widely regarded as inferior.
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* BestKnownForTheFanservice: The film is known as the definitive LesbianVampire movie and turned Creator/IngridPitt into a British sex symbol in TheSeventies.
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* BestKnownForTheFanservice: The film picture is known as the definitive LesbianVampire movie film and turned Creator/IngridPitt into a British sex symbol in TheSeventies.
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* CompleteMonster: The wicked [[AristocratsAreEvil Count Karnstein]], from ''Twins of Evil'', is a Satanist who murders people and [[HumanSacrifice sacrifices young women]] to Satan. Reviving the evil Countess Mircalla, who turns Karnstein into a vampire, Karnstein corrupts young Frieda and turns her into a vampire before having her murder an innocent captive as he cackles gleefully over it. Using Frieda to commit murders, while eventually attempting to frame her good-hearted twin Maria for Frieda's crimes, Karnstein sacrifices Frieda to save his own hide, having no care for anyone or anything beyond [[ItsAllAboutMe his twisted desires]].
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* BestKnownForTheFanservice: The film is known as the definitive LesbianVampire movie and turned Creator/IngridPitt into a British sex symbol in TheSeventies.
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* CompleteMonster: The wicked [[AristocratsAreEvil Count Karnstein]], from ''Twins of Evil'', is a Satanist who murders people and [[HumanSacrifice sacrifices young women]] to Satan. Reviving the evil Countess Mircalla, who turns Karnstein into a vampire, Karnstein corrupts young Frieda and turns her into a vampire before having her murder an innocent captive as he cackles gleefully over it. Using Frieda to commit murders, while eventually attempting to frame her good-hearted twin Maria for Frieda's crimes, Karnstein sacrifices Frieda to save his own hide, having no care for anyone or anything beyond [[ItsAllAboutMe his twisted desires]].
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* CompleteMonster: The wicked [[AristocratsAreEvil Count Karnstein]], from ''Twins of Evil'', is a Satanist who murders people and [[HumanSacrifice sacrifices young women]] to Satan. Reviving the evil Countess Mircalla, who turns Karnstein into a vampire, Karnstein corrupts young Frieda and turns her into a vampire before having her murder an innocent captive as he cackles gleefully over it. Using Frieda to commit murders, while eventually attempting to frame her good-hearted twin Maria for Frieda's crimes, Karnstein sacrifices Frieda to save his own hide, having no care for anyone or anything beyond [[ItsAllAboutMe his twisted desires]].desires]].
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Approved by the thread
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*CompleteMonster: The wicked [[AristocratsAreEvil Count Karnstein]], from ''Twins of Evil'', is a Satanist who murders people and [[HumanSacrifice sacrifices young women]] to Satan. Reviving the evil Countess Mircalla, who turns Karnstein into a vampire, Karnstein corrupts young Frieda and turns her into a vampire before having her murder an innocent captive as he cackles gleefully over it. Using Frieda to commit murders, while eventually attempting to frame her good-hearted twin Maria for Frieda's crimes, Karnstein sacrifices Frieda to save his own hide, having no care for anyone or anything beyond [[ItsAllAboutMe his twisted desires]].
