History Main / CounterPointDuet

18th Jul '16 5:44:10 PM Doug86
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* In ''AVeryPotterMusical'', Ron and Draco sing "Granger Danger," a song about how seeing Hermione at the Yule Ball has made them both fall in love with her.

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* In ''AVeryPotterMusical'', ''Theatre/AVeryPotterMusical'', Ron and Draco sing "Granger Danger," a song about how seeing Hermione at the Yule Ball has made them both fall in love with her.
29th May '16 5:15:28 PM Octavian
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** A different counterpoint duet in ''Wicked'' is "Wicked Witch of the East" - Nessa reprises her and Boq's passage from "Dancing Through Life", while Elphaba sings the incantation to [[spoiler:turn Boq into the Tin Man]] quietly in counterpoint.
17th Apr '16 11:15:35 AM Prfnoff
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* In ''Theatre/GuysAndDolls'', Sarah enters the penultimate scene singing the finish of "I've Never Been In Love Before" while Adelaide, in counterpoint, adds yet another verse to her lament.
16th Apr '16 6:21:56 AM AllanV
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-->'''Seabury:''' '''Heed''' not the rabble who '''scream, revolution!''' They '''have not''' your interests at '''heart.'''
-->'''Hamilton:''' '''Hed''' have you all unravel at the sound of '''screams''' but the '''revolution''' is coming, the '''have-nots''' are gonna win this, its '''hard''' to listen to you with a straight face!

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-->'''Seabury:''' '''Heed''' not the rabble '''rabble''' who '''scream, revolution!''' They '''have not''' your interests '''interests''' at '''heart.'''
-->'''Hamilton:''' '''Hed''' have you all unravel un'''ravel''' at the sound of '''screams''' but the '''revolution''' is coming, the '''have-nots''' are gonna win this, '''win this''', its '''hard''' to listen to you with a straight face!
1st Feb '16 6:08:34 PM ClockStopping
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* ''Farmer Refuted'' from ''Theatre/{{Hamilton}}'' skips the second step: first, we have Samuel Seabury singing about how the American people should not be tempted into revolution (with a couple of short interjections by the other characters), and then he sings the same verse again, but this time with Hamilton's much faster rapped response layered on top, written such that sometimes he says the same word or sound at the same time as Seabury. As an example, here are the first two lines, with the simultaneous common sounds bolded:
-->'''Seabury:''' '''Heed''' not the rabble who '''scream, revolution!''' They '''have not''' your interests at '''heart.'''
-->'''Hamilton:''' '''Hed''' have you all unravel at the sound of '''screams''' but the '''revolution''' is coming, the '''have-nots''' are gonna win this, its '''hard''' to listen to you with a straight face!
4th Jan '16 2:54:05 PM nombretomado
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* "Don't Do Sadness" / "Blue Wind" from ''SpringAwakening''. Moritz's half ("Don't Do Sadness") is a loud, rock-influenced BSODSong, while Ilse's half ("Blue Wind") is a nostalgic, [[LonelyPianoPiece piano-accompanied lament]].

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* "Don't Do Sadness" / "Blue Wind" from ''SpringAwakening''.''Theatre/SpringAwakening''. Moritz's half ("Don't Do Sadness") is a loud, rock-influenced BSODSong, while Ilse's half ("Blue Wind") is a nostalgic, [[LonelyPianoPiece piano-accompanied lament]].
18th Dec '15 2:26:58 PM twilicorn
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* ''Literature/EmmetOttersJugBandChristmas'' has the reprise of "Our World"/"Brothers".
23rd Nov '15 12:31:29 PM Morgenthaler
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*** But NOT unusual in GilbertAndSullivan: offhand, "Welcome gentry" from {{Ruddigore}}, for instance, or, for that matter, "I am so proud" from TheMikado. Sullivan tended, when writing a double chorus, to either contrast fast and slow (say, "Tower warders"/"'Tis the autumn" from ''TheYeomenOfTheGuard'', dotted rhythms vs. straight ("When the Foeman"/"Go ye heroes"), or triple meter vs. double meter.

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*** * But NOT unusual in GilbertAndSullivan: Creator/GilbertAndSullivan: offhand, "Welcome gentry" from {{Ruddigore}}, Theatre/{{Ruddigore}}, for instance, or, for that matter, "I am so proud" from TheMikado. Theatre/TheMikado. Sullivan tended, when writing a double chorus, to either contrast fast and slow (say, "Tower warders"/"'Tis the autumn" from ''TheYeomenOfTheGuard'', ''Theatre/TheYeomenOfTheGuard'', dotted rhythms vs. straight ("When the Foeman"/"Go ye heroes"), or triple meter vs. double meter.
18th Oct '15 1:48:43 AM Ozian123
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*** It's only a semi-example because she starts midway through the song and does not sing independently before the counterpoint.

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*** ** It's only a semi-example because she starts midway through the song and does not sing independently before the counterpoint.
12th Oct '15 6:53:27 PM NotThisThing
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* Don't Do Sadness/Blue Wind from ''SpringAwakening''. Moritz's half (Don't Do Sadness) is a loud, rock-influenced BSODSong, while Ilse's half (Blue Wind) is a nostalgic, [[LonelyPianoPiece piano-accompanied lament]].
* How the Other Half Lives from ''Thoroughly Modern Millie''.

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* Don't "Don't Do Sadness/Blue Wind Sadness" / "Blue Wind" from ''SpringAwakening''. Moritz's half (Don't ("Don't Do Sadness) Sadness") is a loud, rock-influenced BSODSong, while Ilse's half (Blue Wind) ("Blue Wind") is a nostalgic, [[LonelyPianoPiece piano-accompanied lament]].
* How ''How the Other Half Lives Lives'' from ''Thoroughly Modern Millie''.''Film/ThoroughlyModernMillie''. Miss Dorothy wants to experience the life of the poor, Millie the rich.
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