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* ''Franchise/AvatarTheLastAirbender'' creators Creator/BryanKonietzko and Creator/MichaelDanteDiMartino left the currently-in-preproduction Creator/{{Netflix}} [[Series/AvatarTheLastAirbender2024 live-action series adaptation]] in June 2020 because of unspecified creative differences with Netflix but didn't announce it [[https://www.michaeldantedimartino.com/an-open-letter-to-avatar-the-last-airbender-fans/ until two]] [[https://www.instagram.com/p/CDy5EcgDELh/?igshid=176btc1m7gcdm months later]].
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* ''Franchise/AvatarTheLastAirbender'' creators Creator/BryanKonietzko and Creator/MichaelDanteDiMartino left the currently-in-preproduction Creator/{{Netflix}} [[Series/AvatarTheLastAirbender2024 live-action series adaptation]] in June 2020 because of unspecified creative differences with Netflix but didn't announce it [[https://www.michaeldantedimartino.com/an-open-letter-to-avatar-the-last-airbender-fans/ until two]] [[https://www.instagram.com/p/CDy5EcgDELh/?igshid=176btc1m7gcdm months later]].
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** It probably didn't help that Redgrave himself was a strong Leftist sympathiser and even had an MI5 file on him, although he was never actually in UsefulNotes/TheHollywoodBlacklist.
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** It probably didn't help that Redgrave himself was a strong Leftist sympathiser and even had an MI5 [=MI5=] file on him, although he was never actually in UsefulNotes/TheHollywoodBlacklist.
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* This was the bane of Creator/JMichaelStraczynski's TV show endeavours, and the reason for the death of ''Series/{{Crusade}}'' before it got a chance to mature and ''Series/{{Jeremiah}}'' being cancelled after two seasons. ''Series/CaptainPowerAndTheSoldiersOfTheFuture'' was a particularly severe case for him, as the Creator/{{Mattel}} execs who commissioned the series saw it as little more than a vehicle to sell toys to children, while Straczynski and the show's other writers saw it as a serious sci-fi story, with rather heavy themes involving [[AfterTheEnd nuclear war]], [[ANaziByAnyOtherName fascism]], and [[AIIsACrapshoot AI revolt]], which ultimately became a major contributing factor to the series' cancellation after only a single season.
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* This was the bane of Creator/JMichaelStraczynski's TV show endeavours, and the reason for the death of ''Series/{{Crusade}}'' before it got a chance to mature and ''Series/{{Jeremiah}}'' being cancelled after two seasons. ''Series/CaptainPowerAndTheSoldiersOfTheFuture'' was a particularly severe case for him, as the Creator/{{Mattel}} execs who commissioned the series saw it as little more than [[MerchandiseDriven a vehicle to sell toys to children, children]], while Straczynski and the show's other writers saw it as a serious sci-fi story, with rather heavy themes involving [[AfterTheEnd nuclear war]], [[ANaziByAnyOtherName fascism]], and [[AIIsACrapshoot AI revolt]], which ultimately became a major contributing factor to the series' cancellation after only a single season.
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* This was the bane of Creator/JMichaelStraczynski's TV show endeavours, and the reason for the death of ''Series/{{Crusade}}'' before it got a chance to mature and ''Series/{{Jeremiah}}'' being cancelled after two seasons.
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* This was the bane of Creator/JMichaelStraczynski's TV show endeavours, and the reason for the death of ''Series/{{Crusade}}'' before it got a chance to mature and ''Series/{{Jeremiah}}'' being cancelled after two seasons. ''Series/CaptainPowerAndTheSoldiersOfTheFuture'' was a particularly severe case for him, as the Creator/{{Mattel}} execs who commissioned the series saw it as little more than a vehicle to sell toys to children, while Straczynski and the show's other writers saw it as a serious sci-fi story, with rather heavy themes involving [[AfterTheEnd nuclear war]], [[ANaziByAnyOtherName fascism]], and [[AIIsACrapshoot AI revolt]], which ultimately became a major contributing factor to the series' cancellation after only a single season.
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* There were disagreements on the set of ''Series/KeepingUpAppearances'' between writer Roy Clarke and producer-director Harold Snoad, mostly that Roy Clarke rarely watched his own shows, and although he wrote witty dialogue, the practicalities of the scripts were often hopelessly implausible, or left to the discretion of Snoad. Creator/PatriciaRoutledge refused to act some of the scenes as they were first written, because she thought they were too unbelievable. Harold Snoad ended up rewriting many of the episodes.
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* The director of the first ''VideoGame/AeroFighters'', Shin Nakamura, left Video System over his disagreement with the company's decision to focus development on the UsefulNotes/NeoGeo (which only supported a standard 4:3 aspect ratio instead of the 3:4 aspect ratio used for ''Aero Fighters'' and ''Turbo Force'') and founded Creator/{{Psikyo}} to continue making [[ShootEmUp shmups]] in that vein. Ironically, Psikyo would much later release a sequel to ''VideoGame/Strikers1945'' for the Neo Geo while Video System would develop ''Aero Fighters 2'' and ''Aero Fighters 3'' as Neo Geo games before returning to the original screen orientation for later installments.
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* The director of the first ''VideoGame/AeroFighters'', Shin Nakamura, left Video System over his disagreement with the company's decision to focus development on the UsefulNotes/NeoGeo Platform/NeoGeo (which only supported a standard 4:3 aspect ratio instead of the 3:4 aspect ratio used for ''Aero Fighters'' and ''Turbo Force'') and founded Creator/{{Psikyo}} to continue making [[ShootEmUp shmups]] in that vein. Ironically, Psikyo would much later release a sequel to ''VideoGame/Strikers1945'' for the Neo Geo while Video System would develop ''Aero Fighters 2'' and ''Aero Fighters 3'' as Neo Geo games before returning to the original screen orientation for later installments.
