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** A ''lot'' of his later free jazz material can probably qualify as this, particularly for neophytes. ''The Olatunji Concert'', the final recorded performance of his life, is perhaps the most terrifying of these. (He performed once more after this, but no known recordings of the performance exist.)
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** A ''lot'' of his later free jazz material can probably qualify as this, particularly for neophytes. ''The Olatunji Concert'', the final recorded performance of his life, is perhaps arguably the most terrifying of these. (He performed once more after this, but no known recordings of the performance exist.)
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* BrokenBase: Coltrane fans are split on when his best work was, due to how often he changed styles. Was it his work in the 50s when he developed the unique "Sheets of Sound" style of soloing? Was it in the early sixties when he was writing pieces that changed keys every few seconds? Was it the classic quartet period of 1962-1965, when he released Music/ALoveSupreme? Was it his free jazz period, where he went into unexplored territory night after night?
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* BrokenBase: Coltrane fans are split on when his best work was, due to how often he changed styles. Was it his work in the 50s when he developed the unique "Sheets of Sound" style of soloing? Was it in the early sixties when he was writing pieces that changed keys every few seconds? Was it the classic quartet period of 1962-1965, when he released Music/ALoveSupreme? ''Music/ALoveSupreme''? Was it his free jazz period, where he went into unexplored territory night after night?
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* BrokenBase: Coltrane fans are split on when his best work was, due to how often he changed styles. Was it his work in the 50s when he developed the unique "Sheets of Sound" style of soloing? Was it in the early sixties when he was writing pieces that changed keys every few seconds? Was it the classic quartet period of 1962-1965, when he released Music/ALoveSupreme? Was it his free jazz period, where he went into unexplored territory night after night?
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* GermansLoveDavidHasselhoff: Coltrane has a very sizeable fanbase in Japan, due to his final tour covering almost the entire country.
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* NightmareFuel: Pharoah Sander's soloing on "Om" can be extremely terrifying at parts.
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* NightmareFuel: Pharoah Sander's Sanders' soloing on "Om" can be extremely terrifying at parts.parts.
** A ''lot'' of his later free jazz material can probably qualify as this, particularly for neophytes. ''The Olatunji Concert'', the final recorded performance of his life, is perhaps the most terrifying of these. (He performed once more after this, but no known recordings of the performance exist.)
** A ''lot'' of his later free jazz material can probably qualify as this, particularly for neophytes. ''The Olatunji Concert'', the final recorded performance of his life, is perhaps the most terrifying of these. (He performed once more after this, but no known recordings of the performance exist.)
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* NightmareFuel: Coltrane's soloing on "Om" can be extremely terrifying at parts.
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* NightmareFuel: Coltrane's Pharoah Sander's soloing on "Om" can be extremely terrifying at parts.
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* NightmareFuel: Coltrane's soloing on "Om" can be extremely terrifying at parts.
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* TearJerker: [[https://m.youtube.com/watch?v=saN1BwlxJxA “Alabama”]], Coltrane’s tribute to the victims of the 16th Street Baptist Church bombing.
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* CreatorWorship: Despite being polarising during his lifetime, he has become a ''literal'' case in some circles, which literally consider him a saint. More mundanely, as mentioned on the main page, his influence affected almost everyone who picked up a saxophone for several decades - among his contemporaries, arguably only fellow Miles alumnus Wayne Shorter (Music/WeatherReport, etc.) has had any comparable degree of influence.
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* BaseBreaker: In the 1960's, Coltrane was this for jazz fans in general; his music was extremely divisive, and got more so as the decade went on; how you felt about Coltrane pretty much defined whether you were or weren't interested in modern jazz. When Coltrane died, the respected English poet and jazz critic Philip Larkin wrote in his newspaper column "I mourn his death, as I mourn any man's; but I can't conceal that it leaves in jazz a vast, blessed silence."
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*BaseBreaker: BaseBreakingCharacter: In the 1960's, 1960s, Coltrane was this for jazz fans in general; his music was extremely divisive, and got more so as the decade went on; how you felt about Coltrane pretty much defined whether you were or weren't interested in modern jazz. When Coltrane died, the respected English poet and jazz critic Philip Larkin wrote in his newspaper column "I mourn his death, as I mourn any man's; but I can't conceal that it leaves in jazz a vast, blessed silence."
*
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* BaseBreaker: In the 1960s, Coltrane was this for jazz fans in general; his music was extremely divisive, and got more so as the decade went on; how you felt about Coltrane pretty much defined whether you were or weren't interested in modern jazz. When Coltrane died, the respected English poet and jazz critic Philip Larkin wrote in his newspaper column "I mourn his death, as I mourn any man's; but I can't conceal that it leaves in jazz a vast, blessed silence."
* VindicatedByHistory: Coltrane is now one of the most respected and even beloved figures in jazz, but during his career he was one of the most divisive, with some critics accusing him of being an 'enemy of jazz' and suchlike.
* VindicatedByHistory: Coltrane is now one of the most respected and even beloved figures in jazz, but during his career he was one of the most divisive, with some critics accusing him of being an 'enemy of jazz' and suchlike.
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* BaseBreaker: In the 1960s, 1960's, Coltrane was this for jazz fans in general; his music was extremely divisive, and got more so as the decade went on; how you felt about Coltrane pretty much defined whether you were or weren't interested in modern jazz. When Coltrane died, the respected English poet and jazz critic Philip Larkin wrote in his newspaper column "I mourn his death, as I mourn any man's; but I can't conceal that it leaves in jazz a vast, blessed silence."
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* VindicatedByHistory: Coltrane is now one of the most respected and even beloved figures in jazz, but during his career he was one of the most divisive, with some critics accusing him of being an 'enemy of jazz' andsuchlike. suchlike.
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* VindicatedByHistory: Coltrane is now one of the most respected and even beloved figures in jazz, but during his career he was one of the most divisive, with some critics accusing him of being an 'enemy of jazz' and
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* MagnumOpus: A Love Supreme to most people.
* TooCoolToLive
* TooCoolToLive
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* VindicatedByHistory: Coltrane is now one of the most respected and even beloved figures in jazz, but during his career he was one of the most divisive, with some critics accusing him of being an 'enemy of jazz' and suchlike.
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* BaseBreaker: In the 1960s, Coltrane was this for jazz fans in general; his music was extremely divisive, and got more so as the decade went on; how you felt about Coltrane pretty much defined whether you were or weren't interested in modern jazz. When Coltrane died, the respected English poet and jazz critic Philip Larkin wrote in his newspaper column "I mourn his death, as I mourn any man's; but I can't conceal that it leaves in jazz a vast, blessed silence."
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* TooCoolToLive
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* TooCoolToLive
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* MagnumOpus: A Love Supreme to most people.
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* MagnumOpus: A Love Supreme to most people.people.
* TooCoolToLive
* TooCoolToLive
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Pasting things.
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* MagnumOpus: A Love Supreme to most people.
