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''YMMV/StationToStation'' | ''YMMV/{{Low|DavidBowieAlbum}}'' | ''[[Music/HeroesDavidBowieAlbum "Heroes"]]'' | ''YMMV/{{Lodger}}'' | ''YMMV/ScaryMonstersAndSuperCreeps'' | ''YMMV/LetsDance'' | ''YMMV/{{Tonight}}'' | ''YMMV/NeverLetMeDown''\\
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''YMMV/StationToStation'' | ''YMMV/{{Low|DavidBowieAlbum}}'' | ''[[Music/HeroesDavidBowieAlbum ''[[YMMV/HeroesDavidBowieAlbum "Heroes"]]'' | ''YMMV/{{Lodger}}'' | ''YMMV/ScaryMonstersAndSuperCreeps'' | ''YMMV/LetsDance'' | ''YMMV/{{Tonight}}'' | ''YMMV/NeverLetMeDown''\\
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''YMMV/TheRiseAndFallOfZiggyStardustAndTheSpidersFromMars'' | ''YMMV/AladdinSane'' | ''YMMV/PinUps'' | '''''Diamond Dogs''''' | ''YMMV/YoungAmericans''\\
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''YMMV/TheRiseAndFallOfZiggyStardustAndTheSpidersFromMars'' | ''YMMV/AladdinSane'' | ''YMMV/PinUps'' | '''''Diamond Dogs''''' | ''YMMV/YoungAmericans''\\''YMMV/{{Young Americans|1975}}''\\
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[[WMG:[[center:[-Music/DavidBowie '''[[YMMV/DavidBowie Main YMMV Page]]'''\\
''YMMV/{{David Bowie|1967}}'' | ''YMMV/SpaceOddity'' | ''YMMV/TheManWhoSoldTheWorld'' | ''YMMV/HunkyDory''\\
''YMMV/TheRiseAndFallOfZiggyStardustAndTheSpidersFromMars'' | ''YMMV/AladdinSane'' | ''YMMV/PinUps'' | '''''Diamond Dogs''''' | ''YMMV/YoungAmericans''\\
''YMMV/StationToStation'' | ''YMMV/{{Low|DavidBowieAlbum}}'' | ''[[Music/HeroesDavidBowieAlbum "Heroes"]]'' | ''YMMV/{{Lodger}}'' | ''YMMV/ScaryMonstersAndSuperCreeps'' | ''YMMV/LetsDance'' | ''YMMV/{{Tonight}}'' | ''YMMV/NeverLetMeDown''\\
''YMMV/{{Tin Machine|Album}}'' | ''YMMV/BlackTieWhiteNoise'' | ''YMMV/TheBuddhaOfSuburbia'' | ''YMMV/{{Outside}}'' | ''YMMV/{{Earthling}}'' | ''[[YMMV/HoursDavidBowieAlbum 'hours...']]'' | ''YMMV/TheNextDay'' | ''YMMV/BlackstarAlbum''\\
''YMMV/{{Changesonebowie}}''-]]]]]
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''YMMV/{{David Bowie|1967}}'' | ''YMMV/SpaceOddity'' | ''YMMV/TheManWhoSoldTheWorld'' | ''YMMV/HunkyDory''\\
''YMMV/TheRiseAndFallOfZiggyStardustAndTheSpidersFromMars'' | ''YMMV/AladdinSane'' | ''YMMV/PinUps'' | '''''Diamond Dogs''''' | ''YMMV/YoungAmericans''\\
''YMMV/StationToStation'' | ''YMMV/{{Low|DavidBowieAlbum}}'' | ''[[Music/HeroesDavidBowieAlbum "Heroes"]]'' | ''YMMV/{{Lodger}}'' | ''YMMV/ScaryMonstersAndSuperCreeps'' | ''YMMV/LetsDance'' | ''YMMV/{{Tonight}}'' | ''YMMV/NeverLetMeDown''\\
''YMMV/{{Tin Machine|Album}}'' | ''YMMV/BlackTieWhiteNoise'' | ''YMMV/TheBuddhaOfSuburbia'' | ''YMMV/{{Outside}}'' | ''YMMV/{{Earthling}}'' | ''[[YMMV/HoursDavidBowieAlbum 'hours...']]'' | ''YMMV/TheNextDay'' | ''YMMV/BlackstarAlbum''\\
''YMMV/{{Changesonebowie}}''-]]]]]
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** Halloween Jack is generally assumed to be the main protagonist of the album's loose story, as even though there's nothing in the album to suggest that, there's nothing that outright contradicts the interpretation either.
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** Halloween Jack is generally assumed to be the main protagonist of the album's loose story, as since he's the only named character who isn't either a historical figure or an antagonist. Additionally, even though there's nothing in the album to suggest that, there's nothing that outright contradicts the interpretation either.
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* {{Fanon}}:
** When Bowie showed up on ''Top Pop'' to perform "Rebel Rebel", he donned a distinctively bizarre pirate getup. According to him, he needed the eyepatch because he contracted conjunctivitis, and the pirate outfit was him taking the piss. Nevertheless, a wide contingency of fans headcanon this costume as being Halloween Jack, a character offhandedly mentioned in the album's TitleTrack.
** Halloween Jack is generally assumed to be the main protagonist of the album's loose story, as even though there's nothing in the album to suggest that, there's nothing that outright contradicts the interpretation either.
** When Bowie showed up on ''Top Pop'' to perform "Rebel Rebel", he donned a distinctively bizarre pirate getup. According to him, he needed the eyepatch because he contracted conjunctivitis, and the pirate outfit was him taking the piss. Nevertheless, a wide contingency of fans headcanon this costume as being Halloween Jack, a character offhandedly mentioned in the album's TitleTrack.
** Halloween Jack is generally assumed to be the main protagonist of the album's loose story, as even though there's nothing in the album to suggest that, there's nothing that outright contradicts the interpretation either.
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* SignatureSong: "Rebel Rebel" was the album's biggest hit and became a perennial staple of both live shows and {{Greatest Hits Album}}s. Bowie's last single before his hiatus in the 2000s even mashed up a re-recording of the song with the ''Music/{{Reality}}'' cut "Never Get Old".
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* BrokenBase: Considering that ''Diamond Dogs'' is the result of multiple projects Bowie envisioned at the time, it's no wonder why many criticized its lack of cohesiveness. That being said, Bowie biographers consider it one of his best works and ''Magazine/{{NME}}'' ranked it one of the greatest albums of all time.
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* BrokenBase: ContestedSequel: Considering that ''Diamond Dogs'' is the result of multiple projects Bowie envisioned at the time, it's no wonder why many criticized its lack of cohesiveness. That being said, Bowie biographers consider it one of his best works and ''Magazine/{{NME}}'' ranked it one of the greatest albums of all time.
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* HarsherInHindsight: The cry of "This ain't rock and roll, this is genocide!" between "Future Legend" and "Diamond Dogs" is eerily prescient of Bowie's sinister NaziNobleman persona on his album ''Music/StationToStation''.
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* HarsherInHindsight: The cry of "This ain't rock and roll, this is genocide!" between "Future Legend" and "Diamond Dogs" is eerily prescient of Bowie's sinister NaziNobleman persona on his album ''Music/StationToStation''.''Music/StationToStation''.
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* BrokenBase: Considering that ''Diamond Dogs'' is the result of multiple projects Bowie envisioned at the time, it's no wonder why many criticized its lack of cohesiveness. That being said, Bowie biographers consider it one of his best works and ''Magazine/{{NME}}'' ranked it one of the greatest albums of all time.
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* HarsherInHindsight: The cry of "This ain't rock and roll, this is genocide!" between "Future Legend" and "Diamond Dogs" is eerily prescient of Bowie's sinister NaziNobleman persona on his album ''Music/StationToStation''.
