History WesternAnimation / TheThiefAndTheCobbler

11th Dec '16 5:13:17 PM missmoon
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The movie began as a pet project which Williams and a few colleagues worked on in between profession gigs at his studio in London and was in and out of various stages of production for many years. Investors came and went, initially awed by the stunning, god-tier animation that had been completed thus far, but turned off by Williams' obsessive attention which it required, often resulting in missed deadlines and overshot budgets. Williams, meanwhile, hired and fired animators at will, eventually ending up with a solid team which included Disney legend Creator/ArtBabbitt and a young Creator/EricGoldberg, both of whom would follow him to his directoral debut, ''WesternAnimation/RaggedyAnnAndAndyAMusicalAdventure'', which Williams took on to help fund ''Thief''. After winning an Oscar for ''Film/WhoFramedRogerRabbit'' in 1989, a studio offered Williams the money necessary to finally complete ''Thief'', under the proviso that it be ready [[TemptingFate by a specific date under the budged provided]].

to:

The movie began as a pet project which Williams and a few colleagues worked on in between profession gigs at his studio in London and was in and out of various stages of production for many years. Investors came and went, initially awed by the stunning, god-tier animation that had been completed thus far, but turned off by Williams' obsessive attention which it required, often resulting in missed deadlines and overshot budgets. Williams, meanwhile, hired and fired animators at will, eventually ending up with a solid team which included Disney legend Creator/ArtBabbitt and a young Creator/EricGoldberg, both of whom would follow him to his directoral directorial debut, ''WesternAnimation/RaggedyAnnAndAndyAMusicalAdventure'', which Williams took on to help fund ''Thief''. After winning an Oscar for ''Film/WhoFramedRogerRabbit'' in 1989, a studio offered Williams the money necessary to finally complete ''Thief'', under the proviso that it be ready [[TemptingFate by a specific date under the budged provided]].



Now satisfied with ''Thieft'', Williams has since moved on to another attempt at a personal masterpiece, an anthology film with the working title [[LampshadeHanging "I Hope I Live To Finish This"]], the first part of which, ''Prologue'', debuted in 2015.

to:

Now satisfied with ''Thieft'', ''Thief'', Williams has since moved on to another attempt at a personal masterpiece, an anthology film with the working title [[LampshadeHanging "I Hope I Live To Finish This"]], the first part of which, ''Prologue'', debuted in 2015.



** [[spoiler: The entire one-eye army is killed by their huge warmachine.]]

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** [[spoiler: The entire one-eye army is killed by their huge warmachine.war machine.]]



* {{Mondegreen}}: The little song from Zigzag's advisors announcing his presence in the original cut is hard to make out, leading to a lot of these.

to:

* {{Mondegreen}}: The little song from Zigzag's advisors advisers announcing his presence in the original cut is hard to make out, leading to a lot of these.



* ShaggySearchTechnique: While hugging the palace walls while trying to escape, Tack accidently hits a brick that causes the wall to open.

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* ShaggySearchTechnique: While hugging the palace walls while trying to escape, Tack accidently accidentally hits a brick that causes the wall to open.



* UnmovingPlaid: Pretty much any scene with tiled floors. This is due to the style being based on ancient persian miniature paintings, which did not have correct perspective. Averted whenever the animators [[DoingItForTheArt decided to rotate the scene around]].

to:

* UnmovingPlaid: Pretty much any scene with tiled floors. This is due to the style being based on ancient persian Persian miniature paintings, which did not have correct perspective. Averted whenever the animators [[DoingItForTheArt decided to rotate the scene around]].
6th Dec '16 11:41:39 AM JustTroper
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Added DiffLines:

* ExtraDigits: Zigzag has six fingers on each hand, perhaps to show that he's [[TheChessmaster a master manipulator]].
26th Nov '16 2:27:44 PM NWolfman
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Added DiffLines:

* StarringSpecialEffects: The movie is very light on story and really only exists so Creator/RichardWilliams can show off every single trick and technique he learned from his [[TheGoldenAgeOfAnimation golden-age]] mentors. There are scenes that Williams deliberately requested go on for longer than they should if only to show off the animation.
22nd Nov '16 1:25:20 PM ngh93
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* LullDestruction: The Calvert cut added narration from an older Tack to the film, while the Miramax cut gave him full voice acting and narration from Matthew Broderick. The Miramax cut also added ''many'' more voices, including a constant inner monologue for the Thief (done by Johnathan Winters). In addition, many characters, such as [=YumYum=], have significantly more dialog added. The original intention by Williams was to create several purely physical characters for the animators to have total freedom with, something that Calvert and Miramax apparently decided was a problem because ViewersAreMorons.

to:

* LullDestruction: The Calvert cut added narration from an older Tack to the film, while the Miramax cut gave him full voice acting and narration from Matthew Broderick. The Miramax cut also added ''many'' more voices, including a constant inner monologue for the Thief (done by Johnathan Jonathan Winters). In addition, many characters, such as [=YumYum=], have significantly more dialog added. The original intention by Williams was to create several purely physical characters for the animators to have total freedom with, something that Calvert and Miramax apparently decided was a problem because ViewersAreMorons.
17th Nov '16 1:03:45 PM Daikun
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Added DiffLines:

* MaybeMagicMaybeMundane: Are the golden balls really prophetic, or were they just stolen by the Thief at a convenient time?
8th Nov '16 6:23:14 AM TonyG
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The movie began as a pet project which Williams and a few colleagues worked on in between profession gigs at his studio in London and was in and out of various stages of production for many years. Investors came and went, initially awed by the stunning, god-tier animation that had been completed thus far, but turned off by Williams' obsessive attention which it required, often resulting in missed deadlines and overshot budgets. Williams, meanwhile, hired and fired animators at will, eventually ending up with a solid team which included Looney Tunes legend Creator/ArtBabbitt and a young Creator/EricGoldberg, both of whom would follow him to his directoral debut, ''WesternAnimation/RaggedyAnnAndAndyAMusicalAdventure'', which Williams took on to help fund ''Thief''. After winning an Oscar for ''Film/WhoFramedRogerRabbit'' in 1989, a studio offered Williams the money necessary to finally complete ''Thief'', under the proviso that it be ready [[TemptingFate by a specific date under the budged provided]].

to:

The movie began as a pet project which Williams and a few colleagues worked on in between profession gigs at his studio in London and was in and out of various stages of production for many years. Investors came and went, initially awed by the stunning, god-tier animation that had been completed thus far, but turned off by Williams' obsessive attention which it required, often resulting in missed deadlines and overshot budgets. Williams, meanwhile, hired and fired animators at will, eventually ending up with a solid team which included Looney Tunes Disney legend Creator/ArtBabbitt and a young Creator/EricGoldberg, both of whom would follow him to his directoral debut, ''WesternAnimation/RaggedyAnnAndAndyAMusicalAdventure'', which Williams took on to help fund ''Thief''. After winning an Oscar for ''Film/WhoFramedRogerRabbit'' in 1989, a studio offered Williams the money necessary to finally complete ''Thief'', under the proviso that it be ready [[TemptingFate by a specific date under the budged provided]].
8th Nov '16 6:16:27 AM Gouken20xx
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* EurekaMoment: In the Miramax and Allied Filmakers versions. "Attack...attack...a tack. A TACK!"

to:

* EurekaMoment: In the Miramax and Allied Filmakers versions. "Attack...attack...a tack. A TACK!"TACK!" which segues into...
* ExactWords: Throughout the film, 'Attack' is used liberally, until, in some versions, Tack replaces one T with a space, figuring out how to defeat the War Machine.


Added DiffLines:

* [[RampageFromANail Rampage From A Tack]]: A role reversal of this trope, in that everything falls apart because the tack is put IN the device.
7th Nov '16 7:33:30 PM Gouken20xx
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** Subverted at the end of the original, where he and Tack are fighting over the balls, and the Thief just decides that they're not worth it and walks away.

to:

** Subverted at the end of the original, where he and Tack are fighting over the balls, and the Thief just decides that they're not worth it and walks away.away, [[BreakingTheFourthWall only to come back, unknown to Tack, and steal the entire film...]]



* TheEnd: The words "The End" appear in golden letters. [[ImpossibleThief The Thief steals it,]] [[BreakingTheFourthWall along with the rest of the film reel.]]

to:

* TheEnd: The words "The End" appear in golden letters. [[ImpossibleThief The Thief steals it,]] the letters,]] [[BreakingTheFourthWall along with the rest of the film reel.]]


Added DiffLines:

** The ending is a Funny Foreground Event... The Thief steals the scene. Literally pulls it right off the projection reel.


Added DiffLines:

* ImpossibleTheft: The thief can and will steal ANYTHING if he's left alone for too long... He's let free at the end of the film. He then steals... the end of the film, and runs off with it. Literally. Right off the projector.


Added DiffLines:

** StealTheSurroundings: His most audacious theft, in the entire film is... [[ImpossibleTheft The Entire Film.]]
5th Nov '16 3:31:03 PM Morgenthaler
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* PapaWolf: The King in the original cut. When Zigzag fools the King into thinking he can "magic the balls back," he requests Princess Yumyum's hand in marriage as compensation. The king ''vehemently'' refuses to send off his daughter to him. Note that, as far as the king is concerned, this is his only chance to get the balls back and keep his kingdom safe. It's honestly rather {{Badass}} of the King to do so.

to:

* PapaWolf: The King in the original cut. When Zigzag fools the King into thinking he can "magic the balls back," he requests Princess Yumyum's hand in marriage as compensation. The king ''vehemently'' refuses to send off his daughter to him. Note that, as far as the king is concerned, this is his only chance to get the balls back and keep his kingdom safe. It's honestly rather {{Badass}} badass of the King to do so.
6th Oct '16 10:46:35 AM NWolfman
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The movie began as a pet project which Williams and a few colleagues worked on in between profession gigs at his studio in London and was in and out of various stages of production for many years. Investors came and went, initially awed by the stunning, god-tier animation that had been completed thus far, but turned off by Williams' obsessive attention which it required, often resulting in missed deadlines and overshot budgets. Williams, meanwhile, hired and fired animators at will, eventually ending up with a solid team which included Looney Tunes legend Creator/ArtBabbit and a young Creator/EricGoldberg, both of whom would follow him to his directoral debut, ''WesternAnimation/RaggedyAnnAndAndyAMusicalAdventure'', which Williams took on to help fund ''Thief''. After winning an Oscar for ''Film/WhoFramedRogerRabbit'' in 1989, a studio offered Williams the money necessary to finally complete ''Thief'', under the proviso that it be ready by a specific date under the budged provided.

to:

The movie began as a pet project which Williams and a few colleagues worked on in between profession gigs at his studio in London and was in and out of various stages of production for many years. Investors came and went, initially awed by the stunning, god-tier animation that had been completed thus far, but turned off by Williams' obsessive attention which it required, often resulting in missed deadlines and overshot budgets. Williams, meanwhile, hired and fired animators at will, eventually ending up with a solid team which included Looney Tunes legend Creator/ArtBabbit Creator/ArtBabbitt and a young Creator/EricGoldberg, both of whom would follow him to his directoral debut, ''WesternAnimation/RaggedyAnnAndAndyAMusicalAdventure'', which Williams took on to help fund ''Thief''. After winning an Oscar for ''Film/WhoFramedRogerRabbit'' in 1989, a studio offered Williams the money necessary to finally complete ''Thief'', under the proviso that it be ready [[TemptingFate by a specific date under the budged provided.
provided]].
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