History ValuesDissonance / LiveActionTV

14th May '17 9:30:23 AM JJHIL325
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* In the ''Series/{{NCIS}}'' season 1 episode "Dead Man Talking" (which was first released and made in 2004), the team's attitude towards the woman who turns out to be a pre-op transsexual, as well as the killer of the week, comes off pretty transphobic as attitudes towards transexuality become more positive. First of all, after TheReveal, they refer to her as a "guy", or with male pronouns, even as a "he-she" (which some consider a slur these days). In particular, Gibbs' snark about "adding that misdemeanor to the murder charge", regarding the woman having used the female restroom, [[HarsherInHindsight is especially cringeworthy after the transgender bathroom controversies of 2016]]. Secondly, Tony has flirted and has set up a date with the woman before anybody else found out about her being both the murderer and born male. However, Kate seems far more shocked about "Tony's on a date with a guy!", rather than Tony being on a date with the murderer responsible for the death of one of their fellow agents and who was most likely planning on killing Tony. Finally, the killer most likely didn't transition because he actually identifies himself as a woman, but because it's the ultimate disguise to get away with his crimes, lending to the {{Unfortunate Implication}} that transsexuality is used by criminals to hide from the law.

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* In the ''Series/{{NCIS}}'' season 1 episode "Dead Man Talking" (which was first released and made in 2004), the team's attitude towards the woman who turns out to be a pre-op transsexual, as well as the killer of the week, comes off as pretty transphobic as attitudes towards transexuality become more positive.nowadays. First of all, after TheReveal, they refer to her as a "guy", or with male pronouns, even as a "he-she" (which some consider a slur these days). In particular, Gibbs' snark about "adding that misdemeanor to the murder charge", regarding the woman having used the female restroom, [[HarsherInHindsight is especially cringeworthy after the transgender bathroom controversies of 2016]]. Secondly, Tony has flirted and has set up a date with the woman before anybody else found out about her being both the murderer and born male. However, Kate seems far more shocked about "Tony's on a date with a guy!", rather than Tony being on a date with the murderer responsible for the death of one of their fellow agents and who was most likely planning on killing Tony. Finally, the killer most likely didn't transition because he actually identifies himself as a woman, but because it's the ultimate disguise to get away with his crimes, lending to the {{Unfortunate Implication}} that transsexuality is used by criminals to hide themselves from the law.
14th May '17 6:50:04 AM JJHIL325
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* In the ''Series/{{NCIS}}'' season 1 episode "Dead Man Talking" (which came out in 2004), the team's attitude towards the woman who turns out to be a pre-op transsexual (as well as the killer of the week) comes off pretty transphobic nowadays. First of all, after TheReveal, they refer to her as a "guy", or with male pronouns, even as a "he-she" (which some consider a slur these days). In particular, Gibbs' snark about "adding that misdemeanor to the murder charge", regarding the woman having used the female restroom, [[HarsherInHindsight is especially cringeworthy after the transgender bathroom controversies of 2016]]. Secondly, Kate seems far more shocked at "Tony being on a date with a guy!", rather than Tony being on a date with a murderer responsible for the death of one of their fellow agents and who was probably planning on killing Tony once the night was up. Finally, the killer most likely didn't transition because he actually identifies himself as a woman, but because it's the ultimate disguise to get away with his crimes.

to:

* In the ''Series/{{NCIS}}'' season 1 episode "Dead Man Talking" (which came out was first released and made in 2004), the team's attitude towards the woman who turns out to be a pre-op transsexual (as transsexual, as well as the killer of the week) week, comes off pretty transphobic nowadays.as attitudes towards transexuality become more positive. First of all, after TheReveal, they refer to her as a "guy", or with male pronouns, even as a "he-she" (which some consider a slur these days). In particular, Gibbs' snark about "adding that misdemeanor to the murder charge", regarding the woman having used the female restroom, [[HarsherInHindsight is especially cringeworthy after the transgender bathroom controversies of 2016]]. Secondly, Tony has flirted and has set up a date with the woman before anybody else found out about her being both the murderer and born male. However, Kate seems far more shocked at "Tony being about "Tony's on a date with a guy!", rather than Tony being on a date with a the murderer responsible for the death of one of their fellow agents and who was probably most likely planning on killing Tony once the night was up. Tony. Finally, the killer most likely didn't transition because he actually identifies himself as a woman, but because it's the ultimate disguise to get away with his crimes.crimes, lending to the {{Unfortunate Implication}} that transsexuality is used by criminals to hide from the law.
13th May '17 4:25:12 PM Scabbard
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* ''Series/TheSingingRingingTree'': the princess gets cursed with ugliness as a reflection of her inner character, with her beauty gradually being restored as this character reforms. What might seem a little jarring to modern viewers (aside from any UnfortunateImplications arising from BeautyEqualsGoodness being invoked here) is that part of this involves [[YouGottaHaveBlueHair her hair being turned green]], something which is an acceptable style statement now, but not in the 1950s when the original film it was adapted from was made, and probably impossible to achieve in the MedievalEuropeanFantasy setting.

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* ''Series/TheSingingRingingTree'': the The princess gets cursed with ugliness as a reflection of her inner character, with her beauty gradually being restored as this character reforms. What might seem a little jarring to modern viewers (aside from any UnfortunateImplications arising from BeautyEqualsGoodness being invoked here) is that part of this involves [[YouGottaHaveBlueHair her hair being turned green]], something which is an acceptable style statement now, but not in the 1950s when the original film it was adapted from was made, and probably impossible to achieve in the MedievalEuropeanFantasy setting.
13th May '17 4:11:39 PM Scabbard
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** During its entire run, the show makes various gay jokes at Chandler, Ross and Joey's expenses. While the show tries to be respectful with the portrait of a lesbian couple, a show with those jokes made nowadays would quickly receive backlash from the gay community and crooked looks from most viewers. The fact that Chandler watched E! and likes theater, and therefore must be gay, are not very well received by contemporary watchers, and is one of the main things that turn off new viewers from latergenerations.

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** During its entire run, the show makes various gay jokes at Chandler, Ross and Joey's expenses. While the show tries to be respectful with the portrait portrayal of a lesbian couple, a show with those jokes made nowadays would quickly receive backlash from the gay community and crooked looks from most viewers. The fact that Chandler watched E! and likes theater, and therefore must be gay, are not very well received by contemporary watchers, and is one of the main things that turn off new viewers from latergenerations.later generations.
10th May '17 1:32:16 PM Midna
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* ''Series/TheAndyGriffithShow'' had a first-season episode revolve around Ellie trying to make over a tomboy farm girl. Her not wearing makeup or dresses is treated like SeriousBusiness, but can still be somewhat forgiven since she wants to try those things out. The ''real'' Values Dissonance hits in the ending. Her father complains that she can't help with the chores dressed like that, until the farmhands start hitting on her. Andy then tells him that, since she's a girl, she isn't any good at hard labor (''despite the opposite being shown about ten minutes earlier''), but now that she's been made over, she can be used to land him a son-in law.

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* ''Series/TheAndyGriffithShow'' had has a first-season episode revolve around Ellie trying to make over a tomboy farm girl. Her not wearing makeup or dresses is treated like SeriousBusiness, but can still be somewhat forgiven since she wants to try those things out. The ''real'' Values Dissonance hits in the ending. Her father complains that she can't help with the chores dressed like that, until the farmhands start hitting on her. Andy then tells him that, since she's a girl, she isn't any good at hard labor (''despite the opposite being shown about ten minutes earlier''), but now that she's been made over, she can be used to land him a son-in law.



** Not to mention [[CampGay Mr. Humphries]]. Possibly averted in that reactions from the other characters, if any, were generally incredulous, not homophobic, and in the later seasons, they were downright supportive.
* ''Series/{{Arrow}}'': In the second episode of Season 3, the gang is illicitly burying a person. Felicity takes a handful of dirt and tosses it on top of the coffin. Upon spotting the confusion on everyone else's faces, she explains that it's a Jewish custom. The scene falls flat for British audiences because the mainstream British funerary custom is for the closest people to the deceased to toss the first handfuls of soil onto the coffin before the grave is filled in. In Britain, Felicity's act therefore does not stand out as unusual, but the behaviour of the characters creates a dissonance between what a British audience would expect to see at a funeral and what the show's creators seem to think an American audience would expect to see.

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** Not to mention [[CampGay Mr. Humphries]]. Possibly averted in that reactions from the other characters, if any, were are generally incredulous, not homophobic, and in the later seasons, they were they're downright supportive.
* ''Series/{{Arrow}}'': In the second episode of Season 3, the gang is illicitly burying a person. Felicity takes a handful of dirt and tosses it on top of the coffin. Upon spotting the confusion on everyone else's faces, she explains that it's a Jewish custom. The scene falls flat for British audiences because the mainstream British funerary custom is for the closest people to the deceased to toss the first handfuls of soil onto the coffin before the grave is filled in. In Britain, Felicity's act therefore does not stand out as unusual, but the behaviour of the characters creates a dissonance between what a British audience would expect to see at a funeral and what the show's creators seem to apparently think an American audience would expect to see.



** There are many ethnic stereotypes on the show, mainly found in the form of the bad guys (usually either loud, raucous, stupid Hispanic bandits in Latin America or New York-ish gangsters in L. A.) and some of the A-Team's disguises. Hannibal's [[ContinuityNod most referenced]] comic disguise is a ChineseLaunderer (who even appeared in the opening credits of the first season), and in another episode he us and Murdock once had to disguise himself as a Native American warrior, complete with whooping. While ethnic stereotypes may not be eliminated from media, such blatant examples would never show up on TV today, except in parody.

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** There are many ethnic stereotypes on the show, mainly found in the form of the bad guys (usually either loud, raucous, stupid Hispanic bandits in Latin America or New York-ish Italian gangsters in L. A.) and some of the A-Team's disguises. Hannibal's [[ContinuityNod most referenced]] comic disguise is a ChineseLaunderer (who (which even appeared appears in the opening credits of the first season), and in another episode he us and Murdock once had have to disguise himself themselves as a Native American warrior, warriors, complete with whooping. While ethnic stereotypes may not be eliminated from media, such blatant examples would never show up on TV today, except in parody.



** Today, Hannibal probably couldn't constantly refer to the GirlOfTheWeek as "lady" and be dressed in blackface, and Face probably couldn't get away with statements like, "you know these co-eds - lost without a man to guide them" or "Now I'm about to chauffeur a spoilt heiress to some sandlot of a country so she can marry some guy with a towel wrapped around his head."
* ''Series/{{Banzai}}'', a late-night spoof on Japanese TV gameshows and the East Asian tendency to bet on just about anything, was cult viewing in Britain. Funny turned-up-to-eleven Japanese presenters presided over escalatingly ridiculous bets in a show deliberately filmed to evoke the worst excesses of Japanese TV, and it was viewed as light-hearted fun in the UK. Not so on export. Canadian TV was forced to pull the show on "racism" grounds after sustained protest from Far Asian ethnic minority groups, and Japanese-American protest killed both the original show and a local remake in the USA.
* ''Series/BabylonFive'' has a running joke in the first season where every time Talia Winters enters an elevator Mr Garibaldi is inside waiting for her with a happy grin. Talia actually comments on this and seems quite freaked out. In the mid 90s this might have seemed to just cast Garibaldi as playfully persistent if a little bit of a jerk, but rewatching it in the 2010s this actually comes off as downright creepy stalking and harrassment, especially given that Garibaldi is Head of Security and since he turns up every time Talia summons the elevator is presumably monitoring Talia's movements. Happily, this one can be chalked up to EarlyInstallmentWeirdness as well, as Garibaldi's character and behavior changes and develops as quickly as the second season.
* The ''Series/{{Batman}}'' episode "Nora Clavicle and the Ladies Crime Club" comes off as quite anti-feminist when watching it today. The titular villain is a StrawFeminist [[DoesNotLikeMen in the extreme]], who replaces the cops of Gotham City with women, who are depicted as totally inept [[note]] They care more about their makeup, recipes, and shopping than actually solving crimes. [[/note]] and her plan revolves around using EekAMouse played straight. Although both Batgirl and Nora herself are depicted as capable, the other females are not. And the dialogue of several of the characters, Commissioner Gordon & Chief O'Hara especially, comes off as misogynistic; the show could get a pass due to it being [[{{Camp}} campy]] and therefore not meant to be taken seriously, but it's still a little cringey to watch.

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** Today, Hannibal probably couldn't constantly refer to the GirlOfTheWeek as "lady" and be dressed ''definitely'' couldn't disguise himself in blackface, and Face probably couldn't get away with statements like, "you know these co-eds - lost without a man to guide them" or "Now I'm about to chauffeur a spoilt spoiled heiress to some sandlot of a country so she can marry some guy with a towel wrapped around his head."
* ''Series/{{Banzai}}'', a late-night spoof on Japanese TV gameshows and the East Asian tendency to bet on just about anything, was cult viewing in Britain. Funny turned-up-to-eleven Japanese presenters presided preside over escalatingly ridiculous bets in a show deliberately filmed to evoke the worst excesses of Japanese TV, and it was viewed as light-hearted fun in the UK. Not so on export. Canadian TV was forced to pull the show on "racism" grounds after sustained protest from Far East Asian ethnic minority groups, and Japanese-American protest killed both the original show and a local remake in the USA.
* ''Series/BabylonFive'' has a running joke in the first season where every time Talia Winters enters an elevator Mr elevator, Mr. Garibaldi is inside waiting for her with a happy grin. Talia actually comments on this and seems quite freaked out. In the mid 90s '90s this might have seemed to just cast Garibaldi as playfully persistent persistent, if a little bit of a jerk, but rewatching it in the 2010s 2010s, this actually comes off as downright creepy stalking and harrassment, or harassment, especially given that Garibaldi is Head of Security and and, since he turns up every time Talia summons the elevator elevator, is presumably monitoring Talia's movements. Happily, this one can be chalked up to EarlyInstallmentWeirdness as well, as Garibaldi's character and behavior changes change and develops develop as quickly as the second season.
* The ''Series/{{Batman}}'' episode "Nora Clavicle and the Ladies Crime Club" comes off as quite anti-feminist when watching it today. The titular eponymous villain is a StrawFeminist [[DoesNotLikeMen in the extreme]], who replaces the cops of Gotham City with women, who are depicted as totally inept [[note]] They care more about their makeup, recipes, and shopping than actually solving crimes. [[/note]] [[/note]], and her plan revolves around using EekAMouse played straight. Although both Batgirl and Nora herself are depicted as capable, the other females women are not. And the dialogue of several of the characters, Commissioner Gordon & Chief O'Hara especially, comes off as misogynistic; sexist; the show could get a pass due to it being [[{{Camp}} campy]] and therefore not meant to be taken seriously, but it's still a little cringey to watch.



*** Hell, the way Batman and Robin themselves talked to Batgirl sometimes could be seen this way, with them repeatedly telling her to "leave the crime fighting to the men", sometimes not even thanking her for saving their lives but chiding her for being late. She was also often the one to get knocked out first in fights or get captured.
* ''Series/BatMasterson'' [[note]] set in 1870s [[/note]] had an episode where an adult female was subjected to corporal punishment [[note]] spanking to be exact [[/note]] for her crimes, which even in 1959 was common in prison. Today, that kind of punishment would’ve been grounds for a lawsuit.

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*** Hell, the way Batman and Robin themselves talked talk to Batgirl sometimes could can be seen this way, with them repeatedly telling her to "leave the crime fighting to the men", sometimes not even thanking her for saving their lives but chiding her for being late. She was is also often the one to get knocked out first in fights or get captured.
* ''Series/BatMasterson'' [[note]] set in the 1870s [[/note]] had has an episode where an adult woman female was subjected to corporal punishment [[note]] spanking to be exact [[/note]] is spanked for her crimes, which even in 1959 was common in prison. Today, that kind of punishment would’ve been grounds for a lawsuit.



** Barney Miller also had [[RecurringCharacter recurring characters]] Marty and Darryl, an older gay couple complete with [[CampGay effeminate]] mannerisms (although Darryl was not as flamboyant as Marty) and "hand-crocheted sweaters". They were overdone even for the 70s, but [[FairForItsDay to the show's credit]], they were never ridiculed outright or treated any worse than any of the other "eccentric" characters in the station.
*** A later episode has the 12th get involved in a child custody dispute between Darryl and his ex-wife. While Marty is as CampGay as ever, Darryl is very much StraightGay, asking Marty if they could drop the stereotype for the moment, given the situation.
** In direct contrast to Marty and Darryl, later seasons introduced the recurring character of Officer Zatelli, a StraightGay uniform accidentally outed by Wojo. Tellingly, even the malevolent InternalAffairs detective lamely denies any wish to punish gay cops. Viewers can see little signs of social progress as the show goes on.
** The second season episode "Heat Wave" is made of values dissonance from start to finish. The main plot mines its "comedy" from Wojo [[DoubleStandardRapeMaleOnMale almost being raped]] while dressed in drag to catch muggers, and Detective Wentworth being [[ArentYouGoingToRavishMe offended that the would-be rapist pushed her aside]]. The main subplot, meanwhile, involves a battered wife deciding whether or not to sign a complaint against her husband, lots of jokes from Fish about how a relationship involving an abusive husband and a wife who just takes it "works," and a studio audience clearly rooting for her to drop the charges.

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** Barney Miller also had has [[RecurringCharacter recurring characters]] Marty and Darryl, an older gay couple complete with [[CampGay effeminate]] mannerisms (although Darryl was is not as flamboyant as Marty) and "hand-crocheted sweaters". They were They're overdone even for the 70s, but [[FairForItsDay to the show's credit]], they were are never ridiculed outright or treated any worse than any of the other "eccentric" characters in the station.
*** A later episode has the 12th get involved in a child custody dispute between Darryl and his ex-wife. While Marty is as CampGay as ever, Darryl is very much StraightGay, asking Marty if they could can drop the stereotype for the moment, given the situation.
** In direct contrast to Marty and Darryl, later seasons introduced introduce the recurring character of Officer Zatelli, a StraightGay uniform accidentally outed by Wojo. Tellingly, even the malevolent InternalAffairs detective lamely denies any wish to punish gay cops. Viewers can see little signs of social progress as the show goes on.
** The second season episode "Heat Wave" is made of values dissonance from start to finish. The main plot mines its "comedy" from Wojo [[DoubleStandardRapeMaleOnMale almost being raped]] while dressed dressing in drag to catch muggers, and Detective Wentworth being [[ArentYouGoingToRavishMe offended that the would-be rapist pushed her aside]]. The main subplot, meanwhile, involves a battered wife deciding whether or not to sign a complaint against her husband, lots of jokes from Fish about how a relationship involving an abusive husband and a wife who just takes it "works," and a studio audience clearly rooting for her to drop the charges.



** There was a lot of casual sexism, even as the show tried to be progressive in other areas (depicting Willie Mays as a warlock for example). Darrin and Larry are often rather chauvinist. In one instance, even Endora is convinced that Darrin is having an affair because his current client happens to be an attractive business''woman'', and presumably she could not imagine why he would wine and dine her the way he would a male client.
** The series' sexism was codified in the rule that Witch Magic could not overrule Warlock Magic. [[MagicAIsMagicA Period.]] Meaning that the weakest Warlock was stronger than the strongest witch, just because. Made overt by the episode where Samantha persuades a milquetoast HenpeckedHusband Warlock to stand up to his harpy of a wife. Once he decides to assert himself, her most powerful curses can't affect him. And of course, the wife sees his new assertiveness as arousing and immediately takes a more subservient stance towards him.

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** There was There's a lot of casual sexism, even as though the show tried to be progressive in other areas (depicting Willie Mays as a warlock for example). Darrin and Larry are often rather chauvinist. In one instance, even Endora is convinced that Darrin is having an affair because his current client happens to be an attractive business''woman'', and presumably she could not can't imagine why he would wine and dine her the way he would a male client.
** The series' sexism was is codified in the rule that Witch Magic could not cannot overrule Warlock Magic. [[MagicAIsMagicA Period.]] Meaning that the weakest Warlock was is stronger than the strongest witch, just because. Made overt by the episode where Samantha persuades a milquetoast HenpeckedHusband Warlock to stand up to his harpy of a wife. Once he decides to assert himself, her most powerful curses can't affect him. And of course, the wife sees his new assertiveness as arousing and immediately takes a more subservient stance towards him.



** Earlier seasons of the UK version would contain plenty of casual homophobia from the contestants. Mickey Dalton from the 7th Season outright said in his introduction video that he hated gays. Note that this was not too many years before the celebrity version of the show was met with a storm of controversy over Jade Goody, Danielle Lloyd and Jo O'Meara's apparent racist bullying of Bollywood actress Shilpa Shetty. These days, homophobia and racism are practically mutually exclusive where the media is concerned.
* ''Series/{{Blackadder}}'' has an in-universe example in the final episode of the third series. The Duke of Wellington, who has been out of the country for many years, is shown to rather severely beat Prince George who is disguised as a servant when he makes several faux pas. Blackadder, who is in turn disguised as The Prince, chides him that servants are no longer treated so harshly in London society...and then proceeds to show him the ''correct'' way to beat a servant.
* ''Series/{{Bones}}'': The {{premiere}} episode has several characters question main character Brennan about how she is dealing with her parents' murder, and admonish her for not sharing her feelings about it. In other countries (and even among many people in the U.S.) where more emphasis is culturally placed on privacy, even asking such personal questions would be considered incredibly rude behavior.

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** Earlier seasons of the UK version would contain plenty of casual homophobia from the contestants. Mickey Dalton from the 7th Season outright said says in his introduction video that he hated hates gays. Note that this was not too many years before the celebrity version of the show was met with a storm of controversy over Jade Goody, Danielle Lloyd and Jo O'Meara's apparent racist bullying of Bollywood actress Shilpa Shetty. These days, homophobia and racism are practically mutually exclusive where the media is concerned.
* ''Series/{{Blackadder}}'' has an in-universe example in the final episode of the third series. The Duke of Wellington, who has been out of the country for many years, is shown to rather severely beat Prince George George, who is disguised as a servant servant, when he makes several faux pas. Blackadder, who is in turn disguised as The Prince, chides him that servants are no longer treated so harshly in London society...and then proceeds to show him the ''correct'' way to beat a servant.
* ''Series/{{Bones}}'': The {{premiere}} episode has several characters question main character Brennan about how she is she's dealing with her parents' murder, and admonish her for not sharing her feelings about it. In other countries (and even among many people in the U.S.) where more emphasis is culturally placed on privacy, even asking such personal questions would be considered incredibly rude behavior.



** The oft-circulated clip where the parents talk about the mall Santa having a fatal heart attack while their kindergarten-aged daughter was sitting on his knee (the parents joke about the reindeer pulling a pine box). A sitcom today wouldn't do this as many places in the UK and USA have banned children from sitting on the laps of mall Santas because of sexual molestation and pedophilia fears.
** Another episode has Cory videotaping the school interviewing random students and when Feeny is shown he quickly says he doesn't want to know why he's doing that. In recent years, a lot of school have disciplinary action towards videotaping and taking pictures of students and school interiors without prior consent from a faculty member.
** One episode had Feeny scheduling 3 exams on the same day in order to get people studying harder. The class stresses out and start studying to borderline burnout (bar Cory and Shawn who procrastinate). Mr. Turner and the ids try to get him to spread the dates out a little bit so its not such a stress on them. In the end, they learn Feeny was right to put the test so close together because now they know the material rather than just memorizing it for the test. While the aesop of having to learn something rather than just remember it from the test is good, Feeny's actions of putting the tests so close together ages very poorly as in recent years stress levels, burnouts, and self harm incidents related to schoolwork has increased exponentially in high school students and studies have proven this type of stress is detrimental to their mental healh.

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** The oft-circulated clip where the parents talk about the mall Santa having a fatal heart attack while their kindergarten-aged daughter was sitting on his knee (the parents joke about the reindeer pulling a pine box). A sitcom today wouldn't do this this, as many places in the UK and USA have banned children from sitting on the laps of mall Santas because of sexual molestation and pedophilia fears.
** Another episode has Cory videotaping the school interviewing random students students, and when Feeny is shown shown, he quickly says he doesn't want to know why he's doing that. In recent years, a lot of school schools have disciplinary action towards videotaping and taking pictures of students and school interiors without prior consent from a faculty member.
** One episode had has Feeny scheduling 3 exams on the same day in order to get people studying harder. The class stresses out and start starts studying to borderline burnout (bar Cory and Shawn Shawn, who procrastinate). Mr. Turner and the ids try to get him to spread the dates out a little bit so its it's not such a stress on them. In the end, they learn Feeny was right to put the test tests so close together together, because now they know ''know'' the material rather than just memorizing it for the test. While the aesop moral of having to learn something rather than just remember it from for the test is good, Feeny's actions of putting the tests so close together ages very poorly poorly, as in recent years stress levels, burnouts, and self harm self-harm incidents related to schoolwork has have increased exponentially in high school students students, and studies have proven this type of stress is detrimental to their mental healh.health.



** "A Fistful of Reasons," where Cindy is targeted by a bully because she talked with a lisp. The Bradys never thought to take the problem to the school, which is standard procedure today, and the boy's father thought it was normal for kids to pick on other kids. Sadly, some parents still do think that way, but it's highly likely that things in the episode would have been seen differently now, when bullying is taken far more seriously and more people are aware of the potential consequences. It's also worth noting that Peter could possibly have been suspended along with the bully for the fight, given many schools' no-tolerance policies about fighting these days.
** The Season 4 episode "Bobby's Hero," where at the beginning of the episode, Mike and Carol are called to the school after Bobby (off-screen) brought a toy gun to school and was playing outlaw Jesse James, annoying and harassing classmates by "holding them hostage." Indeed, as late as the 1970s and even into the 1980s, bringing a toy gun - while a definite no-no - got the culprit off with little more than a stern warning to never do it again. Today, Mike and Carol would be fighting a losing battle to keep Bobby in school, let alone get him enrolled in even any alternative school.
** Also, even though TV had gotten past the 'separate beds' thing by this time, it was apparently still taboo to show a toilet, as the kids' bathroom obviously lacks one.
* The British series ''Series/{{Broadchurch}}'' required slightly changing some characters' ages for its American remake ''Series/{{Gracepoint}}'', thanks to the age of consent being two years higher. Thus, a couple where the boy is 17 and the girl 15 was changed to 18 and 16 so Americans would accept the difference being a big deal to the girl's parents, and [[spoiler:Jack's statutory rape charge was from a girl about to turn 18 rather than 16]].

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** "A Fistful of Reasons," where Cindy is targeted by a bully because she talked talks with a lisp. The Bradys never thought think to take the problem to the school, which is standard procedure today, and the boy's father thought it was thinks it's normal for kids to pick on other kids. Sadly, some parents still do think that way, but it's highly likely that things in the episode would have been be seen differently now, when bullying is taken far more seriously and more people are aware of the potential consequences. It's also worth noting that Peter could possibly have been suspended along with the bully for the fight, given many schools' no-tolerance policies about fighting these days.
** The Season 4 episode "Bobby's Hero," where at the beginning of the episode, Mike and Carol are called to the school after Bobby (off-screen) brought brings a toy gun to school and was playing plays outlaw Jesse James, annoying and harassing classmates by "holding them hostage." Indeed, as late as the 1970s and even into the 1980s, bringing a toy gun - while a definite no-no - got gets the culprit off with little more than a stern warning to never do it again. Today, Mike and Carol would be fighting a losing battle to keep Bobby in school, let alone get him enrolled in even any alternative school.
** Also, even Even though TV had gotten past the 'separate beds' thing by this time, it was apparently still taboo to show a toilet, as the kids' bathroom obviously lacks one.
* The British series ''Series/{{Broadchurch}}'' required slightly changing some characters' ages for its American remake ''Series/{{Gracepoint}}'', thanks to the age of consent being two years higher. Thus, a couple where the boy is 17 and the girl 15 was changed to 18 and 16 so Americans would accept the difference being a big deal to the girl's parents, and [[spoiler:Jack's statutory rape charge was is from a girl about to turn 18 rather than 16]].



** Willow snaps after Warren kills her girlfriend. She reacts by researching dark magic, healing Buffy (who was also shot), taking the bullet that was used and hunting down and torturing Warren, before he was [[FlayingAlive flayed alive]]. The show treats it as Willow falling to evil, but for some viewers it was hard to see what exactly she did that was so wrong. The idea that torture is morally acceptable against ''bad people'' is definitely a modern issue of values dissonance, as some people think that makes perfect sense but others are absolutely horrified.

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** Willow snaps after Warren kills her girlfriend. She reacts by researching dark magic, healing Buffy (who was also shot), taking the bullet that was used and hunting down and torturing Warren, before he was [[FlayingAlive flayed alive]]. The show treats it as Willow falling to evil, but for some viewers of the time it was hard to see what exactly she did that was does that's so wrong. The idea that torture is morally acceptable against ''bad people'' is definitely a modern issue of values dissonance, as some people think that makes perfect sense but others are absolutely horrified.



** The Buffy/Angel relationship, since [[MayflyDecemberRomance she's sixteen and he's a few centuries old]], can seem manipulative rather than romantic.
*** Somewhat averted because he's initially depicted as a social outcast and she's not only his first real contact back into humanity, but is a badass hero in her own right. So, it would be somewhat understandable about why he has romantic feelings for someone that young. However, later depictions waver in how isolated he really was, as he's been able to integrate into human society (is familiar with pop-culture, can set up lodging and pay bills) to a small extent for about a century.
*** Also, Angel is a vampire. The thing that Buffy, the vampire slayer, hunts and kills on a regular basis. In this case, she's the one with the upper level of power in the relationship. She's a hunter and he is the hunted. It's more like she's a hunter having sex with a fox.



** David gives up his pet turtle so that a turtle soup can be made in order to cure Fermin from his illness. Carrusel took place in Mexico in 1989-1990. Not only would sacrificing a pet turtle have been unacceptable in the USA back then (and in the present day), but someone suggesting turtle soup as a cure to an illness would have at the very least raised a lot of eyebrows.
** All but one of the female characters were afraid of mice. The girl who was not, Valeria, was seen as gutsy and adventurous overall. In the USA, by 1989-1990, it would have been likelier to just have one individual female be murophobic, and the murophobia being seen as an irrational sign of weakness.
* The first two versions of ''Series/CardSharks'' which aired from 1978-81 and 1986-89 respectively had high-low questions asked to 100 people which had contestants judging human nature. Some of theses questions would be overtly sexist if asked in the present time. Imagine the looks the poll-taker would receive if he asked female executives, "Has your boss ever patted you on the fanny?" these days.
* ''Series/ElChavoDelOcho'', probably one of the most popular and iconic TV shows in all Latin America, dubbed into several languages and exported to many countries, is full of this. Produced in the 70s, many jokes and situations will be considered very inappropriate for modern standards.
** Many AcceptableTargets of the time included mocking of Doña Clotilde because she is (or looks like she is) a senior citizen and call her a witch because of that, mocking people because of their physical appearances, particularly Señor Barriga's and Ñoño's obesity, but basically any "ugly" physical trait (Don Ramon’s thinness, Chilindrinas's size, Quico’s chigs, etc.) would earn the character a humiliating nickname. For today's standards that will be considered very disrespectful to the adults and bullying among the kids (notice that basically all of Chespirito's sketch characters rely on mocking physical appearances at some point, including Chapulin, Chompiras and Dr. Chapatin, but doing it among adults probably has lesser impact).
** Physical violence as a way to correct the kids, particularly used by Don Ramon who practically harm all of the children in La Vecindad in some way, including spanking his own daughter and giving bonking his surrogate son Chavo on the head, and all of this is PlayedForLaughs! Granted, he is the only adult doing this, and even Señor Barriga and Profesor Jirafales (frequent victims of the kid's slapstick violence) don't do it and in fact reprehend Don Ramon for doing it. Still, even though physical punishment for kids is still common in some parts of the world, the practice has fallen into disuse and is socially unacceptable in the most progressive areas, so in modern times it's unthinkable for a comedy to show it as "funny".

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** David gives up his pet turtle so that a turtle soup can be made in order to cure Fermin from his illness. Carrusel ''Carrusel'' took place in Mexico in 1989-1990. Not only would sacrificing a pet turtle have been unacceptable in the USA back then (and in the present day), but someone suggesting turtle soup as a cure to an illness would have at the very least raised a lot of eyebrows.
** All but one of the female characters were are afraid of mice. The girl who was not, Valeria, was seen as gutsy and adventurous overall. In the USA, by 1989-1990, it would have been likelier to just have one individual female be murophobic, and the murophobia being seen as an irrational sign of weakness.
* The first two versions of ''Series/CardSharks'' which aired from 1978-81 and 1986-89 respectively had have high-low questions asked to 100 people which had have contestants judging human nature. Some of theses these questions would be overtly sexist if asked in the present time. Imagine the looks the poll-taker would receive if he asked female executives, "Has your boss ever patted you on the fanny?" these days.
* ''Series/ElChavoDelOcho'', probably one of the most popular and iconic TV shows in all of Latin America, dubbed into several languages and exported to many countries, is full of this. Produced in the 70s, many jokes and situations will be are considered very inappropriate for by modern standards.
** Many AcceptableTargets of the time included include mocking of Doña Clotilde because she is (or looks like she is) a senior citizen and call calling her a witch because of that, mocking people because of their physical appearances, particularly Señor Barriga's and Ñoño's obesity, but basically any "ugly" physical trait (Don Ramon’s thinness, Chilindrinas's size, Quico’s chigs, etc.) would earn earns the character a humiliating nickname. For By today's standards that will be is considered very disrespectful to the adults and bullying among to the kids (notice that basically all of Chespirito's sketch characters rely on mocking physical appearances at some point, including Chapulin, Chompiras and Dr. Chapatin, but doing it among adults probably has lesser impact).
%% deleted the part about Quico because I have no idea what a "chig" is and none of my internet searches turned up anything; most likely it's some false friend or an attempt to Anglicize a Spanish word that ended up producing gibberish
** Physical violence as a way to correct the kids, particularly used by Don Ramon who practically harm harms all of the children in La Vecindad in some way, including spanking his own daughter and giving bonking his surrogate son Chavo on the head, and all of this is PlayedForLaughs! Granted, he is the only adult doing this, and even Señor Barriga and Profesor Jirafales (frequent victims of the kid's slapstick violence) don't do it and in fact reprehend Don Ramon for doing it. Still, even though physical punishment for kids is still common in some parts of the world, the practice has fallen into disuse and is socially unacceptable in the most progressive areas, so in modern times it's unthinkable for a comedy to show it as "funny".



** Homophobic jokes. Many jokes in the show cast homosexuality in a negative light and implying that someone is gay was an insult. In one episode Don Ramón and Profesor Jirafales are mistaken for homosexuals (actually Don Ramon was educating Jirafales on how to win over a woman), and when Don Ramon came closer to El Chavo (an eight-year-old kid, in universe) Chavo's reactions are of fear and disgust, even violently avoiding Don Ramon’s touch. Meanwhile, Doña Florinda violently breaks up with Jirafales and the rest of Vecindad reacts similarly with anger. Also, Don Ramon’s CatchPhrase “Yo le voy al Necaxa” (I support the Necaxa) is a reference to the fact that he is not gay (fans of the Necaxa's rival team, the Puebla, were considered “gay”).
*** In his defense, Chespirito did change many of this in latter seasons. For example a lot of the violence like Botija slapping Chompiras as punishment or Doña Florinda slapping Don Jaimito (Don Ramon’s SuspiciouslySimilarSubstitute) was taken out, the jokes about physical appearances were downplayed and, although until his death he was strongly opposed to same-sex marriage, the show became much more respectful toward gay people.
** All the females in the show were afraid of mice - even tough Dona Florinda and tomboy Chilindrina. By the 1970s, in the USA, this was no longer the norm - as evidenced by an episode of the Brady Bunch, where Cindy and Emma are clearly not afraid of mice. In Mexico it was still commonly thought at the time that all women were afraid of mice simply because of their gender.
* ''Creator/CliveJames on TV'', the ur-show behind ''Series/{{Banzai}}''', where the laconic Australian TV critic presented an hour of the very worst of other people's television, culled from no shortage of worldwide examples. Excessively sexual French and German adverts rubbed shoulders with American televangelists and especially James' bete-noir, Japanese game shows. Game shows where Japanese contestants were humiliated, psychologically assaulted and even physically tormented in search of a handful of yen. Clive James, a man whose father had been murdered by the Japanese in a WW2 death camp, stopped short of any explicit statement of personal disdain. But a programme designed to reinforce the conceit of the British that they had the best TV in the world, and everyone else's was to varying degrees crap, or just plain ''weird''... it is interesting that some of the examples held up as other people's crap in the 1980s, depths which British broadcasting would never ever plumb, such as Jerry Springer-type trashfests or all-night cheap quizzes that give up any pretence of broadcasting quality or excellence, are now staples of British broadcasting.

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** Homophobic jokes. Many jokes in the show cast homosexuality in a negative light light, and implying that someone is gay was is an insult. In one episode episode, Don Ramón and Profesor Jirafales are mistaken for homosexuals (actually Don Ramon was is educating Jirafales on how to win over a woman), and when Don Ramon came comes closer to El Chavo (an eight-year-old kid, in universe) Chavo's reactions are of fear and disgust, even violently avoiding Don Ramon’s touch. Meanwhile, Doña Florinda violently breaks up with Jirafales and the rest of Vecindad reacts similarly with anger. Also, Don Ramon’s CatchPhrase “Yo le voy al Necaxa” (I support the Necaxa) is a reference to the fact that he is not gay (fans of the Necaxa's rival team, the Puebla, were considered “gay”).
*** In his defense, Chespirito did change many of this in latter seasons. For example example, a lot of the violence violence, like Botija slapping Chompiras as punishment or Doña Florinda slapping Don Jaimito (Don Ramon’s SuspiciouslySimilarSubstitute) SuspiciouslySimilarSubstitute), was taken out, the jokes about physical appearances were downplayed and, although until his death he was strongly opposed to same-sex marriage, the show became much more respectful toward gay people.
** All the females in the show were are afraid of mice - even tough Dona Florinda and tomboy Chilindrina. By the 1970s, in the USA, this was no longer the norm - as evidenced by an episode of the Brady Bunch, where Cindy and Emma are clearly not afraid of mice. In Mexico it was still commonly thought at the time that all women were afraid of mice simply because of their gender.
* ''Creator/CliveJames on TV'', the ur-show behind ''Series/{{Banzai}}''', where the laconic Australian TV critic presented an hour of the very worst of other people's television, culled from no shortage of worldwide examples. Excessively sexual French and German adverts rubbed rub shoulders with American televangelists and especially James' bete-noir, Japanese game shows. Game shows where Japanese contestants were are humiliated, psychologically assaulted and even physically tormented in search of a handful of yen. Clive James, a man whose father had been murdered by the Japanese in a WW2 death camp, stopped short of any explicit statement of personal disdain. But a programme designed to reinforce the conceit of the British that they had have the best TV in the world, and everyone else's was is to varying degrees crap, or just plain ''weird''... it It is interesting that some of the examples held up as other people's crap in the 1980s, depths 1980s--depths which British broadcasting of the time would never ever plumb, such as Jerry Springer-type trashfests or all-night cheap quizzes that give up any pretence of broadcasting quality or excellence, are excellence--are now staples of British broadcasting.



* ''Series/{{Community}}'' [[InvokedTrope invokes]] this when Troy and Abed, hosting a housewarming party in their new apartment, discuss a 1940s guidebook which they consulted for hints on how to act like appropriate hosts. The first piece of advice was "dress to impress." The second was "avoid touchy subjects like the Negro problem."
* ''Series/{{CSI}}'' had an interesting case of values changing over a relatively short time. One of the first episodes (airing in 2000) concerned the case of a murdered college dean who had been killed by two of his female colleagues to stop him from releasing reputation-destroying information about them. The bloodcurdling secret? They're dating each other. In TheNewTens, as gay characters become more mainstream in the media and the gay rights movement continues to pick up steam in RealLife, it's... doubtful that'd be considered something worth committing murder over. The first few seasons had many similar cases where the motive was to hide the fact that oneself or a family member was gay, which strike many people nowadays as strange. It's telling that the number of cases with this as a motive dropped significantly as the show moved into TheNewTens when being gay was no longer such a big deal.
** One episode from 2004 ("Ch-Ch-Changes") had the twist that the victim was a male-to-female transgender. In TheNewTens the plot is cringe worthy in how transphobic it is. Even the main characters, who purportedly respect the victim and have no issue with transexuality, come off as remarkably ignorant and disrespectful just over a decade later. The episode has the victim lying about being transgender, and her ID (example, her drivers' license and registration) that still had her male name and picture on them were written off as being her brother's, which comes off as strange in a day and age where being transgender has more mainstream acceptance and people in the process of transitioning are more open about their previous identities.
** The first two prominent transgender characters seen on the show were both mentally ill villains, being respectively an EvilGenius SerialKiller with an OedipusComplex and a [[MadDoctor crazy back-alley surgeon]] who performed unlicensed gender reassignment operations resulting in at least one death and several permanent disfigurements (the latter was the antagonist of the aforementioned "Ch-Ch-Changes"). It took until season five for an LGBT character who was neither a villain nor a victim to appear.

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* ''Series/{{Community}}'' [[InvokedTrope invokes]] this when Troy and Abed, hosting a housewarming party in their new apartment, discuss a 1940s guidebook which they consulted for hints on how to act like appropriate hosts. The first piece of advice was is "dress to impress." The second was is "avoid touchy subjects like the Negro problem."
* ''Series/{{CSI}}'' had has an interesting case of values changing over a relatively short time. One of the first episodes (airing in 2000) concerned concerns the case of a murdered college dean who had been killed by two of his female colleagues to stop him from releasing reputation-destroying information about them. The bloodcurdling secret? They're The girls are dating each other. In TheNewTens, as gay characters become more mainstream in the media and the gay rights movement continues to pick up steam in RealLife, it's... doubtful that'd be considered something worth committing murder over. The first few seasons had have many similar cases where the motive was is to hide the fact that oneself or a family member was is/was gay, which strike many people nowadays as strange. It's telling that the number of cases with this as a motive dropped significantly as the show moved into TheNewTens TheNewTens, when being gay was no longer such a big deal.
** One episode from 2004 ("Ch-Ch-Changes") had has the twist that the victim was is a male-to-female transgender. In TheNewTens the plot is cringe worthy in how transphobic it is.comes off as cringe-inducingly transphobic. Even the main characters, who purportedly respect the victim and have no issue with transexuality, come off as remarkably ignorant and disrespectful just over a decade later. The episode has the victim lying about being transgender, and her forms of ID (example, her (like drivers' license and registration) that still had have her male name and picture on them were are written off as being her brother's, which comes off as strange in a day and age where being transgender has more mainstream acceptance and people in the process of transitioning are more open about their previous identities.
** The first two prominent transgender characters seen on the show were are both mentally ill villains, being respectively an EvilGenius SerialKiller with an OedipusComplex and a [[MadDoctor crazy back-alley surgeon]] who performed performs unlicensed gender reassignment operations resulting in at least one death and several permanent disfigurements (the latter was is the antagonist of the aforementioned "Ch-Ch-Changes"). It took until season five for an LGBT character who was neither a villain nor a victim to appear.



** Rob and Laura also had the separate beds similar to the ''Series/ILoveLucy'' example.

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** Rob and Laura also had the have separate beds similar to the ''Series/ILoveLucy'' example.



** The Doctor threatening to give Susan a "jolly good smacked bottom" in "[[Recap/DoctorWhoS2E2TheDalekInvasionOfEarth The Dalek Invasion of Earth]]" is pretty jarring, as popular attitudes towards childrearing have changed from a disciplinarian approach to a supportive approach, and because serious smacking was banned in the UK in 2004. Not to mention, Susan's sixteen... It fits the Doctor's character as being old-fashioned and not a very good grandfather, but the fact that it's played for laughs is not possible today.

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** The Doctor threatening to give Susan a "jolly good smacked bottom" in "[[Recap/DoctorWhoS2E2TheDalekInvasionOfEarth The Dalek Invasion of Earth]]" is pretty jarring, as popular attitudes towards childrearing child rearing have changed from a disciplinarian approach to a supportive approach, and because serious smacking was banned in the UK in 2004. Not to mention, Susan's sixteen... It fits the Doctor's character as being old-fashioned and not a very good grandfather, but the fact that it's played for laughs is not possible today.



** There's an extremely upsetting moment in "[[Recap/DoctorWhoS3E10TheWarMachines The War Machines]]" where Polly and Dodo go to a club, where Polly acts as a kind of icebreaker. While being friendly to the patron Ben, a man pins Polly up against a wall and says some creepy things. She tells him "Please, take your hand away" in a firm voice, meaning he puts his ''other'' hand on her. Ben leaps out of his chair and beats him up on her behalf, but afterwards yells at ''Polly'' for it, telling her [[UsefulNotes/VictimBlaming she should be careful who she encourages]], even though she encouraged him in absolutely no way beyond being a pretty woman and existing. It's quite possible the sexism was IntentionalValuesDissonance - Polly is shown to be exasperated by the patronising attitude her boss subjects her to at work. Also, the Doctor had been travelling around with companions from the future for a while, both of whom were shown to have no gender prejudices.
** Creator/JonPertwee-era episodes had an occasional undercurrent of antifeminism, containing StrawFeminist characters and having the Doctor put them in their place. The writers and actors were generally at least feminist-sympathetic (Creator/ElisabethSladen in particular likes to soften the worst of the Doctor's manhandling and verbal abuse by giggling at him in such a way as to make it look like consensual teasing), but few were able to resist poking fun at perceived AcceptableTargets, and [[DependingOnTheWriter some writers]] made it clear in their scripts that they don't know what feminism actually is, assuming it's about women being in charge or men being inferior. The Creator/TomBaker era eased up on this a lot, due to fewer Earth-bound settings and because Tom disliked playing TallDarkAndSnarky and adlibbed his way out of his nastier scripted lines - but there's still moments. The scene in "[[Recap/DoctorWhoS12E2TheArkInSpace The Ark in Space]]" where the Doctor bellows sexist insults at Sarah in order to snap her out of a panic is particularly difficult to watch - Tom Baker has often expressed discomfort and embarrassment about playing the scene, and even that was heavily toned down from the scripted version, which was longer and meaner.

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** There's an extremely upsetting moment in "[[Recap/DoctorWhoS3E10TheWarMachines The War Machines]]" where Polly and Dodo go to a club, where Polly acts as a kind of icebreaker. While being friendly to the patron Ben, a man pins Polly up against a wall and says some creepy things. She tells him "Please, take your hand away" in a firm voice, meaning he puts his ''other'' hand on her. Ben leaps out of his chair and beats him up on her behalf, but afterwards yells at ''Polly'' for it, telling her [[UsefulNotes/VictimBlaming she should be careful who she encourages]], even though she encouraged him in absolutely no way beyond being a pretty woman and existing. It's quite possible the sexism was is IntentionalValuesDissonance - Polly is shown to be exasperated by the patronising attitude her boss subjects her to at work. Also, the Doctor had been travelling around with companions from the future for a while, both of whom were are shown to have no gender prejudices.
** Creator/JonPertwee-era episodes had have an occasional undercurrent of antifeminism, containing StrawFeminist characters and having the Doctor put them in their place. The writers and actors were generally at least feminist-sympathetic (Creator/ElisabethSladen in particular likes to soften the worst of the Doctor's manhandling and verbal abuse by giggling at him in such a way as to make it look like consensual teasing), but few were able to resist poking fun at perceived AcceptableTargets, and [[DependingOnTheWriter some writers]] made it clear in their scripts that they don't didn't know what feminism actually is, assuming it's about women being in charge or men being inferior. The Creator/TomBaker era eased up on this a lot, due to fewer Earth-bound settings and because Tom disliked playing TallDarkAndSnarky and adlibbed his way out of his nastier scripted lines - but there's still moments. The scene in "[[Recap/DoctorWhoS12E2TheArkInSpace The Ark in Space]]" where the Doctor bellows sexist insults at Sarah in order to snap her out of a panic is particularly difficult to watch - Tom Baker has often expressed discomfort and embarrassment about playing the scene, and even that was is heavily toned down from the scripted version, which was is longer and meaner.



** The serial "[[Recap/DoctorWhoS14E6TheTalonsOfWengChiang The Talons of Weng-Chiang]]" features a Literature/FuManchu-like [[YellowPeril Chinese villain]] played by a Caucasian actor in {{yellowface}} with a campy Chinese accent. While this was still acceptable practice in the UK in 1977, television stations in America, Canada, and elsewhere which imported the programme found this problematic enough to refrain from transmitting the serial. Although the moral of the story [[FairForItsDay is anti-racist]], it's easier to see why they thought it was acceptable when one considers it was made at a time when ''[[MinstrelShows The Black And White Minstrel Show]]'' was also being aired as "harmless" family entertainment. Worse is that "Weng-Chiang" even goes so far as to have ''the Doctor'' join in with the racist jokes. Tom Baker performs the lines with as much RefugeInAudacity swagger as he can, as they were intended as a knowing part of the YellowPeril ExploitationFilm genre {{Pastiche}} (British audiences in the 1970s were exposed to this sort of fiction through constant Film/HammerHorror reruns). Modern audiences tend not to find it coming off as ironic thanks to all the other racist things going on in the story, and many people (like Creator/PaulCornell) find it upsettingly {{out of character|Moment}}.
** You'll notice that the revival series of ''Doctor Who'' is much HotterAndSexier, yet also a great deal less violent. This is partially due to how frequently the old series was criticised for FamilyUnfriendlyViolence (it was rarely gratuitous but ''was'' by a long way the most violent show on the BBC at the time), and partially down to the increased budget (PeopleInRubberSuits are expensive, and [[{{Gorn}} fake blood and slime]] is not), but mostly due to British culture moving over the course of the 90s to consider funny or cuddly sexual content more child-suitable than violent content.
** The revived series makes a point to be more racially diverse and culturally open than the original. Rose (a white woman), is originally dating Mickey (a black man), and both of Donna's fiances are black men also. Martha is a black med student. Jack is, well, ''[[ExtremeOmnisexual Jack]]''. This is lampshaded in the episode "[[Recap/DoctorWhoS29E12TheSoundOfDrums The Sound of Drums]]", where the Master (currently Prime Minister of the U.K.) remarks that the Doctor's companions (Martha and Jack) "Tick all the demographic boxes."

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** The serial "[[Recap/DoctorWhoS14E6TheTalonsOfWengChiang The Talons of Weng-Chiang]]" features a Literature/FuManchu-like [[YellowPeril Chinese villain]] played by a Caucasian actor in {{yellowface}} with a campy Chinese accent. While this was still acceptable practice in the UK in 1977, television stations in America, Canada, and elsewhere which imported the programme found this problematic enough to refrain from transmitting airing the serial. Although the moral of the story [[FairForItsDay is anti-racist]], against racism]], it's easier to see why they thought it was acceptable when one considers it was made at a time when ''[[MinstrelShows The Black And White Minstrel Show]]'' was also being aired as "harmless" family entertainment. Worse is that "Weng-Chiang" even goes so far as to have ''the Doctor'' join in with the racist jokes. Tom Baker performs the lines with as much RefugeInAudacity swagger as he can, as they were they're intended as a knowing part of the YellowPeril ExploitationFilm genre {{Pastiche}} (British audiences in the 1970s were exposed to this sort of fiction through constant Film/HammerHorror reruns). Modern audiences tend not to find it coming off as ironic thanks to all the other racist things going on in the story, and many people (like Creator/PaulCornell) find it upsettingly {{out of character|Moment}}.
** You'll notice that the revival series of ''Doctor Who'' is much HotterAndSexier, yet also a great deal less violent. This is partially due to how frequently the old series was criticised for FamilyUnfriendlyViolence (it was (it's rarely gratuitous but ''was'' ''is'' by a long way the most violent show on the BBC had at the time), and partially down to the increased budget (PeopleInRubberSuits are expensive, and [[{{Gorn}} fake blood and slime]] is not), but mostly due to British culture moving over the course of the 90s '90s to consider funny or cuddly sexual content more child-suitable than violent content.
** The revived series makes a point to be more racially diverse and culturally open than the original. Rose (a white woman), is originally dating Mickey (a black man), and both of Donna's fiances are black men also. Martha is a black med student. Jack is, well, ''[[ExtremeOmnisexual Jack]]''. This is lampshaded in the episode "[[Recap/DoctorWhoS29E12TheSoundOfDrums The Sound of Drums]]", where the Master (currently Prime Minister of the U.K.) remarks that the Doctor's companions (Martha and Jack) "Tick "tick all the demographic boxes."



* As pointed out by Linkara of ''WebVideo/AtopTheFourthWall'', the 1967 version of ''Franchise/{{Dragnet}}'' was very much a product of its time, and there are occasions that will make modern viewers wince. One example given is a scene where the main heroes talk about homosexuality as a "major societal problem" on par with things like drug abuse. With LGBT people no longer being {{Acceptable Target}}s like were back in the 1960s, this of course comes off as pretty homophobic by modern standards.

to:

* As pointed out by Linkara of ''WebVideo/AtopTheFourthWall'', the 1967 version of ''Franchise/{{Dragnet}}'' was is very much a product of its time, and there are occasions that will make modern viewers wince. One example given is a scene where the main heroes talk about homosexuality as a "major societal problem" on par with things like drug abuse. With LGBT people no longer being {{Acceptable Target}}s like were back in the 1960s, this of course comes off as pretty homophobic by modern standards.



** The show, like many Baby Boomer shows, mocks the idea of an adult male enjoying comic books and sci-fi. Peter's being a comic book fan (essentially, his being OneOfUs) is treated as if it's some sort of horrible deformity or character flaw, and the in-universe characters and the presumably Boomer-aged studio audience members treat Peter's comic book fandom with derision. Younger generations don't place the same stigma against comics as the show apparently does.
** And that's not even getting into the show's use of DoubleStandardAbuseFemaleOnMale; Debra's treatment of Ray (often involving things like {{GroinAttack}}s, Ray being tossed against bookshelves, and tons of condescending verbal abuse) are treated is being A-Okay and lovably wacky, while if Ray ever complains in the slightest about Debra, then ''he'' is treated as being "obviously wrong" in-universe, while Debra is portrayed as being some sort of martyr.
* An [[DeliberateValuesDissonance in-universe]] CrossesTheLineTwice example from ''Series/FawltyTowers'' is the classic dialogue where the elderly Major (who is slightly senile and blissfully unaware of the ''faux pas'' he's committing) is getting nostalgic about a girlfriend who he brought to a cricket match at Lords. He recalled he had to upbraid her about her use of unacceptable language (there's some real dissonance here as well: today the subject is considered by some to be too sensitive even to joke about, leading to the line being cut by the BBC in 2013 rebroadcasts):

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** The show, like many Baby Boomer shows, shows of the '80s and '90s, mocks the idea of an adult male enjoying comic books and sci-fi. Peter's Peter being a comic book fan (essentially, his being OneOfUs) is treated as if it's some sort of horrible deformity or character flaw, and the in-universe characters and the presumably Boomer-aged baby boomer-aged studio audience members treat Peter's comic book fandom with derision. Younger generations don't place the same stigma against comics as the show apparently does.
** And that's not even getting into the show's use of DoubleStandardAbuseFemaleOnMale; Debra's treatment of Ray (often involving things like {{GroinAttack}}s, Ray being tossed against bookshelves, and tons of condescending verbal abuse) are is treated is as being A-Okay and lovably wacky, while if Ray ever complains in the slightest about Debra, then ''he'' is treated as being "obviously wrong" in-universe, while Debra is portrayed as being some sort of martyr.
* An ''Series/FawltyTowers'' has an [[DeliberateValuesDissonance in-universe]] CrossesTheLineTwice example from ''Series/FawltyTowers'' is in the classic dialogue where the elderly Major (who is slightly senile and blissfully unaware of the ''faux pas'' he's committing) is getting nostalgic about a girlfriend who he brought to a cricket match at Lords. He recalled recalls he had to upbraid her about her use of unacceptable language (there's some real dissonance here as well: today the subject is considered by some to be too sensitive even to joke about, leading to the line being cut by the BBC in 2013 rebroadcasts):



* A season 3 ''Series/{{Friends}}'' episode features a great example of values dissonance between countries. When Rachel takes Ross out to dinner with her father, Dr. Green pays for the entire meal but only puts out a 4% tip. He's portrayed as a jerk for both this, and for getting mad at Ross for leaving extra money on the table to pad out the tip. To viewers in the US, where waitstaff are often paid lower than minimum wage with customary tipping supposed to make up for it (usually about 15% of the total), Ross's outrage at the small tip makes sense. To viewers in other countries where restaurant wages are better regulated and tipping is just a courtesy (such as the UK), this is not common knowledge, and so Ross comes across as a jerk who's being unreasonable by expecting a man who just paid for a very expensive meal to pay even more for the tip.
*** Also consider that many American subscribe to the philosophy of "You get the bill, we'll get the tip". So if someone in the group offers to pick up the tab, other members of the party agree to cover the tip.
** Another moment from an earlier episode that causes dissonance between countries. One episode had a subplot about the three members of the group with less well-paying jobs (Rachel, Joey and Phoebe) being frustrated by the other three always taking them to eat out "someplace nice", not realising they can't really afford the food. After they voice these concerns, Ross, Monica and Chandler later surprise them by arranging to take them out to an expensive restaurant, completely on them. This seems like a kind and selfless gesture to many viewers, but how do Rachel, Joey and Phoebe react? They're ''outraged'', saying their gesture "makes them feel 'this big'" and refuse on principle, not wanting to be part of a "poor friends outreach program". To many viewers outside America, refusing a generous offer by your friends comes off as extremely rude, and what Ross, Monica and Chandler did would be considered friendly, not patronizing.
** During its entire run, the show made various gay jokes at Chandler, Ross and Joey's expenses. While the show tried to be respectful with the portrait of a lesbian couple, a show with those jokes made nowadays would quickly receive backslash from the gay community and crooked looks from most viewers. The fact that Chandler watched the E! channel and liked theater and therefore, he must be gay are not very well received by contemporary watchers, and is one of the main things that turn off new viewers from newer generations.
** Also relating to Chandler, DependingOnTheWriter, his animosity towards his father comes from the fact that his father left his family and the whole relationship is based on the divorce-child anger, or because he's embarrassed of his father being a gay crossdresser, putting QueerPeopleAreFunny into effect. These days, these jokes would at best be outdated and at worst be considered homophobic or transphobic. This is made even worse considering the fact that Chandler's father is implied to have been a loving and present father in his life, with Chandler being the one embarrassed about him and the reason why they aren't close anymore comes only from Chandler.
* As it was one of the first mainstream depictions of a Jewish family from a Jewish perspective, ''Series/TheGoldbergs'' (the 1920's-1950's series, not the current one) likely had quite a few even for its contemporary audience. Fleeing the Nazis is a perfectly normal explanation for why a distant cousin is Irish and doesn't elicit any reaction, while a woman finding out that neither the male nor female potential name for her grandkid is going to be after either of her late parents or her late in-laws is treated as if her kid had dismembered her dog right in front of her (the plot was resolved when her son-in-law explained that they had just chosen Americanized translations of the names). Another plot that had a similar level of anguish was when Sammy discovered that his new girlfriend had escaped from an asylum and that he would have to mislead her into returning for her own good (the episode ends with him getting off with her early to presumably live on the run, but the next episode is no longer extant).
* On ''Series/TheGoldenGirls'', which ran in the '80s and early '90s, the exact circumstances of Dorothy's first sexual experience fluctuate a little in each retelling because they're being [[PlayedForLaughs described as part of a joke]], but today, we know that she's describing a ''date rape''. At one point she even says she was completely unconscious during the sex and suspects Stan must have drugged her, and her mother outright says she never believed her. For women who were growing up during the 50's, it's not any more alarming than "Baby It's Cold Outside", but nowadays it's a lot closer to gallows humor.
** Another episode had Rose practicing abstinence due to a tradition/superstition in her hometown; Miles, her long-term boyfriend, uses a variety of "blue-balls" style excuses and harassment to cajole her into it. When it doesn't work, he throws a temper tantrum and ''dumps her'' because he assumes that since she won't have sex with him, she must be cheating. In the end, Rose is the one to apologize, and although it's implied that she could have told him the truth and he would have understood, that still conflicts with the modern idea that "No." is a complete sentence and one doesn't owe consent to someone just because they're in a relationship or have had sex in the past. For all the progressive attitudes this show had in its day, its ideas about rape and sexual pressure were some of the only areas where the characters' ages seemed to inform their values.
* In 2015, Russian TV channel VGTRK decided to make a Russian adaptation of the critically-acclaimed series ''Series/{{Homeland}}''. They used the US version as the primary source, instead of the Israeli original. It miserably flopped on many levels. The most obvious reason was the large difference in the perception of [=POWs=] between Russia and the US. Unlike the US, in Russia former [=POWs=] are never hailed as heroes, don't get public recognition and have absolutely zero chance in politics or PR stunts. Moreover, in the US version the FBI were skeptical and reluctant about Carrie's suspicions that Sergeant Brody may be up to no good, so she had to secretly probe him herself. This whole "problem" is absurd in Russia, because intense probing of a former POW would be the first thing Russian secret services would do.
** Similarly, the Russian version of ''Prison Break'' failed to connect with the viewers because Russians generally feel no sympathy towards prison inmates, even the apparently wrongfully-accused ones. And although Russia has had no death penalty since the mid-90s, the Russian public opinion is consistently pro-death penalty. So when the directors had to have the government reinstate the death penalty at the beginning of the show, the viewers rejoiced rather than buy into the whole "we can execute an innocent man by mistake" premise.

to:

* A season 3 ''Series/{{Friends}}'' episode features a great example of values dissonance between countries. When Rachel takes Ross out to dinner with her father, Dr. Green pays for the entire meal but only puts out a 4% tip. He's portrayed as a jerk for both this, and for getting mad at Ross for leaving extra money on the table to pad out the tip. To viewers in the US, where waitstaff are often paid lower than minimum wage with customary tipping supposed to make up for it (usually about 15% of the total), Ross's outrage at the small tip makes sense. To viewers in other countries where restaurant wages are better regulated and tipping is just a courtesy (such as the UK), this is not common knowledge, and so Ross comes across as a jerk who's being unreasonable by expecting a man who just paid for a very expensive meal to pay even more for the tip.
***
tip. Also consider that many American Americans subscribe to the philosophy of "You get the bill, we'll get the tip". So tip", so if someone in the group offers to pick up the tab, other members of the party agree to cover the tip.
** Another moment from an earlier episode that causes dissonance between countries. One episode had a subplot about the three members of the group with less well-paying jobs (Rachel, Joey and Phoebe) being frustrated by the other three always taking them to eat out "someplace nice", not realising realizing they can't really afford the food. After they voice these concerns, Ross, Monica and Chandler later surprise them by arranging to take them out to an expensive restaurant, completely on them. This seems like a kind and selfless gesture to many viewers, but how do Rachel, Joey and Phoebe react? They're ''outraged'', saying their gesture "makes them feel 'this big'" and refuse on principle, not wanting to be part of a "poor friends outreach program". To many viewers outside and even inside America, refusing a generous offer by your friends comes off as extremely rude, and what Ross, Monica and Chandler did would be considered friendly, not patronizing.
** During its entire run, the show made makes various gay jokes at Chandler, Ross and Joey's expenses. While the show tried tries to be respectful with the portrait of a lesbian couple, a show with those jokes made nowadays would quickly receive backslash backlash from the gay community and crooked looks from most viewers. The fact that Chandler watched the E! channel and liked theater likes theater, and therefore, he therefore must be gay gay, are not very well received by contemporary watchers, and is one of the main things that turn off new viewers from newer generations.
latergenerations.
** Also relating to Chandler, DependingOnTheWriter, his animosity towards his father comes from the fact that his father left his family and the whole relationship is based on the divorce-child anger, or because he's embarrassed of his father being a gay crossdresser, putting QueerPeopleAreFunny into effect. These days, these jokes would at best be outdated and at worst be considered homophobic or transphobic. This is made even worse considering the fact that Chandler's father is implied to have been a loving and present father in his life, with Chandler being the one embarrassed about him him, and the reason why they aren't close anymore comes only from Chandler.
* As it was ''Series/TheGoldbergs'' (the 1920's-1950's series), as one of the first mainstream depictions of a Jewish family from a Jewish perspective, ''Series/TheGoldbergs'' (the 1920's-1950's series, not the current one) likely had has quite a few even for its contemporary audience. Fleeing the Nazis is a perfectly normal explanation for why a distant cousin is Irish and doesn't elicit any reaction, while a woman finding out that neither the male nor female potential name for her grandkid is going to be after either of her late parents or her late in-laws is treated as if her kid had dismembered her dog right in front of her (the plot was is resolved when her son-in-law explained explains that they had just chosen Americanized translations of the names). Another plot that had has a similar level of anguish was is when Sammy discovered discovers that his new girlfriend had has escaped from an asylum and that he would he'll have to mislead trick her into returning for her own good (the episode ends with him getting off with her early to presumably live on the run, but the next episode is no longer extant).
lost).
* On ''Series/TheGoldenGirls'', which ran in the '80s and early '90s, the exact circumstances of Dorothy's first sexual experience fluctuate a little in each retelling because they're being [[PlayedForLaughs described as part of a joke]], but today, we know that she's describing a ''date rape''. At one point she even says she was completely unconscious during the sex and suspects Stan must have drugged her, and her mother outright says she never believed her. For women who were growing up during the 50's, it's not any more alarming than "Baby It's Cold Outside", but nowadays it's a lot closer to gallows humor.
GallowsHumor.
** Another episode had has Rose practicing abstinence due to a tradition/superstition in her hometown; Miles, her long-term boyfriend, uses a variety of "blue-balls" style excuses and harassment to cajole her into it. When it doesn't work, he throws a temper tantrum and ''dumps her'' because he assumes that since she won't have sex with him, she must be cheating. In the end, Rose is the one who has to apologize, and although it's implied that she could have told him the truth and he would have understood, that still conflicts with the modern idea that "No." is a complete sentence and one doesn't owe consent to someone just because they're in a relationship or have had sex in the past. For all the progressive attitudes this show had in its day, its ideas about rape and sexual pressure were are some of the only areas where the characters' ages seemed to inform their values.
* In 2015, the Russian TV channel VGTRK decided to make a Russian adaptation of the critically-acclaimed series ''Series/{{Homeland}}''. They used the US version as the primary source, instead of the Israeli original. It miserably flopped on many levels. The most obvious reason was the large difference in the perception of [=POWs=] between Russia and the US. Unlike the US, in Russia former [=POWs=] are never hailed as heroes, don't get public recognition and have absolutely zero chance of success in politics or PR stunts. Moreover, in the US version the FBI were are skeptical and reluctant about Carrie's suspicions that Sergeant Brody may be up to no good, so she had has to secretly probe him herself. This whole "problem" is absurd in Russia, because intense probing of a former POW would be is the first thing Russian secret services would do.
** Similarly, the Russian version of ''Prison Break'' failed to connect with the viewers because Russians generally feel no sympathy towards prison inmates, even the apparently wrongfully-accused ones. ones who have been wrongfully acussed. And although Russia has had no abolished the death penalty since in the mid-90s, the Russian mid-'90s, public opinion is consistently pro-death penalty. So in favor of it--so when the directors had to have the government reinstate the death penalty at the beginning of the show, the viewers rejoiced rather than buy into the whole "we can could execute an innocent man by mistake" premise.



* ''Series/{{Gunsmoke}}'' had one episode in which Quint and Festus have to go to the next town over to buy supplies while playing a game of one-upsmanship on one another. While having a drinking contest at a saloon, and the inevitable BarBrawl that followed, they meet a lovely young saloon girl who promptly (and separately) seduces both of them, telling them of an evil man chasing her and convinces them to take her with them back to Dodge. Along the way, the man catches up to them; he is apparently domestically abusive, saying the longer she resists coming back with him the more he'll "whoop" on her. Quint and Festus stand up to him, and despite normally being portrayed as decent fighters, get their asses handed to them. Eventually the girl turns on them (saying that two on one is cheating) and gleefully goes back into the arms of her lover, telling the two "It's not so bad; I really do love him! And he doesn't whoop on me too bad!" This was PlayedForLaughs.
* ''Hey Hey, It's Saturday'', an Australian {{expy}} of ''Series/TheGongShow'', had a scandal revolving around a sketch where a group of performers did a {{blackface}} Jackson Five routine called the Jackson Jive. Two of the judges were Australian, and were longtime members of the judge panel. The third judge was Harry Connick Jr. While the two Australian judges had no problems with the skit (blackface has little stigma in Australia compared to America due to a lack of history surrounding the performance), Connick was not so happy with the act, to the point where if he knew that act was going to be on, he never would've been on the show in the first place.

to:

* ''Series/{{Gunsmoke}}'' had has one episode in which Quint and Festus have to go to the next town over to buy supplies while playing a game of one-upsmanship on one another. While having a drinking contest at a saloon, and the inevitable BarBrawl that followed, follows, they meet a lovely young saloon girl who promptly (and separately) seduces both of them, telling them of an evil man chasing her and convinces convincing them to take her with them back to Dodge. Along the way, the man catches up to them; he is apparently domestically abusive, saying the longer she resists coming back with him the more he'll "whoop" on her. Quint and Festus stand up to him, and despite normally being portrayed as decent fighters, get their asses handed to them. Eventually the girl turns on them (saying that two on one is cheating) and gleefully goes back into the arms of her lover, telling the two "It's not so bad; I really do love him! And he doesn't whoop on me too bad!" This was is PlayedForLaughs.
* ''Hey Hey, It's Saturday'', an Australian {{expy}} of ''Series/TheGongShow'', had a scandal revolving around a sketch where a group of performers did do a {{blackface}} Jackson Five routine called the Jackson Jive. Two of the judges were Australian, and were longtime members of the judge panel. The third judge was Harry Connick Jr. While the two Australian judges had no problems with the skit (blackface has little stigma in Australia compared to America due to a lack of history surrounding the performance), Connick was not so happy with the act, to the point where if he knew that act was going to be on, he never would've been on the show in the first place.



* In ''Series/TheHoneymooners'', Ralph threatens to hit his wife every time they have a fight. Those who watch the show will know that his threats were empty and he'd never carry them out, but there is no way a modern sitcom husband could get away with even an empty threat of domestic violence.
** The 1990's -2000's era homage show, ''Series/TheKingOfQueens'' recasts Ralph as delivery driver Doug Heffernan. The viewer gets a strong conviction that hard-boiled wife Carrie would hit him back, and harder. Doug, in more sensitive times, has to content himself with the verbal put-down "Shutty!" and variations on a theme.
* ''Hogar Dulce Hogar'' a 70s Mexican sitcom shows two couple of neighbors; Sergio and Lucha on one hand and Pepe and Juanita on another. Pepe is extremely machist and openly misogynistic, to the point he has Juanita totally subjugate and tries to convince Sergio or doing the same, while on the other hand Lucha is violently aggressive towards Sergio frequently committing physical abuse on him and beating him up, and this is PlayedForLaughs. The show was very popular in its time. Even when the general tone of the show is light-hearted (you know, if you ignore the domestic violence) no comedy like that could be produce in modern times.

to:

* In ''Series/TheHoneymooners'', Ralph threatens to hit his wife every time they have a fight. Those who watch the show will know that his threats were are empty and he'd never carry he wouldn't dream of carrying them out, but there is no way a modern sitcom husband could get away with even an empty threat of domestic violence.
** The 1990's -2000's era ''Series/TheKingOfQueens'', homage show, ''Series/TheKingOfQueens'' that it is, recasts Ralph as delivery driver Doug Heffernan. The viewer gets a strong conviction that his hard-boiled wife Carrie would hit him back, and harder. Doug, in more sensitive times, has to content himself with the verbal put-down "Shutty!" and variations on a theme.
* ''Hogar Dulce Hogar'' Hogar'', a 70s '70s Mexican sitcom sitcom, shows two couple of neighbors; neighboring couples; Sergio and Lucha on one hand hand, and Pepe and Juanita on another. the other. Pepe is extremely machist chauvinistic and openly misogynistic, to the point that he has Juanita totally subjugate subjugated and tries to convince Sergio or doing to do the same, while on same to his wife. On the other hand hand, Lucha is violently violent and aggressive towards Sergio Sergio, frequently committing physical abuse on physically abusing him and beating him up, and this [[DoubleStandardAbuseFemaleOnMale which of course is PlayedForLaughs. always played for laughs]]. The show was very popular in its time. Even when the general tone of the time and is fairly light-hearted, but there's no way a show is light-hearted (you know, if you ignore the domestic violence) no comedy like that could ever be produce made in modern times. times.



** When Lucy is pregnant, not only did they not use the word "pregnant", but in the episode where Lucy's trying to get the message across to Desi that they're having a baby, she looks to be about 5 minutes away from going into labor, which makes it all the weirder that it takes him so long to get it. To go a step farther, in one episode Lucy intentionally gets sunburned so that Ricky will be less likely to hit her when he finds out about her latest clusterfuck.
** Ricky would also frequently make somewhat casual threats to punch Lucy in the nose (similar to Ralph Kramden's "One of these days, Alice..." rants). He never did it, and it was usually just a lot of bluster, but nowadays, even jokingly threatening to punch your wife just doesn't happen.
*** He also had a tendency to threaten her with violence in Spanish. Lucy couldn't tell what he was saying, but his tone of voice and body language made his meaning plain. She usually looked terrified of him during these displays, while the audience laughed at threats of domestic abuse.
** Due to period censorship, Lucy and Desi's bedroom has separate beds and their bathroom has no toilet.

to:

** When Lucy is pregnant, not only did dp they not use the word "pregnant", but in the episode where Lucy's trying to get the message across to Desi that they're having a baby, she looks to be about 5 minutes away from going into labor, which makes it all the weirder that it takes him so long to get it. To go a step farther, in it.
** In
one episode episode, Lucy intentionally gets sunburned so that Ricky will be less likely to hit her when he finds out about her latest clusterfuck.
**
clusterfuck. In fact, Ricky would also frequently make makes somewhat casual threats to punch Lucy in the nose (similar to Ralph Kramden's "One of these days, Alice..." rants). He never did does it, and it was it's usually just a lot of bluster, but nowadays, even jokingly threatening to punch your wife just doesn't happen.
*** He Ricky also had has a tendency to threaten her Lucy with violence in Spanish. Lucy couldn't can't tell what he was he's saying, but his tone of voice and body language made make his meaning plain. She usually looked looks terrified of him during these displays, while the audience laughed laughs at threats of domestic abuse.
** Due to period censorship, taboos, Lucy and Desi's bedroom has separate beds and their bathroom has no toilet.



** In episode 284 (Potato Battle), Canadian challenger Michael Noble created an appetizing lamb-and-potato dish and started to lay it out, casserole-style. To this American viewer's eyes, this was completely normal (and the dish looked awesome). The Japanese panel, on the other hand, reacted with dismay at the presentation, as if none of them had ever even seen a casserole before. (Noble lost, leading many to believe it was that moment of dissonance that cost him the battle).
** Another sort of values dissonance could be seen between the way the original ''Iron Chef'' is judged versus the judging on ''Iron Chef America''. Apparently in Japan, watching celebrities eat is a big entertainment deal, and a lot of TV focuses around this, so naturally the judges on the original show are almost always celebrities, with the very occasional actual food critic thrown in. The American version seemed to think that maybe, y'know, food critics should judge a cooking competition, and the ratio of critics to celebrities is usually flipped. When ICA has more than one celebrity judge, one of them will usually have some gourmet cred (Ex. Jeri Ryan and Lou Diamond Phillips are both restaurateurs).

to:

** In episode 284 (Potato Battle), Canadian challenger Michael Noble created creates an appetizing lamb-and-potato dish and started starts to lay it out, casserole-style. To this American viewer's eyes, this was is completely normal (and the dish looked looks awesome). The Japanese panel, on the other hand, reacted reacts with dismay at the presentation, as if none of them had ever even seen a casserole before. (Noble lost, leading many to believe it was that moment of dissonance that cost him the battle).
** Another sort of values dissonance could can be seen between the way the original ''Iron Chef'' is judged versus the judging on ''Iron Chef America''. Apparently in Japan, watching celebrities eat is a big entertainment deal, and a lot of TV focuses around this, so naturally the judges on the original show are almost always celebrities, with the very occasional actual food critic thrown in. The American version seemed to think thought that maybe, y'know, food critics should judge a cooking competition, and the ratio of critics to celebrities is usually flipped. When ICA has more than one celebrity judge, one of them will usually have some gourmet cred (Ex. Jeri Ryan and Lou Diamond Phillips are both restaurateurs).



** Similarly, the Iron Chefs seemed to get the benefit of the doubt on the original, leading to some absurd win percentages (including Kishi outright rigging battles to avoid OT by randomly docking a challenger point whenever possible). This went away in the American version, and the IC's winning percentages dropped since fairness trumped deference. It makes the Japan-esque winning percentages of Batali and Symon all the more impressive.
** When ''Iron Chef'' is shown in Australia it sometimes has a "contains scenes that may disturb some viewers". This is because the people on the show have no qualms about doing things like chopping up a live octopus that is still crawling around on the cutting board and trying to escape. Also, French actress Julie Dreyfus flatly refused to taste a challenger's dish because it contained whale meat. In episode 73 (Stingray Battle), Chef Noboru Inoue -- boss and mentor to challenger Yoshihide Koga -- spent almost the entire show standing on the sideline, getting drunk on red wine. The camera even catches him punching assistants on two separate occasions. On an American production, any one of those examples would've seen Inoue quietly hustled backstage -- at a minimum. And most of the footage would probably never make the airwaves. Here, the attitude of the commentators was "mildly scolding". The loss of dignity seemed more important than the fact that ''there's a drunk guy on the floor punching people''.

to:

** Similarly, the Iron Chefs seemed seem to get the benefit of the doubt on the original, leading to some absurd win percentages (including Kishi outright rigging battles to avoid OT by randomly docking a challenger point whenever possible). This went away in the American version, and the IC's winning percentages dropped drop since fairness trumped trumps deference. It makes the Japan-esque winning percentages of Batali and Symon all the more impressive.
** When ''Iron Chef'' is shown in Australia it sometimes has a "contains scenes that may disturb some viewers". viewers" warning. This is because the people on the show have no qualms about doing things like chopping up a live octopus that is still crawling around on the cutting board and trying to escape. Also, escape.
**
French actress Julie Dreyfus flatly refused refuses to taste a challenger's dish because it contained contains whale meat. meat.
**
In episode 73 (Stingray Battle), Chef Noboru Inoue -- boss and mentor to challenger Yoshihide Koga -- spent spends almost the entire show standing on the sideline, getting drunk on red wine. The camera even catches him punching assistants on two separate occasions. On an American production, any one of those examples would've seen Inoue quietly hustled backstage -- at a minimum. And minimum -- and most of the footage would probably never make the airwaves. Here, the attitude of the commentators was "mildly scolding". The is, if anything, patronizing. Apparently, the loss of dignity seemed more is important than the fact that ''there's a drunk guy on the floor punching people''.



** One episode from the show called [[https://www.youtube.com/watch?v=xvQUYz2lkds "Kabouter Klusoemba"]] featured Klus in black make up.

to:

** One episode from the show called [[https://www.youtube.com/watch?v=xvQUYz2lkds "Kabouter Klusoemba"]] featured features Klus in black make up.



** In at least two separate episodes of the original series it was revolutionary and controversial to charge a man in authority with rape for coercing sex from his female employees or charges under threat of termination or homelessness (kicking her out of of a group home).
** An SVU episode had the cast about evenly divided on the plausibility or laughability of a male stripper being forcibly raped by women.
** In early SVU episodes, Detective Munch espoused the "well she shouldn't have been dressed that way" viewpoint.
** The way [[{{transsexual}} transgender]] individuals are treated in early episodes of ''Special Victims Unit'' is uncomfortable. They casually throw around slurs like "tranny" without it being portrayed in a negative manner and frequently misgender characters. It's especially noticeable as episodes in TheNewTens, barely ten years after some of the aforementioned episodes, go out of their way to portay this sort of thing as negative, and the main characters don't do it anymore. In a 2015 episode about an assault on a transgender victim, the defendant's use of the term "tranny" was used as evidence of a hate crime.
** The earlier episodes of both shows would regularly have the police (and on occasion the district attorneys) bend or or violate the law to get convictions, such as by arranging for certain people to be unavailable for court, withholding evidence, and assaulting suspects. Elliot Stabler especially would use the JackBauerInterrogationTechnique just about every other episode to beat suspects into convicting, toyed with the idea of terrifying them, and confessed that he fantasizes about murdering the people he arrests. Over the course of TheNewTens (shortly after Christopher Meloni left the show), United States police officers were the subject of one scandal after another involving assault and unprovoked violence toward the people they're meant to protect, coupled with a justice system that fudges the details of each incident and protects officers guilty of such actions. Nowadays such episodes are quite difficult to watch, and you have to wonder how long Stabler would last in an era where everyone's first reaction to the police is to take out their phones.
* ''Series/LittleHouseOnThePrairie'' ran in the 1970s and early 1980s. The show's aesops are a hybrid of good country living and 1970s values. In the show, it was not polite to make fun of poor people, but it was okay to punch a girl in the face if she said or did something you didn't like -- and there was no consequence for doing so.
* ''Series/LoveThyNeighbour'' was screened on British TV at about the same time (early 1970s), a jolly sit-com for all the family. The premise for this laugh-fest was that a West Indian couple moved in next door to a white couple, the male half of whom was somewhat intolerant of black people and who expressed his tolerance in throwaway epithetic one-word descriptions of his darker-skinned neighbour. The West Indian had an equally colourful set of words for his white neighbour, and much hilarity ensued as the odd couple were generally thrown together in comedic and instructional situations where they each realised they needed the other's help to get out of deep doodoo. Meanwhile the two wives just got on with it and were friends over the back fence. While not completely as horrendous as it's been painted and in some respects wickedly funny, it could never, ever, be commissioned or broadcast today... examples exist on Website/YouTube if you want to judge for yourself. (Or, if you really dare, [[http://www.amazon.co.uk/Love-Thy-Neighbour-Complete-8dvd/dp/B005VEJA7O/ref=sr_1_3?s=dvd&ie=UTF8&qid=1398710915&sr=1-3&keywords=love+thy+neighbour on DVD...]])

to:

** In at least two separate episodes of the original series series, it was is considered revolutionary and controversial to charge a man in authority with rape for coercing sex from his female employees or charges under threat of termination or homelessness (kicking her out of of a group home).
** An SVU ''SVU'' episode had has the cast about evenly divided on the plausibility or laughability of a male stripper being forcibly raped by women.
** In early SVU ''SVU'' episodes, Detective Munch espoused espouses the infamous "well she shouldn't have been dressed that way" viewpoint.
** The way [[{{transsexual}} transgender]] individuals are treated in early episodes of ''Special Victims Unit'' is uncomfortable. They casually throw around slurs like "tranny" without it being portrayed in a negative manner and frequently misgender characters. It's especially noticeable as episodes in TheNewTens, barely ten years after some of the aforementioned episodes, go out of their way to portay this sort of thing as negative, and the main sympathetic characters don't do it anymore. In a 2015 episode about an assault on a transgender victim, the defendant's use of the term "tranny" was is used as evidence of a hate crime.
** The earlier episodes of both shows would regularly have the police (and on occasion the district attorneys) bend or or violate the law to get convictions, such as by arranging for certain people to be unavailable for court, withholding evidence, and assaulting suspects. Elliot Stabler especially would use uses the JackBauerInterrogationTechnique just about every other episode to beat suspects into convicting, toyed toys with the idea of terrifying them, and confessed confesses that he fantasizes about murdering the people he arrests. Over the course of TheNewTens (shortly after Christopher Meloni left the show), United States police officers were the subject of one scandal after another involving assault and unprovoked violence toward the people they're meant to protect, coupled with a justice system that fudges the details of each incident and protects officers guilty of such actions. Nowadays such episodes are quite difficult to watch, and you have to wonder how long Stabler would last in an era where everyone's first reaction to the police is to take out their phones.
* ''Series/LittleHouseOnThePrairie'' ran in the 1970s and early 1980s. The show's aesops are a hybrid of good country living and 1970s values. In the show, it was it's not polite to make fun of poor people, but it was it's okay to punch a girl in the face if she said says or did does something you didn't don't like -- and there was is no consequence for doing so.
* ''Series/LoveThyNeighbour'' was screened aired on British TV at about in the same time (early 1970s), 1970s as a jolly sit-com sitcom for all the family. The premise for this laugh-fest was is that a West Indian couple has moved in next door to a white couple, the male half of whom was somewhat is rather intolerant of black people and who expressed expresses his tolerance in throwaway epithetic one-word descriptions of his darker-skinned neighbour. The West Indian had has an equally colourful set of words for his white neighbour, and much hilarity ensued ensues as the odd couple were are generally thrown together in comedic and instructional situations where they each realised realise they needed need the other's help to get out of deep doodoo. Meanwhile Meanwhile, the two wives just got get on with it and were are friends over the back fence. While not as completely as horrendous as it's been painted and in some respects wickedly funny, it could never, ever, ever be commissioned or broadcast today... examples today. Examples exist on Website/YouTube if you want to judge for yourself. (Or, if you really dare, [[http://www.amazon.co.uk/Love-Thy-Neighbour-Complete-8dvd/dp/B005VEJA7O/ref=sr_1_3?s=dvd&ie=UTF8&qid=1398710915&sr=1-3&keywords=love+thy+neighbour on DVD...]])



** This was a series in the early 2000s that had a massively dysfunctional family (immature father, overbearing mother, the youngest and oldest brother causing destruction and mayhem inside and outside the home, and the middle child who gets ignored, tormented at school, and sometimes joins in on the antics of the other brothers). What would have been seen as hilarious and possibly normal for some people back then would have people in today's time wondering why no one had called social services on the parents.

to:

** This was a The series in the early 2000s that had has a massively dysfunctional family (immature father, overbearing mother, the youngest and oldest brother causing destruction and mayhem inside and outside the home, and the middle child who gets ignored, tormented at school, and sometimes joins in on the antics of the other brothers). What would have been was seen as hilarious and possibly normal for some people back then would have people in today's time wondering why no one had called ever calls social services on the parents.



* ''[[Series/{{MASH}} M*A*S*H]]'' was a show that covered a lot of contemporary social issues in a progressive light (especially after Alan Alda was given a great deal of creative control). However, the show still had a tendency to handle rape in a distasteful manner. Not that an actual rape was joked about or anything. Rather that such a serious subject was handled with a lot of comedic fodder. One could argue that a show that tried to bring humor to dark circumstances was simply attempting the same thing. However, dark circumstances on M*A*S*H were still handled in a dramatic fashion. The show's trivialization of rape is rather cringe-worthy. Even the writers in the later retrospectives on the show regret the rape jokes, and asked "What were we thinking?"
* ''Series/{{Mastermind}}'' is a popular UK quiz show, where people really have to study to be able to answer questions. Only the person who makes it through the first round, the semi-finals and wins the finals gets a prize: an engraved glass. Little time is spent on the candidate him/herself. In the Netherlands, not far from the UK, the format completely flopped. The public was upset that non-winners didn't get anything, and they wanted more details of the candidates' personal lives.
* ''Series/{{Maury}}'' never does their shows where the audience tries to find out a trans person's or crossdresser's sex anymore, likely due to changing views on LGBTQ people.
* ''Series/{{Merlin}}'': InvertedTrope. By modern standards, Uther is a ruthless tyrant. By general medieval standards, he would be considered rather benevolent.
* ''Series/MindYourLanguage'' is today considered to be at best embarrassingly xenophobic; at worst, blatantly racist. However, when it aired in the late 1970s the show was appreciated for having a comparatively diverse cast with several actors of colour.

to:

* ''[[Series/{{MASH}} M*A*S*H]]'' was is a show that covered covers a lot of contemporary social issues in a progressive light (especially after Alan Alda was given a great deal of creative control). However, the show still had has a tendency to handle rape in a distasteful manner. Not that an actual rape was is joked about or anything. Rather anything' rather, that such a serious subject was is handled with a lot of comedic fodder. One could can argue that a show that tried tries to bring humor to dark circumstances was is simply attempting the same thing. However, dark circumstances on M*A*S*H were ''M*A*S*H'' are still handled in a dramatic fashion. The fashion, so the show's trivialization of rape is rather cringe-worthy. Even the writers in the later retrospectives on the show regret the rape jokes, and asked "What were we thinking?"
* ''Series/{{Mastermind}}'' is a popular UK quiz show, show where people really have to study to be able to answer questions. Only the person who makes it through the first round, the semi-finals and wins the finals gets a prize: an engraved glass. Little time is spent on the candidate him/herself. In the Netherlands, not far from the UK, the format completely flopped. The public was upset that non-winners didn't get anything, and they wanted more details of the candidates' personal lives.
* ''Series/{{Maury}}'' never does their shows where the audience tries to find out a trans person's or crossdresser's sex anymore, likely due to changing views on LGBTQ people.
* ''Series/{{Merlin}}'': InvertedTrope.''Series/{{Merlin}}'' [[InvertedTrope inverts it]]. By modern standards, Uther is a ruthless tyrant. By general medieval standards, he would be considered rather benevolent.
* ''Series/MindYourLanguage'' is today considered to be at best embarrassingly xenophobic; at worst, blatantly racist. However, when it aired in the late 1970s 1970s, the show was appreciated for having a comparatively diverse cast with several actors of colour.



** The name given to the friend of the mother of the Secretary of State for Overseas Affairs, who is just about to make a major speech about Rhodesia in the Commons but wouldn't mind a cup of tea first, is ''Mrs Nigger-Baiter''. This was of course done deliberately for shock value, but the dissonance is much more glaring today than it was in the early 70s.
* An episode of ''Series/MorkAndMindy'' had Mork go up against an overgrown bully named George. George stalks Mindy, makes threatening phone calls to Mork and hangs out menacingly near their house. This is treated as creepy jerkassery, but no one even thinks of calling the police. Ironically, it would take the death of another of Pam Dawber's co-stars (Rebecca Schaffer of ''My Sister Sam'') to get the first anti-stalking laws passed in America.

to:

** The name given to the friend of the mother of the Secretary of State for Overseas Affairs, who is just about to make a major speech about Rhodesia in the Commons but wouldn't mind a cup of tea first, is ''Mrs Nigger-Baiter''. This was is of course done deliberately for shock value, but the dissonance is much more glaring today than it was in the early 70s.
* An episode of ''Series/MorkAndMindy'' had has Mork go up against an overgrown bully named George. George stalks Mindy, makes threatening phone calls to Mork and hangs out menacingly near their house. This is treated as creepy jerkassery, but no one even thinks of calling the police. Ironically, it would take the death of another of Pam Dawber's co-stars (Rebecca Schaffer of ''My Sister Sam'') to get the first anti-stalking laws passed in America.



** This reached an apotheosis with the short film ''[[http://www.imdb.com/title/tt0248722/ Catching Trouble]]'' (episode 315). Filmed in 1936, it presents a lighthearted look at Ross Allen, who captured animals for his zoo - with his bare hands. This involved poking them with sticks, knocking them out of tall trees - by cutting the trees down - and trapping them in a bag, with the help of "his faithful Seminole". On one occasion he starts a small forest fire in order to drive out a snake, and eventually he grabs two bear cubs who scream in a particularly pitiful way (their mother is strangely absent). Then one of the cubs attempts to escape from the boat by swimming, but as a camera just happens to be underwater, it seems clear that he was provoked into jumping off the boat just so that he could be recaptured. Joel and The Bots became audibly upset over the course of the film, culminating in Joel apologising on behalf of humanity.
** A second apotheosis came with ''[[http://www.imdb.com/title/tt0276048/ A Date With Your Family]]'', a short film from 1950 which was intended to teach kids how to have dinner with their parents. The film's portrait of family life circa 1950 - in which everything has to be arranged so that the father will not be upset when he returns from a hard day at the office - exactly fits the modern stereotype of that era. The narration, which was delivered by [[Series/LeaveItToBeaver Hugh Beaumont]], gave such as advice as "pleasant, unemotional conversation helps the digestion", and observed that "these boys greet their Dad as though they were genuinely glad to see him, as though they really missed him". The narrator further points out how the mother and sister of the family "owe it" to their menfolk to be attractive and charming, and encourages the son to compliment the ladies' cooking as "this will make them want to continue pleasing you."
** While not quite as jarring as the above two, the Union Pacific safety film "Days of Our Years" features a segment where a husband drops his wife in labor off at the hospital, and is then encouraged by the doctors to go on ahead to work while they take care of business. (This was during a time when women were kept sedated during childbirth, so it's not like the husband's presence would have meant much to the wife either way.) Against that though, the tradition of the new father handing cigars to everyone at the workplace almost fails to rate a mention.
** The short advertising a home economics major for female college students took quite a few hits. While most of the short is rather progressive in asserting that most of its graduates went on to have careers, the hosts audibly booed when the short gushed over a graduate who took on the "full-time career" of being a housewife.
** The short that proceeded ''Catching Trouble'', ''Aquatic Wizards'', had the narrator call a Hispanic jumper "a Mexican jumping bean." The Bots proceed to tear him a new one, with Crow calling him a "white fascist," and Tom pegging him as a fat ignorant hick who gets paid to talk into a microphone and eat pretzels all day.
* In the ''Series/{{NCIS}}'' season 1 episode "Dead Man Talking" (which came out in 2004), the team's attitude towards the woman who turns out to be a pre-op transsexual (as well as the killer of the week) comes off pretty transphobic nowadays. First of all, after TheReveal, they refer to her as a "guy", or with male pronouns, even as a "he-she" (which some consider a slur these days). In particular, Gibbs' snark about "adding that misdemeanor to the murder charge", [[HarsherInHindsight regarding the woman having used the female restroom, is especially cringeworthy after the transgender bathroom controversies of 2016]]. Secondly, Kate seems far more shocked at "Tony being on a date with a guy!", rather than Tony being on a date with a murderer responsible for the death of one of their fellow agents and who was probably planning on killing Tony once the night was up. Finally, the killer most likely didn't transition because he actually identified himself as a woman, but because it was the ultimate disguise to get away with his crimes.
* ''Theatre/TheOddCouple'', in one episode ("The Pig Who Came to Dinner"), featured a guest appearance by Bobby Riggs in which he played up his misogynistic public image. If similar statements had been made about blacks, for example, they would ''never'' have been tolerated, but women were apparently AcceptableTargets and Riggs' bigotry was largely played for laughs.
* ''Series/OdiseaBurbujas'' featured a scene where Mimoso Raton (a baby mouse) walks into a room, and a woman jumps onto a chair because she is terrified of him. And this is shown as perfectly normal and expected. This show ran in Mexico during the first half of the 1980s. Imagine the backlash and accusations of sexism the producers would have received if the same scene had been aired in the USA during the same time period.
* ''Series/OnlyFoolsAndHorses'': Del's homophobia, which was PlayedForLaughs in a way that reflected society's attitudes at the time the early seasons were filmed. Interestingly, the show noted the change in opinions - Rodney is much more accepting, and calls Del out when he suspects that he could have gotten [=AIDS=] from an effeminate hairdresser.
* ''OnTheBuses'' has one episode where the main characters Stan and Jack notice that their homemade beer makes Stan's sister and brother-in-law so out of their minds that they want to have sex with each other, even though they normally don't. So they decide to make some more and get the women at their work so out of their mind that they will have sex with them, not really knowing what they are doing. This is treated as harmless fun rather than rape.
* ''Patrulla Fronteriza: Prohibido Pasar'', a reality show on the National Geographic Channel, provides more fun with Latin American ValuesDissonance! It's about the patrols of the USA/Mexico border and their [[SarcasmMode heroic fight against the evils from the outside]]. If you don't get it, just ask how many Latin Americans have relatives living illegally in the USA.
* ''"Pipo De Clown"'', a Dutch children's show was very popular in from the 1950s until the 1970s, featured a white man dressed as a Native American, speaking in child like sentences. Nowadays this seems horribly racist.
* In the 1970s cop show ''Series/PoliceWoman'', FairCop Pepper Anderson's male colleagues keep complimenting her on her good looks, beautiful eyes and so on. Today this would at best be considered very unprofessional behaviour, and at worst sexual harassment.
* ''Series/PowerRangersSamurai'' plays out like this, because it barely altered anything from the original Sentai script, which resulted in a diverse, and western, group of Power Rangers to act ''very'' strangely to most western viewers, portraying Japanese values.
** All of them have been trained to be Samurai Rangers from childhood onward and they are expected to drop anything they had going on, to take up that duty when called upon. This includes any job they have been holding down. Doesn't bode well for a western audience, who see no reason why both cannot still be performed, whereas a Japanese audience sees this as appropriate, with familial duty (for the Greater Good) being deemed more important than personal independence.
** Blue Ranger Kevin chewing out Gold Ranger Antonio for wanting to be a Samurai Ranger, when he was never from a Samurai family to begin with. Aside from the obvious problem that ''none of the original cast were Japanese'', this again ties with the whole family and honor idea. Most people would commend Antonio for doing something that he considered right and working his ass off, to become fit for a Samurai Ranger.
** Mia's line of how 'every girl's dream is to get married' and her horrible fear of being a [[LethalChef bad cook]]. While dreaming of getting married is still a rather common idea that any person can have at some point, she puts a lot of emphasis onto it and seems to have not much of a plan of a life beyond that. And her not being a good cook is not a problem to most western audience, this does make more sense to a Japanese audience. Getting married is an expected societal norm for women, especially by the age of [[ChristmasCake 25]], and being a good cook is expected of a housewife. This goes into the strict gender-roles still present in Japan.
** On the gender-role note, the revelation that [[spoiler: Jayden is merely a BodyDouble for Lauren, the real red ranger]] makes no proper sense to a western audience. Originally, [[spoiler: Jayden became the Red Ranger because he was a man, despite being younger than his sister Lauren, who is the actual leader and inheritor, of the sealing technique]]. The Japanese still tend to be more male-centric, when it comes to inheriting titles and similar, whereas no western audience would see the problem with [[spoiler: having a woman be the leader]].
*** This is an [[AdaptationInducedPlotHole adaptation-induced plot hole]] as [[spoiler: Jayden's Japanese equivalent, Takeru, isn't related to the Red Ranger line at all and thus wasn't in line to inherit anything. He is actually older than the true heir, Kaoru, who was an infant when the deception started.]]
* ''Series/{{QI}}'', a British panel show, had an episode discussing a man from Japan who survived both bombings - [[http://www.youtube.com/watch?v=XnTaqBnNLUU a man who took a train from Hiroshima to Nagasaki just in time for the second blast]]. Most Brits wouldn't have thought twice about it. Interesting figures from even the grisliest chapters of history are routinely discussed, lampooned, and milked for laughs on the show, all in the name of being interesting. To British people, it's actually quite cosy comedy, and the clip no more harmful than anything else they've broadcast. Some Japanese media networks disagreed however, and the very existence of such a conversation - not broadcast in Japan, incidentally - was reported as an abomination, as it broke a cultural taboo. To some of the people of Japan, the subject's off-limits to the whole universe. To the UK, it's just quite interesting. It should, however, be pointed out that there are plenty of people from Japan commenting on that video that they don't see what the fuss is about.
** All the more interesting when you consider an earlier segment, which features far more jokes at the expense of the Japanese accent and culture. If anything you would expect that segment to have offended Japanese people, but instead a far milder one caused controversy, despite mainly discussing how extraordinary it was that the Japanese trains were running the day after Hiroshima, which the panellists said would never happen in London.

to:

** This reached reaches an apotheosis with the short film ''[[http://www.imdb.com/title/tt0248722/ Catching Trouble]]'' (episode 315). Filmed in 1936, it presents a lighthearted look at Ross Allen, who captured captures animals for his zoo - with his bare hands. This involved involves poking them with sticks, knocking them out of tall trees - by cutting the trees down - and trapping them in a bag, with the help of "his faithful Seminole". On one occasion he starts a small forest fire in order to drive out a snake, and eventually he grabs two bear cubs who scream in a particularly pitiful way (their mother is strangely absent). Then one of the cubs attempts to escape from the boat by swimming, but as a camera just happens to be underwater, it seems clear that he was provoked into jumping off the boat just so that he could be recaptured. Joel and The Bots became audibly upset over the course of the film, culminating in Joel apologising on behalf of humanity.
** A second apotheosis came comes with ''[[http://www.imdb.com/title/tt0276048/ A Date With Your Family]]'', a short film from 1950 which was is intended to teach kids how to have dinner with their parents. The film's portrait of family life circa 1950 - in which everything has to be arranged so that the father will not be upset when he returns from a hard day at the office - exactly fits the modern stereotype of that era. The narration, which was is delivered by [[Series/LeaveItToBeaver Hugh Beaumont]], gave gives such as advice as "pleasant, unemotional conversation helps the digestion", and observed observes that "these boys greet their Dad as though they were genuinely glad to see him, as though they really missed him". The narrator further points out how the mother and sister of the family "owe it" to their menfolk to be attractive and charming, and encourages the son to compliment the ladies' cooking as "this will make them want to continue pleasing you."
** While not quite as jarring as the above two, the Union Pacific safety film "Days of Our Years" features a segment where a husband drops his wife in labor off at the hospital, and is then encouraged by the doctors to go on ahead to work while they take care of business. (This was during a time when women were kept sedated during childbirth, so it's not like the husband's presence would have meant mean much to the wife either way.) Against that though, the tradition of the new father handing cigars to everyone at the workplace almost fails to rate a mention.
** The short advertising spot for a home economics major for female college students took takes quite a few hits. While most of the short is rather progressive in asserting that most of its graduates went on to have careers, the hosts audibly booed boo when the short gushed gushes over a graduate who took takes on the "full-time career" of being a housewife.
** The short that proceeded precedes ''Catching Trouble'', ''Aquatic Wizards'', had has the narrator call a Hispanic jumper "a Mexican jumping bean." The Bots proceed to tear him a new one, with Crow calling him a "white fascist," and Tom pegging him as a fat ignorant hick who gets paid to talk into a microphone and eat pretzels all day.
* In the ''Series/{{NCIS}}'' season 1 episode "Dead Man Talking" (which came out in 2004), the team's attitude towards the woman who turns out to be a pre-op transsexual (as well as the killer of the week) comes off pretty transphobic nowadays. First of all, after TheReveal, they refer to her as a "guy", or with male pronouns, even as a "he-she" (which some consider a slur these days). In particular, Gibbs' snark about "adding that misdemeanor to the murder charge", [[HarsherInHindsight regarding the woman having used the female restroom, [[HarsherInHindsight is especially cringeworthy after the transgender bathroom controversies of 2016]]. Secondly, Kate seems far more shocked at "Tony being on a date with a guy!", rather than Tony being on a date with a murderer responsible for the death of one of their fellow agents and who was probably planning on killing Tony once the night was up. Finally, the killer most likely didn't transition because he actually identified identifies himself as a woman, but because it was it's the ultimate disguise to get away with his crimes.
* ''Theatre/TheOddCouple'', in one episode ("The Pig Who Came to Dinner"), featured features a guest appearance by Bobby Riggs in which he played plays up his misogynistic sexist public image. If similar statements had been made about blacks, for example, they would ''never'' have been tolerated, but women were apparently AcceptableTargets back then and Riggs' bigotry was is largely played for laughs.
* ''Series/OdiseaBurbujas'' featured features a scene where Mimoso Raton (a baby mouse) walks into a room, and a woman jumps onto a chair because she is terrified of him. And this is shown as perfectly normal and expected. This show ran in Mexico during the first half of the 1980s. Imagine the backlash and accusations of sexism the producers would have received if the same scene had been aired in the USA during the same time period.
* ''Series/OnlyFoolsAndHorses'': Del's homophobia, which was is PlayedForLaughs in a way that reflected society's attitudes at the time the early seasons were filmed. Interestingly, the show noted notes the change in opinions - Rodney is much more accepting, and calls Del out when he suspects that he could have gotten [=AIDS=] from an effeminate hairdresser.
* ''OnTheBuses'' ''Series/OnTheBuses'' has one episode where the main characters Stan and Jack notice that their homemade beer makes Stan's sister and brother-in-law so out of their minds that they want to have sex with each other, even though they normally don't. So they decide to make some more and get the women at their work so out of their mind that they will they'll have sex with them, not really knowing what they are doing. This is treated as harmless fun rather than rape.
fun.
* ''Patrulla Fronteriza: Prohibido Pasar'', a reality show on the National Geographic Channel, provides more fun with Latin American ValuesDissonance! It's about the patrols of the USA/Mexico border and their [[SarcasmMode heroic fight against the evils from the outside]].outside. If you don't get it, just ask how many Latin Americans have relatives living illegally in the USA.
* ''"Pipo De Clown"'', a Dutch children's show show, was very popular in from the 1950s until the 1970s, 1970. It featured a white man dressed as a Native American, speaking in child like childlike sentences. Nowadays this seems horribly racist.
* In the 1970s cop show ''Series/PoliceWoman'', FairCop Pepper Anderson's male colleagues keep complimenting her on her good looks, beautiful eyes and so on. Today this would at best be considered very unprofessional behaviour, catcalling and at worst sexual harassment.
* ''Series/PowerRangersSamurai'' plays out like this, because it barely altered alters anything from the original Sentai script, which resulted results in a diverse, and western, group of Power Rangers to act acting ''very'' strangely to most western viewers, portraying Japanese values.
** All of them have been trained to be Samurai Rangers from childhood onward onward, and they are expected to drop anything they had going on, on to take up that duty when called upon. This includes any job they have been holding down. Doesn't This doesn't bode well for to a western Western audience, who see no reason why both cannot can't still be performed, whereas performed. Meanwhile, a Japanese audience sees this as appropriate, with familial duty (for the Greater Good) being deemed more important than personal independence.
** Blue Ranger Kevin chewing out Gold Ranger Antonio for wanting to be a Samurai Ranger, Ranger when he was never from a Samurai family to begin with. Aside from the obvious problem that ''none of the original cast were are Japanese'', this again ties in with the whole family and honor idea. Most people would commend Antonio for doing something that he considered considers right and working his ass off, off to become fit for a Samurai Ranger.
** Mia's line of how 'every "every girl's dream is to get married' married" and her horrible fear of being a [[LethalChef bad cook]]. While dreaming of getting married is still a rather common idea that any person can have at some point, she puts a lot of emphasis onto on it and seems to have not much of a life plan of a life beyond that. And While her not being a good cook is not isn't a problem to most western audience, this Western audiences, it does make more sense to a Japanese audience. Getting married is an expected societal norm for women, especially by the age of [[ChristmasCake 25]], and being a good cook is expected of a housewife. This goes into the strict gender-roles gender roles still present in Japan.
** On the gender-role note, the revelation that [[spoiler: Jayden is merely a BodyDouble for Lauren, the real red ranger]] makes no proper sense to a western audience. Originally, [[spoiler: Jayden became the Red Ranger because he was a man, despite being younger than his sister Lauren, who is the actual leader and inheritor, of the sealing technique]]. The Japanese still tend to be more male-centric, when it comes to inheriting titles and similar, whereas no western audience would see the problem with [[spoiler: having a woman be the leader]].
*** This is an [[AdaptationInducedPlotHole adaptation-induced plot hole]] as [[spoiler: Jayden's Japanese equivalent, Takeru, isn't related to the Red Ranger line at all and thus wasn't in line to inherit anything. He is actually older than the true heir, Kaoru, who was an infant when the deception started.]]
* ''Series/{{QI}}'', a British panel show, ''Series/{{QI}}'' had an episode discussing a man from Japan who survived both bombings - [[http://www.youtube.com/watch?v=XnTaqBnNLUU a man who took a train from Hiroshima to Nagasaki just in time for the second blast]]. Most Brits wouldn't have thought twice about it. Interesting figures from even the grisliest chapters of history are routinely discussed, lampooned, and milked for laughs on the show, all in the name of being interesting. To British people, it's actually quite cosy comedy, and the clip no more harmful than anything else they've broadcast. Some Japanese media networks disagreed however, and the very existence of such a conversation - not broadcast in Japan, incidentally - was reported as an abomination, as it broke a cultural taboo. To some of the people of Japan, the subject's off-limits to the whole universe. To the UK, it's just quite interesting. It should, however, be pointed out that there are plenty of people from Japan commenting on that video that they don't see what the fuss is about.
** All the more interesting when you consider an earlier segment, which features far more jokes at the expense of the Japanese accent accents and culture. If anything anything, you would expect that ''that'' segment to have offended Japanese people, but instead a far milder one caused controversy, despite mainly discussing how extraordinary it was that the Japanese trains were running the day after Hiroshima, which the panellists panelists said would never happen in London.



* ''Series/{{Scandal}}'': Abby, on Stephen: "I don't understand why a successful, charming man like him, with a good job, ''needs to sleep with whores''." Abby is hardly an innocent, nor Stephen's actual wife.
* ''{{SCTV}}'': Dave Thomas did at least two characters in yellowface. Thomas played Lin Ye Tang in multiple episodes, while playing Tim Ishimuni in 3.
* The DVD releases of the early seasons of ''Series/SesameStreet'' were given a label warning that they were for adults, as standards of what is appropriate for children to watch has gotten stricter. The episodes include the likes of an adult Muppet approaching a bunch of kids and pulling letters out of his trenchcoat, and Kermit furiously berating Cookie Monster when he eats a prop.
* ''Series/{{Skins}}'' has a somewhat...casual attitude toward teenage sex, which significantly freaks out the leftpondian audience; British viewers, on the other hand, view it as merely as an over-the-top if, at heart, accurate depiction. Particularly, the U.S. version of ''Skins'' had to change the resolution of the HotForStudent relationship in the first season. While the British don't exactly look ''kindly'' upon student-teacher romances, in America the [[PaedoHunt cultural taboo against it]] is so strong that even a neutral portrayal (as the original British version gave) would be seen as irresponsible. So in the American version, we see [[spoiler: Chris and Tina's relationship get found out, and Tina arrested and fired with a promise never to contact Chris again]]. In the original, [[spoiler: Chris simply realized that Jal was better for him than Angie (the character on which Tina was based), and they both moved on]].
* ''Series/TheSingingRingingTree'': the princess gets cursed with ugliness as a reflection of her inner character, with her beauty gradually being restored as this character reforms. What might seem a little jarring to modern viewers (aside from any UnfortunateImplications arising from BeautyEqualsGoodness being invoked here) is that part of this involves [[YouGottaHaveBlueHair her hair being turned green]], something which is an acceptable style statement now but not in the 1950s when the original film it was adapted from was made, and probably impossible to achieve in the MedievalEuropeanFantasy setting.

to:

* ''Series/{{Scandal}}'': Abby, on Stephen: "I don't understand why a successful, charming man like him, with a good job, ''needs needs to sleep with whores''.whores." Abby is hardly an innocent, nor Stephen's actual wife.
* ''{{SCTV}}'': ''Series/{{SCTV}}'': Dave Thomas did at least two characters in yellowface. Thomas played plays Lin Ye Tang in multiple episodes, while playing Tim Ishimuni in 3.
* The DVD releases of the early seasons of ''Series/SesameStreet'' were are given a label warning that they were are intended for adults, adult viewing for nostalgia purposes, as the standards of what is appropriate for children to watch has have gotten stricter. The episodes include the likes of an adult Muppet approaching a bunch of kids and pulling letters out of his trenchcoat, and Kermit furiously berating Cookie Monster when he eats a prop.
trenchcoat.
* ''Series/{{Skins}}'' has a somewhat...casual attitude toward teenage sex, which significantly freaks out the leftpondian audience; American audiences; British viewers, on the other hand, view it as merely as an over-the-top if, at heart, accurate depiction. Particularly, the U.S. version of ''Skins'' had to change the resolution of the HotForStudent relationship in the first season. While the British don't exactly look ''kindly'' upon student-teacher romances, in America the [[PaedoHunt cultural taboo against it]] is so strong that even a neutral portrayal (as the original British version gave) gives) would be seen as irresponsible. So in the American version, we see [[spoiler: Chris and Tina's relationship get found out, and Tina arrested and fired with a promise never to contact Chris again]]. In the original, [[spoiler: Chris simply realized realizes that Jal was is better for him than Angie (the character on which Tina was based), and they both moved move on]].
* ''Series/TheSingingRingingTree'': the princess gets cursed with ugliness as a reflection of her inner character, with her beauty gradually being restored as this character reforms. What might seem a little jarring to modern viewers (aside from any UnfortunateImplications arising from BeautyEqualsGoodness being invoked here) is that part of this involves [[YouGottaHaveBlueHair her hair being turned green]], something which is an acceptable style statement now now, but not in the 1950s when the original film it was adapted from was made, and probably impossible to achieve in the MedievalEuropeanFantasy setting.



** The first season episode when Archer decides to let an entire race die out because it was "nature's plan."
*** This show was particularly upsetting to most viewers because of its ridiculous use of HollywoodGenetics. Supposedly a race was unable to 'evolve' because of another species, and that species was 'evolving' to die out. A passing understanding of genetics showed how foolish it was, making the choice to let a race die out so the other can 'evolve', somehow, seem all the more insane.

to:

** The first season episode when Archer decides to let an entire race die out because it was it's "nature's plan."
*** This show was
plan" is particularly upsetting to most viewers because of its ridiculous use of HollywoodGenetics. Supposedly Supposedly, a race was is unable to 'evolve' "evolve" because of another species, and that species was 'evolving' is "evolving" to die out. A passing understanding of genetics showed shows how foolish it was, is, making the choice to let a race die out so the other can 'evolve', "evolve," somehow, seem all the more insane.



** The show presents an uncomfortably realistic view of the morality and ethics of warfare that would seem objectionable to audience members. Almost all of the main characters are shown doing underhanded deeds in the name of victory. Up to and including [[spoiler: attempted genocide on the part of the Federation.]]

to:

** The show presents an uncomfortably realistic view of the morality and ethics of warfare that would may seem objectionable to audience members. Almost all of the main characters are shown doing underhanded deeds in the name of victory. Up victory, up to and including [[spoiler: attempted genocide on the part of the Federation.]]



** The treatment of women can feel sexist to the modern viewer, despite the fact that the show was usually pushing standards of equality that were [[FairForItsDay radical for the time]]. ("But there ''was'' prejudice on Earth once! I remember reading about it in a history book!") In fact, the only reason there wasn't ''more'' obvious gender equity on the original Enterprise was ExecutiveMeddling by nervous suits who thought the very presence of females would imply rampant promiscuity among the crew. Though according to producers who worked on the series, even though Gene Roddenberry did want more female characters, it was less in the name of real, honest gender equity and more in the name of skirts and tops that exemplified the TheissTitillationTheory (there's a reason a ''Trek'' girl is that trope's image). But hey, at least they were there and (sometimes) involved in the plot.
** Although the miniskirts come across today as making female officers seem less professional than the male officers and more like sex symbols. While they ''were'' {{Fanservice}}, the miniskirt in TheSixties was also a [[FashionDissonance symbol of female empowerment and liberation]]. So also a lot of UnintentionalPeriodPiece (and with a bit of {{Zeerust}}, for a good measure).
** A reason women were treated as mostly eye-candy on the original series might have to do with the poor reaction of test audiences to the original pilot, "The Cage", in 1964. Gene Roddenberry claimed that a lot of women objected to seeing a woman in a position of authority (Number One, played by Majel Barrett), and the fact that the female crew members wore pants.
** Also in "The Cage", somewhat jarring to modern viewers might be Captain Pike's unwillingness to allow, and discomfort with having a woman on the bridge (when a female yeoman comes up to deliver a report)... [[OneOfTheBoys with the exception of Number One, that is.]]
** The original series also has [=McCoy=] constantly insulting Spock's Vulcan heritage by calling him such things as "you green-blooded Vulcan" or "you pointed-eared hobgoblin". In real world terms, this is essentially the same thing as racial insults and [[NoSuchThingAsHR shouldn't HR be doing something about that]]? Within the show, it's considered a harmless part of Spock and [=McCoy's=] VitriolicBestBuds relationship.
*** May count as DeliberateValuesDissonance since Spock has no emotional sensibilities with which to be offended, due to his Vulcan mental discipline.
* ''Series/StillStanding'' has one episode-long RunningGag mention that Bill took Tina (the youngest daughter) to a Bar. Bill, whenever this was mentioned, adds, "''AND GRILL''!". The joke may be lost on some - It's actually not as bad to have taken Tina to a bar and grill as the characters make it out to be. Many restaurants are in fact a "Bar and Grill" technically, and many actually ''do'' allow children, just as long as they do not consume alcohol.

to:

** The treatment of women can feel sexist to the modern viewer, despite the fact that the show was usually pushing pushes standards of equality that were [[FairForItsDay radical for the time]]. ("But there ''was'' prejudice on Earth once! I remember reading about it in a history book!") In fact, the only reason there wasn't isn't ''more'' obvious gender equity on the original Enterprise was is ExecutiveMeddling by nervous suits who thought the very presence of females would imply rampant promiscuity among the crew. Though according According to producers who worked on the series, though, even though Gene Roddenberry did want more female characters, it was less in the name of real, honest gender equity and more in the name of skirts and tops that exemplified the TheissTitillationTheory (there's a reason a ''Trek'' girl is that trope's image). But hey, at least they were they're there and (sometimes) involved in the plot.
** Although the The miniskirts come across today as making female officers seem less professional than the male officers and more like sex symbols. While they ''were'' ''are'' {{Fanservice}}, the miniskirt in TheSixties was also a [[FashionDissonance symbol of female empowerment and liberation]]. So liberation]], so this is also a lot of UnintentionalPeriodPiece (and with a bit of {{Zeerust}}, for a good measure).
** A reason women were are treated as mostly eye-candy on the original series might have to do with the poor reaction of test audiences to the original pilot, "The Cage", in 1964. Gene Roddenberry claimed that a lot of women objected to seeing a woman in a position of authority (Number One, played by Majel Barrett), and the fact that the female crew members wore pants.
** Also in "The Cage", somewhat jarring to modern viewers might be Captain Pike's unwillingness to allow, and discomfort with having having, a woman on the bridge (when a female yeoman comes up to deliver a report)... [[OneOfTheBoys with the exception of Number One, that is.]]
** The original series also has [=McCoy=] constantly insulting Spock's Vulcan heritage by calling him such things as "you green-blooded Vulcan" or "you pointed-eared hobgoblin". In real world real-world terms, this is essentially the same thing as racial insults insults, and [[NoSuchThingAsHR shouldn't HR be doing something about that]]? Within the show, it's considered a harmless part of Spock and [=McCoy's=] VitriolicBestBuds relationship.
***
relationship. May also count as DeliberateValuesDissonance DeliberateValuesDissonance, since Spock has no emotional sensibilities with which to be offended, offended due to his Vulcan mental discipline.
* ''Series/StillStanding'' has one episode-long RunningGag mention that Bill took Tina (the youngest daughter) to a Bar. bar. Bill, whenever this was is mentioned, adds, "''AND GRILL''!". The joke may be lost on some - It's it's actually not as bad to have taken Tina to a bar and grill as the characters make it out to be. Many restaurants are in fact a "Bar and Grill" technically, and many actually ''do'' allow children, just as long as they do not don't consume alcohol.



** In the episode "Captain Jack Harkness", Jack and Toshiko are transported back to WWII, where Jack meets the ''real'' Jack Harkness that he originally stole the identity of (as described in ''Doctor Who''). It turns out that the real Jack is gay, and as to be expected in the 1940's, in denial about it. Both Jacks are massively attracted to each other, and Torchwood's Jack, knowing that the real Jack is destined to die the following day, dances with and shares a passionate kiss with his namesake before returning to the 21st century.
** In "To the Last Man", Torchwood has been keeping a young WWI soldier in [[HumanPopsicle cryogenic suspension]] since the war, taking him out annually for checkup, because they know he will be crucial to resolving some temporal crisis. The tragedy is that they removed him from a military hospital, where he was catatonic from shell shock. When they return him to his own time he will revert to that condition, and be executed by the military for "cowardice", as shell shock (PTSD) was not recognized as an actual medical condition at the time and soldiers who suffered from it actually ''were'' executed.
* In the British series ''Tripped'', Milo and Danny go to an AlternateUniverse, and one of the key things differentiating that world from this one is that guns control is much more relaxed in the UK, as one character actually pulls a gun on Milo, shocking him. In the US, it wouldn't make sense for one to be shocked at someone having a gun.
* ''Watching Ourselves'', a documentary about the history of television in Scotland, {{lampshaded}} this. In one clip from an old documentary about glue-sniffing, a father quite casually mentions beating up his son, who couldn't have been much more than eleven or twelve, in front of the police:
-->"No one seems to care about the wee boy getting battered. Thankfully some things in Scotland have changed for the better."
* ''WhosTheBoss'' has this trope applied to the ''title'', as it would never even occur to most viewers nowadays to question whether a live-in housekeeper could presume to be the head-of-household's "boss", merely because the employee happens to be male and the employer happens to be female. Indeed, few of the show's once-groundbreaking role reversals would raise an eyebrow today.

to:

** In the episode "Captain Jack Harkness", Jack and Toshiko are transported back to WWII, where Jack meets the ''real'' Jack Harkness that he originally stole the identity of (as described in ''Doctor Who''). It turns out that the real Jack is gay, and is, as to be expected in the 1940's, in denial about it. Both Jacks are massively attracted to each other, and Torchwood's Jack, knowing that the real Jack is destined to die the following day, dances with and shares a passionate kiss with his namesake before returning to the 21st century.
** In "To the Last Man", Torchwood has been keeping a young WWI soldier in [[HumanPopsicle cryogenic suspension]] since the war, taking him out annually for checkup, because they know he will be crucial to resolving some temporal crisis. The tragedy is that they removed him from a military hospital, where he was catatonic from shell shock. When they return him to his own time time, he will revert to that condition, condition and be executed by the military for "cowardice", as shell shock (PTSD) was not recognized as an actual medical condition at the time and soldiers who suffered from it actually ''were'' executed.
* In the British series ''Tripped'', Milo and Danny go to an AlternateUniverse, and one of the key things differentiating that world from this one is that guns gun control is much more relaxed in the UK, as one character actually pulls a gun on Milo, shocking him. In the US, it wouldn't make sense for one to be shocked at someone having a gun. \n Of course, even your average (unarmed) American would be scared to have someone point a gun at him.
* ''Watching Ourselves'', a documentary about the history of television in Scotland, {{lampshaded}} [[LampshadeHanging lampshades]] this. In one clip from an old documentary about glue-sniffing, a father quite casually mentions beating up his son, who couldn't have been can't be much more than eleven or twelve, in front of the police:
-->"No one seems to care about the wee boy getting battered. Thankfully Thankfully, some things in Scotland have changed for the better."
* ''WhosTheBoss'' ''Series/WhosTheBoss'' has this trope applied to the ''title'', as it would never even occur to most viewers nowadays to question whether a live-in housekeeper could presume to be the head-of-household's "boss", merely because the employee happens to be male and the employer happens to be female. Indeed, few of the show's once-groundbreaking role reversals would raise an eyebrow today.



** More than once a villainess is given much a lighter punishment than her male counterparts [[spoiler: such as Morn in "The Night of the Flying Pie Plate," who gets a lighter sentence than her other conspirators]], or even allowed to walk away scot-free, apparently simply because she is a beautiful woman. This is compounded at the end of "The Night of the Red-Eyed Madmen," when the villainess gives a rather insightful, moving speech about how she'd only wanted to be seen as more than "just a woman." This small step forward is promptly ignored in favor of having her and another woman fawn over a new dress and begin discussing how to look their best when the train pulls into Carson City.

to:

** More than once once, a villainess is given much a lighter punishment than her male counterparts [[spoiler: such as Morn in "The Night of the Flying Pie Plate," who gets a lighter sentence than her other conspirators]], or is even allowed to walk away scot-free, apparently simply because she is a beautiful woman. This is compounded at the end of "The Night of the Red-Eyed Madmen," when the villainess gives a rather insightful, moving speech about how she'd only wanted to be seen as more than "just a woman." This small step forward is promptly ignored in favor of having her and another woman fawn over a new dress and begin discussing how to look their best when the train pulls into Carson City.



** "The Night of the Tycoons" romps home with the gold in Misogynistic Episode Writing; other episodes have female villains, but there's an unpleasant tone throughout the episode suggesting women have no business being in charge of huge corporations, capped off by its tag scene with Lionel's fiancee Kyra booted off to the kitchen and Jim telling him he's got to keep these women in their place.

to:

** "The Night of the Tycoons" romps home with the gold in Misogynistic Sexist Episode Writing; other episodes have female villains, but there's an unpleasant tone throughout the episode suggesting women have no business being in charge of huge corporations, capped off by its tag scene with Lionel's fiancee Kyra booted off to the kitchen and Jim telling him he's got to keep these women in their place.



* ''Series/ZCars'', a British cop-soap serial which ran in the 1960s-70s and which by today's cop-show standards is exceedingly tame, once ran an episode where the cops had to bust a child-porn ring engaged in making dubious home movies. The series screened in the early evening, just after teatime. In the 1970s, long before the emergence of the modern frenzied hysteria about paedophilia, this passed by a British TV audience without undue comment.

to:

* ''Series/ZCars'', a British cop-soap serial which ran in the 1960s-70s and which by today's cop-show standards is exceedingly tame, once ran an episode where the cops had have to bust a child-porn ring engaged in making dubious home movies. The series screened in the early evening, just after teatime. In the 1970s, long before the emergence of the modern frenzied hysteria about paedophilia, this passed by a British TV audience without undue comment.
1st May '17 11:36:01 AM JJHIL325
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* In the ''Series/{{NCIS}}'' season 1 episode "Dead Man Talking" (which came out in 2004), the team's attitude towards the woman who turns out to be a pre-op transsexual (as well as the killer of the week) comes off pretty transphobic nowadays. First of all, after TheReveal, they refer to her as a "guy", or with male pronouns, even as a "he-she" (which some consider a slur these days). In particular, Gibbs' snark about "adding that misdemeanor to the murder charge", [[HarsherInHindsight regarding the woman having used the female restroom, is especially cringeworthy after the transgender bathroom controversies of 2016]]. Secondly, Kate seems far more shocked at "Tony being on a date with a guy!", rather than Tony being on a date with a murderer responsible for the death of one of their fellow agents and who was probably planning on killing Tony once the night was up. Finally, the killer most likely didn't transition because he actually identified himself as a woman, but because it was the ultimate disguise to get away with his crimes. This lends to the unfortunate implication that transgender people are somehow "bad" or "evil" because they use it to get away with their crimes.

to:

* In the ''Series/{{NCIS}}'' season 1 episode "Dead Man Talking" (which came out in 2004), the team's attitude towards the woman who turns out to be a pre-op transsexual (as well as the killer of the week) comes off pretty transphobic nowadays. First of all, after TheReveal, they refer to her as a "guy", or with male pronouns, even as a "he-she" (which some consider a slur these days). In particular, Gibbs' snark about "adding that misdemeanor to the murder charge", [[HarsherInHindsight regarding the woman having used the female restroom, is especially cringeworthy after the transgender bathroom controversies of 2016]]. Secondly, Kate seems far more shocked at "Tony being on a date with a guy!", rather than Tony being on a date with a murderer responsible for the death of one of their fellow agents and who was probably planning on killing Tony once the night was up. Finally, the killer most likely didn't transition because he actually identified himself as a woman, but because it was the ultimate disguise to get away with his crimes. This lends to the unfortunate implication that transgender people are somehow "bad" or "evil" because they use it to get away with their crimes.
1st May '17 11:30:58 AM JJHIL325
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* In the ''Series/{{NCIS}}'' season 1 episode "Dead Man Talking" (which came out in 2004), the team's attitude towards the woman who turns out to be a pre-op transsexual (as well as the killer of the week) comes off pretty transphobic nowadays. After TheReveal they refer to her as a "guy", or with male pronouns, even as a "he-she" (which some consider a slur these days). In particular, Gibbs' snark about "adding that misdemeanor to the murder charge", [[HarsherInHindsight regarding the woman having used the female restroom, is especially cringeworthy after the bathroom controversies of 2016]]. And Kate seems far more shocked at "Tony being on a date with a guy!", rather than Tony being on a date with a murderer responsible for the death of one of their fellow agents.

to:

* In the ''Series/{{NCIS}}'' season 1 episode "Dead Man Talking" (which came out in 2004), the team's attitude towards the woman who turns out to be a pre-op transsexual (as well as the killer of the week) comes off pretty transphobic nowadays. After TheReveal First of all, after TheReveal, they refer to her as a "guy", or with male pronouns, even as a "he-she" (which some consider a slur these days). In particular, Gibbs' snark about "adding that misdemeanor to the murder charge", [[HarsherInHindsight regarding the woman having used the female restroom, is especially cringeworthy after the transgender bathroom controversies of 2016]]. And Secondly, Kate seems far more shocked at "Tony being on a date with a guy!", rather than Tony being on a date with a murderer responsible for the death of one of their fellow agents.agents and who was probably planning on killing Tony once the night was up. Finally, the killer most likely didn't transition because he actually identified himself as a woman, but because it was the ultimate disguise to get away with his crimes. This lends to the unfortunate implication that transgender people are somehow "bad" or "evil" because they use it to get away with their crimes.
29th Apr '17 4:11:19 AM Kate
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** JustifiedTrope in the episodes "[[Recap/DoctorWhoS29E8HumanNature Human Nature]]" and "[[Recap/DoctorWhoS29E9TheFamilyOfBlood The Family of Blood]]", set in 1913, deliberately using the mores of the time. Thus we have kind, sensible, eminently likable Joan Redfern matter-of-factly telling Martha that women will never be doctors, as well as Martha being subject to some minor racism from some of the students, and the Doctor in his human form thinking that allowing a bothersome student to be beaten by his classmates is an acceptable form of punishment.

to:

** JustifiedTrope in the episodes "[[Recap/DoctorWhoS29E8HumanNature Human Nature]]" and "[[Recap/DoctorWhoS29E9TheFamilyOfBlood The Family of Blood]]", set in 1913, deliberately using the mores of the time. Thus we have kind, sensible, eminently likable Joan Redfern matter-of-factly telling Martha that black women will never be doctors, as well as Martha being subject to some minor racism from some of the students, and the Doctor in his human form thinking that allowing a bothersome student to be beaten by his classmates is an acceptable form of punishment.
27th Apr '17 11:09:33 PM Golondrina
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** Also relating to Chandler, a RunningGag throughout the series was his embarrassment of his cross-dressing gay father. These days, these jokes would at best be outdated and at worst be considered homophobic or transphobic. This is made even worse considering the fact that Chandler's father is implied to have been a loving and present father in his life, with Chandler being the one embarrassed about him and the reason why they aren't close anymore comes only from Chandler.
*** Although it is worth considering that much of Chandler's animosity towards his father comes from the fact that he left his family for another man; while some of the jokes still come across as transphobic, the whole relationship is based on the divorce-child anger than anything else.

to:

** Also relating to Chandler, a RunningGag throughout DependingOnTheWriter, his animosity towards his father comes from the series was fact that his embarrassment father left his family and the whole relationship is based on the divorce-child anger, or because he's embarrassed of his cross-dressing father being a gay father.crossdresser, putting QueerPeopleAreFunny into effect. These days, these jokes would at best be outdated and at worst be considered homophobic or transphobic. This is made even worse considering the fact that Chandler's father is implied to have been a loving and present father in his life, with Chandler being the one embarrassed about him and the reason why they aren't close anymore comes only from Chandler.
*** Although it is worth considering that much of Chandler's animosity towards his father comes from the fact that he left his family for another man; while some of the jokes still come across as transphobic, the whole relationship is based on the divorce-child anger than anything else.
Chandler.
27th Apr '17 5:23:21 PM Golondrina
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http://tvtropes.org/pmwiki/article_history.php?article=ValuesDissonance.LiveActionTV