History Main / SiameseTwinSongs

22nd Jul '16 11:01:52 PM JHM
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* Music/{{Swans}}' "Damn You to Hell" and "I'll Swallow You" from the B-side to the "New Mind"single, which were later appended to the ''Children of God'' reissue as a single track.
** This became a major component of their post-reformation live performances, to the point that the first half of the title track to ''The Glowing Man'' is a rearranged reprise of "Bring the Sun" from their previous album, ''To Be Kind'', to reflect its development from the latter song. [[EpicRocking The reprise alone is over fifteen minutes long.]]
11th Jul '16 1:30:05 PM troperwithoutaname
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** Their long-awaited second album ''Wildflower'' has several examples of this as well, most notably the opener, with "The Leaves Were Falling" -> "Because I'm Me" -> the album version of "Frankie Sinatra" -> "Subways," as well as the three-song psychedelic trip of "Park Music" -> "Livin' Underwater (Is Something Wild)" -> "The Wozard of Iz."
28th Jun '16 9:26:06 PM DrFurball
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** "Fat Bottomed Girls" and "Bicycle Race" could also count, especially with the latter song mentioning that "fat bottomed girls, they'll be riding today"
3rd Jan '16 6:21:58 PM CassandraLeo
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[[folder:Punk]]
* A rather large number of song transitions by Music/{{Crass}} use either this or FadingIntoTheNextSong; they were particularly fond of using guitar feedback to connect two songs. This reached a fever pitch on ''Yes Sir, I Will'', where all the tracks were considered part of one lengthy composition that took up the entire album (a forty-three-minute running time).
* Their friends in Flux of Pink Indians did something similar with all three of their albums. ''Uncarved Block'' uses mostly FadingIntoTheNextSong instead, but their first two albums use this extensively and mostly have gaps only for LP side breaks.
[[/folder]]
30th Nov '15 4:43:46 PM Prfnoff
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** Music/GustavMahler used this device in several of his symphonies. In No.2, the "Resurrection", the third, fourth, and fifth movements are all played without stopping; in No.4, the third movement is in the symphony's nominal home key of G major, but ends on a D major chord to lead straight into the finale (which is also in G major - at first); and in No.5, the celebrated fourth movement Adagietto for strings alone is followed immediately by a single French horn note which introduces the finale.

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** Music/GustavMahler used this device in several of his symphonies. In No.2, the "Resurrection", the third, fourth, and fifth movements are all played without stopping; in No.4, the third movement is in the symphony's nominal home key of G major, but ends on a D major chord to lead straight into the finale (which is also in G major - at first); and in No.5, the celebrated fourth movement Adagietto for strings alone is followed has its lingering final note echoed immediately by a single French horn note which introduces the finale.finale.
** Music/ClaudeDebussy's "Images" for orchestra is divided into three parts: "Gigues," "Ibéria" and "Rondes de printemps," all of which have been performed separately. "Ibéria" is itself divided into three movements, but the slow middle movement, "Les parfums de la nuit," is seamlessly attached to the opening of the final movement "Le matin d'un jour de fête," providing a good reason not to perform the individual movements of "Ibéria" separately.
14th Nov '15 6:34:38 PM wolftickets1969
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* Most of ''VideoGame/MedalOfHonor: Frontline'''s OST consists of suites running across two or more tracks, namely "Border Town->U-4902", "Kleveburg->Manor House Rally->The Halftrack Chase", "Nijmegen Bridge->Rowhouses", "Emmerich Station->Thuringer Wald Express->Sturmgeist's Armored Train", and "Approaching The Tarmac->Clipping Their Wings".

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* Most of ''VideoGame/MedalOfHonor: Frontline'''s OST consists of suites running across two or more tracks, namely "Border Town->U-4902", Town->U-4902" (although they play in opposite order in-game), "Kleveburg->Manor House Rally->The Halftrack Chase", Chase" (again, in-game, "Halftrack" is heard before "Manor House"), "Nijmegen Bridge->Rowhouses", "Emmerich Station->Thuringer Wald Express->Sturmgeist's Armored Train", and "Approaching The Tarmac->Clipping Their Wings".
14th Nov '15 6:29:13 PM wolftickets1969
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* Music/{{BT}}, in addition to regularly using FadingIntoTheNextSong, has several examples of this: "Quark"->"Tripping the Light Fantastic", "Embracing the Future"->"Deeper Sunshine", "Loving You More (Garden of Ima Dub)"->"Loving You More (Final Spiritual Journey)", "Blue Skies (Radio Edit)"->"Blue Skies (Delphinium Days Mix)", "Sasha's Voyage of Ima"->"Divinity", "Solar Plexus"->"Nectar", and "Remember"->"Love, Peace, and Grease".

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* Music/{{BT}}, in addition to regularly using FadingIntoTheNextSong, has several examples of this: "Quark"->"Tripping the Light Fantastic", "Embracing the Future"->"Deeper Sunshine", "Loving You More (Garden of Ima Dub)"->"Loving You More (Final Spiritual Journey)", "Blue Skies (Radio Edit)"->"Blue Skies (Delphinium Days Mix)", "Sasha's Voyage of Ima"->"Divinity", "Solar Plexus"->"Nectar", and "Remember"->"Love, Peace, and Grease".Grease" (which had separate single releases).
14th Nov '15 6:27:04 PM wolftickets1969
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* Thyx's "The Endless Journey" and "Network of Light".

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* Thyx's [[Music/MindInABox THYX]]'s "The Endless Journey" and "Network of Light".
14th Nov '15 6:18:33 PM wolftickets1969
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* Music/{{KMFDM}} has "Brute"->"Trust", "Megalomaniac"->"Stray Bullet", "Mercy"->"Torture", "Me & My Gun"->"Take 'em Out", et al.
10th Nov '15 8:59:23 AM humanpunk
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* Music/PattiSmith's "Babelogue" and "Rock 'n' Roll Nigger".
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