History Main / JuliusCaesar

24th Jul '13 8:43:36 PM AndrewJ
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* Creator/GaiusJuliusCaesar, the{{Ancient Rom|e}}an general and dictator.

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* Creator/GaiusJuliusCaesar, the{{Ancient the {{Ancient Rom|e}}an general and dictator.
11th May '12 9:29:00 AM LordGro
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A link to something about "Julius Caesar" sent you to this page. The context of the link should help you figure out which page you want.

* GaiusJuliusCaesar: An ancient Roman general.
* ''Theatre/JuliusCaesar'': A play by WilliamShakespeare about the aforementioned person.

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A link to something about "Julius Caesar" '''Julius Caesar''' sent you to this page. The context of the link should help you figure out which page you want.

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* GaiusJuliusCaesar: An ancient Roman general.
Creator/GaiusJuliusCaesar, the{{Ancient Rom|e}}an general and dictator.
* ''Theatre/JuliusCaesar'': A play by WilliamShakespeare Creator/WilliamShakespeare about the aforementioned person.
23rd Dec '11 6:12:44 AM MangaManiac
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* ''Theatre/JuliusCaesar'': A play by WilliamShakespeare about the aforementioned person.

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* ''Theatre/JuliusCaesar'': A play by WilliamShakespeare about the aforementioned person.person.
----
23rd Dec '11 6:12:30 AM MangaManiac
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[[redirect:Theatre/JuliusCaesar]]A link to something about "Julius Caesar" sent you to this page. The context of the link should help you figure out which page you want.

* GaiusJuliusCaesar: An ancient Roman general.
* ''Theatre/JuliusCaesar'': A play by WilliamShakespeare about the aforementioned person.
10th Dec '11 5:27:27 AM movie007
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[[re*direct:Theatre/JuliusCaesar]]

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[[re*direct:Theatre/JuliusCaesar]][[redirect:Theatre/JuliusCaesar]]
10th Dec '11 5:25:16 AM movie007
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[[quoteright:350:http://static.tvtropes.org/pmwiki/pub/images/Death_of_Caesar_9167.jpg]]
[[caption-width-right:350:I wonder what will happen next]]

-> ''"[[FamousLastWords Et tu, Brute? Then fall, Caesar.]]"''

One of WilliamShakespeare's tragedies, the play is his take on the assassination of Julius Caesar in AncientRome and its bloody aftermath.

The protagonist is Marcus Brutus, a scrupulously honest, loyal and patriotic statesman, who is nonetheless drawn by his friend Caius Cassius into a plot to assassinate the increasingly powerful Caesar. Brutus is torn between his love for Julius Caesar and what he believes to be his duty to Rome. He is eventually moved to the act only by his love of the republic; other characters in the conspiracy have less spotless motivations.

[[AlternateCharacterInterpretation Alternately]], the protagonist is Marcus Brutus, a self-centered patrician whom Cassius flatters into betraying his former patron Caesar. Take your pick.

In either case, Brutus is intended to be the most sympathetic character in a cast of villains. The title character? An [[AmbitionIsEvil Ambitious]] DecoyProtagonist. His other closest freind, Mark Antony? Uses his oratory skills to help woo the crowds to handing Ceasar power, and when it comes to AvengingTheVillain he really gets nasty, all while acting the part of the FauxAffablyEvil VillainWithGoodPublicity. Octavian/Octavius/Augustus Caesar? Just as ambitious as his dear old uncle, but even smarter, smart enough infact to maintain his [[VillainWithGoodPublicity good publicity]] throughout the events of the play so that it takes a knowledge of what actually happened afterwords historically (or in AntonyAndCleopatra) to realize his [[XanatosPlannedThisIndex villainy.]] Our actual protagonists other best freind, Cassius? TheResenter to Caesar's power who gets Brutus involved in the conspiracy in the first place by being a ManipulativeBastard, with plans to set himself up as TheManBehindTheMan where Brutus is [[PuppetKing The Man]] whether he wants the job or not, in fact the less Brutus actually want the job the easier he thinks it will be. The rest of the conspirators all have their own selfish motivations as well. Oh and the rest of Rome? Anyone who isn't just a victim of one of the villains, ends up in the mob formed due to Mark Antony's speech due to their [[PowderKegCrowd fickle nature]].

Following the assassination, Rome is plunged into civil war, and a number of characters from the first several acts of the play die during the conflict, mostly through suicide.

The play was adapted to film several times. The most famous is the 1953 version, which starred MarlonBrando as Mark Antony.

The play factors heavily into the movie ''MeAndOrsonWelles''.

For the man himself, see GaiusJuliusCaesar.
----
!!TropeNamer for
* EtTuBrute

!!Tropes
* AdaptationDistillation: The plot was taken wholesale from Plutarch's biography of Caesar. Shakespeare wrote some extremely good dialogue for it.
* AmbitionIsEvil
-->'''Brutus:''' As Caesar loved me, I weep for him; as he was fortunate, I rejoice at it; as he was valiant, I honour him; but, as he was ambitious, I slew him.
* AnachronismStew: The characters refer to many things that didn't exist in Ancient Rome, but did exist in Elizabethan England.
* AntiVillain: Brutus -- consider how honorable and idealistic Brutus is in the play; then remember, the widespread idea used in Dante's ''Inferno'' which considered him the worst traitor in history along with Cassius and Judas.
* AntagonistInMourning: After Brutus dies, Antony calls him "the noblest Roman of them all" and says that the others conspired against Caesar out of jealousy, but Brutus did it because he thought it was the right thing. He and Octavian agree to give him [[DueToTheDead a respectful burial]].
* ArbitrarySkepticism: Caesar accepts superstition regarding the Lupercalia festival as fact, and then refuses to believe a soothsayer warning him to beware the Ides of March.
* ArcWords: "Beware the Ides of March..."
* AstroTurf: Cassius pulls this on Brutus:
-->I will this night,
-->In several hands, in at his windows throw,
-->As if they came from several citizens,
-->Writings all tending to the great opinion
-->That Rome holds of his name; wherein obscurely
-->Caesar's ambition shall be glanced at
* BasedOnATrueStory: Shakespeare got all his information from Plutarch and didn't deviate much from the facts, making this possibly the most accurate of his histories.
* BetterToDieThanBeKilled: Hence the suicides.
** TruthInTelevision: This was fairly common among patrician Romans.
* ABirthdayNotABreak: Cassius before the battle of Phillipi.
* CassandraTruth: The soothsayer's warning.
** Lampshaded by Caesar as he meets the soothsayer on the Ides of March. The soothsayer [[{{Foreshadowing}} reminds him the day isn't over yet]].
* ChewingTheScenery: Several good scenes for it.
** Caesar, whenever he talks about himself. "Speak! CAESAR is turned to hear."
** Mark Antony: "Cry HAVOC! And let slip the dogs of war!"
* CouldSayItBut: Brutus is an honorable man, so [[SuspiciouslySpecificDenial Antony won't]].
* DecoyProtagonist: Caesar himself.
* DemocracyIsBad: The citizens are continually shown as highly fickle.
* DisproportionateRetribution: When the angry mob surrounds Cinna the poet, this exchange occurs:
-->'''CINNA.''' Truly, my name is Cinna.
-->'''FIRST CITIZEN.''' Tear him to pieces, he's a conspirator.
-->'''CINNA.''' I am Cinna the poet, I am Cinna the poet.
-->'''FOURTH CITIZEN.''' Tear him for his bad verses, tear him for his bad verses.
* DownerEnding: It's {{Shakespeare}}. [[CaptainObvious It's a tragedy.]] ''Duh''.
* DramaticIrony: It's very ironic to see Antony as a MagnificentBastard in the play as well as the seeds of his disagreement with Octavian, as both in history and in Shakespeare's own ''Antony and Cleopatra'', Octavian proved to be the greater MagnificentBastard of the two.
* DrivenToSuicide: Several characters after everything [[ItGotWorse gets worse]] following the assassination.
* DueToTheDead: Brutus's burial.
* DumbIsGood: Brutus is portrayed as far-and-away the best-intentioned of the conspirators, but every time he overrules Cassius it's for something [[HonorBeforeReason mind-bogglingly stupid]].
* EmpathicEnvironment: Crazy things happen in Rome during this time of turmoil.
* EtTuBrute: TropeNamer.
* FamousLastWords: ''See'' EtTuBrute'', above.''
* GreenEyedMonster: Though the trope name comes from elsewhere in Shakespeare, it's in full force in this play. Every conspirator except (maybe) Brutus is motivated by this.
* GuiltByCoincidence: Cinna the Poet gets killed by the Mob because he unfortunately shared a name with one of Caesar's murderers. An added irony which Shakespeare likely didn't know was that the murdered Cinna was a good friend of Caesar.
* HoYay: Tons of it, especially between Brutus and Cassius. Also, Brutus tells the plebes at the forum that he has killed "my best lover". After Cassius commits suicide, one of his generals also kills himself because of how much he loves his commander (Cassius's likability is something of an InformedAbility).
** Let's not forget act 4 scene 1: "I cannot drink too much of Brutus' love" indeed.
** Though this stems largely from HaveAGayOldTime, that and immature high school students who find Shakespear rather dry, boring, and difficult to understand, and though this is rather TroperTales-y, I must remind readers that the ''instrument'' Brutus's servant mentions as being ''in my tent'' is '''a musical instrument''' one of the '''''stringed''''' variety in fact, as is specifically mentioned if you are actually paying attention, probably a lyre given the setting. Furthermore, Shakespearian England was so uptight and stuffy about that sort of think that even the tamest of plays got a nasty reputation, which would have meant that he would have never gotten away with as raunchy a scene as I have had the displeasure of hearing that particular passage be read.
*** To be fair, sexual relationships between men were not out of the ordinary in ancient Rome.
* HonorBeforeReason: Brutus' downfall comes from this, especially in regards to Antony
* ICannotSelfTerminate: Brutus' philosophy will not let him directly kill himself, so he gets someone to help. Cassius likewise.
** Although, Brutus's suicide is more honorable (in their society's norms) than Cassius's because Brutus has his servant hold his sword while he runs himself on it, while Cassius makes his servant kill him while he looks away.
* LargeHam: Even from just reading the play, it seems like Caesar is intended to be played as one:
--> Danger knows full well
--> That Caesar is more dangerous than he:
--> We are two lions littered in one day,
--> And I the elder and more terrible.
* LeaningOnTheFourthWall
--> '''Cassius''': How many ages hence shall this our lofty scene be acted over in states unborn and accents yet unknown!
* ManipulativeBastard: Depending on portrayal, Cassius can easily be this. It is left ambigous whether Cassius is mearly jealous of Caesar's new found power even though both Brutus and himself are just as honourable, and has contracted the world's most traitorous form of tall poppy syndrome:
-->Why, man, he doth bestride the narrow world
-->Like a Colossus, and we petty men
-->Walk under his huge legs and peep about
-->To find ourselves dishonorable graves.
-->Men at some time are masters of their fates.
-->The fault, dear Brutus, is not in our stars
-->But in ourselves, that we are underlings.
-->Brutus and Caesar—what should be in that “Caesar”?
-->Why should that name be sounded more than yours?
-->Write them together, yours is as fair a name.
-->Sound them, it doth become the mouth as well.
-->Weigh them, it is as heavy.
Or whether he genuinely fears that Caesar will be crowned king and therefore be a threat to the very anti-monarchy Roman ideaology:
-->Age, thou art shamed!
-->Rome, thou hast lost the breed of noble bloods!
-->When went there by an age, since the great flood,
-->But it was famed with more than with one man?
-->When could they say till now, that talked of Rome,
-->That her wide walks encompassed but one man?
-->Now is it Rome indeed, and room enough,
-->When there is in it but one only man.
-->Oh, you and I have heard our fathers say,
-->There was a Brutus once that would have brooked
-->Th' eternal devil to keep his state in Rome
-->As easily as a king.
* MurderSuicide: Arguably Brutus and Cassius, though the suicides happen well after the murder.
* NiceJobBreakingItHero/ NiceJobFixingItVillain: Brutus decides to let Mark Antony speak on condition he doesn't say anything bad about the conspirators. Antony goes on to prove what a ManipulativeBastard he truly is and gets the people of Rome to riot against them. Good going.
* NotSoHarmless: Brutus dismisses Antony as Caesar's harmless little yes-man, which turns out to be one of the biggest mistakes of the play.
* ObfuscatingStupidity: Casca pretends to be less intelligent around people he mistrusts.
* OfferedTheCrown
* OneSteveLimit: Averted with Cinna... unfortunately for the other Steve.
* OutDamnedSpot: Inverted, interestingly, when Brutus suggests:
-->''...Stoop, Romans, stoop,''\\
''And let us bathe our hands in ''Caesar's'' blood''\\
''Up to the elbows, and besmear our swords:''\\
''Then walk we forth, even to the market-place,''\\
''And waving our red weapons o'er our heads,''\\
''Let's all cry Peace, Freedom, and Liberty.''
* PoorCommunicationKills: Lots of people.
** Dammit, Titinius!
* PowderKegCrowd: They start out angry at the assassination. Within 5 minutes they're cheering Brutus. [[UnaccustomedAsIAmToPublicSpeaking 15 minutes of Antony later]], they're rioting.
* {{Pride}}: Caesar is so assured of his invincibility that he ignores numerous unambiguous warnings of death and destruction and walks straight into the conspirators' trap.
* PropheciesAreAlwaysRight
* ProtagonistTitleFallacy
* PsychicDreamsForEveryone: Caesar's wife has a prophetic dream on the night before the Ides of March. [[CassandraTruth He winds up ignoring it]].
* ThePurge: The Triumvirs' meeting at the beginning of Act 4 is the beginning of the proscriptions.
* ReversePsychology: Antony's speech to the crowd.
* RoaringRampageOfRevenge: Antony manipulates a city full of clueless shmucks into carrying one out for him.
* RousingSpeech: Mark Antony's speech at Caesar's funeral is one of the greatest examples in literature.
* SockPuppet: Cassius gets Brutus to join him by forging a bunch of petitions in various writing styles, all criticizing Caesar and praising Brutus.
* StealthInsult: Marc Antony's funeral speech is full of these.
* TagTeamSuicide: Cassius, then Brutus.
* TearsOfBlood: From a statue of Caesar in his wife's dream.
* ThirdPersonPerson: Caesar often refers to himself in third person.
** TruthInTelevision: Caesar did this in his writing.
* TooDumbToLive: Brutus' miscalculations lead to his defeat and suicide.
* TragicHero: Brutus
* TroubleEntendre: Caesar orders that the two tribunes who criticize him at the beginning of the play be "put to silence". While the actual people were banished, Shakespeare's phrase definitely suggests murder.
* UnaccustomedAsIAmToPublicSpeaking: "[[BlatantLies I am no orator]], [[StealthInsult as Brutus is]]..."
** Cassius does this more subtly to Brutus in Act I, Scene II, when he expresses pleasure that his "weak words have struck but thus much show of fire from Brutus".
* VigilanteExecution
* WithFriendsLikeThese: Brutus and Cassius are supposedly best friends, but in a lot of scenes, it's hard to see this.
** Almost, but not quite, VitriolicBestBuds. Cassius sure does get ''snippy'' once in awhile. And he used less than honest means of winning Brutus to the conspiracy (see AstroTurf, above).
----

to:

[[quoteright:350:http://static.tvtropes.org/pmwiki/pub/images/Death_of_Caesar_9167.jpg]]
[[caption-width-right:350:I wonder what will happen next]]

-> ''"[[FamousLastWords Et tu, Brute? Then fall, Caesar.]]"''

One of WilliamShakespeare's tragedies, the play is his take on the assassination of Julius Caesar in AncientRome and its bloody aftermath.

The protagonist is Marcus Brutus, a scrupulously honest, loyal and patriotic statesman, who is nonetheless drawn by his friend Caius Cassius into a plot to assassinate the increasingly powerful Caesar. Brutus is torn between his love for Julius Caesar and what he believes to be his duty to Rome. He is eventually moved to the act only by his love of the republic; other characters in the conspiracy have less spotless motivations.

[[AlternateCharacterInterpretation Alternately]], the protagonist is Marcus Brutus, a self-centered patrician whom Cassius flatters into betraying his former patron Caesar. Take your pick.

In either case, Brutus is intended to be the most sympathetic character in a cast of villains. The title character? An [[AmbitionIsEvil Ambitious]] DecoyProtagonist. His other closest freind, Mark Antony? Uses his oratory skills to help woo the crowds to handing Ceasar power, and when it comes to AvengingTheVillain he really gets nasty, all while acting the part of the FauxAffablyEvil VillainWithGoodPublicity. Octavian/Octavius/Augustus Caesar? Just as ambitious as his dear old uncle, but even smarter, smart enough infact to maintain his [[VillainWithGoodPublicity good publicity]] throughout the events of the play so that it takes a knowledge of what actually happened afterwords historically (or in AntonyAndCleopatra) to realize his [[XanatosPlannedThisIndex villainy.]] Our actual protagonists other best freind, Cassius? TheResenter to Caesar's power who gets Brutus involved in the conspiracy in the first place by being a ManipulativeBastard, with plans to set himself up as TheManBehindTheMan where Brutus is [[PuppetKing The Man]] whether he wants the job or not, in fact the less Brutus actually want the job the easier he thinks it will be. The rest of the conspirators all have their own selfish motivations as well. Oh and the rest of Rome? Anyone who isn't just a victim of one of the villains, ends up in the mob formed due to Mark Antony's speech due to their [[PowderKegCrowd fickle nature]].

Following the assassination, Rome is plunged into civil war, and a number of characters from the first several acts of the play die during the conflict, mostly through suicide.

The play was adapted to film several times. The most famous is the 1953 version, which starred MarlonBrando as Mark Antony.

The play factors heavily into the movie ''MeAndOrsonWelles''.

For the man himself, see GaiusJuliusCaesar.
----
!!TropeNamer for
* EtTuBrute

!!Tropes
* AdaptationDistillation: The plot was taken wholesale from Plutarch's biography of Caesar. Shakespeare wrote some extremely good dialogue for it.
* AmbitionIsEvil
-->'''Brutus:''' As Caesar loved me, I weep for him; as he was fortunate, I rejoice at it; as he was valiant, I honour him; but, as he was ambitious, I slew him.
* AnachronismStew: The characters refer to many things that didn't exist in Ancient Rome, but did exist in Elizabethan England.
* AntiVillain: Brutus -- consider how honorable and idealistic Brutus is in the play; then remember, the widespread idea used in Dante's ''Inferno'' which considered him the worst traitor in history along with Cassius and Judas.
* AntagonistInMourning: After Brutus dies, Antony calls him "the noblest Roman of them all" and says that the others conspired against Caesar out of jealousy, but Brutus did it because he thought it was the right thing. He and Octavian agree to give him [[DueToTheDead a respectful burial]].
* ArbitrarySkepticism: Caesar accepts superstition regarding the Lupercalia festival as fact, and then refuses to believe a soothsayer warning him to beware the Ides of March.
* ArcWords: "Beware the Ides of March..."
* AstroTurf: Cassius pulls this on Brutus:
-->I will this night,
-->In several hands, in at his windows throw,
-->As if they came from several citizens,
-->Writings all tending to the great opinion
-->That Rome holds of his name; wherein obscurely
-->Caesar's ambition shall be glanced at
* BasedOnATrueStory: Shakespeare got all his information from Plutarch and didn't deviate much from the facts, making this possibly the most accurate of his histories.
* BetterToDieThanBeKilled: Hence the suicides.
** TruthInTelevision: This was fairly common among patrician Romans.
* ABirthdayNotABreak: Cassius before the battle of Phillipi.
* CassandraTruth: The soothsayer's warning.
** Lampshaded by Caesar as he meets the soothsayer on the Ides of March. The soothsayer [[{{Foreshadowing}} reminds him the day isn't over yet]].
* ChewingTheScenery: Several good scenes for it.
** Caesar, whenever he talks about himself. "Speak! CAESAR is turned to hear."
** Mark Antony: "Cry HAVOC! And let slip the dogs of war!"
* CouldSayItBut: Brutus is an honorable man, so [[SuspiciouslySpecificDenial Antony won't]].
* DecoyProtagonist: Caesar himself.
* DemocracyIsBad: The citizens are continually shown as highly fickle.
* DisproportionateRetribution: When the angry mob surrounds Cinna the poet, this exchange occurs:
-->'''CINNA.''' Truly, my name is Cinna.
-->'''FIRST CITIZEN.''' Tear him to pieces, he's a conspirator.
-->'''CINNA.''' I am Cinna the poet, I am Cinna the poet.
-->'''FOURTH CITIZEN.''' Tear him for his bad verses, tear him for his bad verses.
* DownerEnding: It's {{Shakespeare}}. [[CaptainObvious It's a tragedy.]] ''Duh''.
* DramaticIrony: It's very ironic to see Antony as a MagnificentBastard in the play as well as the seeds of his disagreement with Octavian, as both in history and in Shakespeare's own ''Antony and Cleopatra'', Octavian proved to be the greater MagnificentBastard of the two.
* DrivenToSuicide: Several characters after everything [[ItGotWorse gets worse]] following the assassination.
* DueToTheDead: Brutus's burial.
* DumbIsGood: Brutus is portrayed as far-and-away the best-intentioned of the conspirators, but every time he overrules Cassius it's for something [[HonorBeforeReason mind-bogglingly stupid]].
* EmpathicEnvironment: Crazy things happen in Rome during this time of turmoil.
* EtTuBrute: TropeNamer.
* FamousLastWords: ''See'' EtTuBrute'', above.''
* GreenEyedMonster: Though the trope name comes from elsewhere in Shakespeare, it's in full force in this play. Every conspirator except (maybe) Brutus is motivated by this.
* GuiltByCoincidence: Cinna the Poet gets killed by the Mob because he unfortunately shared a name with one of Caesar's murderers. An added irony which Shakespeare likely didn't know was that the murdered Cinna was a good friend of Caesar.
* HoYay: Tons of it, especially between Brutus and Cassius. Also, Brutus tells the plebes at the forum that he has killed "my best lover". After Cassius commits suicide, one of his generals also kills himself because of how much he loves his commander (Cassius's likability is something of an InformedAbility).
** Let's not forget act 4 scene 1: "I cannot drink too much of Brutus' love" indeed.
** Though this stems largely from HaveAGayOldTime, that and immature high school students who find Shakespear rather dry, boring, and difficult to understand, and though this is rather TroperTales-y, I must remind readers that the ''instrument'' Brutus's servant mentions as being ''in my tent'' is '''a musical instrument''' one of the '''''stringed''''' variety in fact, as is specifically mentioned if you are actually paying attention, probably a lyre given the setting. Furthermore, Shakespearian England was so uptight and stuffy about that sort of think that even the tamest of plays got a nasty reputation, which would have meant that he would have never gotten away with as raunchy a scene as I have had the displeasure of hearing that particular passage be read.
*** To be fair, sexual relationships between men were not out of the ordinary in ancient Rome.
* HonorBeforeReason: Brutus' downfall comes from this, especially in regards to Antony
* ICannotSelfTerminate: Brutus' philosophy will not let him directly kill himself, so he gets someone to help. Cassius likewise.
** Although, Brutus's suicide is more honorable (in their society's norms) than Cassius's because Brutus has his servant hold his sword while he runs himself on it, while Cassius makes his servant kill him while he looks away.
* LargeHam: Even from just reading the play, it seems like Caesar is intended to be played as one:
--> Danger knows full well
--> That Caesar is more dangerous than he:
--> We are two lions littered in one day,
--> And I the elder and more terrible.
* LeaningOnTheFourthWall
--> '''Cassius''': How many ages hence shall this our lofty scene be acted over in states unborn and accents yet unknown!
* ManipulativeBastard: Depending on portrayal, Cassius can easily be this. It is left ambigous whether Cassius is mearly jealous of Caesar's new found power even though both Brutus and himself are just as honourable, and has contracted the world's most traitorous form of tall poppy syndrome:
-->Why, man, he doth bestride the narrow world
-->Like a Colossus, and we petty men
-->Walk under his huge legs and peep about
-->To find ourselves dishonorable graves.
-->Men at some time are masters of their fates.
-->The fault, dear Brutus, is not in our stars
-->But in ourselves, that we are underlings.
-->Brutus and Caesar—what should be in that “Caesar”?
-->Why should that name be sounded more than yours?
-->Write them together, yours is as fair a name.
-->Sound them, it doth become the mouth as well.
-->Weigh them, it is as heavy.
Or whether he genuinely fears that Caesar will be crowned king and therefore be a threat to the very anti-monarchy Roman ideaology:
-->Age, thou art shamed!
-->Rome, thou hast lost the breed of noble bloods!
-->When went there by an age, since the great flood,
-->But it was famed with more than with one man?
-->When could they say till now, that talked of Rome,
-->That her wide walks encompassed but one man?
-->Now is it Rome indeed, and room enough,
-->When there is in it but one only man.
-->Oh, you and I have heard our fathers say,
-->There was a Brutus once that would have brooked
-->Th' eternal devil to keep his state in Rome
-->As easily as a king.
* MurderSuicide: Arguably Brutus and Cassius, though the suicides happen well after the murder.
* NiceJobBreakingItHero/ NiceJobFixingItVillain: Brutus decides to let Mark Antony speak on condition he doesn't say anything bad about the conspirators. Antony goes on to prove what a ManipulativeBastard he truly is and gets the people of Rome to riot against them. Good going.
* NotSoHarmless: Brutus dismisses Antony as Caesar's harmless little yes-man, which turns out to be one of the biggest mistakes of the play.
* ObfuscatingStupidity: Casca pretends to be less intelligent around people he mistrusts.
* OfferedTheCrown
* OneSteveLimit: Averted with Cinna... unfortunately for the other Steve.
* OutDamnedSpot: Inverted, interestingly, when Brutus suggests:
-->''...Stoop, Romans, stoop,''\\
''And let us bathe our hands in ''Caesar's'' blood''\\
''Up to the elbows, and besmear our swords:''\\
''Then walk we forth, even to the market-place,''\\
''And waving our red weapons o'er our heads,''\\
''Let's all cry Peace, Freedom, and Liberty.''
* PoorCommunicationKills: Lots of people.
** Dammit, Titinius!
* PowderKegCrowd: They start out angry at the assassination. Within 5 minutes they're cheering Brutus. [[UnaccustomedAsIAmToPublicSpeaking 15 minutes of Antony later]], they're rioting.
* {{Pride}}: Caesar is so assured of his invincibility that he ignores numerous unambiguous warnings of death and destruction and walks straight into the conspirators' trap.
* PropheciesAreAlwaysRight
* ProtagonistTitleFallacy
* PsychicDreamsForEveryone: Caesar's wife has a prophetic dream on the night before the Ides of March. [[CassandraTruth He winds up ignoring it]].
* ThePurge: The Triumvirs' meeting at the beginning of Act 4 is the beginning of the proscriptions.
* ReversePsychology: Antony's speech to the crowd.
* RoaringRampageOfRevenge: Antony manipulates a city full of clueless shmucks into carrying one out for him.
* RousingSpeech: Mark Antony's speech at Caesar's funeral is one of the greatest examples in literature.
* SockPuppet: Cassius gets Brutus to join him by forging a bunch of petitions in various writing styles, all criticizing Caesar and praising Brutus.
* StealthInsult: Marc Antony's funeral speech is full of these.
* TagTeamSuicide: Cassius, then Brutus.
* TearsOfBlood: From a statue of Caesar in his wife's dream.
* ThirdPersonPerson: Caesar often refers to himself in third person.
** TruthInTelevision: Caesar did this in his writing.
* TooDumbToLive: Brutus' miscalculations lead to his defeat and suicide.
* TragicHero: Brutus
* TroubleEntendre: Caesar orders that the two tribunes who criticize him at the beginning of the play be "put to silence". While the actual people were banished, Shakespeare's phrase definitely suggests murder.
* UnaccustomedAsIAmToPublicSpeaking: "[[BlatantLies I am no orator]], [[StealthInsult as Brutus is]]..."
** Cassius does this more subtly to Brutus in Act I, Scene II, when he expresses pleasure that his "weak words have struck but thus much show of fire from Brutus".
* VigilanteExecution
* WithFriendsLikeThese: Brutus and Cassius are supposedly best friends, but in a lot of scenes, it's hard to see this.
** Almost, but not quite, VitriolicBestBuds. Cassius sure does get ''snippy'' once in awhile. And he used less than honest means of winning Brutus to the conspiracy (see AstroTurf, above).
----
[[re*direct:Theatre/JuliusCaesar]]
7th Dec '11 7:46:28 AM Cidolfas
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* OneSteveLimit: Cinna... unfortunately for the other Steve.

to:

* OneSteveLimit: Averted with Cinna... unfortunately for the other Steve.
7th Dec '11 7:46:14 AM Cidolfas
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Added DiffLines:

* OneSteveLimit: Cinna... unfortunately for the other Steve.
26th Nov '11 10:33:24 AM CJCroen1393
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Added DiffLines:

* ArcWords: "Beware the Ides of March..."


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*** To be fair, sexual relationships between men were not out of the ordinary in ancient Rome.
20th Nov '11 4:20:18 AM wellinever
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* ManipulativeBastard: Depending on portrayal, Cassius can easily be this.

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* ManipulativeBastard: Depending on portrayal, Cassius can easily be this. It is left ambigous whether Cassius is mearly jealous of Caesar's new found power even though both Brutus and himself are just as honourable, and has contracted the world's most traitorous form of tall poppy syndrome:
-->Why, man, he doth bestride the narrow world
-->Like a Colossus, and we petty men
-->Walk under his huge legs and peep about
-->To find ourselves dishonorable graves.
-->Men at some time are masters of their fates.
-->The fault, dear Brutus, is not in our stars
-->But in ourselves, that we are underlings.
-->Brutus and Caesar—what should be in that “Caesar”?
-->Why should that name be sounded more than yours?
-->Write them together, yours is as fair a name.
-->Sound them, it doth become the mouth as well.
-->Weigh them, it is as heavy.
Or whether he genuinely fears that Caesar will be crowned king and therefore be a threat to the very anti-monarchy Roman ideaology:
-->Age, thou art shamed!
-->Rome, thou hast lost the breed of noble bloods!
-->When went there by an age, since the great flood,
-->But it was famed with more than with one man?
-->When could they say till now, that talked of Rome,
-->That her wide walks encompassed but one man?
-->Now is it Rome indeed, and room enough,
-->When there is in it but one only man.
-->Oh, you and I have heard our fathers say,
-->There was a Brutus once that would have brooked
-->Th' eternal devil to keep his state in Rome
-->As easily as a king.
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http://tvtropes.org/pmwiki/article_history.php?article=Main.JuliusCaesar