History Main / MoodLighting

12th Mar '18 12:56:26 PM TrendingToon1
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* In ''Disney/TheLittleMermaid'', the grotto turns hellish red when King Triton is destroying it, followed by turning a light chalky gray afterward,.

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* ''WesternAnimation/Cars3'': At the beginning of the film while Lightning [=McQueen=] is racing, the speedways he races at are bright and full of color, representing his happiness. Itís also a sunny day at Willyís Butte, where he practices. Later on following Jackson Stormís arrival, the speedways and Willy's Butte become dull and darkly colored, representing his struggle and suddenly being outmatched by the new high-tech racers. [[spoiler: At the end of the film, with thanks to getting his mojo back and career saved with thanks to Cruz Ramirez, the colors are once again bright, with a sunrise at Willyís Butte repressing his return to form.]]
* In ''Disney/TheLittleMermaid'', the grotto turns hellish red when King Triton is destroying it, followed by turning a light chalky gray afterward,.afterward.
* ''Disney/{{Tangled}}'': When we first meet Rapunzel as a teenager, the inside of her tower is brightly colored with thanks to the sun shining through. [[spoiler: After she returns from seeing the lanterns, it is dark and cloudy, and the inside of the tower is disaturated and shadowy, showing she no longer sees the tower as amazing.]]
25th Feb '18 4:40:03 AM derpdonkey
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* ''Film/ManOfSteel'' has a dark bluish tint when Clark is out in the world, while Smallville scenes use yellowish lighting instead.
22nd Mar '17 10:34:07 AM SpacemanSpoof
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* Almost a required element of TooIncompetentToOperateABlanket. The "incompetent" scene will be drab and depressing, but the new miracle product makes everything bright and happy!
21st Mar '17 4:30:13 PM nombretomado
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* ''Film/CityOfAngels'' (with NicolasCage) used a lot of sunset/sunrise tones.

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* ''Film/CityOfAngels'' (with NicolasCage) Creator/NicolasCage) used a lot of sunset/sunrise tones.
21st Dec '16 2:32:45 AM Morgenthaler
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* ''TheMarvelousMisadventuresOfFlapjack'' uses this a lot; for example, the colors on Cammie Island are much darker, in the morning are yellowish, and in the West are all red and black.

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* ''TheMarvelousMisadventuresOfFlapjack'' ''WesternAnimation/TheMarvelousMisadventuresOfFlapjack'' uses this a lot; for example, the colors on Cammie Island are much darker, in the morning are yellowish, and in the West are all red and black.
21st Dec '16 2:32:29 AM Morgenthaler
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[[folder:Film]]

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[[folder:Film]][[folder:Films -- Animated]]
* In ''Disney/TheLittleMermaid'', the grotto turns hellish red when King Triton is destroying it, followed by turning a light chalky gray afterward,.
[[/folder]]

[[folder:Films -- Live-Action]]



* In ''Disney/TheLittleMermaid'', the grotto turns hellish red when King Triton is destroying it, followed by turning a light chalky gray afterward,.
20th Dec '16 4:43:01 PM Willbyr
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[[quoteright:350:[[Film/{{Limitless}} http://static.tvtropes.org/pmwiki/pub/images/limitless_lightning.png]]]]
[[caption-width-right:350:This is your lighting. This is your lighting on drugs.]]
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17th Dec '16 3:41:14 PM eroock
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* ''Film/ManOfSteel'' has a dark bluish tint when Clark is out in the world, while Smallville scenes use yellowish lighting instead.
9th Dec '16 12:15:06 PM eroock
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* Christiane F is mostly green-tinged. This might be deliberate on the part of the film-makers (since it's about drug addiction), but it looks largely shot under fluorescent lights (in subway stations, etc.), due to budgetary restraints. This will give a green tint to film if not corrected with filters.

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* Christiane F The movie version of ''Literature/ChristianeF'' is mostly green-tinged. This might be deliberate on the part of the film-makers (since it's about drug addiction), but it looks largely shot under fluorescent lights (in subway stations, etc.), due to budgetary restraints. This will give a green tint to film if not corrected with filters.
11th May '16 10:43:58 PM mirisu92
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* An example of using this technique well can be found in Soderburg's ''Film/{{Traffic}}'', where scenes in the US were shot with a blue filter and scenes in Mexico were shot through sienna.

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* An example of using this technique well can be found in Soderburg's Creator/StevenSoderbergh's ''Film/{{Traffic}}'', where scenes in the US were shot with a blue filter and scenes in Mexico were shot through sienna.
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