History WMG / TheTamingOfTheShrew

21st Jan '16 9:30:40 AM Jhonny
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[[WMG:The ending was "dictated" by the era's equivalent of the "Hayes Code"]]
*Back in the days of the Hayes Code, you could get a lot of crap past the radar, if only you had your story end the "right" way. You could talk about crime, or homosexuality, or drugs, as long as the gays were either "cured" or "dead", the crime did not pay and the drugs were evil. Maybe this was the same, either the MoralGuardians or his financiers said to Shakespeare "You cannot write a story where the shrew wins", so he made a memorable story of a shrew and tacked on an ending about which he felt the same way most modern audiences feel today: Like it's been tacked onto a story that has a totally different tone in the rest.
21st Jan '16 9:25:47 AM Jhonny
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**"Never let a good crossdressing joke go to waste" could well have been Shakespeare's live motto...
19th Nov '15 7:50:04 PM PaulA
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[[WMG: Somebody lost the ending to ''Theatre/TheTamingOfTheShrew''.]]
Originally, it cleared up [[WhatHappenedToTheMouse what happened to Sly]].
* That is actually what happened. Shakespeare snipped out the original ending, in which Sly, confident that he knows 'How to Tame a Shrew', goes to practice Petruchio's method on his wife and gets sorely beaten for it. This was probably cut because Shakespeare's creditors doubted there was a market for a women-sympathetic ending.
4th Feb '14 7:14:34 PM UmbraFractus
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[[WMG: Kate's personality never really changed.]]
Her shrewishness was an act all along. She put on a disagreeable façade because any man who couldn't deal with an assertive wife wasn't worthy of her. Once Petruchio proved he was man enough to take it and respond in kind, she dropped the mask and became the perfect wife.

[[WMG: An alternate moral: First impressions can be deceiving.]]
Kate, the "shrew" whom no one likes ends up lecturing the sweet and "perfect" Bianca on what it means to be a good wife after Bianca turns out to be surprisingly disobedient and assertive toward her husband.
5th Jul '13 9:04:57 PM vifetoile
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* But Kate ''doesn't'' treat Petruchio any differently from other people. She yells at him, fights him, and attempts to dominate him. The only edge he has over her is that, thanks to an agreement with her father, he's married to her!
19th Jun '13 8:25:46 PM Angeldeb82
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[[WMG: The scene with Katarina tying up Bianca was intentional PlayingToTheFetishes.]]

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[[WMG: The scene with Katarina tying up Bianca was intentional PlayingToTheFetishes.{{Fanservice}}.]]
31st May '13 10:52:32 AM Lale
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This is a relatively recent theory, or at least recent to be spoken in public, since being pro-shrew back when this play was written meant GettingCrapPastTheRadar.

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This is a relatively recent theory, or at least recent to be spoken in public, since being pro-shrew back when this play was written meant GettingCrapPastTheRadar.
GettingCrapPastTheRadar. In the final scene, Kate the zealous shrew is portrayed as a superior wife to the docile Bianca and widow.



She's only pretending to be docile in the end. There's been plenty of scholarly debate on this one.

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She's only pretending to be docile in the end. It's plain when her submissive act begins on the ride to her father's that she has undergone no gradual change of personality or slow breaking of spirit but abruptly grits her teeth and starts agreeing with Petruchio's ridiculous whims just to get what she wants. There's been plenty of scholarly debate on this one.


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[[WMG: Kate is truly in love with Petruchio and truly wanted a husband all along.]]
In the beginning, she's angry and jealous over her sister having multiple suitors and having none of her own. Later, she seems genuinely distressed when it looks like Petruchio isn't going to show up to their wedding (if she was really being forced into marrying him against her will, it hardly makes sense that she would rant about his absence instead of breathing a sigh of relief). This, of course, requires the interpretation that she wanted a tough-manly-man who wasn't afraid of her, which supports the theory that the play is pro-shrew for implying real men are attracted to shrews.

[[WMG: The moral of the play is: Real men don't beat their wives!]]
A skilled husband doesn't need to resort to beating to control his wife, no matter how shrewish he is.
31st May '13 10:41:53 AM Lale
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She's only pretending to be docile in the end.
* There's been plenty of scholarly debate on this one.

[[WMG: The scene with Katarina tying up Bianca was intentional PlayingToTheFetishes]]

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She's only pretending to be docile in the end.
*
end. There's been plenty of scholarly debate on this one.

[[WMG: The scene with Katarina tying up Bianca was intentional PlayingToTheFetishes]]PlayingToTheFetishes.]]


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[[WMG: Women only find this play offensive because it exposes the UnfortunateImplications of [[AllGirlsWantBadBoys the most popular female romantic fantasy]] by {{Gender Flip}}ping it.]]
What does Petruchio find sexy? Not a humble, submissive, quiet, obedient ProperLady but ''a project'' -- someone he can "tame," change, fix, and cure of her evil habits! Sure, she acts like a bossy, hot-tempered shrew to everyone else, but she treats ''him'' completely differently, and that means he's special and better than other men! What, ladies, how could you find this offensive? AllGirlsWantBadBoys because it's gratifying to change them, and Petruchio's and Kate's victory as the happiest/best couple at the close of the play teaches the moral: "All men should want shrews because it's fun to tame them."
6th Jan '13 12:07:27 AM lusankya
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*Not really; both Kate and Bianca would have been played by teenage boys. Unless you're into that, I guess.
17th May '12 12:04:20 PM SeptimusHeap
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* There's been plenty of scholarly debate on this one, so YourMilageMayVary as to whether or not it's canon.

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* There's been plenty of scholarly debate on this one, so YourMilageMayVary as to whether or not it's canon.
one.
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http://tvtropes.org/pmwiki/article_history.php?article=WMG.TheTamingOfTheShrew