History YMMV / Candyman

25th Apr '17 7:50:09 PM Angeldeb82
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* SugarWiki/AwesomeMusic: Philip Glass's ultra-gothic minimalist score, all wordless choirs and pulsing pipe organ, elevates the film from slasher flick to grand tragedy.



* CrowningMusicOfAwesome: Philip Glass's ultra-gothic minimalist score, all wordless choirs and pulsing pipe organ, elevates the film from slasher flick to grand tragedy.

to:

* CrowningMusicOfAwesome: Philip Glass's ultra-gothic minimalist score, all wordless choirs FauxSymbolism: The first two films deal heavily in this.
** ''Candyman'' explores the concept of religion, specifically the idea that Man created God. When a local gang [[spoiler: is exposed committing crimes
and pulsing pipe organ, elevates violence as "The Candyman"]], the film from slasher flick being in question ends up actually showing up to grand tragedy.reinforce the [[GodsNeedPrayerBadly community's belief in him]] through HumanSacrifice. The Candyman's lair resembles a decaying, moulded church and he sleeps on a concrete bed reminiscent of an Altar. It overlaps with SmiteMeOMightySmiter, given that stupid people keep activating the summoning ritual in an effort to prove Candyman doesn't exist. It doesn't end well.
** ''Candyman: Farewell To The Flesh'' sees the legend of the Candyman traveling as far south as New Orleans, where he was originally [[WasOnceAMan born a human and made into a monster]]. This time the exploration is of race, and The Candyman is seen less as a deity and more as a spirit of vengeance.



* SpiritualLicensee: The first film evokes the surreal atmosphere of a Creator/StanleyKubrick horror film such as ''Film/TheShining'' with elements of Creator/DavidLynch. What further helps is that the music by Philip Glass can be considered to be reminiscent of Music/WendyCarlos's electronically musical work (Carlos had worked with Kubrick on films ''The Shining'' and ''Film/AClockworkOrange'').

to:

* SpiritualLicensee: SpiritualAdaptation: The first film evokes the surreal atmosphere of a Creator/StanleyKubrick horror film such as ''Film/TheShining'' with elements of Creator/DavidLynch. What further helps is that the music by Philip Glass can be considered to be reminiscent of Music/WendyCarlos's electronically musical work (Carlos had worked with Kubrick on films ''The Shining'' and ''Film/AClockworkOrange'').



** Really, everyone who summoned Candyman, or at least after the first victim.
* WhatDoYouMeanItsNotSymbolic: The first two films deal heavily in this.
** ''Candyman'' explores the concept of religion, specifically the idea that Man created God. When a local gang [[spoiler: is exposed committing crimes and violence as "The Candyman",]] the being in question ends up actually showing up to reinforce the [[GodsNeedPrayerBadly community's belief in him]] through HumanSacrifice. The Candyman's lair resembles a decaying, moulded church and he sleeps on a concrete bed reminiscent of an Altar. It overlaps with SmiteMeOMightySmiter, given that stupid people keep activating the summoning ritual in an effort to prove Candyman doesn't exist. It doesn't end well.
** ''Candyman: Farewell To The Flesh'' sees the legend of the Candyman traveling as far south as New Orleans, where he was originally [[WasOnceAMan born a human and made into a monster.]] This time the exploration is of race, and The Candyman is seen less as a deity and more as a spirit of vengeance.

to:

** Really, everyone who summoned Candyman, or at least after the first victim.
* WhatDoYouMeanItsNotSymbolic: The first two films deal heavily in this.
** ''Candyman'' explores the concept of religion, specifically the idea that Man created God. When a local gang [[spoiler: is exposed committing crimes and violence as "The Candyman",]] the being in question ends up actually showing up to reinforce the [[GodsNeedPrayerBadly community's belief in him]] through HumanSacrifice. The Candyman's lair resembles a decaying, moulded church and he sleeps on a concrete bed reminiscent of an Altar. It overlaps with SmiteMeOMightySmiter, given that stupid people keep activating the summoning ritual in an effort to prove Candyman doesn't exist. It doesn't end well.
** ''Candyman: Farewell To The Flesh'' sees the legend of the Candyman traveling as far south as New Orleans, where he was originally [[WasOnceAMan born a human and made into a monster.]] This time the exploration is of race, and The Candyman is seen less as a deity and more as a spirit of vengeance.
victim.
7th Mar '17 8:47:25 AM Larkmarn
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*** If that's the case, it could open up a whole new can of worms as to [[AuthorTract what the filmmakers views on God and religion are]] because [[UnfortunateImplications this film seems to come at the above theme from a negative perspective]].
6th Mar '17 6:59:21 AM Loremasta1
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Added DiffLines:

*** If that's the case, it could open up a whole new can of worms as to [[AuthorTract what the filmmakers views on God and religion are]] because [[UnfortunateImplications this film seems to come at the above theme from a negative perspective]].
13th May '16 6:34:51 PM DaFlabbagasta
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* EnforcedMethodActing: For the scenes where Helen is put under Candyman's spell, director Bernard Rose had Viriginia Madsen hypnotized and implanted with a trigger he could use on set to put her under. Thus, Helen's tranced looks are totally for real as Madsen said in interviews she had no full knowledge of the shoot happening around her.
22nd Apr '16 10:04:43 PM MikeW
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Added DiffLines:

* EnforcedMethodActing: For the scenes where Helen is put under Candyman's spell, director Bernard Rose had Viriginia Madsen hypnotized and implanted with a trigger he could use on set to put her under. Thus, Helen's tranced looks are totally for real as Madsen said in interviews she had no full knowledge of the shoot happening around her.
25th Nov '15 10:12:34 AM Scoutstr295
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* CrowningMusicOfAwesome: Music/PhilipGlass's ultra-gothic minimalist score, all wordless choirs and pulsing pipe organ, elevates the film from slasher flick to grand tragedy.

to:

* CrowningMusicOfAwesome: Music/PhilipGlass's Philip Glass's ultra-gothic minimalist score, all wordless choirs and pulsing pipe organ, elevates the film from slasher flick to grand tragedy.


Added DiffLines:

** Some viewers have found Candyman's appearance to be ridiculous. Gene Siskel compared his clothing to a blaxploitation pimp's outfit.
12th Sep '15 4:05:15 PM maxwellsilver
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** Really, everyone who summoned Candyman, or at least after the first victim.

to:

** Really, everyone who summoned Candyman, or at least after the first victim.victim.
* WhatDoYouMeanItsNotSymbolic: The first two films deal heavily in this.
** ''Candyman'' explores the concept of religion, specifically the idea that Man created God. When a local gang [[spoiler: is exposed committing crimes and violence as "The Candyman",]] the being in question ends up actually showing up to reinforce the [[GodsNeedPrayerBadly community's belief in him]] through HumanSacrifice. The Candyman's lair resembles a decaying, moulded church and he sleeps on a concrete bed reminiscent of an Altar. It overlaps with SmiteMeOMightySmiter, given that stupid people keep activating the summoning ritual in an effort to prove Candyman doesn't exist. It doesn't end well.
** ''Candyman: Farewell To The Flesh'' sees the legend of the Candyman traveling as far south as New Orleans, where he was originally [[WasOnceAMan born a human and made into a monster.]] This time the exploration is of race, and The Candyman is seen less as a deity and more as a spirit of vengeance.
8th Sep '15 8:31:37 PM Homemaderat
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Added DiffLines:

* BrokenBase: A mix because the three films all kind of go about it differently. To the point the different styles have different qualities to different people.
4th Feb '15 11:55:01 PM Patachou
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* CrowningMusicOfAwesome: Philip Glass's ultra-gothic minimalist score, all wordless choirs and pulsing pipe organ, elevates the film from slasher flick to grand tragedy.

to:

* CrowningMusicOfAwesome: Philip Glass's Music/PhilipGlass's ultra-gothic minimalist score, all wordless choirs and pulsing pipe organ, elevates the film from slasher flick to grand tragedy.



* SpiritualLicensee: The first film evokes the surreal atmosphere of a Creator/StanleyKubrick horror film such as ''Film/TheShining'' with elements of Creator/DavidLynch. What further helps is that the music by Philip Glass can be considered to be reminiscent of Wendy Carlos's electronically musical work (Carlos had worked with Kubrick on films ''The Shining'' and ''Film/AClockworkOrange'').

to:

* SpiritualLicensee: The first film evokes the surreal atmosphere of a Creator/StanleyKubrick horror film such as ''Film/TheShining'' with elements of Creator/DavidLynch. What further helps is that the music by Philip Glass can be considered to be reminiscent of Wendy Carlos's Music/WendyCarlos's electronically musical work (Carlos had worked with Kubrick on films ''The Shining'' and ''Film/AClockworkOrange'').
11th Jan '15 5:52:30 PM maxwellsilver
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* SpiritualLicensee: The first film evokes the surreal atmosphere of a Creator/StanleyKubrick horror film such as ''Film/TheShining'' with elements of Creator/DavidLynch. What further helps is that the music by Philip Glass can be considered to be a reminiscent of Wendy Carlos' electronically musical work (Carlos had worked with Kubrick on films ''The Shining'' and ''Film/AClockworkOrange'').

to:

* SpiritualLicensee: The first film evokes the surreal atmosphere of a Creator/StanleyKubrick horror film such as ''Film/TheShining'' with elements of Creator/DavidLynch. What further helps is that the music by Philip Glass can be considered to be a reminiscent of Wendy Carlos' Carlos's electronically musical work (Carlos had worked with Kubrick on films ''The Shining'' and ''Film/AClockworkOrange'').



** Really, everyone who summoned Candyman.

to:

** Really, everyone who summoned Candyman.Candyman, or at least after the first victim.
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http://tvtropes.org/pmwiki/article_history.php?article=YMMV.Candyman