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* BreakawayPopHit and CoveredUp: The show produced five popular singles -- the title song by The Cowsills, "Good Morning Starshine" by Oliver, "Aquarius/Let the Sunshine In" by the 5th Dimension, "Ain't Got No/I Got Life" by Nina Simone, and "Easy To Be Hard" by Three Dog Night.

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* BreakawayPopHit and CoveredUp: BreakawayPopHit: The show produced five popular singles -- the title song by The Cowsills, "Good Morning Starshine" by Oliver, "Aquarius/Let the Sunshine In" by the 5th Dimension, "Ain't Got No/I Got Life" by Nina Simone, and "Easy To Be Hard" by Three Dog Night.
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* BestKnownForTheFanservice: The famous nude scene lasts for merely twenty seconds and is so dimly lit that one critic quipped, "I couldn't even tell if any of them were Jewish". Yet it's the most talked-about scene in the show, leaving people who haven't seen it with the impression that the ENTIRE show takes place with the actors naked. (By contrast, other Broadway shows from TheSeventies known for their nudity, such as ''Theatre/OhCalcutta'' and ''Theatre/{{Equus}}'', live up to their reputations.)

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* BestKnownForTheFanservice: The famous nude scene lasts for merely twenty seconds and is so dimly lit that one critic quipped, "I couldn't even tell if any of them were Jewish". Yet it's the most talked-about scene in the show, leaving people who haven't seen it with the impression that the ENTIRE show takes place with the actors naked. (By contrast, other Broadway shows from TheSeventies of the era which are known for their nudity, such as ''Theatre/OhCalcutta'' and ''Theatre/{{Equus}}'', live up to their reputations.)
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* BestKnownForTheFanservice: The famous nude scene lasts for merely twenty seconds and is so dimly lit that one critic quipped, "I couldn't even tell if any of them were Jewish". Yet it's the most talked-about scene in the show, leaving people who haven't seen it with the impression that the ENTIRE show takes place with the actors naked.

to:

* BestKnownForTheFanservice: The famous nude scene lasts for merely twenty seconds and is so dimly lit that one critic quipped, "I couldn't even tell if any of them were Jewish". Yet it's the most talked-about scene in the show, leaving people who haven't seen it with the impression that the ENTIRE show takes place with the actors naked. (By contrast, other Broadway shows from TheSeventies known for their nudity, such as ''Theatre/OhCalcutta'' and ''Theatre/{{Equus}}'', live up to their reputations.)

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* HoYay: Deliberately written into the show itself, which provides quite some subtext between Claude and Berger at times. In some productions, Claude and Berger actually make out throughout the show (but usually in the context of polyamorous moments with Sheila.)

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* HoYay: HoYay:
**
Deliberately written into the show itself, which provides quite some subtext between Claude and Berger at times. In some productions, Claude and Berger actually make out throughout the show (but usually in the context of polyamorous moments with Sheila.)
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Disco is no longer CBH as of the 2020s.


* AdaptationDisplacement: The film was made in 1979 after the hippie movement was considered to be over, disco-synth music was king, and Reagan was about to be elected. As such it was felt to be anachronistic at the time since it felt like a product of the early '70s, and didn't make too great an effort to "upgrade" the message of the movie, and only slightly "disco-ized" the original soundtrack. This is fortunate for the film's rewatchability today, however, since the musical's original message and milieu can still be considered relevant today, whereas disco became CondemnedByHistory. At the time of the release, however, it was viewed as [[NewAgeRetroHippie hopelessly retro]].

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* AdaptationDisplacement: The film was made in 1979 after the hippie movement was considered to be over, disco-synth music was king, and Reagan was about to be elected. As such it was felt to be anachronistic at the time since it felt like a product of the early '70s, and didn't make too great an effort to "upgrade" the message of the movie, and only slightly "disco-ized" the original soundtrack. This is fortunate for the film's rewatchability today, however, since the musical's original message and milieu can still be considered relevant today, whereas disco became CondemnedByHistory.hadn't reached its PopularityPolynomial yet. At the time of the release, however, it was viewed as [[NewAgeRetroHippie hopelessly retro]].
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** Supporting character Woof: "I'm not a homosexual or anything, but I would make love to this man" ([[Music/TheRollingStones Mick Jagger]]). Bordering on {{Transparent Closet}}. Lampshaded by Jeanie, who points out that Woof is 'hung up on' Berger.
---> '''Jeanie''': ...And furthermore; Woof is hung up on Berger!
---> '''Woof''': [[BluntNo No, I'm not]]. What do ''you'' know? I'm hung up on [[Music/TheRollingStones Mick Jagger.]]

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** Supporting character Woof: "I'm not a homosexual or anything, but I would make love to this man" ([[Music/TheRollingStones ([[Music/TheRollingStonesBand Mick Jagger]]). Bordering on {{Transparent Closet}}. Lampshaded by Jeanie, who points out that Woof is 'hung up on' Berger.
---> '''Jeanie''': ...And furthermore; Woof is hung up on Berger!
--->
Berger!\\
'''Woof''': [[BluntNo No, I'm not]]. What do ''you'' know? I'm hung up on [[Music/TheRollingStones [[Music/TheRollingStonesBand Mick Jagger.]]
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---> Jeanie: ...And furthermore; Woof is hung up on Berger!
---> Woof: [[BluntNo No, I'm not]]. What do ''you'' know? I'm hung up on [[Music/TheRollingStones Mick Jagger.]]

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---> Jeanie: ...'''Jeanie''': ...And furthermore; Woof is hung up on Berger!
---> Woof: '''Woof''': [[BluntNo No, I'm not]]. What do ''you'' know? I'm hung up on [[Music/TheRollingStones Mick Jagger.]]

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Changed: 12

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** Supporting character Woof: "I'm not a homosexual or anything, but I would make love to this man" ([[Music/TheRollingStones Mick Jagger]]). Bordering on {{Transparent Closet}}. Lampshaded by Jeanie, who points out that Woof is 'hung up on' Claude.

to:

** Supporting character Woof: "I'm not a homosexual or anything, but I would make love to this man" ([[Music/TheRollingStones Mick Jagger]]). Bordering on {{Transparent Closet}}. Lampshaded by Jeanie, who points out that Woof is 'hung up on' Claude.Berger.
---> Jeanie: ...And furthermore; Woof is hung up on Berger!
---> Woof: [[BluntNo No, I'm not]]. What do ''you'' know? I'm hung up on [[Music/TheRollingStones Mick Jagger.]]



** The brief solos by Renn Woods ("Aquarius"), Nell Carter ("Ain't Git No") and Creator/BettyBuckley ("Walking In Space").

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** The brief solos by Renn Woods ("Aquarius"), Nell Carter ("Ain't Git Got No") and Creator/BettyBuckley ("Walking In Space").
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* RetroactiveRecognition: The original West End cast marked the acting debut of one Creator/TimCurry. It was during this run that he first collaborated with Creator/RichardOBrien (who was also a member of the cast), and the two would later work on, and star in, ''[[Film/TheRockyHorrorPictureShow The Rocky Horror Show]]''.

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* RetroactiveRecognition: The original West End cast run of ''Hair'' marked the acting debut of one Creator/TimCurry. It was during this run that he first collaborated with Creator/RichardOBrien (who was also a member of the London cast), and the two would later work on, and star in, ''[[Film/TheRockyHorrorPictureShow The Rocky Horror Show]]''.

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