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Up To Eleven is a defunct trope
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* Anvilicious: ''EGAHT'' is a film about raising public awareness about the safety of children without any attempt to be subtle. The novelisation takes it UpToEleven by [[spoiler:initiating a BittersweetEnding to explain that in RealLife, there is much less chance of catching the killers than in fiction, and that affected people would have to live with this notion.]]
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* Anvilicious: ''EGAHT'' is a film about raising public awareness about the safety of children without any attempt to be subtle. The novelisation takes it UpToEleven up to eleven by [[spoiler:initiating a BittersweetEnding to explain that in RealLife, there is much less chance of catching the killers than in fiction, and that affected people would have to live with this notion.]]
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* Anvilicious: See SomeAnvilsNeedToBeDropped. Think of ''Film/{{M}}'', which had quite a similar mindset.
* FairForItsDay: Even though it may not have been [[Film/{{M}} the first film to do this]], ''EGAHT'' not only did a good job of portraying child murder and paedophilia in a time it was controversial (the late fifties, see ''Boys Beware!''), but even managed to make the killer somewhat sympathetic).
* SomeAnvilsNeedToBeDropped: ''EGAHT'' has this, naturally, as a film about raising public awareness about the safety of children. The novelisation takes it UpToEleven by [[spoiler:initiating a BittersweetEnding to explain that in RealLife, there is much less chance of catching the killers than in fiction, and that affected people would have to live with this notion.]]
* FairForItsDay: Even though it may not have been [[Film/{{M}} the first film to do this]], ''EGAHT'' not only did a good job of portraying child murder and paedophilia in a time it was controversial (the late fifties, see ''Boys Beware!''), but even managed to make the killer somewhat sympathetic).
* SomeAnvilsNeedToBeDropped: ''EGAHT'' has this, naturally, as a film about raising public awareness about the safety of children. The novelisation takes it UpToEleven by [[spoiler:initiating a BittersweetEnding to explain that in RealLife, there is much less chance of catching the killers than in fiction, and that affected people would have to live with this notion.]]
to:
* Anvilicious: See SomeAnvilsNeedToBeDropped. Think of ''Film/{{M}}'', which had quite a similar mindset.
* FairForItsDay: Even though it may not have been [[Film/{{M}} the first film to do this]],''EGAHT'' not only did a good job of portraying child murder and paedophilia in a time it was controversial (the late fifties, see ''Boys Beware!''), but even managed to make the killer somewhat sympathetic).
* SomeAnvilsNeedToBeDropped: ''EGAHT'' has this, naturally, asis a film about raising public awareness about the safety of children.children without any attempt to be subtle. The novelisation takes it UpToEleven by [[spoiler:initiating a BittersweetEnding to explain that in RealLife, there is much less chance of catching the killers than in fiction, and that affected people would have to live with this notion.]]]]
* FairForItsDay: Even though it may not have been [[Film/{{M}} the first film to do this]], ''EGAHT'' not only did a good job of portraying child murder and paedophilia in a time it was controversial (the late fifties, see ''Boys Beware!''), but even managed to make the killer somewhat sympathetic).
* FairForItsDay: Even though it may not have been [[Film/{{M}} the first film to do this]],
* SomeAnvilsNeedToBeDropped: ''EGAHT'' has this, naturally, as
* FairForItsDay: Even though it may not have been [[Film/{{M}} the first film to do this]], ''EGAHT'' not only did a good job of portraying child murder and paedophilia in a time it was controversial (the late fifties, see ''Boys Beware!''), but even managed to make the killer somewhat sympathetic).
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None
Changed line(s) 1,2 (click to see context) from:
* Anvilicious: See SomeAnvilsNeedToBeDropped. Think of ''{{M}}'', which had quite a similar mindset.
* FairForItsDay: Even though it may not have been [[{{M}} the first film to do this]], ''EGAHT'' not only did a good job of portraying child murder and paedophilia in a time it was controversial (the late fifties, see ''Boys Beware!''), but even managed to make the killer somewhat sympathetic).
* FairForItsDay: Even though it may not have been [[{{M}} the first film to do this]], ''EGAHT'' not only did a good job of portraying child murder and paedophilia in a time it was controversial (the late fifties, see ''Boys Beware!''), but even managed to make the killer somewhat sympathetic).
to:
* Anvilicious: See SomeAnvilsNeedToBeDropped. Think of ''{{M}}'', ''Film/{{M}}'', which had quite a similar mindset.
* FairForItsDay: Even though it may not have been[[{{M}} [[Film/{{M}} the first film to do this]], ''EGAHT'' not only did a good job of portraying child murder and paedophilia in a time it was controversial (the late fifties, see ''Boys Beware!''), but even managed to make the killer somewhat sympathetic).
* FairForItsDay: Even though it may not have been
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moved from main
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* SomeAnvilsNeedToBeDropped: ''EGAHT'' has this, naturally, as a film about raising public awareness about the safety of children. The novelisation takes it UpToEleven by [[spoiler:initiating a BittersweetEnding to explain that in RealLife, there is much less chance of catching the killers than in fiction, and that affected people would have to live with this notion.]]
to:
* FairForItsDay: Even though it may not have been [[{{M}} the first film to do this]], ''EGAHT'' not only did a good job of portraying child murder and paedophilia in a time it was controversial (the late fifties, see ''Boys Beware!''), but even managed to make the killer somewhat sympathetic).
* SomeAnvilsNeedToBeDropped: ''EGAHT'' has this, naturally, as a film about raising public awareness about the safety of children. The novelisation takes it UpToEleven by [[spoiler:initiating a BittersweetEnding to explain that in RealLife, there is much less chance of catching the killers than in fiction, and that affected people would have to live with this notion.]]]]
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* SomeAnvilsNeedToBeDropped: ''EGAHT'' has this, naturally, as a film about raising public awareness about the safety of children. The novelisation takes it UpToEleven by [[spoiler:initiating a BittersweetEnding to explain that in RealLife, there is much less chance of catching the killers than in fiction, and that affected people would have to live with this notion.
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Changed line(s) 1 (click to see context) from:
* Anvilicious: See SomeAnvilsNeedToBeDropped.
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* Anvilicious: See SomeAnvilsNeedToBeDropped. Think of ''{{M}}'', which had quite a similar mindset.
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Added DiffLines:
* Anvilicious: See SomeAnvilsNeedToBeDropped.
* SomeAnvilsNeedToBeDropped: ''EGAHT'' has this, naturally, as a film about raising public awareness about the safety of children. The novelisation takes it UpToEleven by [[spoiler:initiating a BittersweetEnding to explain that in RealLife, there is much less chance of catching the killers than in fiction, and that affected people would have to live with this notion.]]
* SomeAnvilsNeedToBeDropped: ''EGAHT'' has this, naturally, as a film about raising public awareness about the safety of children. The novelisation takes it UpToEleven by [[spoiler:initiating a BittersweetEnding to explain that in RealLife, there is much less chance of catching the killers than in fiction, and that affected people would have to live with this notion.]]