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* HoYay: Her performance of [[https://www.youtube.com/watch?v=9tw2LMnxvW0&ab_channel=St.Vincent "Masseduction / One Kiss"]] with Music/DuaLipa at the 2019 Grammy Awards has ''heaps'' of sexual chemistry between the two singers.
-->'''A [=YouTube=] User:''' ''lesbian panic attack''
* LGBTFanbase: Especially since her high-profile relationship with Cara Delevingne and the move towards glam rock in ''Masseduction'', she has solidified herself as a queer icon.

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-->"What's it like being a woman in music?"\\
* folds hands, each nail decorated to spell '''''"FUCK OFF"'''''*\\
"Very good question."

to:

-->"What's -->'''Question:''' "What's it like being a woman in music?"\\
* folds (folds hands, each nail decorated to spell '''''"FUCK OFF"'''''*\\
OFF"''''')\\
'''Annie:'''
"Very good question."



* NoSuchThingAsBadPublicity: She was mainly known as Creator/CaraDelevingne ex girlfriend before ''Masseduction'', an album largely inspired by their relationship. Said album ended up being her mainstream breakthrough and helped her shake that reputation.

to:

* NoSuchThingAsBadPublicity: She was mainly known as Creator/CaraDelevingne ex girlfriend Creator/CaraDelevingne's ex-girlfriend before ''Masseduction'', an album largely inspired by their relationship. Said album ended up being her mainstream breakthrough and helped her shake that reputation.



\\
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* NoSuchThingAsBadPublicity: She was mainly known as Creator/CaraDelevingne ex girlfriend before ''Masseduction'', an album largely inspired by their relationship. Said album ended up being her mainstream breakthrough and helped her shake that reputation.
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* DyeingForYourArt: Kept up white hair for the entirety of her self titled album cycle, even though it was obviously damaging her hair to do so. As of 2017 she's back to either dark brown or black.
Tabs MOD

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* EarWorm: Quite a few. "Cruel", "Actor Out of Work", "Birth in Reverse", "Digital Witness"...
** “How could anybody have you / How could anybody have you and lose you? / How could anybody have you and lose you and not lose their mind, too?”
** "Pills" has a deliberately simplistic, chirpy hook that sounds like something out of an old radio ad: "Pills to wake / pills to sleep / pills, pills, pills every day of the week"
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* NightmareFuel: The last part of "Black Rainbow", where an ominous rising melody gets louder and louder before it abruptly cuts off. The lyrics beforehand don't help.
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** "Pills" has a deliberately simplistic, chirpy hook that sounds like something out of an old radio ad: "Pills to eat / pills to sleep / pills, pills, pills every day of the week"

to:

** "Pills" has a deliberately simplistic, chirpy hook that sounds like something out of an old radio ad: "Pills to eat wake / pills to sleep / pills, pills, pills every day of the week"

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Changed: 7

Removed: 417

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* CrowningMomentOfFunny: Her social-media "press junket" released ahead of the ''Masseduction'' campaign, a series of vignettes featuring Annie caustically reiterating every single [[TakeThat mind-numbingly unimaginative interview stock-question she's had to answer over the years]]:
-->"What's it like being a woman in music?"\\
* folds hands, each nail decorated to spell '''''"FUCK OFF"'''''*\\
"Very good question."



* SugarWiki/FunnyMoments: Her social-media "press junket" released ahead of the ''Masseduction'' campaign, a series of vignettes featuring Annie caustically reiterating every single [[TakeThat mind-numbingly unimaginative interview stock-question she's had to answer over the years]]:
-->"What's it like being a woman in music?"\\
* folds hands, each nail decorated to spell '''''"FUCK OFF"'''''*\\
"Very good question."



Of course I blame me

-->When you get free, Johnny\\

to:

Of course I blame me

-->When
me\\
\\
When
you get free, Johnny\\
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** "Pills" has a deliberately simplistic, chirpy hook that sounds like something out of an old radio ad: "Pills to eat / pills to sleep / pills, pills, pills every day of the week"
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** “How could anybody have you / How could anybody have you and lose you? / How could anybody have you and lose you and not lose their mind, too?”
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* CrowningMomentOfFunny: Her social-media "press junket" released ahead of the ''Masseduction'' campaign, a series of vignettes featuring Annie reiterating bog-standard interview questions with a heavy dose of withering sarcasm:

to:

* CrowningMomentOfFunny: Her social-media "press junket" released ahead of the ''Masseduction'' campaign, a series of vignettes featuring Annie caustically reiterating bog-standard every single [[TakeThat mind-numbingly unimaginative interview questions with a heavy dose of withering sarcasm:stock-question she's had to answer over the years]]:



* folds hands, each nail decorated to spell '''''"FUCK OFF"'''''*\\

to:

* folds *folds hands, each nail decorated to spell '''''"FUCK OFF"'''''*\\



* TearJerker: "Happy Birthday, Johnny", the third (and to date, final) song about her old self-destructive friend Johnny, now a homeless heroin-addict desperately calling Annie to ask for money for food. When she hesitates, he misinterprets it as her having gotten high and mighty off her fame and forgotten all about their friendship, so he storms off, never to be seen again.

to:

* TearJerker: "Happy Birthday, Johnny", the third (and to date, final) song about her old self-destructive friend Johnny, now a homeless heroin-addict desperately calling Annie to ask for money for food. When she hesitates, he misinterprets it as her having gotten high and mighty off her fame and forgotten all about their friendship, so he friendship and storms off, never to be seen again.
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!!For the film:
* JerkassWoobie: Vincent behaves like a grouchy old drunk, but opens up to young Oliver, who eventually learns of the deteriorating elements in Vincent's life (his debt, addictions, post-war outlook, sick wife, etc.).
* WhatHappenedToTheMouse: The ramifications of Vincent [[spoiler: losing all of Oliver's previous winnings]] at the racetrack are never addressed.
** The loan sharks who come after Vincent are also completely forgotten after [[spoiler: they leave Vincent lying on the floor while he is having a stroke. Maybe they thought he was dead?]]

!!For the musician:
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* CrowningMomentOfFunny: Her social-media "press junket" released ahead of the ''Masseduction'' campaign, a series of vignettes featuring Annie reiterating bog-standard interview questions with a heavy dose of withering sarcasm:
-->"What's it like being a woman in music?"\\
*folds hands, each nail decorated to spell '''''"FUCK OFF"'''''*\\
"Very good question."
Is there an issue? Send a MessageReason:
None

Added DiffLines:

* TearJerker: "Happy Birthday, Johnny", the third (and to date, final) song about her old self-destructive friend Johnny, now a homeless heroin-addict desperately calling Annie to ask for money for food. When she hesitates, he misinterprets it as her having gotten high and mighty off her fame and forgotten all about their friendship, so he storms off, never to be seen again.
-->"What happened to blood, our family? Annie, how could you do this to me?"\\
Of course I blame me

-->When you get free, Johnny\\
I hope you find peace
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* DyeingForYourArt: Kept up white hair for the entirety of her self titled album cycle, even though it was obviously damaging her hair to do so. As of 2017 she's back to either dark brown or black.
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* EarWorm: Quite a few. "Cruel", "Actor Out of Work", "Birth in Reverse", "Cheerleader"...

to:

* EarWorm: Quite a few. "Cruel", "Actor Out of Work", "Birth in Reverse", "Cheerleader"..."Digital Witness"...
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* EarWorm: Quite a few. "Cruel", "Actor Out of Work", "Birth in Reverse", "Cheerleader"...
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to:

** The loan sharks who come after Vincent are also completely forgotten after [[spoiler: they leave Vincent lying on the floor while he is having a stroke. Maybe they thought he was dead?]]
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to:

* WhatHappenedToTheMouse: The ramifications of Vincent [[spoiler: losing all of Oliver's previous winnings]] at the racetrack are never addressed.
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* MagnumOpus: Attempting to get any sort of consensus from the fanbase [[BrokenBase would make you a braver person than most]], but critically her best reviewed album is by far her 2014 self-titled one.
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!!For the musician:
* MagnumOpus: Attempting to get any sort of consensus from the fanbase [[BrokenBase would make you a braver person than most]], but critically her best reviewed album is by far her 2014 self-titled one.
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* CrowningMomentOfAwesome: Oliver finally [[spoiler: snaps and breaks [[TheBully Ocinsky's]] nose]], with GreenDay's cover of [[TheClash "I Fought the Law"]] blaring triumphantly afterward.
* JerkassWoobie: Vincent behaves like a grouchy old drunk, but opens up to young Oliver, who eventually learns of the deteriorating elements in Vincent's life (his debt, addictions, post-war outlook, sick wife, etc.).

to:

* CrowningMomentOfAwesome: Oliver finally [[spoiler: snaps and breaks [[TheBully Ocinsky's]] nose]], with GreenDay's cover of [[TheClash "I Fought the Law"]] blaring triumphantly afterward.
* JerkassWoobie: Vincent behaves like a grouchy old drunk, but opens up to young Oliver, who eventually learns of the deteriorating elements in Vincent's life (his debt, addictions, post-war outlook, sick wife, etc.).).
----
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* CrowningMomentOfAwesome: Oliver finally [[spoiler: snaps and breaks [[TheBully Ocinsky's]] nose]], with GreenDay's cover of [[TheClash "I Fought the Law"]] blaring triumphantly afterward.
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Added DiffLines:

!!For the film:
* JerkassWoobie: Vincent behaves like a grouchy old drunk, but opens up to young Oliver, who eventually learns of the deteriorating elements in Vincent's life (his debt, addictions, post-war outlook, sick wife, etc.).

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