History MisaimedFandom / Theatre

28th Mar '16 4:55:03 PM heroedify
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** Iago in ''Theatre/{{Othello}}'' is cruel, manipulative, abusive towards his wife, a murderer, and is quite possibly a compulsive liar. There's a popular theory that he might be a homosexual who was jealous of Desdemona and in love with Othello, though supposedly his motivation in the play is he is jealous because he wasn't promoted. Iago is an extremely early example of a DracoInLeatherPants character. Edmund from ''Theatre/KingLear'' gets this, too.

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** Iago in ''Theatre/{{Othello}}'' is cruel, manipulative, abusive towards his wife, a murderer, and is quite possibly a compulsive liar. There's a popular theory that he might be a homosexual who was jealous of Desdemona and in love with Othello, though supposedly his motivation in the play is he is jealous because he wasn't promoted. Iago is Despite this, he's an extremely early example of a DracoInLeatherPants character. Edmund from ''Theatre/KingLear'' gets this, too.
19th Feb '16 4:12:33 PM HamburgerTime
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** It gets even worse when fans ship the Phantom with Christine and go on about how Raoul (who was an aspiring Arctic explorer in the book) is boring and less attractive and that Christine is an evil tease for choosing him by the end. Because heaven forbid a woman marry her sweet childhood friend instead of the raving murderous madman who stalked her, scared her half to death, and threatened to kill her boyfriend if she didn't marry him. The sequel to AndrewLloydWebber's musical, ''Theatre/LoveNeverDies'', handled this matter by turning poor Raoul into a gambling addict and alcoholic and again raising the possibility of the Phantom and Christing getting together, [[spoiler: ultimately making the misaimed fandom pairing the ''legit'' one]]. The existence of the show serves as a ''massive'' BaseBreaker in the phan community largely because of this - those who view it as a legitimate sequel come into conflict with those who think it shouldn't be taken seriously, making this a case where the misaimed phandom have almost withdrawn entirely from the community at large to form their own groups.

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** It gets even worse when fans ship the Phantom with Christine and go on about how Raoul (who was an aspiring Arctic explorer in the book) is boring and less attractive and that Christine is an evil tease for choosing him by the end. Because heaven forbid a woman marry her sweet childhood friend instead of the raving murderous madman who stalked her, scared her half to death, and threatened to kill her boyfriend if she didn't marry him. The sequel to AndrewLloydWebber's musical, ''Theatre/LoveNeverDies'', handled this matter by turning poor Raoul into a gambling addict and alcoholic and again raising the possibility of the Phantom and Christing getting together, [[spoiler: ultimately making the misaimed fandom pairing the ''legit'' one]]. The existence of the show serves as a ''massive'' BaseBreaker in the phan community largely because of this - those who view it as a legitimate sequel come into conflict with those who think it shouldn't be taken seriously, making this a case where the misaimed phandom phantom have almost withdrawn entirely from the community at large to form their own groups.groups.
** ''Phantom'' contains an in-universe Misaimed Fandom as well, with Erik writing, and forcing the opera company to perform, the opera ''Don Juan Triumphant'', an apparent rewrite of Mozart's ''Opera/DonGiovanni'' where the title character avoids his gruesome fate and gets the girl. Erik does not seem to understand that Juan/Giovanni was in fact a ConMan, rapist, and murderer whose death via being DraggedOffToHell by the spirit of the father of one of his victims (whom Juan himself killed) is clearly portrayed as richly deserved.
15th Dec '15 2:36:35 AM MrThorfan64
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* Nazi and Neo-Nazi Wagner fans. Wagner was indeed anti-Semitic, but believed that Jews should assimilate culturally and convert to Christianity, not that they should be wiped off the face of the Earth. He had a number of Jewish friends, including conductors of his operas. But the association of Wagner with Nazism has become so ubiquitous that some people who don't check their facts think Wagner actually ''was'' a Nazi, despite the fact that he died before Hitler was even ''born.'' Some Jewish couples take this to the point of not playing Wagner's [[LohengrinAndMendelssohn most famous composition at their wedding]]. It doesn't help that Hitler himself saw Wagner's operas as ringing endorsements of Nazism, and that many of Wagner's descendants from that time were close friends of Hitler and approved of his interpretation.

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* Nazi and Neo-Nazi Wagner fans. Wagner was indeed anti-Semitic, but believed that Jews should assimilate culturally and convert to Christianity, not that they should be wiped off the face of the Earth. He had a number of Jewish friends, including conductors of his operas. But the association of Wagner with Nazism has become so ubiquitous that some people who don't check their facts think Wagner actually ''was'' a Nazi, despite the fact that he died before Hitler was even ''born.'' Some Jewish couples take this to the point of not playing Wagner's [[LohengrinAndMendelssohn most famous composition at their wedding]]. It doesn't help that Hitler himself saw Wagner's operas as ringing endorsements of Nazism, Nazism (though many of the other leading Nazis weren't fans of his operas), and that many of Wagner's descendants from that time were close friends of Hitler and approved of his interpretation.
27th Nov '15 9:14:37 AM enitharmon
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*** In Reading, England there's a pie shop called Sweeney & Todd with a barber's shop next door. The pies are very good.
31st Jul '15 3:23:12 PM phoenix
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* The Tea Party likes to use "Tomorrow Belongs To Me" from ''{{Cabaret}}'' as a rally song for "taking back the country." It is unknown how many of them know that the song was used to symbolically represent the rise of '''NaziGermany'''. (This is partly AdaptationDisplacement: in the stage version, the song only became associated with Nazis in a reprise.)

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* The Tea Party likes to use "Tomorrow Belongs To Me" from ''{{Cabaret}}'' as a rally song for "taking back the country." It is unknown how many of them know that the song was used to symbolically represent the rise of '''NaziGermany'''.'''UsefulNotes/NaziGermany'''. (This is partly AdaptationDisplacement: in the stage version, the song only became associated with Nazis in a reprise.)
31st Mar '15 7:35:13 AM Eilevgmyhren
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** Theatre/PeerGynt has got a ''lot'' of this. This spineless bastard of a cheating, slave-trading, troll-mating scrupulous liar has become somewhat of a Norwegian amalgam. His redemption at the end of the play doesn`t help much. The fact that Ibsen wished to ''satirize'' Norwegian attitudes seems to have been completely lost on later generations, and a "Peer Gynt reward" given yearly to somebody who has made Norway more known outside the country is a case in point. Not that people who actually read the play thoroughly doesn`t snark about this fact a lot.
22nd Jan '15 6:52:17 PM BigKlingy
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** "Doubt that the stars are fire, doubt that the sun doth move, doubt truth to be a liar, but never doubt I love" from the same play is actually an example of StylisticSuck, and yet it's become one of Shakespeare's most famous lines.
25th Oct '14 8:25:49 PM RainFairy
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* Creator/HenrikIbsen's intention in Theatre/ADollsHouse was to show that HumansAreFlawed '''no matter what their gender/social class/etc. are'''. Allegedly, when a group of Norwegian feminists praised the play in words that sounded a lot like what radfems say in modern times, Ibsen's reaction was a "... wait, what?!".

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* Creator/HenrikIbsen's intention in Theatre/ADollsHouse was to show that HumansAreFlawed '''no matter what their gender/social class/etc. are'''. Allegedly, when a group of Norwegian feminists praised the play in words that sounded a lot like what radfems say in modern times, Ibsen's reaction was summed up in a "... wait, what?!".FlatWhat.
29th Aug '14 11:24:51 AM TrustBen
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* In Creator/JohannWolfgangVonGoethe's version of ''Theatre/{{Faust}}'', there's a scene in the restaurant "Auerbach's Cellar" where Faust and Mephistopheles meet a group of drunken students. One of them states "I praise my Leipzig! It's a little Paris and educates its people." Later used verbatim by many fans of the city in Saxony; however, they all forget that the guy saying this is drunken, as said, and also named "Bürger Frosch" (citizen frog), and rather supposed to be a JerkAss like ArchieBunker. Oh wait, Bunker actually had the same problem.

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* In Creator/JohannWolfgangVonGoethe's version of ''Theatre/{{Faust}}'', there's a scene in the restaurant "Auerbach's Cellar" where Faust and Mephistopheles meet a group of drunken students. One of them states "I praise my Leipzig! It's a little Paris and educates its people." Later used verbatim by many fans of the city in Saxony; however, they all forget that the guy saying this is drunken, as said, and also named "Bürger Frosch" (citizen frog), and rather supposed to be a JerkAss like ArchieBunker.[[Series/AllInTheFamily Archie Bunker]]. Oh wait, Bunker actually had the same problem.
20th Jun '14 3:51:35 AM Venatius
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* Creator/HenrikIbsen's intention in Theatre/ADollsHouse was to show that HumansAreFlawed '''no matter what their gender/social class/etc. are'''. Allegedly, when a group of Norwegian feminists praised the play in words that sounded a lot like what [[StrawFeminist radfems]] say in modern times, Ibsen's reaction was a "... wait, what?!".

to:

* Creator/HenrikIbsen's intention in Theatre/ADollsHouse was to show that HumansAreFlawed '''no matter what their gender/social class/etc. are'''. Allegedly, when a group of Norwegian feminists praised the play in words that sounded a lot like what [[StrawFeminist radfems]] radfems say in modern times, Ibsen's reaction was a "... wait, what?!".
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