History TearJerker / SilentHill2

15th Feb '18 4:48:47 PM nombretomado
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-->--Tycho, PennyArcade

to:

-->--Tycho, PennyArcade
''Webcomic/PennyArcade''
28th Oct '17 5:45:29 PM Miruka
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-->'''Angela:''' ''*bitterly*'' That's what I thought.

to:

-->'''Angela:''' ''*bitterly*'' *bitterly* That's what I thought.
28th Oct '17 5:44:48 PM Miruka
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** Mary's response in the Leave ending to James saying "I hated you" is devastating in a completely different way. "If that were true... then why do you look so sad?" (shudders)

to:

** Mary's response in the Leave ending to James saying "I hated you" you," is devastating in a completely different way. "If that were true... then why do you look so sad?" (shudders)
28th Oct '17 5:44:28 PM Miruka
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* Room 312. The conversation you hear between [[spoiler:Mary and James]] in the hallway, where you begin to understand how sympathetic James ''really'' is, [[spoiler:how hard it must've been for her, and for James to take her abuse and mixed messages]]. The In Water/Leave endings are heartbreaking when finally James confesses, guiltily and tearfully: [[spoiler:"The truth is...I ''hated'' you. I wanted you out of the way. I wanted my life back!" The In Water ending is, of course, much worse, because despite Mary's urge for James to move on...he doesn't.]]
** [[spoiler: The In Water ending even changes Mary's final message. In the other endings, there are a few lines after Mary tells James to do what's best for him. In the In Water ending, it ends after "Do what's best for you, James." Think about that.]]
** Mary's response in the "Leave" ending to James saying "I hated you" is devastating in a completely different way. "If that were true...then why do you look so sad?" (shudders)

to:

* Room 312. The conversation you hear between [[spoiler:Mary and James]] in the hallway, where you begin to understand how sympathetic James ''really'' is, [[spoiler:how hard it must've been for her, Mary, and for James to take her abuse and mixed messages]]. The In Water/Leave endings are heartbreaking when finally James confesses, guiltily and tearfully: [[spoiler:"The truth is... I ''hated'' you. I wanted you out of the way. I wanted my life back!" The In Water ending is, of course, much worse, because despite Mary's urge for James to move on... he doesn't.]]
** [[spoiler: The [[spoiler:The In Water ending even changes Mary's final message. In the other endings, there are a few lines after Mary tells James to do what's best for him. In the In Water ending, it ends after "Do what's best for you, James." Think about that.]]
** Mary's response in the "Leave" Leave ending to James saying "I hated you" is devastating in a completely different way. "If that were true... then why do you look so sad?" (shudders)



* Any and all scenes with Angela, the video tape at the hotel, the conversation in the pseudo-EndlessCorridor, Mary's letter...
** Particularly tough for some is when Angela [[spoiler:calls James out for white knighting]]. If the player really has been seeing her as someone to help, the rebuff rings humiliatingly true. Even more so for James--even if Angela could be helped, [[spoiler:he's not the person who can help her, due to his own issues, and he knows it]].
-->'''Angela:''' "No, don't pity me! I'm not worth it... Or maybe, you think you can ''save'' me. Will you ''love'' me? ''Take care'' of me? Heal ''all'' my pain?"

to:

* Any and all scenes with Angela, the video tape at the hotel, the conversation in the pseudo-EndlessCorridor, Mary's letter...
Angela.
** Particularly tough for some is when Angela [[spoiler:calls James out for white knighting]].white-knighting]]. If the player really has been seeing her as someone to help, the rebuff rings humiliatingly true. Even more so for James--even if Angela could be helped, [[spoiler:he's not the person who can help her, due to his own issues, and he knows it]].
-->'''Angela:''' "No, No, don't pity me! I'm not worth it... Or maybe, you think you can ''save'' me. Will you ''love'' me? ''Take care'' of me? Heal ''all'' my pain?"pain?



-->'''Angela:''' ''*bitterly*'' "That's what I thought."
* [[spoiler: "You killer! Why'd you do it?! I hate you! I want her back! Give her back to me! I knew it, you didn't care about her! I hate you, James! I hate you, I hate you, I hate you!"]]
* The scene where you find out [[spoiler:what ''really'' happened to Mary]], and the infamous In Water ending [[spoiler:in which James commits suicide by driving his car into the lake so that he and his beloved wife can be together again]].

to:

-->'''Angela:''' ''*bitterly*'' "That's That's what I thought."
thought.
* [[spoiler: "You [[spoiler:"You killer! Why'd you do it?! I hate you! I want her back! Give her back to me! I knew it, you didn't care about her! I hate you, James! I hate you, I hate you, I hate you!"]]
* The scene where you find out [[spoiler:what ''really'' happened to Mary]], and the infamous In Water ending [[spoiler:in which James commits suicide by driving his car into the lake so that he and his beloved wife can be together again]].
you!"]]



* Maria's entire story in ''Born From A Wish''. She starts out as just another person lost in a town filled with fog and monsters, contemplates suicide, and somehow finds the strength to go on; displaying her kind personality in helping someone who's only dismissive of her, she discovers what she really is. It's hard to say if she was looking for revenge on James [[spoiler:since she had Mary's memories of being killed by him]] or if she was still somehow hoping for a happy ending.
* Going back to Room 312, the song True is such an amazing song. It mixes all of the elements that the game is; mystery, sadness, pain, etc. It is a perfect song for the perfect scene that even listening to it without the game's context makes you feel somewhat empty.
* Most of the (serious) endings fall into this category.

to:

* Maria's entire story in ''Born From A Wish''. Wish.'' She starts out as just another person lost in a town filled with fog and monsters, contemplates suicide, and somehow finds the strength to go on; displaying on. Displaying her kind personality in helping someone who's only dismissive of her, she discovers what she really is. It's hard to say if she was looking for revenge on James [[spoiler:since she had Mary's memories of being killed by him]] or if she was still somehow hoping for a happy ending.
* Going back to Room 312, the song True "True" is such an amazing song. so amazing. It mixes all of the elements that the game is; is: mystery, sadness, pain, etc. It is a perfect song for the perfect scene that even listening to it without the game's context makes you feel somewhat empty.
* Most of the (serious) endings fall into this category.
26th Jul '17 4:53:04 AM BearyScary
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** That line could be interpreted as an admission that [[spoiler: her mother's cruel and inhumane condemnation of her was the final straw. Angela's father and brother inflicted unspeakable abuse upon her, but her mother was the one who killed her.]]

to:

** That line could be interpreted as an admission that [[spoiler: her mother's cruel and inhumane condemnation of her was the final straw. Angela's father and brother inflicted unspeakable abuse upon her, but her mother was the one who killed her.]]
26th Jul '17 12:10:03 AM BearyScary
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Added DiffLines:

** That line could be interpreted as an admission that [[spoiler: her mother's cruel and inhumane condemnation of her was the final straw. Angela's father and brother inflicted unspeakable abuse upon her, but her mother was the one who killed her.]]
22nd Jun '17 1:56:15 PM Miracle@StOlaf
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-->''*James silently hangs his head*''
-->'''Angela:''' "That's what I thought."

to:

-->''*James silently -->''(James hangs his head*''
head in silence)''
-->'''Angela:''' ''*bitterly*'' "That's what I thought."
22nd Jun '17 1:55:13 PM Miracle@StOlaf
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** Particularly tough for some is when Angela [[spoiler:calls James out for white knighting]]. If the player really has been seeing her as someone to help, the rebuff rings humiliatingly true. Even more so for James--even if Angela could be helped, [[spoiler:he's not the person who can help her, due to his own issues]].

to:

** Particularly tough for some is when Angela [[spoiler:calls James out for white knighting]]. If the player really has been seeing her as someone to help, the rebuff rings humiliatingly true. Even more so for James--even if Angela could be helped, [[spoiler:he's not the person who can help her, due to his own issues]].issues, and he knows it]].
-->'''Angela:''' "No, don't pity me! I'm not worth it... Or maybe, you think you can ''save'' me. Will you ''love'' me? ''Take care'' of me? Heal ''all'' my pain?"
-->''*James silently hangs his head*''
-->'''Angela:''' "That's what I thought."
24th May '17 7:48:50 PM MarsJenkar
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** Particularly tough for some is when Angela [[spoiler:calls James out for white knighting]]. If the player really has been seeing her as someone to help, the rebuff rings humiliatingly true.

to:

** Particularly tough for some is when Angela [[spoiler:calls James out for white knighting]]. If the player really has been seeing her as someone to help, the rebuff rings humiliatingly true. Even more so for James--even if Angela could be helped, [[spoiler:he's not the person who can help her, due to his own issues]].
2nd May '16 3:28:00 PM TheOneWhoTropes
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** Particularly tough for some is when Angela [[spoiler:calls James out for WhiteKnighting]]. If the player really has been seeing her as someone to help, the rebuff rings humiliatingly true.

to:

** Particularly tough for some is when Angela [[spoiler:calls James out for WhiteKnighting]].white knighting]]. If the player really has been seeing her as someone to help, the rebuff rings humiliatingly true.
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