Is there an issue? Send a MessageReason:
None
Changed line(s) 56 (click to see context) from:
* ''VideoGame/SamAndMaxHitTheRoad'', with recurring plots having just about any of the other animal characters in the city being criminals or simply unfriendly. The Telltale Games play with both its older image and with gentrification, the latter being directly referenced by the reforming of Grandpa Stinky's dive bar into a trendy modern one run by his Granddaughter, which the lead characters [[TheyChangedItNowItSucks lament]].
to:
* ''VideoGame/SamAndMaxHitTheRoad'', ''Franchise/SamAndMax'', with recurring plots having just about any of the other animal characters in the city being criminals or simply unfriendly. The Telltale Games play with both its older image and with gentrification, the latter being directly referenced by the reforming of Grandpa Stinky's dive bar into a trendy modern one run by his Granddaughter, which the lead characters [[TheyChangedItNowItSucks lament]].
Changed line(s) 136 (click to see context) from:
* Hubert Selby Jr.'s ''Last Exit to Brooklyn'' portrays the titular borough in the late 1950s as a WretchedHive of prostitutes, {{drag queen}}s and criminals. It was quite shocking when first published in the early 1960's.
to:
* Hubert Selby Jr.'s ''Last Exit to Brooklyn'' ''Literature/LastExitToBrooklyn'' portrays the titular borough in the late 1950s as a WretchedHive of prostitutes, {{drag queen}}s and criminals. It was quite shocking when first published in the early 1960's.