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* ConceptAlbum: 1968's ''Genuine Imitation Life Gazette''. Inspired by Music/TheBeatles' ''Music/SgtPeppersLonelyHeartsClubBand'' and co-written by folk artist Jake Holmes, it was essentially their equivalent to Music/TheBeachBoys' ''Music/{{SMiLE|TheBeachBoys}}'', except it was finished and released (then mostly ignored).

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* ConceptAlbum: 1968's ''Genuine Imitation Life Gazette''. Inspired by Music/TheBeatles' ''Music/SgtPeppersLonelyHeartsClubBand'' with music by Gaudio and co-written lyrics by folk artist SingerSongwriter Jake Holmes, it Holmes,[[note]]Best known now for having written and recorded the original version of "Dazed and Confused", which Jimmy Page retooled from [[PsychedelicRock psychedelic]] FolkMusic to HardRock for Music/TheYardbirds and Music/LedZeppelin while conveniently forgetting to give Holmes a composition credit, which led to back and forth legal wrangling, culminating in an out-of-court settlement that currently credits the Zeppelin version as "words and music by Jimmy Page, inspired by Jake Holmes." Holmes also worked with Gaudio on the Music/FrankSinatra ConceptAlbum ''Watertown'' and did some work with Music/HarryBelafonte, but ended up making most of his living writing commercial jingles. [[/note]]it was essentially their equivalent to Music/TheBeachBoys' ''Music/{{SMiLE|TheBeachBoys}}'', except it was finished and released (then mostly ignored).
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* FakeOutOpening: "Beggin' " starts off sounding like an anguished, heavily-orchestrated ballad, but after the opening line, it suddenly shifts into an uptempo, proto-{{Disco}} piece (which gives it a lot of LyricalDissonance).
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* DolledUpInstallment: "My Eyes Adored You" was recorded as a Four Seasons song during their Motown period, but after Motown turned it down, Private Stock Records agreed to release it, but on the condition that it would be credited to just Frankie Valli. This was in contrast to his solo singles in TheSixties, which were specifically intended and recorded as solo pieces. Oddly, "My Eyes Adored You" hitting #1 is what led to the group's resurgence in TheSeventies.
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** "The Night", originally released in 1972 (and a hit in the UK in 1975 after getting revived on the Northern {{Soul}} scene), has been cited as a landmark proto-{{Disco}} song, which makes their turn toward a more disco-oriented sound later in the decade seem more logical.

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** "The Night", originally released in 1972 (and a hit in the UK in 1975 after getting revived on the Northern {{Soul}} scene), has been cited as a landmark proto-{{Disco}} song, with a prominent bass part and memorable mix of steady beats and an ominous organ hook, which makes their turn toward a more disco-oriented sound later in the decade seem more logical.

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* UnbuiltTrope: "Patch of Blue" sounds like the guys doing a song InTheStyleOf Music/BruceSpringsteen circa ''Music/BornToRun'', except they recorded and released it five years earlier, in 1970.

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* UnbuiltTrope: UnbuiltTrope:
**
"Patch of Blue" sounds like the guys doing a song InTheStyleOf Music/BruceSpringsteen circa ''Music/BornToRun'', except they recorded and released it five years earlier, in 1970.1970.
** "The Night", originally released in 1972 (and a hit in the UK in 1975 after getting revived on the Northern {{Soul}} scene), has been cited as a landmark proto-{{Disco}} song, which makes their turn toward a more disco-oriented sound later in the decade seem more logical.

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Dewicking.


* ExcitedShowTitle: "Let's Hang On!"



** As Website/{{Wikipedia}} puts it, "Working My Way Back to You" "is in some ways a re-casting of the melody from their previous hit, 'Let's Hang On!'." The same songwriting team did both songs (Sandy Linzer and Denny Randell).

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** As Website/{{Wikipedia}} puts it, "Working My Way Back to You" "is is in some ways a re-casting of the melody from their previous hit, 'Let's Hang On!'." The same songwriting team did both songs (Sandy Linzer and Denny Randell).
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* ConceptAlbum: 1968's ''Genuine Imitation Life Gazette''. Inspired by Music/TheBeatles' ''Music/SgtPeppersLonelyHeartsClubBand'' and co-written by folk artist Jake Holmes, it was essentially their equivalent to Music/TheBeachBoys' ''Music/{{Smile}}'', except it was finished and released (then mostly ignored).

to:

* ConceptAlbum: 1968's ''Genuine Imitation Life Gazette''. Inspired by Music/TheBeatles' ''Music/SgtPeppersLonelyHeartsClubBand'' and co-written by folk artist Jake Holmes, it was essentially their equivalent to Music/TheBeachBoys' ''Music/{{Smile}}'', ''Music/{{SMiLE|TheBeachBoys}}'', except it was finished and released (then mostly ignored).
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** As Wiki/{{Wikipedia}} puts it, "Working My Way Back to You" "is in some ways a re-casting of the melody from their previous hit, 'Let's Hang On!'." The same songwriting team did both songs (Sandy Linzer and Denny Randell).

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** As Wiki/{{Wikipedia}} Website/{{Wikipedia}} puts it, "Working My Way Back to You" "is in some ways a re-casting of the melody from their previous hit, 'Let's Hang On!'." The same songwriting team did both songs (Sandy Linzer and Denny Randell).
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* TheFifties: Actually, the early and mid-60s outside of "Apple of My Eye" (1956), but the group's signature sound was a style more associated with the 1960s than anything. In fact, some don't even realize that the later '70s hits are The Four Seasons.

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* TheFifties: Actually, the early and mid-60s outside of "Apple of My Eye" (1956), but the group's signature sound (sometimes categorized as "Brill Building pop", much like Music/BobbyDarin, Music/PaulAnka, and Music/NeilSedaka) was a style more associated with the late 1950s and early 1960s than anything. In fact, some don't even realize that the later '70s hits are The Four Seasons.
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* CoverAlbum: Their 1965 album ''The 4 Seasons Sing Big Hits'' contained Music/BurtBacharach covers on one side and Music/BobDylan covers on the other side.

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After an unsuccessful stint with Creator/{{Motown}} in 1972-74, "My Eyes Adored You" was released on Private Stock Records as a Frankie Valli solo record and hit #1 in early 1975; Motown must've been hitting themselves over that one as they refused to release it and sold the rights to Valli for $4,000! This success led to renewed interest in The Four Seasons, who signed with Creator/WarnerBrosRecords that year. By that point, Tommy [=DeVito=] and Joe Long had left the group, Bob Gaudio had quit performing (all three were replaced by a rotating assortment of session musicians) and Gerry Polci and Don Ciccone joined Valli as a VocalTagTeam. This new lineup had hits like "Who Loves You", "December, 1963 (Oh, What a Night)" (yet another #1) and "Silver Star" but their popularity soon faded again. Valli, meanwhile, had a few solo hits such as "Swearin' to God" and "Film/{{Grease}}". Gaudio and Valli would team up for two more albums, 1985's ''Streetfighter'' and 1992's ''Hope + Glory'', both recorded with a crew of studio musicians and released under the Four Seasons name. Neither sold particularly well, and the group has not released any new music since.

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After an unsuccessful stint The group signed with Creator/{{Motown}} in 1972-74, 1972 as part of the label's (ultimately unsuccessful) attempt to expand its reach to the West Coast. They released one album, ''Chameleon'', on the subsidiary label [=MoWest=], but the parent company didn't seem to have much faith in the band and gave it little promotion, causing it to flop. They recorded some songs for a second album, but Motown wasn't interested and instead they chose to release the band from their contract. Valli attempted to purchase the rights to the unreleased songs but in the end was only able to acquire the rights to one song, "My Eyes Adored You" was You", which he paid $4,000 for. The song would be released on by Private Stock Records as a Frankie Valli solo record and would hit #1 in early 1975; Motown must've been hitting themselves over that one as they refused to release it and sold the rights to Valli for $4,000! 1975. This success led to renewed interest in The Four Seasons, who signed with Creator/WarnerBrosRecords that year. By that point, Tommy [=DeVito=] and Joe Long had left the group, and Bob Gaudio had quit performing (all three were replaced by (though he remained on board as a rotating assortment of session musicians) writer and producer). A new version of the band was assembled; Gerry Polci and Don Ciccone joined Valli as a VocalTagTeam.VocalTagTeam, while the musical backing would be provided by session musicians. This new lineup had hits like "Who Loves You", "December, 1963 (Oh, What a Night)" (yet another #1) and "Silver Star" but their popularity soon faded again. Valli, meanwhile, had a few solo hits such as "Swearin' to God" and "Film/{{Grease}}". "Film/{{Grease}}".

Gaudio and Valli would team up for two more albums, 1985's ''Streetfighter'' and 1992's ''Hope + Glory'', both recorded with a crew of studio musicians and released under the Four Seasons name. Neither sold particularly well, and the group has not released any new music since.


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* NonIndicativeName: Their 1967 album ''New Gold Hits'' was a regular studio album and not a GreatestHitsAlbum.

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After an unsuccessful stint with Creator/{{Motown}} in 1972-74, "My Eyes Adored You" was released on Private Stock Records as a Frankie Valli solo record and hit #1 in early 1975; Motown must've been hitting themselves over that one as they refused to release it and sold the rights to Valli for $4,000! This success led to renewed interest in The Four Seasons, who signed with Creator/WarnerBrosRecords that year. By that point, Tommy [=DeVito=] and Joe Long had left the group, Bob Gaudio had quit performing (all three were replaced by a rotating assortment of session musicians) and Gerry Polci and Don Ciccone joined Valli as a VocalTagTeam. This new lineup had hits like "Who Loves You", "December, 1963 (Oh, What a Night)" (yet another #1) and "Silver Star" but their popularity soon faded again. Valli, meanwhile, had a few solo hits such as "Swearin' to God" and "Film/{{Grease}}".

to:

After an unsuccessful stint with Creator/{{Motown}} in 1972-74, "My Eyes Adored You" was released on Private Stock Records as a Frankie Valli solo record and hit #1 in early 1975; Motown must've been hitting themselves over that one as they refused to release it and sold the rights to Valli for $4,000! This success led to renewed interest in The Four Seasons, who signed with Creator/WarnerBrosRecords that year. By that point, Tommy [=DeVito=] and Joe Long had left the group, Bob Gaudio had quit performing (all three were replaced by a rotating assortment of session musicians) and Gerry Polci and Don Ciccone joined Valli as a VocalTagTeam. This new lineup had hits like "Who Loves You", "December, 1963 (Oh, What a Night)" (yet another #1) and "Silver Star" but their popularity soon faded again. Valli, meanwhile, had a few solo hits such as "Swearin' to God" and "Film/{{Grease}}".
"Film/{{Grease}}". Gaudio and Valli would team up for two more albums, 1985's ''Streetfighter'' and 1992's ''Hope + Glory'', both recorded with a crew of studio musicians and released under the Four Seasons name. Neither sold particularly well, and the group has not released any new music since.



* ArtistAndTheBand: They got their current name since 1970. The were previously known as The Four Seasons and their legal name was The Four Seasons Partnership.

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* ArtistAndTheBand: They got their current name since in 1970. The were previously known as The Four Seasons and their legal name was The Four Seasons Partnership.



* SameFaceDifferentName: They released records under a variety of names: The Four Seasons, Frankie Valli and the Four Seasons, The 4 Seasons Featuring the "sound" of Frankie Valli (yes, that was the actual artist credit), and the Valli Boys. They also did a few novelty songs as The Wonder Who?, complete with "guess who they are" promotional gimmick. And then there's the issue of Frankie Valli's solo recordings, which were Four Seasons records in everything but name (they used the same studio and band personnel, and apart from not featuring Frankie's falsetto nor the other three Seasons, were not radically different in style from the songs released under the Four Seasons banner); Four Seasons compilations usually include some of Valli's bigger solo hits as well, particularly "Can't Take My Eyes Off You".

to:

* SameFaceDifferentName: They released records under a variety of names: The Four Seasons, Frankie Valli and the Four Seasons, The 4 Seasons Featuring the "sound" of Frankie Valli (yes, that was the actual artist credit), and the Valli Boys. They also did a few novelty songs as The Wonder Who?, complete with "guess who they are" promotional gimmick. And then there's the issue of Frankie Valli's solo recordings, which were Four Seasons records in everything but name (they used the same studio and band personnel, and apart from not featuring Frankie's falsetto nor the other three Seasons, were not radically different in style from the songs released under the Four Seasons banner); banner). Four Seasons compilations usually include some of Valli's bigger solo hits as well, particularly "Can't Take My Eyes Off You".You"; in fact, some of the group's regular studio albums include Valli solo recordings.



* StepUpToTheMicrophone: Nick Massi has a much more prominent singing part than usual in "Dumb Drum" and takes the lead vocal on "Don't Let Go", both AlbumFiller tracks.

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* StepUpToTheMicrophone: StepUpToTheMicrophone:
**
Nick Massi has a much more prominent singing part than usual in "Dumb Drum" and takes the lead vocal on "Don't Let Go", both AlbumFiller tracks.tracks.
** Bob Gaudio usually just sang background vocals, but he duets with Valli on "Hope and Glory".
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* ArtistAndTheBand: They got their current name since 1970. The were previously known as The Four Seasons and their legal name was The Four Seasons Partnership.
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None
Is there an issue? Send a MessageReason:
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After an unsuccessful stint with Creator/{{Motown}} in 1972-74, "My Eyes Adored You" was released on Private Stock Records as a Frankie Valli solo record and hit #1 in early 1975; Motown must've been hitting themselves over that one as they refused to release it and sold the rights to Valli for $4000! This success led to renewed interest in The Four Seasons, who signed with Creator/WarnerBrosRecords that year. By that point, Tommy [=DeVito=] and Joe Long had left the group, Bob Gaudio had quit performing (all three were replaced by a rotating assortment of session musicians) and Gerry Polci and Don Ciccone joined Valli as a VocalTagTeam. This new lineup had hits like "Who Loves You", "December, 1963 (Oh, What a Night)" (yet another #1) and "Silver Star" but their popularity soon faded again. Valli, meanwhile, had a few solo hits such as "Swearin' to God" and "Film/{{Grease}}".

to:

After an unsuccessful stint with Creator/{{Motown}} in 1972-74, "My Eyes Adored You" was released on Private Stock Records as a Frankie Valli solo record and hit #1 in early 1975; Motown must've been hitting themselves over that one as they refused to release it and sold the rights to Valli for $4000! $4,000! This success led to renewed interest in The Four Seasons, who signed with Creator/WarnerBrosRecords that year. By that point, Tommy [=DeVito=] and Joe Long had left the group, Bob Gaudio had quit performing (all three were replaced by a rotating assortment of session musicians) and Gerry Polci and Don Ciccone joined Valli as a VocalTagTeam. This new lineup had hits like "Who Loves You", "December, 1963 (Oh, What a Night)" (yet another #1) and "Silver Star" but their popularity soon faded again. Valli, meanwhile, had a few solo hits such as "Swearin' to God" and "Film/{{Grease}}".
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* GossipyHens: "Mrs. Stately's Garden" from ''Genuine Imitation Life Gazette'' is about a group older women who meet for tea and pass gossip about everyone in town.

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* GossipyHens: "Mrs. Stately's Garden" from ''Genuine Imitation Life Gazette'' is about a group of older women who meet for tea and pass gossip about everyone in town.
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* GossipyHens: "Mrs. Stately's Garden" from ''Genuine Imitation Life Gazette'' is about a group older women who meet for tea and pass gossip about everyone in town.
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* SopranoAndGravel: Bass singer Nick Massi would often add short vocal interjections as a contrast to Frankie Valli's falsetto vocals.


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* StepUpToTheMicrophone: Nick Massi has a much more prominent singing part than usual in "Dumb Drum" and takes the lead vocal on "Don't Let Go", both AlbumFiller tracks.
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By mid-1963, Vee-Jay was struggling to pay the Four Seasons' royalties, which forced them to sue the label and jump over to Philips Records in 1964. Despite this, the hits kept coming: some of the Philips-era hits include "Dawn", "Rag Doll" and "Let's Hang On!". Nick Massi left the group in late 1965, replaced briefly by their arranger Charlie Calello, then by Joe Long. The group's popularity fell by the late 1960s due to changing musical tastes; the 1968 ConceptAlbum ''Genuine Imitation Life Gazette'', while ambitious, was a commercial failure and their contract with Philips ended in 1970.

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By mid-1963, Vee-Jay was struggling to pay the Four Seasons' royalties, which forced them to sue the label and jump over to Philips Records Creator/PhilipsRecords in 1964. Despite this, the hits kept coming: some of the Philips-era hits include "Dawn", "Rag Doll" and "Let's Hang On!". Nick Massi left the group in late 1965, replaced briefly by their arranger Charlie Calello, then by Joe Long. The group's popularity fell by the late 1960s due to changing musical tastes; the 1968 ConceptAlbum ''Genuine Imitation Life Gazette'', while ambitious, was a commercial failure and their contract with Philips ended in 1970.
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[[quoteright:200:https://static.tvtropes.org/pmwiki/pub/images/thefourseasonsband.jpg]]
[[caption-width-right:200:Clockwise from top left: Nick Massi, Bob Gaudio, Frankie Valli, Tommy [=DeVito=].]]

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[[quoteright:200:https://static.[[quoteright:350:https://static.tvtropes.org/pmwiki/pub/images/thefourseasonsband.jpg]]
[[caption-width-right:200:Clockwise
org/pmwiki/pub/images/4seasons.png]]
[[caption-width-right:350:Clockwise
from top left: Nick Massi, Bob Gaudio, Frankie Valli, Tommy [=DeVito=].]]
[=DeVito=]]]
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* DistaffCounterpart: The Rag Dolls were basically Bob Crewe's attempt at a GirlGroup equivalent for The Four Seasons. Their name is obviously inspired by one of the guys' hits and their first single, "Society Girl", is a sequel of sorts to "Rag Doll". They only had minor hits with that and "Dusty", but their entire discography (four singles) is prized by 1960s girl group enthusiasts.
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The classic UsefulNotes/NewJersey Italian-American rock band with countertenor Frankie Valli in the lead. His soaring falsetto helped provide the group's trademark sound, though latter hits do not feature the falsetto. Odds are you've heard one of their songs on an oldies station, as they play in constant rotation. Some of their biggest hits (most of which were written by the songwriting collaboration of Bob Gaudio and Bob Crewe) include "Walk Like a Man", "Sherry", and "Big Girls Don't Cry". They were inducted into the Rock and Roll Hall of Fame in 1990.

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The classic UsefulNotes/NewJersey Italian-American rock band with countertenor Frankie Valli in the lead. His soaring falsetto helped provide the group's trademark sound, though latter later hits do not feature the falsetto. Odds are you've heard one of their songs on an oldies station, as they play in constant rotation. Some of their biggest hits (most of which were written by the songwriting collaboration of Bob Gaudio and Bob Crewe) include "Walk Like a Man", "Sherry", and "Big Girls Don't Cry". They were inducted into the Rock and Roll Hall of Fame in 1990.
1990.

Frankie Valli began his career in 1953 with his first single, "My Mother's Eyes". He then joined Nick [=DeVito=], Tommy [=DeVito=] and Hank Majewski in a group first known as The Variety Trio, then as The Variatones, and finally as The Four Lovers when they got a recording contract with [[Creator/RCARecords RCA Victor]]. Said contract led to a minor hit with "You're the Apple of My Eye" in 1956, but the next four singles and an LP failed to chart and RCA dropped them. A subsequent contract with Creator/EpicRecords only lasted one non-charting single.

The group then met producer Bob Crewe in 1958, who signed them to a three-year contract which had them working as background vocalists and musicians on Crewe's productions, as well as recording individually or collectively under many names. Membership was fluid during that time, eventually settling by 1959 into the classic quartet of Frankie Valli, Tommy [=DeVito=], Nick Massi and Bob Gaudio (formerly of The Royal Teens of "Short Shorts" fame).

After a failed audition at a bowling alley in 1960, the group figured they should gain something from that failure, so they took the name of the bowling alley -- The Four Seasons. At the same time, in a handshake agreement, Valli and Gaudio formed The Four Seasons Partnership, which still exists to this day. This "new" group released their first single, "Bermuda", on Gone Records in 1961. It did not chart, and it looked like they would have to settle for background session work yet again, but then Bob Gaudio wrote "Sherry". That song went to #1 in 1962 and began the group's association with Vee-Jay Records, for which they would record several hits including their second and third #1s, "Big Girls Don't Cry" and "Walk Like a Man".

By mid-1963, Vee-Jay was struggling to pay the Four Seasons' royalties, which forced them to sue the label and jump over to Philips Records in 1964. Despite this, the hits kept coming: some of the Philips-era hits include "Dawn", "Rag Doll" and "Let's Hang On!". Nick Massi left the group in late 1965, replaced briefly by their arranger Charlie Calello, then by Joe Long. The group's popularity fell by the late 1960s due to changing musical tastes; the 1968 ConceptAlbum ''Genuine Imitation Life Gazette'', while ambitious, was a commercial failure and their contract with Philips ended in 1970.

After an unsuccessful stint with Creator/{{Motown}} in 1972-74, "My Eyes Adored You" was released on Private Stock Records as a Frankie Valli solo record and hit #1 in early 1975; Motown must've been hitting themselves over that one as they refused to release it and sold the rights to Valli for $4000! This success led to renewed interest in The Four Seasons, who signed with Creator/WarnerBrosRecords that year. By that point, Tommy [=DeVito=] and Joe Long had left the group, Bob Gaudio had quit performing (all three were replaced by a rotating assortment of session musicians) and Gerry Polci and Don Ciccone joined Valli as a VocalTagTeam. This new lineup had hits like "Who Loves You", "December, 1963 (Oh, What a Night)" (yet another #1) and "Silver Star" but their popularity soon faded again. Valli, meanwhile, had a few solo hits such as "Swearin' to God" and "Film/{{Grease}}".
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* SameFaceDifferentName: They released records under a variety of names: The Four Seasons, Frankie Valli and the Four Seasons, The 4 Seasons Featuring the "sound" of Frankie Valli (yes, that was the actual artist credit), and the Valli Boys. They also did a few novelty songs as The Wonder Who?, complete with "guess who they are" promotional gimmick. And then there's the issue of Frankie Valli's solo recordings, which were Four Seasons records in everything but name (they used the same studio and band personnel, and apart from not featuring Frankie's falsetto nor the other three Seasons, were not radically different in style from the songs released under the Four Seasons banner).

to:

* SameFaceDifferentName: They released records under a variety of names: The Four Seasons, Frankie Valli and the Four Seasons, The 4 Seasons Featuring the "sound" of Frankie Valli (yes, that was the actual artist credit), and the Valli Boys. They also did a few novelty songs as The Wonder Who?, complete with "guess who they are" promotional gimmick. And then there's the issue of Frankie Valli's solo recordings, which were Four Seasons records in everything but name (they used the same studio and band personnel, and apart from not featuring Frankie's falsetto nor the other three Seasons, were not radically different in style from the songs released under the Four Seasons banner).banner); Four Seasons compilations usually include some of Valli's bigger solo hits as well, particularly "Can't Take My Eyes Off You".

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