History Main / TargetAudience

The opposite trope, PeripheryDemographic, is when a work finds an audience of a variety it did ''not'' intend to appeal to. An AudienceAlienatingPremise is one that either appeals to an extremely niche audience, or negates any Target Audience due to how the premise is constructed; however, it may still attract enough of a PeripheryDemographic to make back its budget, through good PR and lots of luck. If a work fails to appeal to either its Target Audience ''or'' a PeripheryDemographic, it becomes a case of UncertainAudience.

->''"You are a target market."''
-->-- '''{{Tagline}}''' for ''Film/MeetingPeopleIsEasy''

In the simplest terms, a Target Audience is the intended buyers of a particular product that the advertisement strives to reach.

A good 99.9999999999...9% of the products that see a wide commercial release have one primary function: [[MoneyDearBoy to make money]]. But they are not released blindly without knowledge of who might buy it. Even as the product is still in the conceptual phase, the marketing division researches who might buy it and how best to reach them. This is split up into {{Demographics}}.

To give an example of something built with this in mind, the Target Audience of ''Series/HannahMontana'' is 8-12 year old girls. Towards that end, they created a relatable protagonist, put her in a setting that mirrors everyday life, and offered an [[WishFulfillment escapist fantasy]] of being an average kid at day, pop idol at night. They reached their target audience through advertisements in magazines and websites popular amongst young girls, branding items they are likely to buy, and running TV ads for both the show and its merchandising during other programs popular with them across the Creator/{{Disney}}-owned channels. Disney has an extensive SOP for rolling out new tween stars, which includes a mandatory appearance on an established show to introduce the new character to the audience. Various shows in the 80s managed to make profit off the idea that if kids watch a show and like it, they're more likely to buy its merchandise.

A product having a Target Audience does not automatically mean it is PanderingToTheBase, though. You know that artsy film that has all the critics speechless? It, too, has a Target Audience. Maybe the TrueArt audience isn't very big, but it was targeted, nonetheless. To that end, even the rare few products that weren't made with a specific audience in mind will have to target one to be a viable commercial release.

One thing is certain, though: if it's advertised, it has a Target Audience.

The opposite trope, PeripheryDemographic, is when a work finds an audience of a variety it did ''not'' intend to appeal to. An AudienceAlienatingPremise is one that either appeals to an extremely niche audience, or negates any Target Audience due to how the premise is constructed; however, it may still attract enough of a PeripheryDemographic to make back its budget, through good PR and lots of luck. If a work fails to appeal to either its Target Audience ''or'' a PeripheryDemographic, it becomes a case of UncertainAudience.
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The opposite trope, PeripheryDemographic, is when a work finds an audience of a variety it did ''not'' intend to appeal to. An AudienceAlienatingPremise is one that either appeals to an extremely niche audience, or negates any Target Audience due to how the premise is constructed; however, it may still attract enough of a PeripheryDemographic to make back its budget, through good PR and lots of luck. If a work fails to appeal to either its Target Audience ''or'' a PeripheryDemographic, it's a prime candidate for being DarthWiki/SoBadItsHorrible.

-->--'''{{Tagline}}''' for ''Film/MeetingPeopleIsEasy''

-->'''{{Tagline}}''' for ''Film/MeetingPeopleIsEasy''

-->'''''You are a target market'''''
-->{{Tagline}} for ''Film/MeetingPeopleIsEasy''

The opposite trope, PeripheryDemographic, is when a work finds an audience of a variety it did ''not'' intend to appeal to. An AudienceAlienatingPremise is one that either appeals to an extremely niche audience, or negates any Target Audience due to how the premise is constructed; however, it may still attract enough of a PeripheryDemographic through good PR and lots of luck. If a work fails to appeal to either its Target Audience ''or'' a PeripheryDemographic, it's a prime candidate for being DarthWiki/SoBadItsHorrible.

The opposite trope, PeripheryDemographic, is when a work finds an audience of a variety it did ''not'' intend to appeal to. An AudienceAlienatingPremise is one that either appeals to an extremely niche audience, or negates any Target Audience due to how the premise is constructed. If a work fails to appeal to either its Target Audience ''or'' a PeripheryDemographic, it's a prime candidate for being SoBadItsHorrible.

The opposite trope, PeripheryDemographic, is when a work finds an audience of a variety it did ''not'' intend to appeal to.

A good 99.9999999999...9% of the products that see a wide commercial release have one primary function: [[LowestCommonDenominator to make money]]. But they are not released blindly without knowledge of who might buy it. Even as the product is still in the conceptual phase, the marketing division researches who might buy it and how best to reach them. This is split up into {{Demographics}}.

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<<|ShowBusiness|>>

To give an example of something built with this in mind, the Target Audience of ''Series/HannahMontana'' is 8-12 year old girls. Towards that end, they created a relatable protagonist, put her in a setting that mirrors everyday life, and offered an escapist fantasy of being an average kid at day, pop idol at night. They reached their target audience through advertisements in magazines and websites popular amongst young girls, branding items they are likely to buy, and running TV ads for both the show and its merchandising during other programs popular with them across the Disney-owned channels. Disney has an extensive SOP for rolling out new tween stars, which includes a mandatory appearance on an established show to introduce the new character to the audience. Various shows in the 80s managed to make profit off the idea that if kids watch a show and like it, they're more likely to buy its merchandise.

To give an example of something built with this in mind, the Target Audience of ''Series/HannahMontana'' is 8-12 year old girls. Towards that end, they created a relatable protagonist, put her in a setting that mirrors everyday life, and offered an escapist fantasy of being an average kid at day, pop idol at night. They reached their target audience through advertisements in magazines and websites popular amongst young girls, branding items they are likely to buy, and running TV ads for both the show and its merchandising during other programs popular with them across the Disney-owned channels. Disney has an extensive SOP for rolling out new tween stars, which includes a mandatory appearance on an established show to introduce the new character to the audience. Various shows in the 80s managed to make profit off the idea that if kids watch a show and like it, they're more likely to buy its merchendise.

One thing is certain, though: if it's advertised, it has a Target Audience.

-->{{Tagline}} for ''MeetingPeopleIsEasy''

To give an example of something built with this in mind, the Target Audience of ''HannahMontana'' is 8-12 year old girls. Towards that end, they created a relatable protagonist, put her in a setting that mirrors everyday life, and offered an escapist fantasy of being an average kid at day, pop idol at night. They reached their target audience through advertisements in magazines and websites popular amongst young girls, branding items they are likely to buy, and running TV ads for both the show and its merchandising during other programs popular with them across the Disney-owned channels. Disney has an extensive SOP for rolling out new tween stars, which includes a mandatory appearance on an established show to introduce the new character to the audience. Various shows in the 80s managed to make profit off the idea that if kids watch a show and like it, they're more likely to buy its merchendise.

<<|ShowBusiness|>>

To give an example of something built with this in mind, the Target Audience of ''HannahMontana'' is 8-12 year old girls. Towards that end, they created a relatable protagonist, put her in a setting that mirrors everyday life, and offered an escapist fantasy of being an average kid at day, pop idol at night. They reached their target audience through advertisements in magazines and websites popular amongst young girls, branding items they are likely to buy, and running TV ads for both the show and its merchandising during other programs popular with them across the Disney-owned channels. Disney has an extensive SOP for rolling out new tween stars, which includes a mandatory appearance on an established show to introduce the new character to the audience. Various shows in the 80s managed to make profit off the idea that if kids watch a show and like it, their more likely to buy its merchendise.

To give an example of something built with this in mind, the Target Audience of ''HannahMontana'' is 8-12 year old girls. Towards that end, they created a relatable protagonist, put her in a setting that mirrors everyday life, and offered an escapist fantasy of being an average kid at day, pop idol at night. They reached their target audience through advertisements in magazines and websites popular amongst young girls, branding items they are likely to buy, and running TV ads for both the show and its merchandising during other programs popular with them across the Disney-owned channels. Disney has an extensive SOP for rolling out new tween stars, which includes a mandatory appearance on an established show to introduce the new character to the audience.

To give an example of something built with this in mind, the Target Audience of ''HannahMontana'' is 8-12 year old girls. Towards that end, they created a relatable protagonist, put her in a setting that mirrors everyday life, and offered an escapist fantasy of being an average kid at day, pop idol at night. They reached their target audience through advertisements in magazines and websites popular amongst young girls, branding items they are likely to buy, and running TV ads for both the show and its merchandising during other programs popular with them across the Disney-owned channels.