History Music / MiklosRozsa

4th Mar '17 11:47:04 AM nombretomado
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* Joseph L. Mankiewicz's ''Theatre/JuliusCaesar'' (1953) -- James Mason as Brutus, John Gielgud as Cassius, and MarlonBrando as Antony

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* Joseph L. Mankiewicz's ''Theatre/JuliusCaesar'' (1953) -- James Mason as Brutus, John Gielgud as Cassius, and MarlonBrando Creator/MarlonBrando as Antony
7th Jan '17 10:11:08 AM nombretomado
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* ''Lady Hamilton'' [-AKA-] ''That Hamilton Woman'' (1940) -- LaurenceOlivier and Vivien Leigh as Lord Nelson and Lady Hamilton

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* ''Lady Hamilton'' [-AKA-] ''That Hamilton Woman'' (1940) -- LaurenceOlivier Creator/LaurenceOlivier and Vivien Leigh as Lord Nelson and Lady Hamilton
20th Oct '16 11:23:06 PM jormis29
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* ''The Strange Love of Martha Ivers'' (1946) -- Another Barbara Stanwyck FilmNoir

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* ''The Strange Love of Martha Ivers'' ''Film/TheStrangeLoveOfMarthaIvers'' (1946) -- Another Barbara Stanwyck FilmNoir
3rd Apr '16 11:34:42 AM eroock
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[[quoteright:248:http://static.tvtropes.org/pmwiki/pub/images/Miklos_Rozsa_6326.jpg]]

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[[quoteright:248:http://static.[[quoteright:268:http://static.tvtropes.org/pmwiki/pub/images/Miklos_Rozsa_6326.jpg]]
org/pmwiki/pub/images/miklos_rozsa.jpg]]
3rd Apr '16 11:30:38 AM eroock
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'''Miklós Rózsa''' was born in Budapest on April 18, 1907. Though his father wanted him to study chemistry, Rózsa's musical talents led him to the Conservatory in Leipzig, where he studied with such people as Hermann Grabner. Eventually he made his way to Paris, where he tried to make a living composing music, but found that he had to author a few popular tunes under the pseudonym Nic Tomay just to keep food on the table.

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'''Miklós Rózsa''' Miklós Rózsa was born in Budapest on April 18, 1907. Though his father wanted him to study chemistry, Rózsa's musical talents led him to the Conservatory in Leipzig, where he studied with such people as Hermann Grabner. Eventually he made his way to Paris, where he tried to make a living composing music, but found that he had to author a few popular tunes under the pseudonym Nic Tomay just to keep food on the table.



* ''Film/TheLostWeekend'' (1945)



* ''Film/TheLostWeekend'' (1945)
3rd Apr '16 11:29:30 AM eroock
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Rózsa's scoring was marked by five distinct "periods": The first, Rózsa called the "oriental" period, with films featuring exotic locations (e.g. ''Film/TheThiefOfBagdad'', ''The Four Feathers'', and ''The Jungle Book''); the second featured his "psychological" portraits (e.g., ''Lost Weekend'', ''The Red House'', and the Oscar-winning score for ''Film/{{Spellbound}}''); the third was his "film noir" period (e.g., ''Film/DoubleIndemnity'' and his Oscar-winning score for ''A Double Life''); the fourth was his Historico-Biblical Period (e.g., ''Madame Bovary'', ''QuoVadis'', ''Film/ElCid'', ''Lust for Life'' (a BioPic of Vincent van Gogh), and his Oscar-winning score for ''Film/BenHur''); and the fifth was his sci-fi phase (e.g., ''The Power'' (notable for its use of the Hungarian cembalo) and ''Time After Time'').

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Rózsa's scoring was marked by five distinct "periods": The first, Rózsa called the "oriental" period, with films featuring exotic locations (e.g. ''Film/TheThiefOfBagdad'', ''The Four Feathers'', and ''The Jungle Book''); the second featured his "psychological" portraits (e.g., ''Lost Weekend'', ''Film/TheLostWeekend'', ''The Red House'', and the Oscar-winning score for ''Film/{{Spellbound}}''); the third was his "film noir" period (e.g., ''Film/DoubleIndemnity'' and his Oscar-winning score for ''A Double Life''); the fourth was his Historico-Biblical Period (e.g., ''Madame Bovary'', ''QuoVadis'', ''Film/ElCid'', ''Lust for Life'' (a BioPic of Vincent van Gogh), and his Oscar-winning score for ''Film/BenHur''); and the fifth was his sci-fi phase (e.g., ''The Power'' (notable for its use of the Hungarian cembalo) and ''Time After Time'').
30th Aug '15 6:38:54 AM gallium
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* ''Adam's Rib'' (1949) -- A Spencer Tracy and Creator/KatharineHepburn comedy

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* ''Adam's Rib'' ''Film/AdamsRib'' (1949) -- A Spencer Tracy Creator/SpencerTracy and Creator/KatharineHepburn comedy
21st May '15 2:22:22 PM Morgenthaler
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[[quoteright:330:http://static.tvtropes.org/pmwiki/pub/images/Miklos_Rozsa_6326.jpg]]

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[[quoteright:330:http://static.[[quoteright:248:http://static.tvtropes.org/pmwiki/pub/images/Miklos_Rozsa_6326.jpg]]
21st May '15 2:21:07 PM Morgenthaler
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* ''DoubleIndemnity'' (1944)

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* ''DoubleIndemnity'' ''Film/DoubleIndemnity'' (1944)



* ''TheLostWeekend'' (1945)

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* ''TheLostWeekend'' ''Film/TheLostWeekend'' (1945)
5th Dec '14 3:03:50 AM Patachou
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Rózsa's scoring was marked by five distinct "periods": The first, Rózsa called the "oriental" period, with films featuring exotic locations (e.g. ''Film/TheThiefOfBagdad'', ''The Four Feathers'', and ''The Jungle Book''); the second featured his "psychological" portraits (e.g., ''Lost Weekend'', ''The Red House'', and the Oscar-winning score for ''{{Spellbound}}''); the third was his "film noir" period (e.g., ''DoubleIndemnity'' and his Oscar-winning score for ''A Double Life''); the fourth was his Historico-Biblical Period (e.g., ''Madame Bovary'', ''QuoVadis'', ''Film/ElCid'', ''Lust for Life'' (a BioPic of Vincent van Gogh), and his Oscar-winning score for ''Film/BenHur''); and the fifth was his sci-fi phase (e.g., ''The Power'' (notable for its use of the Hungarian cembalo) and ''Time After Time'').

When Rózsa turned 80, he was given a touching tribute by colleagues and friends; even world leaders such as Ronald Reagan, Margaret Thatcher and the Pope sent him congratulations. Los Angeles Mayor Tom Bradley dubbed the composer's birthday, April 18, 1987, "Miklós Rózsa Day."

to:

Rózsa's scoring was marked by five distinct "periods": The first, Rózsa called the "oriental" period, with films featuring exotic locations (e.g. ''Film/TheThiefOfBagdad'', ''The Four Feathers'', and ''The Jungle Book''); the second featured his "psychological" portraits (e.g., ''Lost Weekend'', ''The Red House'', and the Oscar-winning score for ''{{Spellbound}}''); ''Film/{{Spellbound}}''); the third was his "film noir" period (e.g., ''DoubleIndemnity'' ''Film/DoubleIndemnity'' and his Oscar-winning score for ''A Double Life''); the fourth was his Historico-Biblical Period (e.g., ''Madame Bovary'', ''QuoVadis'', ''Film/ElCid'', ''Lust for Life'' (a BioPic of Vincent van Gogh), and his Oscar-winning score for ''Film/BenHur''); and the fifth was his sci-fi phase (e.g., ''The Power'' (notable for its use of the Hungarian cembalo) and ''Time After Time'').

When Rózsa turned 80, he was given a touching tribute by colleagues and friends; even world leaders such as Ronald Reagan, Margaret Thatcher UsefulNotes/RonaldReagan, UsefulNotes/MargaretThatcher and the Pope sent him congratulations. Los Angeles Mayor Tom Bradley dubbed the composer's birthday, April 18, 1987, "Miklós Rózsa Day."



* ''The Divorce of Lady X'' (1938) -- A comedy starring LaurenceOlivier and Merle Oberon

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* ''The Divorce of Lady X'' (1938) -- A comedy starring LaurenceOlivier Creator/LaurenceOlivier and Merle Oberon



* Creator/AlfredHitchcock's ''{{Spellbound}}'' (1945)

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* Creator/AlfredHitchcock's ''{{Spellbound}}'' ''Film/{{Spellbound}}'' (1945)



* ''TheGoldenVoyageOfSinbad'' (1974)
* ''Time After Time'' (1979) -- A ScienceFiction {{Fantasy}} featuring Creator/HGWells' Time-Machine and JackTheRipper

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* ''TheGoldenVoyageOfSinbad'' ''Film/TheGoldenVoyageOfSinbad'' (1974)
* ''Time After Time'' (1979) -- A ScienceFiction {{Fantasy}} featuring Creator/HGWells' Time-Machine and JackTheRipperUsefulNotes/JackTheRipper
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http://tvtropes.org/pmwiki/article_history.php?article=Music.MiklosRozsa