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"Phenomena" is plural.
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* StillbornFranchise: Despite the film's failure, Viselman was determined to make it into the next big preschool phenomena, claiming in 2013 that he had scripts for two sequels and was close to securing funding from overseas backers. He also suggested that he might try to pitch the series to Netflix. However, as of yet, nothing new has come from the ''Oogieloves'' franchise aside from the first film.
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* StillbornFranchise: Despite the film's failure, Viselman was determined to make it into the next big preschool phenomena, phenomenon, claiming in 2013 that he had scripts for two sequels and was close to securing funding from overseas backers. He also suggested that he might try to pitch the series to Netflix. However, as of yet, nothing new has come from the ''Oogieloves'' franchise aside from the first film.
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* PlayingAgainstType: Creator/ChazzPalminteri, who's noted for his dark and sinister roles (primarily mob bosses), plays the jolly good milkshake clerk, Milkie Marvin.
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* PlayingAgainstType: Creator/ChazzPalminteri, who's always noted for his dark and sinister roles (primarily mob bosses), plays the jolly good milkshake clerk, Milkie Marvin.
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* PlayingAgainstType: Creator/ChazzPalminteri, who's noted for his dark and sinister roles (primarily mob bosses), plays the jolly good milkshake clerk, Milkie Marvin.
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%%* TheWikiRule: [[http://theoogieloves.wikia.com/wiki/Main_Page Here.]]
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* TheShelfOfMovieLanguishment: Production was completed in 2009 and a "Stomp Out Bullying" PSA came out around the time it was supposed to be released, but the film sat on the shelf for four years, because the producer wanted to patent the film's method of providing visual cues and synchronizing house lights for a semi-interactive experience. Young viewers are encouraged to get up and dance when butterflies fly across the screen, and sit down when turtles appear.
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* TheShelfOfMovieLanguishment: Production was completed in 2009 and a "Stomp Out Bullying" PSA came out around the time it was supposed to be released, but the film sat on the shelf for four three years, because the producer wanted to patent the film's method of providing visual cues and synchronizing house lights for a semi-interactive experience. Young viewers are encouraged to get up and dance when butterflies fly across the screen, and sit down when turtles appear.
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* InspirationForTheWork: After seeing ''Film/MadeaGoesToJail'' in a theater, where he saw how the audience members would shout out advice to the characters on screen, Ken Viselman was partially inspired to create a children's film in the vein of ''Teletubbies'' with the interactive aspect, allowing the children to sing, dance, and respond to the characters on screen. He felt that "The idea of interactivity isn't new, but the idea of interactivity in a theater is."
* InvisibleAdvertising: This is what Viselman says killed the film's success, rather than its poor reception. He claimed to have had 20 to 30 million dollars for marketing from investors but the account was frozen a week before the movie release for undisclosed reasons, meaning the film had no advertising aside from one internet trailer. Exactly why the filmmakers decided to wait until only a week before the premiere to start its advertising campaign was never explained.
* InvisibleAdvertising: This is what Viselman says killed the film's success, rather than its poor reception. He claimed to have had 20 to 30 million dollars for marketing from investors but the account was frozen a week before the movie release for undisclosed reasons, meaning the film had no advertising aside from one internet trailer. Exactly why the filmmakers decided to wait until only a week before the premiere to start its advertising campaign was never explained.
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* InspirationForTheWork: After seeing ''Film/MadeaGoesToJail'' in a theater, where he saw how the audience members would shout out advice to the characters on screen, Ken Viselman was partially inspired to create a children's film in the vein of ''Teletubbies'' with the interactive aspect, allowing the children to sing, dance, and respond to the characters on screen. He felt that "The "the idea of interactivity isn't new, but the idea of interactivity in a theater is."
* InvisibleAdvertising: This is what Viselman says killed the film's success, rather than its poor reception. He claimed to have had 20 to 30 million dollars for marketing frominvestors investors, but the account was frozen a week before the movie release for undisclosed reasons, meaning the film had no advertising aside from one internet trailer. Exactly why the filmmakers decided to wait until only a week before the premiere to start its advertising campaign was never explained.
* InvisibleAdvertising: This is what Viselman says killed the film's success, rather than its poor reception. He claimed to have had 20 to 30 million dollars for marketing from
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* CrossDressingVoices: Both Goobie and Toofie are voiced by women. [[CrossCastRole Their suit performers are also women]].
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* CrossDressingVoices: Both Goobie and Toofie are voiced by women. [[CrossCastRole Their suit performers are also women]].women.]]
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* CrossDressingVoices: Both Goobie and Toofie are voiced by women. Their suit performers are also women.
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* CrossDressingVoices: Both Goobie and Toofie are voiced by women. [[CrossCastRole Their suit performers are also women.women]].
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* NoExportForYou: This was unsurprisingly not released in ''any'' form in the UK.
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Names The Same requires a full name.
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* NamesTheSame: [[Webcomic/{{Dolan}} Don't try to cheat Goobie again (pls).]]
