History NightmareFuel / KingCrimson

29th Nov '15 9:31:45 AM TheWhistleTropes
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* "21st Century Schizoid Man" from ''Music/InTheCourtOfTheCrimsonKing'' lives up to its title, with its screaming guitars and saxes and apocalyptic lyrics:
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* ** "21st Century Schizoid Man" from ''Music/InTheCourtOfTheCrimsonKing'' that album lives up to its title, with its screaming guitars and saxes and apocalyptic lyrics:
9th May '15 10:50:22 PM sharkcrap11
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Added DiffLines:
* "Sleepless", also from ''Three of a Perfect Pair'', with its twitchy, crazed bassline, creepy guitar sounds, droning synths and Belew's impressionistic rambling about fear, nightmares, the "rumbling in your ears". Also counts as ParanoiaFuel, as well. "It's alright to feel a little fear", indeed.
17th Jan '15 12:05:21 AM bt8257
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--> ''21st Century Scizoid Man''
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--> ''21st Century Scizoid Schizoid Man''

5th Jan '15 6:22:27 PM Patachou
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* "21st Century Schizoid Man" lives up to its title, with its screaming guitars and saxes and apocalyptic lyrics: -->Blood rack, barbed wire -->Politicians' funeral pyre -->Innocents raped with napalm fire -->21st Century Scizoid Man
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!! Examples: * That goddamn album cover for ''Music/InTheCourtOfTheCrimsonKing''. * "21st Century Schizoid Man" from ''Music/InTheCourtOfTheCrimsonKing'' lives up to its title, with its screaming guitars and saxes and apocalyptic lyrics: -->Blood --> ''Blood rack, barbed wire -->Politicians' wire'' --> ''Politicians' funeral pyre -->Innocents pyre'' --> ''Innocents raped with napalm fire -->21st fire'' --> ''21st Century Scizoid ManMan''

* "The Devil's Triangle", which starts off as a modest variation of Holst's "Mars, the Bringer of War", but by the end, it sounds like Mars is armed with nukes. And just to be a little ''more'' unsettling, an excerpt from "The Court of the Crimson King" swoons in and out in the final minute... * That goddamn album cover for ''In The Court of the Crimson King''.
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* "The Devil's Triangle", which starts off as a modest variation of Holst's Music/GustavHolst's "Mars, the Bringer of War", but by the end, it sounds like Mars is armed with nukes. And just to be a little ''more'' unsettling, an excerpt from "The Court of the Crimson King" swoons in and out in the final minute... * That goddamn album cover for ''In The Court of the Crimson King''.
30th Oct '14 10:07:40 PM Yoshiman400
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changed my own poor wording of a previous edit
* "The Devil's Triangle", which starts off as a modest variation of Holst's "Mars, the Bringer of War" before turning into pure disregard for peace treaty by the end. And just to be a little ''more'' unsettling, an excerpt from "The Court of the Crimson King" swoons in and out in the final minute...
to:
* "The Devil's Triangle", which starts off as a modest variation of Holst's "Mars, the Bringer of War" before turning into pure disregard for peace treaty War", but by the end.end, it sounds like Mars is armed with nukes. And just to be a little ''more'' unsettling, an excerpt from "The Court of the Crimson King" swoons in and out in the final minute...
22nd Sep '14 7:27:38 AM Maxiboy136
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Added DiffLines:
-->21st Century Scizoid Man
8th Sep '14 12:32:36 PM ILoveDogs
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* That goddamn album cover for ''In The Court of the Crimson King''.
24th Sep '13 2:37:34 PM Yoshiman400
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Added DiffLines:
* "The Devil's Triangle", which starts off as a modest variation of Holst's "Mars, the Bringer of War" before turning into pure disregard for peace treaty by the end. And just to be a little ''more'' unsettling, an excerpt from "The Court of the Crimson King" swoons in and out in the final minute...
27th May '13 7:21:56 AM NemesisKane
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* From ''Three of a Perfect Pair'', we have Side 2 opener "Industry". It's the quiet parts of "Indiscipline" with the heavy bits removed, the lyrics removed, and the tension taken to an absurd level where the entire song constantly sounds like it's about to collapse on itself. This goes on for seven minutes straight.
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* From ''Three of a Perfect Pair'', we have Side 2 opener "Industry". It's the quiet parts of "Indiscipline" with the heavy bits removed, the lyrics removed, machine noises added, and the tension taken to an absurd level where the entire song constantly sounds like it's about to collapse on itself. This goes on for seven ''seven minutes straight.straight''.
28th Jan '13 8:22:16 PM KingCrInuYasha
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* Most, if not the entirety of ''Red''. The intro to "Starless" alone can suck the warmth out of any room with its Mellotron intro and creepy lyrics which seems to be talking about suicide, and even though the listener is taken to the heavens at the end of the song, the same intro is played one more time, only with a sharper, more menacing edge. Then there's "Providence", which is one of the most unnerving pieces of music ever to grace human ears. The first half alone will have you looking around the room, convinced that something is staring at you. It's fucking terrifying. Finally, the ominous "Red" itself, particularly in the middle section with the creepy cello, and the distorted guitar and bass which sets the tone for the entire album.
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* Most, if not the entirety of ''Red''. The intro to "Starless" alone can suck the warmth out of any room with its Mellotron intro and creepy lyrics which seems to be talking about suicide, someone crossing the DespairEventHorizon, and even though the listener is taken to the heavens at the end of the song, the same intro is played one more time, only with a sharper, more menacing edge. Then there's "Providence", which is one of the most unnerving pieces of music ever to grace human ears. The first half alone will have you looking around the room, convinced that something is staring at you. It's fucking terrifying. Finally, the ominous "Red" itself, particularly in the middle section with the creepy cello, and the distorted guitar and bass which sets the tone for the entire album.
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