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Indeed, [[TVGenius "intelligent" characters]] preferentially utilize multisyllabic, grandiloquent vocabulary in situations where simpler locution would have been indubitably more socially advantageous; especially when such characters hold prominence for being {{motor mouth}}s. Characters afflicted with sesquipedalian loquaciousness frequently make perceptible attempts to overcomplicate their communicative elocution, presumably because the average writer surmises that such tangible verbosity is the sole and exclusive manner in which to display the erudition and perspicacious proficiencies of a character in contrast with, for instance, that of the average writer. This could moreover be an attribute of a particularly anal-retentive, obnoxious character who perennially endeavors toward impeccable correctness on the basis of personal pride; and, furthermore, having such consequential implications on the character's elocution inasmuch as to influence the character to incessantly seek ''unerring'' utilization of the [[GrammarNazi most precise word]] -- for instance, never describing chromatic appearance as "blue", when "azure"; "indigo"; or even "royal blue" would be more appropriate terms.

to:

Indeed, [[TVGenius "intelligent" characters]] preferentially utilize multisyllabic, grandiloquent vocabulary in situations where simpler locution would have been indubitably more socially advantageous; especially when such characters hold prominence for being {{motor mouth}}s. Characters afflicted with sesquipedalian loquaciousness frequently make perceptible attempts to overcomplicate their communicative elocution, presumably because the average writer surmises that such tangible verbosity is the sole and exclusive manner in which to display the erudition and perspicacious proficiencies of a character in contrast with, for instance, that of the average writer. This could moreover be an attribute of a particularly anal-retentive, [[AllPsychologyIsFreudian anal-retentive]], obnoxious character who perennially endeavors toward impeccable correctness on the basis of personal pride; and, furthermore, having such consequential implications on the character's elocution inasmuch as to influence the character to incessantly seek ''unerring'' utilization of the [[GrammarNazi most precise word]] -- for instance, never describing chromatic appearance as "blue", when "azure"; "indigo"; or even "royal blue" would be more appropriate terms.
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"suffer" is a dumb word lol


Ironically, [[http://en.wikipedia.org/wiki/Williams_syndrome Williams Syndrome]] can potentially lead to this manner of behavior. Those who suffer from UsefulNotes/AspergerSyndrome might behave in this manner in an apparent attempt to act as precise as possible, ironically making their oratorical sonorities too pleonastic to be expeditiously assimilated.

to:

Ironically, [[http://en.wikipedia.org/wiki/Williams_syndrome Williams Syndrome]] can potentially lead to this manner of behavior. Those who suffer from UsefulNotes/AspergerSyndrome might behave in Additional observation has recurrently concluded that neurodivergent individuals upon whom the autism permutation designated "UsefulNotes/AspergerSyndrome" is afflicted may adjust their verbal and textual conduct to this manner in of communication, seemingly as an apparent attempt to act as precise as possible, convey information with precision raised to the maximal level, ironically making their oratorical sonorities too pleonastic to be expeditiously assimilated.
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One of the frequent symptoms of SpockSpeak. Is typically a MotorMouth. [[SmartPeopleSpeakTheQueensEnglish Is fitting is one has an accent originating from the United Kingdom of Great Britain and Northern Ireland]]. Often known for taking an advantage of the fact that that TalkingIsAFreeAction. Related trope articles are the following: TechnoBabble, ExpospeakGag, AntiquatedLinguistics, SophisticatedAsHell, and DepartmentOfRedundancyDepartment. If one attempts this and can not seem to use the right lexicon, they're perpetrating DelusionsOfEloquence. If the ''author'' is guilty of this, it is PurpleProse. The word {{Antidisestablishmentarianism}} is typically common, as well.

to:

One of the frequent symptoms of SpockSpeak. Is typically a MotorMouth. [[SmartPeopleSpeakTheQueensEnglish Is fitting is if one has an accent originating from the United Kingdom of Great Britain and Northern Ireland]]. Often known for taking an advantage of the fact that that TalkingIsAFreeAction. Related trope articles are the following: TechnoBabble, ExpospeakGag, AntiquatedLinguistics, SophisticatedAsHell, and DepartmentOfRedundancyDepartment. If one attempts this and can not seem to use the right lexicon, they're perpetrating DelusionsOfEloquence. If the ''author'' is guilty of this, it is PurpleProse. The word {{Antidisestablishmentarianism}} is typically common, as well.
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''Sesquipedalian'': (of a distinct element of communicative locution) Superfluously multisyllabic, protracted, and characterized through utilization by apparently-enlightened individuals in both attempts at genuine intellectual discourse as well as in circumstances of simple supercilious bloviation. Or, (of an individual or linguistic medium) characterizing an indelible propensity toward an overwhelmingly-significant utilization of such elements of a highfalutin lexicon. Carries a Latin etymological origination approximately paraphrased as "a foot and a half long."

to:

''Sesquipedalian'': (of a distinct element of communicative locution) Superfluously multisyllabic, protracted, and characterized through utilization by apparently-enlightened individuals in both attempts at genuine intellectual discourse as well as in circumstances of simple supercilious bloviation. Or, (of an individual or linguistic medium) characterizing an indelible propensity toward an overwhelmingly-significant utilization of such elements of a highfalutin grandiloquent lexicon. Carries a Latin etymological origination approximately paraphrased as "a foot and a half long."



Indeed, [[TVGenius "intelligent" characters]] preferentially utilize multisyllabic, highfalutin vocabulary in situations where simpler locution would have been indubitably more socially advantageous; especially when such characters hold prominence for being {{motor mouth}}s. Characters afflicted with sesquipedalian loquaciousness frequently make perceptible attempts to overcomplicate their communicative elocution, presumably because the average writer surmises that such tangible verbosity is the sole and exclusive manner in which to display the erudition and perspicacious proficiencies of a character in contrast with, for instance, that of the average writer. This could moreover be an attribute of a particularly anal-retentive, obnoxious character who perennially endeavors toward impeccable correctness on the basis of personal pride; and, furthermore, having such consequential implications on the character's elocution inasmuch as to influence the character to incessantly seek ''unerring'' utilization of the [[GrammarNazi most precise word]] -- for instance, never describing chromatic appearance as "blue", when "azure"; "indigo"; or even "royal blue" would be more appropriate terms.

to:

Indeed, [[TVGenius "intelligent" characters]] preferentially utilize multisyllabic, highfalutin grandiloquent vocabulary in situations where simpler locution would have been indubitably more socially advantageous; especially when such characters hold prominence for being {{motor mouth}}s. Characters afflicted with sesquipedalian loquaciousness frequently make perceptible attempts to overcomplicate their communicative elocution, presumably because the average writer surmises that such tangible verbosity is the sole and exclusive manner in which to display the erudition and perspicacious proficiencies of a character in contrast with, for instance, that of the average writer. This could moreover be an attribute of a particularly anal-retentive, obnoxious character who perennially endeavors toward impeccable correctness on the basis of personal pride; and, furthermore, having such consequential implications on the character's elocution inasmuch as to influence the character to incessantly seek ''unerring'' utilization of the [[GrammarNazi most precise word]] -- for instance, never describing chromatic appearance as "blue", when "azure"; "indigo"; or even "royal blue" would be more appropriate terms.
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Indeed, [[TVGenius "intelligent" characters]] preferentially utilize multisyllabic, highfalutin vocabulary in situations where simpler locution would have been indubitably more socially advantageous; especially when such characters hold prominence for being {{motor mouth}}s. Characters afflicted with sesquipedalian loquaciousness frequently make perceptible attempts to overcomplicate their communicative elocution, presumably because the average writer surmises that such tangible verbosity is the sole and exclusive manner in which to display the erudition and perspicacious proficiencies of a character in contrast with, for instance, that of the average writer. This could moreover be an attribute of a particularly anal-retentive, obnoxious character who perennially endeavors toward impeccable correctness on the basis of personal pride; and, furthermore, having such consequential implications on the character's elocution as to influence the character to incessantly seek ''unerring'' utilization of the [[GrammarNazi most precise word]] -- for instance, never describing chromatic appearance as "blue", when "azure"; "indigo"; or even "royal blue" would be more appropriate terms.

to:

Indeed, [[TVGenius "intelligent" characters]] preferentially utilize multisyllabic, highfalutin vocabulary in situations where simpler locution would have been indubitably more socially advantageous; especially when such characters hold prominence for being {{motor mouth}}s. Characters afflicted with sesquipedalian loquaciousness frequently make perceptible attempts to overcomplicate their communicative elocution, presumably because the average writer surmises that such tangible verbosity is the sole and exclusive manner in which to display the erudition and perspicacious proficiencies of a character in contrast with, for instance, that of the average writer. This could moreover be an attribute of a particularly anal-retentive, obnoxious character who perennially endeavors toward impeccable correctness on the basis of personal pride; and, furthermore, having such consequential implications on the character's elocution inasmuch as to influence the character to incessantly seek ''unerring'' utilization of the [[GrammarNazi most precise word]] -- for instance, never describing chromatic appearance as "blue", when "azure"; "indigo"; or even "royal blue" would be more appropriate terms.
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None


''Sesquipedalian'': (of a distinct element of communicative locution) Superfluously multisyllabic, protracted, and characterized through utilization by apparently-enlightened individuals in both attempts at genuine intellectual discourse as well as in circumstances of simple supercilious bloviation. Or, (of an individual or linguistic medium) characterizing an indelible propensity toward an overwhelmingly-significant utilization of such elements of a hifalutin lexicon. Carries a Latin etymological origination approximately paraphrased as "a foot and a half long."

to:

''Sesquipedalian'': (of a distinct element of communicative locution) Superfluously multisyllabic, protracted, and characterized through utilization by apparently-enlightened individuals in both attempts at genuine intellectual discourse as well as in circumstances of simple supercilious bloviation. Or, (of an individual or linguistic medium) characterizing an indelible propensity toward an overwhelmingly-significant utilization of such elements of a hifalutin highfalutin lexicon. Carries a Latin etymological origination approximately paraphrased as "a foot and a half long."



Indeed, [[TVGenius "intelligent" characters]] preferentially utilize multisyllabic, hifalutin vocabulary in situations where simpler locution would have been indubitably more socially advantageous; especially when such characters hold prominence for being {{motor mouth}}s. Characters afflicted with sesquipedalian loquaciousness frequently make perceptible attempts to overcomplicate their communicative elocution, presumably because the average writer surmises that such tangible verbosity is the sole and exclusive manner in which to display the erudition and perspicacious proficiencies of a character in contrast with, for instance, that of the average writer. This could moreover be an attribute of a particularly anal-retentive, obnoxious character who perennially endeavors toward impeccable correctness on the basis of personal pride; and, furthermore, having such consequential implications on the character's elocution as to influence the character to incessantly seek ''unerring'' utilization of the [[GrammarNazi most precise word]] -- for instance, never describing chromatic appearance as "blue", when "azure"; "indigo"; or even "royal blue" would be more appropriate terms.

to:

Indeed, [[TVGenius "intelligent" characters]] preferentially utilize multisyllabic, hifalutin highfalutin vocabulary in situations where simpler locution would have been indubitably more socially advantageous; especially when such characters hold prominence for being {{motor mouth}}s. Characters afflicted with sesquipedalian loquaciousness frequently make perceptible attempts to overcomplicate their communicative elocution, presumably because the average writer surmises that such tangible verbosity is the sole and exclusive manner in which to display the erudition and perspicacious proficiencies of a character in contrast with, for instance, that of the average writer. This could moreover be an attribute of a particularly anal-retentive, obnoxious character who perennially endeavors toward impeccable correctness on the basis of personal pride; and, furthermore, having such consequential implications on the character's elocution as to influence the character to incessantly seek ''unerring'' utilization of the [[GrammarNazi most precise word]] -- for instance, never describing chromatic appearance as "blue", when "azure"; "indigo"; or even "royal blue" would be more appropriate terms.
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A predilection by highbrows or intellectuals to engage in the fastidious manifestation of prolix exposition through unnecessarily complex phraseology and parlance, utilizing complex jargon with a disposition frequently comprehensible exclusively to equivalently specialized individuals; notwithstanding the incontrovertible availability of more familiar, equivalently applicable, yet nevertheless unexceptional alternatives. In layman’s terms this is occasionally referred to as "gross verbosity" or "verbal diarrhea". Related to this trope is the concept colloquially identified as "inkhorn terms": neologisms originating from foreign systems of communicative locution such as Medieval Latin or Old French; as opposed to words carrying Anglo-Saxon etymological origins, which are ostensibly more straightforward for American English comprehension.

to:

A predilection by highbrows or intellectuals to engage in the fastidious manifestation of prolix exposition through unnecessarily complex unnecessarily-complex phraseology and parlance, utilizing complex jargon with a disposition frequently comprehensible exclusively to equivalently specialized individuals; notwithstanding the incontrovertible availability of more familiar, equivalently applicable, yet nevertheless unexceptional alternatives. In layman’s terms this is occasionally referred to as "gross verbosity" or "verbal diarrhea". Related to this trope is the concept colloquially identified as "inkhorn terms": neologisms originating from foreign systems of communicative locution such as Medieval Latin or Old French; as opposed to words carrying Anglo-Saxon etymological origins, which are ostensibly more straightforward for American English comprehension.

Changed: 1523

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A predilection by highbrows or intellectuals to engage in the fastidious manifestation of prolix exposition through unnecessarily complex phraseology and parlance, utilizing complex jargon with a disposition frequently comprehensible exclusively to equivalently specialized individuals; notwithstanding the incontrovertible availability of more familiar, equivalently applicable, yet nevertheless unexceptional alternatives. In layman’s terms this is occasionally referred to as "gross verbosity" or "verbal diarrhea". Related to this trope is the concept colloquially identified as "inkhorn terms": neologisms originating from foreign systems of communicative locution such as Medieval Latin or Old French; as opposed to words carrying Anglo-Saxon etymological origins, which are ostensibly more straightforward and comprehensible for American English comprehension.

Indeed, [[TVGenius "geniuses" in television shows]] preferentially utilize multisyllabic, hifalutin vocabulary when simpler locution would be indubitably more socially advantageous; especially when such characters hold prominence for being {{motor mouth}}s. Characters afflicted with this apparent trait oft are known for being overly complicated in speaking, as writers appear to believe that this manner of speech is the only obvious manner to display that one is more perspicacious than the supposedly average script-writer. This could also be the trait of a particularly obnoxious character who feels that he always has to be correct on his assumptions, this behavior extending far enough that this character always feels like he has to use only what he feels is exactly the [[GrammarNazi "correct"]] word -- never using "blue" when "azure" or "indigo" or even "royal blue" would be more accurate, for example.

Occasionally, such characters might potentially cease the use of this manner of speech if things get particularly climacteric, to emphasize exactly how dreadful the direction the current events are heading towards is (in the same manner as SarcasmFailure). Alternatively, they might potentially become even ''more'' verbose as they get more hysterical, leading to increasingly detailed but ultimately incoherent ranting that seems similar to {{wangst}}. Frequently, a different character might potentially remark with a sentence like "Wouldn't it be easier to just [whatever the brainy person said, in layman's terms]?" or, alternatively, "And [layman's terms version], too!"

to:

A predilection by highbrows or intellectuals to engage in the fastidious manifestation of prolix exposition through unnecessarily complex phraseology and parlance, utilizing complex jargon with a disposition frequently comprehensible exclusively to equivalently specialized individuals; notwithstanding the incontrovertible availability of more familiar, equivalently applicable, yet nevertheless unexceptional alternatives. In layman’s terms this is occasionally referred to as "gross verbosity" or "verbal diarrhea". Related to this trope is the concept colloquially identified as "inkhorn terms": neologisms originating from foreign systems of communicative locution such as Medieval Latin or Old French; as opposed to words carrying Anglo-Saxon etymological origins, which are ostensibly more straightforward and comprehensible for American English comprehension.

Indeed, [[TVGenius "geniuses" in television shows]] "intelligent" characters]] preferentially utilize multisyllabic, hifalutin vocabulary when in situations where simpler locution would be have been indubitably more socially advantageous; especially when such characters hold prominence for being {{motor mouth}}s. Characters afflicted with this apparent trait oft are known for being overly complicated in speaking, as writers appear sesquipedalian loquaciousness frequently make perceptible attempts to believe overcomplicate their communicative elocution, presumably because the average writer surmises that this such tangible verbosity is the sole and exclusive manner of speech is the only obvious manner in which to display that one is more the erudition and perspicacious than proficiencies of a character in contrast with, for instance, that of the supposedly average script-writer. writer. This could also moreover be the trait an attribute of a particularly anal-retentive, obnoxious character who feels that he always has perennially endeavors toward impeccable correctness on the basis of personal pride; and, furthermore, having such consequential implications on the character's elocution as to be correct on his assumptions, this behavior extending far enough that this influence the character always feels like he has to use only what he feels is exactly incessantly seek ''unerring'' utilization of the [[GrammarNazi "correct"]] word most precise word]] -- for instance, never using "blue" describing chromatic appearance as "blue", when "azure" or "indigo" "azure"; "indigo"; or even "royal blue" would be more accurate, for example.

appropriate terms.

Occasionally, such characters might potentially may [[OOCIsSeriousBusiness provisionally cease the use their utilization of this manner of speech sesquipedalian loquaciousness]], if things get presented with particularly climacteric, climacteric circumstances -- to emphasize exactly how dreadful the direction the current sheer unpropitious manner in which events are heading towards is unfolding (in the same manner as sooth, reminiscent to SarcasmFailure). Alternatively, they their precipitous hysteria might potentially become even ''more'' verbose as they get more hysterical, ''exacerbate'' their fastidious verbosity, leading to increasingly detailed increasingly-detailed but ultimately incoherent ranting fulminations that seems similar to {{wangst}}. perfunctorily become commensurate with {{wangst}}. Frequently, a different another character might potentially remark with will verbalize a sentence like "Wouldn't riposte synonymous to: “Wouldn’t it be easier to just [whatever the brainy person said, in layman's terms]?" terms]?” or, alternatively, "And “And [layman's terms version], too!"
too!” In The United States, when a person genuinely finds the elocution of another person to be unintelligible, they will articulate their confusion in a statement akin to: “Could you repeat that in plain ol’ Galveston English?”
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''Sesquipedalian'': (of a distinct element of communicative locution) Superfluously multisyllabic, protracted, and characterized through utilization by apparently-enlightened individuals in either genuine attempts at intellectual discourse with other individuals or in instances of simple supercilious bloviation. Carries a Latin etymological origination approximately paraphrased in English as "a foot and a half long."

to:

''Sesquipedalian'': (of a distinct element of communicative locution) Superfluously multisyllabic, protracted, and characterized through utilization by apparently-enlightened individuals in either genuine both attempts at genuine intellectual discourse with other individuals or as well as in instances circumstances of simple supercilious bloviation. Or, (of an individual or linguistic medium) characterizing an indelible propensity toward an overwhelmingly-significant utilization of such elements of a hifalutin lexicon. Carries a Latin etymological origination approximately paraphrased in English as "a foot and a half long."



A predilection by highbrows or intellectuals to engage in the fastidious manifestation of prolix exposition through unnecessarily complex phraseology and parlance, utilizing complex jargon with a disposition frequently comprehensible exclusively to equivalently specialized individuals; notwithstanding the incontrovertible availability of more familiar, equivalently applicable, yet nevertheless unexceptional alternatives. In layman’s terms this is occasionally referred to as "gross verbosity". Related to this trope is the concept colloquially known as "inkhorn terms"; neologisms originating from a foreign language, such as Medieval Latin or Old French, rather than Anglo-Saxon words, which are supposedly more untroublesome for American English speakers to comprehend.

To be frank, [[TVGenius "geniuses" in television shows]] prefer to use a lengthy vocabulary when it would be easier for most of their peers to comprehend a much simpler lexicon, especially when the aforementioned characters are known for [[MotorMouth speaking rather quickly]]. Characters afflicted with this apparent trait oft are known for being overly complicated in speaking, as writers appear to believe that this manner of speech is the only obvious manner to display that one is more perspicacious than the supposedly average script-writer. This could also be the trait of a particularly obnoxious character who feels that he always has to be correct on his assumptions, this behavior extending far enough that this character always feels like he has to use only what he feels is exactly the [[GrammarNazi "correct"]] word -- never using "blue" when "azure" or "indigo" or even "royal blue" would be more accurate, for example.

to:

A predilection by highbrows or intellectuals to engage in the fastidious manifestation of prolix exposition through unnecessarily complex phraseology and parlance, utilizing complex jargon with a disposition frequently comprehensible exclusively to equivalently specialized individuals; notwithstanding the incontrovertible availability of more familiar, equivalently applicable, yet nevertheless unexceptional alternatives. In layman’s terms this is occasionally referred to as "gross verbosity". verbosity" or "verbal diarrhea". Related to this trope is the concept colloquially known identified as "inkhorn terms"; terms": neologisms originating from a foreign language, systems of communicative locution such as Medieval Latin or Old French, rather than French; as opposed to words carrying Anglo-Saxon words, etymological origins, which are supposedly ostensibly more untroublesome straightforward and comprehensible for American English speakers to comprehend.

To be frank,
comprehension.

Indeed,
[[TVGenius "geniuses" in television shows]] prefer to use a lengthy preferentially utilize multisyllabic, hifalutin vocabulary when it simpler locution would be easier for most of their peers to comprehend a much simpler lexicon, indubitably more socially advantageous; especially when the aforementioned such characters are known hold prominence for [[MotorMouth speaking rather quickly]].being {{motor mouth}}s. Characters afflicted with this apparent trait oft are known for being overly complicated in speaking, as writers appear to believe that this manner of speech is the only obvious manner to display that one is more perspicacious than the supposedly average script-writer. This could also be the trait of a particularly obnoxious character who feels that he always has to be correct on his assumptions, this behavior extending far enough that this character always feels like he has to use only what he feels is exactly the [[GrammarNazi "correct"]] word -- never using "blue" when "azure" or "indigo" or even "royal blue" would be more accurate, for example.
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''Sesquipedalian'': A protracted element of an individual's lexicon, or characterized by the apparent utilization of such. From a Latin etymology loosely translating as "a foot and a half long."

to:

''Sesquipedalian'': A protracted (of a distinct element of an individual's lexicon, or communicative locution) Superfluously multisyllabic, protracted, and characterized by the apparent through utilization by apparently-enlightened individuals in either genuine attempts at intellectual discourse with other individuals or in instances of such. From simple supercilious bloviation. Carries a Latin etymology loosely translating etymological origination approximately paraphrased in English as "a foot and a half long."
Is there an issue? Send a MessageReason:
None


''Sesquipedalian'': A protracted element of one's lexicon, or characterized by the apparent use of such. From a Latin etymology loosely translating as "a foot and a half long."

to:

''Sesquipedalian'': A protracted element of one's an individual's lexicon, or characterized by the apparent use utilization of such. From a Latin etymology loosely translating as "a foot and a half long."



A predilection by the intelligentsia to engage in the manifestation of prolix exposition through a buzzword disposition form of communication notwithstanding the availability of more comprehensible, punctiliously applicable, diminutive alternatives. Occasionally referred to, in layman's terms, as "gross verbosity". Related to this trope is the concept colloquially known as "inkhorn terms", neologisms that originate from a foreign language, such as Medieval Latin or Old French, rather than Anglo-Saxon words, which are supposedly more untroublesome for American English speakers to comprehend.

to:

A predilection by the intelligentsia highbrows or intellectuals to engage in the fastidious manifestation of prolix exposition through unnecessarily complex phraseology and parlance, utilizing complex jargon with a buzzword disposition form of communication frequently comprehensible exclusively to equivalently specialized individuals; notwithstanding the incontrovertible availability of more comprehensible, punctiliously familiar, equivalently applicable, diminutive yet nevertheless unexceptional alternatives. Occasionally In layman’s terms this is occasionally referred to, in layman's terms, to as "gross verbosity". Related to this trope is the concept colloquially known as "inkhorn terms", terms"; neologisms that originate originating from a foreign language, such as Medieval Latin or Old French, rather than Anglo-Saxon words, which are supposedly more untroublesome for American English speakers to comprehend.
Is there an issue? Send a MessageReason:
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Ironically, [[http://en.wikipedia.org/wiki/Williams_syndrome Williams Syndrome]] can potentially lead to this manner of behavior. Those who suffer from [[AspergerSyndrome Asperger's Syndrome]] might behave in this manner in an apparent attempt to act as precise as possible, ironically making their oratorical sonorities too pleonastic to be expeditiously assimilated.

to:

Ironically, [[http://en.wikipedia.org/wiki/Williams_syndrome Williams Syndrome]] can potentially lead to this manner of behavior. Those who suffer from [[AspergerSyndrome Asperger's Syndrome]] UsefulNotes/AspergerSyndrome might behave in this manner in an apparent attempt to act as precise as possible, ironically making their oratorical sonorities too pleonastic to be expeditiously assimilated.
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If you do not wish to be greeted by the visage of this self-demonstarting article, please visit this link right in this very location: [[SesquipedalianLoquaciousness A version that is not self-demonstrating]]

to:

If you do not wish to be greeted by the visage of this self-demonstarting self-demonstrating article, please visit this link right in this very location: [[SesquipedalianLoquaciousness A version that is not self-demonstrating]]
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The exact antilogy of BuffySpeak and LaymansTerms. "Big Words" redirects here, for those who might not understand certain long words. Contrast with the LaconicWiki. Also of note is the apparent similarity, and possible relation, to TechnoBabble. May require one to possess a TranslatorBuddy.

to:

The exact antilogy of BuffySpeak and LaymansTerms. "Big Words" redirects here, for those who might not understand certain long words. Contrast with the LaconicWiki. Also of note is the apparent similarity, and possible relation, to TechnoBabble. May require one to possess a TranslatorBuddy.TranslatorBuddy.

If you do not wish to be greeted by the visage of this self-demonstarting article, please visit this link right in this very location: [[SesquipedalianLoquaciousness A version that is not self-demonstrating]]
Is there an issue? Send a MessageReason:
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''Sesquipedalian'': A lengthy element of one's lexicon, or characterized by the apparent use of such. From a Latin etymology loosely translating as "a foot and a half long."

to:

''Sesquipedalian'': A lengthy protracted element of one's lexicon, or characterized by the apparent use of such. From a Latin etymology loosely translating as "a foot and a half long."
Is there an issue? Send a MessageReason:
Final Edit. I may make some words more verbose later.


A predilection by the intelligentsia to engage in the manifestation of prolix exposition through a buzzword disposition form of communication notwithstanding the availability of more comprehensible, punctiliously applicable, diminutive alternatives. Occasionally referred to, in layman's terms, as "gross verbosity". Related to this trope is the concept colloquially known as "inkhorn terms", neologisms that originate from a foreign language, such as Medieval Latin or Old French, rather than Anglo-Saxon words, which are supposedly more simplistic for American English speakers to comprehend.

to:

A predilection by the intelligentsia to engage in the manifestation of prolix exposition through a buzzword disposition form of communication notwithstanding the availability of more comprehensible, punctiliously applicable, diminutive alternatives. Occasionally referred to, in layman's terms, as "gross verbosity". Related to this trope is the concept colloquially known as "inkhorn terms", neologisms that originate from a foreign language, such as Medieval Latin or Old French, rather than Anglo-Saxon words, which are supposedly more simplistic untroublesome for American English speakers to comprehend.



Ironically, [[http://en.wikipedia.org/wiki/Williams_syndrome Williams Syndrome]] can lead to this kind of behavior. People with [[AspergerSyndrome Asperger's Syndrome]] may do this in an attempt to be as precise as possible, ironically making their oratorical sonorities too pleonastic to be expeditiously assimilated. [[note]] In their attempt to be better understood they make themselves harder to understand.[[/note]]

One of the symptoms of SpockSpeak. Usually also a MotorMouth. [[SmartPeopleSpeakTheQueensEnglish Goes well with British accents, too]]. Often takes advantage of the fact that TalkingIsAFreeAction. See also TechnoBabble, ExpospeakGag, AntiquatedLinguistics, SophisticatedAsHell, and DepartmentOfRedundancyDepartment. If someone tries for this and can't get the words right, they're perpetrating DelusionsOfEloquence. If the ''author'' commits this, see PurpleProse. The word {{Antidisestablishmentarianism}} is almost guaranteed to show up as well.

Very heavily associated with the {{Steampunk}} genre in particular, and TruthInTelevision in that case, as the Victorians ''did'' speak a form of English that was more complex and verbose, and less dumbed down than current usage.

It's worth noting that there is a word for the ''fear'' of long words; ironically, it's "sesquipedalophobia" often exaggerated by people into "hippopotomonstrosesquipedaliophobia".

The polar opposite of BuffySpeak and LaymansTerms. Big Words redirects here, for those of us who prefer to avert this trope in RealLife. Contrast the LaconicWiki. Also note the similarity to TechnoBabble. May require one to have a TranslatorBuddy.

to:

Ironically, [[http://en.wikipedia.org/wiki/Williams_syndrome Williams Syndrome]] can potentially lead to this kind manner of behavior. People with Those who suffer from [[AspergerSyndrome Asperger's Syndrome]] may do might behave in this manner in an apparent attempt to be act as precise as possible, ironically making their oratorical sonorities too pleonastic to be expeditiously assimilated. [[note]] In their attempt to be better understood they make themselves harder to understand.[[/note]]

assimilated.

One of the frequent symptoms of SpockSpeak. Usually also Is typically a MotorMouth. [[SmartPeopleSpeakTheQueensEnglish Goes well with British accents, too]]. Is fitting is one has an accent originating from the United Kingdom of Great Britain and Northern Ireland]]. Often takes known for taking an advantage of the fact that that TalkingIsAFreeAction. See also Related trope articles are the following: TechnoBabble, ExpospeakGag, AntiquatedLinguistics, SophisticatedAsHell, and DepartmentOfRedundancyDepartment. If someone tries for one attempts this and can't get can not seem to use the words right, right lexicon, they're perpetrating DelusionsOfEloquence. If the ''author'' commits is guilty of this, see it is PurpleProse. The word {{Antidisestablishmentarianism}} is almost guaranteed to show up typically common, as well.

Very heavily Popularized and associated with the {{Steampunk}} genre in particular, and TruthInTelevision in its related genres, and it is [[TruthInTelevision a correct assumption that case, as the Victorians ''did'' would speak in such a form of manner]], as the English of the time was far more complicated than that was more complex and verbose, and less dumbed down than current usage.

It's
of today.

It may also be
worth noting that there is is, in fact, a word for the ''fear'' irrational fear of long words; ironically, it's "sesquipedalophobia" often the word is "sesquipedalophobia", which is oft exaggerated by people into some as "hippopotomonstrosesquipedaliophobia".

The polar opposite exact antilogy of BuffySpeak and LaymansTerms. Big Words "Big Words" redirects here, for those of us who prefer to avert this trope in RealLife. might not understand certain long words. Contrast with the LaconicWiki. Also of note is the similarity apparent similarity, and possible relation, to TechnoBabble. May require one to have possess a TranslatorBuddy.
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''Sesquipedalian'': A lengthy element of one's lexicon, or characterized by the apparent use of such. From a Latin etymology loosely translating as "a foot and a half long."

''Loquaciousness'': [[Film/ConAir That would be garrulousness, verboseness, effusiveness. How about "chattiness"? ]]

A predilection by the intelligentsia to engage in the manifestation of prolix exposition through a buzzword disposition form of communication notwithstanding the availability of more comprehensible, punctiliously applicable, diminutive alternatives. Occasionally referred to, in layman's terms, as "gross verbosity". Related to this trope is the concept colloquially known as "inkhorn terms", neologisms that originate from a foreign language, such as Medieval Latin or Old French, rather than Anglo-Saxon words, which are supposedly more simplistic for American English speakers to comprehend.

To be frank, [[TVGenius "geniuses" in television shows]] prefer to use a lengthy vocabulary when it would be easier for most of their peers to comprehend a much simpler lexicon, especially when the aforementioned characters are known for [[MotorMouth speaking rather quickly]]. Characters afflicted with this apparent trait oft are known for being overly complicated in speaking, as writers appear to believe that this manner of speech is the only obvious manner to display that one is more perspicacious than the supposedly average script-writer. This could also be the trait of a particularly obnoxious character who feels that he always has to be correct on his assumptions, this behavior extending far enough that this character always feels like he has to use only what he feels is exactly the [[GrammarNazi "correct"]] word -- never using "blue" when "azure" or "indigo" or even "royal blue" would be more accurate, for example.

Occasionally, such characters might potentially cease the use of this manner of speech if things get particularly climacteric, to emphasize exactly how dreadful the direction the current events are heading towards is (in the same manner as SarcasmFailure). Alternatively, they might potentially become even ''more'' verbose as they get more hysterical, leading to increasingly detailed but ultimately incoherent ranting that seems similar to {{wangst}}. Frequently, a different character might potentially remark with a sentence like "Wouldn't it be easier to just [whatever the brainy person said, in layman's terms]?" or, alternatively, "And [layman's terms version], too!"

Ironically, [[http://en.wikipedia.org/wiki/Williams_syndrome Williams Syndrome]] can lead to this kind of behavior. People with [[AspergerSyndrome Asperger's Syndrome]] may do this in an attempt to be as precise as possible, ironically making their oratorical sonorities too pleonastic to be expeditiously assimilated. [[note]] In their attempt to be better understood they make themselves harder to understand.[[/note]]

One of the symptoms of SpockSpeak. Usually also a MotorMouth. [[SmartPeopleSpeakTheQueensEnglish Goes well with British accents, too]]. Often takes advantage of the fact that TalkingIsAFreeAction. See also TechnoBabble, ExpospeakGag, AntiquatedLinguistics, SophisticatedAsHell, and DepartmentOfRedundancyDepartment. If someone tries for this and can't get the words right, they're perpetrating DelusionsOfEloquence. If the ''author'' commits this, see PurpleProse. The word {{Antidisestablishmentarianism}} is almost guaranteed to show up as well.

Very heavily associated with the {{Steampunk}} genre in particular, and TruthInTelevision in that case, as the Victorians ''did'' speak a form of English that was more complex and verbose, and less dumbed down than current usage.

It's worth noting that there is a word for the ''fear'' of long words; ironically, it's "sesquipedalophobia" often exaggerated by people into "hippopotomonstrosesquipedaliophobia".

The polar opposite of BuffySpeak and LaymansTerms. Big Words redirects here, for those of us who prefer to avert this trope in RealLife. Contrast the LaconicWiki. Also note the similarity to TechnoBabble. May require one to have a TranslatorBuddy.

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