History Main / DirectLinetotheAuthor

* ''Alfonso Bonzo'' by Creator/AndrewDavies is presented as having been told to the author by the protagonist, Billy Webb. It ends with a letter supposedly written to the publisher by the title character, complaining of having been misrepresented.
* Robert Littell used this trope for ''The Amateur'', published in 1980. He notes in a prologue that Charlie Heller (the main protagonist of the novel) met with him to have the novel published. Littell notes that Heller had learned of Littell's "fictionalization" of the events depicted in ''The Defection of A.J. Lewinter'' and ''The Debriefing''. Internal details suggest that the events of ''The Amateur'' took place in 1972 (i.e. a terrorist victim's gravestone reads 1972).

* Pablo Bernasconi's children's book ''Captain Arsenio: Inventions and (Mis)adventures in Flight'' is said to be relaying the recently found diary of the title character.

* ''Cheap Complex Devices'' (2002) by John Compton Sundman claims in the foreword that, amongst other things, it was written by a computer, as was his previous book, ''Acts of the Apostles'', and that the purported author of ''Acts of the Apostles'', John F. X. Sundman, stole credit for the book. Sundman is only ever referred to as the "editor" of ''Cheap Complex Devices''.

* Zohra Greenhalgh's ''Contrarywise'' doesn't feature this, but in the sequel ''Trickster's Touch'', one of the main characters visits the author, indicating that he'd recounted the events of the previous book to her.

* Creator/AnthonyHorowitz went one step further in his ''Daniel Hawthorne'' novels by actually making a fictionalised version of himself the titular detective's sidekick, accompanying Hawthorne on his investigations.

* Creator/ChuckPalahniuk's novel ''Diary'' ends with a letter addressed to Palahniuk explaining the origin of the manuscript it's accompanying, clearly the rest of the book. The name of the letter-writer does not appear anywhere else in the book, but the letter was sent from the childhood hometown of protagonist Misty.

* Paul Guinan and Anina Bennett's SteamPunk biography ''FRANK READE: Adventures in the Age of Invention'' does this to the DimeNovel Reade family. The book is written as a factual account of the famous Victorian family of inventors, one that will provide the full truth behind the DimeNovel stories.

* In ''Grinny'' by Creator/NicholasFisk, it's said that Fisk is a friend of the family to whom the children told their story after it was all over. In the sequel, ''You Remember Me'', he has a cameo in the story as one of the children tries to ask his advice about the new events as they're still happening.

* ''Hari-Lek'' by "Ganpat" is about Harry Lake's adventures in a HiddenElfVillage in 1920s Central Asia. The author claims that he merely edited Lake's manuscript, and is unable to say if it really happened or not, because Lake remains in hiding in the Elf village.
* ''Harry Potter'':

* Carole Nelson Douglas has her ''Irene Adler'' novels include explanatory pieces by a Fiona Witherspoon, an academic historian and member of the "F.I.A." (the Friends of Irene Adler). Witherspoon claims to have spent much of her time preparing the diaries of Irene's companion Nell Huxleigh for publication. The multi-year hiatus between the first four books and the next four is "explained" by the fact that Witherspoon had to review and research not only Nell's journals, but other material "found" with them, which is presented in the text as journal entries written by other characters.

* Creator/LinCarter's ''John Carter of Mars'' pastiche series ''Jandar of Callisto'', follows its inspiration in having Carter explain that he found the manuscripts written by John Dark (Jandar) and teleported from the Jovian moon. ''Lankar of Callisto'' takes it a step further; "Lankar" is ''Lin Carter himself'', who accidentally follows Jandar's teleporter while waiting for the next volume.

* In the Alasdair Gray novel ''Lanark'', the title character is invited through a door in the fourth wall, finds himself in the author's studio, and has a discussion with the author about the novel and its plot. Gray admits that he hasn't yet written the narrative surrounding the scene they are in so Lanark will know more about it than he does - but nevertheless, he is surprised to hear that there is a character, [[spoiler: Lanark's son]], which he has not planned to create and does not think would fit into the book.

* The acknowledgements section of ''The Magicians of Caprona'' has Creator/DianaWynneJones explain that the story was incomplete when it arrived from Literature/{{Chrestomanci}}'s world, and thanking the people who helped her "find out" what happened in the WizardDuel and the words to the song.

* Some of the ''Nick Carter'' stories of the late 19th century and early 20th century used this idea. In the story 'Nick Carter and the Professor', the narrator states "and it may be explained that the operations of the four, as described in the first chapter of this account, were learned from the confession of one of them, who turned State's evidence". In the story 'Nick Carter's Mysterious Case' a footnote appears, after an asterisk in the main body of the page, reading "The detective [Nick Carter] has told me that he [a man Carter offered a reward] never came. What his was, is a mystery. AUTHOR". Another story has a note "The following story was told to the writer by Nick Carter" and "I tell the story in my own way and in the third person, but the facts, scenes and incidents are reproduced as nearly as possible in the great detective's own words. THE AUTHOR".
* The novels in Creator/MichaelMoorcock's ''Nomad of the Time Streams'' sequence are presented in this fashion; all three are presented as being accounts / letters written by the protagonist, Oswald Bastable, to Moorcock's grandfather (also named Michael Moorcock); the first two were delivered personally to Moorcock's grandfather, but the last was delivered to Moorcock himself, as his grandfather had passed away by the time the time-and-reality-swapping messenger managed to deliver it to him.

* ''The Paradoxes of Mr Pond'' by Creator/GKChesterton occasionally references Chesterton's role in documenting Mr Pond's investigations, including one point in "The Crime of Captain Gahagan" in which he is unable to even summarise a conversation between Mr Pond and Joan Varney, because Mr Pond always refused to discuss it with anyone else.

* Denise Mina's novel ''Sanctuary'' (released as ''Deception'' in the US) is a crime novel told in diary format. The book features an introduction from Mina in which she claims she found the diary on a second-hand PC and subsequently won a court ruling that allowed her to publish the diary -- much to the original author's objections -- under her own name. An afterword further muddies the water by suggesting that some of the events described in the book did not happen in "real life", being exaggerations on the part of the original author.

* Creator/AndreiBelyanin's ''The Thief of Baghdad'' trilogy starts and ends each novel with the author describing his conversations with the actual protagonist who keeps getting transported to the ArabianNightsDays by a genie. The first time around, the spell causes the protagonist to have LaserGuidedAmnesia. However, the second and third times, he remembers everything. While this seems like just a claim by the author's friend without any proof to the author, the third novel breaks this by having a character from Ancient Arabia show up on the author's doorstep to tell the protagonist's story. Also, the protagonist's comments in the third novel imply that the author may have taken some liberties in writing the books.

* In Edward Ormondroyd's ''Time At the Top'' he claims the story was told to him by Susan Shaw, who lived in the same apartment building until her and her father's permanent trip into the past. In the sequel he states that he found her diary.

* The classic but criminally under appreciated Sword & Planet novel ''Transit to Scorpio'' was written by Kenneth Bulmer, but published under the name Alan Burt Akers. Within the books, "Akers" presents himself as the literary agent of English naval officer Dray Prescott, who is lost on the distant world of Antarres. Aker receives manuscripts regularly from Prescott, who gets booted back to Earth by the "Star Lords" whenever they get bored with jerking him around. The series expanded to 45 books (54 if you count the titles only published in German) making up 11 "cycles", and by the third or fourth book the by-line on the covers actually read "As Told to Alan Burt Akers by Dray Prescott." Kenneth Bulmer's name never appears on any of the books.

* The ''Virgil Tibbs'' series by John Ball (which began with ''Film/InTheHeatOfTheNight'') has a protagonist with a Direct Line to the Author. In ''The Great Detectives'', edited by Otto Penzler, various creators of detective series contributed short articles on their creations (e.g. Chester Gould on Dick Tracy, Walter Gibson on the Shadow, etc.); John Ball used this trope for his article on Virgil Tibbs. He writes:

* Stephen Player's picture of the Mended Drum in ''The Literature/{{Discworld}} Calendar 2015'' suggests this, as the table nearest the viewer has a modern biro and pint glass sitting on it. The beermat over the glass has Creator/TerryPratchett's signature doodled on it. The implication is that Sir Terry pops into the Drum now and then and takes notes.

* In "''Literature/TlonUqbarOrbisTertius''", the narrator describes his discovery of the ancient story of Uqbar and Tlön in great detail.

* Franchise/DoctorWhoExpandedUniverse:
** The EU features a character called Professor Candy, who argues that the Doctor deliberately creates a show similar to ''Series/DoctorWho'' on a number of worlds to make sure that no-one believes he really exists.
** The prose Expanded Universe has also implied that the films featuring Creator/PeterCushing as "Doctor Who" exist within the main universe, and are film adaptations of a series of SF novels written by Barbara Wright and inspired by her time as a companion. Reportedly, Creator/RussellTDavies intended to include this within the TV show, but couldn't get the legal permissions required to use a real-world movie poster.
** ''The Legacy of Gallifrey'' in ''Magazine/DoctorWhoMagazine'' #100 opens by explaining this history id derived from fragments of the Scrolls of Gallifrey that were found in a churchyard, and subsequently translated and decoded by Gary Russell.
* Creator/RobertEHoward wrote to friends about how "a stream of stories just flowed out of my ... typewriter" and "I did not seem to be creating but rather relating events that had occurred" when writing Franchise/{{Conan| the Barbarian}}.
* According to the afterword of the first volume of ''Literature/BookOfTheNewSun'', ''The Shadow of the Torturer'', the series is the result of Creator/GeneWolfe, the author, translating a text that was written in the distant future.
* Stephen Player's picture of the Mended Drum in ''The Literature/{{Discworld}} Calendar 2015'' suggests this, as the table nearest the viewer has a modern biro and pint glass sitting on it. The beermat over the glass has Creator/TerryPratchett's signature doodled on it. The implication is that Sir Terry pops into the Drum now and then and takes notes.
* Cressida Cowell, writer of the ''Literature/HowToTrainYourDragon'' book series, claimed she came across and translated the memoirs of Hiccup.
* ''Literature/WeCantRewind'' presents itself as the narrator Don Richards' memoirs, regularly addressing the target audience as "dear readers and critics" and finally revealing the manuscript to have been [[spoiler: transported through an inter-dimensional portal to our world from the BizarroUniverse where he resides now]].
* Creator/AnthonyHorowitz went one step further in his ''Daniel Hawthorne'' novels by actually making a fictionalised version of himself the titular detective's sidekick, accompanying Hawthorne on his investigations.
* Creator/OttoPenzler's ''Literature/TheGreatDetectives'': Various creators of detective series contributed short articles on their creations (e.g. Creator/ChesterGould on ''Dick Tracy'', Creator/WalterGibson on ''The Shadow'', etc.), Creator/JohnBall writes "Ms. Diane Stone, secretary to Chief Robert [=McGowan=] of the Pasadena Police Department, was on the phone. "The chief has approved the release to you of the details concerning the Morales murder" she told me. He has authorized you to go ahead with it at any time, if you want to." Of course I wanted to: the unraveling of the case via the patient, intelligent investigation work of the department in general, and Virgil Tibbs in particular, would need no embellishment in the telling. As I always do in such instances, I called Virgil and suggested a meeting. Two nights later we sat down to dine together in one of Pasadena's very fine restaurants........By the time that the main course had been put down in front of us we had gone over the Morales case in detail and Virgil had filled me in on several points which had not previously been made public. As always, I agreed to publish nothing until the department had read the manuscript and had given it an official approval. This procedure helped to eliminate possible errors and also made sure that I had not unintentionally included information which was still confidential." Later Tibbs says "I have a letter from Otto Penzler" I said. Virgil nodded recognition. "The co-author with Steinbrunner of The Encyclopedia of Mystery and Detection? I have a copy." "Otto has asked me for a piece about your background. How much may I tell him?" I should insert a footnote here. Virgil Tibbs is basically a quiet, self-effacing man....He has mentioned to me more than once that my accounts of some of his cases have proved somewhat embarrassing to him. However, Chief [=McGowan=] feels that these books help explain the police function to the citizenry at large and to show how modern, enlightened police departments function."
* ''Thrones, Dominations'' is a Literature/LordPeterWimsey novel began by Creator/DorothyLSayers and completed by Jill Patton-Walsh. Patton-Walsh's introduction is written as though she was invited to continue Sayers' biography of a real person.
* ''Creator/AlfredHitchcock and Literature/TheThreeInvestigators'': The very first book has Jupiter claim that [[LampshadeHanging all successful, well-known detectives had someone who wrote their cases for them]], thus making them known to a larger audience and lending their notoriety to the marketing process. Jupiter thus wanted Hitchcock to introduce their cases, while the actual texts would be written by Bob's reporter father from his son's notes--[[RecursiveCanon implied to be the very books the reader was reading, of course]]. When Jupiter claims that Sherlock Holmes ([[UrExample of course]]), Hercule Poirot, and Ellery Queen were other detectives who had been made famous by those who wrote their books, [[ATrueStoryInMyUniverse they're implying the detectives were all real people with real cases]].
* ''Series/YesMinister'': The books are presented as being derived from the private tapes of Hacker, Appleby's memos released under the 30-year rule, and after-the-fact interviews with Woolley and minor characters. The "editors' notes" also act as a kind of FramingDevice.
* ''The Paradoxes of Mr Pond'' by Creator/GKChesterton occasionally references Chesterton's role in documenting Mr Pond's investigations, including one point in "The Crime of Captain Gahagan" in which he is unable to even summarise a conversation between Mr Pond and Joan Varney, because Mr Pond always refused to discuss it with anyone else.
* The official release of ''Literature/GravityFallsJournal3'' uses this trope as a FramingDevice. The first page is a notice claiming the Journal was found by the Oregon Parks Department, and is now part of a Confiscated Items Sale/Bake-off. [[spoiler: Bill's destruction restored the Journals to better than it was before burning it. This allowed Ford to update the Journal to the summer's end then, by Mabel's suggestion, throw it into the Bottomless Pit in hopes that it might inspire future adventurers. It ends with him essentially BreakingTheFourthWall to the reader.]]
* ''Literature/{{Dragonlance}}'':
** ''Literature/DragonlanceTheNewAdventures'': In the spinoff book ''A Practical Guide to Dragons'', Sindri mentions meeting "A young bard by the name of Tim Waggoner" (the RealLife author of the first book in the series, ''Temple of the Dragonslayer'') and telling him about his and his friends' adventures. The Dragon Codices also follow this format, with the introductions claiming the books are based on notes and stories sent by Sindri to the scribes of the Great Library of Palanthas.
** The forewords to the ''Dragonlance Tales'' short story collections have Creator/MargaretWeis and Creator/TracyHickman gathering more stories from the world of Krynn ... as they try to convince Tasslehoff Burrfoot to return the magical device that can take them back to Earth.
* ''Literature/TheCatWhoSeries'': Book #28 (''The Cat Who Dropped a Bombshell'') is the first and only book in the main series to imply that the books are based on real people, as it ends with a short note which involves Qwill calling Lilian Jackson Braun to interview her for the Qwill Pen.
* ''Literature/TheLeftHandOfDarkness'': The book is written as the protagonist's combination of his recollections, and the deuteragonist's mission log.
* Towards the end of the third book of ''Literature/StoryThieves'' it's revealed that the author of the books, James Riley, is actually Nobody, the series' main villain, chronicling the main characters' tales in order to show the fictional world how oppressed it is. Later, at the end of the fifth and final book, the "real" James Riley is revealed to exist and is permitted by the protagonists to publish the books in the "real" world.
* Inverted in ''Literature/TrueHistory'' which, while written to sound like other works of its day, was intended by its writer Lucian of Samosata as a satire about them; he declared it was about "things I have neither seen nor experienced nor heard tell of from anybody else; things, what is more, that do not in fact exist and could not ever exist at all. So my readers must not believe a word I say." Yes, the first "none of this is real" disclaimer.
* The novelization of the 1995 ''Film/JudgeDredd'' movie is written in the style of an InUniverse text book retelling one of Dredd's adventures for trainee judges.
* ''Literature/TheComingRace'' presents itself as a nonfiction book about the customs of the Vril-ya that the narrator wrote after his return to the earth's surface.
* The narrator of ''Literature/TheHampdenshireWonder'' is an unnamed journalist researching the life of the Wonder.
* Bertie Wooster, narrator of the ''Literature/JeevesAndWooster'' series, makes several references to himself as the author.
* Much of the plot of Bram Stoker's ''Literature/{{Dracula}}'' is ''about'' the construction of the book itself and how Mina Harker's compilation of the characters' journals, interview transcripts, and the like helps the characters deduce {{Dracula}}'s identity and nature and ultimately defeat him. To some extent, the book is practically an advertisement for that wondrous new invention, the typewriter.
* Creator/ChuckPalahniuk's novel ''Diary'' ends with a letter addressed to Palahniuk explaining the origin of the manuscript it's accompanying, clearly the rest of the book. The name of the letter-writer does not appear anywhere else in the book, but the letter was sent from the childhood hometown of protagonist Misty.
* In the Alasdair Gray novel ''Lanark'', the title character is invited through a door in the fourth wall, finds himself in the author's studio, and has a discussion with the author about the novel and its plot. Gray admits that he hasn't yet written the narrative surrounding the scene they are in so Lanark will know more about it than he does - but nevertheless, he is surprised to hear that there is a character, [[spoiler: Lanark's son]], which he has not planned to create and does not think would fit into the book.
* ''Literature/GoblinsInTheCastle'': In the author's note at the end of the first book, Coville claims Igor to be real (and that he's Coville's "half-mad twin brother" who was born in October to Coville's May), and that one night, he brought the story to Coville after several years of friendship, though it took several more years to get it published. The author's note at the end of ''Goblins on the Prowl'' states that Igor later brought him that story as well.
* In Edward Ormondroyd's ''Time At the Top'' he claims the story was told to him by Susan Shaw, who lived in the same apartment building until her and her father's permanent trip into the past. In the sequel he states that he found her diary.
* ''Hari-Lek'' by "Ganpat" is about Harry Lake's adventures in a HiddenElfVillage in 1920s Central Asia. The author claims that he merely edited Lake's manuscript, and is unable to say if it really happened or not, because Lake remains in hiding in the Elf village.

* Creator/LFrankBaum styled himself the "Royal Historian of Oz", claiming that all the stories came from Dorothy telling them to him (eventually through a magic wireless after Dorothy moved to Oz permanently). He also made an attempt to use this trope to ''end'' the [[Literature/LandOfOz Oz series]] at one point, claiming a spell of Glinda's to detach Oz completely from the outside world meant he was no longer in contact with Dorothy. It didn't stick any better than sending Literature/SherlockHolmes over Reichenbach Falls, of course.

* ''Literature/TheAthenianMurders'' by Jose Carlos Somoza is supposed to be the translation of an ancient Greek prose work, [[FootnoteFever much annotated]] by a translator who we suppose is from the end of the twentieth century. As it turns out, [[spoiler: the translator himself is a fictional character, invented by an ancient Greek writer...[[MindScrew who has written the whole book, notes included...and appeared as a very minor character in the initial novel itself]].]]
* ''Franchise/StarTrek'':
** Gene Roddenberry's novelisation of ''Film/StarTrekTheMotionPicture'' is written as though it is a record of actual events, and in fact begins with Kirk explaining to the reader that [[Series/StarTrekTheOriginalSeries previous tales of his adventures]] were somewhat exaggerated.
** The foreword of the ''VideoGame/StarTrekOnline'' media tie-in book, ''The Needs of the Many'' by Michael A. Martin and [[Series/StarTrekDeepSpaceNine Jake Sisko]], explains that Martin's editor passed on a collection of interviews conducted by Sisko along with other pertinent historical documents to be compiled into the resulting book ("...and the accompanying derivative holoprograms.")
* ''Literature/TallTaleAmerica'' insists throughout that it is a true account of real people from American history, even in the bibliography where it cites works of fiction as sources (the 1987 reprint breaks this with the author's afterword, though).
* ''Literature/LesMiserables'': Hugo frequently refers to the characters as real people and also the research which he did in assembling their stories. Some of the characters also know of Hugo: at one point, M. Gillenormand even criticizes ''Hernani'', a play written by him.
* [[Creator/FyodorDostoevsky Dostoevsky's]] ''Literature/TheBrothersKaramazov'' is set up as though it is a recounting of actual historical events (with even an introduction from its fictitious author presenting it as a biography), and the narrator himself expresses himself in such a way that he cannot help but become a character in the novel, even though he does not directly affect any of the action.
* ''Literature/{{Exegesis}}'' is not only an e-mail EpistolaryNovel, but it's implied that it's really supposed to be actual e-mails released in book form by Alice Lu (one of the main characters).
* ''Literature/TheRailwaySeries'' has, for a long time, acknowledged the existence of the books in its own universe. The Rev. W. Awdry even [[AuthorAvatar wrote himself into the books]] as an enthusiast called "[[EveryoneCallsHimBarkeep The Thin Clergyman]]," who variously gets Bert splashed with mud in ''Small Railway Engines'', and takes part in the team that searches for and excavates the old sheds in ''Duke the Lost Engine''. His son Christopher didn't reference this as frequently in his volumes, but the central plot of 2011's ''Thomas and His Friends'' was the railway's centennial celebration of the original author's birthday.
* ''True Confessions of [[Literature/AdrianMole Adrian Albert Mole]], [[UsefulNotes/MargaretThatcher Margaret Hilda Roberts]] and Susan Lilian Townsend'' has author biographies for all three "authors". According to Sue Townsend's she was ''sued'' by Adrian for trying to pass his diaries off as fiction.
* The Author's Foreword in ''Literature/ThePaleKing''. Creator/DavidFosterWallace claims that all of it is true, yet he points out the disclaimer on the copyright page states that the characters and events are fictitious. He spends a good portion of the chapter noting the inherent paradox.
-->''In other words, this Foreword is is defined by the disclaimer as itself fictional, meaning that it lies within the area of special legal protection established by that disclaimer. I need this legal protection in order to inform you that what follows is, in reality, not fiction at all, but substantially true and accurate. That The Pale King is, in point of fact, more like a memoir than any kind of made-up story.''
** He also notes that he was not legally allowed to mention his publisher in the text - no one wants to mess with the IRS, after all - despite the fact that the publisher's name is featured on the book's spine.
* Creator/TerryGoodkind starts ''[[Literature/TheSwordOfTruth Wizard's First Rule]]'' with thanking Richard and Kahlan for telling him their story.
* In one of the first "Literature/BernieRhodenbarr" novels (by Lawrence Block) to come out after ''Burglar'' (the rather loose 1987 film adaptation of the earlier novels starring Whoopi Goldberg as Bernie), there is a prologue in which the author recounts a discussion he allegedly had with the "real" Rhodenbarr about the rather drastic difference between his older male Jewish self and Goldberg. Rhodenbarr claimed that he in fact actually had a distant name-alike cousin who was younger, female and black, and allowed as how the movie was probably about ''her'' instead of him.
* In ''Grinny'' by Creator/NicholasFisk, it's said that Fisk is a friend of the family to whom the children told their story after it was all over. In the sequel, ''You Remember Me'', he has a cameo in the story as one of the children tries to ask his advice about the new events as they're still happening.
* ''Alfonso Bonzo'' by Creator/AndrewDavies is presented as having been told to the author by the protagonist, Billy Webb. It ends with a letter supposedly written to the publisher by the title character, complaining of having been misrepresented.
* In "''Literature/TlonUqbarOrbisTertius''", the narrator describes his discovery of the ancient story of Uqbar and Tlön in great detail.
* Creator/EdgarAllanPoe's genre-creating detective stories featured a subtle version of this, with the end of one being withheld until the completion of the criminal's trial.
** ''Literature/{{The Narrative of Arthur Gordon Pym of Nantucket}}'' started off as this (Poe said it was based on a true story). Taken a step further at the end: [[spoiler: in fact, there is no "end". Pym died before he finished recounting his tale to Poe, and the last few chapters were lost with him.]]
* Carole Nelson Douglas has her Irene Adler novels include explanatory pieces by a Fiona Witherspoon, an academic historian and member of the "F.I.A." (the Friends of Irene Adler). Witherspoon claims to have spent much of her time preparing the diaries of Irene's companion Nell Huxleigh for publication. The multi-year hiatus between the first four books and the next four is "explained" by the fact that Witherspoon had to review and research not only Nell's journals, but other material "found" with them, which is presented in the text as journal entries written by other characters.
* The shorter works of Swedish author Fritjof Nilsson Piraten slide into and out of this. Some are short stories where no direct claim is made to their authenticity. Some are short self-biographical pieces that clearly are made to be taken at face value as things that happened to the author - but then the things that happened are outrageous or absurd. [[ItMakesSenseInContext Like the time he conned a British Lord into thinking he was a rich nobleman himself who basically owned his hometown Tranås.]] Often, he tells a perfectly believable (or supposed to be) episode in his life, until he meets an eccentric character who tells a fantastic story from ''their'' lives. Sometimes, Piraten openly tells us he thinks that person is lying, but that he won't say so to their faces or that he isn't sure. A lot of what he tells is mixed with actual places and people, so sometimes you will be surprised that this is just life embellished, and not a tall tale. These pieces are treated the same and published together.
* In ''Literature/CourtshipRite'', this appears in the afterword, in a more-than-usually tongue-in-cheek version, where the author claims the work is based on real research into galactic records.
* ''Death in the Slave Pits of Lorrd'' is an essay made to look like a homework assignment written by Tash Arranda of ''Literature/GalaxyOfFear''. Its full title is actually "Death in the Slave Pits of Lorrd, or What I Did on My Inter-Term Break". She actually cites her sources at the bottom.
* Creator/JTEdson would always claim that his stories were related to him by members of Hardin, Fog and Blaze clan or the Counter family; inserting author's notes to this effect in most of his novels. The only series this doesn't work for is the ''Bunduki'' novels, which take place on another planet (and, even then, Bunduki is still Mark Counter's great-grandson).
* In Literature/DocSavage novels, there are a couple of references to Monk and/or Patricia writing up details of Doc's adventures and passing them on to the man who writes the novels (i.e. Lester Dent a.k.a. 'Kenneth Robeson'). Doc himself is not very impressed by Dent's literary style.
* Zohra Greenhalgh's ''Contrarywise'' doesn't feature this, but in the sequel ''Trickster's Touch'', one of the main characters visits the author, indicating that he'd recounted the events of the previous book to her.
* Creator/AndreiBelyanin's ''The Thief of Baghdad'' trilogy starts and ends each novel with the author describing his conversations with the actual protagonist who keeps getting transported to the ArabianNightsDays by a genie. The first time around, the spell causes the protagonist to have LaserGuidedAmnesia. However, the second and third times, he remembers everything. While this seems like just a claim by the author's friend without any proof to the author, the third novel breaks this by having a character from Ancient Arabia show up on the author's doorstep to tell the protagonist's story. Also, the protagonist's comments in the third novel imply that the author may have taken some liberties in writing the books.
* Creator/RafaelSabatini's ''Literature/CaptainBloodHisOdyssey'' is supposedly based on a number of historical sources, and at one point the author skips over several days' worth of narration because water damage on the ship's log had rendered it illegible.
* Paul Guinan and Anina Bennett's SteamPunk biography ''FRANK READE: Adventures in the Age of Invention'' does this to the DimeNovel Reade family. The book is written as a factual account of the famous Victorian family of inventors, one that will provide the full truth behind the DimeNovel stories.
* Pablo Bernasconi's children's book ''Captain Arsenio: Inventions and (Mis)adventures in Flight'' is said to be relaying the recently found diary of the title character.
* In Traci Harding's ''[[Literature/AncientFutureTrilogy Celestial Triad]]'', it is revealed that all of Tori Alexander's adventures were placed in the author's subconscious as part of the heroine's karmic debt to this universe.
* The ''Literature/LorienLegacies'': The alleged 'author' of the books is a character - Pittacus Lore, the most prominent of the Elders - and the actual authors, James Frey and Jobie Hughes, get little to no credit (they are referenced in ''I Am Number Four'', where 'James Hughes' and 'Jobie Frey' are potential pseudonyms for Four's next life). However, the immersion is shattered somewhat in ''Fall Of Five'', where Malcolm confirms that the character of Pittacus Lore is dead.
* ''Literature/AtTheBackOfTheNorthWind'' by Creator/GeorgeMacdonald has it that the protagonist told all his adventures to the author near the end of his life; Macdonald himself appears as a character in the last few chapters.
* In the ''Literature/TheLostYearsOfMerlin'' books, the stories are said to have been related to the author directly by Merlin.
* ''Literature/LunarPark'' by Creator/BretEastonEllis starts out as this and stays just feasible enough to keep you guessing for a while. Descends into full-on MindScrew later on though.
* Creator/LinCarter's ''John Carter of Mars'' pastiche series ''Jandar of Callisto'', follows its inspiration in having Carter explain that he found the manuscripts written by John Dark (Jandar) and teleported from the Jovian moon. ''Lankar of Callisto'' takes it a step further; "Lankar" is ''Lin Carter himself'', who accidentally follows Jandar's teleporter while waiting for the next volume.
* Creator/ChinaMieville's "Reports of Certain Events in London" is an account of a secret society which investigates migratory streets that appear and disappear from cities, derived from a package of documents delivered to him in error.
* Decades earlier, Creator/AlanDeanFoster wrote a joke letter to an Arkham House publisher, ostensibly seeking advice on how to deal with some CosmicHorror-related documents that'd come into his possession by chance. The publisher took it for a submission, and after revision it became "Some Notes Concerning A Green Box", Foster's first published work.
* ''Literature/AnAccountOfAMeetingWithDenizensOfAnotherWorld1871'' by William Robert Loosley, edited and with commentary by Creator/DavidLangford, describes Loosley [[ExactlyWhatItSaysOnTheTin meeting an alien]], with Langford's commentary explaining how he found the (fake) manuscript in the (real) secret drawer of a desk his wife had inherited, built by her ancestor the (real) William Loosley. Langford then had to spend ''years'' telling ufologists that he'd made it up. [[ConspiracyTheorist Not all of them believed him]].
* The ''Literature/MaureenBirnbaumBarbarianSwordsperson'' stories are all credited "by Bitsy Spiegleman, as told to Creator/GeorgeAlecEffinger". Bitsy is supposedly an old school chum of "Muffy" Birnbaum, who relays her tales to her friend whenever she gets a brief chance to visit our Earth again. Bitsy, in her turn is relaying the stories to Effinger, since he's a professional writer.
* The ebook and print versions of ''Literature/TheComfortableCourtesan'' by L A Hall claim that Hall is editing an actual handwritten nineteenth-century diary found in the attic of an English stately home.
* In the afterword to ''Literature/TheLastDaysOfNewParis'', Miéville claims that he was summoned to a hotel room by an old friend, where he instead met a mysterious man who relates the story in a huge, 36-hour marathon. He suspects the man was the artist/protagonist Thibaut.
* At the close of ''Knight Templar'', Literature/TheSaint is writing down his latest adventure "for the benefit of an author bloke I know, who has sworn to make a blood-and-thunder classic of us one day." Happily, Leslie Charteris did so.
* Creator/JohnMasefield:
** The WhereAreTheyNowEpilogue at the end of ''Literature/TheMidnightFolk'' includes a couple of lapses into first-person, indicating that the author lives in the neighbourhood where the novel is set and has met (or, in the case of the fox, had his poultry raided by) some of the characters, and implying that he was told the story by the protagonist.
** The WhereAreTheyNowEpilogue at the end of ''Literature/{{Odtaa}}'' takes the form of a set of in-universe documents, one of which is a letter from the protagonist to the author commenting on the manuscript of the novel and offering an update on what he's been up to since the events described.
* ''Literature/TheTurnOfTheScrew'' is presented as an anecdote told to the author by a man at a party.
* A specialty of Creator/RickRiordan:
** ''Literature/PercyJacksonAndTheOlympians'': Riordan is a Senior Scribe at Camp Half-Blood, publishing the books as works of fiction. Even so, Percy takes time in the first book to warn the readers that if they think they're a half blood, to shut out that feeling and remember that it's just fiction. This continues in the rest of ''Literature/TheCampHalfBloodSeries'' (''Literature/TheHeroesOfOlympus'', ''Literature/TheTrialsOfApollo'', etc.).
** ''Literature/TheKaneChronicles'': Riordan claims to have been presented with a series of audio recordings by Carter and Sadie Kane. These recordings often includes the sounds of them fighting over the microphone to present their version of a certain event, and Riordan includes them as part of the transcription.
* The foreword of ''Literature/TheMoonPool'' presents the novel as something that the fictional International Association of Science commissioned author Abraham Merritt to write in order to put to rest the rumors about the events touched upon in the book:
-->''For these reasons the Executive Council commissioned Mr. A. Merritt to transcribe into form to be readily understood by the layman the stenographic notes of Dr. Goodwin's own report to the Council, supplemented by further oral reminiscences and comments by Dr. Goodwin; this transcription, edited and censored by the Executive Council of the Association, forms the contents of this book.''
* ''Creator/BruceCoville'' does this in two of his series:
** ''Literature/CampHauntedHills'': At the start of book 1, Stuart tells the readers that they should be familiar with Camp Haunted Hills, because the movie was such a hit... but it was mostly Hollywood baloney, and ''this'' is the real version. The end of book 2 mentions that the reader is likely to see a movie based on the events of the book sometime in the next few years, and book 3 mentions that after the events of the story, Harry Housen rewrote his script for the movie "Day of the Dinosaur", but the reader should have already known that because they'll have ''seen'' the movie by that point.
** ''Literature/RodAllbrightAlienAdventures'': The fourth and final volume begins with an author's note stating that Rod is the real writer and Coville just publishes the manuscripts that Rod sends him occasionally. The same note theorizes that Rod chose him either because he already had a reputation for publishing alien stories, or because they live in the same area.
* The acknowledgements section of ''The Magicians of Caprona'' has Creator/DianaWynneJones explain that the story was incomplete when it arrived from Literature/{{Chrestomanci}}'s world, and thanking the people who helped her "find out" what happened in the WizardDuel and the words to the song.
* Creator/BeatrixPotter occasionally mentions her own involvement in the world of Peter Rabbit and friends; for instance in ''Literature/TheTaleOfBenjaminBunny'' she says she once bought a pair of mittens made by Peter's mother. Mostly she comes across as a not-entirely-detached observer; a naturalist (which she was) in a world where the Lake District is home to {{Civilized Animal}}s.
* ''The Songs of Bilitis'' is presented as a collection of poems written by Bilitis, a contemporary of Creator/{{Sappho}}, and translated by Pierre Louÿs.
* John Buchan's ''Literature/TheThreeHostages'', which resumes his Richard Hannay series after a break of several years, is prefaced with a dedication to a young fan who had written asking for more about Hannay, in which Buchan claims that he recently met Hannay socially and was told by him the story that follows.
* Creator/KimNewman's ''Literature/DiogenesClub'' series describes the adventures of a secret society protecting the world from supernatural menaces. In the author's notes at the end of ''Mysteries of the Diogenes Club'', he claims that he was going to include a proper explanation of one of the {{Cryptic Background Reference}}s, but the current Chairperson of the Diogenes Club asked him to leave the explanation out.
* ''Literature/TheTimeMachine'' by Creator/HGWells has a FramingStory in which an unnamed narrator is part of a group visiting "the man I shall call the Time Traveler" and hearing his story, which forms the bulk of the book. It ends with the same narrator waiting for the Time Traveler to return from his second voyage, but doubting he ever will.
** Despite this numerous other works have run with the idea that ''The Time Machine'' is Creator/HGWells's own story and depict him as an actual time traveller (cf ''Film/TimeAfterTime'', ''Series/LoisAndClark''). In the 1960 movie adaptation of ''The Time Machine'', the Time Traveler is referred to as "George". However, the time machine's date indicator plate clearly reads "Manufactured by H. George Wells" meaning the Time Traveller's name is... H. G. Wells.
** ''Literature/TheTimeShips'' by Creator/StephenBaxter has the Time Traveler refer to the original book's first narrator as "the Writer" (in the same way as that narrator calls the other members of the party "the Psychologist", "the Medical Man" and so on) and includes enough details that he's clearly Wells. In addition, Baxter claims to have found the Time Traveler's account of his second voyage in a journal that mysteriously turned up in an old bookstore.
* T.H. White's ''Literature/TheOnceAndFutureKing'' based his story much upon Sir Thomas Malory's ''Literature/LeMorteDarthur'', his inclusion of Malory as a young squire to Arthur who is entrusted with recording the events of the story.
* ''Literature/TheChroniclesOfTheImaginariumGeographica'' series by James A. Owen: [[spoiler: The three protagonists are revealed at the end of the book to be J.R.R. Tolkien, C.S. Lewis, and their friend Charles Dodgson]]. Their adventures bring them close to things like magic wardrobes and elven cities which they claim to use as inspiration. H.G. Wells acts as their mentor, having admitted that ''The Time Machine'' is an autobiography and he had a child with Weena. The second book introduces James Barrie, who personally knew Peter Pan. The most recent book has an undead Creator/EdgarAllanPoe admit that "Literature/TheCaskOfAmontillado" is not a short story, but an instruction manual he wrote for how to deal with his enemies.
* Played with in Creator/PhilipKDick's short story "Waterspider". The protagonists decide to fix a technological problem of their era by time-travelling into the past, the golden age of precognitives and consulting with the precog whose paper "Night Flight" foresaw their very predicament: Creator/PoulAnderson. The reader eventually realizes that the "precog society meeting" is actually a ScienceFiction convention -- it turns out that all the major SF authors were precogs without realizing it, and were accurately predicting the future in their writings.

* ''Literature/ThePushcartWar'' did this, except that at the time of publication the dates given in the book were in the ''future''. At least one reader read the book as a kid and didn't realize it was fiction because by that time the dates in her copy were fifteen or twenty years in the past.
* The classic but criminally under appreciated Sword & Planet novel ''Transit to Scorpio'' was written by Kenneth Bulmer, but published under the name Alan Burt Akers. Within the books, "Akers" presents himself as the literary agent of English naval officer Dray Prescott, who is lost on the distant world of Antarres. Aker receives manuscripts regularly from Prescott, who gets booted back to Earth by the "Star Lords" whenever they get bored with jerking him around. The series expanded to 45 books (54 if you count the titles only published in German) making up 11 "cycles", and by the third or fourth book the by-line on the covers actually read "As Told to Alan Burt Akers by Dray Prescott." Kenneth Bulmer's name never appears on any of the books.
* ''Literature/LifeOfPi'' by Yann Martel is supposedly a novelization of true events; the prologue features Martel himself in India, meeting the character Mamaji who, in turn, tells him about the main character, Pi. The first section of the novel is the story of Pi's childhood, interlaced with scenes of Martel supposedly meeting and interviewing Pi as an adult. (The rest is about a shipwreck, a tiger and some Japanese guys.)
* The ''Virgil Tibbs'' series by John Ball (which began with ''Film/InTheHeatOfTheNight'') has a protagonist with a Direct Line to the Author. In ''The Great Detectives'', edited by Otto Penzler, various creators of detective series contributed short articles on their creations (e.g. Chester Gould on Dick Tracy, Walter Gibson on the Shadow, etc.); John Ball used this trope for his article on Virgil Tibbs. He writes:
-->Ms. Diane Stone, secretary to Chief Robert [=McGowan=] of the Pasadena Police Department, was on the phone. "The chief has approved the release to you of the details concerning the Morales murder," she told me. He has authorized you to go ahead with it at any time, if you want to." Of course I wanted to: the unraveling of the case via the patient, intelligent investigation work of the department in general, and Virgil Tibbs in particular, would need no embellishment in the telling. As I always do in such instances, I called Virgil and suggested a meeting. Two nights later we sat down to dine together in one of Pasadena's very fine restaurants.... By the time that the main course had been put down in front of us we had gone over the Morales case in detail and Virgil had filled me in on several points which had not previously been made public. As always, I agreed to publish nothing until the department had read the manuscript and had given it an official approval. This procedure helped to eliminate possible errors and also made sure that I had not unintentionally included information which was still confidential.
* Robert Littell used this trope for ''The Amateur'', published in 1980. He notes in a prologue that Charlie Heller (the main protagonist of the novel) met with him to have the novel published. Littell notes that Heller had learned of Littell's "fictionalization" of the events depicted in ''The Defection of A.J. Lewinter'' and ''The Debriefing''. Internal details suggest that the events of ''The Amateur'' took place in 1972 (i.e. a terrorist victim's gravestone reads 1972).
* Some of the Nick Carter stories of the late 19th century and early 20th century used this idea. In the story 'Nick Carter and the Professor', the narrator states "and it may be explained that the operations of the four, as described in the first chapter of this account, were learned from the confession of one of them, who turned State's evidence". In the story 'Nick Carter's Mysterious Case' a footnote appears, after an asterisk in the main body of the page, reading "The detective [Nick Carter] has told me that he [a man Carter offered a reward] never came. What his was, is a mystery. AUTHOR". Another story has a note "The following story was told to the writer by Nick Carter" and "I tell the story in my own way and in the third person, but the facts, scenes and incidents are reproduced as nearly as possible in the great detective's own words. THE AUTHOR".
* Willard Wright wrote the Literature/PhiloVance novels under the pen name S.S. Van Dine. S.S. Van Dine appears as the narrator (characters will refer to his presence in their dialogue, but Van Dine has no dialogue). Oddly enough, some of the Philo Vance novels depicted him murdering the murderer. However, Van Dine established that Philo Vance had retired to Italy, whose fascist government probably would not have extradited him.
* The ''Creator/ElleryQueen'' books, aping as they did the ''Philo Vance'' series early on, present several convoluted uses of this trope. Early novels, starting with the first, ''The Roman Hat Mystery'' in 1929, have framing sequences which establish that the stories actually took place in the previous decade, i.e., the 1910s, and that all of the names have been changed. In other words, "Ellery Queen" was a pseudonym not only in real life, but in the novels as well.
* Creator/BrandonSanderson's ''Literature/AlcatrazSeries'' is written in first person, with the narrator stating that Brandon Sanderson is a separate person that has agreed to use his name as a cover, meant to hide the book from the titular AncientConspiracy of Librarians who rule the world. The author biography states that "Alcatraz has met Brandon Sanderson, and he was not impressed."
* In ''Literature/LastAndFirstMen'' (1930) by Olaf Stapledon, the foreword claims that, while the author believed himself to be writing fiction, in reality, he was writing under the influence of the distant-future Last Men, who used a sort of [[MentalTimeTravel time-traveling telepathy]] to influence past minds.
* ''Cheap Complex Devices'' (2002) by John Compton Sundman claims in the foreword that, amongst other things, it was written by a computer, as was his previous book, ''Acts of the Apostles'', and that the purported author of ''Acts of the Apostles'', John F. X. Sundman, stole credit for the book. Sundman is only ever referred to as the "editor" of ''Cheap Complex Devices''.
* Janet Tashjian's ''Literature/TheGospelAccordingToLarry'' (2003), and its sequels, are written as if Josh Swensen, the protagonist, was entrusting her with the story to get it out, while not revealing Where in the World is Larry ''now''.
* According to Huck in ''Literature/AdventuresOfHuckleberryFinn'' (1884), Creator/MarkTwain was pretty accurate with ''Literature/TheAdventuresOfTomSawyer'' (1876), though "There was things which he stretched".
* Creator/KurtVonnegut presents ''Literature/MotherNight'' as the actual memoirs of Howard J. Campbell Jr, going so far as to describe how he edited one chapter for obscenity.
* All the books in the ''Literature/GeronimoStilton'' series are "written" by Geronimo himself, which is reflected on the About The Author page.
* All the Cathy's _____ books are like that. Particularly in the third book when [[spoiler:Emma decides that they will publish Cathy's journal and the evidence collected as a fantasy novel.]]
* Creator/HRiderHaggard liked this idea.
** ''Literature/{{She}}'' is purportedly a manuscript which was written by Holly, one of the protagonists of the story. He passed it to Haggard and asked him to publish it because he was about to leave on a dangerous mission and wanted the story to be told.
** In the Allan Quatermain novels (''Literature/KingSolomonsMines'' and sequels) this features extensively. In ''She and Allan'' (which takes place before ''She'' and before ''Allan Quatermain'', for important reasons), Allan Quatermain writes an introduction to his memoirs of meeting Ayesha. He mentions that he will have the author publish his memoirs (the other Allan Quatermain novels follow a similar format, with some novels referring to other novels by their book titles). Quatermain mentions that he actually read Haggard's book ''She'', and notes that the claim by one of the residents of Kor in that book that no male Caucasian had visited Kor in decades stood as false, since Quatermain had visited Kor within the last fifteen years. (Curiously, Allan Quatermain dies in the 1887 novel ''Allan Quatermain'' -- published the same year as ''She''. Quatermain must have read ''She'' not long before his death.)
* Creator/RoaldDahl:
** ''Literature/JamesAndTheGiantPeach'' doesn't seem like it follows this trope at first, [[spoiler:until it invokes it in the very last line in the book. We are told that James lived a happy life and grew up to become an author, and his most famous book was the true account of his adventures on the giant peach. "And that," the story concludes, "is the book you have just finished reading."]].
** ''Literature/TheBFG'' also doesn't seem like it follows this trope at first, [[spoiler:until the end, where it's revealed that the BFG himself wrote the book about his and Sophie's adventures and published it under a pseudonym. The story concludes: "But where, you might ask, is this book that the BFG wrote? It's right here. You've just finished reading it."]]
* The epistolary novel ''[[Literature/DangerousLiaisons Les Liaisons Dangereuses]]'' (a.k.a. ''Dangerous Liaisons'') includes both an "Editor's Preface" claiming that these letters are real and all the author did was prune them a bit, ''and'' a "Publisher's Note" (also written by the author) expressing extreme doubt that this is really a true story, mainly because people in ''this'' day and age would ''never'' be so wicked as the characters in the book are.
* The first Gothic novel, ''Literature/TheCastleOfOtranto'', is a subversion: Walpole never pretended that the events in it had actually ''happened'', only that an Italian clergyman had believed in and recorded them.
* Creator/RexStout's Literature/NeroWolfe mysteries are all narrated by Wolfe's assistant, Archie Goodwin, who occasionally mentions the publication of the books.
* Gaston Leroux's ''Literature/ThePhantomOfTheOpera'' did this, claiming that Leroux put together the story from firsthand accounts from people who lived and worked at the Opera House. Later, the introduction to Frederick Forsyth's ''Phantom of Manhattan'' continues in the same vein, pointing out Leroux's mistakes as if the entire story were true and Leroux just got some of the facts wrong.
* Virtually all of Jack Higgins's UsefulNotes/WorldWarII era novels begin in the present day with a first person-perspective [[FramingDevice framing story]] in which the AuthorAvatar (usually, but not always, named Jack Higgins) meets one of the novel's characters, from whom he learns the main story. [[LampshadeHanging Lampshaded]] in the prologue/preface to ''The Eagle Has Landed'', which claims that "At least fifty per cent" of the novel is "documented historical fact."

* Sir Creator/WalterScott was fond of this. In ''Literature/OldMortality'' he took it to extremes, claiming he got the story from Peter Pattieson, who got it from Jedediah Cleishbotham, who got it from Old Mortality.
* This is the framing device of ''Literature/ThePledge'', when the author attends a literature conference and stumbles across the protagonist's former senior Detective, who leads him to the protagonist himself (at that point of time an elderly, demented filling station attendant), and only then reveals to him who the protagonist was and why he ended up that way, thus setting the actual story in motion.

* ''Literature/TheGuildOfSpecialists'' is the absolute grandmaster of this trope. The three books are absolute works of art, each designed to look like a diary and filled to the brim with maps, diagrams and sketches, some folding out to as much as four or five pages. There are antique photographs (purportedly) of the characters and settings and museum-style photographs of objects that appear in the books. It is truly something to behold and the level of immersion the books create is fantastic.
* Steve Hockensmith's mystery/Western ''Literature/HolmesOnTheRange'' (about a cowboy who is inspired to take up detective work after reading several Sherlock Holmes stories) doesn't just use the LiteraryAgentHypothesis but starts off being Direct Line to the Author as well. The story itself uses the original literary agent hypothesis -- it sets out Holmes as a real person, one of the villains is related to a character from the Holmes story "The Noble Bachelor", and [[spoiler:it's eventually revealed that the book is set two years after "The Final Problem"]].
* ''Literature/{{Utopia}}'' starts with [[AuthorAvatar Sir Thomas Moore]] describing one of his visits to the Netherlands, and then recounting a description of the Utopian society -- a description he says he got from a sailor named Raphael.

* ''Literature/{{Hieroglyphics}}'' is ''supposedly'' theories of an odd friend of Machen's and that Machen merely wrote them down. The friend attempts to [[DefiedTrope defy]] it, saying he'd rather assume readers believe the theories were Machen's own rather than his.

* Creator/EEDocSmith in the ''Literature/{{Lensman}}'' series refers to himself as "the historian" in later books, and mentions that he was the first person to read the declassified accounts of the characters' adventures.
* ''Literature/ASeriesOfUnfortunateEvents'': The author, [[LemonyNarrator Lemony Snicket]], makes frequent self-references and insists that this is a true story that he has extensively researched (including meeting the Baudelaire children) in an attempt to make the story of the orphans available to the general public. "Lemony Snicket" is a [[PenName pseudonym]] for Daniel Handler; Handler is frequently referenced as Snicket's agent but is also a background character who exists in-universe (such as the cigarette-smoking man who appears briefly in ''The Penultimate Peril'').
* Creator/EdgarRiceBurroughs:
** Burroughs presents himself as the great-nephew and literary executor of Literature/JohnCarterOfMars in the ''Barsoom'' novels. At the beginning of each book it tells how Carter visited Burroughs and gave him ''this'' story (and then disappeared again). In ''The Master Mind of Mars'', we are told that Ulysses Paxton has read the earlier works and so recognizes Barsoom when he reaches it.
*** The [[Film/JohnCarter film]] makes it more blatant by having Burroughs rush to his uncle's tomb and, upon opening it, discover it empty. A Thern appears behind him about to kill Burroughs and Carter only to be shot by Carter who shows up behind the Thern. Carter tells Burroughs to write a book, locks himself in the tomb and once again projects to Barsoom using the Thern's talisman.
** Burroughs's first Literature/{{Tarzan}} novel, similarly, begins with an explicit statement that Burroughs was told the story by one who was there, and that the names have been changed to protect the etc. When the Tarzan series took off, this aspect of the story proved impossible to keep up, and was quietly dropped (except in ''Tarzan At the Earth's Core''); however, fans still make use of it when discussing what Tarzan's life was "really" like. This was paid homage to in the series based on the Disney animated adaptation, where he writes the book after meeting Tarzan.
** Burroughs did the same thing for his ''Literature/{{Amtor}}'' novels, where he is visited psychically by the protagonist, Carson Napier of Venus [[MisappliedPhlebotinum (who oddly enough, rarely uses his psychic powers for anything other than giving Burroughs infodumps)]].
** Burroughs did this yet again for his ''Literature/{{Pellucidar}}'' novels. In the first one he meets the series' hero David Innes during a safari in the Sahara desert, after Innes has come up from Pellucidar. In the second one he receives a telegraph message from a line Innes laid all the way to the the Earth's core. Book 3 says that his recently acquired next door neighbor is an inventor who had developed a neutrino radio, which they discover can send and receive signals through solid rock to communicate with Pellucidar; at the end, having learned that David Innes was in trouble, the inventor neighbor vows to go on an expedition to rescue him, an expedition that takes place in the crossover novel ''Tarzan At the Earth's Core'' -- where the neighbor sets out on his expedition. In the process, he meets Tarzan in the flesh, and Tarzan joins him on said expedition. Afterward, the inventor's radio continues to play a role in receiving the stories of Pellucidar in the three books that follow, and in some of the ''Barsoom'' novels.
** Even his novels set in the future do this: ''Literature/TheMoonMaid'' (1923) opens with an introduction in which Burroughs is told the events of the distant future by a man who can remember the lives of his future reincarnations ... although for some reason this is dated to the near future of 1967, rather than the present.

* ''Literature/TheDresdenFiles'' are implied to be Harry narrating his case files to, well, the reader. The RPG book lampshades this by pointing out that Harry names all his major cases with two word titles that have the same character length (''Storm Front, Fool Moon, Grave Peril,'' etc.).
* In the ''Literature/{{Xanth}}'' series, the novels are written down by Clio, the Muse of History; apparently someone's been leaking them to Mundania. One Author's Note actually includes a character doing her service to the Good Magician by going through the pun credits.

* Elizabeth Strout's novel ''Literature/OliveKitteridge'' was published with an afterword in the form of a conversation between Strout, an interviewer from Random House Publishing...and Olive Kitteridge herself. Olive does not think much of Strout's book.
* While the books themselves do not invoke Direct Line to the Author, Garth Nix [[http://www.scholastic.com/titles/seventhtower/qa.htm has said]] regarding ''Literature/TheSeventhTower'', "Often, I get the feeling that the story is really happening somewhere and all I'm doing is trying to work out the best way to tell it."
* Creator/LFrankBaum styled himself the "Royal Historian of Oz", claiming that all the stories came from Dorothy telling them to him (eventually through a magic wireless after Dorothy moved to Oz permanently). He also made an attempt to use this trope to ''end'' the [[Literature/LandOfOz Oz series]] at one point, claiming a spell of Glinda's to detach Oz completely from the outside world meant he was no longer in contact with Dorothy. It didn't stick any better than sending Literature/SherlockHolmes over Reichenbach Falls, of course.
* ''Literature/TheSagaOfDarrenShan'': it is canon in author Darren Shan's books that he assembled his stories from [[spoiler:diaries sent to him by his younger alternate self in an alternate timeline]] where he lived 20 years as a vampire. It MakesSenseInContext... kind of. Essentially, [[spoiler:Darren altered the timeline so that he never became a vampire, thus resetting himself to the first book. His diaries chronicling the series survived and were sent to the alternate Darren, who is was already a writer.]] Thus the books actually happened, only [[spoiler: to someone else, an innocent bystander roped into Darren's "tragic" (but heartwarming) life, forced to reenact his exact actions... see the series' Fridge page for deconstruction]].
* The 10th-century ''Literature/TheTaleOfGenji'' includes a number of references indicating that the narrator is relating a true story and that she is merely describing this story to others. For example, at the end of chapter 4:
-->''I had passed over Genji's trials and tribulations in silence, out of respect for his determined efforts to conceal them, and I have written of them now only because certain lords and ladies criticized my story for resembling fiction, wishing to know why even those who knew Genji best should have thought him perfect, just because he was an Emperor's son. No doubt I must now beg everyone's indulgence for my effrontery in painting so wicked a portrait of him''.
** She also uses that conceit, from time to time, to poke fun at literary clichés of her time, by saying things to the effect of "If this were a common story, [[LampshadeHanging I would describe such-and-such]]" or "If the old stories were to believed, she should've acted in such-and-such a way".
* Practically all novels at the beginning of the genre (roughly the 18th Century) used this device, claiming to be either memoirs/autobiographies or caches of letters, i.e. epistolary novels. It was not until Henry Fielding that the third-person omniscient narrator was introduced. Examples:
** Everything by Creator/DanielDefoe,
** Samuel Richardson's ''Literature/{{Pamela}}'' and ''Literature/{{Clarissa}}'',
** Jonathan Swift's ''Literature/GulliversTravels''
** Lawrence Sterne's ''Literature/TristramShandy'' -- which is also the longest sustained attempt at subverting the trope.
** ''Die Insel Felsenburg'', a {{Robinsonade}} by Johann Gottfried Schnabel.
* Creator/IsaacAsimov:
** The mystery novel ''Literature/MurderAtTheABA'' takes the form of Asimov's dramatization of events as related to him by fictional character Darius Just (who bears a noticeable resemblance to real-world author Creator/HarlanEllison). Asimov includes himself as a minor character in the story, and the book includes occasional [[FootnoteFever footnote comments]] by Just and responses by Asimov.
** Asimov also uses the device in the short story "Pâté de Foie Gras". The titular goose literally lays gold-filled eggs, and a group of government experts is trying to figure out where the gold is coming from (or at least figure out how to breed additional gold-egg-laying geese so that some can be spared for dissection). The story ends with one of the experts convincing the others to get the account published in an SF magazine as fiction, thus putting it before a large number of people who might come up with useful ideas while [[CassandraGambit still maintaining plausible deniability]].
* Steven Brust's ''Literature/{{Dragaera}}'' novels occasionally place Brust as the translator of the stories from Dragaeran into English. He even has an interview with Paarfi, the "original author" of the Literature/KhaavrenRomances, who is outraged by the changes that Brust admits he had to make. In one of the Vlad Taltos novels, Vlad mentions in one story that he's narrating his stories into a cylinder in return for gold. ''Literature/{{Tiassa}}'' clarifies that a man from "very far East" (presumably Brust) met Vlad through Sethra Lavode, who met him through the Necromancer, and offered 500 Imperials of unminted gold for a few hours of conversation.

* Chaucer combines this trope with AuthorAvatar in ''Literature/TheCanterburyTales'', which is presented as Chaucer's transcription of all the tales the other people on his pilgrimage are telling, and he throws in a couple of his own.
* In Creator/SpiderRobinson's ''Literature/CallahansCrosstimeSaloon'' series, Spider claims to be transcribing stories told to him by the narrator, Jake Stonebender. He even goes as far as writing Author's Notes and Prefaces "in character" as a Callahan's regular.
* This sort of thing is pretty much a law when it comes to ''Franchise/SherlockHolmes'' pastiches, given the fandom's emphasis on the LiteraryAgentHypothesis. Traditionally, all pastiches must begin with an introduction explaining how this "lost manuscript of Dr. Watson" was discovered in an old trunk or attic and can now finally be released to the public. (The original Literature/SherlockHolmes stories had references to Watson publishing accounts of his adventures, but never went so far as to claim that he was doing so through Arthur Conan Doyle; they always implied, if not actually stated, that in-universe Watson's accounts were published under his own name.)
** The ''Literature/MaryRussell'' books by Laurie R. King, in which Sherlock Holmes is a major character, contain numerous prefaces and afterwords detailing the mysterious means by which King received the manuscripts which she's been editing into the books; the narratives themselves also have occasional references to Creator/ArthurConanDoyle as Watson's agent, including Holmes's chagrin when Conan Doyle goes public with a belief in fairies.
** Played with in ''Literature/SherlockHolmesAtThe1902FifthTest'' by Stanley Shaw. It begins with a foreword in which Shaw claims to have found the manuscript in the attic in his grandfather's handwriting, proceeds with his grandfather's account of how he helped Sherlock Holmes foil an attempt to sabotage the final match of the 1902 Ashes cricket series, and ends with an afterword in which [[spoiler:Shaw notes that the account couldn't possibly be accurate, because his grandfather had a leg amputated before 1902, so he's not claiming it's a true story, just that it's very old previously-undiscovered fanfic]].
** An interesting example at the start of James Lovegrove's ''Literature/CthulhuCasebooks'' series of mashup novels. The introduction to the first volume, ''Shadows in Shadwell'', carefully explains how Lovegrove got these manuscripts from the estate of one Henry Prothero Lovecraft (a distant relative of both the ''other'' Creator/HPLovecraft and Lovegrove himself) and that analysis suggests they are genuine. Nonetheless, since they're supposedly Watson claiming that nearly everything he wrote was a deception designed to conceal ThingsManWasNotMeantToKnow, Lovegrove's introduction suspects they may be some kind of bizarre hoax. His straighter Holmes pastiches are referenced, suggesting in-universe Lovegrove is loath to believe the other Watson manuscripts he edited were a pack of lies (not to mention not wanting to believe he's in a CosmicHorrorStory). By the introductions to the second and third books, he's become less sceptical (and the epilogue to the third book reveals [[spoiler: in-universe Lovegrove has GoneMadFromTheRevelation]]). A short story in the same setting opens with an e-mail from the lawyer who dealt with Henry Lovecraft's estate, saying he found a further letter from Watson, and rather sarcastically adding that he is happy to offer his services if Lovegrove's apparent habit of making money from other people's manuscripts result in him needing a lawyer.
** ''Literature/SherlockHolmesAndDoctorWasNot'': In "The Adventure of the Madman", author Nancy Holder claims the story is transcribed from phongraph cylinders found in the effects of one of her ancestors, Mary Holder, who is a major character in the story.
** Bonnie [=MacBird=]'s Sherlock Holmes novels start with a foreword explaining she got these unpublished manuscripts from a mysterious woman known only as Lydia. In all of them the case is more personal to either Holmes or Watson than usual, implying that this is why Watson never published them.
* Creator/AlexandreDumas claimed to have found and elaborated upon records of ''Literature/TheThreeMusketeers''.

* There is a... let's call it ''elaborate''... prologue to ''Literature/TheScarletLetter'' in which Nathaniel Hawthorne explains that he did not write the story of Hester Prynne; he only found it.
* Creator/WalterMoers uses this for most of his ''Zamonia'' novels. ''Literature/TheThirteenAndAHalfLivesOfCaptainBluebear'' and ''Literature/TheCityOfDreamingBooks'' are supposedly translations of autobiographies of the narrators. The setup of ''Literature/TheAlchemastersApprentice'' is a bit more complicated: Walter Moers supposedly translated a book written by Hildegunst von Mythenmetz, which is a retelling of a story by Gofid Letterkerl. Actually it's a retelling of ''Spiegel, das Kätzchen'' by Gottfried Keller. (Mythenmetz and Letterkerl are fictional authors, Moers and Keller are/were real people; Letterkerl's name is, in fact, [[SignificantAnagram an anagram]] of Keller's.)
* The introduction to ''Literature/{{Frankenstein}}'' frames it as a letter from a sea captain to his sister after he briefly picked up the title character ([[IAmNotShazam and no, that's not the monster]]) in the Arctic and copied his story down. Making this even more complicated is the fact that Frankenstein quotes ''the monster'' for several chapters, and the monster also tells a story within a story within a story about the family he first sheltered with.
* Creator/StephenKing:
** Late in ''Franchise/TheDarkTower'' series, the heroes arrive in 1977 Maine, meet with Creator/StephenKing, and instruct him to write and publish an account of their exploits. In this case, the trope is also used to explain why Eddie Dean grew up in Queens when his home, in Co-Op City, is located in the Bronx; on his Earth, Co-Op City is located in Queens, but it's located in the Bronx in "the real world" and so King was accurately describing the lay of the land in the quasi-fictional New York from which Dean hails. (Eddie initially loses his temper; he believes he grew up in the wrong borough because King made a mistake.)
** More than that, King attempts to use the ''Dark Tower'' series to tie together ''all'' his books under the "existing [[TheMultiverse Multiverse]] channeled by Author's imagination" theory. We also know this as CanonWelding.
** Stephen King also does this with some of the more recent books written under his pseudonym, Richard Bachman. In the forewords to those, King claims that the books were unfinished manuscripts by the late Bachman that he (King) had been asked to polish and update for release after Bachman died of "cancer of the pseudonym". (This makes him an author with a Direct Line to ''Himself'', oddly enough.)
* Author Creator/MichaelCrichton has done this with several of his books:
** In the original book version of ''Literature/JurassicPark'', one of the many differences from its (subsequent) [[Film/JurassicPark1993 film adaptation]] was the death of Ian Malcolm. In the sequel novel, Malcolm explains that his death was just a rumour, leading the reader to believe that the original novel was merely an imperfect retelling of the actual events. (The original novel was also prefaced by "The [=InGen=] Incident", a historical-nonfiction-style bit about the problems the book's events caused.)
** ''Literature/TheAndromedaStrain'' is presented as a docudrama-style recounting of actual events, complete with a bibliography listing relevant scientific papers (most of the citations are real, but some are fakes supposedly authored by characters from the book).
** Crichton also did it with ''Literature/EatersOfTheDead''. Aside from the footnotes scattered through the book (again a mix of real and fake information), the beginning is an ''actual historical document'', written by the real Ahmad ibn Fadlan, up to the point where he heads off with the Vikings to battle the Wendol. The novel is portrayed as a translation of ibn Fadlan's writing that extended past the point where the real ibn Fadlan stopped (even having the end of the novel terminate just as another adventure seemed to start, indicating there was more yet to happen but the manuscript had been lost). Crichton commented at one point, a few years after writing it, that he had forgotten where the fictional part of the novel actually started.
** ''Literature/RisingSun'' is apparently the narrator, a detective, telling a story in an LAPD interview room.
* Denise Mina's novel ''Sanctuary'' (released as ''Deception'' in the US) is a crime novel told in diary format. The book features an introduction from Mina in which she claims she found the diary on a second-hand PC and subsequently won a court ruling that allowed her to publish the diary -- much to the original author's objections -- under her own name. An afterword further muddies the water by suggesting that some of the events described in the book did not happen in "real life", being exaggerations on the part of the original author.
* ''Literature/ThePrincessBride'' is introduced as a story edited down from a "famous" piece of literature written by S. Morgenstern, a fictional resident of the fictional country of Florin. The real author, Creator/WilliamGoldman, claims that this is the Good Parts Version his father (an immigrant from Florin) read to him as a child. There are frequent "editor's notes" which summarize the excised text (these summaries can run for pages, being nothing but lists of how many pages were spent on the various mundanities of, say, Buttercup packing so she could move (three whole pages on her blouses, was the guy nuts?), or the things Buttercup was taught so she could be a royal, in order to impress upon us how very grateful we are to Mr. Goldman for editing the book). At one point Goldman claims he wrote an additional scene which the publisher refused to include and gives an address one may write to in order to obtain it. Letters sent to that address are answered with an explanation that someone acting on the original author's behalf is still blocking publication of the additional scene. Later editions blurred the line further, with an afterword of Goldman recounting a meeting he had with Creator/StephenKing while he was writing the (real) screenplay for ''Misery''. He portrays King as a big fan of the original book who was outraged at some of the changes Goldman made. King is also alleged to be doing the abridgment of the long lost sequel ''Buttercup's Baby''. One of the later editions goes even further, revealing that the deal with Creator/StephenKing fell through, so Goldman is doing ''Buttercup's Baby''... and he includes the first bits of it, resolving the cliffhanger ending of the original book (while providing a new cliffhanger).
* Umberto Eco engages in LampshadeHanging in ''Literature/TheNameOfTheRose'', initially claiming that the work is an adaptation of a translation of an account by the novel's protagonist, ostensibly written well after the events occurred, but then proceeding to criticize the accuracy of the account, both directly in the foreword and implicitly in the epilogue. He does the same in ''The Prague Cemetery''.

* James Howe's ''Literature/{{Bunnicula}}'' series claims in the prologues that Howe is simply the literary agent for a ''dog'', the Dr. Watson to a cat who fancies himself a paranormal investigator ''par excellence''.

* Elizabeth Peters' ''Literature/AmeliaPeabody'' novels are framed as being excerpts from the rather extensive and detailed journals Mrs. Emerson kept over many decades, starting approximately with her initial trip to Egypt in the 1880s, during which she met the man who would become her husband. Later volumes also include excerpts from "Manuscript H", written by Amelia's son Ramses. Elizabeth Peters takes on the role of the editor of these journals in the author's notes, which allows some extensive LampshadeHanging: she often expresses exasperation at the inconsistencies and inaccuracies in the text, such as the signs that the journals were rewritten many years later with an eye towards publication ("LittleDidIKnow..."), and Amelia's tendency to put her own opinions in the mouths of her famous contemporaries.
* The ''{{Literature/Dinotopia}}'' books are prefaced with James Gurney's claim that they are merely reproductions of real journals that he's found, rather than being fiction. The second book has Arthur Denison's journal - implied to be the same as the previous book - being lost at sea and the story continues from this point regardless, but this book is a stylistic change, lacking a note from Gurney and being in third person. ''Journey to Chandara'' returns to this trope.
* ''Literature/{{Animorphs}}'': The opening chapter of every book invokes this trope, and every now and then it also comes into the body of the story as well. There are a number of issues with the implementation, such as characters [[spoiler:narrating right up to their deaths]], and the fact that even though they [[NoNameGiven refuse to give their real name or hometown]] in case their enemies read the books, they still give away plenty of other information their enemies would find useful -- which this is not the place to discuss in detail. The use of the second person in opening narration is primarily just a way to put the reader in the fearful background.
* The ''Literature/BooksOfPellinor'' are supposedly translations of a saga from the land of Edil-Amarandh.

* John [=DeChancie=]'s ''Literature/CastlePerilous'' books are purported to be true adventures (except ''Castle Dreams'') written down by Osmirik, Court Scribe and Royal Librarian to Lord Incarnadine, and are so 'introduced' by him at the beginning of each entry into the series (after they've been smuggled through the portal, or Aspect, to our world). Later it is revealed that Lord Incarnadine himself takes on the identity of a writer here on Earth, passing off Osmirik's accounts as his own fantasy works (presumably under the pseudonym of [=DeChancie=] himself!). This self-mockery reaches its height in ''Castle Dreams'' when 'Osmirik' claims never to have seen the earlier novels, let alone written them or their prefaces, and engages in a long and lively debate about alternate realities, how the magic of the castle could have spontaneously produced such works, and the literary merit (or lack thereof) of such [[TakeThatMe "cheap trash" with "terrible cover art."]] It even enters MindScrew territory when he not only denounces the [[FootnoteFever footnotes]] which appear throughout the book, but claims ''in a second preface'' that the first one appeared in the book [[Film/{{Spaceballs}} before he had even written it]].

* ''Literature/ThursdayNext'' takes this to its logical extreme: every single book ever written is based on events in the alternate universe Bookworld, with the ideas telepathically sent to the minds of the author.

* As of ''Literature/TheTalesOfBeedleTheBard'' the ''Literature/HarryPotter'' series has this. It's kind of weird to see Rowling write footnotes to Dumbledore's commentary of Beedle's tales, which were translated by Hermione. The foreword by Rowling references ''[[Literature/HarryPotterAndTheDeathlyHallows The Deathly Hallows]]'' from the "seventh book of the biography of Harry Potter".
* ''Literature/FantasticBeastsAndWhereToFindThem'':
** The 2017 edition, released the year after [[Film/FantasticBeastsAndWhereToFindThem the film of the same title]], includes a foreword by Newt Scamander implying the film is a recently-declassified account of actual events, and he mentions "As [[Film/FantasticBeasts more documents]] become declassified over the coming years, I will be freer to speak openly about my role during that dark period of our history."
** The "School Books" had a twist on this. ''Literature/FantasticBeastsAndWhereToFindThem'' and ''Literature/QuidditchThroughTheAges'' assert that the wizarding world is real, and these books are magically copied (with a foreword added by Dumbledore) from real books from Hogwarts. Complete with graffiti written in the margins by Harry and his friends, no less.

* It's long been tradition at Creator/MarvelComics that they weren't making stories up, just reporting what really happened. (To the point that they once showed a writer and artist very concerned they hadn't heard from their characters they "covered", and were debating what to do for the next issue. They reacted with absolute horror at the suggestion they just "make something up".) However, this was directly averted in a letter column after the Death of Phoenix in ''ComicBook/XMen'', when the editor wrote about the many touching letters they received about how much the story meant to some of the fans. Some people even sent flowers. And then, they started getting ''death threats'' over the story. To which the editor said, "I know we joke we're just reporting what really happened, but it's just a comic book. It is brightly colored ink on cheap paper that will decay to dust in two hundred years. It is not worth threatening anyone's life."
** Creator/PeterDavid once related a story about how, at a convention, he was sitting at an autograph table and a boy and his mother walked by. "That's Peter David! He works in the comics", the kid says. His mother turns to David and asks, "You draw the comics?" "Actually, I'm a writer." She looks confused. "So what do you do in comics?", she asks. Before David can respond, the boy pipes up: "Oh, he writes down everything Spider-Man says and puts it in the comics." [[note]] which is ''still'' an accurate description of what he does, aside from the fact he also ''decides'' what Spider-Man is going to say.[[/note]]

* Creator/AlanMoore claims to have met ComicBook/JohnConstantine of ''Comicbook/SwampThing'' and ''ComicBook/{{Hellblazer}}'' fame in real life, more than once. We must consider three very distinct possibilities. Either he met Sting (on whose appearance Constantine is based) in a trenchcoat, Alan Moore is out of his fucking mind, or he believes so much in certain things that they become real and his sanity forces him to forget lest he obliterate himself.
* ''Starlord'' had the Starlord, who had arrived on Earth to warn humanity about the evil [[TheEmpire Interstellar Federation]]. The comic was supposedly a stealth training manual so that humanity would be able to defend itself when they arrived. In the last issue before ''Starlord'' merged with ''ComicBook/TwoThousandAD'', the Starlord said that humans had absorbed enough knowledge to scare off the Federation, and so he was going to depart Earth and leave his readers in the capable hands of Tharg.
* ''Tornado'' was supposedly edited by one of its characters, a superhero named The Big E, who was trained by Tharg as a super-editor.
* Creator/SteveGerber revealed in the last issue of ''ComicBook/ManThing'' that he was just retelling stories told to him by Dakimh the Enchanter.

* After fifty-six years and thirty-six books, ''Asterix and the Missing Scroll'' reveals that ComicBook/{{Asterix}}'s adventures [[spoiler:were written down by Caesar in a lost chapter of his ''Literature/CommentariesOnTheGallicWar'', and passed down in Druidic oral traditions all the way down]] to Uderzo and Goscinny.
* ''ComicBook/TheMultiversity'' posits that comic books are actually [[ATrueStoryInMyUniverse windows into alternate realities]], letting you see the multiverse in AFormYouAreComfortableWith. The [[CosmicHorrorStory horrifying implications]] of this are thoroughly explored; most notably, [[spoiler:a group of [[EldritchAbomination Lovecraftian horrors]] called the Gentry are trying to use it to invade and destroy universes, including ''[[TheFourthWallWillNotProtectYou ours]]''.]]

* The Mighty Tharg of ''ComicBook/TwoThousandAD'' is an alien on a quest to strengthen humanity by exposure to 'Thrill-power', which he does by publishing the titular comic.
* Creator/KurtBusiek notes that he sees the world of ''ComicBook/AstroCity'' as being a SharedUniverse owned by a company called Astro Comics, which has a similar history to Marvel and DC--the stories we see in its world, the vast majority of which are one-shots, are just snippets of its greater output. For instance, a good number of are {{Fad Super}}s to some degree, reflecting the tendency of those companies to jump on cultural trends or the latest popular film or TV show. He claims that when creating a new character, he likes to ask what that character's first appearance was like and how long their series (if they had one) ran for.

* The short stories in ''[[FanFic/YouGotHaruhiRolled You Got SasakiRolled!]]'' are allegedly written by three characters from [[Literature/HaruhiSuzumiya the original series.]] In a twist, the "literary agent" (that is, the author) is killed off at the very beginning and the story was supposedly uploaded to Website/FanFictionDotNet by his ghost.

* ''[[http://bbs.stardestroyer.net/viewtopic.php?f=9&t=121133 Episode I: The real story?]]'': This story (originally in Russian) is about how the ''Franchise/StarWars'' films are actually made for show distortions of real events, and it's very risky to use them as actual sources. Then it shows (as much as possible; sources are sketchy) what the events of "Episode I" really looked like before HollywoodTropes were applied. For starters, Naboo was too remote a planet for taxing disputes -- the dispute was actually over properly dividing the profits from a local animal's venom, apparently [[AlienCatnip a drug for Hutts]]. A few things (like Obi-Wan defeating Maul) do look a bit more plausible than in the movie.
* ''Fanfic/ABriefHistoryOfEquestria'' is presented as a non-fiction history book written by [[WesternAnimation/MyLittlePonyFriendshipIsMagic Twilight Sparkle]] along with historians and scholars from the Equestrian Royal Ministry of Education and the Royal Historical Society.
* ''Fanfic/BookOfDays'' is presented as Clover the Clever's personal diary detailing the events of Princess Celestia's birth and childhood, as translated into modern language by Twilight Sparkle, who provides [[FootnoteFever commentary at the end of each chapter]].
* [[https://glitterlessgold.tumblr.com/post/158675698769/sea-and-sand-and-stone-feanorian-week-day-2 This]] fanfic suggests Creator/JRRTolkien actually met [[Literature/TheSilmarillion Maglor]]; it implies that this is where he learns about Middle Earth...
* In ''Fanfic/AThingOfVikings'', each chapter begins with a passage from a (fictional) historical text that places the events of the story in a historical context, showing a world where history is changed after Hiccup Haddock and Toothless destroyed the Green Death and brought about peace between humans and dragons.
* In ''Blog/AskErnstStavroBlofeld'', the classic Eon-produced ''Franchise/JamesBond'' films are said to be this, and they are extremely close to the real events. The Daniel Craig reboot, on the other hand, is the result of the producers being forced to make stuff up now that the real James Bond has retired and that Blofeld is in jail.

* ''Film/YearOfTheDevil'': This Czech movie (''Rok dábla'') is purportedly a documentary about a group of well-known Czech musicians, all of whom appear in the movie as themselves. However, as the movie progresses, it starts to get more and more surreal, until it becomes obvious that a lot (if not all) of it is actually made up. So ''Year of the Devil'' is essentially a cinematic piece of fiction disguised as a documentary with real people playing fictionalized versions of themselves.
* ''Film/{{Fargo}}'': Opens with a quote that reads "This is a true story. The events depicted in this film took place in Minnesota in 1987. At the request of the survivors, the names have been changed. Out of respect for the dead, the rest has been told exactly as it occurred." This is, for the most part, completely untrue. The Coen Brothers did take inspirations from various True Crime stories in the writing of the script (a body being disposed of in a wood chipper, a man hiring hitmen to kill his wife) but the events, plot, characters, and settings were all completely fictional. Joel Coen went on to say "The story was completely made up. Or, as we like to say, the only thing true about it is that it's a story".

* Music/LesLuthiers periodically "discover" and perform music by the fictitious composer Johann Sebastian Mastropiero.

* The fictional parochial newspaper featured in the artwork of the 1972 Music/JethroTull ConceptAlbum ''Music/ThickAsABrick'' depicts the also-fictional child poet Gerald Bostock and the lyrics to his controversial poem, also called "Thick As A Brick", which allegedly Tull frontman Ian Anderson set music to for the album. Bostock is credited with writing the lyrics to the album in the liner notes. (In reality, of course, Anderson wrote both the music and lyrics to the album.)

* ''VideoGame/LostPig'' is supposedly by Grunk, the player character, "as told to" the game's programmer. The supporting material includes commentary by the programmer expressing his doubts about the accuracy of some of the details.
* The first four ''VideoGame/{{Myst}}'' titles, along with the tie-in novels, are supposedly based (Tolkien-style) on translations of the character Catherine's journals. This is taken even further with ''VideoGame/UruAgesBeyondMyst'' and its {{MMORPG}} counterpart ''Myst Online: Uru Live'', in which the D'ni cavern is portrayed as a real place -- in New Mexico, of all places - being rediscovered by a team of expeditionary archaeologists funding their research by selling the rights to certain historical documents it uncovered to the game company Cyan, which used them as the basis for the ''Myst'' games.
* ''VideoGame/TheBeginnersGuide'' is narrated by its real-life creator Davey Wreden, who presents it as a compilation of games created by his friend Coda. [[spoiler:However, messages by Coda near the end beg Davey to stop publishing his work. One could imagine that the release of ''The Beginner's Guide'' would not be helpful if the story was true. Also according to one message, Davey lied about the lampposts being a recurring element in Coda's work, having them put in there himself.]]
* At the denouement of ''Sherlock Holmes vs. Jack the Ripper'', it's strongly implied that Watson ''made up'' the "Hound of the Baskervilles" case, to cover up the fact that he and Holmes had actually been in London at the time, where they'd solved the Whitechapel murders. [[spoiler: The in-game killer was Jewish, and Holmes knew that preventing an anti-Semitic bloodbath by outraged Londoners was more important than revealing the truth, so he had the man locked up in secret.]]

* The storyteller from ''Webcomic/GirlGenius'' is all but stated to be Creator/PhilFoglio, and the series is him re-telling what he knows of Agatha's rise to power. Though he also admits in-story that he's been exposed to so many mind-altering chemicals and energies that he can't [[UnreliableNarrator be sure exactly what happened]]. The novelization confirms that the Storyteller is supposed to be Phil Foglio.

Once in a while a really well-written story can feel so real that [[LiteraryAgentHypothesis you begin to wonder if it might just be based on a true story]]. Occasionally, [[BasedOnATrueStory this is actually the case]] -- or at least [[BasedOnAGreatBigLie supposedly so]] -- but there are times when an author (etc.) will go right out of their way to create greater immersion in their work by '''claiming that their very obviously fictional and fantastic world is in some way real'''. Usually they claim that they didn't come up with the story; rather, it was 'recounted' to them by the actual main characters (or some other witness), often physically, but sometimes by phone or magic.

Another common method is to claim that the book was written as a testimony (or confession) to actual events. In this version '''the author pretends they are simply publishing something that someone else has written'''. They may claim that they merely found the account in the form of a [[Literature/TheWesternMysteries diary or a set of notebooks]] and novelised it. (An extreme example is ''Literature/TheGuildOfSpecialists'' trilogy, which fabricates not only a plethora of large and intricate diagrams, pull-out maps and sketches, but ''photos and objects''.) Or, if it is a film, that it comprises [[FoundFootageFilms found footage]] or a mixture of found footage and {{Dramatisation}}. Other methods include [[Literature/SherlockHolmes accounts by secondary characters]] and so on. This trope, a staple of children's books and fantastic tales, often features an AuthorAvatar or even instances of FromBeyondTheFourthWall or other strangeness, and may be said to be [[Literature/TheLordOfTheRings translated from accounts of what 'happened' or books 'written' by the characters]] though never actually communicated in person.

'''Absolutely not to be confused with LiteraryAgentHypothesis''' (key word: ''hypothesis''), where fans may suppose that the story is actually real, or like to think it is, but don't have any support from canon or WordOfGod. Also not to be confused with ATrueStoryInMyUniverse, for InUniverse examples. Often ties in with AuthorAvatar and may involve an admitted UnreliableNarrator.

** The core of the story (''Literature/TheHobbit'' and ''Literature/TheLordOfTheRings'') exist InUniverse as their respective protagonist Bilbo's diary and Frodo's account of his adventures, and is called the ''[[FictionalDocument Red Book of Westmarch]]''. This original ''Red Book'' was copied into an edition called ''The Thain's Book'', to which someone added a few volumes of ''Translations from the Elvish'' by Bilbo. This was copied in turn by one 'Findegil, the King's Writer' -- the date this copy was made is the last dated event in the book, so we can presume Tolkien 'discovered and translated' this copy. \\
The story begins with Bilbo's homely descriptions of the hobbit characters' interaction, gradually changes to Frodo's scholarly and [[PurpleProse slightly purple narration]] throughout most of the rest of the book, and culminates with Sam's down-to-earth, humble (but still educated) language towards the end -- the second half of Book Six of ''LotR'', detailing the Scouring and renewal of the Shire, is directly implied to have been written by Sam ("I ''have'' finished. The last few pages are for you").
** In ''Literature/TheBookOfLostTales'', the earliest version of ''Literature/TheSilmarillion'', the stories are told via a FramingDevice of elves telling them to an Anglo-Saxon mariner, [=Æ=]lfwine, who stumbled upon the Elvish island Tol Eressëa, who then [[CharacterNarrator writes them down]] and takes them back to England. His book is found long afterwards in the ruins of an old house and ends up with Tolkien who, being a Professor of Old English, translates it. The two contradict each other because the 'Anglo-Saxon mariner' framing story gives us one version of events (''The Book of Lost Tales''), while Bilbo is the editor/author of ''Translations from the Elvish'' (aka ''The Silmarillion''), a different account of the same myths.

** Creator/StephenKing also does this with some of the more recent books written under his pseudonym, Richard Bachman. In the forewords to those, Creator/StephenKing claims that the books were unfinished manuscripts by the late Bachman that he had been asked to polish and update for release after Bachman died of "cancer of the pseudonym". (This makes him a Literary Agent for himself, oddly enough.)

** In the original book version of ''Literature/JurassicPark'', one of the many differences from the film adaptation was the death of Ian Malcolm. In the sequel novel, Malcolm explains that his death was just a rumour, leading the reader to believe that the original novel was merely an imperfect retelling of the actual events. (The original novel was also prefaced by "The [=InGen=] Incident", a historical-nonfiction-style bit about the problems the book's events caused.)

Once in a while a really well written story can feel so real that [[LiteraryAgentHypothesis you begin to wonder if it might be based on a true story]]. Occasionally [[BasedOnATrueStory this is actually the case]], or at least [[BasedOnAGreatBigLie supposedly so]] -- but there are times when an author (etc.) will go right out of their way to create greater immersion in their work by '''claiming that their very obviously fictional and fantastic world is in some way real'''. Usually they claim that they didn't come up with the story; rather, it was recounted to them by the actual main characters (or some other witness), often physically, but sometimes by phone or magic. Other times they will claim that they found the account in the form of a diary and novelised it, or, if it is a film, that it comprises [[FoundFootageFilms found footage]] or a mixture of found footage and {{Dramatisation}}.

Another common method is to claim that the book was written as a testimony (or confession) to actual events -- possibly the most notable example of this is ''Literature/TheGuildOfSpecialists'' trilogy, which takes the love that boys' annuals tend to have for intricate diagrams and maps to its absolute extreme and fabricates not only a plethora of large diagrams, maps and sketches, but ''photos and objects''. In this version '''the author pretends they are simply publishing something that someone else has written''' -- this often takes the form of a novelization of a [[Literature/TheWesternMysteries diary or a set of notebooks]]. Other methods include [[Literature/SherlockHolmes accounts by secondary characters]] and so on. This trope, a staple of children's books and fantastic tales, often features an AuthorAvatar or even instances of FromBeyondTheFourthWall or other strangeness, and may be said to be [[Literature/TheLordOfTheRings translated from accounts of what 'happened' or books 'written' by the characters]] and never actually communicated in person.

In all these cases, however, it is considered canon that the author is repeating a story that is in fact true, if only to a certain degree. [[IShouldWriteABookAboutThis One of the people the story is about may even be the author themselves.]]

'''Absolutely ''not'' to be confused with LiteraryAgentHypothesis''' (key word ''hypothesis''), where fans believe that maybe the story is actually real, or like to think it is, but don't have any support from canon or WordOfGod. Also not to be confused with ATrueStoryInMyUniverse, for InUniverse examples. Often ties in with AuthorAvatar and may involve an admitted UnreliableNarrator.

* Creator/JRRTolkien's [[TolkiensLegendarium Legendarium]]:

Once in a while a really well written story can feel so real that [[LiteraryAgentHypothesis you begin to wonder if it might not be based on a true story]]. Occasionally [[BasedOnATrueStory this is actually the case]], or [[BasedOnAGreatBigLie supposedly so]], but there are times when an author (etc.) will go right out of their way to create greater immersion in their work by claiming that their very obviously fictional and fantastic world is in some way real. Usually they claim that they didn't come up with the story; rather, it was recounted to them by the actual main characters (or some other witness), often physically, but sometimes by phone or magic. Other times they will claim that they found the account in the form of a diary and novelised it, or, if it is a film, that it comprises [[FoundFootageFilms found footage]] or a mixture of found footage and {{Dramatisation}}.

Another common method is to claim that the book was written as a testimony (or confession) to actual events - possibly the most notable example of this is ''Literature/TheGuildOfSpecialists'' trilogy, which takes the love that boys' annuals have for intricate diagrams and maps to its absolute extreme and fabricates not only a plethora of large diagrams, maps, and sketches, but ''photos and objects''. In this version the author pretends they are simply publishing something that someone else has written - this often takes the form of a novelization of a [[Literature/TheWesternMysteries diary or a set of notebooks]]. Other methods include [[Literature/SherlockHolmes accounts by secondary characters]] and so on. This trope, a staple of children's books and fantastic tales, often features an AuthorAvatar or even instances of FromBeyondTheFourthWall or other strangeness and may be said to be [[Literature/TheLordOfTheRings translated from accounts of what happened or books written by the characters]] and never actually communicated in person.

In all these cases, however, it is considered canon that the author is repeating a story that is in fact true, if only to a certain degree. [[IShouldWriteABookAboutThis One of the people the story is about may even be the author themselves]].

'''Absolutely ''not'' to be confused with LiteraryAgentHypothesis''', when fans think that maybe the story is actually real, or like to think it is, but don't have any support from canon or WordOfGod. Also not to be confused with ATrueStoryInMyUniverse, for InUniverse examples. Often ties in with AuthorAvatar and may involve an admitted UnreliableNarrator.

* ''Literature/TheGuildOfSpecialists'' is the absolute grandmaster of this trope. The three books are absolute works of art, each designed to look like a diary and filled to the brim with maps, diagrams, sketches, some folding out to as much as four or five pages. There are antique photographs (purportedly) of the characters and settings and museum-style photographs of objects that appear in the books. It is truly something to behold and the level of immersion the books create is fantastic.

** ''Literature/TheChroniclesOfNarnia'': Lewis claims to be recounting the tales as told to him by an unknown individual or individuals, likely one or more of the Pevensie children. This is made explicit in ''Literature/TheVoyageOfTheDawnTreader'': "Lucy could only say, 'It would break your heart.' 'Why,' said I, 'was it so sad?' 'Sad!! No,' said Lucy." This is why the narrator often confesses ignorance as to things that the children themselves do not know. One reason he does this is that ''Literature/TheLionTheWitchAndTheWardrobe'' came about when three children, Margaret, Mary and Katherine, were evacuated from London and sent to live with him during the war (yes, [[AuthorAvatar the professor is Lewis]]). The four children of the book [[http://en.wikipedia.org/wiki/The_Chronicles_of_Narnia#Background_and_conception are inspired by them]]. A minor line from ''Literature/TheMagiciansNephew'' notes that "Mr. Literature/SherlockHolmes was still living on Baker Street", which is a ShoutOut from one literary agent to another.

* Creator/JRRTolkien's ''Franchise/TolkiensLegendarium'':
** The core of the story (''Literature/TheHobbit'' and ''Literature/TheLordOfTheRings'') exist InUniverse as Bilbo's diary and Frodo's account of his adventures, and is called the ''[[FictionalDocument Red Book of Westmarch]]''. This original ''Red Book'' was copied into an edition called ''The Thain's Book'', to which someone added a few volumes of "Translations from the Elvish" by Bilbo. This was copied in turn by one "Findegil, the King's Writer" -- the date this copy was made is the last dated event in the book, so we can presume Tolkien "discovered and translated" this copy. \\
The story begins with Bilbo's homely descriptions of the hobbit characters' interaction, gradually changes to Frodo's scholarly and [[PurpleProse slightly purple narration]] throughout most of the rest of the book, and ending with Sam's down-to-earth, humble (but still educated) language towards the end -- the second half of Book Six, detailing the Scouring and renewal of the Shire, is directly implied to have been written by Sam ("I ''have'' finished. The last few pages are for you").
** In ''Literature/TheBookOfLostTales'', the earliest version of ''Literature/TheSilmarillion'', the stories are told via a FramingDevice of elves telling them to an Anglo-Saxon mariner, [=Æ=]lfwine, who stumbled upon the Elvish island Tol Eressëa, who then [[CharacterNarrator writes them down]] and takes them back to England. His book is found long afterwards in the ruins of an old house and ends up with Tolkien who, being a Professor of Old English, translates it. The two contradict each other because the "Anglo-Saxon mariner" framing story gives us one version of events (''The Book of Lost Tales''), while Bilbo is the editor/author of ''Translations from the Elvish'' (aka ''The Silmarillion''), a different account of the same myths.

** An interesting example at the start of James Lovegrove's ''Literature/CthulhuCasebooks'' series of mashup novels. The introduction to the first volume, ''Shadows in Shadwell'', carefully explains how Lovegrove got these manuscripts from the estate of one Henry Prothero Lovecraft (a distant relative of both the ''other'' Creator/HPLovecraft and Lovegrove himself) and that analysis suggests they are genuine. Nonetheless, since they're supposedly Watson claiming that nearly everything he wrote was a deception designed to conceal ThingsManWasNotMeantToKnow, Lovegrove's introduction suspects they may be some kind of bizarre hoax. His straighter Holmes pastiches are referenced, suggesting in-universe Lovegrove is loath to believe the other Watson manuscripts he edited were a pack of lies (not to mention not wanting to believe he's in a CosmicHorrorStory). By the introductions to the second and third books, he's become less sceptical (and the epilogue to the third book reveals [[spoiler: in-univese Lovegrove has GoneMadFromTheRevelation]]). A short story in the same setting opens with an e-mail from the lawyer who dealt with Henry Lovecraft's estate, saying he found a further letter from Watson, and rather sarcastically adding that he is happy to offer his services if Lovegrove's apparent habit of making money from other people's manuscripts result in him needing a lawyer.

* ''Film/JakeSpeed'': This film has a premise where pulp novel heroes like Mack Bolan (from ''Literature/TheExecutioner''), Remo Williams (from ''Literature/TheDestroyer''), the title character of ''Literature/DocSavage'', and the eponymous Jake Speed are all real; it's the ''authors'' that are fictional. (They use the proceeds from the novels to fund their adventures.) The hero even has a ghostwriter for a sidekick.

* In ''Film/IncidentAtLochNess'', a faux-documentary by Zak Penn, starring Werner Herzog, the filmmakers claim to be shooting a documentary about the myth of the Loch Ness monster, but begin to encounter signs that it may not be a myth. Like Crichton's ''Literature/EatersOfTheDead'', it is (or seems to be) a genuine documentary at the beginning of the film; where it crosses into fiction is debatable. The conceit of a genuine documentary is held on to the bitter end (the DVD even includes "commentary" by Zak Penn as he interviews a series of people and discusses the bad blood between himself and Herzog due to events in the film).

* In ''[[https://archiveofourown.org/works/10408971/chapters/22985466 A Thing of Vikings,]]'' a ''WesternAnimation/HowToTrainYourDragon'' fanfic, each chapter begins with a passage from a (fictional) historical text that places the events of the story in a historical context, showing a world where history is changed after Hiccup Haddock and Toothless destroyed the Green Death and brought about peace between humans and dragons.

* ''Starlord'' had the Starlord, who had arrived on Earth to warn humanity about the evil [[TheEmpire Interstellar Federation]]. The comic was supposedly a stealth training manual so that humanity would be able to defend itself when they arrived. In the last issue before ''Starlord'' merged with ''2000 AD'', the Starlord said that humans had absorbed enough knowledge to scare off the Federation, and so he was going to depart Earth and leave his readers in the capable hands of Tharg.

* In ''Film/IncidentAtLochNess'', a faux-documentary by Zak Penn, starring Werner Herzog, the filmmakers claim to be shooting a documentary about the myth of the Loch Ness monster, but begin to encounter signs that it may not be a myth. Like Crichton's ''Literature/TheThirteenthWarrior'', it is (or seems to be) a genuine documentary at the beginning of the film; where it crosses into fiction is debatable. The conceit of a genuine documentary is held on to the bitter end (the DVD even includes "commentary" by Zak Penn as he interviews a series of people and discusses the bad blood between himself and Herzog due to events in the film).

** Crichton also did it with ''Literature/TheThirteenthWarrior''. Aside from the footnotes scattered through the book (again a mix of real and fake information), the beginning is an ''actual historical document'', written by the real Ahmad ibn Fadlan, up to the point where he heads off with the Vikings to battle the Wendol. The novel is portrayed as a translation of ibn Fadlan's writing that extended past the point where the real ibn Fadlan stopped (even having the end of the novel terminate just as another adventure seemed to start, indicating there was more yet to happen but the manuscript had been lost). Crichton commented at one point, a few years after writing it, that he had forgotten where the fictional part of the novel actually started.

* In ''Film/IncidentAtLochNess'', a faux-documentary by Zak Penn, starring Werner Herzog, the filmmakers claim to be shooting a documentary about the myth of the Loch Ness monster, but begin to encounter signs that it may not be a myth. Like Crichton's ''Literature/EatersOfTheDead,'' it is (or seems to be) a genuine documentary at the beginning of the film; where it crosses into fiction is debatable. The conceit of a genuine documentary is held on to the bitter end (the DVD even includes "commentary" by Zak Penn as he interviews a series of people and discusses the bad blood between himself and Herzog due to events in the film).

** Crichton also did it with ''Literature/EatersOfTheDead''. Aside from the footnotes scattered through the book (again a mix of real and fake information), the beginning is an ''actual historical document'', written by the real Ahmad ibn Fadlan, up to the point where he heads off with the Vikings to battle the Wendol. The novel is portrayed as a translation of ibn Fadlan's writing that extended past the point where the real ibn Fadlan stopped (even having the end of the novel terminate just as another adventure seemed to start, indicating there was more yet to happen but the manuscript had been lost). Crichton commented at one point, a few years after writing it, that he had forgotten where the fictional part of the novel actually started.

** ''Literature/ChroniclesOfNarnia'': Lewis claims to be recounting the tales as told to him by an unknown individual or individuals, likely one or more of the Pevensie children. This is made explicit in ''Literature/TheVoyageOfTheDawnTreader'': "Lucy could only say, 'It would break your heart.' 'Why,' said I, 'was it so sad?' 'Sad!! No,' said Lucy." This is why the narrator often confesses ignorance as to things that the children themselves do not know. One reason he does this is that ''Literature/TheLionTheWitchAndTheWardrobe'' came about when three children, Margaret, Mary and Katherine, were evacuated from London and sent to live with him during the war (yes, [[AuthorAvatar the professor is Lewis]]). The four children of the book [[http://en.wikipedia.org/wiki/The_Chronicles_of_Narnia#Background_and_conception are inspired by them]]. A minor line from ''Literature/TheMagiciansNephew'' notes that "Mr. Literature/SherlockHolmes was still living on Baker Street", which is a ShoutOut from one literary agent to another.

* Cressida Cowell, writer of the ''Literature/HowtoTrainYourDragon'' book series, claimed she came across and translated the memoirs of Hiccup.