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Changed line(s) 13 (click to see context) from:
* RetroactiveRecognition: A receptionist is played by Creator/JudyCornwell, who would later be best known for playing Daisy in ''Series/KeepingUpAppearances''.
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* RetroactiveRecognition: RetroactiveRecognition:
** A girl at the funeral is played by Creator/GwynethStrong, who would later be best known for playing Cassandra Trotter in ''Series/OnlyFoolsAndHorses''.
** A receptionist is played by Creator/JudyCornwell, who would later be best known for playing Daisy in ''Series/KeepingUpAppearances''.
** A girl at the funeral is played by Creator/GwynethStrong, who would later be best known for playing Cassandra Trotter in ''Series/OnlyFoolsAndHorses''.
** A receptionist is played by Creator/JudyCornwell, who would later be best known for playing Daisy in ''Series/KeepingUpAppearances''.
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** The list of those who died in police custody under suspicious circumstances. The amount is positively ''staggering'', as are the frequent lame excuses given. Even worse, despite his story being the focus of the film, Biko is simply one of the many names given, and ''his'' death is attributed to a ''hunger strike''?!
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Added DiffLines:
* RetroactiveRecognition: A receptionist is played by Creator/JudyCornwell, who would later be best known for playing Daisy in ''Series/KeepingUpAppearances''.
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Changed line(s) 21 (click to see context) from:
* ValuesResonance: Biko's early scenes with Woods' where he calls out his liberal opposition to Apartheid while still benefiting from it and illustrates to him the nature of poverty and racism where black children grow up knowing that, no matter their abilities or ambition, they will never get the same opportunities as white children is very much in line with the growing discourse about race relations in the United States and other countries in the 2010s and 20s.
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* ValuesResonance: Biko's early scenes with Woods' where he calls out his liberal opposition to Apartheid while still benefiting from it and illustrates to him the nature of poverty and racism where black children grow up knowing that, no matter their abilities or ambition, they will never get the same opportunities as white children and are doomed to live and die in the same terrible circumstances as their parents is very much in line with the growing discourse about race relations in the United States and other countries in the 2010s and 20s.
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Changed line(s) 21 (click to see context) from:
* ValuesResonance: Biko's early scenes with Woods' where he calls out his liberal opposition to Apartheid while still benefiting from it and illustrates to him the nature of poverty and racism where black children grow up knowing that, no matter their abilities or ambition, they will never get the same opportunities as white children is very much in line with the growing discourse about race relations in the United States and other countries in the 2010's.
to:
* ValuesResonance: Biko's early scenes with Woods' where he calls out his liberal opposition to Apartheid while still benefiting from it and illustrates to him the nature of poverty and racism where black children grow up knowing that, no matter their abilities or ambition, they will never get the same opportunities as white children is very much in line with the growing discourse about race relations in the United States and other countries in the 2010's.2010s and 20s.
